arts Hutton and By JUDD A. BLOUCH Daily Collegian Staff Writer His tossled shock of dark hair and searching eyes make women sigh. His ability to convey emotion and develop a character cause movie makers'to con stantly pursue his talents. His portrayal of the disturbed, sensitive Conrad in “Ordinary People” made him' a runaway for Best Supporting Actor at last year’s Academy Awards. Has Timothy Hutton, 21, got the world on a string? You bet, and his latest starring role in “Taps” just helps to strengthen his grip. Hutton plays Cadet Major Brian More land, the top ranking student, at the Bunker Hill Military Academy. He is the leader of a group of students who take over the school when they learn it is to be closed soon. Hutton’s entrance into show business was no overnight development. His fa- ther was actor Jim Hutton, probably best known for his role as Ellery Queen on the TV whodunit of the same name. So, the younger Hutton was always exposed to acting. “I can’t really remember a point at which I said ‘Okay, this is what I’m going to do, this is my career’ because'it never seemed like a career to me, it never seemed like a job,” he said. “I guess my father was the same way, he had a lot of fun doing it.” One problem that Hutton had with the role of Brian Moreland was that he had little in common with the fictional young soldier. He had been raised for most of his life in the liberal surroundings of Berkeley, California and had never even considered going to a military academy. “I went to the military academy with a very open view. I couldn’t bring any of myself into the character,” Hutton said. i ' *** '* Timothy Hutton high on the hill still climbing Moreland’s idol in the movie is the commander of the academy, General Harlan Bache played by George C. Scott. Their relationship is extemely formal, conforming to the military code. Hutton had a hard time identifying with this sort of respect. “I wouldn’t want it to be ‘Sir, Major Moreland requesting permission to come * in.’ I’d want to be able to open the door and say ‘Let’s talk.’ ” When asked if the roles of Moreland and of Conrad in “Ordinary People” were different, Hutton first said their only difference was the movies they were in. However, he soon began to point out a few other distinctions. “ ‘Ordinary People’ was a very inti mate experience whereas ‘Taps’ was a bigger kind of production,” Hutton ex plained. “Conrad was always sort of closed off and Brian was much more out front.” . With Conrad and Moreland, Hutton has played two very serious roles. He said he would like to do lighter stuff, but nothing has really come his way yet. And Hutton may be a bit partial to the heavier parts. “It’s much more interesting to me to play a character like Conrad or Brian than a kid who goes home to cookies arid milk and has a great home and has a paper route and tries to get rid of the zits,” he said. Perhaps it isn’t fair to ask a young actor to branch out, especially when he’s achieved the level of success that Hutton has. His Oscar is a testimony to the talent already developed and a clue to the talent yet to be tapped. And what value does Hutton place on that little gold man? “It fills up that spot on my mantle, that’s for sure,” Hutton said with a laugh. Timothy Hutton, George C. Scott and Tim Wahrer Cast can't play reveille for 'Taps' Obvious messages take punch out of dramatic movie's impact By JUDD A. BLOUCH Daily Collegian Staff Writer The line-up reads like a “who’s who” of recent movie making. Starring are George C. Scott, one of the great men of steel of modern cinema, and Timothy Hutton, winner of last year’s Academy Award for Best Support ing Actor for his role as Conrad in “Ordinary People.” Stanley Jaffe, who was responsible for “The Bad News Bears” and “Kramer vs. Kramer,” co-produces the film with his brother Howard, who is no slouch either. And Harold Becker, the man behind the very underrated “The Onion Field” and “The Black Mar ble,” directs the picture. Therefore, one might believe that “Taps,” a Christmas offering from 20th Century Fox, might just be a first class, Oscar-deserving movie. Sorry folks; that premise, proven wrong so many times before, just doesn’t hold true for this film either. “Taps” is a good movie and will undoubtably grab its share of the bloated holiday movie audience. The acting is good, the directing is good and the overall effort is good. V,V. But good does not a classic make. Think of what you’d say after a “good” movie: “not bad” or “hmmm, that movie said such-and-such to me.” Now, think of what you said after “Kramer vs. Kramer” or “Ordinary People.” Maybe something like “wow” or “whew” or “damn.” Your mind is numbed by the impact and it isn’t until you’re eating the post-flick Big Mac or drinking a beer an hour later that the messages start crystalizing in your mind. Actor graduates into movies By JUDD A. BLOUCH Daily Collegian Staff Writer In the spring of 1980 Tom Cruise was a 17-year-old high school student who ex celled in wrestling and pole vaulting for Glen Ridge High School. An injury, how ever, put him out of sports and onto the high school stage as Nathan Detroit in “Guys and Dolls.” That injury is proba bly the best thing that ever happened to Cruise. An agent attended one of the Cruise’s performances and encouraged him to take up acting seriously. A year and a half later, Cruise has a supporting, but major role in “Taps.” “I love my work,” Cruise said. “I am growing and learning more about life in the past year than I have in any other year.” Cruise’s role in “Taps” is his second major motion picture appearance. His first role was in “Endless Love” as Martin Hewitt’s best friend. In “Taps” Cruise plays David Shawn, a gung ho cadet at the Bunker Hill Military Acade my. He is not the typical damn-the-torpe dos Marine type. Shawn’s drive comes from an almost psychotic desire to con quer by force and the hell with everybody else. Cruise prepared for the role in a typical all-out manner. The philosophical side of film-making By JUDD A. BLOUCH Daily Collegian Staff Writer Artists often have a way of making their work sound lofty, thoroughly medi tated and important enough to be the topic of a doctoral dissertation. Whether it is or isn’t is usually determined by the artist’s power of persuasion and the actual merit of the work. Movie makers are no exception. Direc tor Harold Becker and producers Stanley R. and Howard Jaffe are responsible for the new 20th Century Fox release “Taps” and they enjoy talking about its sociologi cal ramifications. “I certainly see it as a social statement,” Becker said, describing the Not sp with “Taps.” There it is. Two messages: children who are raised to obey completely often take their superiors’ words as the gospel and follow unques tionably; and honor is not all that it’s cracked up to be. ■ Messages should be understandable in motion pic tures, but they come across best when presented in a stunning manner that floors the viewer with the impact. “Taps” takes place at the Bunker Hill Militai-y Academy, which is actually the Valley Forge academy. General Bache (Scott), the commander of the academy, announces at commencement that the school will be closed in a year and replaced by condominiums. Later that night, during the senior prom, as cadets of the academy scuffle with some local hooligans, Bache accidentally shoots one of the local boys. On the way to the police station, Bache suffers a heart attack and is taken to the hospital. As Bache is driven from the academy in a police cruiser, viewers