i H BE3HHB 'i-r mi BIA l Jl'P Jr L1'"Tf LLr Hfc.VV.1 www v.- v- ; j l l :j? fj m V v r. .-.i'lV . ' '"' ' . i .'. J Ttt . J" ' ' v . ' ' r '-. f '"Hi t i ,vv . ' v nJX lf " EVENING PUBLIC LEDaER-PHlDABELPHlA, THUBSBAT, SEPTEMBER 8, ... -v -;---' ".w,: .. -TTJt . : - ' "i. J- . k-it - ivzx Wi i B It-' P U IS? tfil I l ft. : U & , V I E2Z. I? ' , v.. tw N$ t'Gfie, Daily Movie Magazine CLOSE-UPS of the MO VIE GAME Uy IIENHY M. NEEIA' The Little Chinese Cinderella of the Screen SOME time ngo I told .vou nbont tho wonderful chnrncter part than I-on Chancy plnys In Nellnn's now film, ,,Mts of Life." In fact. I rnved for nlinont two columni of typo over the mnrvels of tills innn's work nnd his enreer. A friend of mine out on tlie vviwt const writes me, however, thnt Chnney rcolly isn't the nmrvel of "Kit of Life" ; he gives the honor to n little Chinese girl, Annn Mny Won, whom we linvo nil frcen in other films. If yon, (lornlilitic, lind onre been n drudge, keeping books nt night for your fnthcr's dingy little Nhop and then Maidenly the moles hnd discovered jou nnd jou had mndc such n success of It thnt jour earnings were twice the earnings of your father's shop but otir fnther refused to regard tho movies seriously nnd Insisted on jour still keeping his books nt night what would ou do? Father would have to get out n search warrant to find you, wouldn't he? You would turn up jour prettv little nub nose In independence and strut right out and live your own life on mnr own sala'rj , wouldn't jou? Thnt would be the way with most American girls Hut Chlncc girls are bt ought up from childhood to regard their father's commands as nltnost of divine orlum , the Chinese girl who disobeys her pnrents Is dlsgrnted bejond snlnilon Ami Annn Mny Wong is n Chinese girl. Annn Mnj could now buy her fnthor's little laundry if he would sell, she hns made lots of innnev nnd mivimI It Hut fnther merely tolerates the movies. They are an Intention of the foreign devils and. while he doesn't mind Anna May earning money In them In the dnjtinie. he considers her first duty to him and that j duty menns continuing to keep his books and check up the laundry each night. The Oriental Cinderella of movielnnd Is Anna Maj. Movlclar.d holds for her nil the thrills thnt fairyland offers her little sisters. Here hnndsome lovers iihower her with nil the attentions of Homeos. Iitautlful clothes adorn her Jewels sparkle from her jet black hair nnd motorcars are at her beek and call. The thrill of the drama makes her forjet that the cntnorn is recording all this for the benefit of tho amusement-loving public of the country. ALL OF THE ELABORATE DETAIL OF THE REAL MONTE CARLO NOW STANDS ON CALIFORNIA SHORES i XT. f. II Here arc some photographs showing the wonderful set for Univcrsals mammoth production of "Foolish Wives," which was described on this page a few days ago. Almost the actual Monte Carlo has men near Los Angeles. Every tiny detail of construction and coloring of the original on the Mediterranean Sea has been faithfully reproduced. This is probably the most costly and painstakingly built sot ever constructed for a motion picture. OUE ltrr in fairyland until 5.30. then her handsome suiiori no home to their icives and babies, fler jewels arc placed in the studio info overnight and her beautiful clothri arc taken back to the property room. It i fAen that Anna May steps from fairyland to reality, pays the conductor fire cents and trolley-cars to her home in Xorth Figucroa street, above her father's laundry shop. Here there arc books of the little laundry