ij&&mwttimtomK&&!m"" v!$fS!!!!!?!?!!!T!!!S!f ii J ., H.i fll 'i, i t , fAA - . rT p . , 15 EYEXl!TG PUBLIC LEDGBRr-PHLLADBLPHXA. SATURDAY, MAY 7, 1921 n- w l- 4'l. N- M MOVIEGRAMS FROM SCREEN TO PAPER WHI;N Mnrvluitl Noilati ciiBnK"l 11) bcniros nf Dwnrlit CriltiMiiloii In portrnj tlio imrt of lliMioriil (.'ii'tci- in nls spiTtnriilnr pii'inri7ntiin "f "Hub Hampton nf riin-i i- " lie tlitl ii f- iurr reasons tli.ui ImtiiU'o d-itU'tiil n i n good Held Mr. Cntli'tnlni i-' I In- iiHiliew nf Init iate C'nplnlti I. .1. I'ritli-inliii. n meiiibi i of Cutor'' -f n(T. whn l..f hi- life Mclit ftlR (It tlio '-nli' nf tile Ri'lliTHl ill tin fntnotn "I.nit Stiip.l" iib'tilii"! the Smiix. Tills b.lttle lm Iwm-II li'pllllllll'Cll nil tin srcon In Air Nciluti n tin' Ms ellinnv to lii' pn-etitiiilen nf M-ili llniniilnii of l'lnccr." ulii.-lt n-ill lc the ntlrtie Uon nt t lir- Stnlili in-xl nli. As n ri".nlt nf 111 re!iitiiinliip I" Captain "ri tMilf it. tlio ni'lnr lm ttiiiil n liobbv nf ri""ireli m the life nf ('if. tcr mni Ineitlen!-. leatiins up In Ins l'i" tic. togetliu- wiili frontier (ii-tiiis ii those Un . LllillT iiotiifili nc t imi. m utk-tl In "Tlie Mi-lcuni ii Ii H i nr; l,ini pro- Dnrt It'll l.i rh vi-.tl.il nfler .1 -ni "i ririiinntle nii'l m -lo'l-niuutn- i'"le. l'"i't Tjjtrll. tli"i jniing Mi'tm -tar. reiu.ir'tcil between -.i-enes nt tin- mtitii priiilm'tum of the Onirics ( l-xlilnrd -l'nul l'i ly1' play nt tbr ciiiiipanj liidm-. Tin pk'tur" will iiuio Mn-idn to Hi1' Stan ton. "I.IUt mi maiiN draiiiHti"" iiotnr-. -ni I Mr. 1 .j tell "I bi lime n smut t mm foiiiPilj pnit" in tli I'l'iii"1 nf my mh" And I lil-i- tli-ni i-spi. ioil utter tin strain, llir nit.'i Ml; . nf mi,'1i rU u noini; t'liai'lii "tnln in ' I In- Ki AVny' nr "Alas .In nuj Valentine fN Till; nintiniii nf man.' erei n . flip rinse mi was dowsed "posine Meiliiun ' fnr tin- -tuns tlii eadee7.11 n etenf'.l t i thp W'rtllilKO (lllll ties nf tile 111 1 . and ns tl"- I'luini'mtue win unei'lalU it tlio stipe pliij-r. -the elos-e-tlt, tin nft -n been 1 1 to "rt'ltl'tcr" -..niie effect nr .aic tho star's nlii sintftinin.' Louise (ilnmn. Iiov'ier. 1 ii -n to ber public that he i an .-i-tr. - first, last and all the time e'm- 1, ill a l.oul.-e (iliuitii vi hli In. sneh a-. oomes in tin l'nlaen fnr 11 ivk '!. Jlondai. mult r the ml,.. ! A' Gullt.." I" .1 -are fhins. ni'tl "ben m ilof Hash npmi the htpi'ii it s, r" merely to lnti nity a dramati, pprmd in the stnrj . r D' lltKSSIM. tlieat ri ill his iiiinnitni'i, roijstl ,..ini'' a p. I'll tl frmi . rat.'. litieal bos where he the all-star 1 n-t in ilie Tim Mar K'.vr a of the .laek Ini-i 1 - ".' at the Vn tn it, in t w That i.lit nl N ' - 1 pnttrelj nnlil;,. Hi" .ii stnRp was the emit, . ri. . the ea-t '.!' h ,ti ii local pn iti 11111 ' "'mi that the pnlifi ia 1 l.ii iistincn-'ii'ii; Hlnta-it p tho nvcriiK" itir.en. As n n siilr nf th di Wnnl. wlio j .1 iVII'ileIII li " 11 .inn n'imi'j: prcsrntiitum "f Metro release 1 to be stum n re.il tile til s. II' ,.f til' nf Tiins ,,f ii ell known 1 his 'lO'Tl mi I is 'ittle 'i 1 mites as ,ei the '.'II- 'a's the onrt m :i the theafe ln llf!,'. ,1 11 wlllll scribed in l'i -i 1 toi- Slo'-.inn a- tii lar ron,'e)tioii nf t' r ,. , , -. r , rest maj Tin nt tii- ballot, 1 ,- 1 it Of the cnuiltl'i TIIK mas'; i.i-n hi Mn'an W .1 ui.' in "iieam tsi-'"t ' at t'i"t i. '-tn 11 OOSt S.-iImni Tli mui mis made by the inn 1 Aru rn tin ,nti-i. V T Ilendn. wlm i."ik i.p th n.iKu.i: nf these remaiKabh' fn, i.-il nmrii.pV n hobby. From tun t. tin, weoks is re quired for tlin Illli'illi" of 1 tie nf these masks, .md tl ni.siinil- pnn fho'i-im s or Mips of ntiper am M tim nioU'-! are js 1 itl forming t protluer The bus nt i, tin r 1 :, by a ki"r ' ms.e, s Of ,'0'IVKO '1 v III tn sive the niT-k a d FILM FAVORITES ON LOCAL SCREENS 'i'HBSftSHKM lEm WSSmf lair Mm. vtoaHE - && atiBE&mit&lMMBBt . BSfiffl,- EUGENE ":. IT? L&3 mMWBm r-k,lmmmmm. s mahion Hamilton ' o-drien, r jack pickford.