'M't r I EVENING PUBLIC LEDGER-PHILAJDELPHIA, WEDNESDAY, NOVEMBEB 2, 1921. .. VHAT DO THEY CARE FOR A CItt? Hew I Became A Mevie Star 1 As Told te INEZ KLUMPH 4 li . , ; 1 . , , .If C&u Daily Mevie Magazine jflj - III? m,i mm V u m, evl I IF ; i'7- tr4 t vJ' CLOSE-UPS of the By HENRY Yeu Can't Make It Ge Without Action THE mail reimtniiMy brings 1" Mtcrs from nsjiirliiK scenario writers, and it Is frequently pntlictlc te cee tlin fierce ardor with which they belleve In tthemselvcx and." between the line, rend the hopelessness of their nttemptH te . ,wprcss tliemsvlves se tlint nny director would take the trouble te understand ,them. And thrn there are the ethers who express theinclvcs fluently and clearly. fcnt who very evidently haven't jet sensed the srent difference between writing for the printed pne anil for the screen. There's a letter here new from one of this latter class. She writes: "I have n typewritten manuscript book form; never published which I knew would make an excellent screen story, but I can't write vcennries. De you knew of any one thnt would take the manuscript, rend it and write out the part suitable, for the screen"' "The chnracter of the beautiful slave girl who ran nway from the land owner's estate near relresrnil. -Kussia. bccnue the landowner sent his son te Paris te study art te hrenk their friendship for each ether I think her part played by home stnr like Nerma Talmadge would be ptrfect. "This girl's beautv led her from poverty te luxurv; she became a danseuse tn the Imperial Ballet and the favorite of the Czar. After his exile she entered a convent and there is seen her last reception te her friends where military men, including the Czar, bid her farewell. "The landowner's son. nfter a great many thrills In 1'nris. had come uaclt te Ttussla and through n friend wns Invited te this reception, never knowing his childhood sweetheart had become such n world -renowned beauty. He went te the reception, anil as she entered th; room en a platform of geld he recognized her as a thought flashed through his mind. 'Other women might have the same name, but tliec exes belong te her nlim1'.' "Well, there Is se much perfect beauty ns te character" that I would love le have some one read It who understands and. as such stories are in demand, I wish some one would read mine. What de ou suggest te de with it?" JJSUALLY I keep aicay from discussions of scenarios. There are e U many successful script authors who arc writing en this subject that it's mere or less impudence for me te butt into their field. Hut n long as readers of this page insist en linking me, I'll have te ansicer, but I warn them that my opinion probably has no authority. F IIRST, the well-known authors keep succeed at scenario writing. Personally. 1 don't b"lleve a word of It. believe the chances are a million te one cettine nwav with it. I knew of only one actual ca'C where this was done the manuscript of "The Jeurnej's find." produced by Huge Itnllln, and I don't knew another ( producer In the business who would have uene te the trouble he did te whip that , crude manuscript into Its final beauty and completeness. ( Se, ns a matter of fact, while tne iwi-,. was lurm'nea ey an nraaieur, the result was th? work of a thoroughly trained mnn. New. my correspondent is evidently net trnintd. She admits that she "can't write scennries." Very well, tlicn. there's only 'one thing te de train yourself te write them. Learn. But there's this one conselation: Yeu won't be called upon te write the things technically known ns scennries or "continuities." All any producer will want from you is a clear, cenciselj told synopsis. You've get