f3yerwfvtHf,,S!JWiW Jpfp-vw msssp -""-, - -. .7 m-i , (Vfe IfWtMwTffl Pj?fwawHw..- "ysGpnr5 1. 'K EVENING PUBLIC LEDGEPteUADELPHlA, TUESDAY, NOVEMBER 15 Vr 14 MUSIC FOR M0V1ES HAS GONE THROUGH COMPLETE CHANGE Daily Mevie Magazine f Uvtr top Je think of the wonderful irantformatien et mevU ,.: t.Li. the hcavV'fetcd vlann irJ.rL ., nickleodeen days te the modern tvm ,...,. uiviiijin. une iwieisisr , ueoreo v. Vail has been a mutician in mevie house) since these days, lie has been identified with every step e this development. He has lately been en the staff of the Loew enterprises, but is takxna a short vacation in this eitu and is IMne at 3S11 Arch street. This ts the first of a series of articles he htt HE 'busy fort lee studio colony will seen be only a DESERTED WASTE CLOSE-UPS of the MOVIE GAME ti "" w jut JIH, EW3we.irjf3-j v ; 1921 I c Hi,.s C x HK A-JP Oy UKMIY M. M2EIA" ! - 1 i";i Oblivion Stalk Over Fert Lee ONCE the motion-pi, Hir capital of the I'nitrd States. Fert l.ce. N .1 . new face niter ol.lnlen The Inst moving-picture company te maintain its utrenghnld tliore--tlic Solzniek organizatienhas just cleird it three big stud os und move.1 ac-rn the Hudsen te New Yerk. Today Selztiiek plcturei. which were nil Hint 1,,-pt Pert !. upon the map, me being ninth- in the studio"? formerlv beleligms le Vinten und Constance Tiilmiulee. en Earn Veity -cl;hth street Then wn- 11 d.iv when tlie mine e Pert I.e.. meant te meie peet.l. ust tvhnt tli n.nif i't Hi llywoed. t ulit . means te them tednj . Tin re v i- ' T when nil 'In .H- -I tli' -'teen Net! ,n or lie.it- Pett l.ee or went tin re rer Hay. A .:nm imuieii'e Mudie . Humming with mtnity. thou-and- of peine Inizzcd niieii' tin sri-at plum- .0 tin- struts nn.l there wa work and pespcr tr or ever) bed v. Today these great iuii, aic -lowly disintegrating There -f-rtii 1.. lie en efforts te snhase what is tlll valuable in them. Elaborate and expensive outdoor ets, Mngle building-. tieets. whole towns, are crumbling under the aitien of the clement. Then- 111,1st I- ..uml millions of dell.irs w..rth of mnteiial sonic te du-t in this furmei n;m .-idenj. The inhabitants of the town, who -aw ,t spring suddenly from i.blii..n .iss".- in unwonted fiinn- and weal''i and then r-.hI-Unlly sill'. Ill, k il '"in" -'-. hne lieeii hoping ter the Ir.-t - ' thit 1 .-. kirns th"- "eiilil h.v mi itill'ietiee en etnei .lp.mie- ,, ,-ii-T at 1- a-t of prip-prr.t.i 1.:- . U lieg-i'i iii'iMns u'l th-- -timie ' ,Cf and new the mi" Sctznl' t.' rvampli anil bring b.n K " I'm I.ti w '. big bnilJiiu- n And then- 1- i" .,. ,1 triil :il ei- tli s miiji'Mtieii a-dde irem til- elTe, t vi'l SOME LIKE TITLES OF FILM SHOKT: "LONG" SAY OTHERS 0 hi l X U nave upon the e!l b.'ing -f 1!." rniii-. I'i th'- das when il ni"-t fanmuf. , ninny aeter-. aaree- n-id -n-lie en.ptiijrs heln-ving its- presp.-ritv te be perma atnt. built -r beliclit their min le.iis.- and e.t.ll)li-hed them-elve- in hut were the fir-1 h"in- I'm' th- -ni Vtne-n -ini-e turn- wandering duj - mound the theatre-. 1 TZ'.-A, in) .11 11 1 ,1 "O ' '" 'I"-" i'i,'. M'ulii 1 i.fif it'll,;, iifii.'n- i de,niid I het Hifi h niih-ii .'j.-,i irifl of the 1eiw". Hint lhr,r n,i no hidi,i in Feri' l.(t. .l "' rj-nj' 0 thr Aim (wtnpamc- '"i l.umlr.l thr hr.tt,,,), ,.. I ., -rn! iMI III (if ill fill htl lldOll. SO tlitll Ihvii Imr nut nnly Inti of he m 1 thry inmii te Imi, h't less of most of tin 1 knl r-inirii imr'i' . newJ i then. T XCV. nlmn.t . ii i t lilli'l ri-e ,.ii In .Hen lH'l un- nitet-t. I il" -telv ct Pert 1,1'p J-J gees ln'U te Hax'.d W. Ci-ifllili. About 100T n- IPOs he di'fivrred it. a pieturesipie. sleppi li't- niitr haml". - itieiiinled b rii'tie n enrrv that, wa-. Ideal in tlu.