mar ww.mm $ Br t,HI JPsyAwvv.iJIPVtJll 'tiSMpfflri ?';& v . I u'ftjfc.'h aw ' r V 5, :.? v-'a -.vl " vwjfl "nT7JSP 37.. "f-!!!' r :.ftv t .r v" Y tV,'" U ifr.W.'". . v ?",,. ri ., i,. e ..' "s ;, jr - mwf,'f'i fl -IA Cm '.Vr EVENING PUBLIC LEDGER PHILADELPHIA, SATURDAY, 'MARGH25,' 1922 WMOVIEGRAMS OF THE WEEK I STARS APPEARING ON LOCAL SCREENS NEXT WEEK it Mfternui Talmadgn. Mabel ermaml and a Hest of 0 titer Faver ites Will lie Seen en Screens Xext Monday .1 PlftOBABLT ti tLr a't ivaVtt ttaaliy ia S!a ttaa land uj sl , aTl tee. (or ttat SMtt? r: Tfc Itrr vf "FaitMel Oaardr' aw) bis beavtifcl wtrd. Tb recaptien of th (JiM'-dti! jeirc rns-itr It t- vor ' P'- te-S , peasant or cvsatrr J"'- jthrMA. ra5reldrbd or dli&33br"J niiXadtlpMa't ttrj sit c J ?) eit of tsr THE Kuer bai TVe- Se. 2 at Htd abrr. nit - N"tu Til wt4f- U tit tar of th " vr.5i ' th fl-rxitxMUn UlU. Un-'t K- The- (KtUnf I th. ''and of Jtasj'a and N'ena has f de; hrjf t aseal srtrdrr! of Witif-jl r"s it errftr te pertraj th rel ''. ";i&?t. ' a yetscj Wt Indian pjun: firl. ! ! abetjt tics uO: of rfeninr rich twu? chap irbe i.a r'. te fl D'Jr b d3.erai:z!2j Js5'-3.rj of tfc lalaad. Tiat pa.nlcnlar part ii ;'jt5 by p" inaW lUrrivjn ford. wb". tv Jit. In n of tt finerrt Iat "leii'd fort l ceaJr a irttss "f.t ia..- tab friti. "A rsi- of .--k (' Photoplays te Be Seen On Leral Screens Soen .prii x r ';ri ?? "" w.U) B-'xr f.e.T.erjs. i-ur r ?or?i'. Arca-iix Th- WcrW i Onsspscs i WaJUv Pil. Pa:aJ -Irr We -wiUi J'ar! i. '. VJctsr1.. .. April 1' Hail .h W'-r.iC UnmtKj T7 Oc e ' Siaslo Siasle ".vf : j;y w.s'jtrj.r.r jy.r r:j;M' Susvn injt. 'Scasda' Mr Irs-Ti rT Boeta" and i etbr w .!: csan TaJmadj k ha. a r"- f'' ,JS matlc erk, tee, a tbe srte v- sn wJth Nensa n "Ti: I'awM i1'r ' T4rt ads:!t. Advan' r'fsrtH dli--that hi werfc ai Ja dlv :: f:2e.-l 8tandla la "It-h Il'ap'.iea " jclai"r -1 th arl.r tr; rrh'-n tee much rvza in tc irntsrz'i" '!! of tb u.and h -ad iti er.l 2't. . xcpteaa37 n. Al) In th rtts ir Mos'aej Ir and H. roep- Cliff, 'fl f-rr.r bai alwajH bn e cf tb; wr-n l. rbarcrt. sn. Tce:jh b a tarrJ br birsv-jf n a rrat nasr World S"r pictar"i f' ;-.- e- t ;na age. It w -J in te erj fr.-.-: a: lat tb: b i d hi jrra- a'-'.n? Jn tba: rsarkat-.-pro3uCiec 'Tl World afid H. Wlfe " aiarfl frea tb SpMb '. Mnt Th. ai a ttralt'Kt-frex- tL eu'dr. 'un-bek'ja-irl'' p! HappinCT." ts J Hart ? Ms- drataa. in s.t.h lJjr': ia?" 1,'sa:1 a ti. :ar "fta.- Kay las znyuTl frn Miry IVkf-rl r.rhu te "Ti. Ta..or Mad Ma;, a-' v.i.1 fi.i. it a Li Srt "I5ix T'-.r - ' :.-. Klfc. r.rt:ea If te appear a :-. tti r;-irsr j.i a t.i T' of ' O'jt'a.. ' ta drana li rc.-b :.-.ad .-.- Sr b.g Uf b:t ! r,'; J'5.T.t.'y rtJi af J-sir:t.-ke that NIta Naldi !' ' I ;. Si ' and I... a J. ' - t s U.oeJ and Sand ' 'n fi n tur, of riiir- tsnappr-:iatd. fir.as'-j- IlTipaki.'.2. but of fir h.ifc'r artwiry tfcan many ei jvwi i--.- - -hljhlr adfrtiN-'l d.recterai " 10' In aUe rmfflbrd as US'-. Ibl-t&ea in the Ij Maurier bcrca w(s:c. E. rrnaad. bc playin? h'r en tbt araVn? U? -ith Olsa r;treTt In "Tb W'.it IVa-'j't " Ma W' man eel Krafr Ceuj'-r are ai, la "It Rdepuen. fcl:lj ' adaptd from tb nev! of Andr--Heur by Antbeny 1'acl K.ly. :;n"r of tb ;.-aaatl) raii..-d r-rr fact Kant. ' tb Cin':r'll taa rmre ajain 11 PTlGPar"-, i.-'JJ.ui; AT THE A!d!a. . la nnrt ft? Si in i teere laberatiy -apleyi tba-. ; tire- lnr rdl B. U. ill. For Fer v.i.n Vrit-' of lat fafea. TbU tlr.-. it ! a Mack J-nr. p'o p'e p'o rfuctlen. JIrslnat!n;:7 an4 f'asran ltld "Me.!y 0" and fat'i.-'.n? Matl ennand. Irlab nam "L1LI0M" ON THE VAY Franz Mclnar Fantaati; Ccrd at AtJslpr.l April 3 T. f.--. I1i.j'J.pt!a i' - of Kranz Melar's fas-akt. ' "'.t ' I.lljeta," T.;th Je-?ph S tnwis a-d Era J. Oaa.c in th !a. i z r' baa ln fiaaly i't for Monday A- ' at ti Adelpbl Tbatr. 1 Thl'i fa th. tery of a Hjsjsra-) teara, th barkr and boys'".- Uedaptt rarry-2o-reund, avi "' '' bis leTf affalri and of U ttra-j' ;Ltur !n th pel!- court of ll- fxhlidkraut Las th re of ':. ar kr. ind 'lu t-i:i b Ibiladipb.a ' fi.-at orert-isl'y te i hla en tar. a.theuch h Lad a part In Or.f fi'i'a f3tj.- .r.. Orpcans ' I ' S-terta " Mlts I. Oalij'nc . tr'-d br for Lr rk .r. Art !'.. :aas cerady. 