arts Artists Series 1982-83: Your ticket to the stars Multidimensional music Gregg Smith Singers command stage, aisles By DAVID GREENBERG Collegian Staff Writer They were innovative, spirited, pol ished and absolutely fantastic. The Gregg Smith Singers enthralled Fri day night's Schwab Auditorium audi ence. The group of 12 singers and pianist were as clear a choral ensemble as one could ever hope to hear. Their intona tion was nearly flawless, even in the a capella (without accompaniment) works, of which there were many. Dynamic control was another forte. Sometimes they whispered, but with clear tone always. Their enunciation was extremely fine and the often difficult consonants (such as a final "s") were precise beyond question. But two aspects of their ensemble were particularly noteworthy: first, the evenness of the sound, something all choruses strive for (or should). No single voice could be heard above the others' unless, of course, asked for. Incidentally, each singer did have a chance to show his/her solo strength and each was good. Particularly mem orable were Rosalind Rees, Katherine Davidson and Ralph Williams. The second aspect of amazement was Smith's ability to inspire.the sing ers to drop their "naturally occurring" vibrato, whose naturalness is ques tioned by some musicians. To many, including this listener, vibrato seems better used as a coloring tool than as a constant base. Ron Hilley, one of the singers, said after the concert that Smith tends to hire only those singers willing to try to drop the vibrato, at least temporarily. Hilley said it's not easy, but they do it for the sound. The concert was filled with one de light after another, sprinkled with in formative and whimsical verbal comments by the obviously talented Counterclockwise from top left: The Vienna Choir Boys, Hakan Hagegard, • '•Y Twyla Tharp Dance Company, "A Day in ,• , Hollywood ..." and Itzhak Perlman. director, Gregg Smith. Smith put a great deal of thought into this program which .spanned four centuries and a great variety of styles. The program was in five parts, each with it's own theme. Part one was a contrast between American and En glish music from the 17th through 20th centuries, followed by 17th and 18th century representatives demonstrat ing American styles borrowed as well as some independent creations. Probably the highlight of the evening came when the group broke tradition and came into the audience, singing to us directly, face to face, one to one. What might have been uncomfortable May Fest concert pleases masses By BECKY JONES Collegian Staff Writer The tradition of the full musical Mass in Catholic worship today is all but forgotten, a thing of the past. But Saturday night in Eisenhower Auditorium the University Choir, University Symphonic Wind Ensemble and Univer sity Symphonic Orchestra revived the spirit of vocal and instrumental celebration of Christianity in a performance called May Fest. With Raymond Brown conducting, the wind ensemble and choir opened the performance with'Anton Bruckner's Mass in E Minor, a romantic piece called a "vocal mass" by the composer. Instead of treating the winds and voices as separate entities, Bruckner used them as similar tools, blending spoken and unspoken richly as one voice with many tambres Although the voices overwhelmed the winds at times probably because the choir outnumbered the instrumental ists the result was pleasing. _ Both the Mass and the second piece, Francis Poulenc's Gloria, were sung in Latin not an easy language to either understand or sing with a great deal of interpretation. But because the main elements of the Mass are basic parts of today's English Christian services, the audience had little trouble appreciating the full jubilance of the pieces. The orchestra's and choir's performance of Poulenc's Gloria, an extended treatment of one of the component There is no rest for those behind the scenes at the Artists Series. Long be fore the 1981-1982 season comes to a close, plans for the upcoming year must be made. Already the schedule for next year's Artists Series' events has been re leased, the period for subscription rene wals has passed and at 9 tomorrow morning new ticket subscription sales begin at the Eisenhower Auditorium box office. Brochures with order forms are available at Eisenhower Auditorium, as well as at the Artists Series office in the Pine Cottage and the Artists Series' booth across from the HUB main desk. This year the Artists Series is pre senting several different collections of live entertainment. They are: the Mu sic Series and Theatre/Dance Series in Eisenhower; the