r.rt ' J .. o "i ... , 'VJ, tf V v VVJ" 9 ? ,.w . V 'r 4Y 'V .v4 u' f. v f EVENING PUBLIC LEDGERrPHUJADEHPHIA', XHTJBSDAX &TJGTJST 1921 jV-'ttlWJVW tu- V s y ..- ii 31 I?. ,1 .-, W f ifc CLOSE-UPS of the By HENRY y4n Hastings Gives You Some Good Advice, Geraldine New York, Auc. 1! YOU'VE waltrd nn long ns yon run. Ornldlnc. I know. Your sultr-noo I packed and yrfu'vp got a little money turkrd away In your pockctbook (yon; of courc, but I'm too polite to Infer that you entry It there) mid you're looking Up' the timetable to decide whlrh train you're ruIiik to take to New York. For you nre nbo1utcly certain that nil tlie talking I've been doing doen't pplr to your case at nil. You're different. Tills constant ndvlce of mine n.Kiiiiit .attempting to get Into moving pictures may be all right for the average girl, but Bil lIBHi nlifci . ;JHll v'!W?a fliPw av ' mmx ,"tfc4'tf' $&" ther won Mil t use that comparison because the town is bono dry. Yah -mebbe. But. however they express it. what 1 have said is the well-known con- ensus of opinion , , Ann llnting. ngrees with me. Ann would agree with any one who had ,- . ito nt nil If lio i!i)pn' nirree with you. you must have myopia. She is about the cos.esl thing to look at 1 have met in a long while. It didn't make i accustomed to the ects and people on me n bit mad to have to sit in her apartment and look st her for nearly on tlie Btage, and Ills Tittle i-creen master, hour while we discussed the movie sltuntlon. I am going to try to arrange to ..tt,lli(1 ns tno i,ov ,.nH i,jmelf, nc be. with her when they chnnge back to stnndnrd time. Thnt will give me nn compllshp whut 8t11(lio H,nll)f tcrmSi hOUrMisrilos,lng. I" plnylng the "heavy lend" in Pn.hc's new serial. "Hurrl- ""'enling the picture" through his cane Hutch." Tlie term "heavy lend" is unfortunnte. for It suggests a woman j "eencs with the (log. who no longer believes that scales weigh accurately. Hut Miss Hastings isn't .., ,. . i ,i i that kind nt all. She can step nn the platform and drop In her penny and let I TUTH. SlAIIh directed tlie (log the whole world see the pointer go 'round. I -' through its owner, who was in the And she Btiw me some mighty gooil ,from me. you'd put it down to misanthropy which Is simply a Highbrow worn meaning grouch. Hut from her. maybe you'll pay some attention to it. Least wise 1 hopes as how you will. A XII the most important thing vhich she wishes to impress on you A ,rilh nil the force she can is this: unless yon hare enough money to support yourself rnmuirlnhly for at least tiro years, don't try the movies. nu'Jf net naid lor Hour irnrk. of course supposing you find icork. Rut no mnt cr hoic much you get to keep the joh and put yourself in AS I listened to Mis Hastings talk. I began to think that the movies must have been invented by and for dressmakers. No mntter how many phases of the business e discussed, it always come back to the same thing clothes. CLOTHES. C L O T II K S. You'll hnvi to start ns an extra. to bRlt m humh'y. probably won't "tnrt nt Anil, as an exiin. y a week. But you'd bett your diary and you'll dnys on whicli you will And for erry day declares Ml-s Hastings You can't go into you've got to have n gi morning and mourning costumes everything f You never enn tell V..'ll Li.nnlv 1... L.'.l III of get-up What: You haven't got one? Too bad. We'll have to get Mary ; To prove that lie wns truly concerned ,K,W it(,tts and Jessie Stevens. Weli n mii. . nlnv tli- imit. nbout "ItchieV safety, the dog run up .,,,.. rnml,i.n , dlrevtlng the lecture. 1ITU II rill M.I I"' tv i .-..., -- And even if xoli have the gown wanted It. will neve,- look the same nfter a Cny in a sti.dio. You'll often be calied upon to go through scenes tl.nt will totally , ruin whatever vou wear. If you are to fall off a yacht and he drowned you 11, hnve to drown dress and all. They won't yell lor neip. tW V ORIWIt to play ordinary small 7 7in irff nnre in nare ni lensi . ... .. sh said forty ' "And twenty pairs of shoes nre n mere bagatelle, she added. I often wondered just what that word "bagatelle" mennt. Xoir I knoir. It means twenty pairs of shoes. Personally, I find I am the owner of a 'i per cent interest in one bagatelle. How