business U be kept and many shirts to be pinned before they are xrrapped and placed on the ihelvc aicatting the call of the customers. THOSE who remember "Dinty" will recall the pretty Chinese girl who nssists Wesley Barry rescue the white girl from the den of the Malay. This was Anna May Wong, and It marked her first work ns n screen nctress. It was while hunting "tjpes" for his production that Marshall Neilnn discovered Anna May and finally induced her father to nllow her to forsake her shlrt-pinnlng activities nt least during the day. Since then Anna Slay has foimd herself in great demnnd among movie producers, for in addition to being an exceptional "tjpe" she has unu-ual talents "Outside the Law" and "Shame" are other films in which she appeared, and then Mnrshall Neilan again took her to his studio for the co-star part opposite Lon Chaney in "Hits of Life." Anna May Wong in her laundry home, my friend writes me, lookw just as he docs on the screen. Quiet, beautiful nnd industrious, Anna May pins t.hirt and adds figures with equal djesterity. Once at home her movie fairjland i forgotten In the reality of hard work to be overcome before she again dons her finery and plays the queen. There is a difference, however, between this Chinese Cinderella of the movies nnd tho Cinderella of old. Unlike her predecessor, Anna May Wong loves her i mental duties at home. She has grown up in an atmosphere of industry, for any one who has ever lost n collar knows that tho ramifications of a Chinese i laundry demand ceaseless activitj. Anna May's laundry is a machine of human parts, ns complicated as one of springs nnd wheels. The wash goes in one end and vanishes, the shirts one way. the collars another, the socks here, the under clothing th'ere. And then they all come out together in neat piles. "Whether the producer needs n Chinese slave girl or a princess, Anna May always qualifies In her inovla work. In "Bits of Life," ns the wife of. a rich LOWLY ACCORDION NOW HELPS STIR SCREEN EMOTIONS Anna May Wong is the I t 'I'sr t pmn"f f ' yiT-s iMtHMlrriffT iirr'rTWlW IMlfWMf lMimWTtmHKKlMmUKwU sw?.w"f i!PMriJlaf1ff ' I i MlllH'ililf i mi Hi 1 MfcllM II li I ! i si sl P IM MM iBHl'i ' f'l UHBfsBr'7l B- vM. n Vf7liagwr!Sf 'Ttiy -' - rr?7rr!BSiPWir MlnfffArfi'f ffw iMfiffi3J f" ' !U 'WJ'L'H'J 'iLM-WMiMMBJ .'I ,'.-,:, i UHC&nVXX'Uii TAX I - t mt.mM.VHt reu' 'ir- " i I GARRY DISCOVER GLORIA SWANSOK SlMl'LY BESIEGKh By HELEN KLUMPH f """" ouuuiercu ncross th I ' VJ room, slid Into n chulr btgM. s and with notlcenbln dlm,t . e.B, Mm tnl.U n 1,1,.. I.l ...P "Cfl It the table a blue Ipntlmr n. m. trunk. I knew that she tiantej ; nrnl( nbont It. ha T .ll.i-ti w M i t ., ., . wiuil v. Sho stood It as long as she rfiu then remarked: Ut st, 1 tlilnk that was his name--7Ji i it mnu'u who nnd little dauthw i a man Interviewing her, and u' icr ouo taking pictures ot Lcr, Ili TABLOID TALKS ON BREAKING INTO MOVIES By JOHN EMERSON nnd ANITA LOOS The authors of Am series are the fatnoui l'merson and Loos, cho have written some of the most successful photoplays. They now have full charge of all scenarios fur I'onstanio Talmadye. AMATEUR FILM -MAKING A MATEUR theatrical clubs, theatre CONFESSIONS OF A STAR As Told to 1XF.Z KLUMPH guilds and the like have dune much to mako tho modern drnmn the great art that it is. But because of the overwhelming expense heietofore at tached to the making of motion pictures, tncre nave been no attempts at any similar activities in tho films. The motion pictures linve never hnd the ad vantage of the experiments of amateur