S''Y'lf1 (f "" "V '' I f. EVENING PUBLIC LEDGER PHILADELPHIA, THUESDAY, NOVEMBER IT, 1921 " WJ,Jf ;, , ., i. -tpy ,vf f - u w f I r f ll' SCWE It Ha0 a b-arfrftJ.:is J J 'r' aire CLOSE.UPS of the Uj 1PJNKY M. tutting a Dig Spectacle h a Heartbreaking Jeb ', THERE are taan heartache in -be eunitiij n" a lus rreclaeular bltn from us production length te the sue in ibndi t'tr puiiltv. ;ett it I i:iu imagine a reall unefip r.d attune director ha-tns (h tears mighty cle" te I it. rye rhen be reali.- ilia: s-um' b'.ntiful eiy."tuv, upon uhieh be spent slccpK.. nights of pl-inu.ig and vtrei'j'v; dv uf icjh"i!uiii?, wutt be wi'TitV cd and go Inte the out tint urv piUinr mi. a' bi- .de while be is out tins. It l- mueh like u iursten C-ircid te yrfiMtu reajnr epi ntierj upon bis bc.t ' beloved child t en bis -ptJd" iu.ike.. it rjveMir ' "With tbf erdinnr? pr-srum "'''"', ,r'' ' ' uuill r.tii-U finrh eln.e! te Mur script. eu'll mereLoet. of course but men of i' ill be different hets of the tame stuff, s- Ii n t in iuttut' J"U di-n really Ice mij ei tbe thing, jeu loved met durins ptodui'tieu. liut a big pctTl grew, bi?gT as nu pe nlenz. T"U get e thoroughly ' steeped in 'our .ituieph"P "hat jeu 1"je ail te.ire of footage and you build and rebuild nnd tui" and rctake a. the neu i.lei come lumblinj into .-"'ir braiu i suggested b tb ,lo(le-mrutj of the erk tPet ua gene oeierc. Ven Sf'mlieim bad tuore than ?it mile.-' of film bofeio be finl'hrd vith "Foolish Kf '. Oriflith v ill lm" j. luilli-m feef bofero he is done v.ith "Tbe Twe OrpLan- , 1'aLrbanka probably mad ten tliues n- much for the "Three Muckcteers" a v..u -ee en he cren and "Theodern. " -hn-As. in iu preient form. the treaiende.ii 'aoritieo of v erk and aetual magnificence that had te b uiade te get into len?th for prejeutati.j- ,, Yeu are conscious of thin ta.-nfice when -ou r"e Theodern. Jutt from one viewing of it. I roraeruber three luagnihcent and costly tots that are en the .., f- ..rrtninU nnt -nore thiu lie seconds each jtiEt n mr flasb and de net asain app-tr. l.aeh of tboe seta mujt the tremrnde'ii buildings and the mobs of poeplc nh tncir cettuincs anu accesserie" . , . Tct the-. he-v for f e -o"endr ami are 3"i. Teu Rner, a jeu mteh it that it Mb 'net se intonded cris'uall: . Yeu ral!:e that these flashes are mcr bits of vl.at mu' hiM been le-jg ;nd rarcf'illv rkod-eut eri,-nee.- And ou scnBe the heariacbe of tbe din-ter vhw. i-i the haul euttmr. be found be would have te let them go but inserted just these tiny O.u'iee te sheu nbat he had planned te de. ,, . . There nre seral flabes of this kind tee. tn Gee Ar.ibian Nisht. though tbe sets invehed arc no, se angniSccnt Der ibe mobs te lars. tre vav. r"i tin fcni'i i'lrrtf T'l'ic Tlircc Vislicirr.jt. 'Ter Uemfncn then de 'Ten JN'jifS tn U D'lrroem ! rpHE nitbl-'s slaahtrg of thew bi? sc-.-aes :r. of course, 0"t without a vcrv geed 1 logical reason. In tbe final cttmg of an' film thfre 1: "ne thing that murt be kept clcarlv in mind. That is the thread of the -ter.". ,,-, Every bit t action that i& eciCntial te the delnpment of the plot along a clear and cun,:latn. l-ne nun be ret.ui.ed lcrv --one that net absolutely essential te thir ctery progress'Ien is a pesstDl- out Yeu mu- guar 1 our .tery f.r.t. lat aud ill tbe time. Your "atmesph-re ,. .,,. u. ,f ,h t,.r itMdf roiiulre- flu. allotted lengU. for lelllnr, your lmiL 1" 'JU' atmesnhcre has get te go hew magnificent it is the sterj cocjee lint. Tujr Tr iv no That, I 1magine. ,y vhat beppnM in tbe euttmr of Theodora. It has an elaborate riot and -he atmeipberlc effects vb.ch were retained had te be cbe n with a view te building up aud strengthening flic btgh dramatic spots of tbe Ct0r5I baU me.MntJreftms talk thn wk wth Count Ignasle Thaon dl Revl. who is in New Yerk in tbe int. reft, of the Italian .empany whK-h produced this spectacle. He we tusocla'ed with ' ..mraondetoro Arture Ambrosie, tht pro pre ducer and dire. ter. during the entire time tbe film wis being mude and h f...d me bow tbe whole production hep: growing nigger arn u.6b ' '" ', '"''' "" ir. was a. glorious vaji.iw... .. - "- -: . t, ,iirp(,.erni ,,erk eaid. "Toward the end ArubreWs b.alth brol-e down and the directorial work . teas finished M Leepold A Ctrlucei. who arranged fardeu h plav ter tne .f.een. , i .!,... l.iira lh.ll 'T,t me ti te civp veu some luen , . . -. U.11...1- ,AAa n itmne we laid out a tract et lw."'H square , it ,,. nnife llirlit outside, but liobedv conductor can hone te keen musie nnd -xneoaera IJ w, ;rt,M of Armande Ba.lnl. the A atlcr j was i i tbe beuse. ,e I took mj suit film together inusi.irhe came tl,e nnu ei a ... ue meters. W e ob a " fr' '"' Pl ','ffT",t case, Uft a note or. mv trunk rmln,;, l-enie of our smaller theatres are nntli turned up a .iv ".S'p: .b"m for " an'j ,,i,tec" out of '"iS'-iKcVurrs te; ca s up h?ii i$& ffi it the wider bceamv cur plana. At Lngth v e dec! .ed t Pdu- a P Wur, J '"' t,,fi n,0 t0 Jehn t I ndX R t Merten & ' show -.,p?ed cube high "eS but the world should recognize as a w'k tna. ceu'd bave bten done only bj men erner nll(1 . t,irnrij t g0 Mer , nn,j MH.ed up thc turnstiles Such a! s vcrP bTh V'ii, rnne out ivhese hearts were thoreugbly wnpi'-d up in It. , Bmadw.n. thinking that I d step .it ene prei edure. apart from its pictorial cmIh, cheeks, were Husuwl, . veilu rant, out "The fact tbat 'Theodora' took nearij fse j ears w produce 1C e-idenee of the of thc ,0,it(..t-rent rCst.