Wv' , T f,rv:,., TV u .as- -'.,. '... w? i jr-vt ; -.-, , - ,- ! faH'MI HltLlARD AT GARRICK"THE MASQUERADER" RETURNS WILL ROGERS STANLEY STAB, wL Kv StW ste'l? KF MisYaaav F'i E . VSSgB aft- . BE'nTaF,en ; ji Trft iw4a XeW&tl iAVWi L'rft!"), rAVni skpj, i--i: m ?l Shi f lL ty , PLAYGOER'S WEEKLY TALK 1ikm Car-ten Mays Are 'So Sidelights on Thca- ';1 arm ana rnotopiayt fcTUES may come and go, but fol- Id on forever. i'wIII admit, considering the ranire nan foibles, that here is n theme readily can be amplified to fur N' playwright with the wherewithal Many Plot, the meet "hlllng'' of ttoiia and unmasklnfrs thnt satisfy iMrnan hankering for compensation cih) atiape of meanness fatten Into rlls- a. Among- me present tiny nranv 'Richard Claude Carton lays claim : atstlnct Ion In one particular for his -I totent use of foibles. He della-hts "VIA Aatblea. )ia rlotcn nn themand nlan ". M'lt Mid hs Is their master. 7- "javrv man newr consistent in nis ioe I-" a aincie tneme. luchard Claude n has been persistent. For thirty he has stuck to his trade, he withstood the blandishments of nea more deeply philosophical and i end for his trouble hla nnmc has M to bo Inseparably linked with Ijf of a certain sort of distinction nael for Its antecedent Sheridan s 01 for Scandal." But other drnm- of Carton's chool have not laid to like persistency. IMncro beenn "Writer of sentimental farces, but irew to be a serious nlavwrleht : nsy Grundy's, work had the name 9T hasirtrit In ir Kit Ulan .. e. .l rVvsS5T,'i Hcnry Arthur Jones was P rT.HRCtliar BlaVWrlffht tthn frtr htnr. r P-WSS01"" 0U,Brew his early tendencies. MV .31 i The Carton plays belonc to (he fnmllv K"Lsf Kaillsh comedies which met fhn llklns- nr'iiii ,,,'r . . ..... - " 6'l.ilsX V we" '-net" thentrerjocrs In I.on. Tney do not strive to tench, do entrench themselves nnrui dnnlnt.! '.--'sfota and never rely upon relfconselous 'tyomneiis. They satirize amusingly, PfvywW11 dashlnp; society folk: rakish per P ' ? Vj "'. re the hel"oe. and the heroines hmi,--vw"' iojj uuL iicvnr mirpriv tmh rri ry4Kltntly vSr'jT .ntly are halnnclnc themselves .jfai45on.the edsc of the socIa' volcano, but mij'Kirri. c lo losB tneir cquniD- "' nc iitt-iiiiierv or nrnn rnnn u en artificial nnd extravacant. hut inn oi cartons polished art, one a not carry nnav thn im,,i-i f tnclallty or extravaRanco. The situ- ' are ruu ot coincidence, hut lire so ,t,t uoveiaued that thev rto nm nfl In a nutshell, the Carton play Is it but never flimsy, vivacious but f Si'-TTERE In America the dramntlar ,n L writes plays In which to exploit his Mire is not a irreat noA-elty. Hart . Manners has been performing that kico ior some tlmo cast fnr Mn llrette Taylor-Xtannern nn.i i, ,.. ralttr. althourh less prolific, has ilone nme for Mrs. Ch.irlmtn u-aiiw. raiier. But in England Rlclnrd Claude ! appears to oe the s:rat rhlnins Stance Of RUrh huahnnilt,. .-...-.. II I ... & 5?vir...iiv ; r, u" a z: r ..',"'-""- Sdt TVi vi v-,u lu piaya nave P''W' i Intended as mediums for the au f;f;2l?r" W'fe' KatneH"c Compton. a tal- E";-,;i?'S?Z ,'v.vuinui actress, uaURlitcr K'C&ijMy a .famous stage family and a crent iftfll5?ndon favorlte- In England SIlss Kg-fompton wo Lady AIKy In "Lord nnd X Alg-y"; Mrs. Bulmer In "Whecle thin Wheels": Lady Ilnntwnrth 'In idy Huntworth's Experiment"; Count Zachyadl In 'The Undercurrent"; f). Auberton in "A Clean Slate" ; Mrs. non in -Rich Mrs. Itepton" ; the :hess of Braceborougrli In "Mr. Ifon- WiSf10"' and she 'nlerpreted the prln--9SWW feminine roles In "Public Opln- JiyaW. r. rreedy and tho Counteu -fc,'i.C2nlrlc ", cemberdene" and "The i.'iSM, ..... . . vZ'XZ J "-""t,D A uieae piaye ner .wuMa was autnor. "yrS"m wlu Dorn m London In 18B3, the KtVv.: " ...uo .,,1,,.-, oeuupi, anu V'' "'vd some fame In that Held, but In b,1?1 H.termlned to devote all his efforts 27 fT ..-v. aa ,i ,,v;iur. MIC ".J Blay wrltlmr. His first n!m. sm,. i.':i -v .. oi.. -.-.. ..-.. i iiuww, was proauceu in brilliant dialogue of "The Oft Chance," the R. c. Carton comedy now trine at the Broad Street Thmm. lMtfor an cxnert handllmr whieh if !&'. Wklnc would brlns- about tVi rit. A tz. n . i. . " ij,vj wn oi ire uencate ttructure of r isy w Bity. Hannnv. th.it Tnrt han,innn H-.i "i. m 'Jm it.il . . ' -"" "-"". Jn' ,r if1"" oinaue in lortncominsT rrom a E&! " which derives Its chief Rtrenjtth pemr ne Brace ana ease or Kthcl Bnrry A ! nre. She plays Lady Cardonell with fej i ooverlnc of piquancy that only for if, i .., uo ,0 uiuacii iiircuKU oy ex- , .WiMlona of brief emotions. Only In 'ma. Ant act must it be mid that nr. 7tjflint of her naturalness she has pcr "J.tJlHtM herself to become slightly too iyirrled in her articulation. Later this ,' r waappcars and she again Is her natu-'rV'-'.' d winning self. .1 fT7 , ' 1B9 ISN'T nften thnf th nnhlU it, -.. ..m uh,wt,W ,0 ,,..