catch their last glimpse of Scott —only about a half hour into the film. It is a disappointing reminder of Marlon Brando’s role in “Apocolypse Now.” It is announced later the same evening that plans are to close the academy almost immediately. Cadet major Brian Moreland (Hutton), the top-ranking student, suggests that the cadets who haven’t yet left for sum mer vacation capture the academy and hold it until certain demands are met. The boys get hold of the rather impressive supply of automatic rifles, grenades and machine guns and hold down the fort. Local police and state troopers arrive, parents show up and even tually the National Guard is called out. “From day one I took it as a challenge. I pushed myself physically and mental ly,” the short but solid actor said. “I took everything with a gung ho attitude.” The movie ends with an explosive last scene, of which Cruise is an integral part. All of his hostility and anger comes pouring out like lava from a volcano. “I saved it all up for the last scene. Two hours before the scene I tried to rest and started daydreaming violent dreams,” Cruise said. Cruise is now 19, an age when most people are finding regular jobs or, even worse, going to college. Higher educa tion, however, is not in Cruise’s immedi ate plans. “I don’t feel I need any college,” he said, apologizing to the three college students present. “At one point I would like to go back and take some courses for fun.” . Cruise also doesn’t see any formal dramatic training. He said he believes in on the job training and has already focused on how to prepare a character. Cruise finished his third film, a light comedy called “Tiajuana,” two weeks ago and is looking for more scripts. But for right now he plans to just “be a zombie for awhile” and enjoy his first major role. picture as a comment on the phenome non of cults and how people give them selves over to a closed system of thought. “I believe that is the point of the film, that there are no immutable laws,” the director stated. “When one starts talking about honor, one has to question it in the scale of things like anything else. “That may sound like heavy going for a movie, but we couch it in a metaphor which has enormous appeal a military academy with all its pomp and circum stance.” Becker’s dedication to making a mean ingful film as opposed to one designed purely to entertain is evident. “We didn’t weigh commercial possibil ities and what would have made it a more palatable or more fun movie for people,” he said. “It (the movie) is interesting and I’ve always thought that entertain ment should be interesting.” Stanley Jaffe’s view of the movie’s purpose is somewhat different, but no less noble. He has a great interest in children, evident in two previous works “Kramer vs. Kramer” and “Bad News Bears,” and said his concern with what children are learning got him involved in this project. “We’ve delegated the responsibility of what they’re taught and how they’re taught to a lot of people we never bother to check up on. 'lt's not a film of protest; it's a film about how our children are being taught.' —Stanley R. Jaffe “It’s about things like that, it’s not a film of protest; it’s a film about how our children are being taught.” Howard Jaffe, who candidly admits he isn’t nearly as successful as his Academy Award-winning brother, takes a less philosophical view of the movie. “I like a movie that has strength in it, where people come to a point of no return. When the boys pick up those weapons, there’s no turning back,” Jaffe said. He mentioned that some of the boys died because of this, but it was tacked onto the end like an afterthought or extra baggage. Recent cinema has been a hodgepodge of lighthearted comedy, mind-bending drama and a mixture of the