'Net Se Ixrns Age Iicaut. of th nzta of .:. irf'."n. an', th "jr-a.n -lil r.ic .n th -t mnsa pren-.pt.y at S'13 and at aiM.. at 1 10 i he ESS ai -ri-n"1 r rartlal te 'Ml'W and is t.. ,nnn h fir :T B!,nV" "MeJIt-O" xhe'hai- the re!: of Me'.ly O'Dair (kad. of "Irn" and hf rz xr r-.n'. vrliiH' r.ethr "taks la wihlnc" tn latt'r t"rn3 te vt pep- i. thou. dar. with I! Mi-l pleyJns th earn d'anly but b rnoatien in ur a..! Stene' One Superstition Krd Sten. rexadla,n, Thek ' T1 Tep Lew li new appar:az at b 'errt Th'atr, It about at frc fr" tupTt!t.en as any actor feu.d h. b' r.irh.'M L haa lr.biittd that th tu prod jftien mad tindr th raanaz rar.t of Cbarl Djllicchain have tlr efniiz br. Th hewr wr "Th Old 1e3. "Tb Il-J M.I.," "Th i.a37 e: tb Slippr." "Chin Cam. J HW H U j9s i i - -,i iaV BmVwlZrii WBBBBBBBBBBBBV rBiT tBBBimlBaBBBBBBBBBBBBal fBt , "- JT gffBMMlMalBMrr mfl rt T 'ViBB1bbbf' vlVw. 'JH ! i H BllllHillllllllK4'- .,'- V HtfJ ''-;- nr ' - ' HJ - affiB4a BBK-J VwSHH 'A3S-. NOSf-tAND 11 SrLV '' "-KsiaH ILLBBBBBW Kf ' 'M AidiWt " -'V 010! 1 nM ZZZZ&Zf IbV10A3BBBbSIbI .' dm&l AGSES AV'CES.'S'O'JGHT A.'0 ili'BS?v VJK 'm' H Hk "iafc.'k. ft ft, v,-. . f v'Cs r WKSBK - i GAR -H HUGHES lBfHE " - V "l-TLE EVA A-5CENDS , "i 7c: II!ttC. tf BSM3T t tif -Tt.M3 f4 inm 1 ira5c "rttt Baca rita 4 2ri rsr in b b t.r. it-lH- r.i. ik. vin.mt4ul ei.tt!fT mf r- rf Vn i4f9 Catlta. vtU exiit 1st SJfflt a a iJit t a rJVl 1 ttr , rJirtccn el tb UTw-Si-ii-a "- ra.T rrear. xrxa,- rrsi;v rtt fr tTs!i tr F-A. si:I Xmn. lir CzktZs Mircuect aal i ars-w ef caeOtrs - rrrHttADEtPHfA'S IXADIHG THEATRES, DIRECTION LEE 4 J, J. SHUKty Srim ef tb TT ,Ir.r- rften at 1 SM. RUS.ELL. 'THE ROOF TREE Fay's Q"a KES ?AV,? e V " c -dTn dT'.' pmnt, whtn it r - -i.tle te t!l whther a.- play i development or new . a'tr.ai, "th relation of the thematic s.a-r!al te the development in the '.afics !s verv clear. Generalh . the 'rhtral announcement l tirtetne t r.'n t tr. Kr.oei. snd unnefwry. Only the B-heven and Brahms ielin conrer:e ttaul this. AnA QHHN RECITAL ae. it'-: of musical material. , HUH Jun" nfc""u ..T AV hlTTi. uUtd T CS-.i :- erafa. ai t m. r;ii is i f-. jf V?. W--r-'l CO TSriTe Arr-.l 1- at S 'ctk. A-arti wfc ti.tr.. v. .. 7: . w vckt.i XaftAFa JL 1TH AZi f Z&WV " - . ----- T rt alrt 1B - fcr3 at li 'Tilf ccacrrt -r21 r:trk ti eic f.tl KKittr mirti. 7 tL- jrrrEI el i PtU4trt-Va OrtiMtra -Cl "-Sr ai ee. ail "Tai -zi VrUrsr." ty JUf'iard Straun. C1 t crJ3Cl-S T t icl 5:Aia. wt, nil tn rst eesia--r Jess Brr:r. brit. ! t- brJ s Uui. "nJra ririur arta tre-a lit e:ra "HtrM!i" aii te "rtra4cr ir!a tma latj-f -Crs." Tb ct.i icistit -wait b r: c.tk :nt- rer ( tb rrat et th' arsut tit -rtr I it !r,atied te U rtstrtiitr ct ca cf !u . ebr. I iifsrie rr-:i n:rtn c-r.tr; as! I rUalrt. if ireJ ta rfrftal a Mr-Jxr 1 rreats. Atrll J. la Ui Aea4T tf M?Vr. I Tt Ptl!ie:r a fsUle U ta44 is, ti Treattr cf C :. Hrs? :. i -r3i if, Daratwi :a test es:54l:tarr cmicrt la t?scr if is ftr-"wr.ta aal rarr ef ii fsssilsc ef is tca of t C. J. Hrst S:a. I b btr-i la i--jUJ a: .Vltir-ca Hall er , Thzrrikr rair. Krta S3. A (IjlirMfli ' ftTxe taj ts Mlcii. Tfc fl!srr Oab -rtll rtv t rifc rssrnit ef tiM rims yiesitT. Jltr'a n. at 240 Tie t-t!-J art MUi CUlt I-a;ta. ,Tie;rais Hr. fitil Paa. c-nitr. a:t it.- EU-i Ctark Han-i-.i. Kaaiit. Tetr -W..1 i a Kntn ef n-'Jal l-trttt at tfc Cssrta cf St. Le -! th- Sr.raiar toras-rew f"iwa rta t at--.. ra dJTlei ef -.it fct. Mattt.-- Paifica. Eiea. 1i t r'Ta Sr eaelr at 4 e-e.k. Th eiwra tf -J-.rw-tr Ttiti rtll t i::l or J.'i.i. : rt. 'praae; Ltj: sauea Nelta. e;".t9 Dr Hswt.l S Zsliek. tar. i Hrrr C St"xit tjrt'- Ta ernn iri . b. 3n.raati ty aa erer.ftra ef fr'aif tcf tat nri rlll t d;r-::J by H A.txxrA'T Jlv.!. An Snrtra-r-u rrtr-i-a ir-.n irel th irn t r"r---x --. J JO. wa ta itrar c.-eititra ... rtr.ir ereral Baeh a;trt. 7h i- if OM St. Ptr' Ct-arrh Third aa-3 ?rt i--tti w..l rlr tfc fa tewl-J . :.t.r ;-.t-ai t tr. e clock r-rle San ir t.rt V-4.- tc dirU;i cf Hrtli w G'!t" -. nrcr.!-.- "Taea Kr.eer Leri. h a earlia aatheas. -O GlaJ max L !: Sa'.. -Tan. "Ceat at Tlxt. tVe-twa-i! tti rels. "Jeiss e! Naiareta. Kir-e" Jets W Srrlt E't.'.-- mul ef th rrat rrr. phealf.i y l r'T'r. t th SkqzA Trt hytr!an C-.ar-h Tntr-3ft ai Walnut ttr!!. this Sa"ikr ersa.2 at T4C Th runjtr 1 l-,-.