woriw" wwr ' ' 14 TELE SORANTON TRIBUNE -SATURDAY MORNING, APRIL 24, 1897. rsir . in & i ; Ti MYSTERY OF HIUSICAL SOUNDS, How They Are Produced and How They v Are Heard. ! From the New York Tlmce. In a recent lecture before tlie .Teffer non Medical college Dr. Henry C. Chap man talked of the voice In speech and singing nnd told some Interesting fun damental facts, anions which were those touching the creation of sound nnd how It 1b received. Drawing a violin how ncrosn a bell produces sound. Practically, what oc curs Is this: The air Intervening be tween the sounding Instrument and the car Is thrown Into vibration by the pen dulum motion; the tympanic membrane Is thrown I ito vibration, nnd, through the medium nf the little bones In the ear, this vibration Is ultimately com municated to the acoustic nerve. Take a long rod, hold It to the head, scratch the end furthest from the ear, and you hear. The rod Is In vibration nnd communicates that vibration to the car. Whatever the medium air, rod, earth the cause of any sound Is that this tympanic membrane Is thrown Into vibration by the Instrument which causes that sound. The English word "sound" Implies a cause of the sound nnd the hearing of that sound both cause and effect the effect of the sound being our hearing. If a particle of air hits the tympanic membrane very gently the sound Is a faint one, but If that particle of air pounds the tympanic membrane a loud sound Is produced, and the loudness of pound simply depends upon the force with which the tympanic membrane Is Btruck. ' The pitch of the sound has nothing to do with Its loudness, because a low pitched sound may be delivered to the tympanic membrane very gently, and high-pitched one very forcibly.. Sound two organ pipes, one of which produces a sound an octave above the other. The air from both stilkes the tympanic membrane with the same force, but there Is a difference In pitch. The nlr Is Issuing out of one pipe twice as rapidly as from the other. It Is pre cisely as if there were two pipes full of water If It took one minute to empty the long pipe It would take one-half minute to empty the short one. The air vibrates twice as rapidly In the short ns In Uie long. The long pipe emits 25C pulfs of air in a second, with a corresponding number of vibrations In the tympanic membrane. When the brain Is shaken up at that rate It rec ognizes that sound, but when the short pipe sounds (which emits B12 puffs a second) the Intervening nlr nnd the tympanic membrane go at the same rate, and that is pitch. "WHAT PITCH IS. Pitch Is the rate of vibration, the rate at which the tympanic membrane Is bent In and out. By a certain Instru ment we determine the number of vi brations per second Issuing from any pllfc. One pipe corresponds to C of the piano (25G vibrations per second). The C below that has 12S vibrations per second, the C below that 64, C below that 32, the C's above the middle C go !U2, 1,024, etc., on up to the highest notes. ' The quality of sound is a difficult subject. Suppose a string of the length of the E string of the bass viol. When the bow Is drawn across the string the latter Is drawn Into vibration, nnd ac cording to the force of the bow sbtroke we have the loudness or the lowness. The E of the bass viol (the lowest string used) goes 43 times in a second, and the tympanic membrane vibrates that number of tiraVs. Halve that strong and it will double its vibrations. vi-iuusu uieie i jusi one-nan ine quantity of matter to be moved. Bridging it at one-third Its length, the third will go three times as fast as the original string, when struck, four times as fast. Bridge a string giving out a certain fundamental note, and the sound goes one way In halves. The ear catches the not due to the fundamental note, and also eventually, the note due to the half of the string Is going as a whole another portion Is going as halves, you -hear the fundamental note, nnd you hear the octaiv above that one-half the string goes simultaneous ly with all the string. A series of Instruments called reson ators, .to be applied to the ear Is of great value In the study of acoustics. One resonator Is designed to catch the first octave above the fundamental note; another, to catch the third oc tave above. Using eight resonatoi.s one may hear the octave above the funda mental note; the octave nbove that, the E above that, the O above that, and finally the P Hat. 