about you Gernldinrf .TlrlSS IIASTlNdS started in slapstick lVx best beginning for a movie actress, the story led riclit bnck to clothes "They threw pie and cold cream nnd flour in my face," she snld. "They turned the hose on a S400 ball gown. The job cost me In clothes and In other absolute necessities ten times the amount I earned." And then she went on to tell me of the remarkably varied experiences sh,. has had for she has plnyed in many companies and lias acted every conceivable kind of part. It was tremendously interesting. I found myself wishing that nil the hope ful young movie aspirants in Philadelphia could hear her and cather valuable pointers from what she has gone through. And nt the end I nsked her If she rnuldn t find time to put it all into a series of articles so that tlie renders of this page could get the benefit of It. ..y-. ..,.. i ... .nm i i ertniniy, sue said. I n lie very that. If nny of your girl readers have cair help them with I will be delighted to them nn honest and unprejudiced answer.' 50 PRETTY snnn, (leraldinr. io con read for yourself nil the things Hint Ann Hastings told inc. .1rnnf jiiir, nnre her permiiimn to invite you to write to her nnd nsk her nnything you wish nbout getting into the movies. Just address her in cure of the Daily Movie Magazine. Evruinil Public Ledger, Sixth nnd Chestnut streets, and the letter will be forwaided to her. CASTING A ' How a reflector Y-wjw. sa w.wasaa&'sftMftaBW(Wcwiiw ; J, -l"l , e Daily Movie Magazine MOVIE GAME M. NEELY you're not nn nverage girl. No, none of 'em nre. I've noticed , that. There are so ninny girh who aren't overage that I've begun to believe thnt the unnverage girl Is the average one. (Try that on your talking machine It sounds more mixed than It renlly is,) Hut . for the luvva Mike, Ceraldlne. don't come over here now. I've seen conditions with my own eyes mid every one I have talked to has told me that they ' are actually wor.-e than they seem. 1 ( don't believe it. I can't imagine any thing worse tiiiin tin' condition of an tliifupci'leuced girl trying to get into the j movies here at the present time. j And. even when things straighten , out. It Is going to be hard enough. The entire Industry lias been going through a disorganised process of finding It.sclf. It has been drunk with prosperity for several year-, and with the hooi li still in it. everything looked rosy and every body was Its friend. And It was giving away money with both hands. Bf'7' (AtJ i ie tcold gmy dtttrn of the morning after. The hui nr if trying to ait up nnd tnke o little nourishment, nnd it trill un doubtedly recover in time, hut jutt nt present it's yelling for more ice irnlcr and it's got a irliafc of a head ache. nd nnre it gets on its feet again it's going to sign the pledge. OF COl'HSK. the people in the game over here arc too refined to put it into o coarse a simile, uesiues which, ndvice to give to you, iierainine. i omiog . paid it irill coif you tiricr ns much line for a better one. -- . let you change to a bathing suit ns you parts," said Miss Hastings, "a joriy nijjrrrni iorrim, i nni irn... ..... J Jt , - ' Tl.l'. .li farces he declares conieuy is tno very , hut as she told me of her own experience, i I . . i. 1 .l I Ml .1. .1 . Kino io to j. ...u i .. ,.., mure in. in any special or individiul problems that I have them write to me nnd I will give ... ...... s.-. ... . .....? ., s. ,, .,.,, ,.nlI.nnPn and hi ti,.. ,,i,.f,,.-n I ., .,P..tn.M.lnr one. For' scenes wre soon fi inc.. . "" '"- ;;. "''".' -..,.i ; i, Cnntor. ...""'.' ".'.' " "' onoy mill nishrst nut. nevertheless, that s where yon will s.art-or yon R(nff f ,, , (ow , ,, ,.- ,,'-,, ,,., ,,;, wrklll(,n inV(. , -. Z1(, ' IlV 1 eape.1 down' "nnd whis- Then I was off. I pushed people ' 'nr v"n 'ft" "akon toth Zly "' "" .--a . -, u. . jr " Vetnike I'nik to -hnol n scene of , b(,p. ,,,!,- hnlf-mlle single-track C P ;,, I t - 'Ved io tl e enr of fhe repr.ven ou will get S7..-.0 a day. On paper that figures up to $4fi . "itrliie" falling into the wnter. Ac spilp ht flelnwnie. I.n.-knwniinii and ""rtes Ij, l.rans IS .1 USl 'JJ'Vi - iV- " lovinc nlctures!" Oh, hern. I looked neither to the right nor Fov hlT?.,rVin J?.. ?