-the mam who ; ml'mBm '' Si &$$r t agsgs. rl. everything: nsf- iis AXkCTr. 4 H 'ifUlfr 1 rMTjfVXMl Vf W 111 1 I IMI'I 1 m !Sip"Si'TiK5j)B -' Xiroi,i-, -'A '.H v VTjn':' SWf "BVm. X1 EKlVS SiiWS5TK,JBk. r. w7.- V '"" IV r"W!WvSaiHt i iV 'itiiV.'f'r. -...A". in .1 Azm&r .&& &MmsK omm ffi2its2as!SiMvT?Ji7.-vv- nti.ssLAir; SBSiSBO, RPVii a EwMuHbH Hr9mt1Ksm I VHIfcS aPyreWfi lsilir4:xMlH bei?t lytell-the misleading Hr"' !1HB vSPyEP fri M r t riiUr fr Wff B lady- 5tat-H iHii kx wind KQnrv I'VcWWtf, WkM I i9m.,. IHB i NOrTMA TALMADQE. 'cSHOSTt? fiwlh iS IFwmJKMr..Jr fei . 'Tt'- 11 IHf of yf-stepday " Cattrto1 BEHBk ''oSi hmiMm-WBMi., MW:W. t'. ' iKv3 w f..r . - WU ifl gar c J -WmW mr ,f y tlnshes '"I'll" Kid.' now a star, w,h . een WmKF W KM :5Jr 1H WHk ,--. ,.1 JK "W"" at tin' Matil" nie wei'K ot Mu ai KrZ q b' fslf BT 'Jr8 k,- ,1 lni'ipi. rnlli'king pieinre nf I', s $' 4 Kj: , y ij Bi 7 'JHBBlkL- I'.ad lioi ' 'I'hnse win, hae , , I It i M H. ! J IF? flBBIIllHCV V it in nrewiws saj it ples 1 "i n n, ., V 2 B3fc. ZZ Swf & 1 JEIEfVlllHf $rS hrnader nipni'tiinitu" than th"-' H J t ? V sOs'ilHKiHijiiH' Mfli ft H MBi 5$ s WUiaiS-- ii'.... Bs3 1 lc!a.v, - -rrr . S. i JffA ,- RALPH GOAVES and CATOL PEMP5Tt.T? ; g5 J i ZJ$SZ' xk "DREAM STREET" Criostu-u-b , kir ' W&k-. I rJmffl&k wf$ -- .! BPH - y-Jnft' 'riMi-F'Tf W Smi nii'iiitcetiin '' mm ffisi ffil , . . FfflWi illl i i r-i l- "1 i rt X. 'U TiiiVi'f i)f 1 . ..vj ..i?-'. a -. jfl..jj-.i ir s. - ' -' '.rr. s ii 1VJ3- 2 K. may now nccm to us, It may be that In I ft few yenrs Bchocnberg, Hfcrlablno nnil'j the others jnay be acclaimed hh creat melodists, lint an to Iiarnionizntlon, there is unquestionably much lit tlio modern system which will be perma nent. THEKHF0R13, the musician is'wotk-j liift In tho dark In the nltcmpl to "lilaeu" modern composers and com-, positions. The probable truth Ih that, While many of the principled now bclnc worked out by tho modern composers will rcnialti permanently In the music of the future, the treat majority of ntesent-dnv conmosltlon will not Hiir- I vivc lottB the life tenure of the com J posers, 1 .Much is made by the ultra-modcrn-i Istlt: admirers of the fart that both i Jlrahms and Wagner, to say nothing of eminllv orcnt pomnnsprn of earlier pe riods, were not appreciated during their lives, and tncy point to tnesc unite nlable facts ns proof of the genius nf the extreme modernists. Hut It should not be forgotten that Urnhms and Wagner were only two.out of thousands nf com. posers who lived nntl wrought and whose works arc oven now completely forgotten. In music, like everything else, for every genius there arc hun dreds of those who do not "nrrlvc." , "LAB0HEME" SUNG ' I At the second of the four Han Carlo performances of grand opern at the i Metropolitan Opera House Inst evening "Ln Hohcnic" was presented to n con siderably more numerous audience than that attending "Toscn" on the opening night. ' , ' The vocal honors were evenly divided lietwern Otirena Mnrlo. the Mini!, and I'iladc Slnagrn. the Uudnlfo, both of (whom sang brilliantly their arlous arias, nnd rarely has the familiar "I , Am a l'oct" of Itotlolfo been better rendered than by Hlnagra. Nor were they nlonc responsible for1 the vocal delight of the performance, for Musctta's song In the second net as rendered by Miss Keltic was ns artis tic ns nn y of the numbers, end the Mar cel of Mnrlo Vnlle. the admirable Col- line of Henri Scott. Philadelphia's most distinguished contributor to the operatic ,stngc, nnd the Shannon! of Manuel Pcrc7. were all faithfully nssUmcd nnd well sung, and there was fine harmony in nil of the concerted numbers. The entire performance moved with unusual precision. The chorus and the little stage pageant of the second act were in hnrmony, vocally nnd otiicr Wlhc. with tlio general ntmnsphere, nnd the large orchestra, under the direction of Gaetnno Mcrola, gave a fine nnd fin ished rending of the beautiful instru mental score. 