IBttfljAaTu riVKl viyi''jqtitrrlijin f " EVENING PUBLIC LEDGER-PHIL' ADELPHL, FRIDAY, rAPRlE 15, 1921 14 e Trn: J?--'-' v wif'W-r'V'UrW"5 m m siaSR'fe PHILADELPHIA BOY MAKES "IMPOSSIBLE" PHOTOPLA Y Ernest fl illiantson Succeeds in Producing and Photographing Dramatic . iciion by Living People on licil of Ocean DRAMATIC MOMENT IN PHOTOPLAY STAGED UNDER SEA A former I'lii'inHphin lm li - ' rmnplWircl ulint un lime H'snrilc.l ,i the impossible m il"' in"iiis imiur' world. Hi' Im in mnllv Miis.mI. pm ilneed mid plint;inplii'l a ilrniim iimlei tin- sen The tnnn lio hn ilmn tln ' KrneM Williamson, "in " h . n-to.un-t on n morning pap. r l'n ' "' ' n "'"' of Citptiuii I'lnii'li'i WiUnim-mi. wln Martin (ho plintnRrnplno "'"I 'intilli world ii feu jeni iie bj ' oinpli'tinc l ho llit ininfn i';n i itio'iit in tlii" lino A I t It ii r iiino li"' i i'io pn Mires igu'.l .. Ink' n wnhiti 11 I mil of mis fl f foil f tin1 i nnn i i. Ion ox ii tVltli ihii ii-tii' tinn 1 1n1 niiiltins w tlninti' vio f iimbr-m lid- woro rim sidorcd n (,'reiil lininiph nnd tin1 pi' turoi tti'iv -Ih'Wii nt th" I'mvoi-iiij Mil-' inn ii nil iniiiili of tlio str'oh Hint tho tnol urn-pn-t lire minora lind Hindi- ('npliiin Williamson ileti-nl ;t gmi' tube tilwli onulil lie Imtereil into 1 1f uiitor nnd lino wlwh tlio iimn-iii mini went with lii apparatus Tho t.nn nils illiiiiiinntiil liv ilootno it slil - in 'I rolloct'iii wliioli mod'' piituri'i posib!. for ii hoit nVt.inoi . I'mo's' Villnini'n. Iiowiim-. li . mbliHiti"'l powerful ('oiipor-llott itt ltclity loiteie.l from barsrs wi'ii tho 10 cult thnt It H iniw possible In ph"l" prnph nt crint distances- nt nnv di pth through tho 110 of tlio iimbr-cn tubo Mr. Williamson h:i" pr.it eil bis omi ilii'h tho iIimi nlm es 111 hit inn iili Vntiiniiitioiilli . Iii nosti'ih nio i lamped ir i fiirmilnd from nil hWrch gon rntiiiK pmtilrr within tho mt Ono of tin- thrlllins Incidents In ' Wrt liii'.l.' tilmll Mums till' 1IT of tin Hi u ttpe of diving 'nil. retenN Hnlpb lino, ho pln iho loading part in the pi. inro nnd nl-n dim tod it. milking Into tlio .in from ii "loping bench, nceoin panio.l In two ilor. Tin1 put on ihoir dhing ml over llnir log'ilnr clntlict nnd, lopho i tnr.i shoes with Ih'iiiv, leaded ones Strniglii "ut to iii lliov iniinb; tho tintcr coino up to tlioir nooki. thou thoir hoad" nnd llimlh eners thorn onmplotoli Then In tho tdoturo wo sic fietn milking nloiig the bottom of the ;in I'oking tho ot treasure ship V th tho old ijpo of diinig .suit" tliev cud iml liuio doiio this, nlthoiigb the ,, Id I" rhnpi, hnvo Kopt drior. siibinarliio Muilt for "Wei Gold" Atiotbor dopaiiiiro in nndoixoa mi tiou phtiiio. in.iiigiiratod In Mi Y-liniii-i'ii i tin tiro-oiioo of n tightitig iiiiinnrino whnh tlio iiiiIIihi nnd po ill;, or ot tho pholoplai bilill oipoi lai,i tm tho piii'poo Tho iiibliiiiritio i loll foot lung, mid i koon ljing on tho bo' tinn of iho oii. In tho bow x mi m liiinibor. timii whioh illvvrs nre ."0011 to onuTgo Thi i haio born plinlogrnpliod wnlK ing out nf tho siibmnriiio whilo it . iiinlor wntor. ivploring tho nooan llonr tcntion lij applying the invontion in nil nnd rotiirn.ng 10 the "iibmarino Whrn mniiKiiiE phoioplni. I'lUiriru "oi tiolil." many of th" ivn' of uhirh wcrt tnken on tho nconn lloor otT Nn-'iui in tho Iliihamni. Construe tinn of Tnbo In opoiation, tlio pliotnginpliio tnbo U loiund from a bnrgo Tho lubo it i'lf woigh a ton in i foot nnd Iho pliotographio olinmbi r nhuie woigli threo inn a half t"ii- ' Through th" atpli'"itiiii of till" mvoii non. "Wot (told" lniu dioi .ool ing to ri'inoi' lot I'-ui'-iiro in an ni uio'k Mithmit mi till"- ronohins from il dnlng .-onl. I" tl.o .-urfaio of the ntor. 