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15
EYEXl!TG PUBLIC LEDGBRr-PHLLADBLPHXA. SATURDAY, MAY
7,
1921
n-
w
l-
4'l.
N-
M
MOVIEGRAMS FROM
SCREEN TO PAPER
WHI;N Mnrvluitl Noilati ciiBnK"l 11)
bcniros nf Dwnrlit CriltiMiiloii In
portrnj tlio imrt of lliMioriil (.'ii'tci- in
nls spiTtnriilnr pii'inri7ntiin "f "Hub
Hampton nf riin-i i- " lie tlitl ii f- iurr
reasons tli.ui ImtiiU'o d-itU'tiil n i n
good Held
Mr. Cntli'tnlni i-' I In- iiHiliew nf Init
iate C'nplnlti I. .1. I'ritli-inliii. n meiiibi i
of Cutor'' -f n(T. whn l..f hi- life Mclit
ftlR (It tlio '-nli' nf tile Ri'lliTHl ill tin
fntnotn "I.nit Stiip.l" iib'tilii"! the Smiix.
Tills b.lttle lm Iwm-II li'pllllllll'Cll nil tin
srcon In Air Nciluti n tin' Ms ellinnv
to lii' pn-etitiiilen nf M-ili llniniilnii
of l'lnccr." ulii.-lt n-ill lc the ntlrtie
Uon nt t lir- Stnlili in-xl nli.
As n ri".nlt nf 111 re!iitiiinliip I"
Captain "ri tMilf it. tlio ni'lnr lm ttiiiil
n liobbv nf ri""ireli m the life nf ('if.
tcr mni Ineitlen!-. leatiins up In Ins l'i"
tic. togetliu- wiili frontier (ii-tiiis ii
those Un .
LllillT iiotiifili nc t imi. m
utk-tl In "Tlie Mi-lcuni
ii Ii H i
nr; l,ini
pro-
Dnrt It'll l.i rh vi-.tl.il nfler .1 -ni "i
ririiinntle nii'l m -lo'l-niuutn- i'"le. l'"i't
Tjjtrll. tli"i jniing Mi'tm -tar. reiu.ir'tcil
between -.i-enes nt tin- mtitii priiilm'tum
of the Onirics ( l-xlilnrd -l'nul l'i ly1'
play nt tbr ciiiiipanj liidm-. Tin
pk'tur" will iiuio Mn-idn to Hi1' Stan
ton.
"I.IUt mi maiiN draiiiHti"" iiotnr-. -ni I
Mr. 1 .j tell "I bi lime n smut t mm
foiiiPilj pnit" in tli I'l'iii"1 nf my mh"
And I lil-i- tli-ni i-spi. ioil utter tin
strain, llir nit.'i Ml; . nf mi,'1i rU u
noini; t'liai'lii "tnln in ' I In- Ki
AVny' nr "Alas .In nuj Valentine
fN Till; nintiniii nf man.' erei n .
flip rinse mi was dowsed
"posine Meiliiun ' fnr tin- -tuns
tlii eadee7.11 n etenf'.l t i
thp W'rtllilKO (lllll ties nf tile 111 1 .
and ns tl"- I'luini'mtue win
unei'lalU it tlio stipe pliij-r. -the
elos-e-tlt, tin nft -n been 1 1
to "rt'ltl'tcr" -..niie effect nr .aic
tho star's nlii sintftinin.'
Louise (ilnmn. Iiov'ier. 1 ii -n
to ber public that he i an .-i-tr. -
first, last and all the time e'm- 1,
ill a l.oul.-e (iliuitii vi hli In. sneh a-.
oomes in tin l'nlaen fnr 11 ivk '!.
Jlondai. mult r the ml,.. ! A'
Gullt.." I" .1 -are fhins. ni'tl "ben m
ilof Hash npmi the htpi'ii it s, r"
merely to lnti nity a dramati, pprmd
in the stnrj .
r
D'
lltKSSIM.
tlieat ri ill
his iiiinnitni'i,
roijstl ,..ini''
a p.
I'll tl
frmi
. rat.'.
litieal bos
where he
the all-star 1 n-t in ilie
Tim Mar K'.vr a
of the .laek Ini-i 1 - ".'
at the Vn tn it, in t w
That i.lit nl N ' - 1
pnttrelj nnlil;,. Hi" .ii
stnRp was the emit, . ri. .
the ea-t '.!' h ,ti ii
local pn iti 11111 ' "'mi
that the pnlifi ia 1 l.ii
iistincn-'ii'ii; Hlnta-it p
tho nvcriiK" itir.en.
As n n siilr nf th di
Wnnl. wlio j .1
iVII'ileIII li
" 11 .inn n'imi'j:
prcsrntiitum "f
Metro release
1 to be stum n
re.il tile til
s. II' ,.f til'
nf Tiins ,,f
ii ell known
1 his 'lO'Tl
mi I is 'ittle
'i 1 mites as
,ei
the '.'II-
'a's the onrt m :i
the theafe ln llf!,'. ,1 11 wlllll
scribed in l'i -i 1 toi- Slo'-.inn a- tii
lar ron,'e)tioii nf t' r ,. , , -. r ,
rest maj Tin nt tii- ballot, 1 ,- 1 it
Of the cnuiltl'i
TIIK mas'; i.i-n hi Mn'an W .1 ui.'