'dune .v.-s .s .le sue of e tillisll ' '".' Ih. an si '.imti I '"j, t hi r sre.it art. - nhilitj to expression, -niHTY ( ti.Ml'Mi.V -LJ htnrdutn wa tl ien!t ' ntirk.ibl" poflrnjnl of the r Sirl ,.t the (imirgc I.nnne Tn diictioti of 'The Mirm ! Man. her initial stellar nnncirnn n nei of l.nic," winch will he pres at the Mmtnii n '"k of M . l Ilii'tlISC 11 .s pelsotialll lllnilllei'd in Compsoti. who is now at tin he icr own fniiipain. nnd was dir" t Arthur Itossou. Guide tit Photonlas for the U cell to Lome New rhoopl:is STM! Y Mnr'li.ill NVilai " I" 'lu " tt."i "t 'Mo'. H.iin'itoii of I'lu-i .i thi lliiiit t.ew iihotupla' ilepli tlm; ' " ;er's last si ir.d tiKalirt ih Siou Jar" KlrUvooil ' 's the tltuliu r -in it.T--s Mi the nt Mnrjnrlc Iia" iki IJarn. Ta: tiMalln N-'-ih I. vi'.' i I'.'li-str.il i oiiijjanlm. n" i" t'ltf '! ln-tra. d reel, a tiy P v-nry '.me' t"ln. ftiri-J' Thc.itra Quartet MUSIC NOTES Tils Phllndflrlila Music Club will hold I tn flnnl mrctlnir ot tho ncasan next Monday nftrrnonn nt S'30 o'rlock at tlio Art Alii nnro. Election of oftler will lo followed by a munlcM proirom, with I'orothy Oltlienn, tioprnnn; Mr. W. It. Vnre, contralto; Ulanctio Hubbard, harp, and Irene Guest, vio lin. Tlio uprlnir concert of the New Century .stltutes of fc'ometnlng like equal merit, nlnif, May 10. at R:I5. In tho New Century a point which rimuld be borne in mind ! K'u..u"'"Vl,L'' l''1?," Uh ". by orchestral writers. .Music without ,nnB for'women'n voice, and will bo nimlsted by lt"SIo rhllllpa. contralto- Helen Honner. eoprano; Mm. I.Ivla II. Ward, harplnt. and Ourncy Mattojc. vlollnlnt. The concert will tin followed by a dance. comes perilously pIUXOKS in V-' ii. eh CLAIRE WINtSOC, ' TOO WISE 'yviVES Arcstdia-' THE CRITIC TALKS TO MUSIC LOVERS the Mr. ballet Dam pnn. X ii he AIi:i.rilI.V muio-lovei.s buve nf "TyilAT would iii.i thinh of ,t non who ree.lres ei'-rs tro'.i a former 6wcethcnrt -ir Lis ,, i. from innr' m Is So eare'ess, t"it e letters mil n.. s lir.nds'' n, X firngcil 'men ndn.iis ih.'t, si,, i..w lo.i.i I.,,,. i. bis let u rs irom i'i' T' his wife his wife ..(INT'.V - 'Tii" M. uleading Uidi st,i"ln- Hett !.' 'ell. adapted from ! r Mige orlgma! ny Taul Picltey ...1,1 C'.'arle' Ofddtird. In the etint I .u. 'otton Fr.in.5 Curriei. "vr I . h.idwieU. Mep-ien 'Inutan. Arthur n.,iir.,uin m.d la? Allen .music i tn orchestra. dlici.teil b Wait.' If. If I? 1"I 0 ' 'lOAlt. Hullti." a roter Albert F, story blK'il Illl" re bro igh' ductinti. "T nmiint p'. . pieni.eti' a It is a , ,1 The slam tinn p'.ft'U trigues TlTAHAM - ix r,,r j,., tnnkiir; A'uu- it", Mr' eil n !"i ; , inn sla i.-'m I of be, nii.iiig : better sin, . of a tn mi - Tor. ,,,., reeogni"d '. nnd for n " gnro "f i shop. All feet hw K " IUfll I lie l "rtpnl.i"g ' k. Wili-ll M derfjl Mai Snrs A.'ii.i mnl a- i. Mm in e'.i I The ' T featiir" ..lilts . "I.t I'l ' . Wis. ihil 1 Ana, r .',,, 'I lite I S'l.ti-' ..,.1,1 m:i t . "l Ii' lion. fy Vi'l.ei ;.rn- tl.c I'llltl- "nl it I M. mla ii ii i a i , .u ' lan. 1 in. in ii 1 t i ' , l.i; -r I Hi til') pr..r. ' i I 'tins- ' mi idea ". ! it to it'iittmiiy - wl.o has :i i milling, donned the '. b'l-i lier ,'V - to I ,! i .11,11 "111 . e called n ;iritis mi unusual number of repre sentative iimdirn . oinpositions both for orchestra nnd chamber music The first was due hirgcl) to the enterprise ot Mr. Stnkowsfci, wlm nhwijs, in the nine .wars of his conductorshlp of the Phila delphia Orchestra, has kept his audi ences well abreast of the tunes in mod em oichostral composition, nnd the sec ond to James t'rosb Ilrown, who. after it. '! nni the Letz tjuartet had tilnyi'd the win- proiiuced ,,. , ;.. e'.r... u.,i,Mi,ir.. ,,-wlr the R-neial dlr.s.t r . of J I ,n , ,., ....,,... ,,,,. i.