'Have the E string of the bass viol or the conespondlng string In the violin or piano thrown Into vibration and we hear the note due to the vibration of the string as a whole. While It Is vl 'bratlng as a whole it can vibrate In halves, which will give the note which Is the octave ubove the fundamental. While the suing vibrates as a whole, and at the same time In halves, It can also bo vibrating In quarters, which will give the twelfth above the funda mental, or G, By applying the corre sponding resonator to the ear one will hear that overtone, ,and by putting the successive resonators to the ear one will get even eight or nine overtones from the fundamental note. Suppose, when the fundamental note Is being heard, there Is associated with It the half and the quarter; then the ear takes cognizance of the funda mental note, the octave above, and the octave above that; but supposing that when the fundamental note Is sounded there are perceived simultaneously with It yet other notes. In the first case we have the first overtone and another overtone associated with the funda mental, and In the second case we have the fundamental associated with the third, and with the fourth overtone. That I what distinguishes all musical Instruments from each other. Sounding the E of the bass viol or any note at all of a fluto or of u piano, though those notes have the same loud ness (that Is, the tympanic membrane Is struck with the same Intensity), and, though the rate of vibration Is the nanio (In the case of the middle C of the piano 250 to the second), any one appreciates the difference In the sound not because of any difference of Inten sity or because of any difference In pitch (because the note Is the same;, What Is the difference? The difference la due to the fact that the quality of the note Is different; that is, if the fundamental note in the one case Is accompanied with certain overtones, In another case It will be ac companied with different overtones. If the note Is the same In pitch that Is, If the rate or vibration Is precisely the same fiom the vnrlous Instruments and the tympanic membrane Is struck with the same force the difference cannot be one of Intensity or pitch, but n dif ference of quality; nnd the difference of quality consists In what overtones nrt pcctifM,i tv, m.a fnnrinmnntnl If the overtones u.'soclnted with the fun damental are not the same the charac- HHimANN H. Comparatively a young man, he Is quite the loading flguie In Chicago Jour nalism, being the owner and editor of the Times-Herald and Evening Post. Mr. Kohlsaat hns been a carrier, cash-boy. ter of the note never Is the same; and that Is what constitutes the difference between all musical Instruments. In listening to the large orchestra with Its violins, violoncellos, trombones, tubas, and drums no one falls to recog nize the difference In the character of the sounds produced by any one of those Instruments. Though the loudness of the note may be the same, the pitch may be the same, the difference In those Instruments lies in the quality not one has the same set of over-tones accom panying It. The difference In quality lies In the facts already Illustrated with the violin strings. The resonators enable us to single out the particular strings, because each resonator Is adap ted to vibrato to its particular string and no other. The sound given out by an organ pipe is a composite one. One highly educat ed French musician could hear the over tones up to the fourth, fifth and sixth. This was because his ear was highly ed ucated. Sound may have a different pitch ac cording to the rate of vibrations and may differ in quality; that Is, the fun- Omental note may be the same, but the fundamental note In one case may be accompanied by the twelfth octave, or the octave above that: while, on the other hand, the fundamental note ma:' be accompanied by only the fifth or sixth or seventh octave, and therein the violin differs fiom the piano. In one ease the fundamental Is associated with the lower overtones, and, In the other case associated with the higher over tone::. Strip the piano and violin of their oertoncs, and the note Issuing from the one would be the samo as from the other, supposing the sounding board Is the same, THE HUMAN VOICE. Tho practical application of the fore going to the voice lies in the fact that tho voice is some kind of a musical In strument. What kind? The voice is gieatly modified by the