IBttfljAaTu
riVKl viyi''jqtitrrlijin f "
EVENING PUBLIC LEDGER-PHIL' ADELPHL, FRIDAY, rAPRlE 15, 1921
14
e
Trn:
J?--'-' v wif'W-r'V'UrW"5
m
m
siaSR'fe
PHILADELPHIA BOY MAKES
"IMPOSSIBLE" PHOTOPLA Y
Ernest fl illiantson Succeeds in Producing and Photographing
Dramatic . iciion by Living People on licil of Ocean
DRAMATIC MOMENT IN PHOTOPLAY STAGED UNDER SEA
A former I'lii'inHphin lm li - '
rmnplWircl ulint un lime H'snrilc.l ,i
the impossible m il"' in"iiis imiur'
world. Hi' Im in mnllv Miis.mI. pm
ilneed mid plint;inplii'l a ilrniim iimlei
tin- sen
The tnnn lio hn ilmn tln '
KrneM Williamson, "in " h . n-to.un-t
on n morning pap. r l'n ' "' ' n "'"'
of Citptiuii I'lnii'li'i WiUnim-mi. wln
Martin (ho plintnRrnplno "'"I 'intilli
world ii feu jeni iie bj ' oinpli'tinc
l ho llit ininfn i';n i itio'iit in tlii"
lino A I t It ii r iiino li"' i i'io pn
Mires igu'.l .. Ink' n wnhiti 11 I mil of
mis fl f foil f tin1 i nnn i i. Ion ox ii
tVltli ihii ii-tii' tinn 1 1n1 niiiltins w
tlninti' vio f iimbr-m lid- woro rim
sidorcd n (,'reiil lininiph nnd tin1 pi'
turoi tti'iv -Ih'Wii nt th" I'mvoi-iiij
Mil-' inn ii nil iniiiili of tlio str'oh
Hint tho tnol urn-pn-t lire minora lind
Hindi-
('npliiin Williamson ileti-nl ;t gmi'
tube tilwli onulil lie Imtereil into 1 1f
uiitor nnd lino wlwh tlio iimn-iii mini
went with lii apparatus Tho t.nn
nils illiiiiiinntiil liv ilootno it slil - in 'I
rolloct'iii wliioli mod'' piituri'i posib!.
for ii hoit nVt.inoi .
I'mo's' Villnini'n. Iiowiim-. li .
mbliHiti"'l powerful ('oiipor-llott itt
ltclity loiteie.l from barsrs wi'ii tho 10
cult thnt It H iniw possible In ph"l"
prnph nt crint distances- nt nnv di pth
through tho 110 of tlio iimbr-cn tubo
Mr. Williamson h:i" pr.it eil bis omi
ilii'h tho iIimi nlm es 111 hit inn iili
Vntiiniiitioiilli . Iii nosti'ih nio i lamped
ir i fiirmilnd from nil hWrch gon
rntiiiK pmtilrr within tho mt
Ono of tin- thrlllins Incidents In ' Wrt
liii'.l.' tilmll Mums till' 1IT of tin Hi u
ttpe of diving 'nil. retenN Hnlpb lino,
ho pln iho loading part in the pi.
inro nnd nl-n dim tod it. milking Into
tlio .in from ii "loping bench, nceoin
panio.l In two ilor.
Tin1 put on ihoir dhing ml over
llnir log'ilnr clntlict nnd, lopho i tnr.i
shoes with Ih'iiiv, leaded ones Strniglii
"ut to iii lliov iniinb; tho tintcr coino
up to tlioir nooki. thou thoir hoad" nnd
llimlh eners thorn onmplotoli
Then In tho tdoturo wo sic fietn
milking nloiig the bottom of the ;in
I'oking tho ot treasure ship V th
tho old ijpo of diinig .suit" tliev cud
iml liuio doiio this, nlthoiigb the ,, Id
I" rhnpi, hnvo Kopt drior.
siibinarliio Muilt for "Wei Gold"
Atiotbor dopaiiiiro in nndoixoa mi
tiou phtiiio. in.iiigiiratod In Mi Y-liniii-i'ii
i tin tiro-oiioo of n tightitig
iiiiinnrino whnh tlio iiiiIIihi nnd po
ill;, or ot tho pholoplai bilill oipoi lai,i
tm tho piii'poo Tho iiibliiiiritio i loll
foot lung, mid i koon ljing on tho bo'
tinn of iho oii. In tho bow x mi m
liiinibor. timii whioh illvvrs nre ."0011
to onuTgo
Thi i haio born plinlogrnpliod wnlK
ing out nf tho siibmnriiio whilo it .
iiinlor wntor. ivploring tho nooan llonr
tcntion lij applying the invontion in nil nnd rotiirn.ng 10 the "iibmarino Whrn
mniiKiiiE phoioplni. I'lUiriru "oi
tiolil." many of th" ivn' of uhirh
wcrt tnken on tho nconn lloor otT Nn-'iui
in tho Iliihamni.