-'l weru by Mexart aeMr.aa'- .T Ui". TKfca!c!wVr ari Dreralc. TT.- w.l t- i-) lr.t.-ur3Tat lo le lo "Hecasc !! jts ail t-.c Kri tr3ff Th -vc r l caflr th; 4 r:t:ea if .V L!r.i7 N rlei. an!tl hy T'T't rv: .z r-:. a.-.i Vicsrat laa. i. hr?ii:. A r.!iht5'h'-ei cer.cert will t hM li tk. asjeriura :i th Settler-;t Maj"e Sehl toreerro- Tn!ar at s 1j. Tr.e rrcrrara wt.1 t rlr. by Sul.r Caikln. th ivs-yar-e i a talit t.nd Mrs. Rati Llerd Klr.a-y. e nt.-alte Jf KlyXa U th eeeempaaIi' Tht pJb:li Is lirlttd Oa Euciay afuraeca at 3J0 o'eleeic a ft'Clal pupils' centrt fer rarTi cn.y if.ii e- CHESTHUTstSSs". lOIiT1IOTStl v . VSUPEVILLE , fe) X)EEK OF MARCH 27 VKMS k ,ry The Critic Talks te Music Levers Il.le ci- , Jack OXantern" and "Tip Tep." I "Jvi v -: a11 ,rr-'tal'i:7 his next 'hew, In wh.h nd who ir.t- a yeunz doctor w.th a i Dorethy, will alie epa hr whner brlheJ vlnlen for "'levatlas th w- -bat Is ready. tailed lower clai." A Orand hartty p'-'.r.i Epaznel" of Lale and tbe of razanlrii, Wienlawki, Llplii-ki. Krnt and Viuitemp'', whrin tirtueisIt and. writlne for th ;ntrerant" ar giten prfrnc ever musical threuzht. Th lit for the piano is mer for midable, du. c ba been uzz-tt-d, te the ,hanzd mhan!m ar.d tchnle,'p of that instrument. J here 1. tir't et an. MUSIC NOTES !'- l!ia J."!aa n:al. r.- t ? ---. Mji tuvir '- Pst:ilph a -J! 7,'Hy e-.!r.s at tr Aeara" of Static T c;- -Til! I- .-h Wellrsr a Jtalu Intereatlng Program Well Performed 1 at Witherapoen Hall 'n tas Jr1tza it, l fir.K Or ths xc,llr.:l e : Ttit- . i t .l i . i iuai iasiruiQat. 1 wzk i. jii-t i ui. HE -oajesitloa of th wle concerto rtba. ,,, Sf.hurr.acn. thp av.. rrf),.tic 0f w.ih e.-'estra h-':cb te ha sese au concertos; te two by I.l-zt, two of e: u. Chepin, the" of Tw-halaewsky jlaJl glv- the reiu!rd icu" ler ti CfnderIla theme, and there w a pr'p ?rly idnlter and evil admirer, who ts-n: be tbrahd by the here. Jack Mulhall, anehr eae of taew bard-werkinz yeuas ladlnz ren who till think It only Juat and fair te put real aplrit and effort Inte thi.- par-, 1 -with hr. Eddie Onbben, who yen nay or may net Tmt! or an en of Mack Snnett i meat amufinx lapitJrk charaterK a bl? man with a most disarm. nz 'mile. haa a rel and Jarquellne Ty)Tai. v. he played wl'h Themn- MMzhan In "Wbll anl l,'n-narrld " 1- al-e in th rart. Guide te Photoplays for the Week te Come NEW PHOTOPLAY." :iTA:.l.EY"ls,vti P-dnpt!ci " a-i?. taUer. b Antheny Pa .1 K-y r,l r.ev.l .' u ne-jur. v.-.-n .Ne-n-a Ta.rr.dK iaair.y role, ar.d Udrrlw. Kerd In QNE S an' leadinz lady in 'uuemary ailew- ne for h nictur. and two i' ren- dr(l wnat Sara Bernard would trm a "luft-irii-vj," but here alens remH a film with no fewer than tare beau tiful yeunz !adi-. It in a Eerev Hcett atery. entitled "The I'evrty of Bhe," aid will b fhewn at th Arcadia. The herein 'may be one of tbem'" a Ylllalnii at that! in th, film who nam miihU HW fJi'bert f.'hestert' n in hia most paradeiif-al moe'l, are I-'!!-.! !)Telr, Eeatrici Jey and Irene Iticb. fiulMi you may iwau, waa the zlrl en wfaeM back wan tattooed the buried treaiure map In that Cenan Deyle yarn, "The Firm of Glrdlentene." fi.med sev eral yeara age. I.atr!re Jey, clnre her uceeisa in "Bunty Bulla the Smnzi' haa become a very popular leallnz lady Blchard Diz i- aJe In "The I'etrty of Rlciea," which tak t7,e married reuplei, one rich and the ether peer. and ahewa the relaery of the firtt and the happiner.1 of the second. Th. li prfectly aerleua. of ceurte ; but wouldn't It be a clever notice for eme lllm producer te make a travesty of wirne fort posing aa a bails W. H. Gilbert's deatbleaa lines la "lelanthc" : "Hearts Juat as pure and fair may beat Jn BeJzrave STiare ai in th lowly nlr of Seven Dials." Bme nentienf-d last btcau&e, It was de- , rlded en lar. Is "111 rr'xlizal Judz. which a audden awltcli will bring le the Stanten neit week. Vive or six years aze, its author, Vaughan Kester, leaped te fame almost I overnight by wrltlnz thU istery of the' Old Keutb. Elke Bizet, like a half dozen ethers, he didn't live te reap the rewards of hli success. Shortly aftr llie ntipearancj of '"1 h, 1'redizal .Tudge" he dld, and only In two mere or leu Inferior