Schwab Concert Se ries and Theatre Series in Schwab Auditorium; The Lively Arts for Young Audiences; Tuesday Night at the Mov ies and several special events. The Music Series starts off the year on Sept. 14 with world-renowned violin ist Itzhak Perlman, the best-known celebrity in the series. Perlman is not only a superb musician, but a fine showman as well. The Music Series also includes: The Prague Symphony Or chestra, directed by Jiri Belohlavek, on Nov. 5; pianist Ruth Laredo, Jan. 28; and the Vienna Choir Boys, March 18. A humorously crazy musical double feature "A Day in Hollywood/ A Night in the Ukraine" begins the Theatre /Dance Series on Oct. 24. Twyla Tharp Dance follows on Jan. 14, filling Eisen- • 44 " ti ) and artificial was enticing and warm ing. This "multidimensional sound" as they call it, is one of the Gregg Smith Singers' trademarks. The sound was unique, one which no stereo, of any sophistication could imitate. In one Smith arrangement the 12 singers were situated in a large circle encom passing the hall, singing successive syllables in an echo fashion. Rees also sang Igor Stravinsky's setting of the Owl and the Pussycat. With Ann Silsbee's piano accompani ment the eeriness of the serialized music cast the fable in a new light, underscoring the strangeness of an owl and a cat, two natural enemies, court- parts of the Mass, was handled competently, but seemed at times to move slowly. In this piece, instruments and voices were not as closely related. Sometimes they worked together; but sometimes they were a bit at odds with one another, pulling at each other and providing creative tension. The orchestra did not always seem to match the power and vibrancy of the choir, again perhaps because of the disparity in numbers. Yet, as a whole, the two groups managed to form a cohesive unit and make the Gloria the most celebrative part of the _Mass a wonderful performance. Soprano soloist Maureen Haley was the star of the Gloria, doing a splendid job of managing a very high part with many difficult leaps. Haley perhaps could have given a more moving performance; but the audience was more than pleased with her, giving her a thunderous round of applause at the finish. Brown also did a fine job of keeping such a large number of musicians together and coherent throughout the perfor mance: Entrances and endings seemed to have few of the problems that large groups invite, and control posed little difficulty Although the groups did not provide an outstanding performance, to be remembered for years to come, they did give the audience an enjoyable, relaxing evening of some little-heard church music. hower with the movements that have made Tharp one of the most respected of modern choreographers. Also includ ed in the Theatre/Dance Series are: The New Vic Theatre of London, a racey performance of six Chaucer tales, on Feb. 4; Ballet Folclorico Na cional de Mexico, a showcase of Mexi can folk music and dance, on March 12; Pennsylvania Ballet with orchestra, March 25; and the Polish Mime Ballet Theatre, April 23. The Schwab Concert Series and Theatre Series aren't as full of celeb rities and well-known groups, but the entertainment is still high quality. The concert series begins on Oct. 22 with pianist and harpsichordist Rosalyn Tu reck and includes the Smithsonian Jazz Repertory Ensemble on Nov. 12 and baritone Hakan Hagegard on Feb. 12. The theatre series is headlined by "Claire Bloom: These are Women," featuring actress Bloom playing some of Shakespeare's heroines, on Oct. 17. The special events calendar features the touring company of the Broadway hit musical "Annie." Also included are "Festival of the Nile" from Egypt and "The Nutcracker" performed by the Washington Ballet. Dates for these events will be announced later and subscription holders receive first prior ity for these tickets. As usual, the Artists Series is an entertaining bargain. Prices for stu dents run from $73 for the best seats to the combined Music and Theatre= /Dance Series (12 tickets for the price of eight) to $9 for orchestra/balcony seats to the Schwab Theatre Series. ing each other Gregg Smith's arrangements of American and English folksongs fin ished up the scheduled program and illustrated that Smith is as talented an arranger/composer as he is a director. The songs were lovely. To end, the group simply sang as they walked out of the hall during the last of three encores. Their sound died off gradually and we were left strain ing our ears to hear the last few sounds. Very effective. In short, the evening was delightful and inspiring. Even the non-singers among us left