-e (;.t- f.,r i,i.td"-"r work, wlim- the 11-ual ! amperms r,nd- would net inteitere. There w -! v i-niwds about Pert l.ee I (intlith and Mm K ' 1 t u were then directing for the "Id liingl.ipti Company. with -mil nla-ers r- 51 .in lii kferd. I.il'ian und I'ertu.v tii-h. Mabel Xermnnd , JRInm-lif tswe c and 11 v.ii.Vr of ethe--. Te.-.- r:iin- v e,e net then ns th' ni.'iieu. . !th.-r wa- Hi itlith. It -a- their hnnit te meet r.t the Pert l.ee P.-u. en t'.ie New erU -idn it the rive- abem :".0 111 tin- niernin.- and. if the weather looked piemi-ins, thej 'would mi" un s ' !M-ntinti for th. day ' work. If it wa rleudj . 'h-v would go te th' stii.;ii .itei -,i""t inieriet- Tin- .-..itntr .ii-i.tind :'b.-,'t wn- se nmrly ide.U thai it began te s" r. puia puia lien frei 1 thi- ti 1 liiegraph .-vp'.oratieii part . Net long afterward the 1 -liampieii Compain de hied t leuiti- thete .in.l built Pert I.ee.'N li fit .studio a half -eeer.-d ffalr that -ns .en-idered .1 fine plant in these days, but that i enh 11 .rumbling curle-ity n -w ! It -a- built en lle' plan i:-e.l it.iiMvt'.v l"dav In fah'ernm. -' 'ar a- ihe let-' or Giitd-.ni portion i- ".m-eiT.ed It- covered part wn- little mere than ti ulied with g!a-- top and -id.-, for artlnVlul lighting wa- -till in it- experimental stage. The let wa f. -i, el in and w ire-- wete strung acres- fe that . h-e-.-leth could 1 1' pullf.l eer ,t t difi'u-.- the milis,it and soften the shadow TTic 1 -un- ..f that urismal 'ui mpieti -tu.li.i aie beginning te fall apart new. It i 1....' e.l i:ii i a- an ominous miRiirj f .hni i te befall 'lie mere modern and clabin.iti l.u'ildiiig- aee. Nermann ij -riflVK Mi -e well known X -he eeiu- In 4r rfM s 1 nils i 1 Hew I Became 1k - f 'MlA A Mevie Star jfcSMfew Ate M l WKZKLVMPU VlUHBlllfe Hill- iHKPfiylSr'fi 1 Wwm 7s S V, S -TS3ISfce. Bttk...-. X -CW"2J L$xm?m!-&jiJdmK!mamKm I k2IB ' 1 J ls !.?!' sSjv-.sj;.!-;. . 5'Jy .-- ?sk;.j.5- J t - ; .8ir;j,M,sf 1 l p te 1..-.1 kia r.um mcxmvwi v&$ix ikm ft,? r. KZB.hi..VJ'i5Kaii5''r-,..rt . . ' mV.AMAW ,.'V-V 'A; 1 WW iJ r t't ii IIsl s, : .SrtJ. ; ii ii "-.'T-ls; SIti', aBK'.v IV 'il' . I A 7. i . iB7i. A I .ii i ii mi m .ii niiiiiif holt 1 , . N le-.Tttd Miat Has Mrrady Hajipenril hmnlli itiif. i? tmnll-fnirn mil. ilrtte'i In lni'niir 'i rrrrcii f'),. i mf lie sii'li'K ic.if en it I i-i) ii .ii- imi. -sn iiucts l.ntii'mr I'rrml.. a ji.ru aytnt. Klin hnenir' iiilc eif,l in ?ier i-nd ccuT m '.ri mi ii;if)i-nnf we-i inyi)if; niieii Vein .setiiiKi. ii fmneiM jnrci ,inr. Scarii mlrt Dmethji te marry him. hut hr icm!'. l.iUhnrn. it My nm iiiicrr. cnantifs floiethp for ein im -pnrlnni inlc. Klu .itict niti f.iti--i-i'f). i Irinrh. initl mirts 1'i'iinlie (rij'H, 'i IiiI'IIiwkI fnrnd e) Lani''. ,s,i itv.i ,iiet J ikhnri'. mil tee .(mi i-i'i liuit. uiiilr I.iiiii 'I'n i I'i n ilmi' i hili irith I'i in ilia. Wlir , I'.iMini ' tills lleinlhij llir t.lm n nt thr je. Mix. ihr rtj niCi the pnit. Answers te Questions Frem Mevie Fans LONG titles for motion pictures or short titles? A controversy rnges nmeiijt independent producer. Says lluster Kenten : "I gave mv (hive latest ceinedirK ohert titles like 'The Plnylieuse.' 'The lllaeksmith' and 'Tee Beat' because i theatre owners wish, throughout the 'eitntry. titles which they enn get en their electrically illuminated marquis signs, without prevatuinc mem irem also getting nil of the Btnr's name into (lie limited Riint-c en their signs. Se I make titles short and snappy." Tt. A. 'Walsh is another believer in short titles, for slmilnt- rea-ens-. Ills Inst two plays were "The 0'ith' and "Serenade." "I have been forced te take a long title. Kindred of the Dust, for my just the ; completed picture." says 5Ir. Walrh, beean-e of the big snle nt Peter 15. i he i.ii.e i'n riiainpi.'ii Abe Eclair., then a ,,w.ii,il .--n.-ern. The fn in- "i P..tt I. , & d t'e Film Cetr.;.-i'i .md I ner-.