-iur.ints thut are k ruineui te the music eager. , , rrR with wh. b combing s dene, abe sen were se strongly const ructe.1 that , ,,, flll uAb, nnd K,.t some coffeo b. . I Only through the maiutonaner f H "Oui of six numbers there is only one SriK myln which we temporarily lest our ud.udualit.es and, fore I went en te the rHIny sta.ieu. j flxM s, hedule. a definite preairanged w;" Mi.ilet I u R ies i .. ...ki.i. nt ..n nTl TJemrtn cmnire "It reeuir-d 2f'00 artisans, werkup Nearly 20,0 actors were employed for a great part of tbe time uuch a population that the Italian Gearnmenr lent us three regie te nellcc the mimic town ou tne snores "Tbe designs for the sets were mane i-mc. vi-v .i,. (,. ni.ninirr thn dramatic notion, we used tin tercH for tbe Tarieus creuns te trt the hannenv nnd ------ - . action, it was ine piajra; a eusc put as the ttake" W, fEEy the Uens trere let loose m the ptcat aren't azeiic rfte pKoto pKeto pKote rouhtrs turned their cranks in fieri ruse, the Count lays, adding jt. ii.. t ...j. .i nvitt mi.-, inr these huae beasts stalkwj about the errccn and licking fftetr irtcKcd chops hungrily, 1 decided I didn't irant te be a cameraman for "Theodora, cefltf or no eaae. 'A'eMir. I'd rather sit here peundina a typewriter and ielUny you fans all about It. Answers te Questions by Mevie Fans DOROTHY Buck Jenes is married,! be intere.-ted te knew that he ha lift -aid has been for -i vears. But de uiue guns nnd that be and Buck .lone net despair. There icmatn Eugene , are jelng en a vacation together Don't O'Brien, who Is still a bachelor, alto ;ieu wish they would Invite you? Teny Morene eud William S. Hart. . "Utevr end again ene ran be found who, SAxNIE Edward Kimball is the ta aever has been married Guy Bates ther of Clara Kimball Yeung. I In Is ttjeit played tbe hole of Omar in the i seen ttrbe featured In a new production, taee versieu of "Omar the Tent- U'earl White is net married. People who taaker." ! knew say that she Is an expert golf plajtr. Y'eu would expect Jt of Pearl. EMILY May Cellins is plajing in 'Tb,J name Blewer" Frank Maye, MARION F Yes, I knew I did tell plaj'a Opposite lier Yeu nre mistaken you (hnt Bettv f'oinpsen was te piny the in in the title. I hen- 1 n picture eaiuii "The Shark Muster a rterv e' the Reuth Sea IslaiuK. s is "The Flume Flower." At the moment 1 de net recall who is plujlus in 'The Shurk Muster." BROTIIER That was a fine letter ;W wrote, rae. I suspected you et being a .w scout eren before you told me. M Twb Mi." li your favorite- you vnM Te Daily Mevie Magazine Of THESE SCENFJS WERE CUT TO MERE FLASHES i ! ' Tbeednta MOVIE GAME ; Nl-XIV have cot well into nx. flcures, utb :- yev ite'ftd if' t-Kmciiill projresjien of theis e ure "Our Arabian ywht," "7ue Orphan;" i'C tuey oelr0 en 'jp tini It deetu't ciatter bow beautiful or hew turilli'ig or , - - -- - . . ., nnlir. Ot US Will OMT lerj-l, llir 1.1.IUU . ... m i 1 1-1 i I ...... ei num n mru.. .. ,'',' for eight months, te de the building. Our city had ments of ranilry ei lanc .uiiu" 1 he firt sets were model. dramatic values of different kinds of , .,. ,,.. ..,h , nrtist. e triumnn v. .. , - -. them. Mehbc se', nut as I aw role of iiahbir in J no utile MinlM tei." iii'd lt' true Als". It's true ou read that Albe Oilheiin w.is te pln the snmp part. It happen that the picture is te be released b;' two companies. Yeu thought :ieu had mc caught this time, didn't euV ANDY Reginald Dtnny played im- pertant role in "Disraeli,"' "Feet. IIUUI UUU J-UU MVU yi Itl.i.. - . Tk Thi.h1'iIiiI1 '-. V s It.i mi t win'' tiorKeii1 6rts ubicb cett millions had le be irduf'il te tbe uiiu i'iiuu) linu c of r .10 ''"igtb nt thr film Hew Became A Mevie Star is Told te HEZ KLUMPH ; What H.'i Miraily llnppenrt hnmi'm .yiir n swill-tevn qtrl, t'nhitwii te hewr a rercrii f'ar. irliili or ,; ,-i; le Xrir 'erfc m-W; Jmu revrf irnrh, n ;irr? nyrnl, trhn hi jmc tntrrrt 1 in her and teiirs for her in tii'pnrl'int part playini of pe-''t' fe"i Sciccrd, a inmaiu . rmi 3tir. Arnu! a'ls Dernlh' In manv ''tin. but she rrf'i-ct. Lik --i)r, a b'i prwlm,r. offers Dareth'i no important ml?, li'i'ii'c dnii'ii tria Liirrcimc I'mwli ftt- meets Likhen (iti'J geri home tctth htm, uhilr Lnrm ijet-i t a rf(iii-c rft6 ictfi l''i.iril'u (jrtiicz. a I'lnltihoed frictfl whom he met of dttiiiir. Itoreth refutes L'tkhern 'entm't. Jehn fenreri hm n fight tftfi Likhem at the Ulneul Club trhtn the 'alter makrx deruna deruna tery retnirki nlte'it Dorethy, ind a '.,perte- ;A-j for a statement ett her, en tcil hur she w cvjased te i tarry hcicird. T &TOOL) irj the window of my room .A. frifO Irtn-llmn t mw n rr in titmn mn tlii nn ' .'