-,..,!...,! n, nm. uf the .r Itnau J: Autnor, t rui i-n,-. , ------- ----- -- - .-...- -- i',,.,o,r 7 1, Nelson Photographer. ' t hiimbcr .Musk- Assnclation concerts nt 'hi'li s J i-1'iinar. In to- cast Mnh-'tl.e Ihllevue, gne the chamber musk" i .' Vr.,,niitnt. ".Tose'nh Kllcur MlcUe' ' lovers ,,f the citj the ui.us.unl cliniice of M r- and I'.utn Stonenouse aoiivu aft. .."ton T"iy Soik's Vlrt j.'ircus l;i aiu.i '-.oi" .-!- - -"" ;,;: (it ist n,v- '' 'r"u'"r7"u Cal- "f t!'" modern Ital un school, the mem- V;rl!rpHVd0.,oTnphHh0Sma!.,br. ,.t which haM' made great do- V ,m:.V u-.Ar'M K.mbiiTui. Mona.partL.rt from Iho oportitio tradition of t r-r- ,.,,. w . .-, nulna !.!.. -,. ., .1 4",.- r.1.nnu- Hui fil'tf tlTI IliU lO rV it HlilO't ' t mil' ' 'Jiltm , it I Hi 11' J UllJJU.ib nn in nv n snin &. .. &1 i.. j j .lit pr..ui..i n nloitif linen :11a" tannin uino "itico me uajs 01 lop'iii, iiiiuiu HAMILTON REVELLE. "THE STAR IOVEB." I'ne Hinl" and pan of 111 isic. "I'ctiouchkn." and 1. isch -iim. us tlm "London of Vuughnn Williams. The' rhnmber iniislc was iniilined to 1 he prize-winning quartet of Mnlipiero, linely performed by the I.etz (Juartct. and the three miirtcts uieviousli men tioned ns bin ins beep plnM'tl at Mr. The fourteenth frcx Sunday nfternoon con cert at th" Academy of the Tine Art will bo Riven on May S at 3 o'clock. Th perform er' will bo Joicphlne Olmbcrllnir, violinist; Helen IleflseMnRer, cnntriiltn. and Clarcncu ruhrmnn. rlnnHt, with Elizabeth llent nnrt contributions Dorothy K. Jollnc, hnrinonizatioti aud in otlic treatment are tn be nr. pictetl: they have been made before and are a natural consequence of the evolu tion nnd the dovebitiinent nf the nrl That they were not always received with ! i5,1.brthivlil.ntm"(nMi1. pifnnr0Q immediate approval is no sisn that they Kaiw.,2007,PlwlVtr.1et.ro ni'ii' noi uesiiiieii io uecomc permanent, as is tl,,. case with nio.leni hnrmonlza- r,U7nS,llir,',fM0'At?Ii''S uon. I IK' (IllllCUIty is to Know ill the i Church bv an augmented choir under the dl- ..miJimiv '"' "i"ti'S i micii u (ii'vciopment What rection or i-reuencK iinTnon, omnniii. tiio sjinpilOll ,., c0(1 um, wJmt js bni, j ,, (eololMa will bo Mary Marklee. Thll Hipplo I mnMn.. .,n, ., ,1 ... i. .. i.-m. V.i" and Horaco II. Hood .' "".si. it, ,n- ipuni iiiir, UlUUt'U XllC I best musicians of their period, Tho program Sunday evening at the musl- 1 atdiions change in melodies ns well!"1' "ervlce. 7'30 o'cloclt. at the Second Pros ns In more lntindnne thlnru n..l.- byterlan Church. Twenty-flrot and Walnut i .,. mundane tilings (Jnr n , greets, will connlst of work by Schvodoff. few ears ago it was claimed that the Nlkolnhy. Gounod and Raulanntrand. Tho I weni; point ot lirniims was Ills lack of I limtrumentai trios win. ne I'layen nv N lirown's hdine nnd which have been re- ! melody tunvril nr. Iciil'iIi in this cnliimu. Tins 01 list, of course, omits the Mnhlcr ' mod y fli tilii-itl rvii'cut i HLtiiFilnV ll nil ttlNflV i . .; ... .' .. . i. i nrt t..T.,rc - t..r.. .. .. ..1.11.1111 Sunday nt 3.30 o, ior mo iirsi tunc in nus ru. y " " .ii. u ". mviunip.i i bo Stmw zerltuky. hla - "i" i ';"iiii jjii'irruiuu1 us it lody, but he is now accepted as one ! UShUm Sai the finest nnd most inspired of the1 idem melodists. Just what will be- Tho Second Or ora-anlat! Prederla rinolf. nccnt Par.elll, harplet. riTs-n rVinim fnr -mm. Yu.n1a the ultimate fate nf the themes which w"l be held at tho Settlement Muilc fichoni . 4,,v pveuner iviu eubject belnc "The HUtory of tho Violin ' FKO, list HUM this thoroughly representative hvnritig the three other works which wei'i. seriously coiLsidered for the pruo. If (.specinf int'Tcst were the works L,lsn a i product. .1 Milt. 1-..1 1... .. the (.lir- . r latotiii ..ii Ton i ini- s'o.nj I n i, t , n t ir run i dor.'s M W.lll B ii. ll.e--Tbeltnl I' Wmi r- - ' t-ndc n-'l 'i'i pil-dti V ! ls-i n.e l.