Evening public ledger. (Philadelphia [Pa.]) 1914-1942, November 02, 1918, Night Extra, Image 8

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HltLlARD AT GARRICK"THE MASQUERADER" RETURNS WILL ROGERS STANLEY STAB,
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PLAYGOER'S
WEEKLY TALK
1ikm Car-ten Mays Are 'So
Sidelights on Thca-
';1 arm ana rnotopiayt
fcTUES may come and go, but fol-
Id on forever.
i'wIII admit, considering the ranire
nan foibles, that here is n theme
readily can be amplified to fur
N' playwright with the wherewithal
Many Plot, the meet "hlllng'' of
ttoiia and unmasklnfrs thnt satisfy
iMrnan hankering for compensation
cih) atiape of meanness fatten Into rlls-
a. Among- me present tiny nranv
'Richard Claude Carton lays claim
: atstlnct Ion In one particular for his
-I totent use of foibles. He della-hts
"VIA Aatblea. )ia rlotcn nn themand nlan
". M'lt Mid hs Is their master.
7- "javrv man newr consistent in nis ioe
I-" a aincie tneme. luchard Claude
n has been persistent. For thirty
he has stuck to his trade, he
withstood the blandishments of
nea more deeply philosophical and
i end for his trouble hla nnmc has
M to bo Inseparably linked with
Ijf of a certain sort of distinction
nael for Its antecedent Sheridan s
01 for Scandal." But other drnm-
of Carton's chool have not laid
to like persistency. IMncro beenn
"Writer of sentimental farces, but
irew to be a serious nlavwrleht :
nsy Grundy's, work had the name
9T hasirtrit In ir Kit Ulan .. e. .l
rVvsS5T,'i Hcnry Arthur Jones was
P rT.HRCtliar BlaVWrlffht tthn frtr htnr. r
P-WSS01"" 0U,Brew his early tendencies.
MV .31 i The Carton plays belonc to (he fnmllv
K"Lsf Kaillsh comedies which met fhn llklns-
nr'iiii ,,,'r . . ..... - "
6'l.ilsX V we" '-net" thentrerjocrs In I.on.
Tney do not strive to tench, do
entrench themselves nnrui dnnlnt.!
'.--'sfota and never rely upon relfconselous
'tyomneiis. They satirize amusingly,
PfvywW11 dashlnp; society folk: rakish per
P ' ? Vj "'. re the hel"oe. and the heroines
hmi,--vw"' iojj uuL iicvnr mirpriv tmh rri
ry4Kltntly
vSr'jT .ntly are halnnclnc themselves
.jfai45on.the edsc of the socIa' volcano, but
mij'Kirri. c lo losB tneir cquniD-
"' nc iitt-iiiiierv or nrnn rnnn u
en artificial nnd extravacant. hut
inn oi cartons polished art, one
a not carry nnav thn im,,i-i f
tnclallty or extravaRanco. The situ-
' are ruu ot coincidence, hut lire so
,t,t uoveiaued that thev rto nm
nfl In a nutshell, the Carton play Is
it but never flimsy, vivacious but
f Si'-TTERE In America the dramntlar ,n
L writes plays In which to exploit his
Mire is not a irreat noA-elty. Hart
. Manners has been performing that
kico ior some tlmo cast fnr Mn
llrette Taylor-Xtannern nn.i i, ,..
ralttr. althourh less prolific, has ilone
nme for Mrs. Ch.irlmtn u-aiiw.
raiier. But in England Rlclnrd Claude
! appears to oe the s:rat rhlnins
Stance Of RUrh huahnnilt,. .-...-.. II I ...
& 5?vir...iiv ; r, u" a z: r ..',"'-""-
Sdt TVi vi v-,u lu piaya nave
P''W' i Intended as mediums for the au
f;f;2l?r" W'fe' KatneH"c Compton. a tal-
E";-,;i?'S?Z ,'v.vuinui actress, uaURlitcr
K'C&ijMy a .famous stage family and a crent
iftfll5?ndon favorlte- In England SIlss
Kg-fompton wo Lady AIKy In "Lord nnd
X Alg-y"; Mrs. Bulmer In "Whecle
thin Wheels": Lady Ilnntwnrth 'In
idy Huntworth's Experiment"; Count
Zachyadl In 'The Undercurrent";
f). Auberton in "A Clean Slate" ; Mrs.
non in -Rich Mrs. Itepton" ; the
:hess of Braceborougrli In "Mr. Ifon-
WiSf10"' and she 'nlerpreted the prln--9SWW
feminine roles In "Public Opln-
JiyaW. r. rreedy and tho Counteu
-fc,'i.C2nlrlc ", cemberdene" and "The
i.'iSM, ..... . .
vZ'XZ J "-""t,D A uieae piaye ner
.wuMa was autnor.
"yrS"m wlu Dorn m London In 18B3, the
KtVv.: " ...uo .,,1,,.-, oeuupi, anu
V'' "'vd some fame In that Held, but In
b,1?1 H.termlned to devote all his efforts
27 fT ..-v. aa ,i ,,v;iur. MIC
".J Blay wrltlmr. His first n!m. sm,.
i.':i -v .. oi.. -.-.. ..-..
i iiuww, was proauceu in
brilliant dialogue of "The Oft
Chance," the R. c. Carton comedy now
trine at the Broad Street Thmm.
lMtfor an cxnert handllmr whieh if
!&'. Wklnc would brlns- about tVi rit.