- it ted to look on at an Interfamlly for high histrionic honors. John Lionel, after working together In sent In "Peter Ibbetson." are again tfn aeparate paths. Following hard nia Drotnera success In "Justice," rt laid his claim upon popular ap M by making such a Hiiecess of (Copperhead," the Augustus Thomas Wcrm which he will appear hero Xo r II at tne Lyric Theatre. For i moment jacK Barrymore pasred Into Background until this season, when i same Into his own again as Tolstoy's jn "tteaemption." In the midst of friendly contest Jack and Lionel together long enough to share i in j-cior looeison. ! Barrymores are a restless family. ,Kaurlce Barrymore, father of the at stage stars, was nt once poet, sr and actor. L'onel Barrymore. ta hi inheritance, has wandered r the atage to dabble in painting and l pictures. Jack Barrymore was a Ut of metropolitan caliber and a -picture as well as a stage sue- tit Ethel Barrymore has shattered t'Heod and all the bugaboo that a F.mr must needs interfere with ties of motherhood, or vice-versa. " ,! when ''to dumb forgetfulneas a ay" that most persona seek out the I show. They do not want to be to or at; they only seek happy for their emotions and perhaps for their Intelligence. Perhaps no wow produeer la mora acutely of this Inclination on the part ' tJejM.folk to take refuge in the ahow r.ffcs' eomlc opera category than Is ziegrem. jr., wnose 1911 cycle TTolUea" Is meeting with the claimed for It at the Forrest The Ziegfeld ahow lulls you aa emotional oblivion, Just as a I Mow fulHlllng the destiny meant ought to do. artistry of the "Follies" from S year has followed a rising til this year's production has 1 tb success peak of these shows I,' Have aet a standard in move- ana Maury, I appearanca of "Maytlme" at the TBtaxre on tne neeis or ita i a auaosas In New York ug- to hb own or in oia pter. Twenty years juatoncai novel i BspB 4pW THEATRE .sassssssssssssssssssssssssssssssssssK. .sassslsassssssssssssssssssssssssssssssB sassssssssssssssnanasVsasssssnl tv.'saW,BasV V. 'sssssssssssssaspr sasssssssssssssssssssBWC ssssssfsassssssssssssssssssna sBlaosSi &? 5 ' isassanl dsnassssssssssssssssssssVsassssV. " sW 17 V II . i ' sassssssssssasr nBasssssssssssssssssssssVanassnassssss sssssssssssawsasssssssssnaV sasssssssssssce sasssasl sasssssssssssssssssassssssssnasssaV It ' n ' ' i asassssssssV1 !nHrHHp H9 gK' -'"'sasnai a1gsBgsBflBgsMiBflSsnasaaK y s" A''''1';"''' sassssavaae. sHnQsasVsasssssssrsaaan asssssi aHtJ.'llg-E, Vi;, CBsasssssssssssssssssssssssssB Dsassssssssssssss, ssssssgBBsssssssssssssssT sssassssssssssssssBasp VJsfisasssaBasssssnBssrnsassna aaa 'assaasK R yaEi.a igBTsBBasssssssssssssssaaaV T i. B sasssssssssssssssaaiV f asassssssssssrVsV l mf s hbbssssssssssssssssssssssssssssssssss VV S-mWE X SBsttssgltfsBlsnfl' -f kf AJ tissnnm nntasf... 'H LgKc' , V ' . fPef'fB TsassssssaaPr4cx vIsbwI VBassssssssV'i!srassnnap4rassssBSBaBLl BBassssssssssssaaal Bassssssanp''r i S'a1 awpT " jri' , ;. ,W ssnnnP'snWKLdBnWBi WmkikflkiWki ' "" " 'i' ' Krhi''t M. $$$$&B jfrj v f 4lfew9BSsfgBHBVUJBaa4Ba?sssL ''ffSsL CEOQCiE NaHI I t. f gsgBe jyKICv --'y i id iwmm.ma 'smmwsxf'aas!smmsmmm ''4-rs ',.;i'K'..3i-Zi,iam - . . .'Esi'-t. ;' - . Jiy yy ,.?jriiwv ti'-AJlxna TcTll . EVES Of VQUTH AOELDHI IE aa-Lc Gis.e,r:3.a-r iA.. DUMONT5 S MINSTREL'S prevalent thumbs down nttltudi of the theatregoers forced nn abtindoiumiit of this bort of pioduction on tho part nt the producers. Then followed the scuts of plays with themes rellKlu'-ly up to date, until the uccei. of "Mllc-tones" Kava prnof that the period or costume play still was popular, and that enough and not too many of these productions was what was required. The cohtume play has iu merits, be c.iuiio people llko to tec others "dressed up" nnd arc content now and then to revert back to the scenes of, say, a cen tury ago. And also, tho coHtume play by Its theatrical nature Is true to the traditions of tho theatre. OfUnthncs It affords" relief from the consideration of preaent-day problems. TIIH theatrei where the prnncltiK J. cl chorus and the Aee)lnc lngenu are to be seen the public nl(s for its hents "down