-I.t stMi-nr I AI'lTHl. N.ro 1 Ta '..ir- a t p oi..'..l ,uth .r of 1.-.1 ' '"'-I- I. si II i- ' .t - .' '. ,1 ii.etbod" A.lnptnt.n Ht.xr lm t'lir en ('.. irtona v, Mnrcella , '.,' roti o' J:fl Lot.- r f're.entei; Anions the Koote. little Pale, Chnn-e Dntcht :n'.- . i iirhl- V'slons or '.I-,, tire n feature 1'ollei-tot-," with Larry ,ls ..f Yt( rJay ' w-.lli in IB ii "1 KUK-ne O'Hr.et . s.-ni-.I pun' of n fnn.ous Uupert IIuKhts Is the ie pipco, oelKlnalb ent, U'onen n'ld plnfd by . .r-e-- to th cast Stuar n p.:- Murpli. Ida Dnr- l'lignaiii and other .'omposets for the ilolin ;ii the earl' da; s of that instru ment have inttrvd seriously the field of nl'sol-ito music, giving especial at t nt.on to the or.'hestral tonus, n form in v. Ii.fh the Italian composers of the past hail- neer t'cn ( onsplcuouhly sue- C'C-tl.l Wln-tl. t thi.r success will be greater in tli-s luttHt attempt to invade a field inTi'toi u, held nlinost bolely bv th" lieiiiitin enmpostrs, with a few Itussinn nnd Iloheminn exceptions, temnins to he snii if their works have not pro dm el th" tin riMsjon of having a great miisic'ii loiiteiit. nt least the have ic k IIir.Al'l.l.:'!II -- Jrnili s. tfnn of '- frmn l!i i and "T' ', tinn m ' of Mm '-'.: ;.ir-i i r01ilr.1i I i to I'.li a i Tomi:i jeputaiii and si 1 1- : the rn'e (1ri7e is t McAmi notices f... Bennett i About II" Ult (lIlo'H ingly w.l' Knt r r-..i si,. 1 I, tf I 1 ' T 'I, I- - T - Ma. h ; '. T .. t , I J C'. " .. Mai. Who Hud Kei rr n- ,Iin-' I'h'Uford. Shan- .1 f'r,e llu nuiner are the , i ir T! smvv was tirn fir .-ntordii' r.VfctiliiK Post 'l.ar'.o Ccrrard. Mec M ,til lleltr.ore and Wllllan. a-, 'is, 0':. -I I elv interest. nn o. frrd.i nit 'Illli.S'j; works in tin' or.'hestral r.u. Mr Stokowhkl has Riven ub '.i-trul ihnpsodj. "ItnliaV'by Al ii ompositlon which I'll sella 7M1 llf '.s K Ilf'S" alf first half i t, ' i ,iu ! V i t., II. I r. M.i i ii- !' I I II' 'I . '. ill uina? A'1 r 'i hi: r firodue 1 ., n s-. i'j Ma-K a ''1 111 ' si, 1 j si,.e,a',( prodtii-liiui ", ' ns it et.gng. input on, Monday afti '."on Mn 10 'i n Mask'- is ii sinr l.i ri n .' Hon Mom. and the pi nire was trii. u-.d-r t i tllrectioii -,f IS. i 'in in Hi in '.p .In.1, Holt and II' oil.. v i tn M i' -ii ii , liadius pun . Hot i ,t ii dun i.ili,' tllllt 'f t.llll 111 .1 I , ,'S U'llIlM , ,"ln "Hnnd-i'ii . ,1m , 'I'ti" mi n , rnoiilititin s.iiin in', is ,i ,... i.t.. .. , i, Hondson,, .l.i k. I ell' miii; K'tii'th lost iu n hlnp'i ii- I. . atti'tii'.-s t.. .ns, ns r'i inibbaml of his lin'imr, nfe in oi.i.-fi to obtain a p f .u. '1 In -i-it-'pe,irnn.-e ' of Ki'tiniih towe-ir, conies aim it m n most dram, in.' . lin nt. poi.iN wi:i:k" ,h i.e ceic-' VX brated l e'tinini: Mav 1" ulnn1 Bln theaire- in tni cm wilt .'nm piOdtn Is i,f this oig'l'iuillliill Mm, ' nger I'iIi . Men.b Nso'in ,.' the I'.nlu delphia ollice. is in 1 ' iliforiiiu nt in, , CuIm r I'lti studio, 'r l.i. Ii he will1 direct events t'uil will nail, 'I, in .ek "1'rihonrs ,,f l,ine. uuh lleiti i'omp- bon. will be the nil rai tmii nt I In Sum , ton, whih at tlo' I'alact "Ion M m.i,, will npiieur in "Hold Your llni-s.s ''.ri. will In olltr liobluin p ii rules m th, iciShbi I' J 'lll'IO'l thciltli- II' I ( II II . V , 4 .1 11 U do I h.lj'liu Hi elewptl Heretofore Whiii' Worth While 1 I. lis Weber, liar In Us wi'.rliior. I.uuIk CaJI.ern '-' . , -r i siia' Wcilnes.lay Will- ', i p.. d In "The Love Special." hit n" "i.ort subject" U 11 VHHAJ.imv Oliver Cuiwoodn SornRu s of the North' with IJet'v i. .i, e.i half of week M'i" Alii 're All Mn Al'k" " liit.ir, , ' ' Short films arc all- ' d.splaved. hl'fll - I'O HOOT0 III I'lll'T a.lauted from 'lie fciiilje I'm-. : alf cf week William I'arrmin Mis Greatest S' r rlflce " latt.