A tz. n . i. . "
ij,vj wn oi ire uencate ttructure of
r isy w Bity. Hannnv. th.it Tnrt han,innn
H-.i "i. m 'Jm it.il . . ' -"" "-"".
Jn' ,r if1"" oinaue in lortncominsT rrom a
E&! " which derives Its chief Rtrenjtth
pemr ne Brace ana ease or Kthcl Bnrry
A ! nre. She plays Lady Cardonell with
fej i ooverlnc of piquancy that only for
if, i .., uo ,0 uiuacii iiircuKU oy ex-
, .WiMlona of brief emotions. Only In
'ma. Ant act must it be mid that nr.
7tjflint of her naturalness she has pcr
"J.tJlHtM herself to become slightly too
iyirrled in her articulation. Later this
,' r waappcars and she again Is her natu-'rV'-'.'
d winning self.
.1 fT7 ,
' 1B9 ISN'T nften thnf th nnhlU it,
-.. ..m uh,wt,W ,0 ,,..-
it ted to look on at an Interfamlly
for high histrionic honors. John
Lionel, after working together In
sent In "Peter Ibbetson." are again
tfn aeparate paths. Following hard
nia Drotnera success In "Justice,"
rt laid his claim upon popular ap
M by making such a Hiiecess of
(Copperhead," the Augustus Thomas
Wcrm which he will appear hero Xo
r II at tne Lyric Theatre. For
i moment jacK Barrymore pasred Into
Background until this season, when
i same Into his own again as Tolstoy's
jn "tteaemption." In the midst of
friendly contest Jack and Lionel
together long enough to share
i in j-cior looeison.
! Barrymores are a restless family.
,Kaurlce Barrymore, father of the
at stage stars, was nt once poet,
sr and actor. L'onel Barrymore.
ta hi inheritance, has wandered
r the atage to dabble in painting and
l pictures. Jack Barrymore was a
Ut of metropolitan caliber and a
-picture as well as a stage sue-
tit Ethel Barrymore has shattered
t'Heod and all the bugaboo that a
F.mr must needs interfere with
ties of motherhood, or vice-versa.
"
,! when ''to dumb forgetfulneas a
ay" that most persona seek out the
I show. They do not want to be
to or at; they only seek happy
for their emotions and perhaps
for their Intelligence. Perhaps no
wow produeer la mora acutely
of this Inclination on the part
' tJejM.folk to take refuge in the ahow
r.ffcs' eomlc opera category than Is
ziegrem. jr., wnose 1911 cycle
TTolUea" Is meeting with the
claimed for It at the Forrest
The Ziegfeld ahow lulls you
aa emotional oblivion, Just as a
I Mow fulHlllng the destiny meant
ought to do.
artistry of the "Follies" from
S year has followed a rising
til this year's production has
1 tb success peak of these shows
I,' Have aet a standard in move-
ana Maury,
I appearanca of "Maytlme" at the
TBtaxre on tne neeis or ita
i a auaosas In New York ug-
to hb own or in oia
pter. Twenty years
juatoncai novel
i BspB 4pW
THEATRE
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ti'-AJlxna TcTll .
EVES Of VQUTH
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DUMONT5 S
MINSTREL'S
prevalent thumbs down nttltudi of the
theatregoers forced nn abtindoiumiit of
this bort of pioduction on tho part nt
the producers. Then followed the scuts
of plays with themes rellKlu'-ly up to
date, until the uccei. of "Mllc-tones"
Kava prnof that the period or costume
play still was popular, and that enough
and not too many of these productions
was what was required.
The cohtume play has iu merits, be
c.iuiio people llko to tec others "dressed
up" nnd arc content now and then to
revert back to the scenes of, say, a cen
tury ago. And also, tho coHtume play
by Its theatrical nature Is true to the
traditions of tho theatre. OfUnthncs It
affords" relief from the consideration of
preaent-day problems.
TIIH theatrei where the prnncltiK
J. cl
chorus and the Aee)lnc lngenu are
to be seen the public nl(s for its hents
"down front." AVhen these sime per
sons pay their money oer the till at
the mole window and enter the lobby
they ink the usher for seats In the leur
Why?
At one time It may have been true
that It was a strain on the eyes, but
that is a thlnB of the past. Years
airo the pictures were not up to their
present status of elllciency, and the
dim used to be run through the ma
chine at men a rapid into that the flK
ures seemed blurred and the pictures
.displayed streaks. In thee days If n
picture shows streaks It Is because of
old stock upon which the film is printed
or tho us of a worn-out film The
avornce life of a negative Is abodt
thirty das, nnd when a pioduction la
shown longer than that it Is apt to be
streaky
Many eye specialists are of the opin
ion that the movies do not hurt the tyes,
usil they recommend that the spectator
watch the entire screen Instead of fo
nislnff the attention upon one object
Pity the poor censors whose duty com
pels them to look at thousands of feet
of film each day.
When the movies were advertised as
being in so many reels Instead of as
productions, It was easy to tell Just
how fast tho pictures could be run
through the machine. It should take
about fifteen minutes for the projection
of the acrage reel of film, this being
about 1000 feet. A foot of film con
tains sixteen small pleture-B, and In tho
nerago production there are 80,000
separate pictures,
FRANK MelNTYRE and Hex Beach
were walking In opposite directions
m New York one day recently. Both
wero bound for dinner; thereforo they
wero In n hurry. Near Forty-eccond
itreet nnd Broadway they collltled. For
a moment they glared at each other.