'I ln lni- boon mud" pnlhlo through tho iio f a in 1 1 f iiio dn i. whioh gm". rn t1'" a i l "n'' Aio i f'iriii'-ho.l timn uub.n tho -n' l an pparattii liKo a ga m.i-U. mo tubo "f tho h.i" r-i ntorod tho diip th" door through whioh tho i nmo ii ('lo-od. Tho nir in tho air ihmnhor I" kopt at a piotiro o'pial to that of tlio wntcr out -ido. Itut hm tho divoi rotnrn thoy ro bii'-o tho air piouro. outer tho righting "ootion of iho -.iibiniirino and tako otT tin ir ot i nth"- i "Wot linld" toiik oloii'n month" in tnnko. uhoioa- man natiiio motion piotiirr nio turnod out in from tho in I oighl wook-i Th" ninli rttiltor pliutoR-' raph nlono took .ovoiul montliis to oomph t". . tho -tor lnf' from Now York to llntnnii and fimo th"ro to tho bottom of tho ii' imii ah" ii th" Iiiihninii ilamN. tlio ponplo in tho i i.t irnioloil moro than olMMi milf. Ih'Imio tin- p'n luro ii" iomi.tod "Wit fluid ' i. being ro lonx'il thioiigli i!o!d n'". MOVIE NEWS-MAN HAD TO GO HUNGRY IN CHINA'S FAMINE lliik N one Mono from "Wet (inlil," a llirillitig iilmlnpla. bi(li Is tlio llrst tn bo irodiicod anil plinlngnipliril i n Iho bod of Iho oioan. I'liil.iilulpliian mailo Ibis leal possible. The plilui'o sIiiims tlio ill:ilns. In tludr old f.islibini'il iliiliii; Mills ullli air ttibrs. anil tlio liern. In Ills minimi "csoaiic stilt" Mithuut nlr liibes, hlili onahles t I in to Malk abuiil tho ocean bed freely -SCREEN FRIGHT' Even Actors anil Actresses Who Vaced Thousands on the Stage (Juail at a Group of isitors in the I'ilm Studio How 1 Keep My Beauty by .11 MINK iltlllNsTONK How Reckless These Movie Stars Arc! 1 yy"i& A 40J. fF3p "06" ,.j dd( fiA toB FwAs . Mn. dra n nnd lii" ninlii no. ipientl . nooi will till ou thnt they' gnat deal of their inspiration fl mil their nndteliees. A "cold" ' will throw a damper, fre lint no amount of natural 'I III, llon'l Mem tn i.ili .1 bit llii.lll tin II' lli these lull 10 still's. Hole wo h,ie two of tliem Jll.l .ilinui lo toiple llnlll the narrow lilllllie to the ilie.idfill ab.s below. Itnt tlio Iriilli is lli.it. If Hie fell. III)'. would land on the studio tlnor' It i. .t li'il. of iloiihlo evposiiro. of course. I lit aeri.il iow ot the tits is i.ihm Hist, with part of the lllin inaskeil out. I lieu the .ulion is i.ihcn on I In- wall built mi the studio Hour ami litis in print oil in noi' the .iii.il iew. iul, presto', wo li.ie a .(cue lliat malie. the milium' n,ip .mil their innards tinn oiitwatil. I he pboluui'.ipb sluius .lime (itpihe .mil liiorge Soil, ill tlio new I'.llho serial "Iho s,,, ll.ingoi," whiih will begin in tills illy May U What Your Favorite Film Stars Are Doing talent will inenotne in effi'it. et. siraiigely t noiigh. man. well known sc con Mar., nre unable to do tln'ir best wotk in dittioillt .itiii' while pn 'nlor nro piesciit at the studios. And iml mtn ipn nil tho stars nehiooi! ; tniii" nil the hgitimato hoaids before, the tnnk to lionding tlio shadowy ones of hlindom. Tom M the (ioldw.ui stollnr light with Iho fiisoiiuiiiiig simiIo,' while doing ii lug i'liuiii wilh llolono Chndwiok in I "Made in llomon," lioinnie iiutioenbl .i If-i oimoioiis in tho liio.i nor of ii gmiip "f i i-itoi-s stmnliiig in buck of the ' am. in. ' ill lingi i. lung a wind- villo head. hm i and n lyvnt IiimiiIio mi tho Ziog- lo.il f. In- Imooiiio one of tho be-t- 1 iinu ii .. i n siai" in tl uintr lining the lai ji.ir. Itut bo will toll Mill I I SIT III' il'HMl'l fool "up to il" win n gm s an- on tho lot. IlinVii'iit frmii Slage In in Itn i who has pin. id opposite Ii l!"g'i nnd oilier 'inr, finds it Hi. ni in .. ioalitioiill. in the pre-i II" ' of "ill Mile! s. (in ..i.iiil "iiiisiniis I'liiiline I'ed- ink I i- In i ii liimii il in "emoting" m tm aiitiii tiou of herself or her uir... I,,, w lull iho e.ves of strungers won !' . i 'I in hoi . s ,i'l il porfi'iuiors bine had .on. .