-r ; alf, Huppltni'Ti' J b;. sh ru s'l' J 's tllU - Tliirna" Me Bill'., i: The ilf lit ibi cast Ali e Fleming Kve I i (l-elt) MM.KI.T HrrtKKT I'm Mom e in I 'III. i r 6o," first I alf of iuel. Wil li m Firiuiin, in "ills i trcat'st Snc e i latter half. Brief photoplay i. ml "in both the bllU ij'trxi KUltrltmX - Jnn.cs Olnur ' u v o "No i.ada of the North ' v. f ell.,r ra" tlrn iialf Of 'i-etl. UA Daniels In 'iM'UsHnd Prnkes V , . t, i,' th, rtttir-. " .Motidaj and l'i., ii i' lithe! I'luvton, 'ii "TIm piii. of I nsi-ssoi Wednesd.'ii mid Tl ..r'l'ld "I'hiIic tl',. I Iper ' 'I.'ltz iiinir.. oduciioni. I'rlduy and S.p- f ii! I.s'.l U -Vorma Trtltcnlge in "IMr.-i,.-n ' Monda'- and Tuesdaj '"Iho lllahis l,i Wcslnesilli.. , ijcnrgii r "a in "The IieMl" Thuradn-j and i'mlaj i artnel .M,rs n, "Tho Mail M in im" ' Sat'jrda; l,Ui CUT llelie Panifls In "Uil'-Ki. and firikes." suiiportcd h .lack U"l ThlB is a faidcal coined pioduce.l lj Itcnl !r- dild feature. Mink Seiinett conn d. "Astrn Prom the St" run" lFXDI.lt l.'hcl i Inyton, n "The Price of n ii' spin Monflai and TtieHila' , PourIiis Mm Lean, in "( 'hicU.'ns," i cIi-pihIii' and Tiiiitsd.'ii , " lutl s Woi lb hOe I ' r 1 1 1 u ami h.iturdai ST H. IS H - "What a Worth Whtl.'" Monda). Tiiekda and Weilneailay . Walltic. Held In "T,,r I ,oi r Spe, lnl Thiirsday, 1'rldni and Saturday. tso slinrt MubJ ts lH'ol f Hil.att ll'ih'ortli in "Hh own I. tin " M.td.i' Tuesila.i nnd f, 'Kstf i "'I I Pini.ilini.' I on le was one o( t lie most Illens t" uioilern Italian worl.s. li'.'nitRL' of the foiindntion of ami iinder'itnndnble nielndi firmed its bat-Is. He also plnjed Tin s.l , l'ldi- .ri.l Saturdai Short 'J' the ing o larK ii (b'tinit H I.I. ll tim we.rd "Dltlrambo Trnglco" of lal.p.i.'o. a formless nnd cacophonous work vliiili, without n pi iitram. win absoli i iv nor utiiler.stniidable, at b'asi , on a sinnle hearing. In the other hnnd, Mr. Toa'ainiu on the occasion of his lirlr inineii in I'l Mmlelphla. played Itpspigght'-. de liglitfii! "rotititatns of Hum.." a re.illj tin" pi.-ce of comiositlon nnd orchei-ti.i-tion, and mie In which the gicatltal iun i oiiductor stored one of the most colispiiMoiiH Miecesses of the Philadel phia siumiii in the matter of iMrpre tati, n. I'cw who heard his renillng of I'll' n-imber will Minn forget the won derful inuni'f in which he blended Mm iiMinlh noisy instruments of percuvon int., the ensemble ami used thein lu a mntii'loiislv colorful tonal sch-iue, v Inch (iirrled out perfedly the idea uf tiie uiinposer In diseribing the four ii osi fainoilb fotintnins of the Itotnan i n i , 1 1 a 1 . fttlnr modern ord.'stral composliton wi n- the ('hnusson siinpliotti iplined both hi the Philadelphia and tlm I'e, -ton Orchestras) wlmh, though hi no means new 111 point of netual ru is relative!) novel to A'nid'iiii a.nll ( in-es : the Uojiart siniplioni in (' natl Itaiel's I.e Tombeini de P ,n perm." n work nnui icndllj utiiler staiiilulile thnn most f th,, , oiuimis, . tlons of this modern I'ren'h rompnsi r. as representing the Preneli school Spam was repreM'iiteil h) Tunnn's "f.n l'roi etssion tin ltiisui" : Austria b Si'li'iCllberg'M sjiuplionic poem. "I'elleas ami Mi'llsiinilu," n work win, b iwis, i'nforMinnlel.. plr -'-d on the prosmm lu retiMin of lu great length: l.iigliinil, hi lullter's "f'hllili-en s ( Ii ei tni'c," C-ril S-ott's piano coin i rto. pln.uil b.i himsilf nntl two pithsn.-ngllas, wjileh lie conducted ; Hiiisiit. in nncatl.i work of Strawinsky. entitled ' I'liewnrks," and full) living up to iIm nniue, itud the I'niti'd Slates. Soweriiy's over tore, "('mill's Autumn Ti,ne," and .lohn blen Cnrpi nler s "A I'llgrun'' isioii ' These en nil nlnicd In the Phil Ml. Inhiti O- l.