v V 'fJ7i ' x .., it iV-J H. him vlw EVENING TUB&IC LEPQERrKiLAt)ELIHIA, FRIDAY, MAY" 27 '1921 TiT-rr 1 -.-- ---" K ----... a - - ) , . nm . r e ' - cTjfie, D aily Movie Magazine VlGities Up California Studios '"SUNSHINE SAMBO" IS EVERYBODY'S PET IN LLOYD STUDIOS to Enter Our Movie Contest r .' t .. ChttiliflE j Jr ' ' - T"-""" iu f'v LJ - FOR YOUR SCRAPBOOK OF STARS li 1 j . . j 'j j TODAYS HONOR ROLL IN MOVIE BEAUTY CONTEST iv? n ? R ) Miss Gladys Ware IP us in Baltimore Station, With Ticket West Bought, When She Heard of This Offer and She Came Right Up Here to Get In TtiE MOVIE BEAUTY CONTESTIN A NUTSHELL THE lictznootl Film Co. vvnntR to find throe sirls of a fresh, nttrnctlvc t.vpo for tlir-ir series of "Toonerrllle Trolley" comedies. p have o?reed to finil these slrl through a contet. To enter (.Imply scntl'jonr photogrnph atldicwil to "Movie llenuty Contest." Kvkninh I'UIi Liu TiEDfir.K, Sixth nnd Chestnut street. The winners will be employed first in minor parts ut $40 n week. The best of the three will then be given the lending pnrt in the neU film ut $100 a vvcpk The other two. If they i-liow Mifficlctit talent, will be further trained with a view to filling the lending part Inter. The photograph will be judged by n committee of three well-known photographers Theodore T. Mnreeau. 1(10!) Chestnut Mreet : Klias tloldensky, 170.r Chestnut itreet: William Shewell Kills, 1012 Chestnut street and two famous artWts Leopold Scyffert and Miss Harriet Sartain, ptlnelpal of the School of Design for Women. No time limit has yet been vet for the termination of 'this contest fr WAR about .'o'clock in the afternoon ycitcrday and tec were tented at our comfortable dcik looking oirr some of the photographs that had been sent in for the Movie lleauty Contci'. There was a knock on the dooi. ' Come in." wc said, teithaut looking up. "Wc heard the door open, hut not dreaming of antthing except the fact that f had to get "copy" ready for the next day, wc did not look up. "A-hcm." wc heard in a dainty feminine voice. Wo jumped. Looking up rc saw a most attractive young lady, mho milcd upon us a smile that radiotttl through fAc whole dingy office. ''Are you the moving-pictvrc editor!" she asked, and with much dignity wc replied. "Yes. ma'am." "You're juit the peison I am looking for," said our visitor. "My name is Gladys Ware, and I've come alt the leny from Baltimore to ice you." "I 'VE come here to go into the wnnt to win that prize you nre oITering and I'm going to win it. If hard work, nil ambition mean am thins-" ."Yes. ve". go on." we evlaimed: "your stnr.v interests us." "This bag." anil she pointed to tlo one she was carrying, "was all packed l for n trip to ( nllrornto. "You sen. it was this vvnj : For sev eral weeks I Imd determined that my ambition to become a motion -picture tar inukt be realized. So 1 had mr bag and trunks all packed and n ticket I bought for I,os Angeles, where I wus told the motion -picture industry gave 'igntccn. the greatest possibilities. nnnnTItv p.f,vTTf Q "I had got ns far as the station ami R "OROTin FARM'S! V wns wniting for the train that wo3,ll. THE ENIOSIA : to take me West. While sitting in the A riddle to be solved on pain of station I picked up a ennj of the death or loss of nny sort : searching for Evem.no l't nuc Lkdoer. of I'hiln-I persons; mistaken