posthurneuo novels did th publl' ha a chance te rein para bin work. -"The I'redlzal Judge" was a bet t , reller at the time, and it's a real wonder that they never theuzut of filming It ' before. It has mere action per chap ter than the. uaual hlzh-claaa novel has from rover te cover, and the plrtureuiue1 background euzht te be highly !Ttrtlie en the screen. Old Mackljn Arbucll. ihnf nlwn highly truny character man of tde atage, who has invad'd the films nil tee aeluem, has the title rel and Oiarlci Kent, rcmembend ai en of the bt inemberH of that glorious stock company rtr that tltegrapli Mad n lew yurs u?e, liai iC a rart. .Iran l'nlin is the heroine. OTUtilt pti'turri at ths mere im im perlant heutrt nrtt trrc, include ' 'R. H. V. P.." n rhnrlri Hny mnndv. mt the ViateTia; "Little lha Aarrruh," ultk Uarcth lluahct, at the Id gent; "The Han Frem Leit Iltecr, ' wtth JTaum Pettri. at thr. Canttel : "Thr j . m.Ls l'- i . I.', ei it -..i 'SiC. Pl Fer," held exer at thr liarlten, IM'. i mmA fTnl'nhln llnttiil." nlnuinn n rp. l?. um munnifnifnl nt thrt nntn.. L'T.nBl'l'V l.(1..1l1,l. tn I ),.. 1,. IIS.-L- L...l. I ... .. .1 if-' nae ercvii uu'i run aa tin- rcuu, pJalin UobcrUen, who mal "Keiitl- amy' ami net auruait I'ln'airi lSjt a.-.r? IT t',s.r.. i- . In the auppert'njr cast ,v, xj bi bi tien of arnual fhlen slew stace-J tr Oirr.b Brether 'UiaJ:i-:7"A'iUv-rj-: ""-"! with Ma. fc -',rrr and prvlu'.el by Ma fci. i't, with Bi'haM Je:is as 4irftdr Ja.j' MilhAn. Kddie Orlbfei Ja--qul:r. Ixjgin a-l fjefc-e Nl' hels are In the Cast STASTO.': -Th P'M Cal Jy-Jf.. vn 'he n'-.l by tr.e lat Vaughn K-nter. r-d.urlr.fc- ..Ia-XI,n Arbuckle ar.d Je.-i.-i Pals tr, la''!rifc- roles- MiCAVlA "Poverty of Riche. " taV.i rrern Irey .S'e't's sierv Th. ,:eth r." With Leatrif. Jey, iuim live ly, Irne p. r, Hirha.-fl Ux ht.1 JeTi He- :rx P.'trinaid Iirk' prel i" ' . yjf.'TOnA P. H v p " 'emed .f nrv? n ar'li", I,- ;;,, vfc--v. th Charles Hay 'n thf ; i T, ari'l Jfa-r, M-rs r a .;,y,,t rc Dart. RKfiBST -"Little, r.a. Af.-r l ror' rer' ejy, bif"l 'n a short M'er-. b, Ther'as Ber. -a th barnsterrr t ei-ar 'hem featuring Oaretn U ikt.'-h CAI'lTOL ' The ilan Krern I3 P.ivr, a-ery of tht great N jrtr , by Kat--rlr.e Nwln Hurt, with l, iy. ;--trs Kritzl Brunette and Al!a-i Ker-is PRfTV'JOUSLY P.EVIEWBD KAM.TOif "Bought ar! Paid Ko Ke Ko tlctjiizitlen of Geerge Hreadhurst jj.ay, i.rfrtui by W.i lan Le Mine. with Jack Helt. Agr.-s Ares and Wal ter liters I'AI.A'JF. "Tel ab. Ija.d. ' Joe-ph HergfJshe.mer a'ery of the R.ue le.dge directed by lt-t,r K rifc-, varrlr., Jtichard Barthr.i-r.'si IXPEIitAI. 'Th J-Vjr Hert-nn of th Ap'calypR" ' Hla'ce Ibai,z h s'er of the World War rr.ade ey Jtx In ifrarn, with Al.'.e Terr and P.odelph Valentine. AI.HAitnitA Monday, Tuadav and ',eurisday, jjt Around 'he Ujt- I ner, t-anrie Itjrfct yjiry v.ith higrld I Helmtjulst Th'.rsdav Vr da ,ir d Haturia, "A sai.er Made, Mai.,' with Hareld Llod UHKAT :;Oltrili:i!V Menia, Tuih- day ar d dihly Hewr of tr North with ll-rr, U Waltra.l ai.d Pauline Starlet Thuriwla Kruld, ar a Saturday "A "'afc-' J '.'";.! I.' ' with Will ie, Karr.'in UAHKl.r HTUKI. r Menda Tida arid W'lrsda ''atiird.i Nlfc-ht ','eril 11 j Mill" f'ature Trnirs iay, I'r'da and Si'urdaj, 'Twe M r utes te Ge ' with Chd-rUn Ha r.ijI.OSIAl. -' Koe' b J'aradls " Cecil IJ De St. 11 rtatur. ba'd en Lei ard MsrricL e'er viir, Ijoreth D-ilten and f.'enrad iagl ?l Ol.l Ten .".'lijlit. it .i fijrroern Iii''.ur,.atlen of old Hta- m!edrj-na, vlth K'inptOfi '!rn nnd Jehn IOWll BELUOUr "nil l.ij:VI-r V"A h I'ara-dlv-." rolerf'll fJ9 Mille feaMin, nut' KHtd t Leenard Mrri',l nt'irj, 'Latir'ls and tlif l.idi fetij-lii; Iore'liy lJait'n C'Jl.l'thl 31 Menda, r .'-eda and eJreBda, "Koe I i Parade ' I'e Mi I la plit'jri Thursday and hrid!!1. ' jjen't '111 Fivryh'i is, vith Wnlla Jllfl haturdai "A Prinf 1 1, ru Wu. "h '1 lien, as Mwhaii ChDAll -Monday and Tuefda 'Jan JJyre. ' with Mabtl Ilallln Wedn'wea, and 'IhurrfU Met.tr. of the Lady Itty. witn Itidelpn Vaientme I-'ri-day and hamrda "Trie Girl I'rern per-uplrie." with special cast. STHAXO 'KoeI'M I'aradlse ' Cecil II prtt h.u'h the arae way . tha IU.WJ (j.