. u li'lll. UU1V. II ' lUli I'l HitUl' llllllkn , out t. ....... tf A, ,, ill! It cetpr ream MPmcil n.glit tome ew erk. bcciufe there was always se much going en in the streets. Quite 11 fe-i people went b as I r.teM there, late a it w.it. Z'ne or threo tals steppod m front of an apartment house tbat itoe.j j lutlc farther dev n tlie I binutnn is irrosi,uble. But enh when ..Ilin .. I. .. street. :md men and venicn get out; ene jirl, droisel in white, steed talk she, Si nt null l.irn.A .hi. riti-timl nnnl te CO in- then sbe stepped en tne rleps aud 'lled te him. I was rore I saw that, it tcde me I'Mnk of hew happj I could have ben th.tt night. I kneu', wben I finally turned aav 'mm IK.-. .Liriilni tfi.tr T nover ceulil murrv .lehn Ne matter hew much be I Onrr.l fr.r Hid r, llrtu I II tl nil llO OOtllll I Hn.fiip inr 1 Uiip-v thn 1 no er could I tearr; luui. Yet I 'i.tu t sure tbat I could face bun aud tell bun . Suddenh I felt horribly tired. l.ery- thl'ic I'd known iu ew erk soeiued stale and useles:. I hated m life and I didn't wart n go ou with it. 1 njbeil n..,hlnB about motion '.HI1 Ml T' tsnled te be where u we (pilot anil,;i"tis ps are leafclele, tnroiiplieut tae plot irr And I get out my tuitcae irei:eu and the HrtiMie onpemble tern and began te pack mj thing3. I was . pernnly destroyed, through with the iueie aud with trjuig At great metropolitan theatres the te be an actress. i musical director has the authority te I hadn't a groin many thing', about eliminate dramatically superfluous I packfd me't of them in my trunk, i "cut-'n ' nnd "flash -backs" when nnd put tn a suit-case just ene or twultueb elimination:, help the music. drf..ses aud the thing I'd need for a fe ilis. And thou I 131 down by ,,.,. , , tlm UI.ie and wrote Jehn a Wter. T'IL P."Sram once selected and ar-ellln- Mm hnw L-rnieiul 1 a- te him . x ranged ill order, wr are face te face ...... .. w. ..... - . f . 1, a k.A.i . . . a '. m .i nnn tl nv i ceuitin t murrv him fl )one (imp te nnt(j thU , .because I dldn t want it te bound . . . . - nara una uiiieeuug. aen i unisiuu war. and I theuglit perhaps during , 1 bre.tkf.'iFt I could make up my mind. Of oeure I should bate planned te e home. I did sort of haie it la1 mv mind, but I hated te go back feeling that I wa such a failure I wanted i te aeeeniplMi semetUlng Dciere i went ' back te mv ' P"epK ,.., . w ' J"'' -ni'.ib i ' "" jhs- , thi,nj pf nM this, when a man this. ! voice said, "Give m your bag, Der- ethv." Iy heart just steed still for a me. meat uhen I looked up, und It ne 1 II it U II I Uf lut-ij 1 XL nuvir sw, n,- hnpr( lfir i'VMrv ri-fi. rf iiin iifsr in lLlfl) till ttti. -... . ra - . .'ji I'm. .. ...... ................. . .....ii, ,ii gan te beat about Unec times as .ISt,Ml. he will reach it iust in time for B u Mieuui nave r or u u i.uw rence rrineb who steed beside me. "I den t '.ee I m se surprised T iupt steed there ijtamtnerin, tee amazed te gather my thoughts te- irr ther. J "I was en mv wav te stick a note of apolec ia jour mail box at the club. : he told me. with tbe friendly little fmile th'ii I d always liketl se well "I needn t hae been such a beer last mzht. nnd I'm awfully sorry about it." "Oh, I.arr.t, mu weren't: I was thc one who was rude it was all my fault, and just tee what mess I get inle!" I crl"d "Things did get tort of muddled, didn't they? Did you get home all right?" "Oh, Larry, didn't you knew?" I cried "Why, I'm iu an awful mesa." And I went en and told him all about the fight at the club and the reporter who'd come te see me and what Perils had said about mv marrnng Jehn. "Oh. Det jeu wouldn't de that. would j nu? ' he oelnnned. I deu t think lie lealUed It, but lie caught held uf niv arm se tight that It almost hurt. I liked it, though. "Why, it would spoil jour wliole life te marry a man se ranch elder than you are, and eh, well, I ought net te say anythlnjl" Te be continued Tomerroir MUSIC FOR MOVIES HAS GONE THROUGH COMPLETE CHANGE i'rr se; te thtnh of the trenderful twitiiarinatien of untie intMie ftem thr Keni-i jlxtcd ptane mutdercr of tnrkrledcnn dnis te the vtndtrn sym phony nrrhritra nnd telntttsf iteerqr U'. Vi!i Sai' been e musician tu iretir houses vrcr f'iet' daps. lie hai hi-en identified u ith eiery step of i Mi'j i.'i irfaumcHf. He Am latelu been ...i ... uf.iT th r . i...j m fifci i i 1'ierl tioafieit hi this eiiy ana is nvtini ci jjji .lreft Creel, 1 tits 1 . '3 the third of a erics nf aitieks he liai i ritten for yau. By GliOUGE V. V1L. rpRAliKDY w it li a background of rough ' J- corned; : uiild tension devoid of mcle- Iramn ; ferlwtv with an unilercurrerjt I of impending calamitj te find ju?t tb" right music for -ueh mned-inntiircs is the le.ider'a wefUly preblim. Think of this- when next veu are Mi.rliled by that wonderful combination of Mcht and round which constitute the modern -no ie. PARADOXICAL though it may -i'" ' ' UL-u'ii Milieu II1C . TO , 11- fhlI1iin., !lT. thr i-,r ... ,i..u .1 . . - , , ., u'" e-if nrcit wmc 1 tie .1111 1 nr ASir, I-A.. 1-.1. i ., 1 . at all. While the filu H inakins it', appeal IV 'J1' corr.rieus son. the music is prr- nuein; a 'uppleineut m , but no le- riewerful. impression 011 bis subcon scious nattiie At , host tlip fetn. '"; 'u-i- is mini rrnaereti or tin Miited te tbe ii, nod of the nirtnre de.c . reany awaken te a consciousness " Heedless of the indisputable fact that much of thi rinpina'e popularity id due t" its mu'ieal accompaniment, many produceis of lilmr. .