societies Tnrillv Imwftvnf tlti trtnt tni nf mn. Little Chinese i l'on pictures by amateurs is a dlftlnct ZI .' . r I,",,l,l,lti" " ,ma."s rnllE journey back to Los Angelci w as n motion iK'ture at comparatvely little I , , , , . , . expense were first drawn to nubile nt- X lonK drnNU1 out OBO'O-. It feemed to L.inacrclla O tention live j ears ago, when two joung me that I could not enduro the at- men, both of whom have become well- tempts nt oondolcnco made by the Kiiutwi uircnnrp, innue u Hiuiiuie jiuuiu plnv in their own bnck yard. CHAPTER XV the Screen THE STORY BEGINS tri( the early dayi in the old Fine Arts studio in California, rhcn Col leen Muore, the dish ijiils, licsiie Love and a host of others xccre not much more than cxtia yirls. Diana Cheync relates the talc; she begin irith the day in the studio tchen she and Isabel Heath, not stars then as they are note, tcere lilting on the stairs tchen a strange man came into the studio and looked at them. The camciaman called them down to meet him, and it proved the turn ing point in Isabcl'i life. He teas I'hil Craney, a famoui director from the eastern studios, and he taught Iiabrl to be the firit of the screen's "baby vamps," and ennagrd her for such a part in a photoplay he teas piodueing. liked to bo on their way to being starred In pictures, ns I wns. Probably they'd have Htippo&od that having such a thing happen to you would mean absolute happiness. Yet I cried myself to sleep that night, unutterably wretched. To be continued tomorrow THE lowly accordion Is being elevated to high esteem in screen art. Its emotion-stirring strains nro running through pictures, registered In the swaying moods of the drama. Thesnis Is being vamped by n squeeze-organ. Music hns won a definite nnd neces- rary place In picture making. The In spirational sob melodies have Svengnlled actors to new emotional heights where tho coaxing nnd threats of directors failed. The soul stuff has dripped from tho bows of violins nnd cellos and out of tho bellows of funny llttlo portnblc organs. And now it's the piano accor dion thnt Is taking up the siren song in the studios. Wesley Buggies, director nnd adapter of "Slippy MeGee." Is one of tho dis coverers of the accordion as the nwak cner of moods. Not only is there some thing peculiarly appealing in the soft strains of tho Instrument hut It is such a handy little thing to hnvo about that the "orchestra" may bo placed in uny handy niche. But there must bo more than the mere skill In "nccordloning." The nr tist must be able to follow the tempo of tho nctlon perfectly, even to the slightest changes in the dramatic shad ings. That Is the reason thnt In nil of the studios in Ijs Angeles only two accordion "professors" are in clamor ous demand. One of these Ih Norman McNeil, who gave Buggies first nld in the highly dramatic scenes. "I'icture-mnklng method, undergo ing coustnut changes', nre nppronchlng the 'silent nrt' literally," said Director Buggies. "The. old noise, shouting and confusion arc being eliminated. A per son in u studio now hears only soft music during tho tnklm; of a scene if i he is within ten feet of the cuniern. "Actors have learned thnt thoy lip their words more 'expreiely' and pre vent facial distortions if they speak In low tones. The voice seldom is raised, even In the more tense dramatic mo ments. Wp now work in quiet. The scenes quletlv are rehearsed before the cameras begin. During the nctual 'shooting' of the action we really arc engaged in silent drama." 