the hall wanting to sing. Dancers' dedication lets Orchesis shine By MARC WATREL Collegian Staff Writer In four performances this weekend, Orchesis proved that hard work and dedication pay off. Under the direction of College of Health, Physical Education and Rec reation faculty member Patricia Hei gel-Tanner, the members of Orchesis choreographed and staged a fine spring program that included a wide variety of styles. dance review The first act paid tribute to the old West. In a series of three dances, "The Saloon," by choreographer Ca sey Sams, "The Dance Hall," by choreographer Sally Jo Cummings and "The Range," by choreographer Leigh Melander, the earthiness of the old West came alive with sleazy sa loon girls and slick cowboys, an excit ing Offenbach Can-Can and a rousing competition of male and female on the range. • ' The second act concluded with cho reographer Mark Comly's "You Nev er Had It So Goodrnan." Set to. Benny Goodman's "Sing Sing Sing," '4os cliches -- wild sailors, gangsters molls and zoot suits came alive. The dance also allowed for some re markable solqs by the dancers. Ste ven Korkus' sailor was athletic and wild and Jan Macut's moll was seduc tive, yet fun. Comly found what suited each dancer's technique and used it to its fullest. Though the entire evening was a The Daily Collegian Monday, May 3 success, two dances deserve special mention because of their innovative choreography, their production de sign and their overall level of profes sionalism. Steven Korkus' "Daughters of the Air," with music by Vangelis, used the legend of the creation of the sea gull to create a dance of poweful emotion and style. Though the chore ography was simple, no motion was wasted seagulls did not flail, they glided. Korkus' costumes were deli cate, which suited the overall elegant appearance of the dance. Casey Sams gave a poignant performance as the widow who mourns for her dead sea faring husband, and who, in the end, turns into a seagull to warn others of the dangers of the sea. "Altar Bound-Division 1," choreo graphed by Jan Macut, took a ma cabre look at religious sacrifice. Packed with shocking emotion, Macut found the decadence some religious sects have taken over the centuries and put it to motion the dancers writhed and twisted as the dance reached a frenzied climax. Orchesis gave a performance that never once betrayed the fact that it was,an amateur group basically man aged by the dancers of which it is composed: The members of Orchesis do all the choreography, design the costumes. and the lighting, and do much of the essential non-dancing work, like'publicity . . But on stage the troupe members become slick and professional danc ers, boasting of .a ;type of polish that comes• from only one thing, hard work and dedication -- something Orchesis seems to have in abundance. And as long as it continues along this path, Orchesis will have no prob lem in promoting the art of dance at the University. THE OFFICE OF THE UNIVERSITY REGISTRAR ANNOUNCES THE SPRING TERM 1982 FINAL EXAMIINATION SCHEDULE Final examinations maybe N givcn only during the arrant final examination period at a time and place assigned by the office of . che University aegistrar For the Spring Term 1982. that special final examination period will begin at 8:00 a.m. or Thursday, iay 20, 1982 and will end at 11:00 p.m. on. Monday, May 24, 1982. Final examinations are 110 minutes in length. No changes in the meeting periods of final examinations will be authorized. No examinations except quiznes and very limited scope tests at- to be given during the tenth week of the term. All undergraduate (including 400-level, but excluding laboratory) courses are to give a final examination except , where a viable alternate (e.g. term paper, final project report, studio pro ject, take-home examination) is used. In the latter case the alternate can not be required to be submitted earlier than the first day of the final exam ination period. The final examination need not be comprehensive but must be given during the final examination period. Only "quizzes 'and narrowly limited tests" are al lowed in the tenth week of the term. Although these quizzes and tests can not be precisely defined, they should cover less than'two weeks work, should be shorter than a 75-minute period, and should count less than 20Z of the . - final course grade. A full discussion of the interpretation of this part of the policy was given in a letter from the Senate Officers to all faculty mem bers on December 7,1976. itrZmSl^ (ACLTG Biology (BIOL) 101.1-12 F 8:00 126 Whit• 029 101.13-18 F 8:00 102 Forum 033 102 S 6:50 