"If you happened to be somo one else,"
said Frank, "I'd put you on our bark."
"Bah !" replied Bex, "you're too fat
to fight."
Like a flash Frank's eyes brightened.
"Too fat to fight," he fta'd ; "wouldn't
that be a good title for a picture,"
"It certainly would," agreed Ilex.
"I'll write it and you will play tho star
role."
That was six weeks ago. And now
"Too Fat to Fight," with Frank Mchi
tyre in the lead, haB been filmed as nn
outcome of that chance meeting.
THE Y, 51. C. A. has commissioned
the Sellg Polyscope Company to film
what Is designed 'to be the world's big
gest war p'cture. Oeorge Balnhrldge,
director of the enterprise, announces
that nearly I.OOO.ooo people virtually
all .of them toldlcrs and sailors ami
marines will be In the enst. Tho tltlo
selected for the film Is "Tho Jlyd Tri
angle." "
Included in this picture will be about
600,000 men In the training camps In
the United .States, as well as large
bodies of men on the battlefields of
Europe, The Y, M. C, A, Is to use tho
picture.
A special film of two reels Is being
made for each locality, the main Idea
being to present the "home boys" at
every place. To make this fent possible
nearly 100,000 feet of film was neces
ary,, ALMA TELL "CALLED" TO STAGE
Overcame Parental Objections 'to
Career Only Through Deception
When Alma Tell, who plays the lead
ing role In 'The Eyes of Youth," want
ed to take to the stage In her early
youth, fhe met with vigorous objections
from her parents. Miss Tell had a
younger sister with similar aspirations
and the two girls decided to become ac
cesses, despite parental objections.
The Misses Tell were sent to London
where they were scheduled to attend a
music conservatory for one year. Arriv
ing In England they spurned the music
conservatory and enrolled in a dramatic
school. For one year while their nar-n'
believed the girls were "polishing
Wagner, Beethoven ana Liszt, the s
ters were learning to walk and talk be
fore an audience on a stage. When the
girls returned from England they con
fessed to their parents and were for
given.
The sifters then sought engagements
and Alma joined a musical stock com
any in Cleveland. She left thla company
to pjay In several of pllver Morosco'a
AND MOVIE FAVORITES WHO WILL ENTERTAIN THEATREGOERS DURING THE COMING WEEK
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BROAD ST THEATRE. T JSQsftHsfta ''- "l bBsHP TsVV ' i ElBiJglgKl " ?
THEATRE BILLS j ffifflr f W .,.r jM l'Mm -"JW' rS-P'i
FOR NEXT W'EEKl THH Jl(lillH "V '- nlkHHi " " ,' s" lUir B
ri-o- ussVisWavVI sanl 1 iSnasssssss .anasssas3i!Si -'. ' H ' vap . JisBWdsM Mssbf .
Robert Hilliard Coming in
Nrw Comedy "A Prince There
)Vas""r!uMasquerad-
er" Returns
XriW ATTItACTtOXS
(7.1 ? Jrr rtobert Milliard in his new
comedy. "A Prince There Was," hv
Mr. Ilillinrd and Finnk II. Westeron,
from Danagh Aldrich's novel, "En
rhiinted Hearts." A light play of the
"Cinderella" type The war Is sup
ported by Allco John and a cast of
unusual strength
coxTixnxr, attractions
BIIOAD "The Off Chance," It. C. Car
ton's phy, with Ethel Barrymore.
Tho Charles Frohmnn company has
surrounded Miss Barrninrc w"lth a
distinguished companj Including Eva
Le Oalllenne, Ainrlnetle Hanson
Anltn Blithe, Cecilia Badcl'ffe, Mary
Balfour William Bnyil, IMvvarll
Emery, Harry Pllmmer, Albert flrnn,
Ben JohiiFon, T Wlgney Pi rcyval, C
MacLean Savage, John M. Troughton
and F. C. Butler.
SUVTtKItT "Maytlme." a costume
play with attractive music. The cas
l headed by John Charles Thomas,
John T Murray nnd Dorothy Bige
low Others playing Important parts
are Oeorge Harcourt, Isabel Vernon,
Patsy de Forrest, Jeanetta Methven.
Hutsell Lennnn, Henrietta Djx, How
ard Marsh, Winifred Harris, Charles
Prince. Alfred Hemmlrg and Herbert
Salinger.
'0.';,';,sr "Ziegfeld Follies," the 1918
crslon of this popular form of en
tertainment. Tho enst Is made up of
more than Hill, among the principals
being Will Rogers. Martllynu Miller,
Eddie Cantor, W. C Fields, Ann Pen
nington, Frank Carter, Allyn King,
Mildred Klchardson. .Savoy nnd Bren-
n.in Harry Kelly. Bllile nitehlc, the
i-niruanKs sisters. Dolores, Olive Os
borncr, Theressa Buhlnt,, Lola Loralne,
Marie Wallace, Leonora Barron nnd
(!us Mlnton.
AltKWIll "Eyes of Youth," with
Alma Tell In tho chief role. It Is a
mystical play by Max Marcln and
Charles flueron. A. H. Woods and the
Messrs. Shubert present It as It was
seen In New York last season.
LYitlC "The Mnsquerader," starring
Ouy Bates Post, by John Hunter
Booth, from Katherlne Cecil Thurs
ton's novel, dealing with the manner
In which a man of humble origin as
sumes the place of his "double'," an
English diplomat ruined by dissipa
tion. Mr. Post plays both roles. Cast
Includes Thais Lawton and Lionel
Belmore.