-.'"' fP T'" er not figure It ou paper, "i ou enn let the linhy play with , .-ordiriK t the scenario the hoy was io v(sstern Hailroa.l in the CntskilK near finKl,f,.1 ,)rIc 'ont,l,vt ,nw. words'. The officer whs inter- to tlie left. I feured that the policeman , feature. nn,l I nliVi - YI"' ii-V.i till have enough pages left to enter the actual number of , approach the ec ge ot trie pomi nc .ini- . Archville. and n high tieMlo over a "' ,vi ..1,7,1 nt once, and proceeded to move or fconM. one of the firemen would stop! Hnrrv Carey's f-imnnV i'U ' 4 Ket work to do. lP.inio.1 by. he dog trip am IfftM n. ,iver. Next wck the trestle ami a piIAHLES E. EVANS, of Iloey ,S,,,Bnnl .." himself 'into the pl-ture. ' lll0. I simply run for it. I can rerun ,,, of cowpunchci's sta n ?l S5 Sil that you work for ST., 10 you will have to spend Si... i i.e i...e ...... . .. ;"" ',,".,"' I 'orrion or -ne irncK win i.e r"jn,V Parlor Match" fame. s making The caiiiernmnn set up ins macnine. jumping over lines ot nose, nn.i sup- admiringlv, (he little fe 1 , V. IM M'liv' Clothes PI OTHER CLOTHES! mer. mi. '""' ." h"'- uy (ivnii.niie jusr nuer iii.uiiiu.u.', , m. i n'i, .n.r. threatened to overwneini us, . i,.B twee on a wet stone, mi l never ' ..hcrfnlU ml Lilm.i u.. ... .-. a r,io tf,; tiff IS-" n h? Ill s And , ,Z Rt taX j ?& & 'tXt . n of "S p7 M.T. EA VSi L ConHn Tomorw i H ' S ' V ' f " F ' ,,,erous assortment of every XtnHnr?T. TJ.'l ,2 w"n him nml ,ho "om' to ,,rCV"!lt h,m " ' PiWtlon. not an Immature decision. Evans hov- ! " fe'f ,ce - " c ,1's face-through ' ,,e t"""1"""1 lnom oM reach He toured around th. what kind of a part you will be called upon to piny. ' wns to keep out of the wny, the boy i V V,; ., Mp,,u,. niflrI,., Kent. s " '1P "I'l'1'"'"" '" ' ' -"' ver- -. ;: ; . ()f b,00(, BCPm0(, to 1onve . . pending the completion ! f. ,'.'' :::" .::., "' ",'?. "TW 1 rmmri nt tl.p studio nt n certnln time In a certain kind noshed him aside nnd lumped In. ci n..v,.. i.-.i.01.,l vn,.nn Mnt. Son of Mlnn.v .yicl.ee w'lt I such w..i i r,.sl, l.neli to mv heart. ........,.,,:,.nD f,. in.,- firsf kinrHiu ,..,. ... """ " ""SKy pun nt a REFLECTION UPON THE MOVIES in used on location to get the bent rebul .... . . . i I, .... - l WOJPD YOU LCE TO L&4D l DOG'S LF I FORJTHE MOVIES? t'lUNO the filming of "The Child JL Tl hou (Invest Mo" .lohnM. Stnhl. the director, decided that it would be nice to use h dog in the picture as n pet companion for little Hicliurd Head- i rick, who plnyw one, of the principal I parts. Consequently, Hover Holder, a i beautiful collie, became a member of the cast. After he got well under way with the production. Mr. Stnhl begnn to regret the inspiration which prompted him to odd the direction of a dog to the ordinary list of troubles that go with making n dramatic feature. On the ' pllnbility of an Intelligent child nnd n I responsive dog hinged the activities I of nn nll-Mur cast with n forbidding overhead lurking in the background due : to the Immense Nets, expensive lighting j and army of electricians nnd stnge hands assembled for the picture. I Hover, however, turned out to bo a . Mirprisiugly good nctor nfter he grew . , .fv 0( ,,,, (.mPra whenever the nnimal was performing. In one in stance, tlie director wanted Hover to vn1k into a room, stop beside Barbara Castleton. the leading lady of the piny. , and look up into her face. Mr. Holder, the dog's owner, stood nt the farther end of the room out of the camera's ! sight and whistled for Hover. When lie readied the proper point in ins trnveis. '-- - ". . , . i 'Mr. Holder halted the dog and merely told him to look up at .miss iosiicion. - -- . ... ., .,. Almost humnn in his intelligence, novel ( DUMB ANIMALS SHOW GREAT INTELLIGENCE IN FILM : understood insmntiy nnu stoou him. '""Ibffoio the ontion on the lonl of wny 1 big brown eyes fastened nppenllngly on ( ,,XI,irnSi vnj ,ninK interests employ the girl's face. Tills high order of canine intelligence proved a great handicap in one scene, ............. , . find down the lagoon luink wliining mi I hnrkmB fijontlrM ly i.nt.l his playmate j ... . . . ,, , i,,,ru. ' ,lp H(.roni an, nrP wonderful mo- i dihnis for whnt Is i-alled the "human , interest touch, directors nre nlwnys , averse to using them in pictures unless ' they cannot get the proper effects with- I out them. i Even Hover, the peer of canine srreen ! stars, was a piouiem io .Mr. .