front." AVhen these sime per sons pay their money oer the till at the mole window and enter the lobby they ink the usher for seats In the leur Why? At one time It may have been true that It was a strain on the eyes, but that is a thlnB of the past. Years airo the pictures were not up to their present status of elllciency, and the dim used to be run through the ma chine at men a rapid into that the flK ures seemed blurred and the pictures .displayed streaks. In thee days If n picture shows streaks It Is because of old stock upon which the film is printed or tho us of a worn-out film The avornce life of a negative Is abodt thirty das, nnd when a pioduction la shown longer than that it Is apt to be streaky Many eye specialists are of the opin ion that the movies do not hurt the tyes, usil they recommend that the spectator watch the entire screen Instead of fo nislnff the attention upon one object Pity the poor censors whose duty com pels them to look at thousands of feet of film each day. When the movies were advertised as being in so many reels Instead of as productions, It was easy to tell Just how fast tho pictures could be run through the machine. It should take about fifteen minutes for the projection of the acrage reel of film, this being about 1000 feet. A foot of film con tains sixteen small pleture-B, and In tho nerago production there are 80,000 separate pictures, FRANK MelNTYRE and Hex Beach were walking In opposite directions m New York one day recently. Both wero bound for dinner; thereforo they wero In n hurry. Near Forty-eccond itreet nnd Broadway they collltled. For a moment they glared at each other. "If you happened to be somo one else," said Frank, "I'd put you on our bark." "Bah !" replied Bex, "you're too fat to fight." Like a flash Frank's eyes brightened. "Too fat to fight," he fta'd ; "wouldn't that be a good title for a picture," "It certainly would," agreed Ilex. "I'll write it and you will play tho star role." That was six weeks ago. And now "Too Fat to Fight," with Frank Mchi tyre in the lead, haB been filmed as nn outcome of that chance meeting. THE Y, 51. C. A. has commissioned the Sellg Polyscope Company to film what Is designed 'to be the world's big gest war p'cture. Oeorge Balnhrldge, director of the enterprise, announces that nearly I.OOO.ooo people virtually all .of them toldlcrs and sailors ami marines will be In the enst. Tho tltlo selected for the film Is "Tho Jlyd Tri angle." " Included in this picture will be about 600,000 men In the training camps In the United .States, as well as large bodies of men on the battlefields of Europe, The Y, M. C, A, Is to use tho picture. A special film of two reels Is being made for each locality, the main Idea being to present the "home boys" at every place. To make this fent possible nearly 100,000 feet of film was neces ary,, ALMA TELL "CALLED" TO STAGE Overcame Parental Objections 'to Career Only Through Deception When Alma Tell, who plays the lead ing role In 'The Eyes of Youth," want ed to take to the stage In her early youth, fhe met with vigorous objections from her parents. Miss Tell had a younger sister with similar aspirations and the two girls decided to become ac cesses, despite parental objections. The Misses Tell were sent to London where they were scheduled to attend a music conservatory for one year. Arriv ing In England they spurned the music conservatory and enrolled in a dramatic school. For one year while their nar-n' believed the girls were "polishing Wagner, Beethoven ana Liszt, the s ters were learning to walk and talk be fore an audience on a stage. When the girls returned from England they con fessed to their parents and were for given. The sifters then sought engagements and Alma joined a musical stock com any in Cleveland. She left thla company to pjay In several of pllver Morosco'a AND MOVIE FAVORITES WHO WILL ENTERTAIN THEATREGOERS DURING THE COMING WEEK v, w wwfSKd? n" i r ii Ti i "" rr BiTrTrMMsnwraT i ri i 'mr - . 3sS-mmr rtjR.V1 ZZJfS. -""'"-- V jmBISSmaKFut ' M ; A ?-i-BK ifrVi-!-fclWi .iMS53f,si; u-y'jw m .m Bmmi ,--r.tiDimnaaERi L-'fc;-!r"gii!."an-i jer.tN-atsi;sJssv'ws- -'a- via tje ""saw ammv '.adsmisHaaMiu!PS'. iUaWJWiftMdsanmBmmmmmmBBnii sirr--' rrnk. w ' K ta-B5--:e?f r tif ;. ;3em l 'J asssBeaTassssBsssssssssWassssssa t ) ?h)aA&jJsasasssssssssssssssssssssK VI js"15.v m.