a boelt-length novel. Suppose I wcr te ask you te sit down and tell me the plot of the story and give you Probably. Well; that would be a svnepsi. It would give me nn idea of who and what the characters were, the theme of the story and the succession of KVENTS used te develop the story and show the changing relationship of the characters as it progressed. That's synopsis. If you can write a novel, you surely can write n sjnepsls. In fact, most novelists write a synopsis and rewrite it and rewrite it before they put their stories in extended form. But this letter Itself shows one characteristic of the writer which is nlto nlte nlto Bethe? tee common and which Is fatal if net overcome. She Is carried away by the beauty she has visualized ; she Is obsessed by the i acencry, by the trappings, by the atmosphere. j That's all very well as an adjunct and can be suggested in a synopsis, but a , successful synopsis must be made up MORE ACTION". If you have enough action In your words for its briefest possible telling, I say "maybe. . nECAL'SE. nfter all. tins is only the technical end of tt. The one great ' O fundamental thing the genuine human heart-interest of the plot i something thnt technical inlki won't de much tn dcvilep. And then i thin story original! Haven't ire seen, many fimci, incidents se simi lar that these given in the letter sound like the rattling of ancient lencsf WES" THINKS A Marshall Ncdau c.as nlwav- bei n ' the jeuiigsti'r s rise in pepunrt "Freckles" thinks tne wnrlil "t ' Pi nreil ' wi'h Answers te Questions by Mevie Fans PEPPY Culien LandisHns blue ejes , and dark wnvj Imir. He m miiriii'd tn u non-professional He plujvd the part et Pete iu "Snow blind." JENNIE C Ramsay Wallace niajed opposite Grace Darling in "Even ns Ee," n Censtaitci) Talnuidge pieture. lie has never appeared opposite Novum Harrison Ferd nnd Lew Onl have been her leading men m her len-nt pic tures. LUfUjTjE R-- I enn't answer our first question. Knthr.wi Pern was a Zlegfcld Felly girl define cutcrin; the 'Selznlck fold. As far as I Knew she Is the latest recruit irmn .Mr. Zlegleld's bunch of beauties. Th re were two ac- tresses who nla.ied nar.s from Ilarrle's 'iilays last year Maj MaeAvev in What Every Weman Knows." - RU8S Yeu aie mistaken about Jiatlierlne McDennlds picture. It 1 te be called the "Infidel ' and net the "AthelKt.' MURRAY I) 'T'e rimenrl" n ndaptfd from the stinte phiv bv the Ilnine, Lewis Hlmie h'iimmI t'e in'p of tlie luusli'lun V ii'iistii' nnd Mrie t Jittdinan took the tait if hi if'. l- pf. lKTIl Kljner fi'e'ii p'au n miiii'I jjIeiUmrin "tue Urcut Jlement," the p'u.v lCt C.rtrf "i .BJ. 'lcJr(er Gleria Swiuifen. va7 .O1 ffB 0' Anatel." ahe Ti MOVIE GAME M. NEELTC harping en the fact that anybody can against the untrained man or woman twenty minutes te de it. Could jeu? i of ACTION ACTION AND THEN story te require four or five thousand then maybe ou have a salable synopsis. LOT OF ''MICKEY" n g mling hand te nml f.uue Is liis uiretr, who 1 his jiiing star Wisln Barry in ir an wonder new predudiig is net in America new, although she siijs sij,. intends te return before long. NEWTON litis Skinner wns Marred mi the screen in his stage success "Kis. n.et." which is his only picture I)eVn,..;ersV '''W ' Pn HeVJr ." ' AH imii' of the Moere bev were born ' - ' I e L... . 