-Mniii in times. Dogs ore just dogs, in spite "t the bag of tricks or nenr-liiitnan In- leugence, and wnen meHi times up- nronch nr tiles buzz around the set no rpni, regular dng can he unlet or one dient. regardless of directors, cameras or studio ooiliood. Big Cast In This Picture Hesides (ilodys Leslie. ,whose name has already been announced, those signed to appear in support of Houdini in the second picture for his own com pany include Jane Jennings, Myrtle Morse. Kichnrd Carlyle. William Hum phrey, Edward Hoiilden and Charles rang. 1 he temporary title of tlie pic- ture is ice." 'Iliildano of the Secret Serv- Vocational Roles Created by Aubrey Jimmy Aubrey's new comedy will lie ! culled "Th"' Applicant." Jimmy lins idnyei' rill sorts of vocational roles in in from buullght his I'omisiies, iititi uujii-s u iiiiiKe I I e -i-i .,,,. iiri, l "M'lin Vnlentlne I a .vit . . .......i.iu.io r n .h- t.... Mnvgucrlte LlnrK in i no nieniint i.,.. - .i , ,. . ...,, . ntin.iiru. ui: "i M'i'....,... .. .M..L,, .... '""(;.- n payed n "llroUcn Hios-, I.e has created In the past. pHis much r;.. M, Xtf Down Edh,. He new comed.v business Several exterior "mJinrr,, , Mary Ilav. Mary is , scenes, elaborate for a two-reel film. " ' '" ." , ' ,,, ',, ick , twenty , will necessitate some long trips away ' .'i"n Ifiom th" Hollywood studios. s'x- iLJLJxBSKk BUILD UP, THEN DESTROY WHOLE I SECTION OF TRACK j IN I1EK new production, "Tlie Single Track," now nearly completed. Corlnne Griffith fiisnkes for the nonce the life of luxury nnd ensp of n debu tante or voung society mntron and plunges Into the life of n 'Western set tlement, with all itc attendant fiontier customs and excitement. Known as I one of the most nttrnctively gowned cnlico nnd su.ibonnct. khaki nnd mm- hrero, and plays what is for her a new typo of character. Only in tlie earlier scenes, laid in New York City, dees she have an opportunity to display her art in wearing benutifiil gowns. M1 tnkes its title from n single-track ii"ii i ii iiiiiiinu ui'ii ,,PtrlI m (.nn0)., .1P spur of a railroad that, when com "Ti'ii " iiiioniMti tin iiriirn v n niun , p icroii os mine, n fj)nt romnjns 0f n wasted fortune. ' witll a mnjn ilno jf ,, l)(, nuiKlioil foul mnns to cause delays, and the fair young mine owner gees to her property personnlly to take charge vlicll 1m based on'the novel by Kouglns ,.,., Betty Blythe to Live In New York Hettv Hlytlie, of ",ueen of Shebn fnnie, wishes to deny that she has left; ,,w yori fnr California. She moved from the hotel where she was staying and tlie report became current t lint she i,,(j Kone back to Hollywood. Miss1 Jtlythe fins ini.cn un iipnrimrni on i Fifrv-fourth street near rum nvenue, and expects to lie in .Manhattan tor some time. ,-,I,l,,.. III' UCll. ,,...... ...'It'iil, ...... : . .--- . TT1V (.., I. Ill I HI-" ... . ---, .- ,, i riiiiiinii.iia mi 11, In I Answers to Questions by Movie Fans Kate E. Tom Mix's lntcst licturo tldln' Homeo." He is married . in to Victoria Fordo. Wesley Harry is thirteen yenrs old. No. his parents; were not actors. In fnct. they "had . . . . . , ...i.i. ..... o ... ir Hena,Vws,:'1,au i!''lsl worm. i' ""- ,, "- ' , ...:.i ii.nt Mnruin .e nn saw nun scrnnninu with some over some papers make eond use Wesley got his ft he mode good count his frockles sport. (ilnger Hlchard Hnrthelmess' first witli tne screen wns ic-lc Wilfred Is Ilert Lytcll's brother. Wnllu.e Held Is at present filming "Peter llib"tson." Klsie Fer guson ploys opposite him. Thomas Melslian, Hetty Compsou and l.on Chaney nre the lending characters in "The Miracle Ainn. Hnlpli (J. D. W. OrifTith is forty- one venrs old. un ninsi primiiennii 1 is "Dream Htreet. with tmrol Demp-. ter nnd Halph (S roves. Thomas Mel Khan Is married to Frances Hlng. He Is thirty-eight years old. Kugeiie I O'Hrien played in "(tllded Lies. .Mar tha Mansfield was his leading lady, lie is not married. Address Players' Club New York. Ktliel D. It Is reported thnt Mary Miles Minter Is engaged to Or ville Krringer, a Portland, Ore., bus. iicsh mnn. He is twenty-one years old and Mary Is nineteen. Mary Is in Europe just now. Smilln .Sammy Theda Horn's real nnme is Theodosla (Soodmnn. She is thirtv one yenrs old. It is snld thnt she is married to C. W. Drnbin. Mr. Dm bin is Thoda's personal director. Yes, it happens qtilto often that a stnr mar ries her director. For instance. Alice Terry, who plays In "The Four Horse men of the Apocalype" nnd 'Tlie Con (luerlng Power," .Is engaged to Ilex nnd thought he could ''"'". " "'"."" ,'.'' !"