BATOR,PAY. OCTOBER 21 1961 II ;""'• r.l; .J 46.4 •. • • . . .7.7 A A A ri • t..c '.l ...`i `<s~' ... ~.i il::.;i, 111 . .tA ••,..4 • x $ • Ats .44 s r-7 • t4../nzell SENT -;• ••;cENTERf..:e4 • .1 1 9 : n 161114111.1111M011111aft. M===;N Credit Stafil fOcrse 4 P.M. SUNDAY 131 Sacitztt ,isaadhi,estigi.aulah6aiommim WHAT IS RAGTIME s; - What does the 'word . mean to ,you?-#erhaps it suggests a style of music or a 'VCRUe span of years somewhere in the past, or, bath. In maw/ minds , . .toddy it's a - motley term corrinouncle.d of one part nostalgia': one part .early.'jdzz," and: five parts tricked-up . corn in 'the catchall category of -"honky-tonk." Actually-,ragtirnp began - as a-definite style---a welf-delin-. eated riPw aPPiOach to.pidnomnsic. And it can be dated:-accurately, froM its.ground. swell in - the early 1890's; to the first published rag in - 1897. From there it rocketed: to'popularity in-America and then in. Europe, firSt,i with the professional , entertaineis._and then With every parlor parlor piano, plunkeiNho 'could:master its rtrickybut exhilarating syndOPationS. It _ wasn't ;all. ragtime In those, years any more :than popular .music today is all:jazz: But ragtime'got people excitecU ragtime quickly becarno national issue.` In 1909 Joseph Hofmann, the eminent •,!PoliSh-Americap. pianist:was asked "Can the playing of ragtime prevent: one from becom- . good Musician?" . His reply: "Can one who ctspiresittibecolme mgood Musician bear the agony of playing , ragtime? No!" But Thomas PreStOn?. ,••Brooke, a prominent conductor said, "Ragtiine is 'no fad as many have declared,- . and will not dip out. It pleases; the GOd-giTen sense of rhythm, and Will endure as long as warm blOed• flows in huMan veins .The ardumetits-forgottqn,Tagtipie went on to became - 'the. bedrock of ~popular song and the : rhythmic. badkbone ,of jazz ~Without the freedom and vitality of ragtimep4r. popi/lar muSic . ::Might:..npver have popped froM the ooze which was the:pallid ballad-and war/ma-over' European Music hall ditty of the 'Bo's and . early '9o's: But ragtime,-the happy niusi, saved the.aay." And one can ponder; the 'co-incidence'. that 'ragtime a . - Peared:dUring those . lusty years bPtWeen :the Gay -`9o's and the First World-War-;surely the happiest .the most optimistic .years of our national Music of this Colorful' 'era is best .prezented on its': own .. „ . 'terms, .shoWcased amid' the-manners and customs, the fashions • and .. .modes thejime. Fortunately a forgotten entertainment of the time, helps to Make - this Possible. • ' . • • • HEAR MAX MORATH AND HIS PAGiiklE REV ED Schwab Aug?. October 21 7.1 (Ccii;;ti;ntel frog! pafie ) t -nt t ..f. ; MUM „, —,..•.—;\ ' ! ,, fr,?•_,Ls':T>:.lifflitl: -•- ~,, .: -, '--3. '...,,•,••i*•5 0, : - -.•- - 1••.. ',.,,ii;:i Ail it YOURV.Ec'XINE . ,' `, '.• 'i, 9 , : i.4 ? •4 t ,"[4 . r.)fe,aits tite:aTieri,`yateidslionerl7iiig the neckline. , 2•-',• - c,,••...:a 4 ki:' .- of tnapi.of:•otir,etisti.,iners; is j'otk assurnnte of -,• •- ,: -': , , -'•.,'. rifting tVi,/i9/0- Tice:dace to suit yea Ind . ~• ~' ; -;,..,' • •••••,,,;:',:y,.! •••,..,„ c(!mplialrAit you attire. ,- • - - .'• ' •-•-•'•', fg.,•-,.,'; We taisti special cure in making sure each nechlace `• . ' s ••••'' ::•'-, ' ' -, :. --- .4 is the lie:t length, iinitthat. the Ili. is perfect. !•••-- t - ..:.,•. ; .i••••„&,,4irCir - t•;.' is riven careful . attentipri. • •'- , • ' 1 ‘. . .- ll ' ' ' if:... ' W '• :4 il- '•• t ' - • , k . • ' . f•-•..-- , -1,, .e make sine ..i , .0 rii,n clasp ta it...i.stm.d, 4 .2- -.., ' • :,.• :, --,.- .•, , -"kr.l7 •:. and all at tae price you want to pay. . • .••••:•,t,,f,... .i:‘•:i;;•-.': ' , I - 1 • I' 1 14 ''''''' e 04.