1 1 : in Irelniid. I Ih en nnd Tem Moere were, tne tun who plmeil en the legitimate stiiKi- before their uipenniiue en tlie I M'teen. HRl.O Vieln Dnna mnde lier debut oil the Millie lit the njfe of four, In "Uip Vim Winkle." T. S. C Ile'en flindwlek nnd Itiili unl Dix pliiM'il the leadline leles in "DmiKreus Curve Ahead." SAN NIK The 1 11st fop ".Mede In llenven" fellow n: Tem .Moere, Ilelenc 1 Cliudwii'k. Melly Mnlene. Kme I.enter, I Al I'llNen. Kreemnti Weed. Chnrlcs riilrlilue. Ueiie Ailniee. Ilerlmrt I'rier. Frende (lunii ninl .lehn Cessni-, III 'I I Of I'eiirM'. vri.i lire nut 11 I oilier lime I net told mhi often' I eneuxli ihnt I inn only tee s'ud te an. hit (our finst 'nil. I iiiji'i se'ii' ten the nhoteKraph vmi hkI; for. bet If in wi le le 011r fnverlte I niiiferliilli ; e 1 w'.ll receive it It euulit te be wi'i 1 tweutv five ecntu te you if you urr It nn badly ns you sny. Mnry M ' I Jllnter Is a blonde nnd It net married. OLD UWJ&kW? Themas Melghnu has n reunion out might ca'l it. Heading from left te i with lam in "The Prince Chap' t, Gareth Hughes Had a Honeymoon Almest REI'OllTS thnt Oarcth Hughes was honeymooning at the Samarkand Hetel, the hostelry for newlywcds at Santa Barbara, Calif., startled the Metre studio at Holly wood last week. Geerge 1). Baker, the jeuthful star's dim ter, who knew Mr. Hughes had gene te Santa Barbara for the week-end. wired for confirmation of the report. Mr. Hughes wired bacU : "Net henej mooning. Hnve hr.e moon here, but no henc " RusscWs Tough Friends Embarrassed Him IT hen Society Leader Appeared XX7ILIJAM HL'SSELl.. the Kox star Is a man exceedingly correct and pufrtilieuH of deportment. "Alwnjn the scntlenian. is tup wa mere thin one friend Iuih described ii m But en the s-creen Itusscll stands h,g' as a fishter In t'ie couse of rigiit or chivalry, of course. Te 1'cep in trim for s-icli work ihe star iecs much spnrrins wit' profes prefes profes siennl fighters. One evening, while innking "The Lady Frem I.eugacie' in which he uses his fists effeethely tie Invited several of ihe ring fraternity .n te his apartment White ihey were there , certain well-Known membei'' of I Southern California's ''four hundred" i called te ask Mr. Ki.sell te appear at I u charitable entertainment. I'lu' star I was visibly embarrassed when he hid ! te introduce "Kid" Sn-aml-Se and ,-l?attling" What's-His-Namc I One of the nsshtant diieiters wis ' present at the time, and spread the I story of Russell's "society function." ' 'I he' laugh has been en the star since I then. j Hughes Congratulates i Original ''Litle Eva" THE original Little Eva in "I'nele Tem's Cnhln." M' Cernelia Hew -nrd McDonald, of Trev. N. Y.. fel ebrnted this week her seventy -third birthilaj. When Gareth Hughes, who j is te appear seen in a photoplay en tlt'ed "Little Eva Ascends." heard of J It he sent her the following tcli'jjrnm of i congratulations from the Metre studies In Hnllj weed : "Yen certain! stnited something ! when you started plimug Little I'.vn. 1 have net escaped the fate ou !iai" laid out for se many of us. But. newr- theless. 1 wish jeu mnm mere jears of luipplness. As r lie original Little Eva. I jeu will live forever." ' "Little Eva Ascends" Is the story of a hey who outgrows his icsignntleii te Iplajl'ng a girl's part in a "Tem" show. iela Dana's Herse Sheived Bad Manners SOME dealci David Hnriim among liic ,' must have been resnnri 'Me for tlie nng stiptilied at Metre studies in Hnlhwoed last week for the Harry Beaumont oreductioti ()f "sieelng s He lieving " liss Dana was te ride him1 and her acting ra'lcd for a number of th'ngs ether than raving attention te' the horse The animal was guaranteed, j In the David Hnrum manner, ns being rule "that would s'aml without hltchln' nn' a lady could ride ns well as n man." iiM'ss Dana tool, the guarantee in goei i ', f- ''' V'lV "Tt'"" ," M" when sbf mounted Hut tlie horse renr-il up nnd lnm -uilUeiilj iideut i.n- Ntiid'e. depesitinn the stnr en the lloer. "Seeln's lielievlni;." ns .Miss , Dnim comment. He Cemes of a Family of Noted Photographers JOSKIMI IHTiKAY. wlie U icspon icspen sib'e for the plietfiirrnphv In "Hllent Yeats," 'Jnsnier's fn'lhremlui; pleture. ffimrN of n fnimh of plioteisniuherH. liis fntber and urnmlfnther bet.i li"inir en ciKi'il iu the work ever niuce the lime of DiiBueiT" nml Niepce. lie set veil 1111 iipireiitieehlp under his father '.icfere (he 'notien-ii.fiun' e.iinern was in- flit ed. Several jenri. Inter he trnM'leil nbeut Kurepe. in'nl-'ns "still" M.lijert-! if th. wtirkw of "l 111 the Kient P-iirepi 'in cnllerien. Hi. lirsf motion-oil lure nmk wen lone for u nr-v. ' vwli v in IJ1H1. nnd he hns Ii.tTi uinMnt; nVruins ever h nee. with tlie cxeepfiim of four ycnr nicnt In IiIn ceuulry'a scrvice diiring the, great var. t 1 $ ttltt&tt, vM l, I fc I iiBOjLwauRPIIHCIHL yii ' ''' H9KHfiH?KHw& vnBBnKjBiRL4MvwvvSa EnFejb uh 5''v- ftv'' 1 1 fHmM! w$SHs mWmBmt&RBr Mw&nXmwMimm h ' ia55ssl5S&!S5S HOME WEEK" AT THE at the I.:isk studio In (Vlifernln. "Leading ladies 1 have plnjeil with," he right, Agnes Ayrcs (with him in "Cnppy Kicks"), little Charlette .Tncksen Melghan himself rnd Betty Coiupsen, his leading woman in "The Miracle Man' SOME CALL LEON BARY "SCREEN'S ' GREATEST LOVER" I S HE the greatest lever en the screen? That 1 what directors are b"ginning te nsl; about T.ren Bary, the Trench actor, who has been seen In Innumera ble sere 'ii productions during the last few jeers Bar himself scen's nt the Idea: just p'ajs his parts as he interprets thrm. lie says. But these who snw nun with Otis Skinner n "Kismet" and with Pauline Frederick in "The Lure of .lade" declare he is one of tlie greatest lowers of the sllert sheit. i ( u i 1 "Sit 4 Ml Bary s funic work in a Iee scene be inedel of ceurtesj mid rintli ntteiithi- nesi. Thei e is Utile wonder nbeui l'arj'" 1 rulif Iwicy ( an nctu. Bern in Palis, l.c studied the ilrniiin Ih'-ie. I lis Hist I i(i'is,si(nial eiiga'-t incut was with Mine. Sniah Bernhardt's company. lie rev inaliic'l with her for ten jc.ir-. plajiiu nan kinds of mali pans. ac Mimpanied her te America jii tin uu of her teuis. Afier leaving Mine. BituIi in, I he .' iM'd emjimcli ents witn Mine. Kejinii and Inter with Jane Hading. The nil"' v ,1 dire tin,' i j i 1 1 i iniipnii In Londen when tin- , ar bi Ke out. He letiinied te rinnic iiiimediatelj and joined his re';iiueiit. lie mhuI in the .trenches and was finally releiisid from ,ei'ice nfter suffciiug seveicU fi.nn rheumatism and trench fever 1 Bary is new appearing in "The Call , of Heme," a film wrslen of Gem go Agnew Chrmberlain's novel, "Ilnine." Priscllla Dean Going Abroad Pus dlln Dean, ii"r dneiinr i ml loin- jnnj . and a tichnica' staff will gu k Europe le iiiaue a piciuie m leiina aim lietlin. acfeidlng te a icn nt nn nn iieuiif ini'-'iit. INTRODUCING A Mabel XermniuL. in "Melly 0" uear8 a Utt of fuchsia velvet which is strictly "a la mode" in that it is tipped sharply "I an angle im,, ,s ..,' ... ,.. ,, ,.,, -,.-,. ,v- ,, , , delight in staging "Wi f. re the camera is net that et he dime W.H s .. f h , niKhborleod ch rn.vfhi.re who has a waj wit I. wl.u- ,,., ,ittU, dreaming that tlie-e "ste mm ' 'lie jeulig I ru, i a. is; is a,,,,,,.," ,.re deciding for then, their , STUDIO ' Wallace Reid Has Ceased Leeking "Sad" in His Netv Pictures lifTHlE New Yerk critic, who couldn't Imagine Wallace Iteid ns ever look ing "sad"' until he recently appeared ue in "Peter Ibbetson," may be reas sured. "W'ally" Is normal again. He's geinr te be n "hnr tiehter" In "The Champien." and he's put pole en the screen in his latest picture. "Don't Tell Everything." Incidentally he gets a nusty siiill In