( i n In id I Ii Mi Mou"u p'uj'U M!raninski s ' The ihe Philadelphia music-loving public has hern nb'e to father a pretty good idrn of the trend of modern musical thought. I'robnblj the leading char acteristics of this tiend are the almost absolute discarding of architectural form, the tendeiicj toward dissonant harmonization, tin-, ugh long successions nf unrelated chords, unresolved dlsso names ct cetera, nnd the super-cmo-tionaliMii which seems now to be n sine (tm tn ii of ever) mus;cal composition, no matter whut medium ii employed, K'"i- sjn,.,. the invention of the sunphotiic poem by Lisit there has been n constantly incrensing tendency by or ches'rnl writers to move nwny from the incepted form of the s.wuphnny in bepn r.ite moeinents. I.Kt's theory (and that of Wagner ns welli w'ns that Ilei tl.oven had so thorotiahly exhousted the s,,nnta form that nmhiiig more wns possible. This theor) sounded extremely plans. hie, but it sioii'd not lie forgotten that Mirs latir llralitns and Tschnlkow il.v i'i. tnis form symphonlenlly nntl contributed wotl.s in it which show own sipn of being permanent, thereby proline that it was still po&ible tn sa tonii-thing iu the clussicnl svmphouie style. Hut I.is,-.t iii.I at le.ist nc thing wh'i'i the iiiiiileru omposers arc not doing; he abandoned the clnssjcnl hvmphnnlc form, but he snie something else in its plate the svi.iiihonic poem, or miii jihony iu one tnmi tueiit, n form which, if it has not the state beauty of the clas sical symphonic form, is nt least defi nite ..ml woil.e.l ,,ut on a well-coin eiiec plan If th. classical form is to go out of i ..stenti lucre should be bourn sub- ,vi i mni iiiijiximtm LOSER'S 13 ron Theaire ulltllnir S. 52d St. """" i iiniiiiiiiiiiijijjjiimwijiwjiiiBMijuMiiLMiiiiiiii wSTrZjjSi-aijSiMMiMrrr" ---------iMa CHESTNUT STREET BELOW TWELFTH STREET BEST ENTERTAINMENT IN TOWN AT THE PRICES! M..VT Wn.l riltST ArrEAltANCU HBUi: OP VAUDEVILLK'S NEW HTAH! NAT NAZARRO, Jr. WITH HIS SELECTED SEXTETTE . OITIlItlNO OF" CLASS. CLTiVERNESS AMP CHARM JOE DARCEY ieiu BERNARD & T0WNES sjdner In. Cimil n-l Ii silvrv t.'nlng i j(l ",v BONO A MlN'l'TK" J-lltKAM Hi' THE OI.O HOUTHl GEORGIA CAMPBELL, in "GONE ARE THE DAYS" jmalRTmn nr ROBERT BUCHANAN, archie mwnT.Ki fii:our.n sptton The Philadelphia nm ocnriMffiiMix nMitrviiHo I'avorltt'B they TVUi ahout their NEroiinong imiir -FRAWLEY & LOUISE ran. I si l N A M " SULLY, ROGERS & SULLY TKAVPOI.IN'K HAIt l.'XPERTH Jaclt DALY & BERLEW Hazel I'l.KMii.r. n.nm.wtNr) nANCiuiH PATHE WEEKLY "TOPICS OF THE DAY' I Mill l tie Equeitrinn Queen AMiLIj ATTHACTION AND I.AUOH8 AND TIIIULLa The Riding Pr,m-ll. k - . . .. .Tit- tSlXII S,l, -...v.s.i,t ssisioa oy inc. rjivuL.X" T'Hiiin.n i i i'H' of Tin: wmii.li is- their Nrns-trr sknhatiok MAY WIRTH with PHIL Sl'l.f l. iiiii .iioii (I'l l.(l( Ik. MIH' 1 It IIVM l. MITH'i:! CHAVIIE IV SI'MMKIl SUVMIIN I'lllChsi s lAII.. MAT.. S 1'. M.. .Ilk- AM) SJr. IIIIXKS m Vn-a O HI..W, INd.lIHNO WAlt TAV. IIKATs OX AU1 UNr li'Kh' 111,1.1. I'lIONK. riUIKItT 33U5. ' u!it' " l-a :rhllnlelpblni. LcRdlnR TlirnlrK Direction Te i. ,, Shuh LYRIC isrertf E.VtS AT a 13 ' " 53 Vs- CI MAI W0 t.'J'.JIW 5AT I1AT WA 2cj 1.AHT WEEK 1II'.(MN(I MO.Vn.U Cjfie Messrs. Ill & J J.SHUBERT preset i(eiv laie?l and besl Tlew "Uorki WINTER OMEN XPECTACZEM To, VX3 V- i S ' '.x wm.Vh -. ""' t.. 'J . As O jot KtNo BaWr .V , l . f 'A cr . g 's t l . At ? .' Wi.. yc I stir alKAi: ' iv ritm i r ft JcJ r " rhiZT y i mM - m m - "-. WU rfKt , ,-v;o9 -- y ,i TS, K. sV, .