." H",,rr' 1 .. ,.,..... i i I' lorenee Snort : Itohert t.e In V ,.,,,,t. ., i ot mm. i inn s ",,w i...;.. ii....,., . ii.i ; : ", ' ,,r'"!' nrt In pictures, ami , ?"" ''""-"" r.eMiy in lawyer I, Did vou ever try to ';""'"; "; mj vtiimie "' Oh bov. it's urent ' 1 ''"" N Kriniiiii. r rnnK etister. ni Here you tee the director Instructing the boy how to make the dog understand Children Have to Be Lured to Act in Movies Out West TWENTY-FIVE children were needed for some scenes In "Tlie agrnnt. the sreond of the new ROrleM of Mermaid comedies. Curing I"1'00' tim" il W0U,W ,,nvP W" W to '' th.'in, but with no school the youngsters in Hollywood were having fun enough nnd didn't want to be both ered. For a time it seemed that, the prog less of work on the picture wouid be seriously impeded until Lloyd "Ilnm" Hamilton, tho stnr. came to tlie rescue of the fompnny. Jumping into hl car. 'llnni" ilrnve fn tno tienrest fruit -- -..-.. . .. ..-v ,... 'Innil. where he bouglit n dozen water melons. Then lie drove toward the first cluster lie s.nw, howed them the wntei -melons nnd invited them for n ride. After I in m Imd hauled three car- i mans ot grinning ciuiurcn to tiii' Ilnmiltoii-White studios tlie necessary success timt lie wns persundeil to re- enact tlie role before the camera. "And I was as nervous as a young girl graduate." said (lie , veteran laugh maker. "I believe camera. fright is ten times worse than the stage variety." Dustln Farnum Starts Working Pustin Farnum begnn work tills week on his first starring picture under his new contract. It is from the pen of E. Lloyd Sheldop. Jackie Logan is I'nruums leading womnn. and others in ine rnsi ineiimc rmio .Mcl'iillnugli, i f runKie i.ee. iinrry luinkinsou. wn 1 1 i nm I.owry and Edwin H. Tilton. i Ingram, who directed the two pictures, I could tinnie quite a number 0f other enses, but I haven't the time. . r,,,...'!"!,,, ,... ,.f ... "o t no I no cast nt Lessons in ;-" follows: Loiin CHl,h,rpe?"coUn sti.nnn fl nlin.iiti.e V(.n,l.., C.t.l.. , . : ... ". :. ' - ,, u.nin- Constance Is twenty-one years old. You enn rench her If you address your letter to Con ! stance Tnlinadgo Studio. .118 Knst Forty-eighth street. New York City. Yes, She's Recovered ALIA. HVt(N8 She wan ill for tome time ,.t u.r news li.ivs '""' .,.. 11 . ..... iiiincn. ien nein '.."- : - , i ... . r..i. n- . t ..... . . i .Marthn inmnidi. i.oulso i.ee. I 1 K'if0mwuM m 4 n jk.-. ... ..j-'jj-t j 1 W t . fc' r 4 The LOVE STORY MOVIETAR I? WONIJEIt It this sounds conceited? hone not. I made tin my mind, when I heirnn to write tills, to bo honest with myself nnd about myself, ns far ns was huninnlv possible. And 1 hope (lint self-knowledge Is not necessarily egotism, How could I hold the posi tion I lo If I did not hnve the sense of jiower?" Yes, hard work was the wny, and lucky for mc thnt It wns. It consumed to much of my time nnd energy thai I had little ouportunlty for brooding over the past." And yet, ns I have told vou. fhe very thing thnt drove me, the motive power, so to 'speak, was my broken heart. They sny thnt neither Byron nor Heine would hnvo been a great poet If first their hearts had not been brok en. It was that secret terror and torture In my breast that whipped mc into recklessness nnd then mndc mc famous over night! It enmn suddenly, before the year was up, late -in the autumn. A com pany of us. In two automobiles,, hnd been up In the country to take n scene around n clubhouse. Luckily for inc. 11 wns not directing; he would surely hnve restrained me. But "Big Cnntor wns nctlng ns director. Ciuitor, the most nonchnlnnt, irresponsible, dare-devil mnn In the whole studio! In our nutomobllc, ns wo were re turning, were Cnntor, the enmera-mnn with his nppnratus, and myself. There was n wild wind blowing: the sky wns overcast with sudden shnfts of sunlight nnd running shadows over the country ?!de. The air was chilly. V c sat silent, huddled up. Cantor wns pulling fiercely on his pipe. For some reason or other, I wns feeling horribly for lorn, my eyes hnlf shut, my teeth gritted together. 