a mlx-up caused -. nn- cnecKrein et one pony's bridle being partially severed bv a jealous ictainei desiiing te help his master. Ne, "Wnlly" just can't be sad. It is true, m was n little dreamy as the iHiiiwsuiuier m "LJie AITiiIrs of Ana tel and n trifle didactic as the teacher in I'lhe Clmi m Scheel." He'll be an artist ill "Itent Free." liiff. mi tin, i t f ! side ut the column, rlils vnrmttln actor diivcs 1. f -----. ..... a racer in "Toe Much i"mi, a truck in "Wliat's Your iluirj? ' is u fui eman of a dredge in I'lhe Hell Diggers," nn engineer in iiu i.-iie npeciiu. and, most lint urai ei an. he was a dancer in D.incin l'oe!." The ' James Barrows' Father I Was a "Ferty-niner" , TAMES O. BARROWS, who portrays iJ one of the leading roles in "Silent ienrs," Is the son of pioneer parents , who crossed the vast wilderness that I nj between New Yerk and California In the dajs of '11) in u prairie schooner. He wns born In a small mining village and nt the age of ten wns taken te San FrancisiM, nml there, during his school Idajs. formed his lUc-Ieng friendship , with D.ivhl llelnsi'e. mi . . , i iiivv wi'ie tegerner ler a lew venrs weie together for a Wild hil- ec t... iMll.s. -" l Tem Wise Is Playing in Race Track Picture TOM WISE is plnjlng tlie lending mle in "Father Tem," directed by Jehn O'ltrien. It Is set m the environ enviren iiient of a small-town ceiiimiinitv with Us i hanctcristii' interests and" prob lems. The big punch In the nieture j is n horse race which was taken nt S.irntegn last summer In addition te Tem Wise the platers include James Hill, Maj Kitsen, Mvrn Brooks. Ray Allen. Hairy Heler, Alex .imlcr Clark and Nam- Denver. ! Stage Redee fur Film j A Wild Wet exhibition rivaling "The Frontier Days'' at Chejcuiic, was staged nt the l.nky ranch in cennec- , tien with the filming of Gleiia Sw.iu- sons latest pn ture. "j lie Husband's TiadciaarK." Ilreiichu Imstin-;, i in throwing u Tul Inillilnggiiig of steei'M In i cowbejs and Mi :; cans helped iiuil;c one of the b'g seems at a Spanish ranch lieusi'. An old fashioned Spanish bar. beci.e followed. NEW STYLE HAT I iw Wfimmjlwk, m 9 WmmSEl l3MiiBFf'l-;w. H 1 WMMjijJSBMimmi What Has Already Happened Dorethy Lane, a girl from a small town, shares her biggest ambition ielth thousands of ether American girls that of becoming n moving picture star. She thinks her chance has come when I'ersis, a friend of hers working in New Yerk, tells of meeting some people connected with motion pictures and asks her te visit her. On her first day in the metrop olis, the girl starts en a visit te the studies and gains admittance te one of them. Dorethy is given the chance te play in a mob scene, and makes the most et it. Kic meets Lawrence French, press agent for the company, who becomes interested in her. Then ceihcs her big chance, when, because of her resemblance te a well-known star, she is asked te double for her. When she tells I'ersis the happy news, I'ersis in turn tells of a de lightful surprise for the evening e party planned by her motion-picture friends. rV COURSE I "felT awfully flattered v thnt he ahetild want te knew me, nnd his kindness In giving me such a wonderful opportunity was simply over whelming. On the way home, as we censieu down the lone h Ills anil lien went rushing through the summer night. i ricii very nnru te thanK him ter all he d done for me, but he just laughed In sort of an embarrassed way and changed the subject. It seemed funny for n star te be renlly shy. Sylvia was out somewhere with Law rence when I get home, nnd when she came in, at nbeut eleven, she didn't come te my room nt nil. I wanted te go In and tnlk te her, but I