- JfVa ' N'-rs'-l' v' h sflPlB jAtA sassev aJsanassssssassssv iKf assssnaar -. BROAD ST THEATRE. T JSQsftHsfta ''- "l bBsHP TsVV ' i ElBiJglgKl " ? THEATRE BILLS j ffifflr f W .,.r jM l'Mm -"JW' rS-P'i FOR NEXT W'EEKl THH Jl(lillH "V '- nlkHHi " " ,' s" lUir B ri-o- ussVisWavVI sanl 1 iSnasssssss .anasssas3i!Si -'. ' H ' vap . JisBWdsM Mssbf . Robert Hilliard Coming in Nrw Comedy "A Prince There )Vas""r!uMasquerad- er" Returns XriW ATTItACTtOXS (7.1 ? Jrr rtobert Milliard in his new comedy. "A Prince There Was," hv Mr. Ilillinrd and Finnk II. Westeron, from Danagh Aldrich's novel, "En rhiinted Hearts." A light play of the "Cinderella" type The war Is sup ported by Allco John and a cast of unusual strength coxTixnxr, attractions BIIOAD "The Off Chance," It. C. Car ton's phy, with Ethel Barrymore. Tho Charles Frohmnn company has surrounded Miss Barrninrc w"lth a distinguished companj Including Eva Le Oalllenne, Ainrlnetle Hanson Anltn Blithe, Cecilia Badcl'ffe, Mary Balfour William Bnyil, IMvvarll Emery, Harry Pllmmer, Albert flrnn, Ben JohiiFon, T Wlgney Pi rcyval, C MacLean Savage, John M. Troughton and F. C. Butler. SUVTtKItT "Maytlme." a costume play with attractive music. The cas l headed by John Charles Thomas, John T Murray nnd Dorothy Bige low Others playing Important parts are Oeorge Harcourt, Isabel Vernon, Patsy de Forrest, Jeanetta Methven. Hutsell Lennnn, Henrietta Djx, How ard Marsh, Winifred Harris, Charles Prince. Alfred Hemmlrg and Herbert Salinger. '0.';,';,sr "Ziegfeld Follies," the 1918 crslon of this popular form of en tertainment. Tho enst Is made up of more than Hill, among the principals being Will Rogers. Martllynu Miller, Eddie Cantor, W. C Fields, Ann Pen nington, Frank Carter, Allyn King, Mildred Klchardson. .Savoy nnd Bren- n.in Harry Kelly. Bllile nitehlc, the i-niruanKs sisters. Dolores, Olive Os borncr, Theressa Buhlnt,, Lola Loralne, Marie Wallace, Leonora Barron nnd (!us Mlnton. AltKWIll "Eyes of Youth," with Alma Tell In tho chief role. It Is a mystical play by Max Marcln and Charles flueron. A. H. Woods and the Messrs. Shubert present It as It was seen In New York last season. LYitlC "The Mnsquerader," starring Ouy Bates Post, by John Hunter Booth, from Katherlne Cecil Thurs ton's novel, dealing with the manner In which a man of humble origin as sumes the place of his "double'," an English diplomat ruined by dissipa tion. Mr. Post plays both roles. Cast Includes Thais Lawton and Lionel Belmore. CHKSTXVT HTU1:t:T OPJ7M ltOVRK "Leae It to Jane" begins Its last vi ok Monday It Is tho musical ver sion of (leorge Ade's play, "Tho Col lego Widow." Guy Bolton and P. O. Wodchouso are responsible for tho hnok and lyrics, while tho music Is by Jerome Kern. This Ih the only at tiactlon which will continue its popu lar run. VAUDEVILLE KEITH'S Tieorge White and girls In a series of dances and imitations! ".Somewhere With Pershing" from "Odds nnd Ends" : Eddie Borde'n and "Sir" Frederick Courtnay, In comedy sketch i Clalro Vincent, Frank H. (lardner nnd company; John Gardner and Marie Hartmnn; Mao and Hose Wilton, singers; Joe Thlu and Coney Ward, comedians; Hazel Moran, lariat nrtlst; Paul Le varre and BToth crs, gymnasts, OI.OUE "Coma On In," musical tab loid ; Cnrdo and Knoll, dancers ; "Tho Nation's Peril," sketch j Jones and Greenlee, songs; Julia Curtis and company ; "Love and Kisses," comedy ; the Three Yoscarys, Harry Tenny and company, OltOSS KEYS Louise Brocade and company, musicians ; Welch, Mealy and Montrose, comedy gymnasts: Doris Hardy, in sketch; Millard and Martin, comedians ; Hhoss and Wal ton, singers : first half of week, "A Batchelor's Romance": Bllile Bouncer Circus; the Gallerlnl Sisters; Barron and Burke; Jack and Tommle Walr, UllOADWAY Phil Morris, in "Win ning Winnie"; the Three Qulnlan Brothers; the Yaltoa, dancers, and "The Prussian Cur," photoplay, first half of week. "Mr, Inquisition," featuring Earl Cavanaugh, dancer; Harry Breen, comedian; Doris Hardy and company; Millard and Martin, and photoplay, "The Goat," with Fred Stone, last half of week, WILLI Ail I'EN.V Ned Norworth and company; Charley Conway and com pany In sketch ; Joseph Sheftell's Eight Black Dots: Bailie Fields, singer; Don Fong Que and Harry Haws, Chinese artists, and photoplay, "Illders of the Purple Hage," with Wil liam Farnum, first half of week, James Mullan and Allan Coogani the Capps Family: Mabel Burr el I and Jack Ed wards, In sketch; Hector, the wonder dor, and photoplay, .Clara Kimball 1 r. sasBsasV!3sKW . JT - , ,! t " .sbssHWPS58 a :!'': r.jT'JssasssssssariT.... sWFml sal i'obt WsBssfsassauHsal fflr " " ' ' i"'r' " saa--i r . . -7 t-j gagV'gagaggaffsBlsBrat,s'' ' v H ., - JaHnWtSw ( Allva. 