-till insift en rend ing out pictures, portions of which. -in the ab once of sppeiallj arranged score., are almeur unplaiable. 0 aii'imt unplaiable. 1 lefer le the habit of breaking up a rue , u 'Tut -in ' op "flash-back' 10.' rp t "tne oflier. contrasting f-erue. TIioje i"""!"i" arc ustimiv far tee short ' " P"imit :i rtinngp of iiiusi" f frequently i ih,,v h t but a few seoenrNi se the "' ade- has no choice but te continue the j procedins nunioer, with fieh modilieT- , mterrupling episode. But the spell is ,'.... .... 1.1. ... - ...... . . . ii i I ill' iiriinirMii fir li tip rnni inn i cjmchx wirn uie speru ei tne piclure. , t )f bp ful rR,i(. f,re anfJ i that without the intelligent eo-epera- . ,, . , - , ---... .. nun m iu- uiii-nuur 111 uic noetn no cul uects mane possime. But it is truly astonishing what won ders can be accomplished when the oper.iter Is willing te meet the leader half war. J lilngs can tnen no re per fertv timed that a tingle coinpnutien , relk-etins a series of mood" max he tit '' iHi beaiiitf.il j-xactnem te a group f corresponding film episode, thereby obviating the necc-sity for frequetit changes from one number te another. And furthermore, the director can work uuliesitatlngly toward the thmas of a particular composition, centideut tbe diaiuatic moment en the rcroeu The Werd ''Bun Had Only One Meaning te English Studie Man rpHE Britisher's failure te understand J- Americin slang is a dilheiilt.v which faces picture production in LuKland. Ieu lllil-iuii unineHiiiL uinvmr UJ fJeerge ntzmaurice. new- producing ptiturct in Lm epe was looking ever the fcrlp of "Three Llve Ghosts" with a view te Rhine the property man his iiibtruetlens ter tne rouewniR ranrniuR. Ili-cett eaine upon the dirertlen "enter Old Sweetheart with a beautiful bun." Illdcelt made a note of thc Item th thc result that en the following ruoru rueru Ini; a particularly H'rumptieus fample t .1 .. n .. t .....In. nt.'e f ..,.. km.. ...1 01 ill!' CUIlli'l -liuui; e m v nun 1UHI)1 nently featuivd ameni; the Uay'e "preps " I itsmauriee's umnzement en being uncxpei'tcill.i confronted with a dihplay of rreani buns "h e penuine that bin af.sdst.mt was net blew lu prattping that thcre had been "some mistake." Then it was explained te him, gently but firmly, tbat in America there were buns end buws, nnd that tbe bun m4he Ecrlpt was net the kind ou cat. i DAUGHTER , this begins the story Jim Kendric. tlie devll-may-care. whele-heartnl ndteutureus American's arrival nt th border town ttarttil tome- tmng.. iiantureiuiy nailed lv mi anil lar nlcknani uf Old Headlong by Ills fermr huddle, he tt eii' forms them Inte a party te maka a night of It lit tha ul'Jepen town acre the. Mtxlcan line. Well-heeled, he tk uu the nietlej crowd at Ortera's itambllnir Joint, te drinks and, then stakes them eaclt with a Piece of t nance te play Elmilly the spell works In his own bleed and h calls en Ortega le provide rotne one te accept his chal lenge te the "kin of Ktne." the nlmble dice nulx We. an old rival and enemy of Hendlens'a, pressed en by Ms companion, takei up the defl. Rlea lias also Just arrived In town. Ills companion's Identity is a tmstery. but every one sees that It Is a woman under the low-tying sombrero and masculine. attire of the border. Jim feels ner erklne some sort of a telepathic .spell upon lilti presslen. upon liltn, but shakes oft tha evil Im- sien. AM, imiE IT CONTINUES K 'EXDItlC abruptly spilled tic dice out of the cup se that they rolled en the table top. "One die, one threw, ace high?" he asked curtly of Uiee. The Mexican nodded. It Mris In the air that there, would be bis pluy, and men crowded around. Briefly, the unusual presence of a woman, here at Fat Ortega's, was for gotten. .... ... "Select the lucky cube." Kcndnc in vited Ilies. The Mexican's fclim brown fingers drew one of the dice toward Mm, choeslnc nt vandeni. . Kcndric opened vest nnd wilrt nnu after a moment of fumbllnc drew forth r.nd slammed down en the table n. money belt that bulged and struck like a leaden "Geld and United States banknotee. he announced. "Keep your eye en me. Hener Den Hub Wet. de Mexico, while I count 'em." . . , Unbuttoning the pocket flaps, be be gan pouring forth the treasure which he had brought back with him after two vearn in Old Mexico. Boyish and Klecful. he enjoyed the expressions that came upon the faces about ntm ns. ne I ,.... ..i ..i...i er..t Ulna u.qtelied uim with narrow, suspicious ejes. He sorted (be cold. rrnnglng in piles of twenties and tens, all American niiiui. w I nnioethcd out the banknetrs and stacked I ll.... A.,.1 w,i ill., nnit. lnekinc UP i.iliii. jkitu n, ' ...... w smilingly, he anneunced: "An even tcii theucund dollars, nor. that dage will pick :ou clean an you kne'v It." , . , , Ne one paid any attention te Barlew. i i... r.