remembered the way she'd looked nt me when I left the studio, and didn't. Lnwrcnce didn't come te the studio the next dny, and Sylvia wasn't work ing, se I didn't see either of them. And the day nfter that was Thtirsdnv, when I wns te leave for Cape Ced. I called Lawrence up nnd told him nbeut it. "You're going with Seward?" he peated when I'd finished. he re- 'Yes Mrs. Phlpp.s and Mr. Havncs ere going, tee," I told him. He didn't nnswer for n moment, nnd then he just said very gruffly: ''Well hope von have a geed time." and hung up the receiver. He was" se disagreeable that I couldn't sleep that night, en the train, for think ing nbeut him. I just lay awake nnd wondered nnd wondered nbeut him, and nt last, though it seemed nwfullv con ceited te think se. I decided that per haps he was in love with me. Fer there were lets of little things he'd done nnd said when we were together that meant n let te me new as I looked back en them, though nt the time I hadn't thought nbeut them nt all. And the way he looked that day when I'd told him Jehn Seward was going te dmc me home hntl n new significance new. cou ceu rlcd with his being se cress hecnusc I was ceing te Cape Ced with Mr. Sew ard. I didn't reallv knew whether T lll-eil thinking Lawrence was in love with me or net. He d been such n dear always, but he'd seemed mere like n hretlier than nnything else. That was really the way I felt nbeut him. He never seemed romantic, ns Jehn Seward did. Net that Mr. Seward would ever fall in love with me, of course ! It wnH gorgeous when we get te the Cape; we stayed In a tiny little town, nnd before we did nny work ut nil we spent one long, glorious day out en the rncks at the ocean s edge, finding just ' the right pirn were te de. ce nnd rehearsing what we every hit of mr tmrt wlili me nml trnlv I the wnv he'd wnrkeil It nut vnn u-nn. .. .. -- .. ..... . .v w.. .. derail. lhen the second day we began te work. Mrs. Philips was in one or two scenes, but the ethers ever se many of them were between just Jehn Seward nnd me. He and Mr. Haynes thought It best te take a let or extra poses, dozens mere than they could possibly use, nnd then they'd cut out all but tlie very best ones, of course. We hud done nil of them nnd were finishing the last few. the third day we were up there, when the tiling happened that bowled me ever completely. It's rather hard for me te tell It. be cause it wns se very intimate and per sonal yet, after all,, you who read this I'HOTOI'I.AVS Alhambra :ZWnl (ii.diiiir. MKi.rniiD'.s I'ltemrTiiiv "The Grent Impersonation ALLEGHENY Mi'XiS nanl.tenl & Al ettheny n, v.b am urri:iiT iirtiiir.s iirtiiir.s "Dangereus Curve Ahead , Xd?STTTS s-'d-: tiiomi'&en- .sts. ArULLU mi Ni;i: n.111,1 DAVID Itm I'.I.I, In "THE MYSTERY ROAD" ARCADIA J?8 .VI KITH I- it EUGENE O'BRIEN in "Tin: i.xi-t peer." ACTOR I'llANKMN & Uli'lAltlJ AE rD I Jl X MXTIVKI" OMl.N UII.MAM DIAMOND III "DANGEROUS TOYS" BALTIMORE SJ iliTJl'W' TIIK (iOI.HMlN l'NDKItSi: DKA.MA "WET GOLD" D17N1M H'IH AM) WiKiDI MJ Wi; DlllMN MATINPl-: I1AII V KirilAllD llIITIIKIA1KSs In "EXPERIENCE" BLUEBIRD ItlilHij & Hu4s IliUD' Cunilntin.iH ! until II "THE GREAT LOVER" BROADWAY T,i'-,"?rif ALICE LAKE In "TIIK (iKK.ATi:it t I.AHI" Ortll I Kyi-, 111 ,x M tn 11 1-, l M CONSTANCE TALMADGE In "WKDDINO nr.i.i.s" r,f ON.I1 A I u-n Jlnpl u.iii v"i" i vjLiWMir-u 'j a" 1 mil u i .r CHARLES RAY In mm:tkk and i'iim.i.is" DARBY THEATRE W1I.I.1AM lllTl.Kll nml hiirihil Ciibt in "FICKLE WOMEN" EMPRESS 5,tT,Y ANITA STEWART In "IIAllllll.T AMI Till: l'M'i:H" FAIRMOUNT liW?' 7l-:. C.,sn.n TI.. P.f M ll uiuiiu un"i c uicai iiiuilicill (ilAUMK CHAI'MN In 'Till: IDI.ICj.ASS' FAMILY "i'T'yr1 