2Si6, ZIEGFELD Xilliam ffi-rlx in- HEAPTTS RTTx, XHggEgHgHaV "vJ SJ THE 'aaWnW M I FOl LI T5"- FORREST OF THE WORLD" WALNUT tliS-sVsaBBBBaBflHscslKJUiLbaBV ,,,,, . 'VaHZasBW - lpnoiotUAV ) rMJUtKAUCHBlHSSJSSBBnSB xv "V L Sfe SSSNIHSTOf number" YflgraRk iFHr''aBr -g Robert Ilillinrd Reverses the Old mWMj. n hSk ' Sm' II Superstitions and Prefers It Cltti Grii lffl 3lv II txSm WisV II Xearly every one (linows that actors, asG sV " '"., jg sbbbI IsaaV " . II symphony girls ; Mary Dorr In comedy sketch ; Conrad and Mayo In comedy sMt ; Mc.Vnllv, Dlnus nnd De Wolf In comedy sketch; tho Ernnntonlo Trio; William Desmond, In photoplay, "The 1'rt tender." COLOX1AL Wild West act, "Tho Stam pede ltlders" ; Harry Breen, extem poraneous song wi Iter ; Esther Walker and company in cabaret oct; Emily Smiley nnd company In "The Fam ily Tree"; Mlnclli and Sldclll. acro bats; William Uussell, In photoplay, "Hubbs In a Hurry." PHOTOPLAYS STANLEY "Laughing Bill Hyde" brings Will Rogers to the screen In his first film. He will be remembeied for his work In "Tho Follies." The story Is by Ilex Beach. Mr. Rogers Is sup ported by Anna Lehr and a capable cast. PALACE "He Comes Up Smiling" Is tho new Douglas Fairbanks picture which was made from his stage suc cess of tho same name. AIICADIA "Mrs. Lefflngwell's Boots" furnishes Constnnce Talmadge with a screen play by Augustus Thomas. Margnret Illlngton played the chief role on the spoken stage. Harrison Ford, Herbert Prior. Fred Goodwin, Julia Fnye, MercedeH Temple and Vera Doris are In the cast. VICTORIA "Private Peat," the photo, play version of the popular novel by Harold 11, Peat nnd featuring him In the leading role, This Ik another enn trlbutlon to tho war films, but of a typo which Is not too sensational, RUQVST "Klldare of the Storm" fea tures Emily Stevens in a new Metro play. It Is from the story by Elennor M. Kelly, first half of tho week, Dorothy Olsh. In "Battling Jane," comes the last half of the week. STItAKD "The Goat," with Fred Stone. First screen nppearance of this popular musical comedy Htnr, first half of the week. Dorothy Dalton, In "Vive la France." Inst half of week. LOCUST Mary Plckford, In "Johanna Enlists," the military film In which this little btar appears to good ad vantage. AT POPULAIt PRICES WALh'UT "Hearts of the World," D, W, Grlfnth'H masterpiece, will be the first photoplay presented in this his toric theatre, now in its 110th season, OltPHEUM "The Brat." Maud Ful. ton's delightful romedy, presented by Mae Desmond and company of resi dent players. BURLESQUE CASINO "Hip, Hip, Hooray Girls," with Bon Pierce In "FrollcB Abroad." Among those In the support are Harry P. Kelly, Helen McClaln, Edward C. Jordan, Thelma Scavelle, Tillle Storke, Perrln Homers and Henry Jlnes. TROCAOEIiO "The French Frolics." with Harry Hello, Jake Fields and Lena Daley, The cast aUo Includes Charles Patrick, Lester Falrman, Grace Reld. Jack O'Malley, Gladys Jackson and Danny Graham. OAYRTY "Monte Carlo Girls," with Frank "Raga" Murphy as the fea tured comedian. Others in the cast in clude Charlie Collins, John Hudglns, Earl Hall, Sarah Hyatt, Kittle War. ren and Violet Buckley, MINBTRELS DUMONT'B Reopening of theatre Monday in "The Hog Island Train to the Hog- island Hotel"; Charles Gano, Joe Hamilton and Alf, B, Gibson will lead the fun; Eddie Cassady, Little Catharine and Joe Hortlz, songs ; Tom O'Brien, Richard Lee, Oscar Smith Harvey Brooks, Burke and Walsh, dancera. rVTURg ATTRACTIONS , ,WpVJSaCsHiR 11 .dowstaTioc Talari. a liiei. ', MR. LEFFINGWCLl-S" BOOTS-" ARCADIA DHOTODLAV) LYRIC Lionel Barrymore, in "The Copperhead." OPERA HOUSE "The Passing Show of 19IS." fORREST "Hitch Koo." edition of 191S, with Raymond Hitchcock. PHOTOPLAY PRESENTATIONS FOR WEEK OF NOVEMBER 4 TO NOVEMBER 10, 1918 SEE ANNOUNCEMENT DAILY IN THE PUBLIC LEDGER AND EVENING PUBLIC LEDGER 1' Subject to Changs MONDAY MIMMMtA () 12th,Mnrrla Paiayunk Av For rreedom of Arnr.r.o K2d and Thompein 8t. () !lc H'ViU- In The D"nth Dinre pori x ... (,) Chmtmit below lath 8t. Mr. I.efflntjvvell'a Hoots nrt.MnvT r24 snil Market s- Vhlsn Mnrtln Her Counlry Hirst nr rurintn . ') Prnsd ft Buo;uehnn Ave. finth an rvsiir A. Star CnKt In Come Hock Dorothy The Hun rOMSTTTM MrVt betnw fth St (1 Wnllnre The TTV'MT, WIIMaro P.ll"o'l In Hulilis In a Hurry N"orn-.i TalmidTP In ll niuht of Purrhnse Mall ,. Manttviink -''"KA n., an MarVxt nin Alice rirnrtv The Death Dnnre