identity, etc. delDhta. and dis(oered that this news paper wns offering just the prospects that I had dreamed of. "It did not take me long to cancel Biy California tran-portatlon and come up to Philadelphia instead. And here I shnll tn until the Hetzwond Film Co. gives me mv opportunity For I am determined to be a success in films, and 1 know I shall succeed I . "You'd probablj like to be n dramatic sensation Ilk- .Man IVkfnrd or Pauline Fredericks?" we suggested. "No. sir ' replied our aspirant proinptlj "I want to be a comedienne and make l he world laugh. And don't tnisunderstand me I don't want to make a million dollars, either. To me the grandest achievement is to bring laughter nml sunshine into the world 1 nave seen so iniicii sorrow aim sau- sympathetic he may hae some reason ncss in m lifetime that 1 determined for what lie does. that one of the greatesr blessings thutiji) M VDN'FSS Is giver, to us is to bring smiles and bhgrnee or' brougnt about bv cheerfuln-ss into the ives of those ho mmincss . comlP situations resulting have s,rio.is problems confronting, tI,rollRll M1ipornrv insanitv. rCMm"'K thcm ... 17. FATAL IMPRUDENCE: itnn nt i vsil- tr P,i.t,.r ,.' 00 I I.LASK. Mr Editor won t 's'jou ue so uiiiii as io coiisiiiei inn serloush and to icnlize that I am not j going into pictures from a merceniirv MaimiioiTii. imh wiiii ijif niiii nun i may be the means of bringing a smile and n little cheerfulness into others' lives? "And in ordei to realize tills ambi tion I am willing to pla etra p.irts .1 I .t ll 1 1 or nmtlmie eUe that will help me up ' the ladder v v asMiiri'ii i it voting lad.v that it is this spirit that is sure to win success fora girl I'nfortiinaielj w,. ourselves ill have nothing to do with the awarding of buck" to a him of nminnut artists and photographers. . .' Rut we do hope litile Miss 'al gets her t banc Nazimova Returns West: Plans 'ire Indefinite jvtadami: alla nazimova. ' famous stage and screen .stur, has gone back to Los Anireles. after en Joying a rest in Vevv York and taking In th)1 thentiiinl nnd motion-picture hows nloiig Itroiulwm , NazimoMi arrived in New York junf In time to take pait in the big iinnual show of the Ai'lors' Konitv Assoem. tion nt the Metropolitan Opein House on ,iih - wnen sin' ntmeiirei vv t h r.tnei rniTvmove Thomas Meighnn. Jane Cowl John I.aekaye Lniirett'' gilson. John Drew Stars of the stnge She took pint ii Lillian Russell, De Wolf Hopper, llnrrvmore. Wilton I Tavlnr. Elsie IV,. ' and more than ;oo .uxl screen i a trnvestv on mo- tion picture actors and nctmscs nnd the applause which greeted her was so tremendous that she was (impelled to Step to the froul of the st.ige and make fl.speech The fact that Madame Xa.iiuova has terminated lit cut met with Metro Pictures Corpointion, following her loit production. Caniille." has led to nil sorts of rumors as to her future I plans IN SOME quartcis it is s.ud she mn.v return to the speaking stnse in a re vival of Ibsen plnvs or in n new spec tacular drama submitted to her while In New York. To nil inquiries she merely snys "M.v plnns have not been settled " She is said to be greatly interested in the proiect to appear in u stage piny written, directed ami acted entirely In women Rut. aside from admitting that she is n dyed-in-the-wool feminist, file will not declare herself. When Vnzlmoia lenrned that "The Cabinet of Dr Callgnrl" had been barred from presentation in Los An Roles, she expressed u desire to see it before returning to the Pacific Const .Consequently the (loldwyn compnnv Rttve it prlvnle showing of the picture Us hrr honor, Aecoiiipniilcil bv lice huslmiid. Cinch's 'Rrjnut, nml her imiuugcr, WIMI'iin U , f. ..... X'..t ..Ml ....!.... !. l..u .iyj iMMiurivr, oHAiuiuvH l. in in 1 1. 