-lil i.igi r.nri'i.. linger, par- tiii,i.ni. imii tin ripuiaimii m uouik at Imiiii In nre an itudieiiio u inuili in ii'.in. s, a. a plumber ut jour hniii" willinut In-. iool. Tho i mi., i.i ha., nppaiontly. a po ii I i.i i- p).'liiign,il nffoi i mi the per I'm un t. ou nir oarrying jour Irish prejudice too tin !" suid Mr. Hughes smilingl . Mr. Hughes is indieiitivo, inolileiit ull. of a now eloinonr whioh bus come iiniutall. in the stuilio during tho past year -iiiunely , tlio mitlior. ()no(. n ills login ileil foi iv in the making of photo, plujs, bo has beciiiiio accepted un the prune erontiw force Kieii Iho netors are iiceil in him and her uu ! Kupert Hughes, (inineriieur Morris. Mury Kolorts Kmehuir. Cerlruifo Atherton. I'.n.il King and I.oiov stooti nro all familiar figures nuw "at iho Ciiher ('it. idaiit. wheio the. hae taken mi aotno part in the pieiuri.ii llon of their Ihenies. This participa tion in Iho notuiil woik was Iho promi.o on whiih tho eminent iiuihnrs' oigani zi.tinii nt which the, lire members, was founded Mwerul yearn ugn. Tho stiidio-wuik. far f i urn ilisillu-l sinning tlio writers, has iculiod in a l.eenor apprei-i.iiion of .croon pin-sbi illos nnd prubleius. All the writers named halo gun" be innl the iiglnal luciuise of- the niiihois' orgniilzallmis and written original stories directly lor tin- mti en. The notors. as a " "neiiience of oonis, now neoopt the authors' pie clue a" II llllllll'lll pun oililie, but the liino jot to bicnuio iicuucileil to the plcctun of nil lllldieino un the lot, n W1II1SS till' I Oloslls ot loin .Moon. i W'ill Kogers and iho iisl, l!oweor. i the. hao no lea.nii in be ills-allslii'il .wilh the sio of thou- teal aiidiem e.s. Thr." 1 1 1 1 in Ik i sunn, lilii'cii millimis ' v.iekly in the I'mtiil Slates alone! Tin time tor the the. plans lo liocmno per inih i whin lln-e uildienoes tlin'ati n 'in ilei ioiiso - anil limn the looks of , things tinn i. a lni,-, lung, long nine nwn '. I '.- IflflfH - -JiiiifH t-, ififH .' ', 4iiH1 ! .K O -- , 'st ifcjrA. yJM l i r ft tSLWJ f ffH mmmty ftlM n ;., niBHdffRB ' TpfMBBBBiPBBi ' 1 WKKmm ! ' I : st 1 1 JIntlon-iilcturc news eninernmcn nre nmong the most venturesome of nil the intrepid nml resourceful fraternity of news-gatherers. Seeing n clinnco of "pliooting the big news story," they seldom nre deterred by physical danger, nnd frequently endure severe prhn- i tlnns. I An interesting instance of this spirit ' Ii described by Dick lllrd, who photo graphed the famine scenes in China for . Tnlho News, which were released n few ' wcekfi ago. "I had plenty of opportunity to real he what those nonr creatines are suf fering." said Mr. lllrd, "because I was forced bv circumstances to suffer with j them. Tor eight da.Vb 1 was without food or water except for soup made , from dried leaves, the bark of trees, grass roots and peanut hulls. "When I went into the famine 1 stricken area with my outfit, I was well I eqnipned with canned goods and other supplies ; but nfter two days I had to give them away to the starving women nnd children nil about me nobody with hiiiniin feeling could do less. In other I places tho villages were deserted, ex ' cept for thoe who were too old or wenk to join in the exodus ot the rest ot the population. "These unfortunates would crawl out from their hovels or what was left of ' them nftcr the doors and windows lind I been s6ld for the price of n little food. Old men with bnrdlv any llesh left on ; their bones would crawl up nnd clnsp I my knees beggini; for a mouthful to cat or In gratitude for