in "iieam tsi-'"t ' at t'i"t i. '-tn 11
OOSt S.-iImni Tli mui mis made
by the inn 1 Aru rn tin ,nti-i. V T
Ilendn. wlm i."ik i.p th n.iKu.i: nf
these remaiKabh' fn, i.-il nmrii.pV n
hobby. From tun t. tin, weoks is re
quired for tlin Illli'illi" of 1 tie nf these
masks, .md tl ni.siinil- pnn fho'i-im s
or Mips of ntiper am M tim
nioU'-! are js 1 itl forming t
protluer
The bus nt i, tin r 1 :,
by a ki"r ' ms.e, s
Of ,'0'IVKO '1 v III tn
sive the niT-k a d
FILM FAVORITES ON LOCAL SCREENS
'i'HBSftSHKM lEm WSSmf lair Mm. vtoaHE - &&
atiBE&mit&lMMBBt . BSfiffl,- EUGENE ":. IT? L&3
mMWBm r-k,lmmmmm. s mahion Hamilton ' o-drien, r jack pickford.-the mam who
; ml'mBm '' Si &$$r t agsgs. rl. everything: nsf-
iis AXkCTr. 4 H 'ifUlfr 1 rMTjfVXMl Vf W 111 1 I IMI'I 1 m !Sip"Si'TiK5j)B -' Xiroi,i-, -'A '.H v
VTjn':' SWf "BVm. X1 EKlVS SiiWS5TK,JBk. r. w7.- V '"" IV r"W!WvSaiHt i iV 'itiiV.'f'r. -...A".
in .1 Azm&r .&& &MmsK omm ffi2its2as!SiMvT?Ji7.-vv- nti.ssLAir;
SBSiSBO, RPVii a EwMuHbH Hr9mt1Ksm I
VHIfcS aPyreWfi lsilir4:xMlH bei?t lytell-the misleading Hr"' !1HB
vSPyEP fri M r t riiUr fr Wff B lady- 5tat-H iHii kx
wind KQnrv I'VcWWtf, WkM I i9m.,. IHB
i NOrTMA TALMADQE. 'cSHOSTt? fiwlh iS IFwmJKMr..Jr fei . 'Tt'- 11 IHf
of yf-stepday " Cattrto1 BEHBk ''oSi hmiMm-WBMi., MW:W. t'. ' iKv3 w
f..r . - WU ifl gar c J -WmW mr ,f y
tlnshes '"I'll" Kid.' now a star, w,h . een WmKF W KM :5Jr 1H WHk ,--. ,.1 JK "W""
at tin' Matil" nie wei'K ot Mu ai KrZ q b' fslf BT 'Jr8 k,-
,1 lni'ipi. rnlli'king pieinre nf I', s $' 4 Kj: , y ij Bi 7 'JHBBlkL-
I'.ad lioi ' 'I'hnse win, hae , , I It i M H. ! J IF? flBBIIllHCV V
it in nrewiws saj it ples 1 "i n n, ., V 2 B3fc. ZZ Swf & 1 JEIEfVlllHf $rS
hrnader nipni'tiinitu" than th"-' H J t ? V sOs'ilHKiHijiiH'
Mfli ft H MBi 5$ s WUiaiS--
ii'.... Bs3 1 lc!a.v, - -rrr .
S. i JffA ,- RALPH GOAVES and CATOL PEMP5Tt.T? ;
g5 J i ZJ$SZ' xk "DREAM STREET" Criostu-u-b ,
kir ' W&k-. I rJmffl&k wf$ --
.! BPH - y-Jnft' 'riMi-F'Tf W Smi nii'iiitcetiin
'' mm ffisi ffil , . .
FfflWi illl i i r-i l- "1 i rt X. 'U TiiiVi'f i)f 1 . ..vj ..i?-'. a -. jfl..jj-.i
ir s. - ' -' '.rr.
s ii 1VJ3- 2
K.
may now nccm to us, It may be that In I
ft few yenrs Bchocnberg, Hfcrlablno nnil'j
the others jnay be acclaimed hh creat
melodists, lint an to Iiarnionizntlon,
there is unquestionably much lit tlio
modern system which will be perma
nent. THEKHF0R13, the musician is'wotk-j
liift In tho dark In the nltcmpl to
"lilaeu" modern composers and com-,
positions. The probable truth Ih that,
While many of the principled now bclnc
worked out by tho modern composers
will rcnialti permanently In the music
of the future, the treat majority of
ntesent-dnv conmosltlon will not Hiir-
I vivc lottB the life tenure of the com
J posers,
1 .Much is made by the ultra-modcrn-i
Istlt: admirers of the fart that both
i Jlrahms and Wagner, to say nothing of
eminllv orcnt pomnnsprn of earlier pe
riods, were not appreciated during their
lives, and tncy point to tnesc unite
nlable facts ns proof of the genius nf the
extreme modernists. Hut It should not
be forgotten that Urnhms and Wagner
were only two.out of thousands nf com.
posers who lived nntl wrought and
whose works arc oven now completely
forgotten. In music, like everything
else, for every genius there arc hun
dreds of those who do not "nrrlvc." ,
"LAB0HEME" SUNG '
I At the second of the four Han Carlo
performances of grand opern at the i
Metropolitan Opera House Inst evening
"Ln Hohcnic" was presented to n con
siderably more numerous audience than
that attending "Toscn" on the opening
night. ' , '
The vocal honors were evenly divided
lietwern Otirena Mnrlo. the Mini!, and
I'iladc Slnagrn. the Uudnlfo, both of
(whom sang brilliantly their arlous
arias, nnd rarely has the familiar "I ,
Am a l'oct" of Itotlolfo been better
rendered than by Hlnagra.
Nor were they nlonc responsible for1
the vocal delight of the performance,
for Musctta's song In the second net as
rendered by Miss Keltic was ns artis
tic ns nn y of the numbers, end the Mar
cel of Mnrlo Vnlle. the admirable Col-
line of Henri Scott. Philadelphia's most
distinguished contributor to the operatic
,stngc, nnd the Shannon! of Manuel
Pcrc7. were all faithfully nssUmcd nnd
well sung, and there was fine harmony
in nil of the concerted numbers.
The entire performance moved with
unusual precision. The chorus and the
little stage pageant of the second act
were in hnrmony, vocally nnd otiicr
Wlhc. with tlio general ntmnsphere, nnd
the large orchestra, under the direction
of Gaetnno Mcrola, gave a fine nnd fin
ished rending of the beautiful instru
mental score.
'dune
.v.-s
.s .le
sue of
e tillisll '
'".' Ih.
an si
'.imti
I '"j, t hi r
sre.it art.