-ialj ar. i t:.e '.r.rig 'iurtt Ieek j r ti l.t et th 'ou.j-e-.uona uajl b; th'. Solei-f- ttlta the I'hila delphia Orchestra and with th e:hr e:che".ras -v.L.'h vi-.t '-!- '.tj and . hew ma:. ;.- of the work .:iih t'.ej ;,..-. form ha- b'-en coi.ipe-'-d by .ii.r.,' mas ters or by tfie-i; v.mO lutve pav- away sine B.-ahmj. As ia th cat- -t.th th p.aae venata and t:. etriritf 'juart't, b far t:, rat et number '. "necr"s ' , u'.n en th fHr.'er lai" hat b:; 'e:..0-d b th ma'.-r- of the zrat Gr:.' i . 'la- .; "h'el bi'r:,.ng with M 71" Th Havin ei.e con. rte U at.n i.ard va va tlenallj, as w'l a- an e'"a-.".-.al 'en-'-ro h )iwi,. the'e .'- s sielin in A miner and E and -e .''.it- tn fon'.-te for thr pari'-, ard '-ry rar';. en of th "arrar.-td piano 'eri'ert'i tranvnbd fro-.i th 10I1n 'oncertei. M'za-t was an atae" co!.itieu writer of concerto-, and th -tudat of his werlri. u-i find reri' ' f ,7 th rain iinun.al "e Inttrument ar.u 'on,ina 'en,ina 'on,ina 'Ien "f iiftruinnt. T! r f his vie 'In f)','rt. , in'Ttid.ni; tin ai ' i kpu kpu rleuH mi in E Hat and tu' en in D miner for piano, ar p'rferrr.'d a g'1 dal. but euf-ide of these t r .- en;, ones heard are these for uni'vial 'omhi 'emhi 'omhi natiens of instrument', 'uch a" th en for violin and viola. r'ajd th's 'rau bv M'r Kich and V'rrv. or the en fn "fluf, ) irp and orchestra ;inn hre several s a tens age T THE Bthevn cori'erte "111 held thur own, ejciaily the one for violin wnl'-h Hands at '-. in head of romnefltlons for 'M- iri-f-t:mnt with orchestra, and e'."-l' 'f !. one J.r P.rahms. hai no r'.'i. n' al ''T t.iis 1! Grieg. Mr.de'.ehn nr.if the t-ve of lirahrn. But evn thl- li't. together with a few eth'rs wh.ch mi;ht b IncludH. i" set t,rv Irnrt.rii f,nt, it,r n C-ntUTV Of e-omiefcitlon. Of course, thr have been1 ' ir.anj eiaer roTrtes v.rni-a, a.iu .. -emt- fine coapekrs, but th are tn main ones which show evidence of permanency. Mis Ada Sohn, a young pianist who v-li cm' ha appeared In this city previously. At.- itarrsW gave a recital at Wltherspien Mai? :at ply.ir--VtVe'T. ;'a;' evening before a soetl-rized audlcnc-. ;- ;'A r,:lic-ri::ir"i . f',':J''J. rhe received the aoleUt well. MU Setn Vila, as r,-;i ' ai-. y.z. iarr.a.ret i jja5 a fjne ttcnniiue anu jieues -"-r.ta. Sir. Brfar-ilc, v.. e.rfia-t ; j 0IJ tle ita-e an-l played the I . .. i. :.i. ,!... fc-nTt t . -- -.- k... ... ',vt. vef a, Tirnrram wuiwn :uc .-v-.v.- - 1!1 cr h In v,..r,. . ,h. v.iia. varied nresram wbicn iiie tr Acar-.r '; Miici.. ..., ,rnn'npr throusheut. r-e al'Kr.wa ar 1 "-a-j-iav T..-.lrs. i citci.iu ,. fh &ri :ic. -.air r tt ie-) . 1 1 The numbers comprising the pre9ram j . . v, 1 1 : v '., . . -!,:. A iir.:r Schaie'." fcrt,rar.z'J iru R4 iri Je-a l-t.:r.r. will c l-e ' :'..;. OK THE pr"-ntday compe'-er". the T lane concrte of BachmaniaeS ..,'!, t, U- iibeit th only en- which ha'. i. l likiiboed of becoming a part of th' permanent repertoire The tie.in eoi.'ertes of Dvorak, (leldmark. Ghu'iuneff and a numbr of ethr of it bst-'-newn musical writer" ha apparent y zone into the dtf-ard and dr.-ertedlj K). Elzar's violin concerto. cvn theuzn inT'dJcel by KreMr. did net U-t and of piano roncerte there reras te b an -..ri zreater dearth. Katbrlnc (i'"d (i'"d 'en plad a moderately geed concerto h hr husband, but the grau r jiianiM" of the dav. except Uachmaninef. "m te be corapet-ing 'liertr numbers for whleh there i- always a market. I "r haps ther nr centin".! that there is no n'cesM'v for rner conrte tl an t.i rprteir new contains. Th" concerto literature for th cc'ie, never large. ale "ems te r at n -tand-Mil! The". .f Lale, Saint-Saens Dvo rak and th (.f'.dem h'ar en of Sehi mann about cempris. the modern 'rep. Th Dvorak. whlh was pe finely plnyd bv Mr. l'enha at a recent concert of th Orchestra, is en of the most effeftivc. but It huffrs from the common fault of cello concertos in being very long. t w.. n.nthnr r.ecullnr feature In 1 1 that the' bravura passages pcni te be '-' I thrust into the work at certain inter vals when th compo-'T e-iu-j i "" T- M'r.'telsiJ-n '.'.'. -;- at the Ac !T.y hr i'.jk. a Or-rf'-a -'-.- As.-.' Tv. 'h : t .-. T ;.-'rs.ri uj-ua1 r.'. ..- arr'-c u r.- Y two mi.- ,', 'T. ca -Mr.rr.'j' v. ' c.ft i a i e.ll J j I'.an-- " vr. from Wacir s ,r cf Terente of Slat'-, with tn Tharttaj- "j-t& t ' :n un- --n r- r- re-.'