10 Sparks 041 201 S 10:10 122 Music 112 202. Th 6:50 Schwab 11211 206.1-2 F 4:40 64 Wil 113 206.3-4 Th 8:00 64 VII 113 H 300.1-2 S 6:50 217 Wll 210 300.6 S 10:10 321 Boucles 231 401 Th 6:50 10 Sparks 418 403.1-2 Th 10:10 64 WI/ 422 403.3-4 Th 12:20 64 Wil 433 404.1-2 S 2:30 115 E 8 W 438 404.3-4 S 8:00 64 Wil 440 406.1 F 6:50 71 Wil 452 406.2-3 S 12:20 128 Sac 460 42/ S 6:50 265 Wll 479 512 573 598 198 250 M 4:40 9209 H Dry 29 a 1 4 M 2:30 5209 H Day 330 F 6:50 208 Chas 355 ' F 10:10 60 1/11 555 Th 8:00 14 R Dry Adminfarst =EMIWnT; 007 111 470 471 482.2 200 304 307 308 412 425 430 49M IR 12:20 M 6:50 M 8:00 F 6:50 F 2:30 F 12:20 Th 2:30 M 2:30 ,ricultural Economics 106 407 410 460 525 S 6:50 S 10:10 S 6:50 F 8:00 S 12:20 ricultural Education (AC ED 8:00 112 A D Th 12:20 112 All 507 008 012 014 024 320 413 Th 10:10 111 Boucle M 12:20 112 B L H 2:30 215 - A B 5 8:00 215 A B F 6:50 112 B L F 2:30 215 A B M 4:40 108 Tyson M 10:10 124 Ag E S 2:30 111 A I Th 12:20 206 Ag E F 12:20 215 A B z 438 460 463 469 ronaro (AGRO) M 12:20 S 10:10 ti 2:10 Th 6:50 Th 2:30 F 2:30 F 6:50 H 10:10 M 4:40 11 4:40 Th 2:30 F 10:10 422 425 639 497 C 506 511 518 American Studies Animal industry (A 1) j o 017 031 037 307 406 409 514 910:10 Yl. Th 2:30 M 2:30 M 4:40 F 2:30 F 10:10 utriefon 01 NTR) 244 261.1-2 F 8:00 201 Bor 261.3 =MMMI IN=l Mrhro•olo: 001.1 001.2-6 011 012 021 031 045 402 408 454 462 .- 502 F 6:50 Th 4:40 M 8:00 M 10:10 M 2:30 Th 4:40 F 8:00 F 2:30 S 6:50 S 4:40 S 8:00 F 2:30 lied Mathematics (A M) Architectural En:ineeiln. (A E) Th 10:20 127 Sac F 4:40 309 Sac F 10:10 127 Sac S 4:40 152 . H B Th 4:40 215 H B S 12:20 152 H B S 6:50 152 H B H 10:10 210 H B F 6:50 . 152 H B Th 6:50 64 Wil Th 8:00 316 H B S 12:20 232 H B n!!lmlmmams] 433 Th 10:10 .115 EE W 444 H 12:20 152 HB. 463 Any (ARMY) 103 202 303 403 P 8:00 60 La 207 H 8:00 60 141 405 S 12:20 112 W,lke Th 6:50 60 WLI 002 105 F 6:50 112 Chem 108 Th 12:20 112 Cham 120 F 4:40 112 Cham 184 F 8:00 112 Chan tas Th 2:30 230 Arts 403 Th 6:50 230 Arts 423 S 6:50 60 1711 497 A S 12:20 60 tal 6:50 230 Arta F 12:20 60 Nil Art Htstor ART H) 101.1 101.2-3 8:00 E A 101.4 S 10:10 • 10 Sparks/ 0 " S 8:00 10 Sparks .21 ° Th 10:10 26 H S /40 Th 8:00 269 Wil 201 H 2:30 262 Wil 203 6:50 445 0 L 211 6:50 445 D L 260 H 12:20 445 L 00 F 10:10 445 D 402 404 411 415 10 Sparks 420 121 Spark, 440 64 Wll 453 101 A L 454 162 Wil 468 8 Hualr 535 564 579 •tranom ASTRO) 001.1 001.2 001.3 001.4 090L.1 090L.2 291 450 513 530 ==l S 12:20 S 6:50 S 6:50 S 10:10 th 8;00 M 10:10 001 042 402 403 425 437 Rte? S 10:10 242 H 8 Th 10:10 242 H B F 6:50 102 fourm F 6:50 115 E E W S 8:00 126 Whlt• 411 11 4140 Schwab 412 TIME ROOM CCM= BusineAs AdmLnintratton (B A) tustnesa La 243.1 243.2 243.3 244 345 128 Sic 22 Nike 22 Desks 232 H B 316 H II 319 Sae 152 H B 316 H B IMTMIE 2611 S 124 Ag Z 108 Tyson 22 Seiko 213 A B Ceramic Science CERSC Ceramic Science and En, TrTm.T 455.1 • 115 E E w 455.2 108 Tvmon 460 111 8 L 536 111 Tyson 62 Wll 111 Tyson 108 Tyson 108 Tyson 105 Frgn 310 Tyson 310 Tyson 310 Tyson ChewLett. 64 Wll 64 411 60 141 117 Wagner 60 Wil 111 A r 215 A B 60 Vii 111 A r 114.1-2 114.1 141 144 210 221 224. 10 Spark, 230 11 , A , 240 271.2 108 Forum 310.1 Schwab 310.2 101 Cham 33 / 128 Sac 341 162 Wll 342.1 73 wil 342.3 105 Forum 345./ 107 ma 345.2 113 CRCB 351 801 L A 362 107 CRCB 370 107 CRCB 421 424 432 465 474 4970 498 A 513 532 546 548 572 579. IMMN=I Communication Disorders Communit Develo..ent COM D IMMMCI_CMMM7; Cot• ter Science CO Curriculum and Instruction CI tna ' Room amass 121 Sparks 205 10 Sparks 410 102 VOMM 102 Forum 102 Forum 002.1 E A 002.2 E A . 002.3 102 Forum 002.4-15 112 B L 004.1 261 F 004.2-13 64 ALL 004.14 115 E E W 014. 128 Sac 302.1 10 Sparks 302.2 8 Muelr , 111 Muelr 162 Wll 302.3 304.1 111 Miele 304.2 8 Muolr 111 Music 3/5 323 330 122 Music 333 342 101 Cham 351.1 . 3 217 Vll 351 . 2 111 Bourke 370 Schwab 404 104 Cham 405 217 Wll 423 442 451 463 480 490 503 511 516 ' 522 324 543 560 596 Th 6:50 F 10:10 Pi 6:50 F 12:20 F 12:30 P 12:20 F 12:20 Th 6:50 P 8:00 S 10:10 14 12:20 r 2:30 F 12:20 N 2:30 Th 2:30 H 6:50 Th 12:20 S 8:00 N 4:40 Th 8:00 Th 6:50 S 4:40 H 10:10 H 12:20 P 12:20 S 8:00 S 12:20 S 12:20 Schwab H 10:10 122 Music M 4:40 122 Music F 8:00 10 Sparks S 2:30 369 Mil lIMNZMI S 2:30. ¢A M 10:10 201 411 Th 12:20 128 Sac F 2:30 64 411 S 6:50 105 Forum Th 8:00' . 369 Wil S 12:20 269 411 S 2:30 111 Boucke 573 Th 4:40 308 Boucke Th 10:10 3 09 Bou cke EducarlOnal Pet F 12:20 21 Dune S 8:00 71 Wll IP 4:40 269 Wll MTMWME M 8:00 122 Music 512:20 115 E W 'Eh 2:30 10 Sparks 1 12:20 111,214 kooks 7 2:30 • JO Sparks 2:30 162 Wil 7 6:50 60 Wit 6:50 62 Wil th 6:50 105 Forum 13 6:50 158 Wit Th 12:20 102 Forum M . 