two. This year’s calvacade of Christmas movies, intended to satiate the appetite of holiday entertainment seekers, is dominated by serious, politically relevant movies such as “Reds,” “Ragtime,” “Absence of Malice” and “Taps.” Is this a permanent thing or just part of a cycle? “We’ve reached a point where I don’t think audiences are going to accept the same kind of bromides,” Beckersaid. “If The Daily Collegian Despite this militaristic pretense, “Taps” never de velops into an action movie. A couple young boys are shot and one of the renegade cadets is severely burned, but these instances only further the plot and serve as punctuating turning points. Violence does not dominate the story. “Taps” is more of a waiting'match. Cadet Moreland and his troops wait for their demands to be met and the police, parents and National Guard, led by Ronny Cox as Colonel Kerby, wait for the boys to give up their hopeless cause. And it is this waiting, watching and wondering that really takes the zip out of “Taps.” While the viewer sits through the continuing drama, he has the time to figure out the ending. There is only one possible conclusion and it doesn’t take long to figure it out. Yet “Taps” isn’t a total failure and is, in fact, a well made, respectable movie. Hutton follows his Oscar winning role with a portrayal of Moreland almost equal in intensity as his portrayal of Conrad. He is supported by Sean Penn as Alex Dwyer, Moreland’s roommate and conscience, and Tom Cruise as the gung-ho, mili tary-crazed David Shawn. Brendan Ward’s portrayal of first-year cadet Charlie Auden may make him one of the most sought after young actors today. “Taps” is a message movie. However, it doesn’t disguise its purpose which would force the movie goer to search out his own interpretation. It puts the moral right up there on the silver screen. No “wow,” no “damn,” not even a “gee;” just a plain, old “Oh, now I see.” Tom Cruise you’re going to give as a premise a movie such ‘Raiders of the Lost Ark,’ certainly people are going to accept that.” Stanley Jaffe, however, believes the current trend is only a surge and, the table will turn away from serious cinema soon. “It just happened that they’re (‘Reds,’ ‘Ragtime,’ etc.) coming out at the same time. There’ll be a lot of mindless pic tures between now and the summer time.” That fact doesn’t exactly please Jaffe, known in cinematic circles to be some what of a perfectionist. “If I see one more brainless comedy that is just a situation comedy blown up on the screen, I’m going to throw up. We are making some bad movies,” Jaffe stated rather emphatically. “Whether you like this movie or don’t like this movie, it’s a serious attempt to to make a movie. If you make a bad movie, but it’s lighthearted it doesn’t make it enjoya ble.” The three men worked closely together on “Taps” and even lived together for a while. Producers and directors often have a tight working relationship, but the situation is a little different, when the producers are brothers. J “Taps” is the second film on which the two Jaffes, sons of former president and chairman of the board of Columbia Pic tures Leo Jaffe, have collaborated. Their first movie, together was “Man on a Swing,” a suspense flick starring Cliff Robertson and Joel Grey. “My brother and I, we’re like north and south pole,” Howard, the elder of the two, said. “In our own strange way we have our own respect and admiration for each other. We argue but they're never personal.” Editor's note Assistant arts editor Judd A. Blouch was in New York City last weekend for a screening of 20th Century Fox’s “Taps.” Interviews were arranged . with producers Stanley Jaffe and Howard Jaffe, director Harold Becker and actors Timothy Hutton and Tom Cruise. Airfare, lodging and meapwere