'Tretty case, don't jou think iMt I admitted that I did. r 1 "Well, lt'H exactly Hko on. ...' Gloria Hwanson bought today, so wj J . " .. "' . . ..V"-'"""' Ann I ka , vvnero mo tuinucnco came from ( r," ,"""....,... iri -Hi yuu iu m iici iiuiui uj see her nA i. ....... (..,.. 111.. ...h.t , "s nuo juoi .vu num. juu OIWUJS imfc. ne stunt upartmenta ure, only tin I uduiiii; urns, "Tliero weru dozens of people arm,. -her nice lather, who bZ5, lightful, und another Mr. Svvaniwn-!!;' least, 1 tlilnk that was his name--iiH i tnat and other two press agents, und u woman v?lu, to talk to Her, and her companfcm rushing urounu trjing to get her h look at things that neonlo n, . shops had brought for hur to tee 73 llouers nnd candy everywhere, and X telephone ringing, und ail that bort ! ,blio had on a gorgcoua sunset 1 chHise longia', and looked rather llw3 but perlectly bcautltul. Her cye ), such a vvouuertul sea-blue, and her hair is so brown, nnd she's so lovely I "And 1 bought this Jowel can WU, ' wo wero lookiug nt the ones that bid been sent lor her. Thcro wero four of them, und her companion ami I ni.vJ out one lor her, and then this one me Gloria hadn't time to see them l But when lier companion was buying i bag for her own mother nnd rushed In saying, uio, uon t jou thttiK this wouH be pietty lor mother? bhe doesn't hit bcatlbags, you know' why, Ulorla hi invui) uj. ituiu iu luuii at n. rQIIE camo East to shop, you krioi but people are keeping her u busy, being interviewed, that lis hasn't had time to look at a thing, fa tne snopscepers navo to send ererj. thing up to the hotel for her. Nicemi to shop, isn't it?" "But what aro you going to leep li that case?" I demanded. "You know perfectly well that you haven't a Jewel to your name, except that wrist watch jour aunt gave jou that doesn't to, and the amethyst earrings your modm won't let you wear because they make you look so risque. So 1 don't ue what- "I'fn going to keep my beauty there," retorted dairy, haughtily. "I heard Gloria telling an intci viewer all hir beauty secrets using pleuty of cold cream, and never putting water on h face,' and keeping scrupulously clean.no matter how often jou have to get cleaned up, "So 1 in going to carry all the necessities of life arouud with me inJ be a beauty if 1 have to wash my ftct during the nature pictures when I to to the movies. And furthermore, In going to darken my eyelids the wij Gloria does and look fascinating." "You'll look ns if you'd put inascari on jour eyebrows and it had run," I warned her, bkeptlcally, but she titi mo a languid glance and gathered op her little ease. "How do jou Know?" she inquired sweetly. "Because I b;iw G lot la in j self jet- terday. and I tried it injself Int night." I retorted, with a feeling cl untold happiness. For once 1 had beaten Garry to something ! Stars See Their Beginnings When Eugene O'Brien was a leadiar man in Hclznlck pictures his stars wen the Talmadge girls. Now that he li i star he can soon drop luto a pictur theatre and see himself play opposite Norman in "Toppy," and Constant 1 ".Scandal. These early succocses w the Talmadgcs nre to be revived IU new prints, retltled n evcrytrung. j lHOTOI'I..lYS I'HOTOI'I.ATS HIOTOPI.IYH women who had been In the car that These bojs had manv theories about caused the necident, or their Insistence what a motion picture should nnd that I drive back in their car with should not be. but they could never find ,i,, i Li,i,i i,.. ,,! if i Ill . .I... !.! . ....!. I '"" """ ".