1 .11 i..."i t)KiH him wcck. ending a yacauoa that lusted only tlftetri cen Uayn. , " Js 28 SITUATIONS FOR SCRIPT PLOTS TO AID WRITERS VWftffMV. Ifnf Dorothy Far- n u in, scenario writer for the Whit man Dennett-First Xational produc 'i'om. told, in hrr regular weekly article, hoir script writers can be helped by a knowledge of the various "nlot situa- tioni.'' Fthc qave a lift of ten of these situation. llelow arc the other 12. OI1TA1NINO: Oetting an object by ruse or by force ; the most natural of human situations obtaining love, inouev, power or justice. l.'S. ENMITY OF KINS.ME.V : Hatred between relatives for reasons of self-interest; trying to alter terms of the will. etc. ; jealousy between mother-in-law and daughter-in-law n very usual situation. U IHVAI.UY OF KINSMEN: When brothers or relatives of nny ort are rivals for the same loo or the same purpose. 1.". BETRAYED HUSRAND OR WIFE: This includes the outlawing of ties of affection, duty, or cratitude. Tt mm- also be handled so that the hetrvrp i'u Curiosity, the cause of misfortune or 1Ml(inop. !mpru,JpncP tb rnuse of dealli or or self. misfortune to lover, relative jh INVOU'NTAKV CRIMES OK J.O t;: Discoverv that one has married one's sister, etc. This is not feasible for I prcsent-daj movie une, but some writers have given it another twist. For in- (f.irm. Tli'i. nn.nln 1...1 ! .. .. ! .1 14111,. " " 1M IMK. lll'111'V 11111 Lllllll UpH brot,,pr ',, ht f , "' ' not marry, but the relationship is cleared up and nil ends happily. 10. SLAYING OF A KINSMAN I'N RECOONIZEI): This is a most dramiti situation and it attains n higli degrfc of emo- tion. both in . suspense before surli an i..i: act is (omiiutteil. or in the horror j s something x- ' nfterwatd There WALLACE REID SMASHED UP $30,000 W'ORTH OF FURNITURE iWJB IHn'ilri!HHHPK QLCl'RING $.'10,000 worth of ftirnl O ture for a single interior set ting and i.f..re tin. uorr nu Hicn smashing thnt furniture be (illliern is realistic Illlt expensive. Yet that is whnt Cecil R. De Mllle did, in his nrn.li'ctiou of "The Affairs of , vnnioi. noun nin r,jn i- .iuii on the screen. The sctthi" n. iucsioii serves ns n I liaikgioiiud for it pnrt of the story pur- , 1 I... Vt. .!!,... IF..1.I XV.. ,..!.. 11.... iiii.u I.. ii inline j. ... , .......... ...in- i.iey unu jncouore iiouciiu. i n nn jiitra-iuxurjout, apanment onu iiowaru fiv vYxn-'wBasrfefc-- .? AvS-. Kgf.'fc imjgs 1 M&BL YlfiHHMI:MH H' H'" - ' M7 OTDREY DAWN HUEBHER, VA' 4f 4041 LocuQt 'Sir. - r LENA NOR-MsN 609 H.Marsrtall St. cccdingly pathetic in seeing u person wnll:ing into this trap unknowing. One may niso use ins suuauon Dy plotting sr :zAT:LLTtivv' uoumTohb'' chnr'8 liusban" for ,,,c R0" 20' ISrP,,A,V-ACK,rlCl: r0U AN '-'''' ORSTACLESTOLOVE: mi ".: i Marrlnge prevnted b iuenunlitj of This situation is uscti. perhaps, more , fortunp ; rnnk . or 0H -ac t.nIlnt of the than any of the others, since it