1 mnnted to jump out of my skin! Life did not seem worth living just then. I wns rendy for something wild nnd nbnndoned. It so happened that wo hnd to pass through the city in a roundabout fashion. e were threading the tenement-house district. The car went fast. The horn was honking continually. Children sent tercd before us. The streets were dirty nnd crowded, nnd the faded red of the houses gave one n feeling of tittr deso lntion. (If n sudden, turning n corner, the chauffeur stopped the car. Bight before us was a wild and thrilling firo scene. Vnst crowds stood just back or the fire lines. In front nt tno nuriuiiB building, mnttrcsses nnd furniture, hurled from the windows. Iny heaped on the dirty pnvement. The engines were throbbing, the gullcr was crisn crossed with hose, nnd the rubber hntted firemen were coming and going, glenminglv wet. The fourth tenement from where we hnd come to n stop, wns on fire, smoke nnd flames jutting from its windows. It wns n thrilling thing to see. One forgot the horror ot u. lost to everything but Its pictorial ns neet Everv window In the block, nil the roofs, tlie full length of the street outside the lire lines, were thick with people, the grenter part of hem w th faces filled with anxiety. 'I here was an nir of suspense, peril, (lend '. Here, in the very heart of the city, one of the greatest forces of nature was working havoc. Evidently Cantor sow it only ns I did. But he wns infinitely more prnc tlcal. It was too good n chance to be missed. He must get the scene, nnd snve it for some future picture thnt should hnve- a lire In it. He stood up on the sent in his excitement. He spoke' slinrply to the chauffeur. "Honk vour horn like hell, and then drive close up to tlie lines:" The chauffeur obeyed without ques tion or comment. We jolted forwurd. .. . .. i. ..-.,..1 itnultPil Klmr'v M'tiuoriuK iin' nwu. ' ,'; i. , .,b i,n.. nn .). seat, half fnintlng ' t. .'.. .... . thnt moment, a wonderful thought came to me. I leaned over io sneak to Cantor. "I'm going to rush in save a child, or something'. We'll build this up Into n crent picture Inter.' He grinned. His face lighted up with an expression of boyish glee. "1 get you. (.eel You're it. girl! early showing xpniin tiiompbos s. APOLLO MATISBB UAII.T KATHERINE MacDUWAbu -MY J-AnVJiATUlKiy. T, IftTlI ARCADIA S'rKja.wS, TIIOMS II. IM'K'S "ii'lifl? "THE BRONZE BELL' ASTOK "ATINKK'MJ.'' m "iT. !'s hah n.v; -- I ' fTTt -rTMADC nlHT .... i - m" BALI iiviim- i.-vi? n.an.HAT.MAT. DOROTHY DALTON in TIII.ill'J'lJiUi " fTFMM H4TH AND wuuuuj-"' -- Ddlll MTIV1 "!' ', THOMAS MEIGHAN In tiii: city or kh.km 1",..- BLULtSlKU cnnllnuoui 2 until 11 nonoTlir rnn.i.ii in ;- ,, Sini w. Mnrriaffe" "Man Woman--Marrage XTarfrM" ;;- .mTrkht ht. w ZZ -MTTiN.f 7' MJ l:aiji ul ",,. n i p. JACK HOLT In "Tllj; MYHTKllXJ-UlAl'l COLONIAL s. .W..w?:dA,r"' COSMOPOLITAN PHOniTTlON "The Woman God Changed" DARBY THEATRE WANDA HAWLEY In IIFH FIUST KI.OI'KMKNT" rmobrcc main at., manayunk EMlKb-OS MATIN"'" IMII.t ETHEL CLAYTON In "SIIAM" Al V TIIKATKK- lSll Mrkt St. rAlVlILiT H A. M. TO MIUNIOIIT lirOM !III.IVH IMiniil'CTION f,EAST LYNNE" CiTU CT TIIKATIU: llelow Hpruci DO I ri O 1 . MATIVKf. OAII.Y "SOME ONE IN THE HOUSE" .mil ".MAN . WOMAN" FRANKFORD 7,B WiXS?"6 AM-AN niVAV'i iMinniTTioN "A BROKEN DOLL" GLOBE nodi MARXIST PT. Rll T 1 (l'SO In II MARY PICKFOKD TIIIIQCdll TIIK HACK DOOR" In GRANT m OIRAHD AVK. MATIN!! nAtf.T Ai'iu.n 101 i'n enniircTiMv "THE HEART OF A FOOL" ... i i ... imi Diiiniinfi nv ii innil ' i " YlUITIIl"i.AV II ZZZT pHBTIH'lAlrr 'W comcanv r M Garry Raves Over Her MABEL BAI.L1N This Is How the Story Begins: JUEUA .VOfBMiVD, most famous " of si young a'trl. Annette Wilkin, has fnh tllcti in love with Roland Welle, nn idol nf the screen. Miss Mnretanc, to save Annette, writes the story of her own tragic love affair with