a morsel that l wns able to provide. t "My trunk, which contained my plates, negatives, etc., was a pathetic source of hopo to these famished peo ple. "Wiien It was dropped oft the 1 t ...III. I.. uttlit trmtlrl enrr, every one wmim "(. .... , scramble for it. under the impression (lint if I'linlntnoil food. I "After eight days ot the terrible mess that was my only nourishment. I reached tlio railroad nnd had my llrst meal. It was tin experience thut no innn w ill voluntarily pass through more than once. "I was compelled to see tho bodies of iialf-dead little children thrown into wells by their parents, to save them r.., ii... iinri-m-H of lonser starvation. Dead bodies Moating on tho surface of the mors told the story of thoe who had preferred suicide by drowning to the prolonged torture of hunger. I saw i ' .. I, f .!...! lllll.. m.nu f.. motliois sen ono in no-ir nun; uin " n few crusts ot broad with which to comfort the others for a few hours. "All this, of course, before the cold winter set in. What the conditloti" nio there now is iininiaginable. fcSuflieo it lo say that none of the newspaper ro potts' ai e in the slightest ilegice exag gerated they (oulil not bo." WAUAmVORD'S SON TO APPEAR ON SCREEN Tom (iallory has hern selected by (ioorgo Kntilnljih ('bcter to create the role or .liiuinj Wnllingfnrd. the lending charneicr in "The Son of Wnllingfoid," whicn i" no'' in the tirolimiiiarv stages at th' West Coast studios. The stoij was written especially for Vilagra.h l.y Mr. Chester, producing editor of that orgiinizalion. and his wife, l.illlau K. Chester, and will bo transferred to the (torn under bis personal direction, liming dented all the ehuiuetcis. Mr. Che-tor bus u definite idea of the tpes lie wants to pot tray them, nnd us two oharncters in the eailier Will liiigford stories, J. Kufus Wiillingford and Illaekle Daw, are known the world out. Mr. Chester is not making haste , in liis selections. ! Willi voting Whlllngford. however, 1 It wns different, lie n it newcomer In the land ot fiction. Tom Cnllery. whose ilse in pictures tins been remarkable in Iho last year, lit led tlo part so well thnt the niithor-dlrector didn't hesitate in uceoptliiK him for the rnlo. Mr. tlallery is u big, gooil-nntured American boy, and has the required youth and phy sique for the role. "The Son ot Walllngford" will be one of tho biggest productions ever put out by Vitngrapli. Film Fashion ffffW ! tRP3s f wf'' $H h r-, ?& , ''ft v& a ' n r tin Ii ' "I iv 'i'.'v' II vs J9i .flwrv m I 1;$ kml I T,y COLLEGE PRESIDENT QUITS FOR MOVIES j lie motion picture, has nttractcd ninny kinds of people to Its fasclniilin, field, but now, for the flret time, in,, caused n college president to resign l!j position in order to dcvolc alt of l utne to mo writing ot scennrlos. 'J lie newcomer in tiic Held U pfoi James A. 11. Schcrcr, formerly prcMdtat of tho California Institute of Tcehnol ogy, who lias now joined the Lmw colony nt Hollywood, Cnl., where U has moved to "Celebrity How," thui becoming a neighbor ot such writers u Sir Gilbert Parker, Kllnor Oljn, Somerset Matigham, Edward Kiioblorlc ii it it Un tit l ml ATnftiiiln (lllll I'lllllliLI IMLI llllli l'rof. Schcrcr's first photoplnv I. "Tnll Timber." which will soon be J Into production nt Hollywood wlik Wallace Held starring, l'rof. Selmre docs not regard his change ns a "cornel down." He has definite ideas of thi value of the movies. He said recently "In my opinion, motion pictures tin the teacher n great opportunity, not ts indulge In propaganda, indeed, for tin first aim of tho photoplay must he to entertain, but to build nn cntoiValn. ingiy (irnmnuc story wuii a background nn undercurrent of wholcsoinenpsi