MZU&i AI.I..HTAH CAST In "OUT OF THE DEPTHS" 56TH ST7 t1,kat,5ItS WW AI.USTAH f'AST In i- .. "THE FAMILY CLOSET" GLOBE .111111 SIAIIKiiT M l1 :in nn. 1 it ki .n , HOPE HAMPTON In "MIVIS I'KNAI.TV" GRANT iM2 UlUAHIJ A h HATI'l:l' TViniv "THE WANDERING JEW" WHO HVUUU'll bUU.UKUAUT Carter De Huven nnd ene of the girls in "My Lady Friends" seem te wish te ignore seyscrapers and everything. Incidentally they have evi dently quarreled story of part of my life will never knew me, nnd, having told se much, I might as well tell the rest. At the very end of the picture, Jehn J Seward was te take me in ins arms nnd kiss me. He'd done the same thing earlier In the picture, hut he'd just faked the kiss, and thnt was nil. But that afternoon, when the air wns lite wine, nnd the sun nnd wind nnd dash- In,- ivnvea spot, toil tn linvn i,rit riffllt Inte my bleed, he swept me up In his arms. held me close te him nn instant, nnd' then kissed me en the lips again and ngain. Mrs. Philips wasn't there, nnd some-1 tui.ii 1. IIIWIIB MUiMi.i. Mill,;, u.m aviit' - hew the film cniight ih the camera at the very end. se thnt the camera mnn liadi"'"" "" '"- ""...., ,..,u cu uu tn irive it his attention. 1 was clad u0ut. what lie was probably like, and of that. I knew thnt my face must - r- - -- --- l have been blnziug. I heard Mr. Hnynes say, "Rather het stuff. Jehn!" as Jehn Sewurd let me go, but I rushed away down a little path in the rocks ; we'd planned te leave that evening, nnd I'd told them that I had te pack, se when I thought nbeut it nftcrward I realized thnt Mr. Haynes would think thnt wus why I'd hurried nway. I didn't go back te the hotel, though 1 didn't care whether I ever packed my clothes and went back te New Yerk 1 i or net. J could only think et one 1,1 illll. A V'llll'l lll, IM.Iill m win i.i.. ..i. ....... Tt... s! .i 1....1 u.,..i liiuii; im- iw, .Minn -ii-!iiiii nun iw--i- A.i t ,i!,i.,', ,. ,n ii.;i.- ,.f ti.nt ill v 41IKI i iiini k uuia iu uuiin in iiiihi There wns a little nook in the rocks. off by itself, where jeu could sit nnd leek straight out te sea : I clambered up te that and just sat very still.1 trying te get held of myself, but some- , hew I couldn't. I found myself cry- ing crying hard, tee, though I didn't I exactly knew why. And then seme-j body scrambled up the rocks, and 1 felt Jehn Seward's hand en mine and heard him say : "Don't cry. dear didn't jeu knew that I loved you'.'" At first I (euld hardly believe that IM really heaid what Jehn Seward said. Te think of a motion-picture star proposing te me ! 1 suppose I must have looked nbse- riioreri.A'ks The following theatres obtain their pictures through the STANLEY Company of America, which is a guarantee of early showing of the finest productions. Ask for the theatre in your locality obtaining pictures through the Stanley Company of America. tiKLAT NORTHERN Vlt 111 I'I'iit liiiiiii's: "Dangerous Curve Ahead irvIPKRIAl ':i"'" & UAI.NLT S,-1S ! niB j an j-Vir 7 &. a MAKUUtKl 1 E CLAKK. J'L!liJvwiij:imj:s IvARl TOM CIIKSTNll AbeVe llllUAD i-vnixuivyn i)iu iea..i leiir M BERT LYTELL In '. 1UII' TO l'.K.llsl." L,enign i amce i.ehiKn amiuu Ii 1 HEL CLAYTON in 'inneM" LIBERTY ilUUAIJ k llll.l'MHIA AV MA'I'IM'.K MAII.V THOMAS MEIGHAN In "tll'IH IlllliS" u X'IV SrZ- IVVJ WUIVIAIN N.iNUWO IIMKII.D l.l. In "NOW OK M.Vi:U" lJA Af'K '-' .vahkkt htki:i:t . . u. .su 1 II A JI tn u 15 WILLIAM S. HART III "Tlllli:iMVOKI I1IIAND" 1' SI PRINCESS llllh SIAHKKT STltlllJ'l K fl A. M te 11 I.-. I'. M AI.USTAlt CST In "HOMEKEEPING HEARTS" REGENT M,:.TAT ,,, W ll 1 I r-lll I 1(.-1V.1,N 111 "COURAGE" R1AI TO uniisjA.NTew.v avk: ll-li 1 W AT .,.,., lTMi('Kj.;,s ;m:j: st 1 i.i 'i. 11. 