Construe tinn of Tnbo
In opoiation, tlio pliotnginpliio tnbo
U loiund from a bnrgo Tho lubo it
i'lf woigh a ton in i foot nnd Iho
pliotographio olinmbi r nhuie woigli
threo inn a half t"ii- '
Through th" atpli'"itiiii of till" mvoii
non. "Wot (told" lniu dioi .ool
ing to ri'inoi' lot I'-ui'-iiro in an ni
uio'k Mithmit mi till"- ronohins from
il dnlng .-onl. I" tl.o .-urfaio of the
ntor.
'I ln lni- boon mud" pnlhlo through
tho iio f a in 1 1 f iiio dn i.
whioh gm". rn t1'" a i l "n'' Aio i
f'iriii'-ho.l timn uub.n tho -n' l an
pparattii liKo a ga m.i-U. mo tubo "f
tho h.i" r-i ntorod tho diip th" door
through whioh tho i nmo ii ('lo-od. Tho
nir in tho air ihmnhor I" kopt at a
piotiro o'pial to that of tlio wntcr out
-ido.
Itut hm tho divoi rotnrn thoy ro
bii'-o tho air piouro. outer tho righting
"ootion of iho -.iibiniirino and tako otT
tin ir ot i nth"- i
"Wot linld" toiik oloii'n month" in
tnnko. uhoioa- man natiiio motion
piotiirr nio turnod out in from tho in I
oighl wook-i Th" ninli rttiltor pliutoR-'
raph nlono took .ovoiul montliis to
oomph t".
. tho -tor lnf' from Now York
to llntnnii and fimo th"ro to tho bottom
of tho ii' imii ah" ii th" Iiiihninii ilamN.
tlio ponplo in tho i i.t irnioloil moro
than olMMi milf. Ih'Imio tin- p'n luro ii"
iomi.tod "Wit fluid ' i. being ro
lonx'il thioiigli i!o!d n'".
MOVIE NEWS-MAN
HAD TO GO HUNGRY
IN CHINA'S FAMINE
lliik N one Mono from "Wet (inlil," a llirillitig iilmlnpla. bi(li Is tlio llrst tn bo irodiicod anil plinlngnipliril
i n Iho bod of Iho oioan. I'liil.iilulpliian mailo Ibis leal possible. The plilui'o sIiiims tlio ill:ilns. In tludr old
f.islibini'il iliiliii; Mills ullli air ttibrs. anil tlio liern. In Ills minimi "csoaiic stilt" Mithuut nlr liibes, hlili onahles
t I in to Malk abuiil tho ocean bed freely
-SCREEN FRIGHT'
Even Actors anil Actresses Who Vaced Thousands on the
Stage (Juail at a Group of isitors in the I'ilm Studio
How 1 Keep My Beauty
by
.11 MINK iltlllNsTONK
How Reckless These Movie Stars Arc!
1
yy"i&
A 40J. fF3p "06" ,.j dd( fiA toB FwAs .
Mn.
dra n
nnd lii"
ninlii no.
ipientl .
nooi will till ou thnt they'
gnat deal of their inspiration
fl mil their nndteliees. A "cold"
' will throw a damper, fre
lint no amount of natural
'I III, llon'l Mem tn i.ili .1 bit llii.lll tin II' lli these lull 10 still's.
Hole wo h,ie two of tliem Jll.l .ilinui lo toiple llnlll the narrow lilllllie
to the ilie.idfill ab.s below. Itnt tlio Iriilli is lli.it. If Hie fell. III)'.
would land on the studio tlnor' It i. .t li'il. of iloiihlo evposiiro. of
course. I lit aeri.il iow ot the tits is i.ihm Hist, with part of the lllin
inaskeil out. I lieu the .ulion is i.ihcn on I In- wall built mi the studio
Hour ami litis in print oil in noi' the .iii.il iew. iul, presto', wo li.ie
a .(cue lliat malie. the milium' n,ip .mil their innards tinn oiitwatil.
I he pboluui'.ipb sluius .lime (itpihe .mil liiorge Soil, ill tlio new I'.llho
serial "Iho s,,, ll.ingoi," whiih will begin in tills illy May U
What Your Favorite Film Stars Are Doing
talent will inenotne in effi'it.
et. siraiigely t noiigh. man. well
known sc con Mar., nre unable to do
tln'ir best wotk in dittioillt .itiii' while
pn 'nlor nro piesciit at the studios.