- nhilitj to
expression,
-niHTY ( ti.Ml'Mi.V
-LJ htnrdutn wa tl ien!t '
ntirk.ibl" poflrnjnl of the r
Sirl ,.t the (imirgc I.nnne Tn
diictioti of 'The Mirm ! Man.
her initial stellar nnncirnn n
nei of l.nic," winch will he pres
at the Mmtnii n '"k of M . l
Ilii'tlISC 11 .s pelsotialll lllnilllei'd in
Compsoti. who is now at tin he
icr own fniiipain. nnd was dir" t
Arthur Itossou.
Guide tit Photonlas
for the U cell to Lome
New rhoopl:is
STM! Y Mnr'li.ill NVilai " I" 'lu "
tt."i "t 'Mo'. H.iin'itoii of I'lu-i .i
thi lliiiit t.ew iihotupla' ilepli tlm; ' "
;er's last si ir.d tiKalirt ih Siou
Jar" KlrUvooil ' 's the tltuliu r -in
it.T--s Mi the nt Mnrjnrlc Iia"
iki IJarn. Ta: tiMalln N-'-ih
I. vi'.' i I'.'li-str.il i oiiijjanlm. n" i"
t'ltf '! ln-tra. d reel, a tiy P v-nry
'.me' t"ln. ftiri-J' Thc.itra Quartet
MUSIC NOTES
Tils Phllndflrlila Music Club will hold
I tn flnnl mrctlnir ot tho ncasan next Monday
nftrrnonn nt S'30 o'rlock at tlio Art Alii
nnro. Election of oftler will lo followed
by a munlcM proirom, with I'orothy Oltlienn,
tioprnnn; Mr. W. It. Vnre, contralto;
Ulanctio Hubbard, harp, and Irene Guest, vio
lin. Tlio uprlnir concert of the New Century
.stltutes of fc'ometnlng like equal merit, nlnif, May 10. at R:I5. In tho New Century
a point which rimuld be borne in mind ! K'u..u"'"Vl,L'' l''1?," Uh ".
by orchestral writers. .Music without ,nnB for'women'n voice, and will bo nimlsted
by lt"SIo rhllllpa. contralto- Helen Honner.
eoprano; Mm. I.Ivla II. Ward, harplnt. and
Ourncy Mattojc. vlollnlnt. The concert will
tin followed by a dance.
comes perilously
pIUXOKS in
V-' ii. eh
CLAIRE WINtSOC,
' TOO WISE 'yviVES
Arcstdia-'
THE CRITIC TALKS
TO MUSIC LOVERS
the
Mr.
ballet
Dam
pnn.
X ii
he
AIi:i.rilI.V muio-lovei.s buve
nf
"TyilAT would iii.i thinh of ,t non who
ree.lres ei'-rs tro'.i a former
6wcethcnrt -ir Lis ,, i. from innr' m
Is So eare'ess, t"it e letters mil n..
s lir.nds'' n, X firngcil 'men
ndn.iis ih.'t, si,, i..w lo.i.i I.,,,. i.
bis let u rs irom i'i' T'
his wife
his wife
..(INT'.V - 'Tii" M. uleading Uidi
st,i"ln- Hett !.' 'ell. adapted from
! r Mige orlgma! ny Taul Picltey
...1,1 C'.'arle' Ofddtird. In the etint
I .u. 'otton Fr.in.5 Curriei. "vr I
. h.idwieU. Mep-ien 'Inutan. Arthur
n.,iir.,uin m.d la? Allen .music i
tn orchestra. dlici.teil b
Wait.'
If. If I? 1"I 0 ' 'lOAlt.
Hullti." a roter
Albert F,
story
blK'il Illl"
re bro igh'
ductinti. "T
nmiint p'. .
pieni.eti' a
It is a , ,1
The slam
tinn p'.ft'U
trigues
TlTAHAM -
ix r,,r j,.,
tnnkiir;
A'uu- it",
Mr' eil n !"i ; ,
inn sla i.-'m I
of be, nii.iiig :
better sin, .
of a tn mi -
Tor. ,,,.,
reeogni"d '.
nnd for n "
gnro "f i
shop. All
feet hw K "
IUfll I lie l
"rtpnl.i"g ' k.
Wili-ll M
derfjl Mai
Snrs A.'ii.i
mnl a- i.
Mm in e'.i I
The ' T
featiir"
..lilts .
"I.t I'l
' . Wis.
ihil
1 Ana,
r .',,,
'I lite
I S'l.ti-'
..,.1,1
m:i
t .
"l Ii' lion. fy
Vi'l.ei ;.rn-
tl.c I'llltl-
"nl
it
I
M. mla
ii ii i
a i ,
.u
' lan.
1 in.
in
ii
1 t
i
' , l.i;
-r I
Hi til')
pr..r. '
i I 'tins- '
mi idea
". ! it to
it'iittmiiy
- wl.o has
:i i milling,
donned the
'. b'l-i lier
,'V - to I ,!
i .11,11 "111 .
e called n
;iritis mi unusual number of repre
sentative iimdirn . oinpositions both for
orchestra nnd chamber music The first
was due hirgcl) to the enterprise ot Mr.
Stnkowsfci, wlm nhwijs, in the nine
.wars of his conductorshlp of the Phila
delphia Orchestra, has kept his audi
ences well abreast of the tunes in mod
em oichostral composition, nnd the sec
ond to James t'rosb Ilrown, who. after
it. '! nni the Letz tjuartet had tilnyi'd the win-
proiiuced ,,. , ;.. e'.r... u.,i,Mi,ir..