CHKSTXVT HTU1:t:T OPJ7M ltOVRK
"Leae It to Jane" begins Its last
vi ok Monday It Is tho musical ver
sion of (leorge Ade's play, "Tho Col
lego Widow." Guy Bolton and P. O.
Wodchouso are responsible for tho
hnok and lyrics, while tho music Is
by Jerome Kern. This Ih the only at
tiactlon which will continue its popu
lar run.
VAUDEVILLE
KEITH'S Tieorge White and girls In a
series of dances and imitations!
".Somewhere With Pershing" from
"Odds nnd Ends" : Eddie Borde'n and
"Sir" Frederick Courtnay, In comedy
sketch i Clalro Vincent, Frank H.
(lardner nnd company; John Gardner
and Marie Hartmnn; Mao and Hose
Wilton, singers; Joe Thlu and Coney
Ward, comedians; Hazel Moran,
lariat nrtlst; Paul Le varre and BToth
crs, gymnasts,
OI.OUE "Coma On In," musical tab
loid ; Cnrdo and Knoll, dancers ; "Tho
Nation's Peril," sketch j Jones and
Greenlee, songs; Julia Curtis and
company ; "Love and Kisses," comedy ;
the Three Yoscarys, Harry Tenny and
company,
OltOSS KEYS Louise Brocade and
company, musicians ; Welch, Mealy
and Montrose, comedy gymnasts:
Doris Hardy, in sketch; Millard and
Martin, comedians ; Hhoss and Wal
ton, singers : first half of week, "A
Batchelor's Romance": Bllile Bouncer
Circus; the Gallerlnl Sisters; Barron
and Burke; Jack and Tommle Walr,
UllOADWAY Phil Morris, in "Win
ning Winnie"; the Three Qulnlan
Brothers; the Yaltoa, dancers, and
"The Prussian Cur," photoplay, first
half of week. "Mr, Inquisition,"
featuring Earl Cavanaugh, dancer;
Harry Breen, comedian; Doris Hardy
and company; Millard and Martin,
and photoplay, "The Goat," with Fred
Stone, last half of week,
WILLI Ail I'EN.V Ned Norworth and
company; Charley Conway and com
pany In sketch ; Joseph Sheftell's
Eight Black Dots: Bailie Fields,
singer; Don Fong Que and Harry
Haws, Chinese artists, and photoplay,
"Illders of the Purple Hage," with Wil
liam Farnum, first half of week, James
Mullan and Allan Coogani the Capps
Family: Mabel Burr el I and Jack Ed
wards, In sketch; Hector, the wonder
dor, and photoplay, .Clara Kimball
1 r. sasBsasV!3sKW . JT - , ,! t " .sbssHWPS58 a :!'': r.jT'JssasssssssariT.... sWFml sal
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., - JaHnWtSw ( Allva. 2Si6, ZIEGFELD Xilliam ffi-rlx in- HEAPTTS RTTx, XHggEgHgHaV "vJ SJ
THE 'aaWnW M I FOl LI T5"- FORREST OF THE WORLD" WALNUT tliS-sVsaBBBBaBflHscslKJUiLbaBV
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rMJUtKAUCHBlHSSJSSBBnSB xv "V
L Sfe SSSNIHSTOf number"
YflgraRk iFHr''aBr -g Robert Ilillinrd Reverses the Old
mWMj. n hSk ' Sm' II Superstitions and Prefers It
Cltti Grii lffl 3lv II txSm WisV II Xearly every one (linows that actors,
asG sV " '"., jg
sbbbI IsaaV " . II
symphony girls ; Mary Dorr In comedy
sketch ; Conrad and Mayo In comedy
sMt ; Mc.Vnllv, Dlnus nnd De Wolf In
comedy sketch; tho Ernnntonlo Trio;
William Desmond, In photoplay, "The
1'rt tender."
COLOX1AL Wild West act, "Tho Stam
pede ltlders" ; Harry Breen, extem
poraneous song wi Iter ; Esther Walker
and company in cabaret oct; Emily
Smiley nnd company In "The Fam
ily Tree"; Mlnclli and Sldclll. acro
bats; William Uussell, In photoplay,
"Hubbs In a Hurry."
PHOTOPLAYS
STANLEY "Laughing Bill Hyde"
brings Will Rogers to the screen In his
first film. He will be remembeied for
his work In "Tho Follies." The story
Is by Ilex Beach. Mr. Rogers Is sup
ported by Anna Lehr and a capable
cast.
PALACE "He Comes Up Smiling" Is
tho new Douglas Fairbanks picture
which was made from his stage suc
cess of tho same name.
AIICADIA "Mrs. Lefflngwell's Boots"
furnishes Constnnce Talmadge with a
screen play by Augustus Thomas.
Margnret Illlngton played the chief
role on the spoken stage. Harrison
Ford, Herbert Prior. Fred Goodwin,
Julia Fnye, MercedeH Temple and
Vera Doris are In the cast.
VICTORIA "Private Peat," the photo,
play version of the popular novel by
Harold 11, Peat nnd featuring him In
the leading role, This Ik another enn
trlbutlon to tho war films, but of a
typo which Is not too sensational,
RUQVST "Klldare of the Storm" fea
tures Emily Stevens in a new Metro
play. It Is from the story by Elennor
M. Kelly, first half of tho week,
Dorothy Olsh. In "Battling Jane,"
comes the last half of the week.