-l an. tudii. v a- bu.lt a Pien-h ,eiinpnn. t.ie .- planning t i-t.l.'.-h an Aineti, an -titd.e. - and tin . built tln-n Then (anie the World m i in etUer. I.uibliiig -tudles large ei small. and bevM-al great pl-mis w.n eie.te.l with the lii t of Ira-ing them te companies thnt did tii rare te build. Onh n few ai- as-, wlni, II"','. ...i wa- ju-t bec.nn.nz te attta. t the Eastern .-,,iiip mi"-. I "i t I.e.- wa- in t' zeniili It wa- u c-itj of all nation-. They een - int.. I and de"ln,i,l a great mpnngerif there te tent our wild animal- (or tlic- m ' i THINK Mi I .an.- Inl ine about half an lieut .go." .h-nnr told him. "If jeu'll -it down heie en the non-li Pll go upstairs and see." i illi. no. I wouldn't hate you eali ;, ft don't de thnt." he answered hast ily. "I dldn'i wact te see her. am way. P.iu I de wish you'd give hei tl i- note in the morning, please." And he handed her tin envelope, aii'i da-hed off into t'n darknes-s again. 1 waited until I eubl no longer 1il-.ii Ins f....ts-teps ei' '" walk, and then I ran into th" b.m-i- and get that note fiein .lenny I .euld hardly wait le mid it. . t' ieiir-e. Yet 1 couldn't go te iu own room, mid face I'er-ds' cun ifln. There wn-n't another corner of tlu-'lieu-i- whete I could be- by mjHc'f Se tinallj I .tel.- into the kitchen and -U itched en the lights: certainly un-. hum would nunc in thete tit that tunc "f niglit. ' fru,i,.,. Th.- net- ilidn t have nay regular b- ' ""l'J" rAUOI. Yivia Ogden was woman who nertrnyed the part of .Mar tini Perkins, the gossip. In "Way Down Kyne's book of the same title. It would l.a-t. ' lii.-iuiril Haitii.-uucss nrsi tuei , ,P foolish le enange tne title of the 5Inry Hay while both of them were nmy te a shorter one when 'Kindred playing in the picture, m range te ray. - t 'ie Dust has l.-een told by the nun in the story, Dick refused te ti tiinrry her '..-l.llrt Gnn.i nflni- fllil i-r..l.1.1fllll. 0 really did give her the name of Mrs. Richard liarthelmcss. nirmvY twenty-nine Dorethy years old Phillips is and ha one dreds of thciitands of re pics." Anita Stewart likes plays with four word titles. Ter instance, she. just finished "A Question of Hener." soeu -tarts "Hese e" the Sa," and has "Tint Weman lie Married" in preparation. Anether of her recently finished plays, a, m .1 ein-e the film capital of the Pnitcd State, i- new ..-ill -rinliuu nml '.-.,!-" nie crumb imr. Above, en tin l.-fl. Eugene M'Uri'-n is bidding goed-b le an epensivc stre-t that a bui t ler a S-l7n!e picture. On tlic ujiper right is what was once cen--idercd u ir.agnificcut -tudie. built by the French Eclnire Company when n first invaded Amn-ica. In the center i- the line modern Selznlck -tudie. thcln-t movie stand in Pert l.ce. abandoned Inst week, and below is the In st studio built there- the once (anions Champien plant I. What en earth could a ie- 1 porter want te see me about.' ion II hnve te tell me mere thun daughter, (iwetuielyn. Yeu can address "The I'nee of Unppinc-w. was clmnger) her at 1510 Laurel avenue, Hollywood, te "Her Mad Bnreain" because "Hap- Calif. Yes. Marie Prevest Is new n I nincss" WBS tee long a word for thi! 'star. Her latest production is "Ne- , electric signs. She also has appeared body's Foel." Wonder who it is? Ne; in the long titled plays, "Her Kingdom she did net nppenr in "The Old Swim- if Dreams" and ".Mind the Paint min' Hele" with Charles Kay. I knew Ciiil." why jeu ask. It was a Prevest, but Mnrjerie. her suter, had that part. ! A ND ever at the Leuis B. Mayer atu- iiT'tni-e -. c-.ii . . " (lie "'here Anita has piodtieed her DKAItEST Icier Sutherland has , ,rff.nt ninys. there is another believer in net been en the sci ecu for quite some ' meaty" titles-Jehn M. Stalil. whes time. He lins been plnjing in stock ."n,c Child Theu Gavest Me." re am! can be reached uf the ierkwlle -nnftv .