6:50 10.121 Sparks S 6150 126 Whit• S 8:00 109 0 L Th 12:20 115 EE W P 4:40 102 Forum P 12:20 103 0 L F 6:50 122 Music H 12:20 162 Vii M 8:00 109 0 L H 4:40 109 0 L M 10:10 103 0 L It 6:50 119 0 L H 600 104 0 L S 10:10 109 0 L F 10:10 103 0 L Th 4:40 103 0 L F 12:20 105 0 L S 10:10 103 0 L M 2:30 152 H S 11:00 Th 4:50 207 Sae M 6:50 64 411 M 8:00 62 Wit Th 4:40 69 Wll M 6:50 262 4111 F . 10:10 62 Wll H 4:40 106,108 Sac F 8:00 62 411 F 12:20 64 411 F 2:30 214,216 H B F 4:40 106,108 Sac F 4:40 210,212 H F 6:50 106 Sac F 6:50 108 Sac Th 10:10 309 Sac H 2:30 106,108 Sac Th 6:50 214.216 H Th 6:50 210.212 H B F 12:20 71 Wll 7 12:20 73 Wll Th 12:20 106,108 Sac F 8:00 207 Sac Th 4:40 71 Wll F 6:50 207 Sac S 2:30 60 Wll F 2:30 203 Sac S 4:40 203 Sac H 8:00 107 Sac S 2:30 107 Sac S 12:20 232 H B F 10:10 208 H B F 10:10 107 Sac F 12:20 207 Sac S 8:00 107 Sac F 12:20 206 H B M 8:00 206 H M 8:00 10 Spark" F 4:40 102 Cham 2:30 102 Chnm 5 8:00 101 Cham S 6:50 101 Cham . P 12:20 104 Cham M 6:50 14 H Dev S 4:40 117 H Dev Th 12:20 165 Wil F 4:40 128 Sac F 4:40 124 White S 10:10 115 EE W F 8:00 64 WLI S 4:40 71 1411 P 10:10 307 L A M 4:40 321 ooucke Th 8:00 218 V 4:40 115 E E W F 4:40 122 Music F 4:40 162 Wll ,F 4:40 262 Wll S 2:30 10 Spark/ M 10:10 102 Vona S 2:30 Schwab M 6:50 126 White Th 12:20 26 M S. P12:20 111 Forum P 8:00 128 Sat Th 12:20 10 Sparta Th 10:10 10 Saprlca M 8:00 158 Wll F 2:30 101 Om F 12:20 162 Wil Th 10:10 128 Sac F 6:50 128 Sac 5 12:20 loa Forum M 2:30 111 Eoucke F 2:30 251 811 S 4:40 201 811 Th 8:00 201 Wll MMMMI F 10:10 707 LA S 2:30 811 - L A N 2:30 102 Chan ill 12:20 106 Chao 7DM DOOM Cowl P 6:50 162 1111 208 P 6:50 126 As E 550 ==l S 12:20 121 Sparks Th 6:50 108 Torus P 6:50 10 Sparks P 10:10 E A 115 E 126 White 101 Chao 111,214. Soya, Th 6:50 101 Chaim F 8:00 115 E E Th 2:30 112 Chem Th 2:30 121 Spark. F 10:10 126 What• F 2:30 62 VII Th 12:20 105 Forum Th 4:40 26 M S S 8:00 F 6:50 S 12:20 H 12:20 F 8:00 H 10:10 S 2:30 M 6:50 208 Wil M 4:40 104 Cham /4 8:00 610 K G 8 Th 8:00 208 Wil M 2:30 610 IS C 8 Th 2:30 620 IS Gll S 8:00 620 G 8 2:30 620 8 C 8 Educational Administration ®ADM . Th 6:50 102 Chop 001 019 020 024 M 4:40 203 Wll 100 401 M 12:20 60 Wil S 10:10 105 Chao' 427 M 4:40 105 Chem 440445 I'h 10:10 'lOl CUB 454 458 chola: EDPSY 010 300 421 475 306 Educational Timor and Poli 430 H 12:20 109 Chum Electrical EnAneerin. (E Th 12:20 121 Sparks S 6:50 162 Wll F 12:20 271,273 Wl/ F 12:20 371,373 Wll Th 10:10 102 Forum 021 M 2:30 102 Forum !!? F 2:30 121 Sparks Th 4:40 64 Wl/ 200 101 S 6:50 122 Music 303 11 4:40 102 Forum . M 8:00 225 EE W 425 F 2:30 101 Chsm 426 430 Th 6:50 162 W/1 431 14 10:10 225 E E W Th 12:20 62 Wll 439 451 H 6:50 225 E E W H 8:00 269 Wll 457 461 F 10:10 64 Wl/ S 12:20 62 Ull 482 S 6:50 360 Wll 488 Th 4:40 162 1.111 S 6:50 225 E E W H 2130 204 E EW M 10:10 203 Wll S 8:00 312 E E W 051 052 062.! 062.2 065 067 069 071 220. 3051. 340 415 417 418 419 424 438 448 449 459 472 473 4368 521.2,4,6 329 011 012.1,2,5,8 012.4,6 012.3,7 1124 013 215 216 402 407 516 525 530 535 598 A Th 8:00 Schwab Th 10:10 121 Sparks Th 10:10 112 8 L Th 10:10 248 H M 10:10 316 11 Th 12:20 Schwab Th 2:30 126 Mt. Th 4:40 102 Fours S 8:00 216 H Th 4:40 158 111/ S 8:00 125 Sac S 10:10 246 H S 12:20 248 H S S 12:20 120 S S S 12:20 246 H E M=2 =E =M; F 4:40 105 Forum ' OO3 5 4:40 301 CRCS 497 A English (!1 L) Th 2:30 Th 2:30 11 6:50 S 10:10 S 12:20 Th 0:00 Th 4:40 M 12:20 151 Wil 5 12:20 162 6111 Th 12:20 160 411 F 8:00 64 Vii 5 4:40 71 411 Th 6:50 73 Wil TT. 2:30 217 WTI F 12:20 260W/1 F 6:50 217 Wil Th 10:10 12 Sparks Th 8:00 371 Wll S 8:00 251 Wil S 6:50 201 Wil H 6:50 1 Sparks IM!Eff Fi)m (FIU() Finance (FM) F 6:50 F 6:50 F 10:10 Th 8:00 S 6:50 F 2:30 M 2:30 M 4:40 S 2:30 M 10:10 F 6:50 M 10:10 Food Science SD SC . 101 M 4:40 111 Forum 138 S 10:10 111 Tyson 401 M 10:10 M L 403 S 12:20 108 Tyson F 12:20 117 Bar 106 311 315 407 410 Food Sery MMTM? i==ll/=1 Th 6:50 26 M S ' F 12:20 108 H Day 1 , 1 6:50 60 1111 S 12:20 111 Forum Hum . F 2:30 260 141.1 . 