character of the tlno.it and the tioso, bhowlng that icsonance must play a part In intluencing the character of the sound. In consldcilng what kind of nn Instrument the laiynx is one must con sider in the ilrst place what can It do? An oidlnary mnle bass voice sings 04 vibrations, and can slug 250 per second; but about thcro It stops. Ho may go a little higher, and sometimes a little lower. The tenor voice begins a little higher up and exceeds tho bass in range by a few notes. Some tenors can take high C. The range of the female con tralto Includes some of the notes of both tenor and bass. The soprano sings 1,021 vibrations. The average feminine voice can, talk faster than the ordinary male voice. The larnyx, If split down through tho middle, shows the part involved In singing to be a thin, elastic edge which, thiown into vibration, causes the sound we hear. The nlr Is forced up from the lunga and through tho windpipe; and as that air passes over that edge It throws It into vibrations. It is that little to-and-fro motion of our vocal membranes that causes the air to pass out In Unit way. Air never makes any sound when there Is a steady blast. Breathing is one thing, and the voice Is another. You enn breathe without giving rise to nny voice; but there Is no vplce without breathing. ' The larnyx Is constructed of elastic tissue, susceptible of stretching and shortening, and is really not a vocal cord, but a vocal membrane, The larnyx Is a pipe with a membrane, and a resonating cavity surrounding It. Why Is not the larnyxcomparab!e to a wind Instrument, as nn organ? 'An organ pipe of a given length will emit Gl vibrations u second. The lowest malo voice makes n note of 04 vibra tions a second. If tho human larnyx Is anything like an organ plpo then the larnyx of that particular specimen would have to be as long as that organ pipe. Tho larnyx has lungs Hko tho bellows; It has a trachea; but the or gan pipes do not produce sounds by two membranes. When an organ pipe soundB, the rea son Is that tho air enters the chamber and is cut Into a series of puffs. A con- tlnuoun draft of air makes no lmrre- ! of an Inch one-two-hundred-nnd-for-slon upon the car, but that air as It tleth. Every good singer who can sing passes up through the pipe must be dl- j two octaves can tighten his vocal Vldcd Into separate pulsations. membrane by the twelve-hundredth of Thu larnyx has nothing like that. It . nn Inch, and the nicety In singing Is produces the sound through the vlbra- the skill with which the slnscr can do tlon of membranes. It therefoie la not that. , v an orenn. It was said In the Inst century by a The Trench theory years ago was that, the larnyx ncted ns If It was a stringed Instrument, nnd therefore they called this vocal membrane n cord. There Is no such thing ns a vocal cord of the lnrnyx, It Is n membrnne. In the lowest bass violin of the or chestra the E string gives about 43 vi brations In a second, nnd there nro some bass voices can sing ias low ns that, but If thnt edge In the lnrnvx were working like a string, the larnyx wculd have to be about four feet long, (the length of the string). Therefore the larnyx ennnot be a stringed Instru ment. Whnt kind of an Instrument Is It? It Is a culmination of pipe with a mem brane. There arc different kinds of In struments of that sort. The ordinary instrument which the French use In KOHLSAAT. salesman and bakery owner, and now shows great editorial ability, being. In fact, by all odds, the most agresslve. vicar-headed and high-minded newspaper director In his section. tuning up their pianos Is an Instru ment of this kind. THE HAUTBOY. The most curious of all the wind ln stiuments Is the hautboy. Here you have the pipe with the keys and the double reed, just as In the larnyx, a membranous expansion here nnd a membranous expansion there. We have thu fundamental note through the whole length of the pipe. If we weie to drive tho air up and let the air come out at the end and have the reed vi brating between, we would have exact ly what we have In the human larnjx The hautboy player drives the air down, whetcu3 In the human larnyx the air Is dilven up. Of all Instiuments, the hautboy Is nearest to the lnrnyx, and tho resem blance Is pioved In a case where the larnyx was removed by a surgical op eration, in the fact that when an open ing was made In the windpipe and the reed of the hautboy player Inserted, the persons go