In- . rlltonKpn,pnt 0f a lover with another, eludes whatever is important m h " - Tills situation mav be used for drama man experience. It meuns the sacrifice i op conic,iv. For inMnnce, In "Wedding of all tiis of interest. p.ission. life it- nriH- the situation is rendered ilell self. As the Hible .said: (.renter lovo ,.jolI,v funnv, because the hero imagines bath no man than this, that he la ( that his ex-wlfe has iiiiirriwl again ami down his life for his friend. cannot understand all of her machiim- It may be life, tt innj be happmibs, i ttonSi believing her to be the wife of it ma he love! The situation mav be another, developed in many forms. Ambition, , ;6. AN ENEMY LOVED: sacrifice for happiness you can take i The greatest example of this is Romeo this, making n virtue of it. or making nnd Juliet, nnd into tiiut ston comes a vice of it Rlood given to tide over several other dramatic Mituntions. For a person in operation; love sacrificed Instance, that of "Abduction." in the for the sake of parents, or the hop- i elopement, then, with triple effect comes tiines of one s cmio. or or nnoiner, dear to one: sacrincc en used, by un just lic-s: modesty or virtue sacrificed foi the life or well-being of a loved one. 21. FATAL PASSION: Futuie ruined bv a love, vows broken: homes broken up, fortunes I lost, etc, 22. NECESSITY OF SACRIFICING LOVED ONES: (Jiving one's beloved for war. silling a daughter for moimy. 211. RIVALRY OF SUPERIOR AND INFERIOR: A rich man against the poor youth : a siren against a simple girl; rivalry of rich and poor, of king and vassal; ri vitlr.v between one who is flee and one who has not the right to lovo; rivalry between an honorable person and one under suspicion, rivalry between u memory of nu ideal and a living person. Higgin piomicuoii iiiuimger, wus iu- "truetcd to spare no expense rhe """i'1 w" an nttinctive suite , designed by Paul Irihe furnished withi , nlmiovlmntnlv $.t(l (Vin unrlli nf t.irnl ture This Included n valuable set of Louis XVI Hialrs. n niagullicpnt carved pooiogrupii case ot unique design, n amnil pliiuo, liiiiip", mirrors, tables, u iicsk nun u lounge. l the 1 iimi of this episode Wnl . iu. w linn nun iiiMiiiiHii io run umucK. luce Reld was insiiiiiteil to run umucK. Minaa unz evcrjtiunjr Drrahablr In the tvt. The orucra were comprehensive1 This can be twisted and turned, ud in- IinitUIn. 24. DISCOVERY OF THE DIS- HONOR OF A LOMJD ONE: Discoverv of u mother's or father's shame: of n daughter's dishonor; dls- covcry that one's lover is n scoundrel ; I modern screen drnmas. or one's sweetheart or wife a woman ot The work is no longer nlmost wholly bad chaructcr. This enn be developed. ' physical, as in the days when the West with the duty of leaving or of punishing mi melodrama was the most popular a person who is not wormy. -n ex ample of this would be the duty of pun- !,., - n.Q -.., . .. ,., ' "l.oss of i.oveu unes : iiomeo iv licves Juliet dead, and kills himself. Juliet actually finds Romeo dead when she awakens, and kills herself Shake speare took these situations, developed I and tvvisteii them jo great eitect(. 27. REMORSE : With remorse for a motive the char acters of a ploy may be led into iinv of the other situations. For insUimc. into "The Sacrifice of One's Self foi an Ideal." or from any of the othei situations, obviously, they may be led I into remorse. 