And iml mtn ipn nil tho stars nehiooi! ;
tniii" nil the hgitimato hoaids before,
the tnnk to lionding tlio shadowy ones
of hlindom.
Tom M the (ioldw.ui stollnr light
with Iho fiisoiiuiiiiig simiIo,' while doing
ii lug i'liuiii wilh llolono Chndwiok in I
"Made in llomon," lioinnie iiutioenbl
.i If-i oimoioiis in tho liio.i nor of ii gmiip
"f i i-itoi-s stmnliiig in buck of the
' am. in. '
ill lingi i. lung a wind- villo head.
hm i and n lyvnt IiimiiIio mi tho Ziog-
lo.il f. In- Imooiiio one of tho be-t-
1 iinu ii .. i n siai" in tl uintr
lining the lai ji.ir. Itut bo will toll
Mill I I SIT III' il'HMl'l fool "up to il"
win n gm s an- on tho lot.
IlinVii'iit frmii Slage
In in Itn i who has pin. id opposite
Ii l!"g'i nnd oilier 'inr, finds it
Hi. ni in .. ioalitioiill. in the
pre-i II" ' of "ill Mile! s.
(in ..i.iiil "iiiisiniis I'liiiline I'ed-
ink I i- In i ii liimii il in "emoting"
m tm aiitiii tiou of herself or her
uir... I,,, w lull iho e.ves of strungers
won !' . i 'I in hoi
. s ,i'l il porfi'iuiors bine had
.on. .-lil i.igi r.nri'i.. linger, par-
tiii,i.ni. imii tin ripuiaimii m uouik
at Imiiii In nre an itudieiiio u inuili
in ii'.in. s, a. a plumber ut jour
hniii" willinut In-. iool.
Tho i mi., i.i ha., nppaiontly. a po
ii I i.i i- p).'liiign,il nffoi i mi the per
I'm un t.
ou nir oarrying jour Irish prejudice
too tin !" suid Mr. Hughes smilingl .
Mr. Hughes is indieiitivo, inolileiit
ull. of a now eloinonr whioh bus come
iiniutall. in the stuilio during tho past
year -iiiunely , tlio mitlior. ()no(. n ills
login ileil foi iv in the making of photo,
plujs, bo has beciiiiio accepted un the
prune erontiw force Kieii Iho netors
are iiceil in him and her uu !
Kupert Hughes, (inineriieur Morris.
Mury Kolorts Kmehuir. Cerlruifo
Atherton. I'.n.il King and I.oiov stooti
nro all familiar figures nuw "at iho
Ciiher ('it. idaiit. wheio the. hae
taken mi aotno part in the pieiuri.ii
llon of their Ihenies. This participa
tion in Iho notuiil woik was Iho promi.o
on whiih tho eminent iiuihnrs' oigani
zi.tinii nt which the, lire members, was
founded Mwerul yearn ugn.
Tho stiidio-wuik. far f i urn ilisillu-l
sinning tlio writers, has iculiod in a
l.eenor apprei-i.iiion of .croon pin-sbi
illos nnd prubleius. All the writers
named halo gun" be innl the iiglnal
luciuise of- the niiihois' orgniilzallmis
and written original stories directly lor
tin- mti en.
The notors. as a " "neiiience of
oonis, now neoopt the authors' pie
clue a" II llllllll'lll pun oililie, but the
liino jot to bicnuio iicuucileil to the
plcctun of nil lllldieino un the lot, n
W1II1SS till' I Oloslls ot loin .Moon.
i W'ill Kogers and iho iisl, l!oweor.
i the. hao no lea.nii in be ills-allslii'il
.wilh the sio of thou- teal aiidiem e.s.
Thr." 1 1 1 1 in Ik i sunn, lilii'cii millimis
' v.iekly in the I'mtiil Slates alone! Tin
time tor the the. plans lo liocmno per
inih i whin lln-e uildienoes tlin'ati n
'in ilei ioiiso - anil limn the looks of
, things tinn i. a lni,-, lung, long nine
nwn '.
I
'.- IflflfH
- -JiiiifH
t-, ififH
.' ', 4iiH1
! .K O --
, 'st ifcjrA. yJM
l i r ft tSLWJ f ffH
mmmty ftlM
n ;., niBHdffRB '
TpfMBBBBiPBBi
' 1 WKKmm !