111; 1111,1 i;h "The Affairsef Anatel" RIIRY -lAKKm' st iii:i.6v tth ,,77, .. "' A M m 11 i", I' M I 11,1. Ill' I ' I "l - ..n() nr , I .... . 1 "SOULS OF MEN" SAVOY 1-U MAHKi;TTSTIir.HT urvji , ,, Tf, j,r IIN.,CIIIT hi ii-.iii -ii i.iirs Dangerous Curve Ahead" ' SHERWOOD" MV. r.V"' T'I-rVT (it-i ''AM,:S ""IKWtlOD-!,, '' rhe Great Impersonation" 'STANLEY .SM ,I.T T IIITH " I' SI "OUIM IU' 1 l A CTT-n Tfm nw.... m 1 tl 1 nt 3I1UW i STANTON E.VTS IIITH I'. M UIIII1M l-,i' in.,. , "OVER THE HILL" i 333"MARlRt.NT'l.'CT"T'n:vT.TF: . . I'M NORMA TALMADGE In "1llK 'j ll Tltv liniiii" VICTORIA "V'kbt. st -H.I- nrii l-H M( ii..,,,, ' ' ' ' "THE INVISIBLE POWER" RIALTO WEST CHESTER LIONEL BARRYMORE In "TUB UlllCAT AIIVKNTUUE" v f J- i b lutely stupid, for he laughed a littl wen as he took my hands In his and kissed them. "I think I've loved you from th ' very first, lie told me. ion re m limine any one i ve ever Known. I was all but bem en the stnge, yen knew, and I vc spent my whole lift among its people nnd in the stndiej.. I ;yer knew u real girl till I mt YOU. But even while he wns talking ttl me, telling me liew Happy he'd raaJi me, and planning the most wonderful' iiiture, i cuiimn t neueve tunc it vn t all real. I d se often gene te the i , . , , , , , , . 'evi1 with the girls back home and , hew It would seem te net with him and have him make love te you. And new here he wns really telling me that he loved me and wanted me te be bit wife ! De you wonder thnt I couldn't believe it? It was funny perhaps, and yet f couldn't help wishing thnt I'd nevw seen him oft thj; screen. Yeu see, he'd nlwiijs seemed se wonderful then. Hut new, right up close. I could see lets of things nbeut him thnt I'd have liked te( have changed. Oh. I suppose It would' ue nun way wun uicu imrtnciness or ,,..,, .. ., , lirt Lytell or nnV of them, iierhnni. ,.-h -. , , , 71. Bfsf as I slit there mid looked at him i . . , , co nn u i neip iiiinKing that it w- tee bad, in a wuj , that we'd ever t- "We'll run out te the coast as seen as this picture's done," he premised, still holding my hand in one of liN; I couldn't get it awuy. even though 1 tried. "And jeu'll meet nil the bunch out there. Wnlly Reid's u greut pal efi mine and I wnnt jeu te knew the Yiders. tee jeu'll love them." I wenderu! whj 1 didn't feel almost tee happj te lie. Hut I didn't. I couldn't say why It was that I didn't' feel that way, but I Knew thnt some thing was wrong. Te Be Ceiitliiueif Tomorrow I'HOTOI'I.AVH Ml The NIXON-N1RDL1NGER THEATRES BEI MONT 3"D A BOB MAIIKCT IAIK LONDON'S) "THE LITTLE FOOL" CEDAR DOTH i CEDAK AVKM'E 1 .10 and 3-7 nnd CONWAY TEARLE Jin 'BUCKING THE TIGER', CO I9FI IM Market Let SOih I COlb 1 ALL-STAR CAST in in "GREATER PROFIT" JUMBO I'ltONT ST. Jumlii) June & atRAIlD AVE. en I'lanltferil "l," James Oliver Curwoeds' 'Ged's Country and the Law F.FAHFR 4ts'i' la.ca.sti:h avk. SIATINIIU DAII V l Alice Brady, 'Out of the Cherw I Charlie Chaplin, "The Idle Clan" LOCUST 62D AND i-ecusi LULUl3 l Sluts. 1 :30, 3 30. I:vb lls,ll-l ' . . .. ST STUEET8 0.30 tall v.,iiit-e uiij- iiiiii a. rrunk illMiilen In ' A Tale of Twe Worlds' NIXON &"D AND MAKKET STS. i 15, 7 and v EDITH STOREY REATER PROFIT" RIVOI F 02D AND HANSOM STS. J ALICE LAKE in THE GREATER CLAIM' STRAND CH CiUnSlANTOW.V A K, AT VK.VANOO STllEET CHARLES RAY in "Nineteen and Phyllis" AT OTHER THEATRES MEMBERS OF M. P. T. O. A. Germantown"1.?.??.':?', lli;i.KN VIIAIMVKK In UUI'UKT irIIBil "Dangerous Curve Ahead" yHOTIHUT?V COHFANr y J fc)rAiiriiii- f- ,J i. 1 ,,wrti. Tnlifll'Miii , Hi" i &Hm 1 .n.iUtrtMl i. ''J-'mJiMPki 1 .S'3
Significant historical Pennsylvania newspapers