J liniiortnncc of theme thnt the nudicnc( win iincuiiscioiisi.v ausoru. "Certainly there has ncer Imnn more stimulating school for the fiction writer than thnt of the iiliotnnlni- t tiou pictures train otic to think in terruj of action, to make his talcs dramatU ally cntcrtnltilng, to eliminate tbe lum bersome logomachy that has cluttered up so much writing in the past. "I will go so fnr as to say that so man can survey the field of letters to. day so as to determine where hi mtV may count most, without havlnj Ut iiiicuiion siuirpiy aiirncirii ny tne ium vcious poicniiunues oi nio pnotoplai "A book thnt sells 10,000 copies Ii doing well; but put jour message in successful Mini form Mini -10,000,000 peopio receive it, uu out iuc habltawi it tfii i' An rreentric urraiigi'iiicut of beaded elel straps from the shoulders well down Hie hack uudo this silver cloth gown one of the, most striking among the many elaborate costumes lately designed for illations, it is seen Knsc" pliololilay pro i in "The Night Answers to Questions Irom Movie Fansl Lilly I!. Wo nre not familiar wita 1 the personal affairs of the film star upon I wnom you nnvc bitcii u "crush. W have started an investigation through! our underground ciinnneis. However, i Us soon as we learn what jou wnntttl hnow we will print it in this ili'purti iiii'iu. ii iiitii mr ii in auoui a ween, Dr. S. L. Thanks for our interest mid your suggestion. Wu hae just concluded nrrnngeineiits for one i-criei of urtlcles on wenario writing ami are negotiating for another. 'J hey willle gin on this page soon. A. T. X. "The l-'our Ilorsrmra cl the Apocalypse" is not jet ilefmilslj hooked for this city. Its appcaranu hero must nwn It uu open dale in un of the big houses. A TAX Wallace Held is nt present in Cnlifornla, but he is planning to come east to Xew York to join KMl rerguson in n production of "Peter Ibbotson." He bus iust finished work in "The. Affairs of Anntol," WILD UOSIO Montagu l,ue is M longer noting for the screen, lie bu returned to the spenking stage uml II with "Hie Sjunlvnl of tho l-ittost at the Greenwich Village Theatre iu Nt i jork. i,iinror'i,. rum niM. us rlMTOI'LUh .11 STINK .HIHNVroNH 1" Adni .f gin, f i i. . Ma 'u.od i. .e. m i ti nt pllll-o .H'Hlllllst III In p'.l 111 H II l"ll Mi' I. i M I'l . Ill ' '. I' S I Iv II ill' .Ill I' I nth trioiil i 1 1 1 1 ' ion . i I I -i i lino In lo i lii. w nh ,i lug i niilingi u' M.i'nui ' i miipaii ! .. l .1-1 lies f.il- tin .l. I .1 I tn li .10 I I r lllll. I I 'mi. ibl. m ' 'aulm n .i tiii'shing In- nwn p'.l. "slo .lllll' I. II I tlio I'niill' II .lit" III" . il l . bill sin W.i '1,1. h"l" ' I" s ,, (hi Mm In- is ' l!ltl nix - In null iho 10 l"i .in id f i" ' I i-nliii i.f III mil t i lull,'- Stl 'lin i. --i i in i- pli . gii iiii.ii. .Hang' i I llilimki . In tin II' I 111 111" 11 I off i'i t nil tlio per- I Dining ii theatrical perform- il. nf i ir. nio focused on 'I In ninlii in o Is a ilelilihed a Hung apart from the I'M'tligbts. I'niiditiniis ale ililToi'iil in Iho stildni. angers .Not Well nine . uti, li ielicuisng bofuio n mtiiginpln d - and ocn nn the -tug" in tors Mu not like In bo pie.oiil nt lehoarsals. rn iho .1 iiill. i fill".!', lire close il- ; I hoi i un sheen ii i l-i ill" th" illusion V'l ll . 'I 'lll'l, i I.M Noi II 1. 1 -i: ii i.i nm i d ' .ng, nil. I'l II III I'rtl l- u li. I I i hm; I'iriii.ii no o ..i li ii.ii Tl. - -i i i ill In I no ' 1 1 ',i.t 1 1 J Ut I ' .1 I - ll'l'l lllln Alio I I. il In I li. Il.i ' . u ill I. klO'M It nan ml,- Duiigl.is i il.. iinu.' . i I .... ii Im M in- i I ulii In In- , bo Mlll'g .' 'Man. I.