- fc""- - - a trial. Tinallv thev hit unon the , lma "na original expedient of buying their own roau mat iveith anil I nau taKcn so i j,,(t tom Angdes the next day, camera and making n picture in which I short n time before. nlono; my aunt could not very well go nearly nil the actors were chl dren and u , t d t j t take wUh me. nnd Mr. Sandy had said that which, therefore, cost very lltle money. , ' m to mQ j .enny nil me scenes were exteriors, so - "- ..t. ... ...... Ncw Yofk nJ(j (nl(( mp t0 hpr ,10URe rioro platF" COMUNV y . The following theatres obtain their pictures through the STANLEY Company of America, which is a guarantee .of early showing of the finest productions. Ask for the theatre in your locality obtaining pictures through the Stanley Company of America. eoMMiir f A . ., bodv knew me Hint wnnld he wonder a trial. Finnlly they hit upon the , "uu """ lu " "ki "- "" """ , fnl. cwper of gambling nnd opium joints in San Francisco's Chinatown, she is asked to play one of tho most striking characters yet created by Hugh Wiley, whose Chinese fiction in the Saturday Evening Post has established him as the leading author of this typo of story. Very often the studio exacts much of her vitality and It is not uncommon for her to start work at 0 in tho morning nnd work until 0 In the evening before tho glaring light thnt bap one's strength. Yet Anna Mny never misses her work evenings nt the little Chin'-e laundry. TUB call of the Neic "World nil uniiccrcd by Anna and still it docs not cause her to octroy the filial duties of the Old. That is the Chinese xcay. To the ichite gul this icould be an unusual procedure. To the Chinese girl f is tho molt natural thing m the tcorld, Anna May has not yet been convinred thnt her studio icork is greater than her duties to her family. If she ran arhieie a motion-picture icputa Hon and still attend to her fathtr t afjntrn, hc cill alicays be happy Otherwise she Kill havo to desert hir fairyland. Answers to Questions by Movie Fans good JAZZ BABY It hns been ninmrod be well to register her with n thnt Mine. Olga l'ctrova is through with ngent. tne screen for "keeps bhe is soon tr appear on the Broadway stage Tom I GEORGE MORWOOD Bessie Love Mix, Eddie Polo, Conrad Nagi-l and iB Penny Sills in "Penny of Top Hill Richard Barthelmess nro married. An- Trail." However, in the end it seems tnnln Moreno. Hnrold Llovd. Euiretu I n tlmn.li ulm u nnlnv in Ko Mm I'.,.t O'Brien nnd Harrison Ford have not J Walters. Wheeler Oakman plays Kurt yet given up their bachelor npiirtincntH. FILM FAN Alice Lake is at present appearing In "Over the Phone." Pauline Frederick plajs a dunl role In "Salvage." She is Bernlce Ridgway, wife of a very wealthy mau, and Mrs. Kate Martin, wife of n convict. Jack Holt Is married. Yes, it was reported that Mary Miles Minter wns engaged to Orrvlllu Errluger, a business man of Portland, Ore. MRS. JAMES LEWIS I don't like to nocm pessimistic, but p.lense don't bo too anxious to get your slx-yeni -old daughter in pictures. Studios are sim iily swamped with such appltcnjions But If you insist there is onlj one IV 'i tmng io un aim mai is 10 iiuie inu mini 4r ." 1, lot ot photographs to Now i',4" V-I " '8Ai H) the castW directors at E IV );BWp studios. Jt might uko iJl ftf bV 'J.V. t? J v alters. Gloria Swnnson's first starring vehicle has been released. vviinda Hawley is married to J. B. Haw ley. She is twenty-six years old. G. ('. M. Conbtance Tnlmadge's lat est picture is "Wedding Bells." Her next release will be "Woman's Place." Norma's latest production is "The Sign on the Door." I can't tell vpu what "The Sign on the Door" is. No, jou nre not a nuisance You know I always like to please my friends. VIRGINIA