28. RECOVERY OF A LOST ONE : The finding of a missing heir: or the patching up of n lovers' quarrel. In this situntion may also be Included t lint of "Loss of Loved Ones" with all of its attciidiint d'amn. Ifm rarniim's answers to oric.pon dents will be printed tonioriow. and Reld obeyed them to the letter Not one stick of furniture n original shape and posit vnndallsm aiis complete! remained in its tion when the I slug the smaller pieces or furniture is bludgeons, Uild shuttered evcryiiiing n sight while tne cameras clicked just I'slug the smaller pieces of furniture as I out of range of h's blows, Mirrors, lamps, chairs, phonograph nnd piano were demolished one by inn . As a con elusion to the .ccne, the husky tin' I seized the huge overstufful divan nnd I seized the Huge overstiilKd illvnn nnd hurled it bodily through the French doom at one end of the set, i BEATRICE ROBERTS, -5I3 Ludlow St. CASTING DIRECTOR DECLARES BRAINS THE FIRST ESSENTIAL Ry LOUIS SL OOODSTADT I Casting director at the Lanky Studio, i Hollywood) THE requirements of motion-picture acting nre harder to meet now than I .... l.Af..nA T.!1. . i.J... . !.!.. 1,1 uiiiii,. I lull Mill IV II1C Ill-Ill written , with greater enre, many of them by the foremost authors of the world. Greater psychology, less super ficiality in plot nnd treatment, more subtlety, higher ideals, greater discrim ination on the part of the public, more thought thnn mere action these are the developments of the photoplay that linrn rlrtmnnilnil frnnt tlin nptnr mnrp .i, :,, .i, i,i ,i,u -(l nr f,(ittini--fev lecruits from the speaking stngc nowadays. We must divelop our own people and they must have the mental equipment to be nblc properly to portray the characters of the Says Brains Are Needed LOl IS l. GOODSTADT Casting din (tor nt Lasky Holly wood Studio, who talks of essen- tiuls to siaoess on screen. type of picture i ntertainment. So the actor or actress vvlio would achieve uny ptomilieilie niust be nljle to think lis will as int. for no longer does the dl teitor do the lliinking for the player. uie model ii director tells the actor wnat lie is supposiii to do. The latter bos ic.id the script just as a stage nctor would rend ami study his pnrt. Then the director watches him do the work and depends on his mentality nnd abil ity to develop his own miicentioii. Afterward the director may polish off flic portrayal bv words of advice or sug gestion, but it is up to the nctor to be nble to conceive nod iuteiprct n given lole Willi intelligeiue if he Is to sue ccid ut nil. T, HERE wns never n Ik tier time. herefoie. than the iiicsenl for first guide actors and aftrcises Theie are never too ninny of that kind nnd the shortuge is tquivnlcnt to tlic shoitnge of good hank presidents or otliils wiio lend ill great industries or profess. ons There is nnd presumably will be . lenty of room at the top Hut vou ' --.. 1..I ..! .1. - .. . I i nu hum' .. our iiru 01 (lose who are at the bottom. There is still a good (ippni (unity for the "evtru" to develop, hut it depends on his nduptahllity mid It is a lung and slow process, totalling years of hard work, Everv one must tecognue thnt the art of the motion picture Is grt titer thnn the art of the stage Whv '' llceuiise the screen actor bus not the use of his voice ns nu aid to expression, neither lins he the wiill of light from the side nnd foot lights to soften the face. nor the audience as an inspiration For the young man or vionun enter ing the profession by whatever routo If Is neiessiiry lli.it he (or she) shall linovv that II leunlrcs the smite mifiinil ,l.ll. 