.s 'f Va-g-han , Ha- rr. Scarlatti, through the -t... :., ,v .im mwrfn cedii'i-'-rs ivi -. .piano, and alt the number, were played - ' with the spirit of the age in which they he 'were compo-d. The flr-t group wa de ud of compositions by Mozart, Ua oeco?kv). trie Me itrs:nsr -neftl .TTli.nj w Uluck Brahm- minuet and a hne -enata bv Scarlatti, which was perhap- the b-t performed of the four number-. a me : -uur ';'-. E B t f t. f.I Frir'-: r,. ' . n." i 1 ,,.. a x nt recital " j-"1)i r ; Mftri 3' n ir ' r rf tfc" Av3tr A Mj1 ."." H - 1 Mr. Gt.ti" wl jla C r"tn'.. ik f' - e. n rj a'.e. in! th- r it ('; ? th &errm w '! I 4eet3 e 100 r jn-'!. ii Be''n e,"n t.c!u'l it Kjjt infhcr '3- ly ?-ciiLifRnn a r.r ! f hi en ro-nre "'t-rtn. "L'r!ir.c" i JNHJ, .".4 f. T4m;1"i' leTll "ata T-i.n fTT.r e' Tp'.''?! kws'y Mr fJ ; ia -'.I r. ty t n m;'jr "orr','e ( Htir.r a I.'ji.ab' of (e r . an i th Iter, je CAjrcioire of Hitnt aa tu w.nfl creun vi Chepin, th herze in C fcbarp miner, the nocturne in K miner and two waltz- in.-S Hat and A flat, re-pee-tielv. and all wre wel den The final group was devoted te mere 'modern winpW. including the beau tful nettarw- for the left hand of "criabine. a rhapsodic of Dehnanyl the j,'.'" .f Mo-zkew.kl and rle-ina I itb f Saint. Sae,- Allegre Appa-lenata. Mantell's Week's BUI "r .'at '", JIu fal ' y s I-sv rt i v ' j--- n tfc It Osl-n of U i .-( ra'-'-i iit Tjf.-la. nft.r - "-- 71' 'ir -e tart er Ant..t .'I e;-e vr-sne II-n H'k i'arA. II irrv A'i-Lfi-i,- il&!,.! erian Icfetry Johniten f i'f, h-.-t I !' 'a iv. '' PrtranJ Autt..-., p . E "a Cilli-n Hrturr eon een tra.' Si " Ha-'. 3 N 'h-'c l ri in r.r. t'rir ' ? -r J r e' ' mff lle'-t ff j '.5 Ir-- Sta Qi'K ielir, 111 iren Jins "Brar' ',ii.( liar ! S!r. 1 i a I-'arrr.-SScK'r'ie. A-.na Je'-' SIr II I". .Masi-., ii i i . am Ii. I'.c .Mr Me-f Ttris- rfct Sim V J hhedwleV. Jr. SIr Jehn P ixisre ar.d Mr J. H Sir. C'aiAen. Nina I'. et'.-rr.an !Ieall, dl-eeter. ,.t.. Mnntpll comes te the Bread neu-i ,...-... -:,. ,,ii . .n i .,.t Theatre .-nni.ne iril ".. for a ..!.... ...M..nt et rnahiM.';u - vI.Ip HamDr. The opening -.vVtAr s with "Richelieu." te be : i-. iv, fsiw i rin ir SrVen'We'lnelay matinee. "tVeu l"ke If." Wednesday night, ..')'.. c...,r." Thurwnv night, -la'e. T-i "h.mp'r'.r '! . - ' ep'i.ar i tnat mi. tecbnicai uispiuj h--" au.eng p:ani and e'"a-. :ia. y w uarv amj they de net appear te b hear en of 'he eth'r nat'irallv developed ns In the cn"- of ff tip -.asen for the iirae 1 fall.n? m,i nven vi iln or the S.ehumnnn pjane rte r'.viw of the piano ""ertes of i f-on"ertes. Dvorak's apparent intn th e'dr maste-s Is prebablv hcauk ,:0n throughout th work was e-vieentij th clarcter of the Invnnre-,- and of Rj,.'0dl- nnd th purely technical r,a--- ages de net fit anv tee wn I ef .'.' l""iZ.x. : rViine nlzht. "The Mer chant of Venice." and again Saturday Xrnoen. Saturday night. "Julius ';,:.::.' ,.n;n. The second week list T-t r.t en Slund.y ...in include "King Lear and Ulcii-Ktyr- Str Outs ui I '""',,, I'M' r it O're nl tie an ersan r- ''a. a' -r. t -f. i r. va-ia!i r.jrcn rut r i 'r.t ar , -r -t at 15 e ft i - IJ e .w r jir , JTy 1 ' , ,Tt ii attrac r. trcsram- m- .d.rjt cm- liru 11. U IIPWM .ts tec-ril'p.e has "e 'har,g"' 'in' thc-e erks were written that tin no longer demand a braMira stjl' e: ni'uM'm which, te some titent. U ii"'ary in u rorcer'e. nor de th r'; nr th full resources of the modern piano. Th sielin. en the utlir I i'.d las tot ehnru'fel in any luii.ii'r hjrn th 'OT'rte of t!i gree' Gerinan niastel-s ue.r cornpe'cd, and thefer tl'j may I" considered 'd''ly fre.n tl' i.iiiai'al 'entent. while th piano i'iii'"ie', for t'e rea'm inentieml, no 'oeger can. Tier hut had te give :i- ti "nrer'ns. tierhnns net se Keed misiealB, but which nr better adnp""l te th K-iriet of th modern iiis'rurnent Tl Is Is also true te ri of in we'in concerto h en re. 