200 Th 6:50 108 H Dry F 10:10 117 H Dry TT 12:20 5209 H Dev S 6:50 108 H Day F 10:10 5209. H Dry Th 8:00 5209 H Dry The interpretation of the time designations used in the final examination schedule la as follows: The time and place of the final examination for courses listed "Appt" (by ap pointment) will be arranged by the instructor at a mutually convenient period, ,but in no case in conflict with any regularly scheduled final examination on a student's schedule. Industrial Education Forest Products F P n=ITEM 121 Spaske EA 049 308 366 470 475 555 French (FR) 122 ?hawk 122 Muck 262 Wil 71 Wil 610 K G B 104 Cham 1 Sparks 109 0 I. 610 K C I 251 Wil 62 WU 12!EM=!1!I IM=!I Ceolo:• GEOL Geo•h sics (CMS IMM!ffl!I German (GER) 001.1 001.2 001.3 001.4 001.5 001.6 001.7 0010.1 002.1 002.2 002.3 002.4 002.5 002.7 003.2 003.3 003.4 004.2 004.3 004.4 452 Creek (GREEK) IM=TMEI 046.2 046.3 046.6.6 046.10 048 209 Wil 209 Wll 111 Bourke 121 Sparks 151 lill 217 W/1 75 Vii 297 2975 303 304 305 446 456 497 312 Chas •TIfIFTT!T (H PA 101 301 310 440 445 491 D Hlstory (HIST) 012 018 019.1 019.2 020 021.1 021.2,4 021.3 126 142.1 142.2 152 171 191 198 418 437 441 454 460 468 483 251 Wil 208 Vii 1 Sparks 1 Sparks 126 White 126 White 71 Vii 121 Sparks 160 Wll, 262 Wil 269 VU 102 Chas 269 1411 369 Wll 369 Wll 10 Sparks Home Economics Education HE ED Humanities 1:001.2,3.6.7 101.4 FINAL EXAMINATION PERIODS Th--Thursday, May 20, 1982 F--Friday, May 21, 1982 S--Saturday, May 22, 1982 M--Monday, May 24, 1932 8:00-8:00 a.m. to 9:50 a.m 10:10--10:10 a.m. to :2:00 110011 12:20--12:20 p.m. to 2:10 p.m. 2:30--2:30 p.m. to 4:20 p.m. 4:40--4:40 p.m. to 6:30 p.m. 6:50--6:SO p.m. to 8:40 p.m. 9:00--9:00 p.m. to 10:50 p.m. TIM ZOOM F 8:00 108 R B F 4:40 107 R 71 8:00 105 irgu S 2:30 11 Fro S 6:50 112 8 L F 10:10 158 1111 • 10:10 112 8 L F 4:40 3 Free Th 2:30 205 Frgn M 12:20 102 Forum 5 2:30 204 8 Day H 2:30 71 1 / 1 1 F 10:10 102 Forum M 2:30 71 Wil H 2:30 126 White M 12:20 102 Forum F 10:10 102 Forum M 2:30 126 White M 2:30 101 Chem 5 12:20 203 Wil H 4:40 12 Sparks Th 4:40 203 Wil F 12:20 13 Sparks M 8:00 1 Sparks Th 12:20 1 Sparks Th 2:30 251 Wil F 6:50 201 Wil Th 6:50 811 LA Callan ( 003 • 425 450 RIMIMS= 10:10 121 6 $ rn 10:10 104 11 I F 4:40 2611 S Th 2:30 258 Vll F 8:00 162 Wll 'F 10:10 26M S M 6:50 320 Vll M 12:2Q 126 Walker S 6:50 109 Walker S 12:20 109 Welker F 10:10 110 Walker S 2:30 138 Wil S 4:40 109 Walker Labor Studies (I. S S 2:30 6 Deike P 6:50 17 Duke S 10:10 102 Four= H 4:40 21 Delke H 6:00 64 1,111 Latin 003 S 10:10 105 Faun S 10:10 ' 369 Wll 11 10:10 109 Walker F 10:10 112 Walker S 6:50 337 Delki - Th 10:10 337 Deike F 12:20 69 Wil Liberal Arte (L A MMI . 4MMnI M 2:30 14 Deice F 2:30 101 Walker F 2:30 258 Wll S 10:10 104 S 711 4:40 160 Wll M 6:50 109 Walker F4:40 121 08 MEM Th 10:10 67 Wll Th 10:10 73 Wll Th 10:10 75 Wll Th 10:10 271 Wll Th 10:10 273 Vii Th 10:10 301 Wll 7h 10:10 319 Wll Th 4:40 r Sparks Th 2:30 201 Wll Th 2:30 271 Wll Th 2:30 269 Wll Th 2:30 273 Wll Th 2:30 351 Wll Th 2:30 301 Wll Th 6:50 367 Wll Th 6:50 373 Ull Th 6:50 365 Wll Th 10:10 104 Cham Th 10:10 105 Cham Th 10:10 106 Cham Th 6:50 707 L A MM=3 Th 8:00 811 L A 11 2:20 314 IS D 122.3 225 230.1 M 2:30 111 Chau 230 . 2 . 3 M 2:30 123 Chas 230 . 4 M 2:30 112 Cham 322 Th 10:10 158 Wll 325.1,3 5 4:40 102 Chas ' s 0 , 00 102 Cha•.Material S 8:00 P 10:10 Th 8:00 F 8:00 Th 4:40 H 10:10 H 12:20 S 2:30 Th 8:00 S 10:10 203 Wlll 001 160 Wil 002 231 Wll 101 121 Sparks 554 122 Music 267 Wll 103 Chas 203 1111 273 Wil 106 Chu 1!=!M!MII 001 004 005 006 10 Sparks 007 108 H D evolo 64 W/1 017 117 H Day 018 151 Wll 035.1-4 E 322 H Day 035.5-9 036 120 121 271 Wil 162 109 0 L 200 240.1..-18 151 Wll 160 Wil 240.19-25 240.26-30 265 Wil 240.31-37 101 Chas 62 Wll . 240.38-40 2406 322 Sae 250 262 Wll 260.1-4 262 Wll 260.5-8 260 Wll 260.9,10 218 Wll 263 230 Sac 351.1-4 258 Wil 351.5,6 230 Sac 3518 267 Wll 360 707 L A -4CW E 319 H D ev 410 112 Walker 412 171 Wll 422 110 Eng 452 801 L A 453.1 453.2 454 466 202 R B 480 201 R B 542 202 R ffM=M= M 12:20 S 4:40 M 4:40 Th 6:5' S 2:30 S 2:20 Th 4:40 Th 8:00 S 8:00 H 10:10 H 2:30 Th 10:10 Th 4:40 Th 6:50 Th 8:00 Th 8:00 Th 4:40 S 12:20 F 8:00 M 10:10 M 8:00 M 2:30 F 6:50 S 8:00 Th 10:10 F 12:20 S 2:30 H 4:40 112 B I. 112 B L 112 B L 64 WI/ 111 Tyson Th 6:50 F 4:40 Th 2:30 H 10:10 Th 2:30 Th 8:00 10 Sparks 110 0 L F 12:20 5209 H 401 408 412 507 514 TIME /MI COURSE Individual and Faintly Studies S 10:10 108 Form M 10:10 5209 H Dev Th 12:20 258 Wll F 6:50 . 271 Wil Th 10:10 E 316 H Dev Th 6:50 5127 11 , Dev S 12:20 E 323 H Dev Industrial Arts Education (TA ID) Industrial sn•fneerfn Th 4:40 Th 2:30 M 12:20 S 6:50 F 4:40 F 6:50 F 8:00 P 12:20 P 2:30 S 2:30 F 8:00 Insurance (17IS =M=II=I.!MES Th 10:10 122 Nude !I 6:50 218 Wll S 2:30 160 Wll Th 12:20 303 E E V Th 6:50 313 E E W 5 6:50 207 Sac ournallsm .10ORN Th 4:40 22 Delkm F 2:30 128 Sae F 6:50 111 Forum F 12:20 101 Cham Th 4:40 358 WI 301 .Th 4:40 358 Wil 425 F 8:00 260 Wll 508 F 2:30 358,360 Wll S 12:20 373 Wll M 6:50 371 Wll Th 12:20 111 Boueke F 12:20 112 Cham EMI!IME=n Th 10:10 272 I 3 B S 6:50 301 Eng E F 10:10 301 Eng E S 8:00 I Sparks. 