'lly, Hie s.ime iippllciitimi. the same amount or hard study, ilisiippolntmcnt nnd dogged peisevermire thnt it does to succeed in miy ml, such us iniislc or paint lug pei haps mom so. Above all. let me ngnin emphasize the impiiitiini e of ni'iitnl qualities. Education study, natural intelli gence whetted by upplication and am bition, observation nnd native talent 1,11 these nre essential to those who would achieve luurels In the front ranks ol lilimlom, Hut it Is in just such ways that the pioilucers must olituln their future i fesslon becomlus.8 wpcclnll.ed one whose inlcii' for siireiy miu svvntiy is t lie pro . fesslon becomius,8 wprcutiucii one whose follow crs must pursue It wtli constancy ' and fulth In its .future. f ', s STRANGE to nny. rnce prejudice is much modilleil In the motion-picture world. One of8 the most popular of screen juveniles Is n little lad known around the lot of the Dal E. Roach Film Co. nt Culver City, Calif., ns "Sunshine Sambo." Frederick Ernest Morrison is his real, hoiiest-to-Roodness name, and no Harold Lloyd or Snub Pollnrd comedy would be considered complete without him. He is the company mascot. And if you think that little lad isn't beloved of the white players nnd just naturally spoiled to death, you ought to hang around the lot for a wliUe and sec for yourself. "Where's Sambo?" Lloyd will sing out if the little "pick" Isn't on the job. "Not here yet." the director will re ply loudly, wlnklne. "Thats too bad," Llovd will call hack. "Not sick or any thing?" he will inquire, casually. And then: "It's, too bnd If he Is, becnuc 1 found a right nice jnckknlfe " A shriek will come from under some prop, mid "Sunshine" will scramble out and bccill n senrch of the famous comedian's pockets. The diminutive tictnr who bos made such a hit with his employers, his fel low players and the public lives with his parents nnd two baby sisters in Los Angeles. His father runs n grocery store, and the two little sisters aren't yet old enough to understand what It meaiiH to liuvc a successful movie uctor in the family. "Sunshine" himself Isn'l much 1m. pressed with his own importance. He J win mrsnse nny press agent living for n vniiilln ice cream cone. His father, Joseph Morrison, snvs that "Ernie" got Into the pictures quite by accident. "I was rook.-" he said, "to n pro ducer who was featuring little Slnrie Osborne. One evening nt dinner I overheard him say to his guests thnt he wished he could find a comical colored baby to appear in pictures with Ruby Mane. Of course, tiiev vvnnted a funnv contrast n little black baby to set ofT the dimpled blonde beauty of Rabv Marie. " 'Excuse me. sir.' I put in, 'but I've got a little shnver Hi home that might just suit you.' "They said thev'd like to see him. so I biought little Ernie nut. They liked his sunny smile nnd engaged him nt nice. "After the Rnby Slnrie contract ran out the Rolin Film Co. wanted him nnd sii'iicd him up for a salary that nenrlv knocked me over. I guess my little boy is the highest pnid colored man in the world. Yes. ma'mn. he's got a bank in count that'll menu n lot to him Inter on. He thinks now thnt when he grows up he wants to keep right on being an 'actor' like Mr. Lloyd, he says. Anil Mi. Lloyd says m boy's got real talent, so there's no knowing," rilOTOI'I.AlS ALJ,,, l-'th Morris K Paeiunk Av rtinamora .r.,i imuvmis i.v.