-eti.nvr.il en.l "Th finn iheatre. Last I-.Iglitj-Mj.th street. New , r,ite." iust finished, attest te thn pro pre pro ierkClty. I ni .sorry thnt I cannot tell , ducer-directer's Uklng for titles of jeu the age et Prisclllu Dean. Jlin,.0 than enf. weriI . . I. . . . . ,.,. 1.1 llw.llrvll I I wn- an nuei. .ieu...,,.. . .......i.. tunf ,., -,. , .a,,i i ..i t . .. .i. i i. i fnfi 'Hilt l"ul' i",l,"iS mii i iiii.t uii,,iv'n 'I' Vd -I 't k..';r'anyUea"ic'r le re! , "All rIBht. I will. Jein, Seward, the minber that I wn--turned down in pub- , rter. has just had a light with Henry I. f.t i innii like llenrv Elkliern. I ' ' kh,er!' ",bei't "' " te ce K,-, 1 .Ien t ui.d.-r-.ad you or l,vt sl" te M.y about it. weijldi. ' feel se bun about thi- whole, I couldn't meve: 1 jui-t steed there, biisine I've gut te e e .-r le .ler-ey icy cold all ever, and wondering why lomeriov nernins. but "111 be back by ,1 didn't faint. Jenny came upstairs In neon -will Mm go te luncheon with i.u-V'a Moment, and I -topped her there in I'll be at the Algonquin at twelve- tit" mm. nun neggc.t tier ie scnu mm Fvcrb..ly wee amb.-.h ;atli-M-l llieie . M-ry cay ami tne crown- 0i thirtv ;;, iraiwii-siiiiuuiuinwrawuri- extras 1,-ii'rhl'iiiil eh-: .. bearilin heu-e-. wbete they er.ul.l Ii- eliiie enough te And it was sinned. "Your. I.airy." ter te see lum if 1 could, the center "of the iuduMM te cnt.h -v. ry . hnnce at a job. I -at .own en the nearest chair und i "Tli.rc-s no telling what he'll print Th.,- a- the happv. ,ai.-l,- d.v.s of th- inimit n.dist.y. Modern efti- ,-h-l that I leuld I.- i-a lly profane i you den t : be t-r 1.-11 him the truth." in.. win no nut I), j. . ,,, : ,,,,. i.,.. 'I ertaln v my trouble -eemed le be that ' sl'e urged. "I run up te your room jnency a-unhea-,1 ..f in il.-Mnd...-- they pred...elp,,.tur,sln a happy-go , ( )( J bl.-ing- The.-'d b,,,i..l gel your big cum! and you slip Vert of way and -.eme.l t.. hine th.- impression that wa-te of lime anil money nf rea(,hi nren.-e te te',1 ' It en and lean ever the railing heie were ine. n,,ble ,n tl-- In, -me--. I linn I couldn't go. unie-s I called him end talk te him. And tlen. ;i.i.iu.'l '. mini i .-u-v nle.i. An .ficlnl lighting and the grew - , ltli nls.llt .n( ,iUe,l t-. brea'.- ' fjn ,i,nt-s ,.lf t,nnily did, with an- demand- of tne ti.u- eelleil for mete p.-ndereu- and elaborate 'Ret" for , u . tigngi-i.eiit te 1 .neb wiiii .l.il.n ,),., -iiuunng by w nh hei-' arm atetmd .ni.-tini 1 , ixi.e.i- 1. 1- i -rout.!!' of tian-P'TTiiig .n.net rreni .sew inn, m ,-r.iir.i, wni-n in- i hi..-.. -u.......j ...-- . me, te leep me lleill ce,iap-ing "uu- find anv ethev. The reporter was quen- .. t .. .. .!.!.. ...IU ll'lltllll lening me agan. ''.''"," MAItYLAND - llertram .".uV,:.u,-w"f,.. "u." m..,:.T. I. t-. nlill Lew Cedy, Uehert MeKlm. I.en Chanev I leases. "Trust Your Wife 1 ferent off the screen. PHOTOPLAYS ,,.ir, ; ,-i ..f he- men of huninrtx who b";an te inaunxe i,. ,. - .Mi niene- and the was'? of time a entered z -in, '.ill'- ii. -, i'i -,-eking local en:' 1 be eln.i::- it.-.l r i, .within .a-' t a h "f tl c .-utiM, e.rti, -. V yirr .1",. enlv the Sclxni.-k cirgniuzuiten r. ma.nfi. l ne. u-'-i im.e (,; tlic bige-t -ii.d.e- ,n I or l.i tl- r.iragen. ti,e , ;( orei muhi.. ami tne h, I. it I . in oil" men. e .it ,,eif.g -,, Tf tr.c.n lu- iitv. ilui ,Kert I., din i i. .1 ' ' things. Tun. Ieaiii jin the book- i 11 tin w ' ! ( in,- 'e- i.ii, Me " (Yerk, win t" te.- v a- ! i.i.:.. . t..r sfidies nglir in New h'icjm t, preilm ing weu'd be iPuiver'nl ppar.-uU .I '1 me ' ai j T!l'-ll f"-v -"-,-k- ,and gp ie Calilern a ItnalL' P'l ' i -ili. . ' tlu Lsui I.- t., I, ilid n:i w age 'In- Tali-, Tic - de. ie-, te , SeUnirU a, en,,- Ims-.i! the piiuir ,,in i. i.l.'