STItAKD "The Goat," with Fred
Stone. First screen nppearance of
this popular musical comedy Htnr, first
half of the week. Dorothy Dalton, In
"Vive la France." Inst half of week.
LOCUST Mary Plckford, In "Johanna
Enlists," the military film In which
this little btar appears to good ad
vantage. AT POPULAIt PRICES
WALh'UT "Hearts of the World," D,
W, Grlfnth'H masterpiece, will be the
first photoplay presented in this his
toric theatre, now in its 110th season,
OltPHEUM "The Brat." Maud Ful.
ton's delightful romedy, presented by
Mae Desmond and company of resi
dent players.
BURLESQUE
CASINO "Hip, Hip, Hooray Girls,"
with Bon Pierce In "FrollcB Abroad."
Among those In the support are Harry
P. Kelly, Helen McClaln, Edward C.
Jordan, Thelma Scavelle, Tillle
Storke, Perrln Homers and Henry
Jlnes.
TROCAOEIiO "The French Frolics."
with Harry Hello, Jake Fields and
Lena Daley, The cast aUo Includes
Charles Patrick, Lester Falrman,
Grace Reld. Jack O'Malley, Gladys
Jackson and Danny Graham.
OAYRTY "Monte Carlo Girls," with
Frank "Raga" Murphy as the fea
tured comedian. Others in the cast in
clude Charlie Collins, John Hudglns,
Earl Hall, Sarah Hyatt, Kittle War.
ren and Violet Buckley,
MINBTRELS
DUMONT'B Reopening of theatre
Monday in "The Hog Island Train to
the Hog- island Hotel"; Charles Gano,
Joe Hamilton and Alf, B, Gibson will
lead the fun; Eddie Cassady, Little
Catharine and Joe Hortlz, songs ; Tom
O'Brien, Richard Lee, Oscar Smith
Harvey Brooks, Burke and Walsh,
dancera.
rVTURg ATTRACTIONS
, ,WpVJSaCsHiR 11
.dowstaTioc Talari. a liiei. ',
MR. LEFFINGWCLl-S" BOOTS-"
ARCADIA DHOTODLAV)
LYRIC Lionel Barrymore, in "The
Copperhead."
OPERA HOUSE "The Passing Show
of 19IS."
fORREST "Hitch Koo." edition of
191S, with Raymond Hitchcock.
PHOTOPLAY PRESENTATIONS FOR WEEK OF NOVEMBER 4 TO NOVEMBER 10, 1918
SEE ANNOUNCEMENT DAILY IN THE PUBLIC LEDGER AND EVENING PUBLIC LEDGER
1'
Subject to Changs
MONDAY
MIMMMtA ()
12th,Mnrrla Paiayunk Av
For
rreedom of
Arnr.r.o
K2d and Thompein 8t.
()
!lc H'ViU- In
The D"nth Dinre
pori x ... (,)
Chmtmit below lath 8t.
Mr.
I.efflntjvvell'a
Hoots
nrt.MnvT
r24 snil Market s-
Vhlsn Mnrtln
Her Counlry Hirst
nr rurintn . ')
Prnsd ft Buo;uehnn Ave.
finth an rvsiir A.
Star CnKt In
Come Hock
Dorothy
The Hun
rOMSTTTM
MrVt betnw fth St
(1
Wnllnre
The
TTV'MT,
WIIMaro P.ll"o'l In
Hulilis In a Hurry
N"orn-.i TalmidTP In
ll niuht of Purrhnse
Mall ,.
Manttviink
-''"KA
n., an MarVxt nin
Alice rirnrtv
The Death Dnnre
PI'ltT.V
SM Vrkt Ft.
Mae'tte In
The Wnrrlor
P'hei rninn In Thn
flirl Who fame llark
"l"i Pt, and ritrsril A.
""vurinn
47ln FrsnVnrJ A,
Flale FTmisen In
Heart of the Wlldn
otfi ST TDK IT It
TVlnw flnruea at.
flai Kimball
In The H.unit'
OPKT NOBTIfBN
".,,( pt, t Rrle A.
(
r.lle I,o In
the Make
nri'FRiAr.
r.mii anil Walnut flta
fonnianr TMmarte In
Ksnre for the Ono
tl'FFKBHDN
Stub and Dauphin Sta.
Ih.ahmsn and Bavne
ffoclnl Qulrkannda
Tnn
Front and Olrard Ave.
Paulino Frederick
In Kednra
I.FAPEIl (s)
Nt and T.anraatfr Ave,
Vivian Mar'n
Her Country Flrat
r.WKRTY ()
Tlrnad and Columbia Ava.
r,ojie H"ff
T'other Dear Charmer
t prvHT
ft?l and Loeuat Sta.
Mary Plrkf"d In
Jnhann i T'nllata
MARKltT ST, TIIEATKK
!M3 Market at.
('
llale
Heart
MoiiK.r,
43.1 South St.
(s)
To UHt
With the Kalaer
MVON
ASd and Market Its.
WUHsm Diamond
Th Pretender
OVKRIIROOK
(131 and Haverford Ava.
(a)
Sperlal Caat n
The Reekoninir Day
TAtACR
12M Market St
(a)
Douplaa Fairbanks In
Ho Cornea Up Hmillnv
FARK
Rids Ava. A Dauphin St.
Ethel
Oirl Who
VMSCKHB
10JS Market St.