-a.u.ts&ti .VI.KT. I.AKi: In "BODY AND SOUL" ALLEGHENY tfr-S & SU DOUGLAS FAIRBANKS In "TUP, NUT" ADni I C f'-D 'l'HO.MP.ON STS. rtrULLVJ MArlNi:w nvn.v THOMAS MEIGHAN in "im: ritiiNiii.ii or iin: hiAiis" ARCADIA t;ifYT,r.3!V BEBE DANIELS In "I WO WKKKN V.IIT1I I'Al ' ACTOD t(KI.l.' ouiaiu) AVE. fAsJ 1 VIN M.TiP HMI.Y WALLACE REID ut "niK i.ovr. M'f.ciAi." baEtimore'TaVW I l"V I- JTlNV In "MILESTONES" MM (,4TH AND WOODLANO AVK ,1MN m.v rtv'' nvtt v DOUGLAS FAIRBANKS in "iin; MT" BLUEBIRD ,iroad,. "ZV???u CHARLES RAY In "IS VHMU.S litOM HIIII.VnWVT" BROADWAY ,,!?afl A "?."" e" NORMA TALMADGE In "Till. l'W.ON 1'I.OWKIl" BJ c. C ! Uroi1 bet KrleAv road bt. Uasino mat dvh.y 1IONTI III' V N !"'' " VT hr "THE KENTUCKIANS" CArl 1 VJLi in a yr m ii ir. M MVimi'AM Nl.ir N' PHoiHTTMV "Bob Hampton of Placer" COLONIAL ",n.. ii rYT CONSTANCE TALMADGE in "(.ooi) Hrrr.iiKNtT.s" DARBY THEATRE WILLIAM FARNUM in "ins rmKvrKsr sAruint r." EMPRESS" MAI.T8irvrvMOTN'K WILLIAM S. HART in "o'Mi.i.i:i or t m: miiinti.ii1 A"li1rM IMT 2tli (ilranl Ave. rAIIMVlVJUII I vivtivki: DAILY VIOLA DANA In Tin; orr tuinnr. piuatk" rrA1M V THKATriBtatl Mnrk.t St. 1 AlVllLjI s mi. MMiMUIIT GLADYS WALTON In "IIKKI'KKATK MIlTH" CTI I CT TIirVTHi: lli-lnw Spruc 30111 Jl. '"T'"-': 11A1LY GEORGE ARLISS in "Hit1; ii;n." FRANKFORD ",ri;?XD THOMAS MEIGHAN in "Tin: ntoNTinu or tut. ntaks" ri rMat? BO"! MAHKT.T HT Vj1WDI i r,,3Q to ii BEBE DANIELS in "Mii; u i.uvi iin.r ir" GREAT NORTHERN TrWu WILLIAM FARNUM ' In "IMS GKUATK.ST SACnillOe" "PHOTO PLAYTV s COMPANY r y r 'Sfc 1BSirJIJSi.i-&",3ilm('ftV!3mimf&Gtl ,' .1 ' UJ -j.&rtot IIELENE Mrs. Hoyt Not to Quit Press ngents have a snd way of mak ing' mistakes. Take the case of Sirs. Lydig Hoyt. Every society column in New York carried the nunouncement she would remain nbroad for six months. Now six months away from the center of activity is, as every one knows, fatal to n career, and Sirs. Hoyt is determined, come what may, to carve her career on the motion picture screen. She hns finished her work as. Julia Hoyt in "The Wonderful Thing" nnd when she returns iu the fall or whenever she does return she will have, according to her business manager. Reiilah Living Monc, some splendid offers to consider. riioTOPi.ws The following theatres obtain their pictures through the STANLEY Company of America, which is a guarantee of early showing of the finest productions. Ask for the theatre in your locality obtaining pictures through the Stanley Company of America. IMPFRIAI t0'nl WALNUT STS. ""' L,lxlrtL' Mats. J::io. i:vta. 7 4 U ,... At'l'STAIl CAST In "SON OF TARZAN" NO, 13 IMPFRIAI 2D AND ropLAn, sua CONSTANCE TALMADGE In "Till; I'OtTKCT WOJIAN" Lehigh Palace u"ra'n,,0?hU "ud. INA CLAJRE In "I'OI.IA MITII A I'AST" I IRPRTY no.t t coi.i'miiia av. Liiubix I i yrvriN i-i-; nvti.Y WANDA HAWLEY in "iikji intST ki.oii:mi:nt" MODF1 4-'r' Ks'TH ST. IVIV.IL-.L. Cnntlniinu" fro N I.1STAII ClkT Ir Orrtieiir'a. m I to 11 "THE STEALERS" OVERBROOKf1' rv,, "A PERFECT WOMAN" AiiH'Iff nf