,,-wlr the R-neial dlr.s.t r . of J I ,n , ,., ....,,... ,,,,. i.-,..,!...,! n, nm. uf the
.r Itnau J: Autnor, t rui i-n,-. , ------- ----- -- - .-...- --
i',,.,o,r 7 1, Nelson Photographer. ' t hiimbcr .Musk- Assnclation concerts nt
'hi'li s J i-1'iinar. In to- cast Mnh-'tl.e Ihllevue, gne the chamber musk"
i .' Vr.,,niitnt. ".Tose'nh Kllcur MlcUe' ' lovers ,,f the citj the ui.us.unl cliniice of
M r- and I'.utn Stonenouse aoiivu
aft. .."ton T"iy Soik's Vlrt j.'ircus
l;i aiu.i '-.oi" .-!- - -"" ;,;: (it ist
n,v- '' 'r"u'"r7"u Cal- "f t!'" modern Ital un school, the mem-
V;rl!rpHVd0.,oTnphHh0Sma!.,br. ,.t which haM' made great do-
V ,m:.V u-.Ar'M K.mbiiTui. Mona.partL.rt from Iho oportitio tradition of
t r-r- ,.,,. w . .-, nulna !.!.. -,. ., .1 4",.- r.1.nnu- Hui fil'tf
tlTI IliU lO rV it HlilO't ' t mil' ' 'Jiltm , it I Hi 11' J UllJJU.ib nn in nv
n snin &. .. &1 i.. j j .lit pr..ui..i
n nloitif linen :11a" tannin uino "itico me uajs 01 lop'iii, iiiiuiu
HAMILTON REVELLE.
"THE STAR IOVEB."
I'ne Hinl" and pan of
111 isic. "I'ctiouchkn." and
1. isch -iim. us tlm "London
of Vuughnn Williams.
The' rhnmber iniislc was iniilined to
1 he prize-winning quartet of Mnlipiero,
linely performed by the I.etz (Juartct.
and the three miirtcts uieviousli men
tioned ns bin ins beep plnM'tl at Mr.
The fourteenth frcx Sunday nfternoon con
cert at th" Academy of the Tine Art will
bo Riven on May S at 3 o'clock. Th perform
er' will bo Joicphlne Olmbcrllnir, violinist;
Helen IleflseMnRer, cnntriiltn. and Clarcncu
ruhrmnn. rlnnHt, with Elizabeth llent nnrt
contributions
Dorothy K. Jollnc,
hnrinonizatioti aud in
otlic treatment are tn be nr.
pictetl: they have been made before and
are a natural consequence of the evolu
tion nnd the dovebitiinent nf the nrl
That they were not always received with ! i5,1.brthivlil.ntm"(nMi1. pifnnr0Q
immediate approval is no sisn that they Kaiw.,2007,PlwlVtr.1et.ro
ni'ii' noi uesiiiieii io uecomc permanent,
as is tl,,. case with nio.leni hnrmonlza- r,U7nS,llir,',fM0'At?Ii''S
uon. I IK' (IllllCUIty is to Know ill the i Church bv an augmented choir under the dl-
..miJimiv '"' "i"ti'S i micii u (ii'vciopment What rection or i-reuencK iinTnon, omnniii. tiio
sjinpilOll ,., c0(1 um, wJmt js bni, j ,, (eololMa will bo Mary Marklee. Thll Hipplo
I mnMn.. .,n, ., ,1 ... i. .. i.-m. V.i" and Horaco II. Hood
.' "".si. it, ,n- ipuni iiiir, UlUUt'U XllC I
best musicians of their period, Tho program Sunday evening at the musl-
1 atdiions change in melodies ns well!"1' "ervlce. 7'30 o'cloclt. at the Second Pros
ns In more lntindnne thlnru n..l.- byterlan Church. Twenty-flrot and Walnut
i .,. mundane tilings (Jnr n , greets, will connlst of work by Schvodoff.
few ears ago it was claimed that the Nlkolnhy. Gounod and Raulanntrand. Tho
I weni; point ot lirniims was Ills lack of I limtrumentai trios win. ne I'layen nv N
lirown's hdine nnd which have been re- ! melody
tunvril nr. Iciil'iIi in this cnliimu. Tins 01
list, of course, omits the Mnhlcr ' mod
y fli tilii-itl rvii'cut i HLtiiFilnV ll nil ttlNflV
i . .; ... .' .. . i. i nrt t..T.,rc - t..r.. .. .. ..1.11.1111 Sunday nt 3.30 o,
ior mo iirsi tunc in nus ru. y " " .ii. u ". mviunip.i i bo Stmw zerltuky. hla
- "i" i ';"iiii jjii'irruiuu1 us it
lody, but he is now accepted as one ! UShUm Sai
the finest nnd most inspired of the1
idem melodists. Just what will be- Tho Second Or
ora-anlat! Prederla rinolf.
nccnt Par.elll, harplet.
riTs-n rVinim fnr -mm. Yu.n1a
the ultimate fate nf the themes which w"l be held at tho Settlement Muilc fichoni
. 4,,v pveuner iviu
eubject belnc "The
HUtory of tho Violin '
FKO,
list
HUM this thoroughly representative
hvnritig the three other works which
wei'i. seriously coiLsidered for the pruo.
If (.specinf int'Tcst were the works
L,lsn a i
product.
.1
Milt.
1-..1 1...
.. the
(.lir- . r
latotiii
..ii
Ton i
ini-
s'o.nj
I n
i, t , n
t ir run i
dor.'s M
W.lll B
ii. ll.e--Tbeltnl
I'
Wmi r- - '
t-ndc n-'l 'i'i
pil-dti V !
ls-i n.e l.-I.t
stMi-nr
I AI'lTHl.
N.ro 1 Ta
'..ir- a t
p oi..'..l
,uth .r of
1.-.1 ' '"'-I-
I. si
II i- '
.t -
.' '.