'tflrtsct Mary 1'lck ivar "--aadu nr ran iwr-. --. ? SIXTY-SINTII hTti:i:r Tijewlay. und Wrdned.iv, "Foel's Paradise," Cecil li 1)9 MiHc feature-, with Doro Dero Dore thy l-i-jlten Thurbd.iy Friday and .Saturdu "Thru Live- UhestH.' b.irtd en Fred Inliuin Blage tetned, with Cyril Chadwlrk. LKAUKR Monday. Tuesday und Wed neadayip "J'wtceck Alley," with Mae MurraAr" Thuraday, pyiday and Hat- 1 5 wrday.l-'Threa Mf 'WB ", Jf ,VXWh of. the Ma Vkl.hay. atage, cqipttly. yfflirrlQiad- rr-iinv mn have been the rc-u ' 1 .sjmpe-liR the work with tl p a s. n nn-e of two great cellists-, V ihen n-I Schroeder. as Dvorak is raid t. 1.. den Certainly sern of tb p-i.-a-"-nr tee cello-like In technique te hate been written by any but a great cel.pr It takes a mighty genlm te accept .! d ctuin of ii great in-trumentallst and et nake his .ointie'ltioii eund entire -Ir -pontsneeuf. Brahms .lid it. nnd se did Mendelssohn in a Jwr Ugr. Ir 'heir respective violin eoneerte.. If fe nerlc-f. of th collaboration of J'acllm .! I)aid are te be believed and there r-ain extent, is abundant c.lencc in th letters e' t.i Mn,i ' v...i. ...r-.i thnt the two creat vie. ,nU feu- demarelk unen the i imictH were cenulted frejueni in tr- riedern tchniiue, slti' l'aganlnl made reurse of the work, th tremendous increase in the peil- Although the Beethoven coicerte wa billtles of th iii'trument wh,p, he did V,,ttte:i for Clement, there l no etl nv vlellnlft with "uflicient teehnleiue a,ui, that that artist was consul' during th ceurs m m '""i--" - It wan net Beethoven s habit t., de I'm and he frejuenl1 quarreled hitter. with Schupnan7lgh ever th violin pa' uiges in the quartet. But he never changed them. The former style- in i-oiuerte writing was te have th eirchestra play all the themes of th first mewment ns an or chestral prelude, and this has been followed as recently as Brahms In the tlelln concerto and Dvorak In the cello concerto, te mention emv two In stances. Twe of the cnrllcst cases In brenklnz nwnv from this custom, es tablished by the classics, were Men delssohn In the violin concerto and Schumann in the piano concerto. Bruch and Hnlnt-HiienH did the came In their first and third violin concertos, re "pcctivelv, nnd it cannot he denied that very high arc thej of Mendelsbehn. the the works gain 1" M'lr t ''''W. fin,t of Bruch, Tachaikewsky, perhaps I The theoretical idea In this orchestra thii most intensely nationalistic concerto ever put upon paper; I he third (It miner) of Haliit-wacns, nnd this comes net far from cleaing the list of tun best one freraji musical standpoint. This, nt vniri.v rralmtri -auch concartea kn U oHilcWiperetrIcleMg ''laj',, . 1 Zi,fisJvLMtA 4-. . . ... iL:pi ,3 ' 'r i "ii 1.', ' ' Zjr.7 V ..- atk Ji'-r: - ' "Jf.i-i la:Vri rV,--'- 1 ' AltAfc '-' ' -BsmwaijjjjjL . '-"BjBsjjjjjjjjjBjr ajjjjjjjj pjaijjji -j " iissj . .ajjr tb amv Bsmmw-. inv ssa ajuss .- .ar -"'r - bm -hk - -kW m'-marmj,,.-!' mm r.-,M- JM?MA"&iTM,J .":- 'Mim m CHESTKirrSlTREETBlats A THIRD OF A CbNTURY-"PLAYING EXCLUSIVELf VAUUEVILLE'S BEST NEXT WEEK GftANP SPRING JUBILEE BILL! te tn't tnc reqjirerneriia il n urt elO'S e.re-lK kl ra Wl'l hM- little, trouble iith the technl'-al parr of nr.j of tlie Mozart concertos Hut their musical tnlue is te great thai th three re ferred te, these in A, ' and E tint, ate Mill heard. THE concerto output of the last cen tury bnn net been tery great. Head aud shoulder above all stands iIip great ellti concerto of Brnliin", in th sain kej as ti.at of Be-the, en, and like It . In Heme ether respects also, notably th slir.p'l''it of the repetition of the first inittieugn l -Vi-.il I..I ft.ttt,t TBI Ms frw.U, r'",l' ' . .. . t. un .-.iiihj 7"'"' "V'V. wi.Vi.;.V . thftiu: alter uie cunenra in uieuki i'cUr'gK-meu y'Le'en. ?d ' Tert Be,h.,vn uses the second theme here r) k'h "I Uur-LV "nd the Lady " , and the short bravura c!ee of the him movement Of the welln concertos since Bee. theven. exclusive of Brnhins, which rank I announcement of themes wan te famil iarize) the hearers with the thematic material, be that lt:reiild be rqcegnized and followed with ite entrance of tht sole voice, wlik-h ejfen glvea it out"! I. 1-1.1 -a.a.....J itaaiM . flAilrAf As ! 4stV lllllliy VFII" P""M 'tnFtfw. cars jiceuatpm'd teftk-vfiifriat ElOCLUSlVE-"ENGAGEMENT EXTRAORDINARY Till! HE.S'fcATIfNAl. 