operated on could read the service of the Church of England. Theiefore, the lnrnyx Is not an organ, any more than the hautboy Is a wind pipe. It Is no; a stringed Instrument, because It is not long enough to cor respond with the E string of tho bass violin, and It is, therefore, a reed in strument; In other words, It Is a vibrat ing membrane associated with the pipe, tho ''nyx. The available part of this lnrnyx only extends about one-fifth of an Inch In the male and one-eighth of an inch in the female. Why do we have a mem brane here, which Is n little more than half an Inch In length? It Is not the whole of that membrane which Is ac tive. How can we get different kinds of sounds out of a pipe associated with a membrane? In other words, If the baps voice is to emit certain notes, und the tenor to emit certain higher notes, how can that be accomplished by such an Instrument as this? In two wnys: You can either get the different notes by lengthening the instrument or by tlghtenlnir It. In the organ pipe, If you want to get tho octavo above, you halve the pipe, and if you wnnt the octave below you lengthen the pipe. In the human be ing, the larnyx Is, at birth, of a certain Else, and, as the Individual becomes an adult, the lnrnyx ultimately arrives at a certain size and cannot get any larger. Fine bass voices generally have fine large larnyxes. In the great bassos of old they were broad shouldered, six foot men with very large larnyxes. Tenor and bass differ In size of larnyx. We can get a higher note out of a given plpo by overtones, but never can get a lower note, because the pipe cannot be made lower. A volco can sing so low nnd no lower; so high nnd no higher, because the length of the larnyx will not permit nny greater range. A strlnz of a certain length can be made an octavo higher by tightening. Tho violinist tightens tho strlnc: and every time tho string is tightened It is mane higher. Lowering the tension lessens the height of the pitch. There fore, though you cannot change the In itial shape of thu larnyx elUjer male or female you can chango the note by tightening up thnt larnyx. How Is that done? If t.he two mem branes of tho larnyx are In a relaxed condition the note emitted will be of a low character that Is, the vibration few in number while, If they aro tight ened, the note emitted is higher In pitch. That Is Just what the singer does when ho ascends from tho lowest notes up Into the higher ones; he Is continually pulling on certain muscles that tighten that membrane. Bass notes are emitted when the membrane Is relaxed. When, In passing from a lower to a higher note, the listener ob serves something moving In the slnjr er'B throat, it is the muscles moving and tightening tho parts of the larnyx. If a man can have only one-fifth of an Inch to act upon, (nnd ho can sing, as we know, two octaves), a person who has tho compass of two octaves can emit 240 different sounds. If his action Is only one-fifth of an Inch, every time he sings one of those sounds he must change the length of that fifth great authority In music that a certain cantatrlec could not only emit 240 sounds, but she could emit 1,-00. Any one of these great singers, taking nn aria beginning with one of these low notes and running right tip for over two" octaves very nearly three octaves Is sounding not only the three oc taves, but every nolo of the three oc taves, and sounding ten Intervals be tween t)io three octaves, thus contract ing her little vocal membranes by so slight n variation n3 the two-thousandth part of an Inch. The effort Is so slight you cannot see the muscles of her throat vary. Why cannot you sing n e I o with out changing your larnyx from the shape of emitting "u?" When you say "u" the shape of your mouth Is so adapted that It resounds to that one sound; but If you change the shape of your mouth slightly you get the first overtone, nnd have the vowel "o;" change the shape of your mouth again, and you get the vowel "a;" again, "e;" again, "1" In other words, the vowels are each a successive octave over and above the fundamental note. The fundamental note of the larnyx Is always the same In the sronuncla tlon of the vowel, but changing the shapes of the mouth causes It to re sound with these particular overtones. Further, when the sound, n e I o u passes up and out through the throat and nose, then we have those sounds modified so ns to give rise to the varl ous sounds, n, 