' I : st 1 1
JIntlon-iilcturc news eninernmcn nre
nmong the most venturesome of nil the
intrepid nml resourceful fraternity of
news-gatherers. Seeing n clinnco of
"pliooting the big news story," they
seldom nre deterred by physical danger,
nnd frequently endure severe prhn-
i tlnns.
I An interesting instance of this spirit
' Ii described by Dick lllrd, who photo
graphed the famine scenes in China for
. Tnlho News, which were released n few
' wcekfi ago.
"I had plenty of opportunity to real
he what those nonr creatines are suf
fering." said Mr. lllrd, "because I was
forced bv circumstances to suffer with
j them. Tor eight da.Vb 1 was without
food or water except for soup made ,
from dried leaves, the bark of trees,
grass roots and peanut hulls.
"When I went into the famine
1 stricken area with my outfit, I was well
I eqnipned with canned goods and other
supplies ; but nfter two days I had to
give them away to the starving women
nnd children nil about me nobody with
hiiiniin feeling could do less. In other
I places tho villages were deserted, ex
' cept for thoe who were too old or wenk
to join in the exodus ot the rest ot the
population.
"These unfortunates would crawl out
from their hovels or what was left of
' them nftcr the doors and windows lind
I been s6ld for the price of n little food.
Old men with bnrdlv any llesh left on
; their bones would crawl up nnd clnsp
I my knees beggini; for a mouthful to cat
or In gratitude for a morsel that l
wns able to provide. t
"My trunk, which contained my
plates, negatives, etc., was a pathetic
source of hopo to these famished peo
ple. "Wiien It was dropped oft the
1 t ...III. I.. uttlit trmtlrl
enrr, every one wmim "(. .... ,
scramble for it. under the impression
(lint if I'linlntnoil food. I
"After eight days ot the terrible
mess that was my only nourishment.
I reached tlio railroad nnd had my llrst
meal. It was tin experience thut no
innn w ill voluntarily pass through more
than once.
"I was compelled to see tho bodies
of iialf-dead little children thrown into
wells by their parents, to save them
r.., ii... iinri-m-H of lonser starvation.
Dead bodies Moating on tho surface of
the mors told the story of thoe who
had preferred suicide by drowning to the
prolonged torture of hunger. I saw i
' .. I, f .!...! lllll.. m.nu f..
motliois sen ono in no-ir nun; uin "
n few crusts ot broad with which to
comfort the others for a few hours.
"All this, of course, before the cold
winter set in. What the conditloti" nio
there now is iininiaginable. fcSuflieo it
lo say that none of the newspaper ro
potts' ai e in the slightest ilegice exag
gerated they (oulil not bo."
WAUAmVORD'S SON
TO APPEAR ON SCREEN
Tom (iallory has hern selected by
(ioorgo Kntilnljih ('bcter to create the
role or .liiuinj Wnllingfnrd. the lending
charneicr in "The Son of Wnllingfoid,"
whicn i" no'' in the tirolimiiiarv stages
at th' West Coast studios. The stoij
was written especially for Vilagra.h
l.y Mr. Chester, producing editor of that
orgiinizalion. and his wife, l.illlau K.
Chester, and will bo transferred to the
(torn under bis personal direction,
liming dented all the ehuiuetcis.
Mr. Che-tor bus u definite idea of the
tpes lie wants to pot tray them, nnd
us two oharncters in the eailier Will
liiigford stories, J. Kufus Wiillingford
and Illaekle Daw, are known the world
out. Mr. Chester is not making haste
, in liis selections.
! Willi voting Whlllngford. however, 1
It wns different, lie n it newcomer In
the land ot fiction. Tom Cnllery. whose
ilse in pictures tins been remarkable in
Iho last year, lit led tlo part so well thnt
the niithor-dlrector didn't hesitate in
uceoptliiK him for the rnlo. Mr. tlallery
is u big, gooil-nntured American boy,
and has the required youth and phy
sique for the role.
"The Son ot Walllngford" will be
one of tho biggest productions ever put
out by Vitngrapli.
Film Fashion
ffffW
! tRP3s
f wf'' $H h r-, ?&
, ''ft v&
a ' n r tin Ii
' "I iv 'i'.'v' II
vs J9i .flwrv m
I 1;$ kml
I T,y
COLLEGE PRESIDENT
QUITS FOR MOVIES
j lie motion picture, has nttractcd
ninny kinds of people to Its fasclniilin,
field, but now, for the flret time, in,,
caused n college president to resign l!j
position in order to dcvolc alt of l
utne to mo writing ot scennrlos.