- u.. nnn Involuntary out- burst, recoguUed hiniteif for the feel nnd kept bib mouth shut, theuga wuu UlUietiltJ. Tj,.w nine' flnrV- face was nlmeFt uu- ental in its immobility. He did netcira leek Interested. He merely considered after a dreamy, abstracted fas-b i en. Again 11 quick eager hand wan laid en his arm, again his companion whis pered lu his car. Bies nodded curtly and turned te Ortega. "Hac ou the money m the heute. he dcniandefl. , .. "Scgure. ' snid the gambling houfe owner. "I eApected Soner ll,lr'':- v., ,1 ine nreml." laugllCtl Jim. "Let's tec the color of it iu American money. " . i.,. With most men the winning or losing of ten thousand dellart, though tbey plaed heavily, wab a matter of beuw and might run en Inte dajs if lKk varied tentaluingly. All of the zest of thoe battling hours Jim kcndric meant te crowd into one moment, lhef was much of le in the hunt et Head long Jim Kendric. but It was u love nhieh had uecr poured ureii lureuu tbe common channels, necr identified itself with these two passions v.-bleli twny most men: he had never known Ieo for a woman and in him there was no money-greed. Fer him women lil net come even upon the rim of his most distant boruen : na for money, when lie had none of it he sallied forth jej -eusly in its quest, holding that there was pleutv of it In tliib geed old world ami that it wad as rare fun running it dpwu as liuntiug any ether big came. hen he had plentv of it he had np thought of ether matters until he had spent it or sheii it nwuy or w niched it go it niwrv :iv across n table with a green top like u fleet et golden argosies en a fair emerald sea voyaging in March of a peit of adventure, ins ieu vaa -sened for lib. frlcndb and for his ad venturing, for clear dawns in wlitary iMeiitttnins. for spring-times in thick weeds, for (Twccps of desert, for what he would have called "Life " "Kcudv?" Buir. Bies was asking celdlv. Ortega had returned with a dniwer from his safe clasped In his fat bands; the money wab counted auu piled. . ..,,., 1 "Let her roll," cried kcndnc heart- ily. . . ... Never bad there been a g'inie Imc tnU nt Ortega's. Men packed closer and closer, pushing and crowding. The Mexican slewh rattled tbe single die in the cup. Then, with a quick jerk of the wrist, he turned it out ou the tubie It rolled, poised, settled. The result amply hiitlstied Bies and le the line of the lips under bib small Uiacu Jim. And made ills tnrew. When large ventures are made, in inencv or otherwise, It would seem that the goddess of chance is no myth, but a potent spirit and that she takes u firm deciding hand. At a time like this when two men reek te put nt untight hir many methods of prolonging suspense, sbe in turn seeks stubbornly te put ut naught their endeavors te de feat her alms. Had Jim Kendric thrown I he ace then he would have wen and the thing would hae been ended; bad he shaken anything Ichh than a six the spoils would hmc been the Mcxlciiu i. Thut which happened was tbat out et tbe gambler'j cup Kcndric turned another six. Buls Bies s impassive face masked nil emotien: Kendric'x displayed frankly his sheer delight He wus plujing bib game; he wut getting his fun. 'A lie. bv thundu-'. he cried out in ''Ve're'geuin? a run for our money, vPxir0 Shall I shake next?" "Fellow jour hand," said Ruiz Rie., M.lplly I Tilat which followed neit would I, apptured uiibelletable te anv war ' . ' avaT tiuA 0Kf watched thc in- be rvnHruble haenenincs of n caminz ta ble. Kendric made his hcceml tlirew and lifted his ejcbrew qui ixicaily nt the lcsult. IIe had turned out thc deuce, the lowest number l'Ohidble. A little eapcrly, while men bepnn te .nutter in tlielr eeitement, Hies Miateliul up nip nnd die und thnw. Oncn alreinlv In.- had i runted leu theuantl uf gned a', wen, new he ninda thc h.ime mlKtaXe I nr the incredible liappened and lie tee, bheued a dc-ucc, making a recend lie. Ituis "ursed bin dittsust and hurled the box lewn. Kcndric burst into tmn.rt inp laughter. "A came for men te talk about, friend Wee!" he eaid. And at the me. niqntJie cArae near fucjlng a klndlr ' i "Yeu damn feel!'' cried our. jhj Barlew hysterically. "Why. man, with that pile mc an' you could sail IiqM.