H Kntherlne MncDon ald has not gone to Europe. Site Is biiHy on her new jiicturo, "Tho Infidel " The picture, "bntan's Paradise," was the working title of "Regeneration Isle," the scenes of which were taken In Ja maica. Norma Talmadge plays the lead supported by Harrison Ford. The pic ture uasoot oecn reicaseu. that nrncticnllv no scenery wns re quired. The picture was most original nnd in spite of their technical shortcomings they found n fairly profitable sale. Amateur theatricals on the speaking stage have proved n stepping stuue to success for some prominent motion-pic ture stars of today. They have aroused tho imagination, stimulated tho enthusi asm nnd increased tho desire of these amateurs to learn and to do better. And they have frequently revealed, if not actuallj developed, real talent. rlL Talmadges, as children, used to get up shows of their own nnd stage them In the cellar or garret of their Brookljn home. Norma always wrote and directed these plays nnd usually placed herself in the leading role. Con stance was nlwaj-s given an importnnt part and sometimes the lead by her big sister. But Connie was usually at her bebt In trapeze work or turning somersaults and was quite content to lenvc the heavier dramatic roles to Norma. Natalie also acted in these productions, but huo genernlly preforred to confine her activities to collecting tne nnmis sion fees, which ranged from a specified number of pins to a penny or u stick of candy. "Ma" Talmadge was quite frequently the entire audience and she nlwajs encouraged the girls in this pleasurable "work." Charlie Raj, as n boy. used to get up a circus or wild West show and btago it in his father's barn. Ho al ways called these performances "The Greatest Show on Earth." Katlierino MacDonald, Anita Stewart and Miriam Cooper wero prominent in school und homo talent shows. Scores of others have found n place in the motlon-picturo world, either directly or indirectly, as the result of the dis covery of their ability in entertain ments of the non-professionnl variety. It is only recently, however, that the possibilities of amateur motion picture making have been appreciated. If you desire to write, direct or act in the pictures, you can have no better experience than trjing to inuke n pic ture of your own, even, if at first, jou nre not very successful. (These "Tabloid Talks" are con densed from the material for a book by Mr. Hmetson and Miss Loos to be published III the James A, MoCann Company, A'oio York.) at the little rnllway station, trying to'jut ,, tuc wnv to the train he added break the silence which then I w el -. another suggestion coined, but which made them so uneasy. ' "I wonder if jou'd mind stopping off I had had to give mv name and address i "-'"K",; "V''"' , .ViY ""V" . i i i i t .i ! '"K u motlon-pictuio exhibitors' con- ." mi- in-.iiJii- uu iuu& L-tiiub" " """!'' I veiillun there, votl Know Ml 12th. MorrlB U I'acunk Ave. lambra VrVt imiiy - k '' COSVKIl'OI.ITAN I'ilHUli'TION "THE WILD GOOSE" GLORIA SWANSON In "Till: GUIIAT MOVIKNT" of couise, and evcrj' one looked at me curiouslj when tbey knew who 1 was, nnd who Keith hnd been. It seemed queer that life wns going and if you could just, spend n few Hours there, long enough to do down to tho Coliseum nnd nppenr, It would be a good thing. You can get several dnjs' lest before jou get to Chicago, but if jou feel when on jubt the same for other people, when "' KCt there that jou clou t want to do it n sunlit .tun nun i Mutu n. a wiuin mpai Keith Gorham was lying in a rough wooden box in the baggage car, and