1, p, etc. As they go through the nose, they nre known as nasnl. When the back of the throat Is cut off by the palate and the voice as cends through the nose, we get the head tones. On the other hand, with other conditions, we get the falsetto. coal ritoji Tin: uivKit. Extent of the Industry That Has De veloped Nenr Sunbiiry. From the Philadelphia Inquirer. Many thousand tons of coal have al ready been dug ou't of the bed of the Susquehanna river In the vicinity of Sunbury and Northumberland during the past live years, and still there seems to be no dmlnutlon of the sup ply. This Is at a point from llfty to sixty miles below the mines of the Luzerne region nnd from sixty to sev enty miles distnnt from the Lacka wanna fields. So Imp-rtnnt has the river coal mining Industry become In the neighborhood of Sunbury that Ira T. DIsslnger has several steamboats at work scooping up the dusky dia monds, and other persons Mvlng near there frequently have as high as forty barges at work at one time. The big dam constructed across ( .ie river be low Sunbury has dammed In Immense quantities of this fuel that would oth erwise have been washed down stream toward Harrlsburg: The steamers engaged in this work nro accomrunled by big llatboats or sand barges, upon which the fuel Is deposited as It Is hlosted from the riv er bed by a series of elevator buckets, but the llatboats or baiges owned by Individuals work In a more primitive manner. Two or three men man each barge and scoop the coal up with long-handled wire nets, which allow the mud and sand to escape as the operator raises tho scoop to the sur face of the water to deposit Its con tents on his barge. Then a couple of boys pick the pebbles and sticks from among the coal, throwing them back Into the stream. Cold weather does not stop the work, but Is rather fav orable to It than otherwise, as the river Is low and Whn frozen over holes are cut In the Ice and the miner does not have to bother with an un weildy boat. - The coal Is found in beds contain ing from fifty to one hundred tons each, and is most frequently encount ered in the eddies, where the particles find lodgment to a depth of from live to six feet. As the workman scoojj up tho fuel other coal fills Into thu depression ho has created, so that he can frequently work for weaks and sometlmea even months at tho same bed. Tho coal consists of all sizes, ranging from broken nnd egg down to buckwheat, but chestnut and pea sizes are by far the most plentiful. It is free from slate, because the latter be ing heavier than the coal, lines the bed of the stream farther up the state. Tho coal Is rounded like pebbles, as the result of the action of the water, and Its having been rolled down the bed of the river, and burns very free ly and without clinkers. The boatmen find ready sale for It lr the local rr.urket at $3 per ten. It Is estimated that ut least 10,000 tons wer, mined in this manner during the past season, and these figures were largely exceeded during some of the preceding seasons. HltOKi: THE KL'COUD. Tho Hondo liriiiicmiui Told n (Joed Story VI hen Ho Tried. The Railroad club met Tuesday evening In the usual place and after a short business session the boys ill If ted Into "shop" convocation, says thu Mis soula Sllverlte. Several stories of re markable time made on different oc casions were related and when the blonde brakeman got the floor he saw he was expected to break the record. And he did. , "Speaking of fast runs," said he, "why that little Montana Union line lays over everything I ever saw. No Dutch clocks or anything else to hold a man down there. I worked for that road when Bob Smith was dispatcher and when he told the boys to 'wheel 'em' we all knew what It meant. One day we were going north and were de layed In various ways until we reached Stewart. Bob wired the con. at that point that he wanted our train to get over to Garrison as quick as God would let us. We had a clear track when wo started and It wasn't long befpre the telegraph poles looked like a picket fence. The biggest burst of speed was reserved for the homestretch from Deer Lodge to Garrison, eleven miles. We didn't stop at Deer Lodge but as we approached that place the engineer sounded the whistle as usual and you may take my head for a football If the 'Slow' Blgn in tho Garrison yards wasn't passed by our train before that whistle had ceased to sound!" This made the boys look weary