- intn Ran DieCO like kingt . MtV -fyBk A Tale of Adventure BY QUIEN SABE (Who Knows?) Cepvrlpht, Hit, bv Chartes Scribner'a Eons feeling te: a man whom he liatctl most cordially and with high reason. "Fel low jeu. bund." llles received the box from a liiind offering it and made his third threw swiftly. The sK again. "Where wc began, eener," he raid, grown again Impassive. Kendric was nil Impatient eagerness te make his threw, looking like a bev chafing at n moment's restraint uf;eliiit bin anticipated .Measures. "A six te beat," he nidv And brat It he did. with the etitis nil against him. He turned up the nce and wen S 10,000.. In the brlef hush which cume before the rheiits and jnbberings cf many vnires Iliila Bies' companion pulled blra sharply by the arm, whispering quickly. But thin time UIeh shook hin head. "I urn through," he said bluntly. "Anether time, maybe." But the fever, te which he had se eagerly -.urrendered, was just gripping Kcntlrif. That he was playing for big stake, was the thing that counted. That he had wen meant lees te him than it would bnvd mennt te any ether man Jn tin- room or any ether man who had ever been In the room or any ether man who would evar come into the room. He saw that Ituis was through. But. as uis mincing eyes ipci mound .imeng- piner nice, no lnarKed the twinkling ll?hts of coveteti5ne.s8 in Fnt Ortega's ial eyes and he ncw tint, long age, Orteira himself had played for nny stake. Besldj Ortega there watt another man present who might be incllntd te accept n linzard. Teny Munlz, who cenlticted the rival gambling house across the trect and who was Ortega's much ilii-nl.ed ren-in-luw. Leng nge Ortega and Teny had quarreled, and tuuu jeny nai nm away vith l.lel-a. Ortega 3 pretty daughter, men faid it was as much te spite the old man aH for love of the girl'n enappinc eyes. Teny miiriii iuuj, 11 iriega refused 1 toga "One threw for ihe whole thing, Or vat challenged Kendric. "Yeu am nd me. "Have I 20.000 pesos irr mv peck fd Oitega. '"Yeu make in -t .- iccrf ;i uitega. '-Yeu mak "ic nig gnnge uiuft. ' what a bluff 0 (or. And you don't need the money ln the pocket. This heuse is yours; your cellar.-! are alwaytr full of expensive liquors; there ia money in your Mil and fimethiug in jour safe jet. I II bet my hat. Put up (he whole fe -f .?alnit my ,VMfl and 111 fliake you l'luinlv Ortegj vas tempted. Aud why net? There lay en the green table, ?fi '"""l' "Hurincly at him. $20,000. His. If simply a little cube with num- eSfil ?u.il turn.cd in nre'1cr fashion. 7"wcnty theusatid dollars. He licked bli ac penauieus lips. And, te further ;11 n,,m lle estimated tliat his entire holding here, bar futures, tables, wlner .'ind caeh. were worth net above fifteen uiuusami. tmt then, this was all that' he had in the world, and though he craved further gains until the craving war acute like n pain, still he clung avidly te tbe power and the prestige and jiiu iuur.v in.it were Uls us owner of la Cata Grande. Iu brief, he was tee much the moral coward te be such a gambler as Kendric called for. se. he snapped angrily. 'Loek," said Kendric, nulling. He shook the die and threw it, inverting the cup ever It se that it was hidden. "I de net knew ubat I iac thrown, Ortega, and jeu de net knew. I ull! bet jeu live thousand dellare eveu money tbat it it. a six or better." Here were odds aud Ortega jerked up uis iiciiii. v ivc ineusanu te del- 'Ne," he said again. "Ne. I don't pla. Yeu have devil's luck." With a flourish Jim lifted the cup te see what he had thrown. Again his utterly mirthful laughter boomed eut.imeu. Yeu," and he eled hit fercfin- It was the deuce, the low threw. Or tcga strained forward, saw and flushed. Had he but been man enough te say Yes!" te the odds offered bim he would bae been the thousand dollars richer PiioTeruws ty&n&jj, TMU prAKCRICk. UJNHT Ml Le 12('1 , Merrln i. Pyunk A. Dally t a. Bice. 0.15 4 0 -UUaillUIO,M:.t VIOLA DANA "PfVPETS OF I'AIK' . n AI I lTf'Lll.MV J-'rankliinl : AllfChtny ALLtUrllllNl Mt. DbIIv a I3s Evei-. 8 WALLACE REID in "Tin1. Unix nifir.Kiiji'j TTdTM I ( "IJ THOMPSON 8T3. NORMA TALMADGE In "TUK Mf.N ON thk noeit" A n- A TI A CHESTNUT Uel 18TH f-UW-L'.'A 10 A, M. te 1 is v. r. MARION DAY Jqj'KMH VNTMENT" A CTAD nUVMvLIN L OlHAItD A V. Ab 1 UK MATlNRi: UAILV niTKKT lltliHES' "Dangerous Curve Ahead 51HT i HAI.TIMOKB MM . I 1 VlvJIML m,,. H3rt ht. Mm MILDRED HARRIS CHAPLIN in "TiirwaujNji.ing.J!OL!JlL DCNIM C1T" AND WOODUAMJ AVE Dt-ININ mvtinbt: daily WILUAM S. HART In "THHKIVtlOKH nKAND" DLUt.ljlrsL' rentlnunuB 2 until U THOMAS MEIGHAN In "f'Al'rY mrus" bpliil Aililnl Vfiitnrc M. DE MAY Mlnttr Fim-IiIeu lUvlrw "lili Hew Hampton i BROADWAY Br?V4!grpAM: WHITMAN IlENNKTT'rl "The Truth About Hmbands" UArl 1 sJL. 10 A. M. tn It 15 V, M. II.l.MM PR llll.IK's "AFTER THE SHOW" Pst nMl AI tj'n A MaplcwetKl AM VAJLAJlNIrI-i .' .10 7 nnj 0 P. M iiitmn nr.Nr.TT's "The Truth About Husbands" DARBY THEATRE AI.I.STIl CST In "Seme One in the Heuse" EMPRESS krllW uri'KiiT m'(inr." "Dangerous Curve Ahead" -j FAIRMOUNT &Zl$& THOMAS MEIGHAN In 'TAITY KICKS" 