Ovcrlirook I'otl Amrrlrun Lrxlon PALACE 1214 mahki:t BrnKETT 10 A M to 11 P. M. TOM MOORE IIOI.ll Hiril 1IOUNF.S" In PRINCESS, 1018 MAHKKT RTIIKKT 'S-.10 A M . to I1-13J'. M. MIMII'I ll' "DANGEROUS MOMENT" RFP.FNT MAIIKBT ST. rielow 17T11 IM-VJI.I'M I (,.47; , m, to 11 I Jl. III'I.H ronrt't pimiiiittiiiv "THE GREAT DAY" RIAl TO okhmantouw avbnub 11-I. I y it Tl't l'm"KES ST SHIRLEY MASON " In 'Till: LAJII'I.K.IITKK" R JRY MAIUCRT 4T BELOW 7TH KUDT ,1rrJ.,tAVJ""-ia,-M' "THE CALL OF YOUTH" SAVOY ,JU MAHKHT stri:kt Jt- VU I ha. M TO MIPNtailT Af.I-8TAU TAKT In "HEARTS ARE TRUMPS" SHERWOOD B,Vvr "rf oA-Vo WILLIAM S. HART" . in "o'mai.i.kv or tiii: moi'.ntkdm STANI FY MAnicirr at iotii km ivlru v V "'"' "SENTIMENTAL TOMMY" STANTON MAnKni Aho ith sJirtnivjn,n.r,A m. toii.ir. p m .MAnKIIAI.I. vit,vvm "HOUICTION "DINTY" 333 MARKET,,"!",'? WV,!5 WILLIAMS. HART In "O'MAI.I.KV OP TIIK MOINTKO" VICTORIA MAKI3T ST. lib OTH KN il lf"N l m-vvm 'fitiviiv "A SMALL TOWN IDOL" VM PENN tl I-ncater M. V .- . . Vniinll Ami Plrliin-. Noriic. Tnln.mlrn n,l !,..,,. ((Il.l.n Ii. "GHOSTS OF YESTERDAY" AT WEST CHESTER R ALTO u.ix m "IIANOrt OFF" "ANIIA IIAUI.KV in 'lrr l'ir.t Kl9nfrntn" IDLE HOUR .'.'V- sStf ?; vvs CIIADW'ICK Tyrone Power to Be Producer Tyrone Power finished his work in "Footfnll.s" nt the Fox New York studio last Saturday and left on Mon day' morning "for his summer home on Islc-Aux-Noix, Quebec. There tie is to turn producer for the time being and make his own picture, culled "A Sum mer's Day," which is a story of the boatmen of the Richlicu River. On its completion Sir. Power will start study ing for "The Wandering Jew," which David Rclasco is to produce next sea son. rmrlon.AVH MompuYr k. C0MMNY y . .O'AMUICA G7 The NIXON-NIRDLINGER, 0 THEATRES A VFNl IF 25th s- nl Allegheny Ave. rV LIWJU. MAT1NKU OAII.T Al.tSTAR CAHT In "REVENGE OF TARZAN" RFI MONT C2D ADOVB MAnKET I-L.lViWll 1 i .;io A :t n.l AM to 11 VERA GORDON in "inK.vrr.sr lovk" PFHAR C0T cEDAii AVENua U,LtI i .an ! a, 6:43 to It OWEN MOORE- In 'TIIICKKN IN TIIK TASF." COLISEUM MAU"AETS AI.UfTAIl f'AHT In .. .. "It Might Happen to You" II IIURn rilONT ST t- OinAIlD AVI JU1Y1DVJ lunilm tunc, on Krarlifnrd "t. mahomiita fiiii'h a vaoki. nvBRiKu "HER MUTUAL CHILD" I 17 ArCD I1ST i LANCASTER AVI. L.ILAUIl.r MATINF.K OAILT AI.lSTFl r "COUNTY AM,-s,Tn CAST l FAIR" I OP! 1QT MD AND LOCl'RT 8TIIEET8 LULUiJImiiu i:,in fl-sn v.e (1.30 to 11 BETTY COMPSON In "I'lllSONKItH OF I.OII!" NIXON ANU MAU,li. St NSHINi: f OVIKIlV "NIGHT BEFORE" RIVOLI o:u AND v-;!.:s".f MLKWIl IAWI" "GOOD BAD WIFE" STRAND ""'rionKW DOUGLAS FAIRBANKS In "TIIK Nl'T" I AT OTHER THEATRES J AURORA SIM "TlTINBK wiw OKOItriK IlKKllAN In ,M,f "ONE MAN IN A MILLION' CENTURY 'VVtVkk and Glh It K 2110 . I.ON rilANKY A I'EIf f !J'i' .'liiHf i rilANKY A I'RIjril, "OUTSIDE THE Fay's Knickerbocker V rnniNNE r.RIFF r.irket .. o,,n in 10 ' In "Hint Im Vonr lleiiuliillon H'orlht" G. BSin Oermantown ii ermantown matineb oailt W.M. CltANK V ni'MTKII UKATU.i "SAPHEAD" JEFFERSON 'WMAY' ALICE BRADY . In "Ol'T OF TIIK rilOBV" PA Rl n'DOK A'B. A HAUPHW r Arxrv Mat sub ev. ws to DOItOTII V MMI.MI'J,1"B, u "ONCE TO EVERY WOMAN7 SPRUCE 'rNSSri WILLIAM FAIRBANKS tl liV."MOMVNA HIM." v 1 w .f.ve 'Jht. J!iij""Uiuf' .--., At it ,f It? i .t)- . & && yikMj lt
Significant historical Pennsylvania newspapers