,1
ii.etbod"
A.lnptnt.n
Ht.xr lm
t'lir en
('.. irtona
v, Mnrcella
, '.,' roti
o' J:fl Lot.-
r f're.entei;
Anions the
Koote. little
Pale, Chnn-e
Dntcht :n'.-
. i iirhl- V'slons or
'.I-,, tire n feature
1'ollei-tot-," with Larry
,ls ..f Yt( rJay ' w-.lli
in IB ii "1 KUK-ne O'Hr.et .
s.-ni-.I pun' of n fnn.ous
Uupert IIuKhts Is the
ie pipco, oelKlnalb ent,
U'onen n'ld plnfd by
. .r-e-- to th cast Stuar
n p.:- Murpli. Ida Dnr-
l'lignaiii and other .'omposets for the
ilolin ;ii the earl' da; s of that instru
ment have inttrvd seriously the field
of nl'sol-ito music, giving especial at
t nt.on to the or.'hestral tonus, n form
in v. Ii.fh the Italian composers of the
past hail- neer t'cn ( onsplcuouhly sue-
C'C-tl.l
Wln-tl. t thi.r success will be greater
in tli-s luttHt attempt to invade a field
inTi'toi u, held nlinost bolely bv th"
lieiiiitin enmpostrs, with a few Itussinn
nnd Iloheminn exceptions, temnins to
he snii if their works have not pro
dm el th" tin riMsjon of having a great
miisic'ii loiiteiit. nt least the have
ic k
IIir.Al'l.l.:'!II
-- Jrnili s.
tfnn of '-
frmn l!i i
and "T' ',
tinn m '
of Mm '-'.:
;.ir-i i
r01ilr.1i I i
to I'.li a i
Tomi:i
jeputaiii
and si 1 1- :
the rn'e
(1ri7e is t
McAmi
notices f...
Bennett i
About II"
Ult (lIlo'H
ingly w.l'
Knt r r-..i si,.
1 I,
tf I
1 '
T 'I,
I- - T -
Ma. h
; '.
T ..
t ,
I J
C'.
" .. Mai. Who Hud Kei
rr n- ,Iin-' I'h'Uford. Shan-
.1 f'r,e llu nuiner are the
, i ir T! smvv was tirn
fir .-ntordii' r.VfctiliiK Post
'l.ar'.o Ccrrard. Mec M
,til lleltr.ore and Wllllan.
a-, 'is,
0':.
-I
I elv interest.
nn o.
frrd.i
nit
'Illli.S'j; works in tin' or.'hestral
r.u. Mr Stokowhkl has Riven ub
'.i-trul ihnpsodj. "ItnliaV'by Al
ii ompositlon which
I'll sella
7M1
llf '.s
K Ilf'S"
alf
first half
i t, ' i
,iu !
V
i t.,
II.
I
r.
M.i
i ii-
!'
I I
II'
'I .
'. ill
uina?
A'1
r 'i hi:
r
firodue
1 ., n s-. i'j Ma-K a
''1 111 ' si, 1 j si,.e,a',(
prodtii-liiui ", ' ns it et.gng. input on,
Monday afti '."on Mn 10 'i n
Mask'- is ii sinr l.i ri n .' Hon Mom.
and the pi nire was trii. u-.d-r t i
tllrectioii -,f IS. i 'in in Hi in '.p .In.1,
Holt and II' oil.. v i tn M i' -ii ii ,
liadius pun . Hot i ,t ii dun i.ili,'
tllllt 'f t.llll 111 .1 I , ,'S U'llIlM , ,"ln
"Hnnd-i'ii . ,1m , 'I'ti" mi n ,
rnoiilititin s.iiin in', is ,i ,... i.t.. .. , i,
Hondson,, .l.i k. I ell' miii; K'tii'th lost
iu n hlnp'i ii- I. . atti'tii'.-s t.. .ns, ns r'i
inibbaml of his lin'imr, nfe in oi.i.-fi
to obtain a p f .u. '1 In -i-it-'pe,irnn.-e '
of Ki'tiniih towe-ir, conies aim it m n
most dram, in.' . lin nt.
poi.iN wi:i:k" ,h i.e ceic-'
VX brated l e'tinini: Mav 1" ulnn1
Bln theaire- in tni cm wilt .'nm
piOdtn Is i,f this oig'l'iuillliill Mm, '
nger I'iIi . Men.b Nso'in ,.' the I'.nlu
delphia ollice. is in 1 ' iliforiiiu nt in, ,
CuIm r I'lti studio, 'r l.i. Ii he will1
direct events t'uil will nail, 'I, in .ek
"1'rihonrs ,,f l,ine. uuh lleiti i'omp-
bon. will be the nil rai tmii nt I In Sum ,
ton, whih at tlo' I'alact "Ion M m.i,, will
npiieur in "Hold Your llni-s.s ''.ri.
will In olltr liobluin p ii rules m th,
iciShbi
I'
J
'lll'IO'l thciltli-
II' I ( II II . V
, 4 .1 11 U do
I h.lj'liu Hi
elewptl Heretofore
Whiii' Worth While
1 I. lis Weber, liar In Us
wi'.rliior. I.uuIk CaJI.ern
'-' . , -r i siia' Wcilnes.lay Will-
', i p.. d In "The Love Special." hit
n" "i.ort subject"
U 11 VHHAJ.imv Oliver Cuiwoodn
SornRu s of the North' with IJet'v
i. .i, e.i half of week M'i" Alii
're All Mn Al'k" " liit.ir,
, ' ' Short films arc all- ' d.splaved.
hl'fll - I'O HOOT0 III I'lll'T
a.lauted from 'lie fciiilje I'm-.
: alf cf week William I'arrmin
Mis Greatest S' r rlflce " latt.-r
; alf, Huppltni'Ti' J b;. sh ru
s'l' J 's
tllU - Tliirna" Me Bill'., i: The
ilf lit ibi cast Ali e Fleming Kve
I i (l-elt)
MM.KI.T HrrtKKT I'm Mom e in
I 'III. i r 6o," first I alf of iuel. Wil
li m Firiuiin, in "ills i trcat'st Snc
e i latter half. Brief photoplay
i. ml "in both the bllU
ij'trxi KUltrltmX - Jnn.cs Olnur
' u v o "No i.ada of the North '
v. f ell.,r ra" tlrn iialf Of 'i-etl.