17 A Mil V TJICATRB 1811 Markft t I'MVUUiI 8 A M. TO MIDN1UHT H.UM Ill'TI.KR In "FICKLE WOMEN" 56TH ST. lIinAntE lllnw Spruli MTI 1.1' nAl!. JACK HOXIE In "CI 1MI'S IIItI GLOBE" UUl .M.UtKET ar. " " .' i0 'in i il in ... i MAKY fVULt M1NTER In t 'MOONMlilIT AND IMNKV8CCKI.I'" P.R AlOT Wi OIRAIlD AVE. "SHAMS OF SOCIETY" OF THE this instant t Five thousand dollars 1 He ran a flabby band across a moist brew. , "Where's the luck in that threw?" demanded Kendric, fully enjoying the play of expression ou Ortega h face. "The luck," grumbled Ortega, "wan tbat I did net bet jeu. If I had bet it would have been a six. no less." "Teny Munet," called Kendric, turn ing. "Will It be you?" "Nel" shouted Ortega, nlrcady an gered In his graiping teul, ready te bnw forth his wrath in nny direction, nlwave mere than ready te rail at his son-in-law. "Munez has no business In my heuBC. Who is boee here? It Is me!" Kendric seeing that Teny Munez was contenting himself with snecriug and certainly would net play, began gath ering up the money en the table. It was then tbat for the first time he heard the voice of Ruiz Ries' companieu. "I will nlnv. Sener Kendric." The voice ran through the quiet of the room musically. The utterance was low. centlc. tbe accent wits the soft, tender accent of Old Spain with torae Riihtle flavor of ether alien races. Ne man ln the room had ever heard tiueh sweet, seething music as wns niode by "I will bet $5000, even money, tliat it Is six or better," said Kcndric her blew words. After the sound died nwnv n hush rpmalned and through men's memories the cadences repeated themselves like llnccrltii! echoes. Kcn dric himself stared nt hcr wenderiugly. net knowing why her hidden leek stirred him se, net knowing why there should be a spell worked by ine quiet words. Ner did he find the spell eutirely pleasant, as her leek had done, se new her speech vugucly disturbed bim. His emotion, though net outright irritation, was akin le It. He was opening his lips te say curtly, "I de net pluy dice with women scnera. wlien urtcga s suuuen ouieurst forestalled blm. Kendric had barely bad the time te register the faint impression of the odd senratien which this companion of Uuiz Bies awoke In him, when he v.aa set te puzzle ever Ortega's explosion. Why should the gaming-house keeper laise he violent an objection te any sort of a game plnjed in bh place? Ptr haps Orle;a himself could net have ex plained clvarlj, since it is doubtful if lie felt clearly it is likely that .1 child ishly blind .uijjer had sipurted up vou veu vou cineuhly in his heart when Kendric had exposed tbe deuce, and men had laughed :niH Urleiii fult us tbeuali he hud let i.iUiH. Ju sum a c.ie a maji 1 wriiwi . 1 . . . .1 xpieues reatiiiy. coiiieuaiiou nrriiHiiiK feith ppentunceusly like an oily rag in the tun. At any rate, 111s lat tact ' Rrewn hectic, he lifted hand and voice sheuting: "I will have no weincn gambling here. This in mv place, a place for cer at the slim figure, go She ignored him. Stepnlmr forward quickly, she whipped off hcr left glove ' and in the bare white llnceis. b'niiiK I with rel and green stones set iu golden riteTiiriws Ml' 6h vw tnTL rV , The following theatres obtain their pictures through the STANLEY Company of America, which is a guarantee of early showing of the finest productions. Ask for the theatre in your locality obtaining pictures through the Stanley Company of America. 2REAT NORTHERN W. SS' VIOLA DANA In "PI'ITKTS Of r.TK" IMPERIAL ilOTIt & WALNUT ST3 Mum .'i an v:st. 7 . e nri'KUT iirciiiLK' "Dangerous Curve Ahead" K'ARl THM chestnut Abe iuiead rvrtlMjlUlNDilly 10 A M te 11 13 V. M WHITMAN IlKNNr.TT'Si "SALVATION NELL" I aI,;U Dn-- QermuntQAii Ave. and Lehigh ralace i.,i,ici, Aenue BERT LYTELL In " MtrnK 1'IIOM lIAns" LIBERTY UnOAD i COLl'MIHA AV. MATINLH DAILY AI.I.-HTMI ClT In "REMORSELESS LOVE" OVERBROOK "&&"&? CONSTANCE TALMADGE In "MAMMA'S AITAlli" PAI APP 1"H MARKET STREET I rtUnV-C jn ,v M te 11 10 1'. M ANNA Q. NIM.SON In 'WHY GIRLS LEAVE HOME PRINCESS 1018 MUIKET bTREBT s 3h II hi 11 1.1 ! sr AI.I.-STMI CAST In "THE FAMILY CLOSET RFCFNIT MKKCT bT Helow 1TTH WILLIAM RUSSELL 'Tin: lady nteM i.0Nii,ritr." In RIALTO CIERMANTOWN AVENUE AT TltLPKHOPKEV HT. C.KOIIC.E Mr.i.reitD's "The Great Impersonation" RI IRY M.UIKET ST. IIELOW 7TH rVUDl 10 A f. te 11:1C 1'. 