1'IVA OF TUB CHICAU'J ORAVU fiPEIlA TOMPANY DOROTHY JARDON is A BFPERT"IIE OF OPERATIC AND -0S'0 '.ASI S m AI riEKT VERNON AT THE PIANO 111 KfSC. IIKK K.N'r.Afll'AIF.NT IIKHE. SIR .lRrtll Ull.l. Sl.NO TIIK UEAfnrL'L JKHISII AKIA "1(IIIKK1T." MIII11K.V Hilt MI Ill.ltK TKII TO HER III ttlir.x NI.ia.RH, QUIXY'FOUR " I TMARCELLE FALLET TS ! w ith ts Pep I Th Krnrh Rfun.. M' K I I t I 1 U M ll I Y I' K A T t R K I "KATK" ".SAM" ELINORE & WILLIAMS In Th'r Ntvf t Verilen of "Wante-1 a Cook ' In KXTRA COMEDY PTATL'BEI MARION MURRAY With r. f'ARIIOM. CM'CAS 4 CO. Nw PlaylM. railed "MIist and Iltllka" ADIIKD IMNCF, FEATL'lir.l FraneUX.-DONEGAN & ALLEN- Amelia In a Her.i ti Danca Cemtlnatl'in, C'allel 'Plamatei' KXTRA ADDED ATTRACTION! D. AND D Mallnrr. (Kicrnt Halunlajr and, llelldajral, IIKIO luleenr "Heeta. HUci loeo Orehrttrn BeatSt 88c, Ineludlnf Tai. K-Tenlnm F.ntlre Flrtt llaloenr. 85'! Kallre SJfcnnd IUIcen, Sue I Urcheatra KcaU, 81.10 and si. 09. IneludlDg Tai. 3 Shew Pally, 3 and I P, H, , Beat. Op WMk la AAvanct Fhepai Filbert M9I aiaaMp f'V- ,jJriAAiuJ,.ji ...''-. MOitfti 5HUBERT PICTORIAL NEWS U5 CHAftLES MgGOODCO. LrM 2.35 ILUDWOFF W aw BOBBY O'NEILL&co. IN FOUR quEENS AND THE JOKER. ' Ti7 BELLE STORY " AMERICA'S F0aEfA09T COLORATURA SOPBANO ""M'COHNEL '""SIMPSON IN THEIR. LAUGH FEAST AT HOME ' WHTE& puCK .'. LATE STARS OF MUSICAL COMEDY 4.02 R ! GO LETTO SWANSON SISTERS 1002 in Ground the world' THE BRIDAL SWEET m' wrik GEa MAYO -LOWELL, DREW t-vi BUJSHIHG BH1DES I 5.00 EXIT MAR-CH ,Qq DDIaf EC. EVES. 27 50 75 l.00 c2Sr0T K KlWC DAILV MATS. 2750 ttiMS asliliHsBBMsHHHIiBBnBiiBaBsBsliHHBVsslBVas J ) AUSPICIOUS OPENING MONDAY NIGHT mc shaHBalV sVMtOB - d ilf'trlli LESUE vji'tA. MR. JOHN DREW JOHN HALLWAY BETTY L1NLEY ERNEST LAW FORD) QOBE2T RENDEL TO 5EETHE CIRCLElS TO REJOICE IN THE THEATRE Of THE PftKENTHWI i Monday, April 17 Twe Weeks Only Mail Orders New E. H. JULIA Sothern - Marlowe f. Flrat Week: Men. Eve., Sat. Mat.. MERCHANT Of VENICE! TUM.J TWELFTH NIGIITi Md Frl.. HAMLET; Tliur at. Er. TAMIXOj OF THE .SHREW. second Urtk: .Men. l'.xr.. nut. Mat., TAMINO Of., THE MIK1.H'; Tae Frl.. MERCHANT OF AENfCE: Wed., r-at. EtI,V TWELFTH NIGHT: Tlmrv. HAMLET. l-3 I'lui TlV "SHUIIEKT is. 7A CRITICS 5 A UNIT PRAISED NIGHTS lS?r50tTef2.M IATMATi FREsnrri! fEW MUSiOAltOrmES OF ThEPHESEIfT SEASON ,UVE SO MAMf ELEMENTS OF APPEAL AS. UP IN THE CLOUDS' INqUIRSR -tt I? ACENJiNE MUSICAL COMEDV VihlCH STANDS OuT II K.EA5W.T frnrF FCOM RAMflBAMIC SUCCESSION Of KEU'ES JOS t ITES mAS PeODOCtO AN ACrrfiSI f ENHftTAINMEM J tPC5E5SlM5 THE ELMST5 OF li.TlW MUSIC AGQ0& SCCK.PRR.TAL'j V.W HAVE ,'OlCES. 'ywSit eunt'A5.-il.L ifcT AuAl5T A SACKQIOUNO Of fJlKBLE FOOTED dascess. .CjOUD IUUMMj CH0IW5 AND ORIGINAL SCEHiC EFFECTS V. BULLET ft. ADELPHI PRICES MME. LAST 8TIv,ES BEG. MONDAY . .;' EYES 'ar$2? SAT. MAT 5V."2.00 POP MAT THURS ,V.'.V2.00 KL "THE POYAl .sIllllllllllaslilllklllilBh. lsaiatliMsllllllllllllllllllllH ' liQillllllH1 vsj fH a' J tv DRAMATIC TRIUMPH APPEfARINff IN PERSON PEACOCK THE WHIT 6iy S1MF PFTROVA i "THRILLS WITH ITS INTENSITY.' avE.BUuaiH OIREa FROM HEU FOUR MONTHS SENSATIONAL RUN IN N.Y.l - as, JS I 7 tffi 1 WILSON AUBREY TRIO , , I "TIP" AND BOB I EXTRA ADDED ATTRACTION! H. ? POSITIVELY COMING Monday eve. apr .3" I . MAIL ORDERS MOW SEATS NEXT THURSDAY I rAe THEATRE GUILD'? Psoeucta ULIOM fAe THEATRE GUILD? PaoDurte aC FDAM7 MOLNAC.S WB MA ah ,' WITI ceUiCVn VHILUNKeHVi 6- Eva Le6allienn& Pep Thuc5 Mat Hi Nights SOToeoy HI A I 11 1 IT S I- THEATRE WALMUT at NINTH WANT TO LAUGH WITH B BT I sV V tBV A.iiiBHtrrcn-WtJZ's j p BE'.'tv r, eir cc -ivviAKtt nr . M.T-50U2", tntevAne iv ecu fMs.f -wainut 2169 ,Cft t cnU i l ffai.Vn'.'Mt ' IWWWjaTI8 WWM MWatwtei BETTER HURCY IF YOU WLVA IW' JU I tvmivi U I.MUUM viin ..art OLIVER MOROSCO'S INIMITABLE STAR CHARLOTTE EEMWOOD m HCK NhW MUSICAL COMEDY SUCCESS FOVtVEO ON A PlAY iy CHARLES Klw TETTY PEPPER. WORLD'S BEST DDPSSFD CHOCUS PAUL POIRET'S SPRING FASHIONS fremPARg wilk TINKLING TUNES and BRIGHT COMEDX SORRYsPUT WE HAVE TO 00 - GETlYOlit SEATS! la. a.aa........iJ!,a 'i-') M Al-J ..' .. ara. rtawptT -' Tumpt m im Twiiirnsniai.tfcwtuA j 4, S?. mv ii, mi nc I r r an ADS n BP i IM ' he (MR M. Inr 1 HI Te if . mi r th no 9.P an cle I AI 'iMi in tn mi mi let cei "T m Ini K H Mi S 8s cs an in th an liO ti Hi ,'T Ri t(1 101 'bla U ill cm T III IS t H fc . -iM. -n. .. -- . -.Ti
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