all■ i provided by 20th Cepttiry Fox. • ' | *» ' U '“i 1 A ’l6 Monday, Dec. 14 * Contemporary Dance makes classical moves By VLADA RAICEVIC Daily Collegian Staff Writer The word ‘contemporary’ is defined as something which is ‘marked by charac teristics of the present period’. It'comes as quite a surprise, then, when The Contemporary Dance Company presents a concert in which three out of five pieces are chiefly classical in nature. In the first piece, J. S. Bach’s music and Patricia Heigel-Tanner’s choreogra phy provided a lively opening to the show. The costuming was bright and colorful, and the dancers produced vary ing matrices of movement on stage. The second and third pieces were well choreographed by Paula Donahue, though her first, “May I Have This Dance?” tended to stagger in a couple places. Donahue’s second piece glittered in its creativity, originality and suitability of dance to music. It was fun to watch because of its playful content and twist ing mercurial of human forms and was the best piece of the show. Heigel-Tanner choreographed the next two, the first of which can only be de scribed as a very, very pretty piece. The costumes were enchanting and the danc ing flowed pleasantly to Vivaldi’s music. The last piece titled “Dinosaur’s Dance,” a “Peter Pan”/ “Alice in Won derland” take off with great costuming by T. Stadelmeier, provoded a light end ing to the concert. Overall the performance was very clean and polished, and the show had its a,. Certificate S CLOTHING CO. QCflt •N DAILY FROM 10-5 Interested Sn Winter Dance Workshop? ORCHESIS DANCE CO. is offering classes in Ballet and Jazz. For information, stop by downstairs HUB table Thurs. Dec. 17 10-4 p.m. **★★★★★★★★★*★★★★★★★★ J Arena I Starts Friday j t STREEP * iGHBU UNITED ARTISTS [5l j J Last Time Gigolo 7:45-9:45 J * * A: AREANA-5-PLEX -> THEATRES & CASINO. * * * 1600 N. Atherton St. 237-2444 * * FREE PARKING * J Arena II Starts Friday * 5 WOMAN IN LOVE J J Last Time Nibbler 7:00-8:30-10:00 X j REDS R MON-THURS 8:00, FRI 8:30 SAT 1:00,4:45,8:30 SUN 2:00 & 8:00 TIME BANDITS PG THURS'7:4S & 9:45 FRI 7:30 & 9:30 SAT & SUN 1:30,3:30,5:30,7:30,9:30 129 S. Alhtton 237-2113 STEWARDESSES X NIGHTLY 7:00,8:30,10:00 SAT & SUN 2:30,4:00,5:30,7:00,8:30, RAIDERS QF THE LOST ARK PG NIGHTLY 7:00 & 9:15 SAT & SUN 2:00,4:15,7:00,9:15 BUDDY BUDDY PG NIGHTLY 7:30,9:30 SAT & SUN 1:30,3:30,5:30,7:30,9:30 creative points. Unfortunately, it dragged in some places and was actually dull in others. There also seemed to be a lack of enthusiasm and energy in the male dancers. Their leaps were hops, "Celestial Seasonings" Vour Choice of All Varieties (24 count tea bags) regularly $2.09 Save .40 NOUI 128 Ulest College Avenue Next to Ve Olde College Diner Eisenhower Auditorium Pittsburgh Symphony Orchestra Michael Tilson Thomas, conducting Friday & Saturday, March 19 &20 8:30 pm Eisenhower Auditorium Chinese Magic Circus of Taiwan Spectacular Acrobats, Magicians, Clowns and Dancers Friday, April 16 8:30 pm Eisenhower Auditorium Ticket Information: Eisenhower Auditorium box office 9:ooam-4 pm Artists Series ns? V® \<o <p\ \®Ci \fr <<£\ The Contemporary Dance Company and in one of the pieces two of the dancers had their timing turned off. It has been said that Contemporary’s sister company, Orchesis, can learn a great deal from the polished and mature 238-4050 1 $1.69 I WAY PIZZA stop in for our DAILY LUNCHEON specials & watch the BtaeKeyCardsacc^ Contemporary. True enough. But on the other hand, Contemporary could very well afford to inject some of Orchesis’ zest and excitement into its concerts. MoNdAy Eveninq 6:00 CB WEATHER-WORLD 0 CHARLIE’S ANGELS (BCD a® news O TIC TAC DOUGH (D HAPPY DAYS AGAIN (0> © NEWS (CONTINUES FROM DAYTIME) 6:30 (B AMERICAN GOVERNMENT (B NBC NEWS