-"i nii'l I 'h,u !' I iii'i i'1 u 1 1 '.iirbaulis -..nn "f II," 'I li 1,1- , in I -i gin I .1 . Il inn. nio "d .I im in.' li" na il, i i-k"tn I If till 110 I'll II Mill' in an I Ulii i - mil Mull liuihiini I, I ii m un si IJIIilUI I in ig, "I on ii ( III!,' lighl nllo i lili'l .1 iigui , lliai Ill (s- I'.'ll llioio 1- anutliei- soil nl -Ibe gla f the Klh-gs' ftml l".niiliil lighting iiiiiipheriinliii. ii, i- i- nfnii timg tn tho iiin-t i .i( i inn i i -i hi II ll' lni - temper. line nl tlio iiniu-iug -lories current at im. linldwin stuilii.-. tells of ii oi bal l.ii ' hi i uili inii'l" Ihoie liv Unpen ' IIilKln Ii Hughes met Tom .Mooio wealing gi hades. In pioiect his CIO- fli'lll tlio hniii llgllt- i Mn. ,n . ii si'diis to mo that ENGAGE MW STUDIO FOR MAE 'MURRAY A big stiiili,. mi l'nlty-fnlllth stlcef 111 i New Vnik la- In "ii leased fur one jcar, by ilu tilnlio I'liiiliirtimi- ('iii'iuiaiinn,J ami it i- aniiuiiiu oil (lint mur nig spe cial pioilui tinas in wlibh Mno Murra will iippuu nnd whioh will bo i"ha-eil thinuh A iilid Kxhibllurs will l. ilo H I'h" liiiill K'lei IKUI of llioi tn-l pii tun 'nil ho miiilo till- wool, nun wmk mil In iiimnieuoeil iiiiineilialol i 'I wn -imii- nio' under (onsnloi'atiuii. Ibiiii gm iiipiiriiinil' fur the h"( nil lni' k'.inuiid in which Mis.- .Mm rn up-peiii- i" In -I iidv.inlagc. Unbolt .. ' I mini u In, iliiciicd Miss .Mun. i.i in, "Tin liililnl 1.11," will dnecl In r lir.t fui A urn d L.iii iftiui will be made lo uiin. in lie -pb mini' nf the -oi-, anil giioi.ll iiiiiii. phoro of the -turj tin .in u rn I, in the pn-t. MODERN MOVIE STUDIO A CITY OF WONDERS . i ' H "ll will I.. Tn' .i.i.l i.il no iiiog g n nf rerni- -kelehi - ii 1 1 I siibiniiii'd i. UIII'IHO si; il It Is blmlglll , ,.IM ,! I 1,1 iiuipli - "f nml' ilo 'I nlllili'U - ' i in. ii I ill -ign 'i ut b I ig. Mm.. . (iirrlli Hugh featured pliin r. .ignin i to ii . flirting with in. -in ikmg si.igi Dal. hii- nil. nil Hugh. - .iitt.it tin in Ins furtln ninnnj iH"lu, iimi- I illdtt ' and Il.in.'i t ' ' '.n inmo lioimn nml i. uili in -i i (i lii'AI -en son.' iii-il" Mi Dan leopio , Hi i- llugl -, nisi-t lllflt ll" " '" li"l ' " n liimo lo ",r Iii.i i in i una trm, III! l -I fu ;i -I I n nf f iliR-timi in niii, i i u di i, .. lo ,ii Id 'I foil ' ml I Maj Mllsoil I .i- i,,.ii for im ,n j, ' pholngrnphli' pmiijil iii luiiili 'Iu1 lls i oiiiph leil ' min' nf Nils l shows her heii'l 'limn mi a Inn n luliKiug I of slighllv mmi Iiiiiii (no and mio half feet lij M'leu and nuo-liiilf ficl , llllll iiiaking '-nil' in bad' iiipie-icil Hi t m4 V slur In glo do hi for i .o ..il. C"kt phot orriiphn pi rmltl ' b lb wan lur pb n " Uurii JJ.'O i In. fans nalie the nugnitiiih nf the mnderii inmie studio. Ileie Is a lrw of the (.nlilwjn iil.lll ill invci I ,u inni'i'iise buildings .tie thousands of sonant feet tleiotcd lo sludios, hut the. lake up only a p.iit of the' loom itlii.ill. enrj Ir.nle iudiisli .raft and profession is ghin r'joiu. for all :ue called iipun for urn lie , the piodiiitinii of up to diile pl.olopla. Writers, iiutli.il, editors artists and draftsmen nine llieir mn. nfii.e,. Deciaiors ami .leslgin'is. . ariienlers. Iiiiililers. moliil woikrrs. drapers, expeils on fiirnisli tig and I "p'1 l,l )Ht I IMII I Imp. ii Mi.- In. 1 1 U in " i i t inii'l' ' W S'llllHIIIII M " i ' ' 'mi pi i iai i" ' -. ...... , . . i iuli line wink .ill must he ai.iimuiod.il.il Modiste, anil milliners, wijn uieir assisinnis, woinpe.i.iL ...... .sin (.-., .lie linnml.inl a.lj s ilflen a Icidim- l.nl will lime as in.m ir. thirl. n.sluiiie .h.inges In jiln . I Men llni. .in- .Mi'iish.. nei.it mill is for (he ollicials and stulls. Ilryond the liuildlii-is .an he seen the lot with il. ens of scK iii'itnl, pii lu.is fm scleral pliolonlnjs that aie being made slniultaiieoiislj Su.li imini'iisp plants Ihis iNiilaJn nil. II lias been ncicviury for produring ii:nimiiiis io 1....1..110 uu.. u.g ..rpo...i.i...s, of dollais am nerdid in the Imslness now where iiuiusniius wunm 11.1t i' s.iiuirii u ..