I sat crouched on a dusty red car seat, huddled down In the corner, feeling like a beaten, broken thing. I shall never forget the details of that trip; the woman across the alslo, with her three children, who fed them bananas endlessly ; the slick-haired man in front, who tried to pick me up the haste with which he turned around and the scared waj in which he glnnced at inu over his shoulder nftcrward must have been due to the stricken look in my eyes. There were other people who tramped up and down the nlsle to the water cooler, nnd listlessly read mag azines, and talked nnd talked and talked, till it bccmed to me that I must scream. The news of the necident reached Los Angeles before I did. nnd there were rcortcts waiting ut the train when we got in. But Malcolm Sandy was theie, too; I wns so grateful when he made a way through the crowd for me, and then drove me strnlght to my aunt's, without asking a single question about It would be n good iiten, though the mora jou go In for things and force ; (mi self not to hroixr on what's hap pened the better it will be for jou. How about it'-' "I'll go," I told him. I didn't exuetly see how 1 could, but he had been so kind that I wanted to do nnythlug that he asked. Ho was very wise. IIo had put a number of books and magazines in my compartment and a great basket of won del fill fruit. But. better still, he hnnded mo tile scilpt of thu first picture I was to vvorlc in, Just before the trnln pulled out. "You might glance through it," he saw (llltdently. "It may interest sou. It did, of course I rend It through beforo I did anything else. I could see it being screened; how each bit of busi ness should be worked out, in my mind ; just what play of expression would show this change of feeling, what gesture would supplement It. Unconsciously I supplied the background tho lights nnd half wnlls nnd "nroim" thnt clutter up a studio ; the electricians shouting at Anni 1 n SilD & THOMPSON HTfl. ArULLAJ matimip. daily ROSCOE (Fatty) ARBUCKLE In "T1IK IHII.I.Ut A-YI'.Mt MAN" ADrAHIA CUHHTNL'T Hoi 1GTI1 ArUALMA in a m to n ir. v. m. ELSIE FERGUSON In "rOQTI.HIHTS" ACTrvD FIUNKI.1N A (URAHD AVK. A3 1 UK MATINIIK DAILY THOMAS MEIGHAN In MMIITK AND INVIAKItli:i" P. I ORE" sul MARKET ST. VJl-WDn. u.;)0 ,, oao to 11 .,J,!i JAMES M. HARKIE'H "SENTIMENTAL TOMMY" GRANT 40-'- 0,UA"D v!r, niii.Y tSXHSL MEM-OKD'S I'llODl.TI ION THE FAITH HEALER" GREAT NORTHERN S W're BEBE DANIELS In "(INK WILD KKK" Tho NIXON-NIRDLINGERfn THEATRES Ul I 1MPFR1AI C0T" WALNUT ST3 UYll L-llrtLi jintu na,, KvK 7 & u (- MOI'OI.ITAN I'KODI'CTIOV "THE WILD GOOSE" BALTIMORE, oVIa? dokis via nml roritiKNAv roini: "THE BRONZE BELL" DPMKl U4TII AND WOODLAND AVE. OC.1NIN MATINI3I1 DAILY I'lltHT WKST l'HII.XnEIjI'llIA S1IIVWINO "THE WILD GOOSE" Lehigh Palace u"Sr"J AM.-ijTAKjl-AHT IN rosMIII'OI.ITAN'H "THE WILD GOOSE' I IRFRTY l"OAD & COLlMlllA AV uhju.i i i matinee daily WALLACE REID In "TOO Mt'(H SI'KKD" FOUD OVERBROOK ,)3Di llAvt WILLIAM 5. HART In "THE WHISTLE" It'. I'arnmount Wffk 131 I I IT DID rv llrottd & Duiquehanna DL.U,UL i uiIihioi. L until 11 WILLIAM S. HART In "THE WHISTLE" BROADWAY B?1iW?'