(
Made Kennedy In
Friend lluahsnd
RFC) EXT
Market Bt. bate Hts
()
Kmlly
Klldare of
IAI.TO
Ota. Ave.
(a)
1,11a T,e In
tha Make
A Tulptbeckea
IVOLI
Mi sad aanaeat Ma.
(a)
Frank Ke'nan
Tha Jlrlde of Hate
irnv
Market St, below Tth
(s)
Mao Ma"h
In Money Mad
SAVOY
1211 Market at
(a)
Marguerite Clark. In
Out of a Clear Bky
STANLEY
Market above 1Mb
(a)
Will Jlnaera .
Lauahlna BUI Hyde
Fred Stone In
Tha Goat
STRAND
Oto. Ava.
)
at Vanaaas)
VICTORIA
Ninth and Marktt .
Private
s i i ' a. , '
and for tint matter actresses also, are
the most superstitious "of poisons, and
sometimes their odd fancies play off at
n freakish tangent. One of the nmus
Ing things Is thnt quite often they run
counter to the time-honored superstition
of the stage.
Robert Hilliard. who begins an en
gagement at the Garrlck Theatre next
Monday night, Is it practical, common
sense American, but nbout some of the
ordinary tilth's he Is quite as superhtl
tlus as the old negroes qf the Georgia
cotton fields or the Mississippi lcee.
In one thing he is very much like
President Wilson, and thnt Is In his
belief that the much-dreaded thirteen Is
a lucky number, nnd especially his luckv
number, 'and despite the protests of
alarmists Mr Ilillinrd always dotes on
'hlrteen This season he started out on
Ihe thirteenth of September In his new
comedy, "A Prince There Wns," which Is
a dramatization of Dnrragh Aldrlch's
TUESDAY
WEDNESDAY
Ihe
tho World
For the
Freedom of tho World
Freedom
l.oulx" HnfT, T'Other
Dear Charmer
Dnrla Kemnn In
The street of 7 Stara
I.efrinRwell'a
IlnnlH
Mrs,
Vnn Martin
In Her Country Flrat
J. Warren
A Prisoner
TIM I
to You
Slnr Cnat In Tl'l t
Come Iliek lo You
Star
Fall of
fllh In
Within
Dorothy (1lh In
Tim Hun Within
TW.1 In
Pouree
Wollnre Held In
Tho ftoureo
Smart
Moral
wiiiism nueaoll In
Hithlia tn a Hurry
WHIIam P.usll In
Huhha In a. Hurry
N'r""i Tn'm.dire In
Ilv TtlHht of I'urohnea
fnelde the I.lnea
Special Production
Viola Dana
Flower of the Dust
John R'rrymnro in
On tho-Quiet
FHtilo llrunelte In
Tho Vclxct Hand
noroi'-v n,, In
The Hun Within
Hmlly
Klldare
Flale Ferrunn In
Heart of tho Wllda
Marlon Davlea In
The Rurden of Proof
Yniini
Woman
Clrn Kimball ,,
In The Savage Woman
Irene
Olrl
f'rn( of
- Hellrx,
Mis I,r In Cr-ipe of
the Mal(elteleve
Tom Moore In
Juat for Tonight
Conatanre TalmadTe In
Sauea for tha Onnae
Anna
In
Carlvla niarkwelt
Ity Hook or Crook
William Deanvmd
In Closing In
Vivian Martin
Her Country Flrat
Reaale
Fringe
I'aulln Frederick
Fedora
John
On
Mrv riekford n
Johanna Knllals
Miry Plckford In
Johanna Bnlleta
Keririiaon
of thn Wild
Tom Stir
Fame und Fortune
Mod ami
To Him
Tn If el I
With the Knlaer
Iiulae Huff. T'Olher
Dear Charmer
In
.William Deamnnd
The Pretender
William
Thn
Viola Dana In
Flower of Duak
Tyrone
Modern
Douelaa Fafrbanka In
Ha Cornea Up Hmlllnir
Douotas Falrbanka In
He Cornea Up. Smiling
Clayton
Came Back
Ethel Clayton
Olrl Who Came Hack
R-vrn.t Washburn". Till
I Come Rack to Tou
Kdllh Htorv In
Th Silent Woman
Mia I.re, In Cruise of
tho Mike-Relleve
Btevena
the Storm
Kmlly Stavena
Klldare Qf the Hlorm
Hmlly Stavena
Klldare of the Storm
Criitae of
- believe
Pert I.vtrll In llnaton
lliackle'a Mttle Tal
John
On
Frank Keenan
The Ilrlde of lUta
Wm. B. Hart
Hell Hound of Aluaka
I.lla !, In Crulaa
of the Make-llellere
Corlnne OiVfltli
In A Qirl of Today
F.thel
Our Mi
Tkirrvmnre In
Earla Williams In
A Diplomatic Mission
ra. McCheaney
Will Rosera
Mtuihln- Dill Hyde
Will
Laughing
Fr-d.Blnne In
Tha Ooat
Pest
Private fast
John GKajpilej
MWTIME
SHUBERT
"Wall T3oe:r's in. LAUGHING
BILL HVDE STANLEY Ipmotopiay)
novel, "Enchanted Hearts," by Mr.
Hilliard and Frank H.' Wostcron, and
while nearly every company that has
been playing had to suffer davs of Idle
ness during the recent epidemic, Mr.
Hilliard has never lost a day or missed n
single performance.