UA Daniels In 'iM'UsHnd Prnkes
V , . t, i,' th, rtttir-. " .Motidaj and
l'i., ii i' lithe! I'luvton, 'ii "TIm
piii. of I nsi-ssoi Wednesd.'ii mid
Tl ..r'l'ld "I'hiIic tl',. I Iper ' 'I.'ltz
iiinir.. oduciioni. I'rlduy and S.p-
f ii! I.s'.l U -Vorma Trtltcnlge in "IMr.-i,.-n
' Monda'- and Tuesdaj '"Iho
lllahis l,i Wcslnesilli.. , ijcnrgii
r "a in "The IieMl" Thuradn-j and
i'mlaj i artnel .M,rs n, "Tho Mail
M in im" ' Sat'jrda;
l,Ui CUT llelie Panifls In "Uil'-Ki. and
firikes." suiiportcd h .lack U"l
ThlB is a faidcal coined pioduce.l
lj Itcnl !r- dild feature. Mink
Seiinett conn d. "Astrn Prom the
St" run"
lFXDI.lt l.'hcl i Inyton, n "The Price
of n ii' spin Monflai and TtieHila' ,
PourIiis Mm Lean, in "( 'hicU.'ns,"
i cIi-pihIii' and Tiiiitsd.'ii , " lutl s
Woi lb hOe I ' r 1 1 1 u ami h.iturdai
ST H. IS H - "What a Worth Whtl.'"
Monda). Tiiekda and Weilneailay .
Walltic. Held In "T,,r I ,oi r Spe, lnl
Thiirsday, 1'rldni and Saturday. tso
slinrt MubJ ts
lH'ol f Hil.att ll'ih'ortli in "Hh
own I. tin " M.td.i' Tuesila.i nnd
f, 'Kstf i "'I I Pini.ilini.' I
on
le was one o( t lie most Illens
t" uioilern Italian worl.s.
li'.'nitRL' of the foiindntion of
ami iinder'itnndnble nielndi
firmed its bat-Is. He also plnjed
Tin
s.l ,
l'ldi- .ri.l Saturdai Short
'J'
the
ing o
larK ii
(b'tinit
H I.I. ll
tim we.rd "Dltlrambo Trnglco" of
lal.p.i.'o. a formless nnd cacophonous
work vliiili, without n pi iitram. win
absoli i iv nor utiiler.stniidable, at b'asi ,
on a sinnle hearing.
In the other hnnd, Mr. Toa'ainiu
on the occasion of his lirlr inineii
in I'l Mmlelphla. played Itpspigght'-. de
liglitfii! "rotititatns of Hum.." a re.illj
tin" pi.-ce of comiositlon nnd orchei-ti.i-tion,
and mie In which the gicatltal
iun i oiiductor stored one of the most
colispiiMoiiH Miecesses of the Philadel
phia siumiii in the matter of iMrpre
tati, n. I'cw who heard his renillng of
I'll' n-imber will Minn forget the won
derful inuni'f in which he blended Mm
iiMinlh noisy instruments of percuvon
int., the ensemble ami used thein lu a
mntii'loiislv colorful tonal sch-iue,
v Inch (iirrled out perfedly the idea
uf tiie uiinposer In diseribing the four
ii osi fainoilb fotintnins of the Itotnan
i n i , 1 1 a 1 .
fttlnr modern ord.'stral composliton
wi n- the ('hnusson siinpliotti iplined
both hi the Philadelphia and tlm I'e, -ton
Orchestras) wlmh, though hi no
means new 111 point of netual ru
is relative!) novel to A'nid'iiii a.nll
( in-es : the Uojiart siniplioni in ('
natl Itaiel's I.e Tombeini de P ,n
perm." n work nnui icndllj utiiler
staiiilulile thnn most f th,, , oiuimis, .
tlons of this modern I'ren'h rompnsi r.
as representing the Preneli school
Spam was repreM'iiteil h) Tunnn's "f.n
l'roi etssion tin ltiisui" : Austria b
Si'li'iCllberg'M sjiuplionic poem. "I'elleas
ami Mi'llsiinilu," n work win, b iwis,
i'nforMinnlel.. plr -'-d on the prosmm
lu retiMin of lu great length: l.iigliinil,
hi lullter's "f'hllili-en s ( Ii ei tni'c,"
C-ril S-ott's piano coin i rto. pln.uil b.i
himsilf nntl two pithsn.-ngllas, wjileh
lie conducted ; Hiiisiit. in nncatl.i work
of Strawinsky. entitled ' I'liewnrks,"
and full) living up to iIm nniue, itud
the I'niti'd Slates. Soweriiy's over
tore, "('mill's Autumn Ti,ne," and .lohn
blen Cnrpi nler s "A I'llgrun''
isioii ' These en nil nlnicd In the
Phil Ml. Inhiti O- l.( i n In id I Ii
Mi Mou"u p'uj'U M!raninski s ' The
ihe Philadelphia music-loving public
has hern nb'e to father a pretty good
idrn of the trend of modern musical
thought. I'robnblj the leading char
acteristics of this tiend are the almost
absolute discarding of architectural
form, the tendeiicj toward dissonant
harmonization, tin-, ugh long successions
nf unrelated chords, unresolved dlsso
names ct cetera, nnd the super-cmo-tionaliMii
which seems now to be n sine
(tm tn ii of ever) mus;cal composition,
no matter whut medium ii employed,
K'"i- sjn,.,. the invention of the
sunphotiic poem by Lisit there has been
n constantly incrensing tendency by or
ches'rnl writers to move nwny from the
incepted form of the s.wuphnny in bepn
r.ite moeinents. I.Kt's theory (and
that of Wagner ns welli w'ns that
Ilei tl.oven had so thorotiahly exhousted
the s,,nnta form that nmhiiig more wns
possible. This theor) sounded extremely
plans. hie, but it sioii'd not lie forgotten
that Mirs latir llralitns and Tschnlkow
il.v i'i. tnis form symphonlenlly nntl
contributed wotl.s in it which show
own sipn of being permanent, thereby
proline that it was still po&ible tn sa
tonii-thing iu the clussicnl svmphouie
style.