.i-is. -" Mia' t ied ii-t',.ii ll.i ir Neiv eik Studie or n ; ear. It is pra--n E" eti ' ien a It did T d s I,, till I ill- '" i l i , I ,, i, iii ii .. -1. Hi. tunc l. i irnihnl lii'i., Mm,. i i-e ,, tee ..f of making 'f.e-C i un li'-.' ' himj. llr 'lit uniK if f I'ni! I m ui imidl one eiimnij. "I" ,,i rt iiiiiiiin'i Ii ..en, i i i ',mi I mi" (,' itrrrt )iit uhrre hr hail hl nfl nt lm I'' I I - h'l'l lri i.ii (in ami re-rirrlril lug c fei n', . te n, ; that didn't j-ccra like cmu tly ,, tin rlsht thing te de. I ta, night it e.r f..r a Ions time, and linn'.lv -tarte.l ler iln- tel.-i.liene without kiiewniu eiin.tly what I wes going te ,! wlin 1 reached it. Hut I'd cbeiir de. ided that tlic i ighl f! it's, te de iai te let my heart deitde thing- for iti . I lid, I iu-t r-.i,-hi,l the phone when, tin- trout il.iet bell runs, mid I h.-ard i luiMi a-l. for no II wa-n'i n v. I, e ( i.iai I kte'w. and I l.-utnd or."- M..- Inn- ' te- i .- who it wa-. --he-- in bed " .lenti '..id I ini. i d. niiNwiM. t'- Miung Ifi.'ies .lin'fl i i, .iill.-r- ni ie,- hour et the night: - utter 1 1 o'c'eek." "Thai's all right. -In- II si-,- in-. I gue-s." the man -aid. and the assutance' - u'u winch be spoke made me f. el , ifra.d. rhnugli I didn't knew why. "I'm a t porter from the Epic, and ItV very iiniMiitani that she ...'., uic at etice." i lung te tne Miiir l an. uerrii.iy u-1, Z ah ut n f eU bow - ! Tully Marshall are M-rj well-known Than Fiction, der'd. willing te de Sfme.! anything te villains although they are entirely dif- and "The We make him sten talking and go away. Finally 1 turned te him frantically. J 'Jehn Seward defended my name be- . . , . 1 . --I Arl A ' i.nif-e ni engaged ie ee inmnni i him." I told him. clenching my hands te keen ir.s,elf from pounding en the stair mil and screaming. "New go i nwa don't n-k me anything morege nwiiv I" And 1 pul my head down en Jenny's shoulder and sobbed wildly. I "Hin ,f vim'il iust tell me with whom ou dined-' " he persisted, coming a step neaier the liead of the stairs. I 11 when you tell me tnat. se Katherlne MncDennld likes three- iia&sby, ' word titles, as all four of her recent re- Stranner ,f t. . , if 1 .. ' WIICIl IUVOD 11 .V fier Boeial nltii- l cr.inhir- exactness emnn ijide,' would in- , dicate. Te be continued tomorrow By GEORGE W. VAIL TP THE first mevlng-p cture project ing mnqhincs hndn't been se ex cessively noisy os te necessitate some, 6ert of tonal camouflage, modern devo tees of the Mirer sheet might ucrcr hare known the crowning attraction of the "llent" drama ltd music. Fer Hiere can be .little doubt that pianos, electric and manual, were orlg erlg inally installed In the dreary Ktere Tihieh served as the theatres of ian days te drown the grinding clatter of tbeee primitive projectors. It Is a far cry from the gum-chewinj pianlBt of the bygone nickelodeon te the concert eichcstra of the modern tncttirc palace, but the miracle lias been wrought within a period of fifteen or sixteen years. These old days, hew crude their clumsy contrivances would new seem te our cultivated eyes and ears! Any passable pianist with a repciteire of a dozen pieces and sufficient endurnnc te btnnd the "grind" was considered geed enough te play for the one-reel thrillers and half-reel comedies of that benighted period. "Fitting the pictures" was then a delightfully simple procedure. Fer th dramas we were supposed te play a waltz, for the comic we cheerfully ham mered out a two-step. Hew much eas ier it was then than new, when the musical director is perpetually tearing his hair because he. cunnnt think of a piece which exnetly reflects the mood of a certain filui episode. OF COURSU, this blissful state of affairs wns tee geed te last. Cer tain adventurous spirits, in advance of their age, began tnking the joy out e' life by playing "Peny Bey" for west erns. "The Rosary" for "heavy" Vcenes, te say nothing of "Hearts and Flowers" and the "Flower Seng." Managers seen began te Insist thai nil performers should b famili.il- with these "standard" movie numbers, and the less adaptable among us. feeliiiR that tiie pace was becoming tee swift, sighed for the geed old days in the barber bhep and the ten-cent htere. f Along nbeut this time the inaiiageiial demand for "effectB" gave the lone ni- nnist his first companion. This indi vidual was nominally a drummer, but his real mission In life was te make the nir hideous with unearthly noises which were supposed te correspond with the action of the picture. Everything from a baby cry te a steamboat whistle, from the frosty jin gle of sleighbells te the small talk ei n menngerle at feeding time, could be evoked from the instruments of tertuie which surrounded him like a miniature arsenal; for strange and unusunl noise. he had several batteries of ether weap ons In reserve. Ne possible pretext for making an ungodly racket was ever overlooked by this lynx-eyed sentinel, who evidently believed that te miss a pistol shot ei rooster crew constituted, for the man ager, the one unpardonable sin. Ami he was net far wrong. But the utter failure of "talkin; pictures" seen afforded conclusive proof that tlie public cared little fei "effects," even in the rare instant- when these were given with phole PHOTOPLAYS PHOTOPLAYS HtfBHIn!1 li'SHli il 1 ''"'' dii'iiii ''" ffljf . " LOOKS LIKEjiWtl . Btjr Sjf , 'I' ; ----- -- " . " " I ' ' "-, 'mm .' v. . j vi,1 s.i- 'iTi. r.i ., .v t t.r ,? .!" iimm i Htf iT JJ " 3 k V iJRB iTJ QKUTrtL THP"1K flTEf mi s j Ki$wEiev,v lJUtv y je. i win ' Snf K' iV 9H mOt ti W elVB BL '.y -" '" ,p.jj&Tl. NPlwI.. v pletelj . "Jehn J-eward and Kikhern ni-t in the Mogul Clitb," the reporter began. ' And Plkhern, who'd been drinking, told Seward thai In 'd .-'.gn.-d ion up te play in a picture, culled 'Why She Sinned.' Seward said he'd ju-t been talking te jeu. and that you'd told lilm you had signed no contract and were t net going te play in the Likhern pro duction. They get into a low, 1'ikhnrii niiidt- -i-M-ial rath.-r -well, lather ue i logateiy stiitemcntH and remarked thuM he'd ,iii-t taken you home, te uh'.ch Ja. k (.Ibb- agreed. Whereupon. it is -aid Seward beat lum up te badly that ne wn- taken I te a hospital. "New. 1 want te knew tf you are going te play in the Fikhern production if he did bring you home, and jufet whni ' you and Seward are te cacti ether, that i he bheuld defend you a lie did." I lelt us if 1 were in a herubie night -mnie. It seemed incredible that nich a thing could have happened. "I'm net going te piny In the pic ture; I told Mr. Kikhern tonight that I , couldn't because I didn't npprme of ' the role he'd effeied me or of the story." 1 'old him. "And Mr. 1'lkhern didn't bline me home ; lie and I left the hotel in Brooklyn where I had been din ing "With him';" the icpertei cut in eugerh ,,. witu wii.i some one el-e." i,,tlier ha"' dl"l than drag Law re i. .- F.eucli into this heiririle mes-. I came only part way home In Mr. l.'ikhern's car." I went ou. "and then I left It and came the icst of the way In a taxi alone." "Why did you de that?" the reporter interrupted again. Fer a moment I didn t knew what te i-ay. Thete hadn't been any teal rea- , -Min. of ceur-e - I just slipped out of tils c-nr en the lmpuisn nt tne moment because I felt that i ceuiiin t Mnnu te -it then- be-"iile turn any longer. I tried te tell the reporter that, and I he started te rpiestlen me and then Mopped and said "All rlsht new about 'Jehn Seward." i "I've been working In e picture with I Mr. Seward," I said, and then liesi- .,.te,t Jehn Seward's wonderful chiv- nlr. his klndiiPi.SK. his theughtillness for me, came te me suddenly. There cienr realization ei new top go away lull "S.ie dined with me." said a feel loiee nt mi shoulder, and Persls stepped te ih head of tin- -tairs and walked down tewatd him "And ln lett Kik horn's car because she wanted lum te give me an engagement, and when he wouldn't she was se angry with him thut she left the car. If you'll ju.