CB ABC NEWS O BULLSEYE 39(0) @ CBS NEWS 09 LAVERNE AND SHIRLEY AND COMPANY 6:59 (E DAILY NUMBER 7:00 CB MACNEIL-LEHRER REPORT OCB M.A.S.H. (E DAILY LOTTERY NUMBER 0 YOU ASKED FOR IT OS) MUPPET SHOW 0 JEFFERSONS (0) TIC TAC DOUGH S® PRESCRIPTION FOR LIFE 7:01 QD PM MAGAZINE 7:30 (B DICK CAVETRT SHOW 0 ALL IN THE FAMILY (B YOU ASKED FOR IT CB ENTERTAINMENT TONIGHT 0 ENTERTAINMENT TONIGHT Hosts: Tom Hallick, Dixie Whatley and Ron Hendren. David Niven previews his new novel 'Go Slowly, Come Back Quickly.' a® LAVERNE AND SHIRLEY AND COMPANY -0 NEWS (2D© JOKER'S WILD 8:00 CB MILLER’S COURT 0 PM MAGAZINE CB CASPER’S FIRST CHRISTMAS Casper spends Christmas Eve at home decorating and waiting for Santa Claus, but his holiday spirit Is shattered by Hairy Scarey, who resorts to devilish tricks when some friends gather for a party. (Repeat) CB THAT’S INCREDIBLE 0 A GIFTTO LAST Melvyn Douglas stars as a cantankerous old man who prefers to spend Christmas'Day alone in his room, until his grandson gives him a present that takes them back to the old man's boyhood and revives memories of Christmases decades past that they both relive with joy. o®@D© RUDOLPH THE RED-NOSED REINDEER Burl Ives narrates this animated holiday musical special about the '...most famous reindeer of all.' Rudolph and his friend, HermytheElf,journey tothelslandofMisfltToys - after being chased by the Abominable Snowmonster. (Repeat: 60 mins.) NO COVER Westerly Parkway Shopping Center Choirs sing songs of season “The Christmas Concert”, pre sented yesterday by the Penn State Glee Club and the Penn State Wom en’s Choir, was an enjoyable devia tion from the usual holiday concert. Instead of traditional Christmas car ols, the concert was an eclectic collection of seasonal hymns and readings. Beginning with an a cappella hymn by Nanino and continuing with little known pieces of yuletide praise, the choirs performed profes sionally, although the men’s choir was superior to the women’s. The Glee Club began strong with “Hodie Christus Natus Est” and maintained their strength through- Herdman brings folk feeling Folksinger Priscilla Herdman gave a stirring performance Satur day night at the University Baptist and Brethren Church. This concert was the fourth of a series sponsored" by the Shaver’s Creek Environmen tal Center. Herdman’s relaxed rapport with the audience was accentuated in short conversations between songs, appropriate for a small crowd in a church. At several points during the set the audience was invited to learn the chorus of a song, and to sing Cash Sb# r ■ 1 I so so I I Mon., Wed. & Friday Special! £ g B I I $ 2 Bonus, New Donors I 8 with your first donation. I J so Expires: 12-18-81 so ■ EiSC SERA TEC BIOLO6ICALS 237-5761 120 S. Allen St. Rear Hrs. Mon-Thurs 8-6:30 pm Fri 8-3:30 pm 0 MOVIE -(MUSICAL-FANTASY) **V4 “Scrooge” 1970 Albert Finney, Alec Guinness. Musical version of Charles Dickens' ‘A Christmas Carol.' (2 hrs.) 8:30 CB DEAD WRONG 0 CAROL BURNETT AND FRIENDS CB A CHIPMUNK CHRISTMAS Though he is eagerly looking forward to playing a harmonica solo at Carnegie Hall on Christmas Eve, Alvin gives away his prized harmonica to a poor, sick boy whose family cannot afford anything for him. 9:00 CB SHAKESPEARE PLAYS ‘Timon of Athens' Jonathan Pryce, whose revolutionary portrayal of Hamlet was a highlight of the Royal Shakespeare Company season in 1979, portrays the profligate Timon, and Diana Dors plays the peripateticcampfollowerTimandra in the Bard's dark drama of avarice and ingratitude. (2 hrs., 30 mins.) 0 MERV GRIFFIN CB A BING CROSBY CHRISTMAS '...Like The Ones We Used To Know' Kathryn Crosby and Gene Kelly host this special featuring clips from Bing's past Christmas shows starring Jackie Gleason, Michael Landon, Mary Martin and Fred Astaire. (Repeat; 