..: ROSCOE (Fatty) ARBUCKLE In "CltA.V TO MAHHY" how I liad happened to be out with ! '""''h other, the carpenters hammering Keith, or why 1 hadn't kept my word to him. "How soon can you go cnt.' ' ho asked, as his car drove up to our door. "I'm not working now, and I never hnd n contrnct In comedies; I've .just been working by the picture," I nn swered. My voice didn't sound like mine nt all ; it was dreary nnd thick. "Then how about leaving tomor row?" ho suggested. "I can mako all the arrangements, and jou can go ut once. It would bo good for you," he added, glancing down nt me keenly. I wns so grateful to him. To hnvo stayed there at home, and had people questioning me, nnd wondering Just what there was between Keith and me, would havo been Intolerable. Hut to leave it all behind and start qut on new work, in o ucvtt piaeo, wncre uo carpenters nro always hammering in a studio, it seems to mo! l pictured the star I was to play with, iu his part, Would ho provu to bo a camera hog ; would he mako mo givo him tho center of the stage nlwajs, and would ho insist on having anything l did tnat wns very good cut out beforo the picture was shown? That night I sat in tho darkness as tho train went hurtling on its way, looking out at tho scattered homes and thoso that were clustered into towns that we passed. I wondered If any of those people had ever heard of me If even now they vvcio reading iu tho newspa pers tho account of the tragic death of a young millionaire in. Callfornm, who had been out riding with "one of those movie nctrewses," I wondered, too, how,many gills there "t iuuh uvuien who 'vvoum URVC ii PAPITHI 7 market bT. GLORIA SWANSON In "THE (lltKAT MOVIKNT" rvvi ru At am JU.Jl'ilt-L 'SO A M'Hpleuond Ave. 7 nml li V. M. GLORIA SWANSON In "THBOHEAT MOMENT" DARBY THEATRE ELSIE FERGUSON In "SACKED AND I'HOPANE I.OVE" rriwpRFcq MAI 8T- manayunk DOROTHY DALTON In "IIEIIIND 51ASKH" FAIRMOUNT .tfi'SMS SI I..NA (IVM.N mill IC. U. LINCOLN In "The Woman God Changed" FAMII Y THEATRE 1U MARKET 1 -MVllL. 1 HAM TO MIDV OUT DAVID I'OWELI. AND SITCML f ST "THE MYSTERY ROAD" PA1 APR r-'H MARKET bTKEET .E; 10 A- M ,n " '5 !' M BETTY COMPSON In "THE END OF THE WOULD" PRINCESS 10IS MARKET BTUEET S an A M. in 11 .1.1 l M MARION DAVIES In "IH'HIKD TltEASt KE" RFCiFNT MARKET HT IMuw 17TII lL-Vjrii i 0 s ENRICO CARUSO In "V1V rot'HIN" RIAI TO UEItMANlOWN AVU.NUK -' x v-' AT TIJLPEHOfKFM ST (JKOROE MKLFOIUFB 1'RimilCT -ion T "A WISE FOOL1' RURY UA"ET UT. HUIAJW 7TI1 ' ETHEL CLAYTON In "WEALTH" SAVOY 18U 'ARKET brRKKT Apoi.ITASIM,,?,rlIT "The Woman God Changed" SHERWOOD B'AV W , JACK HAIITJii DE MILLK.'M ' "THE LOST ROMANCE" M STANLEY .HA?KT.T. --V,jcpurii.'; 333 MARKFTflTnisi:T'J,IKATlvS' ROSCOE (Fatty) ARBUCKLE in "cuA.y to vivitnv" VICTORIA MAKET T. ab. OTli I he ureat Impersonation" irvTH T THEATRB-lllow Spruce 30 1M ALL..TAU PACT UA'V "WHEN DAWN cXME" lKAINK.rOKD ",0A? l0,u,WM. HENN 4i.1 , hr"W. -,-.TO (AlUfiyiuji III "LESHONS IN Uivv.. BELMONT, III ,A?ff,""tfSSV GLORIA NVVANSON und MILT0.N9!y.41 "THE GREAT MOMENT'' :sr PmAD COTH A CEDAR AVENJJS LtUAK , 80 and 8. rt'4V to UF. THOMAS MEIGHAN In "WHITK AND UNMARRIED" COLISEUM o'hwE I THOMAS MEIGHAN In "THE CITY OF HILENT ME.N"( fl uinA t.Minn ut t. nll LTlTi ATI JUMliU VimtaJuJe onrVinkhriir DOUGLAS MacLEAN In "THE KOOKIKS' IlKTl'n.V LEADER iimZjti&&jl JANE NOVAK In JAH.OLIJI. "ISOBtL I) i nn i;t r'-D AND iocuST .fu LULUil Mnts j 30i a,3o Evk. $ jj (.LORIA NVVANHON nnd MILTOVHlUfl "THE GREAT MOMENTA RIVOLI C2D AND S& WILLIAM S. HART, ; In "THE WHISTLE" STRAND3JS?T&fi ui.uniA nt rtrtnn, imu '"iiV irklTl "THE GREAT MUmtr AT OTHER THEATRES MEMBERS OF M. P. T.O.A- - . 6510 Oi)rmntoT'.' Uermantown matinee dai BEBE DANIELS A In "ONE WILD NinilT" , JEFFERSON atWS?' THOMAS MEIGHAN In "THE CONUHKHT 01" CANAA-, park ?g? a;;r mi r AI.I-nTAI 7 '" "Lltt." V. "ir- i WEST AIITfiHENY "t1h,..lAii'1 w iLmcmJUkWl In ''VUITB ANlJ UNMABBIW, M . f V ..-?: ,'J.'iA& 4. I1-'i! J J taA
Significant historical Pennsylvania newspapers