Welle, intending to send it to Annette so she may know the kind of man he, is. She tells how, while a pianist in a movie theatre in a Western Penn sylvania town, she met Welle when he made a "personal appearance" there, how he Invited her to come to Xcw York and said he would place her in the monies, how he cr.mc nnd the chilly reception which he gnve her in the studio. Then, becoming interested in her, he gets her a job in a small town stock company for the. experience, promising to see her often. The manager insults her and hc leaves, finally getting into pictures in Kew York. Here she works with Welles. lie make love to her, pro pose and she is deliriously happy until another woman reveals Welles' perfidy. Then she quit hlmand the company. Here the Story Continues It wns n mnd, reckless, insane thing to think of doing. Even In the excite ment of the moment, I realized thnt. T renllzc it even more now, looking bnck nt it! I never had any illusion thnt I was about in do something heroic. Even if I had seen rightly, and there was a child there, the thing for me to have done would have been to point him out to one of the firemen. No doubt, nt a word from me, he would have plunged at once turougii me names to tne ijes cue. That was his business. His train ing nnd experience, to sny nothing of his mini's strength as opposed to my weakness, made him the proper person to go. uy going myself, I not only wns putting my own life in jeopardy, but that of the child as well. I do not mean to say that I thought of all this at the time, but I hnve thought of It often since. There were but two conscious emo tions uppermost in my mind. I ex perienced nt once the renl horror, the nppulling tension, of feeling thnt n liv ing child was up there, cut off, terror stricken, probably sobbing for its mother, nnd tlie exciting sense thnt I was ahout to risk my life for the sake of pulling out a marvelous picture. I slipped down to the pavement. I turned, in thnt curious rnge I nlwojs. feel when I nm at white hoot. 'Don't say a word! I snapped to picture, will lie leniureu opposite nil dolph Valentino in Ceorge Melford's .niii.lfil nrndiictinn of "The Slieik." Miss Ay res will hnve the role of Diana Movo. the young English girl who foils in a number of pictures, will eo im In love with the half-savnge Arab chief- , niedintely from Hollywood to London to tain who has kidnnpped her. As paint- piny the leading feminine role in "Per ed by the author, h. M. Hull. In his petun, which is to b produced th'rt sensaiionai novei. nus ci....... ..-. is sum to he iiieniiy siiucii i" .ui.-ii- .i.i.c.s. PIIOTOI'I.AVK The following theatres obtain their pictures STANLEY Company of America, which is a of the finest productions. Ask in your locauiy uuiuiiuhb n-nm-o imuufiu Company of America. . GREAT NORTHERN 'i' nAMlP 1 1 road fit at Crlt 7 4 II l". BEBE DANIELS In "Till; MAKCII IIAKK" nut bts. isr- IMDCDIAI doril & WAI 11V11 LlirUt Mats, a ,30. li CONSTANCE TALMADGE In "I)ANir.U(H IIIHINKS' I L:L Dl Otrmunlfiwn Av n-i ! iul IwClliyil 1 cllclLt; I.fhlth Avenun JACKIE COOGAN In "PKCK'S HAD HOV" OVERBROOK,!3I,&,AAvVNIit?SmD AI.USTAIt CAST In TIIOMAH II.' INCH'S "MOTHER O' MINE" .PALACE U'14 MAI'KET flTUKKT in A. l. to 11:16 T. M. WILLIAM S. HART In "TUB WI1IST1.K" PRINrn" 10" market stkkijt rKllNL.LM m, a sr , .lB ,.. M. t Til1''-"1 !?'. akriv "SENTIMENTAL TOMMY RFP.FNT MAHKKT ST. Ilelow 17TII 1L,V.ILH 1 it.ATl A M , ,, ,, M CONSTANCE BINNEY I In "MTU A I.1TTI.K Ol'KKX" RIAI Tfl oicniiANiowN avhnuk lirU, IU AT TUM'tlllorKEN ST. D. W. CiltllTITH'S "DREAM STREET" RUBY MAItKET ST. I1EIXJW 7TII In l r ... 