but a nt7Mf'rU'OC'rii C Cheapest, Becauso tho Ocst j h nmi nnnnrii uaiL Buiiutiro EAGLE BRAND CONDENSED MILK Rend tor that little book. "Infant Health)" great value to mothers. Bent ' ires. N. Y. Condensed Milk Co. 71 Etdion Street, Hew York i oot'fCJ'oiir He continued: "Well, we put our train away and were resting ourselves, when we glanced up the track and saw a dark streak approaching at a lightning gait. We wero astounded for an Instant but as It slowed up we readily recognized It ns the shadow of the train we had Just brought In." no usi:. A Washington correspondent gives tho Post this story of a German publisher in St. Louis: "There had been a big lire di rectly opposite tho office of his paper tho night before. A magnificent building was destroyed, with nil Its contents. The streets In tho vicinity wero filled with people, who so checked tho thoroughfares as to almost prevent tho firemen work nlg. It was tho ecvnt of the season, tn a news sense, and tho pnperH wero natu rally llllcd with articles telling tho whole story. The publisher of tho paper In question, on reaching his olllco tho next morning, looked ouvr the papers of his contemporaries first nnd then, lighting a fresh clgnr, tilted back In his chulr, took up his own paper to read what ho felt suie would bo the best report of nil. To his amazement thcro was not a line concern ing tho llro In his paper. When bo sulll clently realized tho fact thnt no mention had been mndo of tho continuation ho dashed upstairs to his city cdtlor, and bursting Into the door exclaimed: 'Why In didn't we hacv a story of tho flro7" Tho city editor, who was a Germun with out a great deal of experience In this country, looked up calmly and replied: 'Vat vas re uze of brlntln' anythnlg about It? Everybody In town vas dcre to see do wholo ting for hlsself.' " DOWN AltO UND THU KIVEIt. Noontime and Junotlmc, down around tho river! Havo to fuse with 'Llzcy Ann-but lawzy! I fcrnlvo her! Drives me off tho place, and snys 'at all 'at she's a wlshln', Land o' gracious! tlmoil como lit get eonugh o" llsbln'l Little Dave, a'choppln' wood, never 'pears to notice. Don't know whero she's hid his hat, cr kccrln' whero his coat Is, Spocnlatln', moie'n like, he ain't a-goln' to mind mo. And guessln' where, say twclvo o'clock, a fellcr'd likely find me. Noontime and Junctlmc, down around tho river! Clean out o' sight o' home, and skulkln' under klver Of the sycamores, Jack oaks, swamp ash and ellum Idles all so Jumbled up, you kin hardly tell 'em! Tired, you know, but lovln' Jt, and smllln' Jps' to think 'at 'Any sweter tiredness you'd fairly want to drink It. Tired o' Hshln' tired o' fun lino out slack nnd slacker ' All you want in nil tho world's a little moro tobacker! Hungry, but a-hldln' It, er Jes' a not a-keerin' Klngllshor glttin' up and skootln' out o' hcarln'; Snipes on t'other side, whero the County Ditch Is, Wadln' up and down tho algo like they'd rolled their britches! Old turtle In the root, kindo'-sorto drap- pln' Intoo tho worter, like ho don't know how It happen! Worter, shade, and all so mixed, don't know which you'd orter Say, th' worter in tho shadder shaddcr in the worter! Somebody hollerln'- 'way round tho bend in Upper Fork where yer eye kin Jes' ketch the ondln Of the shlney wedge o' wako somo mus'rat's a-makln' With that pesky nose o' his! Then a sniff o' bacon. Corn bread pnd 'dock greens and little Dave n-shlnln' 'Crost tho rocks and mussel shells, a- llmpln' and a grlnnln', With yer dinner fer ye, and a blcssln' from the elver. Noontime and Junetlme.down around the river. James Whltcomb Itlley. wise and talk wise but they don't until;. In diagnosing disease they don't go back to the starting point. When a man gets sick, nine times out of ten his evi dent sickness is only a symptom of some hidden and long-neglected disorder. Most frequently the origi nal and exciting trouble is a disordered di gestion. If that is corrected nature will in the majority of cases do the rest. It is easy for a man to avoid sickness if he will keep n watchful eye on his digestion and resort to the right remedy the moment he feels himself out of sorts. All disorders of the digestion arc corrected ly Dr. Pierce's Golden Medical Discovery. It restores lost appetite, invigorates the liver, and fills the blood with the life-giving elements that build healthy flesh and firm muscles. It is the great blood-maker, flesh builder, and nerve