- X "V ' A iy rooNOEO 0M THE TRIUMPHANT tJUSlCAL COMEDY SUCCESS OF HUOH MORTON A',3 CUSTAV KERKER, BOOK EY COCAt f r., PRODUCED UNDER THE PERSONAL SUPERVISION OF MR. J.J.SHUQERT A BEAUTML (VCff Of BWrCAfG JBUS SAAA J! SHUBERT NIGHTS AT 3.15 MATS. WED. 6s SAT AT 2 15 PRICES' iiiiiiiiniiiiiirrTV-'; ye NIGHTS 50 to $2.50('''.ct,r,) 1ATWED y 'e. BOHEMIAN? inc - x n i'e sen f x 1 - POR DKT. WED 95''. R . - iu3rj Biiimiiiimgiv mdhik fKi ! Wiiiuiiu 1 BE ri ir s e 'i.ia m . r t k. k. v B w E 50-RECMAT5AT 5$" 4TH GALA WEEK IWff. MonJar 200 v M UJIIIIII IIHMIIirTTTTTTTl KM I W k vfl mil ilULLtm E.VJISED C STAGED 6iy I JOHN MURRAY ANDERSON The Musical Revue So Wonderful And So Different With BERT SAVOY and JAY BRENNAN I AST IKS' drjrAarAic draTTAatic eonedij PAM $n?ET jC ieeiTvia t-wai of Rugried Ronxatvce... ?Kere kulkii$ Fig'ures,..3nspireci Love.... Bad and gbod desires ClasK w a Dratratic Battle of Etrotiotv9 CHESTNUT ST. OPERA HOUSE EVENINGS a45-50fTO$l.3O - 60O ORCHESTRA SEATS $ I.OO DAILY MAT.2'.IS-ORCHESTRA$l00-BA!.C0Ny sof'TAMILY CIRCLE 25 ALL SATS AS?VD rills MIIMIA1 KVIINO S LUCKY NUMBER DANCE CASH PRIZES jj Lmtj Tuesday Niglil j THE TANGO TROT E , hit 'l, ,i , Urt.ionsfialed l'i F Mr. I'ranU Owfnu. Nut MrilntHilny Miltl. C TAG DANCE I IHiiimj l.irr Lib, ( In Tiifiln A J I lii.r.il... l'rlt i,,. I.fMtaullM. 1 1 311 c ; m to 8-.".n r. m. Tim rrtTrTTTWTir i " nmrfn .Motropulitan Opcru House i.a it .' i , i' r 3 COMl'AN' m, i i .i Hon 'l . til .' I It 1,1 l.KlKV .Jit' hi ill. I 'I '. Pr rfl l.-sl, I .null I ll' it II I .M IT - M, :,i fj IU Tonlih' 7' l.i I. .ii - ii ...I m . at t. t'fn ohii i, "i m i it ui,i nn.l h' VV nail r. w ItOH .t.wiiiui strrf liu'anlinl Ha itpns. of I'ttift L'uiv Next Week WILLIAM SHAKESPEARE'S "TEMPEST" ri- M' I'roducilan, all eat rir v4. tl.rii n.it t (Umbel"' A. Mfiipn'si prioi Uvh-s A. Hut Mnl II WeJ Mat . 7fle. ClH nl rlyrnWatBt,tmj, JKMI A...i7,,n n.'s II ,T(lfT II' Pl.n.il in ' I i" PHILADELPHIA '"'V1 1 ORCHLSTRA I Symphony No.2 u ITU vri.ltl 1. M I'KM.Itscs 1-1,11 Mil I I'll I I,. 'I ll 'I- i UVI ItAl.T, .ripiiAVn AM) Till, Did iii's-im ciioiti a TROC'AI3L'V(") 'ifc. AJAlNMl MAlUa i itutrtuu A-i n,, uuu ulAl(0 THE ONLY CIRCUS COMING TO PHILADELPHIA COMMENCES. GALA CIRCUS WEEK MONDAY!. CIRCUS DAYS CIRCUS GROUNDS AT 19TH ST. 4 HUNTING PARK AVE. raT3ipM e20jvueiie:i Klfi: Js?. lr THE COLOSSUS , Or Alt AMUSSMIKTS , I rl ii d I t--4 .Fill LUKMAJ m ADMISSION -ADULTS 7ST,CHILDREM S0-WaS?J5 DOORS 0PF.H AT I AND 7 P.M.-PERFORMANCES AT Z AND 8 P.M. ONE T1CKETADMITS TO EVERYTHING TIIKIti; Wll.l. IIB M NTKKKT I'l.i,' ill'I'K'l'. AT (.IMIIl'.IH I I M U I'.FU ADMIHHIIW Tlfur.TH A1MII Itl'.SHU VKII MK.ATH ON H 1.1 IIAKAIll.' now s runs tii'uci' oi'i'K'r. at c.imiii'.i.h nvt.u Kvicnv iv iilrinh WOODSIDB i Opens Today for the Season DURBANO'S CONCERT BAND Direction of Ercole Durbano EDNA WALLACE KINNEY Contralto New, Novel and Up-to-the-minute AMUSEMENTS Fireworks Every Friday Night Zimmerman Theatre 3 i Y. l l,rii. Tiijlur Mitr. ULiriJLz : ':, :, ui:v,! i s mmmm Germanlown & Cheltan .MAT. KIII.W lll'.I.Ahl ,,-si .MKI.IHIKAMATK ,.. . ,r TIMK i 11. If, ll I "'r'-i,pi "TIGER KU3& Ui'itlniilriL" Mniuliw l.i I'll) i)R FRANK FIELDER Presentt I And Her Players In (tin Sniiuiii'n Itrnl rnnifib MAE DESMOND ADAM H)rJ wb nit- Wm. t i,-f- AOAM- Cone n ue THE WATERS FIWEr A5 PLAYED RKENUYAT THE ADELPHI THEATRE EXHIBITION OF portrait irlininturcfi 11 V WAS WILLIAMS 'ic irftitl ,'oia' ivilutu l llninfure '(luitcri 7'iipiinif May 9 Io 15 THREE ARTS CLUU Jil't Locust Street -""-"-- " .. , M WAGNER Dancing !$!, firuad ."ilK-'i litmriiig hvvry livriiinu i "iMAY I'KSTIVAL" NFT Ml-.ll. (MAV ) j'A,, (.'lass and Reception llrim'ii I'.trn tWil. A H.it, i;,,, l.irrj Mom,, Tiir 'lliitrn. A 'rl Inslriiillon, Hi llrrli., Htl.1 I', u r II I'rll. 1,1-suiih, K.l. nflrr I I'.m' UUMONT'SrV?:1 EMMETT WELCH Minstrels JH TJIIJ J'AllE PAIIIT Our Trollej TroublM I iAJriw W:' REFINED ENTERrAINMENT' i io n.rti-' HI SUscrnuier cukaciliW SAt'l LANS1N0 BROTHERS ?,Vn. W GROSSMAN TWINSrONTi:.';" FERN ROGERS ZK HILDA LEROY .- SYLVIA O. CHAULSAE & EDWARD KINNEY hit, nii Miiiui.Misn iinci. I l 'liulf nr ACADEMY OF MUSIC MOMI.W, M II. Ill H I' !! rati ., 4 Ki .. kt I1 11 FLORENCE COWAN0VA DANCE CARNIVAL Tiikri. r,."r. Mr. .i.iii. IA ,;" ' LMIIHiriON AM, HTYI.KH OP Wl" J t H- a..,,,
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