PI'ltT.V SM Vrkt Ft. Mae'tte In The Wnrrlor P'hei rninn In Thn flirl Who fame llark "l"i Pt, and ritrsril A. ""vurinn 47ln FrsnVnrJ A, Flale FTmisen In Heart of the Wlldn otfi ST TDK IT It TVlnw flnruea at. flai Kimball In The H.unit' OPKT NOBTIfBN ".,,( pt, t Rrle A. ( r.lle I,o In the Make nri'FRiAr. r.mii anil Walnut flta fonnianr TMmarte In Ksnre for the Ono tl'FFKBHDN Stub and Dauphin Sta. Ih.ahmsn and Bavne ffoclnl Qulrkannda Tnn Front and Olrard Ave. Paulino Frederick In Kednra I.FAPEIl (s) Nt and T.anraatfr Ave, Vivian Mar'n Her Country Flrat r.WKRTY () Tlrnad and Columbia Ava. r,ojie H"ff T'other Dear Charmer t prvHT ft?l and Loeuat Sta. Mary Plrkf"d In Jnhann i T'nllata MARKltT ST, TIIEATKK !M3 Market at. (' llale Heart MoiiK.r, 43.1 South St. (s) To UHt With the Kalaer MVON ASd and Market Its. WUHsm Diamond Th Pretender OVKRIIROOK (131 and Haverford Ava. (a) Sperlal Caat n The Reekoninir Day TAtACR 12M Market St (a) Douplaa Fairbanks In Ho Cornea Up Hmillnv FARK Rids Ava. A Dauphin St. Ethel Oirl Who VMSCKHB 10JS Market St. ( Made Kennedy In Friend lluahsnd RFC) EXT Market Bt. bate Hts () Kmlly Klldare of IAI.TO Ota. Ave. (a) 1,11a T,e In tha Make A Tulptbeckea IVOLI Mi sad aanaeat Ma. (a) Frank Ke'nan Tha Jlrlde of Hate irnv Market St, below Tth (s) Mao Ma"h In Money Mad SAVOY 1211 Market at (a) Marguerite Clark. In Out of a Clear Bky STANLEY Market above 1Mb (a) Will Jlnaera . Lauahlna BUI Hyde Fred Stone In Tha Goat STRAND Oto. Ava. ) at Vanaaas) VICTORIA Ninth and Marktt . Private s i i ' a. , ' and for tint matter actresses also, are the most superstitious "of poisons, and sometimes their odd fancies play off at n freakish tangent. One of the nmus Ing things Is thnt quite often they run counter to the time-honored superstition of the stage. Robert Hilliard. who begins an en gagement at the Garrlck Theatre next Monday night, Is it practical, common sense American, but nbout some of the ordinary tilth's he Is quite as superhtl tlus as the old negroes qf the Georgia cotton fields or the Mississippi lcee. In one thing he is very much like President Wilson, and thnt Is In his belief that the much-dreaded thirteen Is a lucky number, nnd especially his luckv number, 'and despite the protests of alarmists Mr Ilillinrd always dotes on 'hlrteen This season he started out on Ihe thirteenth of September In his new comedy, "A Prince There Wns," which Is a dramatization of Dnrragh Aldrlch's TUESDAY WEDNESDAY Ihe tho World For the Freedom of tho World Freedom l.oulx" HnfT, T'Other Dear Charmer Dnrla Kemnn In The street of 7 Stara I.efrinRwell'a IlnnlH Mrs, Vnn Martin In Her Country Flrat J. Warren A Prisoner TIM I to You Slnr Cnat In Tl'l t Come Iliek lo You Star Fall of fllh In Within Dorothy (1lh In Tim Hun Within TW.1 In Pouree Wollnre Held In Tho ftoureo Smart Moral wiiiism nueaoll In Hithlia tn a Hurry WHIIam P.usll In Huhha In a. Hurry N'r""i Tn'm.dire In Ilv TtlHht of I'urohnea fnelde the I.lnea Special Production Viola Dana Flower of the Dust John R'rrymnro in On tho-Quiet FHtilo llrunelte In Tho Vclxct Hand noroi'-v n,, In The Hun Within Hmlly Klldare Flale Ferrunn In Heart of tho Wllda Marlon Davlea In The Rurden of Proof Yniini Woman Clrn Kimball ,, In The Savage Woman Irene Olrl f'rn( of - Hellrx, Mis I,r In Cr-ipe of the Mal(elteleve Tom Moore In Juat for Tonight Conatanre TalmadTe In Sauea for tha Onnae Anna In Carlvla niarkwelt Ity Hook or Crook William Deanvmd In Closing In Vivian Martin Her Country Flrat Reaale Fringe I'aulln Frederick Fedora John On Mrv riekford n Johanna Knllals Miry Plckford In Johanna Bnlleta Keririiaon of thn Wild Tom Stir Fame und Fortune Mod ami To Him Tn If el I With the Knlaer Iiulae Huff. T'Olher Dear Charmer In .William Deamnnd The Pretender William Thn Viola Dana In Flower of Duak Tyrone Modern Douelaa Fafrbanka In Ha Cornea Up Hmlllnir Douotas Falrbanka In He Cornea Up. Smiling Clayton Came Back Ethel Clayton Olrl Who Came Hack R-vrn.t Washburn". Till I Come Rack to Tou Kdllh Htorv In Th Silent Woman Mia I.re, In Cruise of tho Mike-Relleve Btevena the Storm Kmlly Stavena Klldare Qf the Hlorm Hmlly Stavena Klldare of the Storm Criitae of - believe Pert I.vtrll In llnaton lliackle'a Mttle Tal John On Frank Keenan The Ilrlde of lUta Wm. B. Hart Hell Hound of Aluaka I.lla !, In Crulaa of the Make-llellere Corlnne OiVfltli In A Qirl of Today F.thel Our Mi Tkirrvmnre In Earla Williams In A Diplomatic Mission ra. McCheaney Will Rosera Mtuihln- Dill Hyde Will Laughing Fr-d.Blnne In