-t go en downstairs new. I'll lock the front deer after you." C6MMMY r J The following theatres obtain their pictures through the Oil XTT TH'V !... X A -.J 1. It. 1 - i i eiAiiijeji v-iuiuimiiy ui inuricu, which is a, guarantee ei jr. j". early showing of the finest productions. Ask for the theatre f i&ianEaj, in .'niie lnpnlitv nhfnininrr riefiii-ne hnnrVi fVi Cfnnl,.,. W cemhmt r in j, ... .-... v v,.,wl.,b jjiviMii.0 tiiiuu(,ii mvi ummuj -erAwinck Company ei America. i i nt. Alhambra m,' nany at ev?. 0:45 & e CHARLES RAY In "TltAP IKOV" J'm-iKf r.l t, ,. nl It Allethfiy J 13. Kvei. ALLEGHENY WALLACE REID In "THK lllXIJJHlfi!l!i5." - -r-zcr,Y t.i a THOMPSON bts. ArULLU MriN-r.n jjajlv GREAT NORTHERN JTVS? ,i AMSTAB CAST In "The Sen of Wallingford" fMPPRIAl UUTH & WALNUT STS. UV11 1I1-I, jr,, .j.a((. Kves. i (t nrri;RT ineiir-s' Dangerous Curve Ahead" Te be continued tomorrow Pehi efsri li ill Desert Costume Drama in Twe New Films !,. "Illi: WIIMW IN 1111 Mill !. Tnr-ArSlA i hi'stm't uei. ieth ARCADIA i, v t M it tr. p. m MARION DAVIES ill "I M II NTr.NT ' , ACTnD"'l-iNl-'ilv MIlllA'U) AVK IAS I OK -IAT'NH.1 IJAII.Y I iiii'iin iiii.ui' nUr.nnrniie Curve Ahead 1 DATTiunnF'w K1 ?l!'1'' TU'll new picture- featuring Pela urx x,i-!rtMi a TAIMinPF Ncgt, the famous Polish actress, tJSirnmm" have been ec-iired ter early release in , lnI"I' Mi.-VJIIN Till. Henu this country. Thcj ,ei7rvlM 'l,UI AN,) WOOriLANn AVE ...... '. Ml- V J .. . ti...-.-- ii.vll.i- are i nc i.asr '--' - ' -" ' '"""", Payment" nniM ELSIE FERGUSON J lie lieu I'ca I'ca ceck " "The I.ti-t Pay ment ' is th.9 tir-t lilcture in wlii. ti the A m e r I e a n public will see Peln Negri in a purely dramatic role, nt-r ether here KARI TDN CHB3TNUT Abev IIROAO M.n mi &ni IM --"-iirt. iiirt .i, in u ;m '. &i. MII.nRF.n HAKKS Crlrtri-ui , .. y iiitm.iikx.ni;tt: 'SALVATION NELL" Lehigh Palace a,rm,nI0.:!,.hA,?U'nBua. HOBART BOSWORTH In "THK ftp III- I.IFK" I IRPRTV BHOAD & COIiL'MBIA AV. U.I1JIIA. I 1 MATINKK DAU.V .. Al.li-H'SXB CAST In Ged'a Country and the Lnw" OVERBROOK U3t) AND y i-ixuixNwj-k. HAVERFOP.D AVK iieicriTiiv rniu.il-, i "Man Weman Marriage" iWA i v p im In feg vet m:eih niHTI.jllHTS" nTnrDlDn lliuml A Sumuelianm BLULdIKU mntlnun'i" '-' "mil 11 IlirilMin llltTlli:L1H-s In I "EXPERIENCE' j BROADWAY Ur.r', Vi'?' W CONSTANCE TALMADGE In "I l'-'"'h.h JLiiOI'''". CAP1 I UL, hi v. m t ii ,: i M tric-nt' was w i-itu e and lieei-iji, .In, kel. by the latter 'I he ii i nil III-. Mil. 1. 1. "4 "AFTER THE SHOW" COLONIAL mrU Mpr,,fy! WALLACE REID In Till. 111,11 iiiiii.r.ii-c- product ienR tiaving heen es sentially speotae. ular. "The La-t Pav- hv Jehn Hrennci-I anil wn- directed tllugs and de -ei.t i.v i t-.-t-., t-i ir- a -rrr? Pari Ui.-htcr, one of Kureii.-'- for. nieit UAKtST 1 rlllA 1 lL. ,tagt dliecinr. I i i.rii. H; hi. MiM-i-"'; . An atmosphere essentially exotic per- "The Affairs of Anatel vadfH tlie entire picture, the Btery open- FMTflirarJrcc main" i msaum ing In Seuth America and closing in ! LlVll Kll33 matim r. i mi.v ParlH. It Is a tale of the succesHhe' (.l.lllK.I, Mr.l.MHIU's t Iem- affairH of a woman of the Latin I "The Great Impersonation' IJuartier who bus lied from the wild j - jv; ""- t imt- !i;th i! t!lrur.i-Avf' life of ParlH te bury her puM In si-lf- FAIRMOUNT '" mm mu.'v exile in Seuth America. There tdie vi.i,s,i'.u i st in a rich cattleman, , t, P.lrl Frem Ged's Ceuntrv" jTTii,.!! "'rjii:rir.r. i.