101 101 ==MMI ==; H 8:00 S 8:00 M 4:40 F 10:10 S 10:10 F 8:00 F 2:30 S 2:30 S 2:30 F 6:50 tion S st I=IMS M 2:30 . 369 Vii 9 6:SO 362 1.111 H 10:10 269 Vii H 8:00 162 Vii Th 12:20 158 Vii M!1!!=3 M=IM F 8:00 S 12:20 S 12:20 H 8:00 5 8:00 H 10:10 F 2:30 H 6:50 Th 10:10 S 12:20 H 4:40 H 12:20 Th 8:00 M 4:40 M 8:00 H 12:20 F 12:20 S J0:10 H 4:40 F 6:50 Th 12:20 262 Wil 22 Delke 262 Wil 1/5 E E W 108 Fort 262 Wil 262 Wll 362 1.111 152 H B 206 H B 244 H B HicrobicAo: IC73 001 002 006 007.1-4 007.5-7 410 412 416 418 421 422 516 126 White 358 Vii Mineral Economic• 00 EC P=M7 =!M!=!1 Ninlng OfNG) Molecular and Cell Blob, 101 Chas Sl3l li D. 158 Vii 117 8 Dam 126 Whits 69 VU 62 Wll 102 Chas 371 Vii 362 Wll 69 Wll 207 5 • 230 Sae 371 Wll s.IS l=!!!ff I In I!!‘=f I=!M!==='; 126 Sae 365 Wil 22 Deno 112 Cll.= IMMTI 262 Vil 258 Wil 102,105 Forum 369 214 Boucka 230 205 310 320 405 410 126 Walker 425 9 Walker 464 158 Wil 497 C 4971 120 S B 100.2 102 H D 100.3 122 Music 100.4 126 White 1 20 162 Wil 270 362 Wi/ 351 160 Wil 358 102 Forum 40 0 111 80uck4 4 21 102 Forum 455 . 105 Torus 457 162 Wil 458 126 Whits 5978 108 Forum E A 360 Wil 126 White 122 Music 102 Forum 105 For= 64 Wil 64 Wil 126 White 102 Forum 4208 105 Forum 420 L 362 Wil 430 158 Wil 111 Forum 64 Wil 481 64 Wil 485 151 Wll 486 102 H 493 251 Wil 512 102 ?I D 102 M 71 Wil 128 Sac 001.1 64 Wil 001.2 108 Forum 001.3 103 M D 004.1 71 Wil 004.2 103 M D 012.1 012.2 103 Schwab . 107111 262 Wil 212 362 Wil 433 121 Sparks 122 Music 22 Deike 232 H D 080 152 H D 272 316 H D 276 105 H E 366 316 H D 400 316 H D 402 22 Deike 441 152 H D 443 246 H D 484 242 H D 490 491 580 358 1/11 586 360 Wil 120 S 104 SD 104 S I Petroleum! and Natural Ca• P N I=!!=EM3 M!!!!!1!?1!1!1!CMI Any student with two or more final examinations at the same meeting period must file a Conflict Examination Request Form in the Office of the University Registrar, 110 Shields Building, between Monday, May 3, 1982, and Friday, May 7, 1982. Any student with three or more final examinationn en the same day mly ftle a Conflict Examination Request Form. A conflict examination will be t:cheduled in either ease. After S:OC. p.m. on Friday, M.:y. 7, 19b2, the fee for filing a into ecnflict examination request is $lO. No late con flict examination requests will he accepted after the last day of classes, Wednesday, May 19, 1932. For purposes of final examinations schedules, a day is defined as the period between 8:00 a.m. and 11:00 p.m. The conflict final examination schedule will be published on or about Friday, May 14, 1982. TDCI ADM M2n=!=l 22 Deika 007 121 Sparks MMIEMI3 2Z Dens 1011 121 Sparks 201.1 L 362 11/1 26 M S 201.2 L 71 Wll 371 111 201.3 L 258 1111 M 6:50 224 Walker 2021 Th 12:20 112 Walker 2031 5 4:40 112 Walker 2041 F 4:40 71 W/1 2151 Th 2:30 126 Walker 221 5 2:30 109 Walker 221 H 5 8:00 109 Walker 224 Th 4:40 371 W/1 225 M 8:00 105 Walker 2371 Th 4:40 371 Wll 255 2651 406 108 ?on 412 115 8 T. 11 122 Music 454 108 Forts 45 7 162 VU 115 E E. V 458 261 T B 558 362 1 / 1 1 551 s 2 p D 12 Duke Th 10:10 350 P 5 P ■Solo, PASIO Tb 4:40 21 Dtlke 573 Tb 10:10 162 811 580 386 I==tffl==i Th 8:00 103 Walker M 2:30 104 S 3 402 Th 12:20 71 WIl Th 4:40' 104 S F 4:40 103 S H 10:10 218 H S F 4:40 21 Seiko S 8:00 217 Wll F 6:50 373 Wll S 12:20 218 H S F 30:10, 218 M S Th 2:30 105 H H 12:20 21 Seiko M 10:10 17 Dear Th 10:10 8 Muelr S 4:40 101 A L F 8:00 122 Music Th 8:00 110 Music Th 2:30 122 Music Th 8:00 115 Music Th 8:00 122 Music M 6:50 122 Music Th 8:00 101 Chas F 12:20 115 Music Th 8:00 117 Music Th 8:00 73 Wil l!!f!r.Ml= 002.1.2 002.3 002 H 011.1 013.2 0130 037 202 120 121 2030 204 405 412.1 412.2 417.1 417.2 431 436 437 441 470 569 5 10:10 115 Hualc Th 10:10 115 Music M 12:20 115 Music F 2:30 115 Music F 10:10 115 Music Th 4:40 115 Music Ma2=:ME F 8:00 318 Worm F 6:50 318 Wegner M 12:20 360 811 F 12:20 22 Delka Th 12:20 110 Eng 15 H 4:40 228 Sac M 6:50 228 Sac F 4:40 228 Sac S 8:00 228 Sac 102.1 102.2 102.3 102.4 302 451 490 521 T 10:10 358 Wil F 6:50 158 Wll F 6:50 160 WU H 10:10 36D Wll Th 12:20 108 H Dev S 6:50 E 317 H Dev Th 8:00 108 H Dev F 4:40 E 317 H Dev F 2:30 5209 H Dev F 12:20 E 317 8 Div H 8:00 £317 8 Div I=IIRTMM M 10:10 105 Forum M 10:10 108 Forum M 10:10 111 Forum M 10:10 73 Hil I=Mll Th 12:20 14 H Dev S 10:10 5209 H Dee Th 10:10 E A I==LM TR M 12:20 18 II Dev S 4:40 236 R H C Th 4:40 14 H Dev F 10:10 108 H Dev Tb 10:10 69 Wil 297.3 310 430 450.2 465 497.2 S 2:30 108 H bey S 6:50 5138 H Dev 105 Forum 105 Forum 105,110, 124,126 Walker 26 M S 1/1 Forum Russian (RUS) 102 Forum 22 Seiko 001 101 Walker 002 IMMMI7 S 8:00 S 2:30 Tb 8:00 S 2:30 II 8:00 Th 2:30 105 Forum F 8:00 108 Para F 10:10 108 Forum. P 6:50 258 14/1. F 4:40 111 Mucks F 6:50 260 W/1 Th 12:20 260 1411 F 8:00 26 H 5 5 4:40 214 Loucks Th 4:40 360 Wll H 8:00 112 Chia 8:00 220 Wll MTlrg=r=3 Social Welf S 12:20 2 Whits F 2:30 108 Whits Th 6:50 108 Mace Th 6:50 104 Chas 001.2.3 Th 2:30 102 Chu 001.4 F 12:20 203 411 001.5 M 10:10 321 Boucks 005.1 M 8:00 104 Chu S 6:50 358 Wil Th 12:20 73 411 S 2:30 217 411 S 4:40 104 Chas S 6:50 301 411 Social°. SOC The Daily Collegian Monday, May 3, 1982-2 FILING FOR CONFLICTS Tia 1001 . 