Tha Ooat Pest Private fast John GKajpilej MWTIME SHUBERT "Wall T3oe:r's in. LAUGHING BILL HVDE STANLEY Ipmotopiay) novel, "Enchanted Hearts," by Mr. Hilliard and Frank H.' Wostcron, and while nearly every company that has been playing had to suffer davs of Idle ness during the recent epidemic, Mr. Hilliard has never lost a day or missed n single performance. ' John Thomas a Gymnast John Charles Thomas, now playing a ratline role In "Maytlme," nt the Shu- bcit Theatre, has won n reputation as a, singer of no mean ability, but there are few persons who know that ho is also nn enthusiastic gvmnast. He de iiies much r.f his spare time to physical culture and thus keeps In trim con stantly. "I have discovered that voice culture Is also aided bv physical culture when scientifically followed," says Mr. Thomas. "If I omit my dally exercises my voice Is Invarlnbly affected thnt evening; only slightly, of course, nnd probably not noticeable to the audience, but I discern a difference. However. It Is ob vious tr; nil that a weak bodv could not long bear the burden of u strong- voice. One Is Indispensable to the other, n fact manv slnger.i Ivive failed to recognlza to their own sorrow." THURSDAY Pop Ihft Dorothy Dalton tn Vive la Franco of the World Tl"t Itetl In Rndon RMrkie'a Mttle Pal T-errinBWell'i ItOOtH Mrs. I.efflnffwell's Roots Kerrlcnn In of the Plnoa J, Warren Kerrcr" In A Prisoner of tho Pines Caat In a Nation Oeraldlne Turn of Fvirrsr In a Wheel Tha Unbeliever The Unbeliever Halrd In Suicide Stimrt Ralrd tn Jlornl Sutrldit William Riise"ll In Hubba In a Hurry Wallace Held In J-ees Thin Kin Mae Marsh In Fare In the Dark Vlrrlnla Pearson The Mara WIMam Desmond In The Pretender Stevens in of the Storm Dorntbv Dallnn In Vivo La, Franco Alice Rrady In The Retter Half Cnatte In The Irom Rohemla Derla Kenvon In The Street of 7 Stars Tom Mnere n Just for Tonight A. Nelleaon In' Judgment Of A,sr"" Ttvnr.,' His Rlrthrlght Wm. S. Hart Riddle Oawne E-ld Rennett The Vamp Reaale Rarrlarnle in rntrlotlam RliHa Rurk In The Pursuit of Tolly In Parrlsrale of Society Reaale Fringe Rarrleoale of Society Rarrvmore the Quiet Dorothy mn The Hun Within Marv Plrk'ord In Johanna Knllsts T.ove In Flhel narrvmnrn In Our Mrs, McCheaney . In Tnal Hath Pev Hiland In Ronnfo Annie Tnurla Desmond JVetender In Wl'Pam Desmond The Pretender Power tn Iorelel Rlrrh a Nation e,f Douejlas Fairbanks In He Cornea Up Smiling Rrynnt WisMinni Till I Coma Rack to Tou Frnk McDonald in Toung American Dorelhv Olsh Rattling Jane Hsrrmnre In the Quiet Dorothy OIh In Th Hun Within Wm. B. Hart Hell Hound of Alaska , Carlyla Rlarkwell In Ry Hook or Crook , Kthel Clayton In Soul Without Windows Will Rogers I-aughlng Rill Hyda Rogers Rill Hyda Fred Btnna In .The Ooat Dorothy Dalton in Vlv I France Privata'Peat Private Past "CAREER" NO LONGER f A BAR TO MARRIAGE Ethel Barrymore Finds the Stage No Hindrance to a Beautiful Rome Life It used to be accepted tin the truth that for a woman to earn tho wngeg of, n man called for tho sacrifice of all her Ideals ns a woman. Just why gender should bo attached to the dollar never was satisfactorily explained, but never theless the old Idea prevailed thai a "csrter" for n woman signified tha abandonment of those "finer things." which nre woman's. For her to marry would Interfere with her caroer; a family would be n bar to fam. ,, This Idea hns been refuted and now women are freely entering tha profes sions. It no longer Is uncommon for married women with families to work out careers as teachers, or again on tho stage. Such a woman is Ethel Barry more, or Mrs. Russel Qrlswold Colt, aa sho Is known In private life, Ethel Barrjmore on the stage worka out her career. As Mrs. Colt she comes horns to caress the baby nnd piny with her other two children. One could not find n more beautiful domestic picture than she presents when she Is in this domettlo world that pleases her most. In her domestlo life Ethel Barrymor Is the wife of Lieutenant Russel) Qrit wold Colt, of the aviation corps, and therefore the daughter-in-law of Samuel Pomeroy Colt, of Providence, president of the United States Rubber Company. Her three delightful children are Samuel Pomeroy, named for his paternal grand father; Ethel Barrymore and the baby, John Drew. There are three generations of dis tinguished stago ancestry behind these children. Mr. and Mrs. John Drew, of Philadelphia, well known to the play goers of an earlier day. were their great-grandparents. Their