- jii.ii. nB.i Am beniilj thai I 111111 no " I 11 10 entirely to good hcilin I In lie.' llllll I'tiM'y wntinili . oul.l be licni tlful if she would lake uili of hei-olf. 1'iir beauty does mil menu period fea tures, by any nioans. And health is gioall l prudent upon 1 IciiiiUiicss. The ol.l-fiisliioii. d woman mini frcipieiilly the .ild-fashioiieil il I m-. wlin sbnilld lime Klluun liellorl, used to believe thai balhing wn- ni.ik euing llllll shuiild theielme be indulged iu sparingly. I myself talio a wnnu bath oierv morning, nnd Inter 111 the daj a .mm 111 the pool, if I can spine the time. After 1111 ounlng nf ilaiieiiig iu 11 win in ball inmii. nf i'iiiir-o. 111111I lii'i- bulb is de siralilo liefoic 1 ionic, llun thuiigh I hnvo been iu iho water twice that day I hae 110 hesilniiov in tnlliiug a third b'lth, which sunlhos my in no . muses 1110 in relim (iiinpleloh and -end- nn. off mio 11 delioiutislj sniiml ami ic-iful shop. loll sliiuilil !ii' join- lace iiinii .aie. pi 1 haps, than an. nlhcr pan nf jnur liuilj. It is aluajs oxposoil In dust llllll dill, ami is. nflei- nil. one's nm-i 1 mi spiouous hid for hi nut j -or iho In. U of in Uo'j.it. . all of I It seems lo 1110 llllll luiisi of Iho ttoulen Indn me u lus lu-hnig ill oil ml. pulling on a dab nf inugo nml piiwder, uu uml then. Hull the ilmi'l j iilid i noiigh lime In Wls 11 nfl. ( 'll llll in s nro bad fur the fin o I notor 11-e tin ocopt pel naps a 1111-1 m ,,,i,,'i oe-.11-ioiiall.t . A pei-Min wilh a heallhy i-kin dues not need i.ismetiis. 1 lieloe in thm-uiighl. wii-Iiiiik the fine, but washing 11 iu a slight lj dif ferent way from most ponph . 1 ni'er use Miup or water nn inv lino I use 11 cleansing croani at night mid in I In lunrnliig use uiKilher 1 11 inn, after wlibh I apply ice to my fnie. I dn iml ml - tiso mis mr oicijiuki.i. 1 uappou in bine a mirt it'll 111 rl.v ilu skill, 'lo tl mil v ns lunch greiiso as I do to in face would b. disastrous to 11 person with oil skin. 1 lliil then is luithiiig so liinolii-ial tn ,11 pel son with lllij soil of skill 11- iio lie cln-1's the I Hire- and cause- the il,n,, I to ciinilato. bringing the ro-os tn u,ui' iheoks. Ilcciiiiso my skin 1- mil oil, need no powder. 1 I nn or whiten in. link, -hnuldci . or mm-, lis I belie" the fie-h, heallhj tini- of ln-iii, clean tlesli 1110 iiuuii more benilliful t linn n "nil of whitewash And I should say the same I In tin if I 1 who u brunette, for tlio lonl jor. m I ole lints of diiik-skinuod persons are lust u lionutiful n the fuller skin of iilmides. Dark hair thut is bleached is I si Idiiiii bountiful : and thut criticism up Inlie. also to .Im k skin with 1111 mil 1 tn ml whiteness, I .In not indulge In nil, tor strenu-on- exorcise" I walk ll greul deal t.Miu ijiilto 11 bit uml occu-ioiiiiIU ilde horsehaok. 1 mu a nrm Pelleter In ,-rnr-arcafccgigigs -z&HLX&zzsmnzzsmix&sci im Daily Photoplay Guide " Ci-i25.rrL3.s? DIRECTION STANLEY COMPANY OF AMERICA M.nrnL l-lh, Morris i. rnusjunk Aw. lamora mhi tianaig i,.-.. u is&ai l.li STAK ( VST 111 "MILESTONES" A I I rrUk'MV l runlilord ( AIIBliony ML.LL.vjnC.lM Min. i), i -j ir, Kies. nt 8 KATHERINE MacDONALD In "(t KI'AI.N ' iBROADWAY I!."a i.