001.6 358 Wll 001.7 115 E E 12,001.8 119 0 L 002.1 105,108 . 0C.2.2 Forum 002.3 10,121 002.4 Sparks 002.5 126 White 00:.6 126 White 002.7 119 0 L 00:.8 119 0 L 003.1,2 117 0 L 003.3,6 117 0 L 003.4,7 103 0 L 003.5 103 0 L . 003.8 ,111 For., 003.9 109 0 L 003.10 64 1211 003.11 103 0 L 003.12, 103 0 L 003.13 105 0 L 100 M 4:40 F 2:30 F 2:30 Th 8:00 F 12:20 F 12:20 F 2:30 S 8:00 F 4:40 F 10:10 S 4:40 S 4:40 S 2:30 S 8:00- 120 111 Fon= 200 5:00 S 12:20 M 8:00 S 2:30 5:30 M 4:40 8 Haar E. 4:40 104 Chao S 6:SO 301 Mil M 6:50 112 2 L =r=lM; 400.2 P 2:30 112 Chro4Cl.l 401.2 =IIMMI 411 P 4:40 Schvab 412 Th 4:40 362 Vii 454 P 6:50 362 Vll 470 Th 10:10 262 Vll P 8:00. 5209 H De, 6:50 111 Boucka F 12:20 360 Ull Ft 8:00 260 811 S 8:00 271 1.111 H 10:10 811 L A ==IMMI 10:10 103 Walker TT: 4:40 302 S I M 12:20 120 S M 12:20 12 Swim 2976 333 431 437 litet.ES M 2:30 252 As 8 S 4:40 108 Forum S 4:40 111 Forum S 6:50 130 Moore F 6:50 105 Forum F 2:30 26 M S S 10:10 208 Vil 200.1-2 S 4:40 115 E E V 200.2-5 M 10:10 352 Moore 200.6-8 S 6:50 250 Moore 20011.. S 4:40 451 800 r. 250.1 Th 6:50 130 Moore 250.2 S 8:00 640 Moore 301 F 2:30 351 Moore 302.1 F 8:00 351 Moore 302.2 F 10:10 112 Cham 401 F 6:50 101 Chas 402 5 8:00 112 Chan 410 H 12:20 121 Sparks 412 S 4:40 369 41/ 451 Th 10:10 215 H 8 462 H 4:40 352 Moore 464 F 4:40 352 Moore 502 H 2:30 352 Moor. 505 542 564 580 597 A 5978 597 C • 2:30 108 Forum MMMffEI 1=!! . . F 2:30 208 1.111 " :3 F 12:20 208 3 A 109 Th 6:50 .111 Chia 115 S 4:40 371 Ail 160 Th 4:40 207 3 A / 80 403 460 S 6:50 202 CHCB F 8:00 102 Chas 303 F 6:00 104 Chao 418 Th 12:20 123 Chao Th 8:00 112 Cham Vocational Education MOM) M 6:50 206 Clam 001 V F 4:40 10,12 :309 Sparks M I =f F 2:30- Scene Vly 6:50 Th 12:20 104 Chas Th 8:00 109 Walker S 8:00 105 Chars Th 2:30 105 Chan S 6:50 104 Chas S 4:40 362 Wil tIMMI!IMM Th 12:20 108 Forms S 8:00 110 0 L F 10:10 111 Torun H 10:10 104 Chin M 4:40 109 Chas 11 4:40 109 Chan H 10:10 104 Chao Th 4:40 U 5 a a W F 12:20 3 Frye F 8:00 203 Wll H 10:10 67 Wll S 2:30 1 Sparks F 12:20 26 H S F 8:00 206 011 S 2:30 13 Sparks M 4:40 811 L A F 4:40 314 Houck' F 2:30 117 Sac N 10:10 106 Chan 6:00 112 0 L Tb 12:20 126 Mate S 12:20 26 M S F 10:10 115 F. L W F 8:00 101.1//. 123 Cho M 4:40 158 Wll M 10:10 158 Wll S 4:40 121 Sparks M 8:00 262 Wll S 2:30 12 Sparks M 2:30 105 loran M 2:30 307 L A F 12:20 369 Wll M 6:50 307 L A S 10:10 209 Wll M 10:10 105 Charm Sr.Anish (SPAN 001.1,2 126 Wilts 0C1.3 001.4 Trl.pyrT' 214 &pucka S. ech Communl aticm SPCCM IMM=M; MCM,M3 I:2!r=_=MM Wildlife (WILDL Womens Studies WNST TINE 'llOOl Th 10:10 214 Boucks Th 10:10 165 Mil Th 10:10 203 Mil Th 10:10 217 Mil Th 10:10 265 Mil Th 10:10 267 Mil Th 10:10 365 Mil M 12:20. 104 Chao . M 12:20 106 Chas , M 12:20 107 Chas M 12:20 207 Chu M 12:20 208 Chan M 12:20 73 Mil M 12:20 165 411 M 12:20 167 5111 Th 10:10 111 Chao , F 12:20 10.5 M E F 10:10 360 Wil Th 10:10 206 Chas Th 10:10 207 Chao Th 10:10 208 Chas Th 10:10 233 Chas Th 10:10 167 411 Th 10:10 169 411 Th 10:10 208 411 F 2:30 227 E E V Th 2:30 106 Chas S 8:00 12 Sparks Th 4:40 12 Sparks S 2:30 5130 8 Das S 6:50 105 Chas S 4:40 13 Sparks Th 8:00 1 Sparks M 2:30 13 Sparks M 10:10 1 Sparks M 8:00 125 Sac M 2:30 216 Boucks M 4:40 111 Cham S 6:50 102 Chas M 3:00 111 Chan • 6:50 107 Chum S 2:30 117 Bar M 4:40 107 Chas: 5 8:00 107 CRCB Th 6:50 107 Cham H 10:10 107 Chas T 6:50 228 Sparks M . 12:20 169 Yll M"4 - 140 — 300iparks S 4:40 114 Bourke S 10:10 228 Sparks . I+ 4:40 114 Marks M 2:30 115 E L W S 2:30 10 Sparks S 2:30 121 Sparks M 12:20 201 Wll S 12:20 101 Chan S 12:20 102 Char M 6:50 ' 105 Form Th 6:50 22 Delke. S 6:50 262 Wll M 12:20 362 Wll Th 6:50 22 Dia* S 4:40 251 Wll S 8:00 102 M B Th 6:50 128 Sat S 6:50 260 Wll S 12:20 111 Chas . Th 6:50 369 Wll S 6:50 267 Wll S 10:10 103 M B F 12:20 302 P L F 2:30 302 P L Th 2:30 302 P L F 10:10 319 Vll S 12:20 302 P L F 6:50 Schwab Th 2:30 111 Forum F 8:00 111 Forum F 2:30 TAPS • Th 4:40 217 411 F 8:00 373 411 F 8:00 TAPS Th 4:40 112 B L F 12:20 111 A I Th 2:30 112 A It Th 12:20 111 Torus P 6:50 69 vii
Significant historical Pennsylvania newspapers