60 mins.) (B MONDAY NIGHT FOOTBALL Atlanta Falcons at Los Angeles Rams. (Closed* Captioned; U.S.A.) 0 COUNTRYTOP2OHosts: RogerMillerand Miss Charly McClain. Guests: Crystal Gayle, Johnny Lee, Hank Williams, Jr., Eddie Rabbitt. (SDdJXlDM.A.S.H.Klingerstandscourt-martial for allegedly stealing Hawkeye and B.J.’s new camera and Major Winchester serves as his attorney. (Conclusion) 9:30 05)(23)l22)HOUSECALLSDr.Solomon'slovelilo is going sour and he blames it on his heavy hospital schedule. £> NEWS QD MAC DAVIS: CHRISTMAS IS S SONG Mac Davis'Yuletidecelebratlon.withguestsAndrae Crouch, the Pointer Sisters and the Commodores. (60 mins.) ®@(2) LOUGRANTCharlieHume'snervous young nephew shows up looking for a job and turns out to be a mental case shakily balanced by drugs he doesn't want to take. (60 mins.) (D INDEPENDENT NETWORK NEWS 10:30 O NEWS 11:00 O M.A.S.H. ®Cffl)(S)<2> NEWS O BENNY HILL SHOW (D SANFORD AND SON 11:30 GD NIGHTLY BUSINESS REPORT O KOJAK The Daily Collegian Monday, Dec. 14, 1981- out “Good King Wenceslas” and “God Bless the Master.” A special group of men singers, the Hi-Lo’s, were particularly noteworthy for their renditions of William’s “A Vir gin Most Pure” and Arne’s “Shake speare’s Carol.” The Women’s Chorus presented its pieces with lightness and ease. Nota ble were “Tyrley Tyrlow” and “A New Year Carol.” Soloist Cathy Hartman sang a beautiful rendition of Warlock’s “Balulalow.” In all, the performance was origi nal and interesting an enjoyable way to get into the Christmas spirit. along. With a clear, strong voice and tasteful guitar playing, Herdman makes a polished entertainer. Her set included a number of folk songs plus “Somewhere Over the Rain bow” and the 1932 classic “Brother Can You Spare a Dime.” One selection of Herdman’s was about autumn a piece which lends the season a womanly image. Herdman has two released al bums, “The Water Lily” in 1976 and last_ year’s “Forgotten Dreams.” for Christmas! By donating plasma , you can earn $2O or more per week. Use the money for Christmas gifts. CSD THE TONIGHT SHOW 'The Best Of Carson' Guests: George Burns, Johnny Mathis. (Repeat; 60 mins.) O MAUDE 5£D S 3) (ZD CBS LATE MOVIE Quincy, M.E.: ‘Sullied Be Thy Name' A priest is found dead in a compromising situation that is ironic in light of his crusade against pornography. (Repeat) Banacek:'Ten Thousand Dollars APage’Aman ispersuadedto display his priceless book, and when it vanishes, Banacek finds the most likely suspects among Tyson's own employees. (Repeat) 0 SATURDAY NIGHT Host: Buck Henry. Guests: Elois Costello. 11:45® NEWS 12:00 0 MOVIE -(DRAMA) •** “Pumpkin Eater" 1964 Anne Bancroft. Peter Finch. After finding true happiness with her fourth husband and knowledge of pregnancy, a spouse becomes aware of her husband's infidelity. (2 hrs.) 12:15 ® ABC NEWS NIGHTLINE Anchored by Ted Koppel. 12:30 0 HOGAN'S HEROES ® TOMORROW COAST-TO-COAST Guest: entertainer-priest. Father Tom Smith. (90 mins.) 0 SOLID GOLD Host: Andy Gibb. Co-host: Marilyn McCoo. 12:45 ® THE BEAR'S DEN 1:00 0 RAT PATROL 1:30 0 LOVE AMERICAN STYLE 0 INDEPENDENT NETWORK NEWS S 3) NEWS 2:00 0 BEST OF MIDDAY 0 JOE FRANKLIN SHOW 0 MOVIE -(ADVENTURE) •• Vi “Angel And • Theßadman" 1947 John Wayne, Gailßussell. A Quaker girl saves a man who is being hunted by several people, including a gunslinger. (2 hrs.) 2:17 (3© NEWS 2:18 ®) NEWS 2:47 (ED THOUGHT FOR THE DAY 3:00 0 MOVIE -(HORROR) •• “Terror of Frankenstein" 1975 PerOscarsson.Mary W. Shelley's immortal tale ol life, death, creation and mortality. (119 mins.) 3:18 0 OFF THE SET 4:00 0 ABBOTT AND COSTELLO 4:30 0 HAZEL 5:00 0 PRAYER (D BIOGRAPHY 'Grace Kelly' 5:04 0 NEWS 5:30 0 MORNING STRETCH 0 FOCUS: NEW JERSEY by Marc Watrel
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