tonic. It cures oS per cent, of all cases of consumption. It cures wasting diseases and nervous troubles. It wards off disease of every description. Utiy "Golden Medical Discovery" of re liable dealers ; with tricky ones, something else that pays them better will probably be offered as "just as good." Perhaps it is for them; but it can't be ioryou. "Sly wife has found great help from Doctor Pierce's Goldtn Medical Discovery, ns, when she tnLes cold from any cause it generally settles on her lungs," writes 1? James, of HojSi, Brooklyn, Cuyahoga Co., Ohio "The 'Favorite Prescrip tion ' we keep u hand fill the time. It is a won derful medicine. My wife hns Kreat faith In it. lly being careful in the way we live and by lulug Dr Pierce's medicines when we don't feel just right, we have had to call In a doctor but once in fifteen jrais." A man can't either make money or enjoy life who suffers from headaches, and sleep lessness, and heart-burn. These troubles nre caused by constipation. Dr. Tierce's Pleasant Pellets nre a sure, safe, speedy and permanent cure for constipation. They are tiny, sugar-coated granules. One little "Pellet" I a gentle laxative, and two a mild cathartic. They never gripe. Dis. honest druggists sometimes try to substi tute inferior articles for the sake of profit REVBVG RESTORES VITALITY. Made a utDay. ', fcKWeil Man lBtb Day. W3W Qf Me. THE QPKAT 30th Day. jp'n.aaio-oxx xoaivxnnaDTr produces the nbore remits In 30 days. It trU DOWerf ultT and aulcklr. Curpa when ill uthrtrs filL You-uraeuwlllrfjilu their loit nunUood.nndold men will recorer tbeir youthful vlior by ueloi ltLVIVO, It quickly indmrcly rtore Nervou neu. Lott Vitality, UnpotcQcy. Nlgutly Kiululou, Lost Power, railing Memory, Waatlna PUewee.aad all effects o( telfabuu or eicetaand Indlacretion, nlilch nnflta ono lor a'udy, builueaa or marrUje. It not only curea by tUrtlug at the aeat of d.ieaae.but 1 laavreat nerve tonlo and blond builder, bring. - ice back toe. pink slow to pule chexka and re- i ttorlnz tbs tiro of youth. It warda off Tnianlty I and ConiumptloD. Intlit on having It KVIVO.no I other. It can bo carried la veit pocket. By mat). & 1.00 per package, or ail tor HS.OO, with poal tlo written guarantee to cure or refund tho money. Circular tree. Addreat ROYAL MFDICINE CO fi R!ir St.. CHICAGO, ll1 Jt'ur bale by MATTHEWS ll.it tirui gist buruateu, P. the "braky" hadn't finished yet. i mum rt mwi'v..ktv,WJM' Some doctors '&AcM kff kJ?&L& are Hke owls. ylWlL ltil2,'ftf Th ev look il!M3 I S ' !? 55"" ,011 rbttcrrarbW Bgay p L - ii i ggrV mg IhwnnrtiMmnmwi!mmititMmMiiitw n i ii. i n , i m, ii. i 1LM n f S wmmm iim fJIIl! m IH-t iWU, i '""'fX in, ..I , ..ir.Lv- r.pv.rii,,a7i d.. " ' - - "1 . -r. ., .. TC .AVcBcfoblcPrraarattortror As similating UieFood audited ula t'uig the Stomachs arulDowcis of FromotesDigcstion.Chcctful ncssnndltest.Contfllns neither Opium.Morptiine nor Mineral. NotNabcotic. JBrV ofCKdErSMfUZLrJTCEHl PurmfJctH Sh JlxJtnna stru'jt Sard Jpptmant -Jtifiuitna&St&t HrmSted - Clenud Saarr . Apcrfeet Remedy forConsllpa tion. Sour Stomach.Diarrhoca, Worms .Convulsions.Fevcrish ncss and LOSS OF SLEEP. TacSimlte Signature og NEW -YORK. EXACT COPT OF WHAPPEB. jais -..imL Kim'XtUISHTiirA-Z-"&lLaJlMSS23EIElSLkJ&EmSiiEM ireotorsf of Wholesale end Retail CITY AND SUBURBAN 1 IK'! 1 llLl 11L UL11 II AUT STUDIO. F. Santee D33 Spruce. A'lllM'.llC ANI IlMI.V I'AIT.US. Retsman & Solomon, 103 Wyoming ave. ATIII.I.T1C UtIOOS AM) IIICYCI.ES. C. M. Florey. 222 Wyoming: ave. AVMN5 ANI IMTPI-' fii)S. s. A. Crosby. 321 Lackawanna ave. BANKS. Lackawanna Trust and Safe Deposit Co. Merchants' and Mechanics'. 429 Lacka. Traders' National, cor. Wyoming: and Spruce. West Side Bank. 109 N. Main. Scranton Savings. 122 Wyoming. Ill I DING. CAKHKT CI.I1ANING. ETC. The Scranton Hqddlns Co., Lackawanna. niir.wi:us. Robinson, E. Sons, 433 N. Seventh. Robinson, Mlna, Cedar, cor. Alder. IJirYCI.CS OI'.NS, FTC. Parker, K. R., 321 Spruce. mrvcix i.ivi UV. City Bicycle Livery, 120 Franklin. uicvri.r. kci'aiks. r.TC. Blttcnbcndcr & Co., 313V4 Spruce street. hoots and sunns. Goldsmith Bros. 301 Lackawanna. Goodman's Shoo Store, 433 Lackawanna. uiioivUt and ji:vi:m:k. Radln Bros., 123 Penn. CANDY MANTrACl Ultr.lt. Scranton Candy Co., 22 Lackawanna. SAKPI'.IS AND WAI.I. PAl'llt. Ingalls, J. Scott, 419 Lackawahna. CAUHIVfiliS AND I1AKNT.SS. Slmwell. V. A., E13 Linden. cahuiagi; ui:rosnonv. Blume, Wm. & Son, D22 Spruce. CAir.itr.it. Huntington, J. C, N. Washington. CHINA AND fil.A.SSWlir, Rupprecht, Louis, 221 Pcnn avo, CIGAIt YANl'rACTl'Ur.U. J. 1", Floro, 223 Spruce street. COMT.ri IONr.lt Y AND TOYS. Williams, J. D. & Bros., 314 Laclca. CON ritACTOIt AND lllIII.Di:it. Snook, S. M Olyphant. CKOCKI'.ltY AND GLASSW.HI. Harding. J. L-. 