Hut I.is,-.t iii.I at le.ist nc thing wh'i'i
the iiiiiileru omposers arc not doing;
he abandoned the clnssjcnl hvmphnnlc
form, but he snie something else in its
plate the svi.iiihonic poem, or miii
jihony iu one tnmi tueiit, n form which, if
it has not the state beauty of the clas
sical symphonic form, is nt least defi
nite ..ml woil.e.l ,,ut on a well-coin eiiec
plan If th. classical form is to go out
of i ..stenti lucre should be bourn sub-
,vi i mni iiiijiximtm
LOSER'S 13
ron Theaire
ulltllnir
S. 52d St.
"""" i iiniiiiiiiiiiijijjjiimwijiwjiiiBMijuMiiLMiiiiiiii wSTrZjjSi-aijSiMMiMrrr" ---------iMa
CHESTNUT STREET BELOW TWELFTH STREET
BEST ENTERTAINMENT IN TOWN AT THE PRICES!
M..VT Wn.l riltST ArrEAltANCU HBUi: OP VAUDEVILLK'S NEW HTAH!
NAT NAZARRO, Jr.
WITH HIS SELECTED SEXTETTE
. OITIlItlNO OF" CLASS. CLTiVERNESS AMP CHARM
JOE DARCEY ieiu BERNARD & T0WNES sjdner
In. Cimil n-l Ii silvrv t.'nlng i j(l ",v BONO A MlN'l'TK"
J-lltKAM Hi' THE OI.O HOUTHl
GEORGIA CAMPBELL,
in "GONE ARE
THE DAYS"
jmalRTmn nr
ROBERT BUCHANAN, archie mwnT.Ki fii:our.n sptton
The
Philadelphia nm ocnriMffiiMix nMitrviiHo
I'avorltt'B they TVUi ahout their NEroiinong
imiir -FRAWLEY & LOUISE ran.
I si l N A M "
SULLY, ROGERS & SULLY
TKAVPOI.IN'K HAIt l.'XPERTH
Jaclt DALY & BERLEW Hazel
I'l.KMii.r. n.nm.wtNr) nANCiuiH
PATHE WEEKLY
"TOPICS OF THE DAY'
I Mill
l tie
Equeitrinn
Queen
AMiLIj ATTHACTION AND
I.AUOH8 AND TIIIULLa
The
Riding
Pr,m-ll.
k - . . .. .Tit- tSlXII S,l, -...v.s.i,t
ssisioa oy inc. rjivuL.X"
T'Hiiin.n i i i'H' of Tin: wmii.li is- their Nrns-trr sknhatiok
MAY WIRTH with PHIL
Sl'l.f l.
iiiii .iioii
(I'l l.(l( Ik. MIH' 1
It IIVM
l. MITH'i:! CHAVIIE IV SI'MMKIl SUVMIIN I'lllChsi
s lAII.. MAT.. S 1'. M.. .Ilk- AM) SJr. IIIIXKS m Vn-a
O HI..W, INd.lIHNO WAlt TAV. IIKATs OX AU1 UNr li'Kh'
111,1.1. I'lIONK. riUIKItT 33U5. ' u!it' " l-a
:rhllnlelpblni. LcRdlnR TlirnlrK Direction Te i. ,, Shuh
LYRIC
isrertf
E.VtS AT a 13 ' " 53 Vs- CI MAI W0 t.'J'.JIW 5AT I1AT WA 2cj
1.AHT WEEK 1II'.(MN(I MO.Vn.U
Cjfie Messrs. Ill & J J.SHUBERT preset
i(eiv laie?l and besl Tlew "Uorki
WINTER OMEN
XPECTACZEM
To,
VX3 V- i
S '
'.x wm.Vh
-. ""'
t.. 'J .
As O
jot KtNo BaWr
.V , l . f 'A
cr . g 's
t
l . At
? .' Wi..
yc
I stir
alKAi:
' iv ritm i
r ft JcJ r "
rhiZT y i mM
- m m -
"-. WU rfKt ,
,-v;o9
-- y ,i
TS,
K. sV,
.- X "V
' A
iy
rooNOEO 0M THE TRIUMPHANT tJUSlCAL
COMEDY SUCCESS OF HUOH MORTON A',3
CUSTAV KERKER, BOOK EY COCAt f r.,
PRODUCED UNDER THE PERSONAL SUPERVISION OF MR. J.J.SHUQERT
A BEAUTML (VCff Of
BWrCAfG JBUS
SAAA
J!
SHUBERT
NIGHTS AT 3.15
MATS. WED. 6s SAT AT 2 15
PRICES'
iiiiiiiiniiiiiirrTV-';
ye
NIGHTS 50 to $2.50('''.ct,r,)
1ATWED y
'e. BOHEMIAN? inc
- x n i'e sen f
x
1 -
POR DKT. WED 95''. R
. - iu3rj
Biiimiiiimgiv
mdhik
fKi
! Wiiiuiiu
1 BE ri ir
s e 'i.ia m .
r t k. k. v B
w E
50-RECMAT5AT 5$"
4TH
GALA
WEEK
IWff.
MonJar
200
v M UJIIIIII IIHMIIirTTTTTTTl
KM I W k vfl mil
ilULLtm
E.VJISED C STAGED 6iy I
JOHN MURRAY ANDERSON
The Musical Revue So Wonderful And So Different
With BERT SAVOY and JAY BRENNAN
I AST IKS'
drjrAarAic draTTAatic eonedij
PAM
$n?ET
jC ieeiTvia t-wai of Rugried Ronxatvce...
?Kere kulkii$ Fig'ures,..3nspireci Love....
Bad and gbod desires ClasK w a
Dratratic Battle of Etrotiotv9
CHESTNUT ST. OPERA HOUSE
EVENINGS a45-50fTO$l.3O - 60O ORCHESTRA SEATS $ I.OO
DAILY MAT.2'.IS-ORCHESTRA$l00-BA!.C0Ny sof'TAMILY CIRCLE 25
ALL SATS AS?VD
rills MIIMIA1 KVIINO S
LUCKY NUMBER DANCE
CASH PRIZES jj
Lmtj Tuesday Niglil j
THE TANGO TROT E
, hit 'l, ,i , Urt.ionsfialed l'i F
Mr. I'ranU Owfnu.