' John Thomas a Gymnast
John Charles Thomas, now playing a
ratline role In "Maytlme," nt the Shu-
bcit Theatre, has won n reputation as
a, singer of no mean ability, but there
are few persons who know that ho is
also nn enthusiastic gvmnast. He de
iiies much r.f his spare time to physical
culture and thus keeps In trim con
stantly. "I have discovered that voice culture
Is also aided bv physical culture when
scientifically followed," says Mr. Thomas.
"If I omit my dally exercises my voice
Is Invarlnbly affected thnt evening;
only slightly, of course, nnd probably
not noticeable to the audience, but I
discern a difference. However. It Is ob
vious tr; nil that a weak bodv could not
long bear the burden of u strong- voice.
One Is Indispensable to the other, n fact
manv slnger.i Ivive failed to recognlza
to their own sorrow."
THURSDAY
Pop Ihft
Dorothy Dalton tn
Vive la Franco
of the World
Tl"t Itetl In Rndon
RMrkie'a Mttle Pal
T-errinBWell'i
ItOOtH
Mrs.
I.efflnffwell's
Roots
Kerrlcnn In
of the Plnoa
J, Warren Kerrcr" In
A Prisoner of tho Pines
Caat In
a Nation
Oeraldlne
Turn of
Fvirrsr In
a Wheel
Tha
Unbeliever
The
Unbeliever
Halrd In
Suicide
Stimrt Ralrd tn
Jlornl Sutrldit
William Riise"ll In
Hubba In a Hurry
Wallace Held In
J-ees Thin Kin
Mae Marsh In
Fare In the Dark
Vlrrlnla Pearson
The Mara
WIMam Desmond In
The Pretender
Stevens in
of the Storm
Dorntbv Dallnn In
Vivo La, Franco
Alice Rrady In
The Retter Half
Cnatte In The
Irom Rohemla
Derla Kenvon In The
Street of 7 Stars
Tom Mnere n
Just for Tonight
A. Nelleaon In'
Judgment Of
A,sr"" Ttvnr.,'
His Rlrthrlght
Wm. S. Hart
Riddle Oawne
E-ld Rennett
The Vamp
Reaale Rarrlarnle
in rntrlotlam
RliHa Rurk In
The Pursuit of Tolly
In
Parrlsrale
of Society
Reaale
Fringe
Rarrleoale
of Society
Rarrvmore
the Quiet
Dorothy mn
The Hun Within
Marv Plrk'ord In
Johanna Knllsts
T.ove
In
Flhel narrvmnrn
In Our Mrs, McCheaney
.
In
Tnal
Hath
Pev Hiland In
Ronnfo Annie Tnurla
Desmond
JVetender
In
Wl'Pam Desmond
The Pretender
Power tn
Iorelel
Rlrrh
a Nation
e,f
Douejlas Fairbanks In
He Cornea Up Smiling
Rrynnt WisMinni Till
I Coma Rack to Tou
Frnk McDonald in
Toung American
Dorelhv Olsh
Rattling Jane
Hsrrmnre In
the Quiet
Dorothy OIh In
Th Hun Within
Wm. B. Hart
Hell Hound of Alaska
, Carlyla Rlarkwell
In Ry Hook or Crook
,
Kthel Clayton In Soul
Without Windows
Will Rogers
I-aughlng Rill Hyda
Rogers
Rill Hyda
Fred Btnna In
.The Ooat
Dorothy Dalton in
Vlv I France
Privata'Peat
Private Past
"CAREER" NO LONGER f
A BAR TO MARRIAGE
Ethel Barrymore Finds the
Stage No Hindrance to a
Beautiful Rome Life
It used to be accepted tin the truth
that for a woman to earn tho wngeg of,
n man called for tho sacrifice of all her
Ideals ns a woman. Just why gender
should bo attached to the dollar never
was satisfactorily explained, but never
theless the old Idea prevailed thai a
"csrter" for n woman signified tha
abandonment of those "finer things."
which nre woman's. For her to marry
would Interfere with her caroer; a
family would be n bar to fam. ,,
This Idea hns been refuted and now
women are freely entering tha profes
sions. It no longer Is uncommon for
married women with families to work
out careers as teachers, or again on tho
stage. Such a woman is Ethel Barry
more, or Mrs. Russel Qrlswold Colt, aa
sho Is known In private life, Ethel
Barrjmore on the stage worka out her
career. As Mrs. Colt she comes horns
to caress the baby nnd piny with her
other two children. One could not find
n more beautiful domestic picture than
she presents when she Is in this domettlo
world that pleases her most.
In her domestlo life Ethel Barrymor
Is the wife of Lieutenant Russel) Qrit
wold Colt, of the aviation corps, and
therefore the daughter-in-law of Samuel
Pomeroy Colt, of Providence, president
of the United States Rubber Company.
Her three delightful children are Samuel
Pomeroy, named for his paternal grand
father; Ethel Barrymore and the baby,
John Drew.
There are three generations of dis
tinguished stago ancestry behind these
children. Mr. and Mrs. John Drew, of
Philadelphia, well known to the play
goers of an earlier day. were their
great-grandparents. Their maternal
grandparents wero Maurice Barrymore
and Georgia Drew Barrymore. John
Drew Is their great uncle, and the pop
ular John and Lionel Barrymore are)
among the children's urtcles.
WILL ROGERS AS A LOVER
Lariat-Throwing Wit a Wooer' in
Now Film
No one could rightfully accuse Wilt
Rogers of being a Lothario. But tho
lariat-throwing wit proves an ardent
lover In the name role of "Laughing?