-.n vaii.n Ht 1"AIV111-T S -I M'l.MIIIIT PAULINE STARKE PAI ACP i:u MAKICKT STnHET I -1,-VC ,e A M te II IB P. M. ANNA 0. NII.SSON Ih "WHY GIRLS LEAVE HOME" I nThe NIXON-NIRDLINGERfrt I IW THEATRES UJ BEI IVIOMT 62D ABOVE MARKKT w l l!3ft nd 0;3I 'I p v " rl f ?. i!i llf S.' ' l'1 Wni nmnnd In "WOMEN MEN LOVE" CFDAR 00TH CEDAR AVENU -ii--vrv 1:30 na 87 ana 0 P M BERT LYTELL '" "A MESSAGE FROM MARS" COI ISPI IM 'rkt bet. BOth t 60ib ENID BENNETT In "KEEriNO UP WITII LIZZIE' JUiilBO FRONT ST. X- OIRARD AVK JUmbe June, en PrnUfn "I SPECIAL CAST In ZANE OREY'.S "The Man of the Ferest" LEADFR 'ltST LANCASTER AVB i-.X-VLC.l MATINEE DAILY WILLIAM S. HART . I" "THIIKE-HORD DRANO" PRIMpITCC 101S MARKET HT11EET I lU10LJJ H.3H A. M te ililS I. M. ALICE LAKE In "1'NCllAUTr.n SEAS" RFP.PNJT MARKET BT, Uelew 1TTH WILLIAM RUSSELL In "THE T.A1IV rilOM I.ONGAC1SK" RIAI TO OEHiTA'NTeWN AVENUE - AT '"'' PP'IOCKBN ST. ETHEL CLAYTON In "IIEtOND" ' Above I- M.-VIK' a. J.uU Helt k f.rst tniTlns picture, The Call of th" Nunh The uutic iffect .van sallied by ,, UBincA ns e( salt since real Knew was net available rnnif. tOO. A . i- ...... .l.i tn11 uhiiit ii lirttri and ritnmi Ulll(l lUitv nuum in uvm, (mu ... ... . et what haim It would de. tragedy and given .MImj Ncarl a splen Tl no. enlv one way out of the did opportunity te display her talent as Hituiitten. as I saw It ler a moment an emoiietia artft. I felt thut I could net take It: that I MUs .Neurl Ih the only veuian in the Mich a step could net be nuked of me. cast and Is auppertcd by four men in rtet T ceiilln't nlan. T couldn't seem te roles of almost equal. Importance. meets and inarrle who U murdered, leniiiR her again deicndent upon ber own reHeurccH, About that time nlu- meetti a I'urisiau nml. nver-niiisleieil hv Iter lenclnc for the old life In her native city, returns in"nu. ""V""i'j ... with him te 1'arlH und is taken by blm tfcTU QT Tln'AT":" Vl;,n.,,sSrut0 te the home of his father. There rii- ' l " .. iTLV.n tinds a former husband and. fearing te MARY MILES MINTER acknowledge, lilm lis nueh. tiiulN herself inYenirs AU.I.TIM.J'HT the object of the attcntlena of tluce ru Surf wl MAirK'.T st ". men. The situation U productive of UL,vuv, . v inpft,"M '" " I I "-IIII. l.Ul'" 'D A NIT u-" ' ''-Af " AV i unn i m tini i- w i. AI.I.-srAlt I AM' In "What'. Your Wife Werth?" RURY MARKET 8T DEUWlrit HUU1 in A M te 11-15 p. M JIAUhHAI.I. i:il.A.VN "DINTY' SAVOY"1211 ' xriTbtHbtS'Iet HOBART BOSWORTH . In "THE CI P OF lilFK" SHERVOOD M,,J4 "?p WILLIAM S: HART Jn "TiinKH-wniin iihanh- STANLFY MARKET AT IOTH J,rtl'LL1 11 i. M te 11 15P.M. GLORIA SWANSON in "t Mint thi: lash" LOCUST..030 AND locust streets L4JJO.l Mat.. I. DO, 3:ae. Ev.. 0-SO te It WALLACE REID le "THE HEM, rtlOOERH" NIXON 02D AND MARKET STS. m.CY-n 2:111, 7 ar ENID BENNETT In "KEEPI.NH fp WITH LIZZIE" nd RIVOI I 5ID AND PANSOM STS. 1X1 v V-'1-'1 MTINF.K Da.' t DOUGLAS FAIRBANKS In "REiKHE MIX EH I.N" 69TH STRFFT theatre U71nJ1 INCH 1 Opposite Tiniul OPENS SATURDAY, NOV. 19 GLORIA SWANHON In "Cndfr Hie I.n.h ' My HdccUI ArrBntrement With J. E. Altbalim. T.rMnl STANLEY CO. OK AMERICA STRAND OERMANTOWN AVE DAVID POWEIX In "DANGEROUS LIES" AT OTHER THEATRES MEMBERS OF M. P. T. O. A. Gurmnlmiin 0BI 0rmantr.-n An. ermantewn matimh: da uy NELL BHIPMAN In "The Girl Frem Ged's Country" iV STANTON MAKET Abev. 1BTH JinillUIN in.iu Mtntl'UP J. WII.I.nM VOX'K WONIIKR PLAY "OVER THE HILL 333 "MARKET ?tn$tt Wffiffi WALLACE REID Jn "TIM'. HELL nififlERN" VICTORIA A't:T bt rn, efii ANNA 0. NII.SXIIV In "WHY GIRLS LEAVE HOME" RIALTO WEST CHEsSTERlPARhC 1,1,aK MC A ,,AI ,,n ,'V' CONSTANCE TAlGaDGE T A EUGENE O'BRIEN " In "JLVSUIA'S ATVAIK -01LI)E I.rES" FEFFERSON XXU??t?l: "' CONSTANCE TALMADGE In "LESSONS IN LOVE" ' iijdB ,J A. ' ..,
Significant historical Pennsylvania newspapers