1 1 i. i. , ETHEL CLAYTON " In "SIIAM" SAVOY ml MAHKirr STREET JnVU..1,., . ." i" T" MIDNIGHT WALLACE REID In "TOO Mt't'll SI'KKII1' SHERWOOD Sift 2l,a Vw&o MARY PICKFORD " !iLJCliUlL,liLXili: MK noon" STANLEY , , .fj?", B,T. '"" CONSTANCE TALMADGE ' n "IXSSONSIN I.OVK" 333 MARKETnT17Vi,' TOM MIX u',ulM hi 'JA niti-TOW.N Hill Ml. I !' VICTORIA MAm''T KT ab, OTII . . ly,Mrt 0 A M to 11.15 ! M J. 5yJfK'"l,N"!!A,:H I'ltoi'VCTid.N "The Tn-Dolar Ralae" GARRULOUS CARRY NOW RAVES OVER MABEL BALLIN By HELENKLl'MPF "" miIE next time thnt you keep tin waiting" I scolded Oarry fl4 as mifch dignity ns t could muster "Will be the Inst." (Jnrry cut In ' "You've snld that before, nnd 'you Hnow thnt not even Chnrllc Chaplin darti to repent himself. Beside, you shouldnt allow yourself to get angry became It makes you look decidedly unfnslilonablj Yon must be moro reserved If you want to look beautiful. Anyway, If yoa( been where I've been you wouldn't K. bnck yet. "And where wns thnt?" I nsked. tint wanting to seem more thnn mlHI, curlniia. "inaiy "With the Halllns " she started A. that I led her to a dnvenport In n Tni corner of the lobby nnd begged her tl toll me nil. What's the use of Dplnt0t nngry at any one who prefers the IJ.i llns to well (o almost any one In th world. " m "I hnd dinner with them nt th, lnzn." Oarry began. (,. usunlw r noes oegin everything with food. jnu may have noticed. "They hnd just rSS over from the studio they're workl! at the old Metro studio on SlMy-fi".?, street, you know. ' nni "Of course. Mnbcl looked ns thonch she had just stepped out of n bnndboi. She would, even if the street fell n anj she were trampled on nnd rim over not t hnt the l'lnzn is like that. Shi wns nil in block except for mnuvc stock' Ings. nnd it on ly emphasized the won derftil electric fins, in her eyes nnd thi way- her feet Insist on dancing Slow 8STA wU.n.""n t,,c wny orS "QUE hnd the funniest experlene - yesterday. A womnn who Hi been to the first performance of th, Bnllln ti dure. "n, t. .. ,, '? telephoned her to tell her In- ..!. sne likwl t. Mabel was just wn hlnt her face had It all covered with soaw lather when she wns cnlli.,1 f i.V-irAp7 "Thinking she would talk o. ly . moment or two she went that U ' Aim uie woman talked and talked end Kre?b0,,t ',mV mucn 8l,c "d A "Mabel was so pleased th'it she hard. ly noticed the soap drying on her fM Hut nfferward! The skin .Ml p "'j off. and now she is having n terrlbl. ' !onrooi;,,s1rr u- ' ""$: the npplnuse. 'She mny be the innknj she II probably be the ruination of Z next If my fnce doesn't heal enough to take innke-up properly." ,""u"n "But what nbout. Hugo Hallin'" T nsked "Whnt nbout his i"n fr bringing true decorative ideas In , p" fs-"'"' "bout l,is wonderful ef. "That's It!' r.nni- ti.l ...i.i. . fects. I novor kll0,v nIy n)e w, wni.tnnT,,,Wf hn ',p,Iltf,"'-V ami n constantly. He never nnnovs mhi br being Informntive. He Ms nlniost .. amusing ., his wife Is beautiful " A ND that reminds me. you mustn't . i "pJ!k i f"'r,'"'n"t.v if you want L"CPIV h,or ,Mi.I-.lilp. She gets so tired of having her looks eternally praised. She doesn't want any prn ft for some hlng she didn't do herself. She d rather you d sny something nict nbout her nctlng. And " But whatever (Jnrry was nbout ti sny- seemed utterly unimportant. It suddenly occurred to me flint the oH Metro studio where the Bnlllno wer working wns only three blocks away. Harry Carey's Baby a Horseman Ann Forrest Going to London Ann Forrest whn lum ,, !.,.,, i..j. i miner rue direction of John S. Hobert" under tlie direction of John S. son. i'iiiiToriMVB through the guarantee of HflTH'Uy, for the theatre ( a&j me oianiey COMMNr f . Of AWCRIC M!lfiy The NIXON-NlfDLINGERl I THEATRES jj I ! BELMONT "'.s'i m - Doub-; "''HTAK CAST In UAI.I'II INCH'S BUI U. "RED FOAM" CEDAR C0T" CEDAH AVE.VUH . I ." 3. 8:30 to 11 P.M. MAE MARSH In 'NOHODV.s Kill" ! COLISEUM Mriri ,Mnhio8 PAIIf IMC PDrnrn'ii'i wuhiij, I-Iciyc.tIUfV In "HAI.VAfiK" JUMBO FRONT ST. & OinARD A .liimho June, on Fnmkford "W EARLE WILLIAMS In "DIAMONDS ADnifT" .-' ': I LEADER lST lancabtbh avb. I , --rti-'i-l matinih: dmlt 1 ETHEL CLAYTON In "NII.IM" LOCUST Mli & '-OCt-'ST HTRKKTS 7,.'" '10. S:3i' l-,r .1 30 to It PRISCILLA DEAN In "IIKI'ITATION" STRAND OnnMANTOXVN AVE. ,fi?c.. T VPNANOn srilEBT ( OSMOI'm.lTAN I'nODITTION "The Woman God Changed" AT OTHER THEATRES MEMBERS OF M.P.T.O.A. riprmnnlnurn t'510 Oermanlnna Av uermantown .vatinefj dail,t BETTY COMPSON In "IMMNnVfrnu iir i ni-fii irrrpnnvi on. ui. at. ,i j C.r r ClOUlN -m'av'kB DAILT BERT LYTELL In "THE .MISI.IUDINn I.ADV" PARK W'XJE AVE. i DAUPHIN St, I nii j,Hl ., )r, PB- nistolt SESSUE HAYAKAWA In "HI.ACK HOSKS" WEST ALLEGHENY -"5,1SJi "IMt. JALK.KNIFK MAIMTd Rl ,,,! 'Ala , ii ili '.-. t...
Significant historical Pennsylvania newspapers