-.W "A"' BILLIE BURKE in "Tin: r.ui '.iin oi i.i.imii.tm" -ttt MIA1 '"- & Maiilcwond Atll. CJL.vJlMrAl-1 vaii 7 ami 11 p m CLARA KIMBALL YOUNG ill "III Ml" DARBY THEATRE TOM MIX in "iiir. itnui in. won" I r-i. DIDtTCC MM.S ST MANAVUNIC LIVil KtOD i.ri.sni: daily .11 a 1; in nn At in "IDOLS OF CLAY" rAItIII V TUlIA'l 111 iai I XlnrUn St. rAlvllLi h . ti I.. MianiKht BLANCHE SWEET In "HI AT (lllll. MOM AN " tfYfrThe NIXON-NIRDLINGERjfS lit THEATRES UJ APfI 117 -olti nt. mid Ulcsliony A. nVLlNUL MtTiM.I! SAT. WM. FAVERSHAM in "1111: sin Tiivr .s ins" BELMONT ''1' AUuvl: MAiiTtin" NORMA TALMADGE In M-A.NTIir.A" CEDAR t0T" (;UL,AK AVUNU1S RALPH JNCE III "Ol T III' Hii: NMIIIs" CD ISFl IM AWKKUT IlLTWLEM V-Vy,lk3,vJlVl Win .Mj uul H Mtn- tinoiii: 111 "Tlie Passionate PilSrim" CARMAN aEnMSWlZ,$vn T. UllV IIAK.Nr.N In "SO LONG LETTY" PRNTI IRV L'rlcAip iindClhBL, 1 . . t . 1 M txiNi'.n s u ROSCOE ARBUCKLE I in "im; 1, he urim; j'Vkty" Fay's Knickerbockc JUMBO j,! im.N r sr f. Giit.uii) avi: inlm .tun tluu on I'-rnnk(u(d "L. ' 1. 11. ill uii.tt In "IDOLS OF CLAY" t . I,A t. Jfllk 1,1 .Noon to 10J iiiiiiiiriiv I'll 1 i.i ips 111 "ONCE TO EVERY WOMAN'1 ! FAIRMOUNT n.a OWEN MOORE in "Tin: inn min in 1111; i w l.TUi QT TIllJATIIi: ridom Spruol Jl lliuii MATIVI-.i: ll.tllil OTIS SKINNER lii "lilhMHT" onrlTMnDTUCDM Urn uisiiai iiuiiiil,iii L. 7 oris siiism ii in "KISMET" roHil St. at Url nr, ii. I FADFR H'sl ' M'Abiru a13. LH,t-LJ U.l MM'IVKIl UA1LY ( i.i 11. 111. tin. 1 i;-s "FORBIDDEN FRUIT" I DPI 1ST ''-'" xv ''" ' 'si is'ninijTd Sir. .-I1 ' "' '' ' - :u to 11 THOMAS MEIGHAN in "iiii; 1 ittiNiii.u or 1111; .rtui" NIYON -D ANU ALVIIKUT STS. 1ltis rn.ti 1 otii.iit "THE BIG SECRET" IMPERIAL IMPERIAL "Si!. VM?.T t828 .lAtii. ni.iviui (inwonii's "NOMADS OF THE NORTH" MARKET,,bintV:;!:;vv'il CHARLES RAY III "I'llACLIl I. l.ll.t" I KllNUt-33 MHO A M loll 13 I'. M. I.t ON" tMl MOIt tN In "A SHOCKING NIGHT" LT RIVni I -D ANU 8AN8OM sin. . r "V'l'INIllJ U.M 1V1AT ALLISUIN in "tin; iniutiAdi: or ttii,i.i.ti anui . STRAND unnMANI?TrN',:V, ,r .i:nii(.i. rii.Mu,iiriN!.sN,OUf "PAYING THE PIPER" ATTRACTIONS AT THE NEIGHBORHOOD THEATRES .it icfctlng au nn nld to lieuuty. T Luvc jiino hours' fclccn fvcrwuight. KlMi-. i- i' ti-i pi!iinrui.'N ar. OLIlMANHntV AVKNL'H THOMAS MEIGHAN In "I III". ritONllKK 01' INK HIAIth" OI IDV JIAIIKBr ST Nlir.OW 7'UI 1U1J I 10 A M lo II IB 1 llllltlllllt I'll I l.l.ll'.-. Ill (rtlMPF. TO EVERY WOMAN OAOV 1-" MAIIKI.T HTIIIlirr OAVUl RA M Tiv MMivtuiIT WANDA HAWLEY In "III. II I'llthl' I.I.III'IIMI.M" AT WEST CHESTER jt.lM-i"' "iiii:m;i timn iDK.t" ID1 F HOUR """AWT IIIIMtliiKTII APOLLO ASTOR W X 1'IN.I 1 I . 1 ir v ANITA STEWART iiAiiitii.r anii im: hi.,ii'i KIIAN'KMN A- lllltAni) AVE. tr,'i ini in nt n v ti.i1' WWAt In "IDOLS OF CLAY" " ' AURORA -u-'tVtl:,l-i,Js,1S?.,V,t WU. 'PARTNERS OF THE TIDE" ttllM Tlt ( Ahl' BENN 0,T,r AN,) '.Rli!.",; AVB "THE JUCKLINS" BLUEBIRD 1.,.rc,H.,1' "mi.nn. IAN (.IIANKVUt'r' " UnlU "THE PENALTY" CD AMiirnnn nu riiAVKrow l ItnillNI -riL-r AM.XUE W. S. HART In "rilll TIIMIM. Ill.OCk" G.-..i- 05ln Gcrinaiitown Ajfc I ermantown matiniih ntiw I SESSUE HAYAKAWA in "ini; riithT noitN" u ami roriAn :.tl rATiNri; daiui IIIA lllltl ll' "THE PENALTY" irtTirCDCM Mill. f. inurlilnS Jlil I lItJVyi tlATINHK I""'' AI'Tllll hC'IIOOI. XIATINUI' 3(J "The Empire of Diamonds I ID CD TV linoAI) f. roMMnU ll AuiiJUiix 1 I jux-riNni-' min BUSTER KEATON In "1IIK KAl'III.AO" innnri 4'jr. south nr 0relii IV1VJLI1,1 Ooiitlimo'i' fri.ni .1 1" VERA GORDON in "run iiikatkm' i.uM." i 7rs"r-.T-.ni-vi nilJilltVEnrOM uviLKDiurv vc. Ill mi 1 in mil? RTF. nir. Kill CATION or i.i.i'i11, n.r.1 T,mm. AV11 1 DAl'l'lllNS' TAI-nN. " aiTii ".in i'i.- ' James Oliver Cut-wood i "Mitt.Mis or thi: m'"1" . 'SPRUCE mA&i T. POY BAKING III "Ml I.OMI I'i'J.V'.'. ('OtlKI)V "Till! HPII' ..... . rn. .v t a.", ,i,t ijincir.4!i I WM. lJb(NIN vlU.S'jJnfii CONSTANCE TALMAD08) III IMIOOII HKITiM1"" I . -
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