216 Lackawanna. DININf" ItOOM. Caryl's Dining Room, G03 Linden, DRY GOODS. The Fashion, 303 Lackawanna avenue. Kelly & Healey, ao Lackawanna, Flnley, P. B., 610 Lackawanna. BUY GOODS. SIIOUS, IIARDU AHU, KTC. Mulley, Ambrose, triple stores, Provi dence. DRY GOODS. FANCY GOODS. Kresky, E, H. & Co., 114 S. Main. DRUGGISTS. McOarrah & Thomas. 209 Lackawanna. Lorcntz, C. 418 Lacka.j Linden & Wash. Davis a. W Main nnd Market. Bloes, v. S., Peckvlllo. Davles, John J., 108 8. Main, ENGINT.S AND FOII.r.RS. DIckBon Manufacturing Co. riNH .Mr.ROHANT T ULORI.NO. j W. Roberts, 126 N Main ave. '. J. Davis, 215 Lackawanna. Erlo Audren, 119 8, Main ave. FLORAL nr.SIC.NS. Clark, Q. R. & Co., 201 Washington. n.OUK. HUTTr.lt, r.GGS, I'.IC. The T. II. Watts Co., Ltd.. 723 W. Lacka. Babcock Q. J. & Co., 110 Franklin. TI.OUR, TEED AND GRAIN. Matthews C. P. Sons & Co., 31 Lacka, The Weston Mill Co., 47-49 Lackawanna. FHl'ITS AND PRODUCE. Dale & Stevens, 27 Lackawanna. Cleveland, A. S., 17 Lackawanna, FURNISHED ROOMS. Union House, 215 Lackawanna, FURNITURE. Hill & Connell, 13! Washington. Barbour's Home Credit Houne, 425 Lack. GROCERS. Kelly, T. J. & Co., 14 Lackawanna. Megargel & Connell, Franklin avenue. Porter. John T 2J and 28 Lackawauna, Rice, Levy & Co., SO Lackawanna, Vlrie. J. J.. ft Lackawanna, SEE 1 that the FAC-SIMILE SIGNATURE OF- C&y&Z&c IS ON THE WRAPPER OP EVEEY BOTTXJ3 OE : Caitorla it pat up In ct-s!ro bottles oslj. It 19 um B01U 13 DUUi Wat UllOW UHJ0H0 10 nil won nmrtMnff nln on ttift idm ft TirflmltA ttiat 14 j: is "just as Bod" OBQ "will answer every pm pose," v-BC9 was yon got u-a-B-x-u-tt-ii, :dUm Um T117 TJPT. ef BUSINESS HOUSES. or.Nr.RAL MruciiANnisn. Ostcrhout, N. P.. 110 W. Market. Jordan, Jamen, Olyphant. lieolitolcl. 13. J., Olyphant. IIARDU Alii'.. ( Connell, W. P. & Sons, 118 Penn. Foots & Shear Co., 119 N. Washington. Hunt & Connell Co., 434 Lackawanna. UAKDWARi: ANJ) PLUMBING. OunsterA Forsyth, 327 Penn. Cowlca, W. C, 107 N. Main ave. HARNESS AND SADDLERY HARDWARE. Fritz, a. v.. 410 Lackawanna, Keller & Harrla, UT Penn. HARNESS, THINKS, BUGGIES. B. B. Houser, 133 N. Main avenue. HOTELS. Arlington, Grimes & FInnnery, Spruce and Franklin. Scranton House, near depot. HOUSE, SIGN AND FRESCO PAINTEIL Wm. Hay, 112 Linden. HUMAN HAIR AND HAIR DRESSING. N. T. Llsk. 223 Lackawanna. LEATHER AND FINDINGS. Williams, Samuel, 221 Spruce, LIME, CEMENT SEWFR PIPE. Keller, Lueher, S13 Lackawanna, .MILK, CRE'M, HUTIER. ETC. Scranton Dairy Co.. Pcnn and Linden. Stone Hros., SOS Spruce. MII.LIINER. Mrs. M. Saxc, 148 N. Main avenue. MILLINERY AND DRi:SSMAKING. Mrs. Uradley, 200 Adams, opp. Court House. .MILLINERY AND FURNISHING GOODS. Brown's Bee. Hive. 224 Lackawanna. .MINE AND MILL SUPPLIES. Scranton Supply and Mneh. Co., 131 Wyo, .MODISTE AND DRESSMAKER. Mrs. K. Walsh, 311 Spruco street. MONUMENTAL V OKK. Owens Bros., 218 Adams ave. PANTS. Great Atlantic $3 Pants Co., 319 Lacka. PAINTS AND SUPPLIES. Jloncko & McKee, 300 Spruce street. PAINTS AND WALL PAPER. WInke,J. C. 315 Pcnn. PAWNBROKER. Green, Joseph, 107 Lackawanna, PIANOS AND ORGANS. Stello. J. Lawrence, 30S Spruce. PHOTOGRAPHER. H. S. Cramer, 311 Lackawanna ave. PIUMHING AND HrAIING. Howloy. P. F. & M. F.. 231 Wyoming ave. REAL ESTATE. Horatio N. Patrick, 32 Washington. Kl lllir.lt STAMPS, SIENCII.S, ETC. Scranton Rubber Stamp Co., 633 Sprue street. ROOFING National Roofing Co., 331 Washington. SANITARY PLUMBING W. A. Wledebusch, 231 Washington ave. STEAMSHIP TICKETS. J. A. Barron, 215 Lackawanna and Prlcchurg. STEREO-RELIEr DICORATIONS AND PUNTING. S. II. Morris. 217 Wyjmlng ave. tea. corrr.i: and spice. drand Union Tea Co . 103 3. Main. TKUSSIS. HAITI.RlEiS, Itl BIIER GOODS Benjamin & Benjamin, Franklin and Spruce. UNDERTAKER AND LIVERY. Rnub, A. R., 423 Sprice. UPHOLSTERER AND CAitpET LAYER. C, II. Hnzlott. !20 Spruce street. WALL PAPER, ETC. Ford, W. M 120 Pcnn. WATCHMAKER AND JF.UTi.l'R. Rogers, A, E., 215 Lackawanna. WINES AND I IQIIOHS Walsh, Edward J 33 Laskawanna. WIRF AND WIRE HOPE. Washburn & Moen Mfg C., 11 FranViK ttve.
Significant historical Pennsylvania newspapers