11. COMEDY DAY i ne. mi, i. or spec n i. rr. xtches SAVOY 1211 MARKET bTRKET t Tn r,nvir!rfT Sin VRANKI.IN's "COURAGE" SHERWOOD lul, 'V"0A;i ;TUiJU,JLT '"'' M,'A ''' "" " "AFTER THE SHOW" STANI FY MARKKT AT KITH GLORIA SWANSON In "ITtPKR THE I.AMI" STANTON MKKT AtnvB I9TII IA1N 1 WrN,n in A M tn II 111 P.M. MII.I.'W VOX'S MONIIKIl I'l.AV "OVERTHE HILL" 333"MARrCET.,'T Wf nwii) I'tnviiii, in ' "DANGEROUS LIES" VICTORIA "m'tttiffi "WhyjGirls Leave Heme" RI ALT 07 WESTCHESTER . OUOROB MEUrORIl'8 . "The Great Impersonation" SUN circlets, she- raught up the dlce cuti Even new little was seen of her fa for the ether hand had drawn lower the' -ide hnt, higher the scarf about tie threat. "One die, one fbrew for it all, ScnQ Kendric?" she asked. ' amt ,.!'1, V:.11 you eI" eheutcd Ortew. "And Ne ncain " w' Then, when she steed unmoved. hr Jilr of insolcnce like Bub RirsV bus even mere marked, Ortega burst for. ward between the meu standing in ai, way, shoving them , te right and left with the powerful sweep of his thick arms. His uplifted hand carae down en her shoulder, thrusting her back wurd. Her ngleed hand, the left m kindric mirked whlle he watched in. tfrestfrJly, flashed te her besom, and taped out again, a tJiin-bladed knlli in the grip of the bejewcled fingerv Ortega saw imd feared, nnd, grown nimble, sprang back from her. Quickly enough fe ave the life in him, net w quickly as entirely te avoid the sween of the knife. His sleeve fell apart, slit from shoulder te wrist, and it, the opening the man's flesh showed with a thin red line marking it. ml?"8 T1.1,'1 turauJ,t end infusion for a little while, hardly mera than a mo ment it seemed te Kcndric. He only Iiitw that at the end of It On,,., u.'i gene grumbling away, led by a itmple of fr ends who no doubt would band. nm- m weuiuiei arm. and that the woman, having nut her knife away appeared net in the least disturbed & I.ncw then that while inn.. n...i shouted about him he had net once with. uiimii mi eyes treni ner. "One threw?" she was asklug again llie voice as 'tender, as vacueh n Mulcting te his scns as fud of it muRir na befers. He shook himself a, though reusing from a trance. "I de net pl.iy at dice with indie ECiiera,"he said bluntlj . ' "Did you bluff. fU.r n)?.. h nskcfl curieuslj . She seemed sincere in lier qurstieti ; he fancied a note of ills appointment in her tone. It was a, tlieugh she had said before. "Her" Is n man who is net afraid of big stake" and ni though new she weie rcvline her estimite of J.im. "Jfr xlm J?ff you Big Meuth." she added "A ," I r will laugh in your face." ' "Where Is thr money you v,euM wager against mine?" demanded Jini tanking he taw the fchert. easy tj Already she was prepared for tkf. S'?n- ,kId hcr src'' '-an-l was ' little handbag, a trifle In Unci: ln he siw of a man's purse. She epencl it and splllcj tbe contents en the nbk --.v.. jut. uu mc mellow amp light 1 Ions glorieua string of pear s up up lvnrel, each separate I.'treUS g'ni glowing th its sllery Khecn, afZ aid tremulous with its shining bvdE nt ss. Iew.HIy Mnebc!" Saenetl Twisty Bar- "There is the worth of jour raener many times ever," came the quiet aH S ' low telce Clik'c '"qui "If they arc real pearls,." muttered bbc made no reply. He felt that from eMnif tbe lnea', but 'Hm a pa, full". CyCS "Crc bn,ili,,R tcrD- "Can't I tell real pearls like tbcm ,n . "x'e1" cried Twisty Bartow excitedly He eaned forward ami caught the great necklace up l bis eager hand. "hat would I be wantin' that Vcamer ii fcfn.PXSe Bv far if I didn't knew?'' lie held them up te the lamp light: he lingered them one after the ether flic put them down at the end revercntlv ami with a great sigh. "The worth of -them. I. ., . ,v pii !""""!. mj liny, iic M1 . s .nk i 1 euiu make your pile leek sick "And yet I'd lct a thousand tliev'n Pheny, burst from Kendric Then he s-usiii uiium-ii up snort. Muppese thej were or w-ere net? A woman was offer, ine te play him and he was heldini uiicK ; he was making excuses, the sec ond already; in his own ears ids words, sensible though theV were hegnn te rln like the petty talk of a bedger. "Turn out the die, scnera." lie sa'd nbruptly. As you say, one threw nnd ace high." Te be continued Tomorrow l'HTtlfl.,lW I fyjrTheNIXON-NIRDLlNGERflY I U THEATRES lj BELMONT MD ABOVE MAJtKET 1 ll II Mi -il) te It I' It I.OIS VKHKrt,'S TOO WISE WIVES" CEDAR 00TiI CEDAR AVE.WB J. I. SIcReuun and Catherine CIllTerd It "COLD STEEL" COLISFUM Wrlt bet. neih 60ta nnrbara Hedford and feptclal Cakt In "The Face of the World" ! JUMBO rjwwT ST. A. OIRAIlD .VVB. I June en Krnkfercl "W THOMAS SANCIII III The Garden of Allah" LEADFR 41ST LANCASTER AVS. 1IARI1ARA nKDHinil nnd wf Cwt Is "The Face of the World" LOCUST, f12" AN T.OCl'ST STREETS WALLACE REID In "THE llltl.t, D'OORRS" NIXON 62D AND MARKET RTS. AMSTAR CST In "ROBINSON'S TROUSSEAU" RIVOI I C:D AND SANSOM STB. Ii V WL1 MATINEE DAa? "THE WIFEAWAKENING" 69TH STREET THEATRE Onneiln Tsrmlial OPENS SATURDAY, NOV. 19 ULORIA SH ANSON In "fniltr Ihe tU" By Srtclal ArraiiBement Willi .1. E MantUium. Prclilnt faTANLEV CO. OF AMERICA STRAND CJERMANTOWV AVE T VE.WNOO PTRBtff WALLACE REID In "THE 1IELI, DIOCEUh" AT OTHER THEATRES MEMBERS OF M. P. T. O. A. Gimnii.m B"0 Gcrmatitewn All ermantevnMATIE n.uw MILTON SILLS In Jack Ujnilen'u "THE MITI.E FOlIt' JEFFERSONM"i7rSnT 3 "Ged's Country and the Law1 CIIAKUK CHAI'I.IN In 'THE UH.i: flA PARI RIDaE AVE. & DAUPHIN T. rAItV M. 3,,n. Ek. eiistjM 'THE SCOFFERS COMHwy y Jt - O'AMrmi-.. r cf V m. jL nnmmnmi
Significant historical Pennsylvania newspapers