Nut MrilntHilny Miltl. C
TAG DANCE I
IHiiimj l.irr Lib, ( In Tiifiln A J
I lii.r.il... l'rlt i,,. I.fMtaullM. 1 1 311 c
; m to 8-.".n r. m.
Tim rrtTrTTTWTir i " nmrfn
.Motropulitan Opcru House
i.a it .' i , i' r
3
COMl'AN'
m, i i .i Hon
'l . til .' I It 1,1 l.KlKV .Jit'
hi ill. I 'I '. Pr rfl l.-sl, I .null I ll' it II I .M
IT - M, :,i fj IU Tonlih' 7' l.i I. .ii
- ii ...I m . at t. t'fn ohii i, "i m i it ui,i
nn.l h' VV nail r. w ItOH .t.wiiiui strrf
liu'anlinl Ha itpns.
of I'ttift
L'uiv
Next Week
WILLIAM SHAKESPEARE'S
"TEMPEST"
ri- M' I'roducilan, all eat rir v4.
tl.rii n.it t (Umbel"' A. Mfiipn'si prioi
Uvh-s A. Hut Mnl II WeJ Mat . 7fle. ClH
nl rlyrnWatBt,tmj, JKMI
A...i7,,n n.'s II ,T(lfT II' Pl.n.il in ' I i"
PHILADELPHIA '"'V1
1 ORCHLSTRA I Symphony No.2
u ITU vri.ltl 1.
M I'KM.Itscs
1-1,11 Mil I I'll I
I,. 'I ll 'I- i UVI ItAl.T,
.ripiiAVn AM) Till,
Did iii's-im ciioiti a
TROC'AI3L'V(") 'ifc. AJAlNMl MAlUa
i itutrtuu A-i n,, uuu ulAl(0
THE ONLY CIRCUS COMING TO PHILADELPHIA
COMMENCES.
GALA
CIRCUS
WEEK
MONDAY!.
CIRCUS
DAYS
CIRCUS GROUNDS AT 19TH ST. 4 HUNTING PARK AVE.
raT3ipM
e20jvueiie:i
Klfi:
Js?.
lr
THE COLOSSUS
, Or Alt AMUSSMIKTS ,
I rl ii d I t--4
.Fill
LUKMAJ
m
ADMISSION -ADULTS 7ST,CHILDREM S0-WaS?J5
DOORS 0PF.H AT I AND 7 P.M.-PERFORMANCES AT Z AND 8 P.M.
ONE T1CKETADMITS TO EVERYTHING
TIIKIti; Wll.l. IIB M NTKKKT
I'l.i,' ill'I'K'l'. AT (.IMIIl'.IH I
I M U I'.FU ADMIHHIIW Tlfur.TH A1MII Itl'.SHU VKII MK.ATH ON H 1.1
IIAKAIll.'
now s runs tii'uci' oi'i'K'r. at c.imiii'.i.h nvt.u Kvicnv iv iilrinh
WOODSIDB
i
Opens Today for the Season
DURBANO'S
CONCERT BAND
Direction of Ercole Durbano
EDNA WALLACE KINNEY
Contralto
New, Novel and Up-to-the-minute
AMUSEMENTS
Fireworks Every Friday Night
Zimmerman Theatre
3 i
Y. l
l,rii.
Tiijlur
Mitr.
ULiriJLz : ':, :, ui:v,! i s
mmmm
Germanlown & Cheltan
.MAT. KIII.W
lll'.I.Ahl ,,-si
.MKI.IHIKAMATK
,.. . ,r TIMK
i 11. If, ll I "'r'-i,pi
"TIGER KU3&
Ui'itlniilriL" Mniuliw l.i I'll) i)R
FRANK FIELDER Presentt
I And Her
Players
In (tin Sniiuiii'n Itrnl rnnifib
MAE DESMOND
ADAM
H)rJ wb
nit- Wm.
t i,-f-
AOAM- Cone n ue
THE WATERS FIWEr
A5 PLAYED
RKENUYAT
THE ADELPHI
THEATRE
EXHIBITION OF
portrait irlininturcfi
11 V
WAS WILLIAMS
'ic irftitl ,'oia' ivilutu l llninfure
'(luitcri 7'iipiinif
May 9 Io 15
THREE ARTS CLUU
Jil't Locust Street
-""-"-- " .. , M
WAGNER Dancing
!$!, firuad ."ilK-'i
litmriiig hvvry livriiinu i
"iMAY I'KSTIVAL"
NFT Ml-.ll. (MAV ) j'A,,
(.'lass and Reception
llrim'ii I'.trn tWil. A H.it, i;,,,
l.irrj Mom,, Tiir 'lliitrn. A 'rl
Inslriiillon, Hi llrrli., Htl.1 I', u
r II I'rll. 1,1-suiih, K.l. nflrr I I'.m'
UUMONT'SrV?:1
EMMETT WELCH Minstrels
JH TJIIJ J'AllE PAIIIT Our Trollej TroublM I
iAJriw
W:' REFINED ENTERrAINMENT'
i io n.rti-' HI
SUscrnuier cukaciliW SAt'l
LANS1N0 BROTHERS ?,Vn. W
GROSSMAN TWINSrONTi:.';"
FERN ROGERS ZK
HILDA LEROY .-
SYLVIA O. CHAULSAE
& EDWARD KINNEY
hit, nii Miiiui.Misn iinci.
I l 'liulf nr
ACADEMY OF MUSIC
MOMI.W, M II. Ill H I' !!
rati ., 4 Ki .. kt I1 11
FLORENCE COWAN0VA
DANCE CARNIVAL
Tiikri. r,."r. Mr. .i.iii. IA ,;" '
LMIIHiriON AM, HTYI.KH OP Wl" J
t
H- a..,,,