Bill Hyde." tho Rex Ilcnch-Goldwyn
picture, which comes to the Stanley
Theatre all next week.
When Bill Hyde (Will Rogers) finds
n burly rowdy making insulting remarks
to Ponotah, a half-breed girl In an
Alaskan settlement, he gives htm a
sound thrashing and receives Pcnotah'm
thanks. Then sho tells him thnt she Is
half owner In the Aurora Borealls mine,
but that Slayforth, the man In charge,
is trying to cheat her out of her share.
BUI is an escaped convict, but he vows
that no mnn can rob a friendless girl
If ho can prevent It. So he sets about
to get for the girl what rightfully be
longs to her. He finds It hard plugging,
but finally makes Slayforth settle in
full with Ponotah.
His efforts In her behalf lead Ponotah
to love him, nnd one day she asks Bill:
"When are you going to ask me to
marry you? I love vnll nnrl vn, tnee me
I feel sure you do."
"Might bo somethln" In that but I'd
make a hum husband," BUI replies,
thinking of his past. But BUI Is really
nara nit, anu It isn't long before ho
asks Ponotah to share his lot with him.
Mr. Thomas says further that in or-
er to relieve the tremendous strain of
even light opera singing the entire body
must alternately 'have due rest and
proper exercise. In other w&Tds, a mere
massaging of the muscles or the throat
would not suffice If the general nhvslcal
condition were not of the best.
"My first advice to vocal aspirants
is to divide the attention Into two equal
parts, one to the development of the
voice nnd the other to the perfecting of
physical powers," ho says.
FRIDAY
SATURDAY
Dnrothv Dnlton In
Vivo la France
Dorothy Dalton in,
Viva la Franca
Viola Dana In
Flower of Dusk
Mdire Kennedy In
Trlend Husband
I.nlngwell'a
Rnnta
Mrs.
refflnrweU'g
Roots
The Olrl of tha
Oolden West
I,011-1 Si h
Oolden West
Dorothy Dalton in .
Viva la France
1 A
Klsle Ferguson in
Heart of the Wllda
John Barrymore In
On the Quiet .
William Russ.ll B'
Hnbha In a Hurfr-
Anna Q Nellssan M
In Judgment Of "
Bryant Washburn .
The Qhost of Rancbo
Pauline Frederick"
Zaa l')j
For tha Freedom
of tha World
Marguerite Clark In
Out of a Clear Sgy,
Ethel Clayton. Real
Without Windows';
Ethel Barrymore .fn
Our Mrs. McChesney
William a Hart in
Riddle Oawno
Oeraldlne Fsrrar in
Turn of a Wheel
F,lsl Ferguson In
Heart of the Wilds
John Rarrymora In
. On tho Quirt
William Russr.ll n
Hubbs In a Hurry
Peggy Hvland In
Rnnntn Annie Laurie
Sessue Havakawa
Tho City of Dim Faces
Dorothy Olsh In
Tha Hun Within
Mdgn Kennedy In
Friend Husband
Mnrguerlte Clarkln
Out of a Clear Sky
Thrdn Rare- In
The Soul of Ruddha
Fthel Rarrvmore In
Our Mra. McCheaney
William Farnum In
A Roldlrr'a Oath
Conatanc Talmadge
Pair of Bilk Stockings
. Mm Marsh
The Olorloua Adventure
Rtsr Cast
In For Bala
Sessue Hayakawa
Ills Birthright
. Emily Stevens
Klldare of tha Storm
Mary Plckford In
Johanna Enlists
Alma Ruebens
The Painted Mly
Sessue Havakawa
His Rlrthrlght
Cecil n MlMe'a Till
I Come Hack to You
Mary Plckford In
Johanna Enlists
FHtilo nrunnette
The Velvet Hand
Tha Still
Alarm-
Clara Williams. Car
men of tha Klondike
Clara Williams. Car
men of the Klondike
William Desmond In
The Pretender
Willi. . r m
William Desmond
Tho Pretender
in
Frltxl. Prunella In
Tho Velvet Hand
The Pretender (fjM
Dnutaa Fairbanks In
Hs Comes Un Smiling
n.ii.1.. a.i...k,. ,2,d
r. ..ruj.,"..jBL.
io uiiiki up omiifaaB
1 !
John Rarrvmore
On the Quiet
John Rarrvmore
On tha Quiet
Mae Marsh In
Money Mad
Csrlyle RUekwell 'ro $irf
Ry Hook or Crook
Dorothy Olsh
Rattling Jana
Dorothy Olsh.
Rattling Jane
qersldlna Tarrar In
Turn of. the Wheel
Norma Talmadge
The Devil's Needle
Wallace Held
William B Hart in
Riddle Pawns
Norma Talmadge
The Devil's Needle
Karle William
In
iJipiom&uo
Mission
In The Source
Wallace Reld In
The Source
Olndls nrockwell In
Kultur
Pi
w Will Rogers
Laughing Hill Hyde
Will Rogers ,ft
Laughing Bill Hyda :
Dorothy Dslton In
Dorothy Dalton (RfV .'t
Viva La Franca,' J' J
Viva
J Franca
Private Paat
Private
FAV
I
-i
y,
.j I
it
if
I
'1
i
H
1?
4
JH
-! ""! MfWmS Wi ' "H.
wM,t ,
'TttfMr laM MVM ,WIBHL HK
AlataSL
9tm, L - n i n irfrMlfiTiriri