maternal grandparents wero Maurice Barrymore and Georgia Drew Barrymore. John Drew Is their great uncle, and the pop ular John and Lionel Barrymore are) among the children's urtcles. WILL ROGERS AS A LOVER Lariat-Throwing Wit a Wooer' in Now Film No one could rightfully accuse Wilt Rogers of being a Lothario. But tho lariat-throwing wit proves an ardent lover In the name role of "Laughing? Bill Hyde." tho Rex Ilcnch-Goldwyn picture, which comes to the Stanley Theatre all next week. When Bill Hyde (Will Rogers) finds n burly rowdy making insulting remarks to Ponotah, a half-breed girl In an Alaskan settlement, he gives htm a sound thrashing and receives Pcnotah'm thanks. Then sho tells him thnt she Is half owner In the Aurora Borealls mine, but that Slayforth, the man In charge, is trying to cheat her out of her share. BUI is an escaped convict, but he vows that no mnn can rob a friendless girl If ho can prevent It. So he sets about to get for the girl what rightfully be longs to her. He finds It hard plugging, but finally makes Slayforth settle in full with Ponotah. His efforts In her behalf lead Ponotah to love him, nnd one day she asks Bill: "When are you going to ask me to marry you? I love vnll nnrl vn, tnee me I feel sure you do." "Might bo somethln" In that but I'd make a hum husband," BUI replies, thinking of his past. But BUI Is really nara nit, anu It isn't long before ho asks Ponotah to share his lot with him. Mr. Thomas says further that in or- er to relieve the tremendous strain of even light opera singing the entire body must alternately 'have due rest and proper exercise. In other w&Tds, a mere massaging of the muscles or the throat would not suffice If the general nhvslcal condition were not of the best. "My first advice to vocal aspirants is to divide the attention Into two equal parts, one to the development of the voice nnd the other to the perfecting of physical powers," ho says. FRIDAY SATURDAY Dnrothv Dnlton In Vivo la France Dorothy Dalton in, Viva la Franca Viola Dana In Flower of Dusk Mdire Kennedy In Trlend Husband I.nlngwell'a Rnnta Mrs. refflnrweU'g Roots The Olrl of tha Oolden West I,011-1 Si h Oolden West Dorothy Dalton in . Viva la France 1 A Klsle Ferguson in Heart of the Wllda John Barrymore In On the Quiet . William Russ.ll B' Hnbha In a Hurfr- Anna Q Nellssan M In Judgment Of " Bryant Washburn . The Qhost of Rancbo Pauline Frederick" Zaa l')j For tha Freedom of tha World Marguerite Clark In Out of a Clear Sgy, Ethel Clayton. Real Without Windows'; Ethel Barrymore .fn Our Mrs. McChesney William a Hart in Riddle Oawno Oeraldlne Fsrrar in Turn of a Wheel F,lsl Ferguson In Heart of the Wilds John Rarrymora In . On tho Quirt William Russr.ll n Hubbs In a Hurry Peggy Hvland In Rnnntn Annie Laurie Sessue Havakawa Tho City of Dim Faces Dorothy Olsh In Tha Hun Within Mdgn Kennedy In Friend Husband Mnrguerlte Clarkln Out of a Clear Sky Thrdn Rare- In The Soul of Ruddha Fthel Rarrvmore In Our Mra. McCheaney William Farnum In A Roldlrr'a Oath Conatanc Talmadge Pair of Bilk Stockings . Mm Marsh The Olorloua Adventure Rtsr Cast In For Bala Sessue Hayakawa Ills Birthright . Emily Stevens Klldare of tha Storm Mary Plckford In Johanna Enlists Alma Ruebens The Painted Mly Sessue Havakawa His Rlrthrlght Cecil n MlMe'a Till I Come Hack to You Mary Plckford In Johanna Enlists FHtilo nrunnette The Velvet Hand Tha Still Alarm- Clara Williams. Car men of tha Klondike Clara Williams. Car men of the Klondike William Desmond In The Pretender Willi. . r m William Desmond Tho Pretender in Frltxl. Prunella In Tho Velvet Hand The Pretender (fjM Dnutaa Fairbanks In Hs Comes Un Smiling n.ii.1.. a.i...k,. ,2,d r. ..ruj.,"..jBL. io uiiiki up omiifaaB 1 ! John Rarrvmore On the Quiet John Rarrvmore On tha Quiet Mae Marsh In Money Mad Csrlyle RUekwell 'ro $irf Ry Hook or Crook Dorothy Olsh Rattling Jana Dorothy Olsh. Rattling Jane qersldlna Tarrar In Turn of. the Wheel Norma Talmadge The Devil's Needle Wallace Held William B Hart in Riddle Pawns Norma Talmadge The Devil's Needle Karle William In iJipiom&uo Mission In The Source Wallace Reld In The Source Olndls nrockwell In Kultur Pi w Will Rogers Laughing Hill Hyde Will Rogers ,ft Laughing Bill Hyda : Dorothy Dslton In Dorothy Dalton (RfV .'t Viva La Franca,' J' J Viva J Franca Private Paat Private FAV I -i y, .j I it if I '1 i H 1? 4 JH -! ""! MfWmS Wi ' "H. wM,t , 'TttfMr laM MVM ,WIBHL HK AlataSL 9tm, L - n i n irfrMlfiTiriri
Significant historical Pennsylvania newspapers