*ti• t • ••• See our garge se.ection 0.. eu.tured Pears nee...aces, nvZi4if :, I r . d i d • . . ... , , ~.4,;' ll••; - LA*4=ii•Xi.; : gitil L • an e alters On itt tt.t s.v.mtrinte vc-Ir• n• • • •,".”. t - .r.: 3 - • • "'"'t -.• . . Prite start at $22.00 . . . . •.,.. • : • . t; il l7Ni ~.. • - • . n;,,,, - - er , ' •- - i i , i, A , .:.,-,,:_.. ...-.. It ; • ~,,t 11, . - ~ .4.. 1. ~ - . ., 0 - ..), ..: - v t . '-ih:t is;. ' -i.:;...za ''' ..- •Al t.: - .. ........= . ~, . . _ . •'. A , . . . .:,- .. Sato Collog2 ' Ad.', 1 .g.tßic.4l. ~. " . ... ...: :•...:........ '..,,-•-,.. , . '64 . i.`ii......f5s - 1 4% - 1 :-. 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W .* " .. :Z.* 1. ,J" - .. 12r,e:Arse IF YOU - . were itr . our studio last weckyou unilotti)tedly — lnet curivntly the teast6f.Paris,"•Nyho gracett . tts 'with , a 1. isit ‘of scAl:ral Cutitit itljurc:l Jun . sc(m to he. obscure•but th , ..! ntentions ,the occur rice: of swill . : fracas .v. - ;11) his r,:rl"friende„.ll)lsl);:ncl .f)n the, boudoir fire'cscr.pe* or sontr.thing to that cffe.i•i. I men ficin:i4er late Ititsband in. light .of , Inv introduction to the*; cotinteii. At the tittle 1 hti t been piltitcgraphie "essay " far LA VACA. a P?risidri . \);•ei;iiily' an the-way. nf life of a presc.rit-tirsPlC'Ount;-I'lltouilt sub-" den demise, I ili:1 .t.1,1e. good forturie'.Of;ineethie, the Countc?,s. In` 't simple discussion ei)itcerrlino--Atnericart - wOmtn; 1-. invited her to State ftn•observe for •hen...elf. rifrver. really, believing . the po;nt ,would *be: tattczt seriously. You. can initgine,..tn? del hit of het 'ati&ptaitce of this - Cthalli.'o remark STAYING FOR SEVERAL DAYS. and Eve saran ties, the Countess made ropily ol;:it , rvticr4. sone of which nughtl. inleicst you. Of course -e C euntess is sn d Pr a 'itrain?;:(this not being: the ,vintage 'year for' Belfefiinte" wines). - - . - • Slit WAS AMAZED by. thb..sttcces drthe somity systelll wherv i the girls have gracluated frOpS.tegetherness - lo "one nsfssth:ot! 'same-r:esS:' She mai, mcnaect en their adheierce to the. holy siteaker,:tind those adorable hut practical:little boy like:hair cuts Wh !eh prorkicite a spculative is of sport—hei or•shp? • - IN EUROPE." she comolained,,"the male is too stuboorn and* much tomasvulineto onibrace the bovine del:nesticity of Wgeiherness and the-woman with her :foolish prides . will hove' nothing to do with it" , - - WHILE, THE FRENCH-are the world'z, greatest lz veis. least you-hive what no - ,9:1-:er nation liar the` split level, the Ivy I.ea,gte logetherpeSs t .eroovology, Froth. tlie Lion. Shrine. auto 'fins,- ,yeur. Cnrnpu.s -Quec.ns, - obsolescence; panty is and fhe • THE COT.INTESS v:ho is, prcsintly touring Anterican, c i Carnpii pronfiscs -to her elf in further obst.r.'ations.-" She Is expected .to return soon 'arid ‘vih'ile be pleaffed to pOhlish' these obseivations,.the chance that would be offending the' independents is,to be_ Considered.: THAT OUR REAPERS .may guide urs, be' gopd'enough to drop us a line indicating, yobr de'sires epr the contirivarice of the Countesseti' (id - at:l6ms. , ' MAY' WE doff our-i at io Katie Johnson. a delight to_ have worked with And a edit to K 1): =l{er ay Vespa often credit • gr parked at - .TKE'inciieates her being entertained at the . I)elt..heuse. . . = FIRST PlatTY PICTURE in colca•for the' .. .eason Theta formal at •the Beta house. . TEN ORGANIZATIONS will have their 1902 composites reiidY and hangini; :by ncxt WHATSLTHAT MY GOOD MEN? You lament 'hat some traveling phoftwapher 'promised April delivery: k'ret not— at least You'll liaye it for the . rummer._ . . PAGE IHRE ~:: tc,lemari
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