'J lie newcomer in tiic Held U pfoi
James A. 11. Schcrcr, formerly prcMdtat
of tho California Institute of Tcehnol
ogy, who lias now joined the Lmw
colony nt Hollywood, Cnl., where U
has moved to "Celebrity How," thui
becoming a neighbor ot such writers u
Sir Gilbert Parker, Kllnor Oljn,
Somerset Matigham, Edward Kiioblorlc
ii it it Un tit l ml ATnftiiiln
(lllll I'lllllliLI IMLI llllli
l'rof. Schcrcr's first photoplnv I.
"Tnll Timber." which will soon be J
Into production nt Hollywood wlik
Wallace Held starring, l'rof. Selmre
docs not regard his change ns a "cornel
down." He has definite ideas of thi
value of the movies. He said recently
"In my opinion, motion pictures tin
the teacher n great opportunity, not ts
indulge In propaganda, indeed, for tin
first aim of tho photoplay must he to
entertain, but to build nn cntoiValn.
ingiy (irnmnuc story wuii a background
nn undercurrent of wholcsoinenpsi J
liniiortnncc of theme thnt the nudicnc(
win iincuiiscioiisi.v ausoru.
"Certainly there has ncer Imnn
more stimulating school for the fiction
writer than thnt of the iiliotnnlni- t
tiou pictures train otic to think in terruj
of action, to make his talcs dramatU
ally cntcrtnltilng, to eliminate tbe lum
bersome logomachy that has cluttered
up so much writing in the past.
"I will go so fnr as to say that so
man can survey the field of letters to.
day so as to determine where hi mtV
may count most, without havlnj Ut
iiiicuiion siuirpiy aiirncirii ny tne ium
vcious poicniiunues oi nio pnotoplai
"A book thnt sells 10,000 copies Ii
doing well; but put jour message in
successful Mini form Mini -10,000,000
peopio receive it, uu out iuc habltawi
it tfii i'
An rreentric urraiigi'iiicut of beaded
elel straps from the shoulders well
down Hie hack uudo this silver cloth
gown one of the, most striking
among the many elaborate costumes
lately designed for
illations, it is seen
Knsc"
pliololilay pro
i in "The Night
Answers to Questions
Irom Movie Fansl
Lilly I!. Wo nre not familiar wita 1
the personal affairs of the film star upon I
wnom you nnvc bitcii u "crush. W
have started an investigation through!
our underground ciinnneis. However, i
Us soon as we learn what jou wnntttl
hnow we will print it in this ili'purti
iiii'iu. ii iiitii mr ii in auoui a ween,
Dr. S. L. Thanks for our interest
mid your suggestion. Wu hae just
concluded nrrnngeineiits for one i-criei
of urtlcles on wenario writing ami are
negotiating for another. 'J hey willle
gin on this page soon.
A. T. X. "The l-'our Ilorsrmra cl
the Apocalypse" is not jet ilefmilslj
hooked for this city. Its appcaranu
hero must nwn It uu open dale in un
of the big houses.
A TAX Wallace Held is nt present
in Cnlifornla, but he is planning to
come east to Xew York to join KMl
rerguson in n production of "Peter
Ibbotson." He bus iust finished work
in "The. Affairs of Anntol,"
WILD UOSIO Montagu l,ue is M
longer noting for the screen, lie bu
returned to the spenking stage uml II
with "Hie Sjunlvnl of tho l-ittost at
the Greenwich Village Theatre iu Nt
i jork.
i,iinror'i,.
rum niM. us
rlMTOI'LUh
.11 STINK .HIHNVroNH
1" Adni
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Ma
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pllll-o
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i I
I -i i lino In lo i lii.
w nh ,i lug i niilingi u'
M.i'nui ' i miipaii !
.. l .1-1 lies f.il- tin .l.
I .1 I tn li .10 I I r lllll. I
I 'mi. ibl. m ' 'aulm n .i
tiii'shing In- nwn
p'.l.
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I tlio I'niill'
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il l . bill sin
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In tin II' I
111 111" 11 I
off i'i t nil tlio per- I
Dining ii theatrical perform-
il. nf i ir. nio focused on
'I In ninlii in o Is a ilelilihed
a Hung apart from the
I'M'tligbts. I'niiditiniis ale
ililToi'iil in Iho stildni.
angers .Not Well nine
. uti, li ielicuisng bofuio n
mtiiginpln d - and ocn nn the
-tug" in tors Mu not like
In bo pie.oiil nt lehoarsals.
rn iho .1 iiill. i fill".!', lire close
il- ; I hoi i un sheen
ii i l-i ill" th" illusion
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in an I Ulii i - mil
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lighl
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I'.'ll llioio 1- anutliei- soil nl
-Ibe gla f the Klh-gs' ftml
l".niiliil lighting iiiiiipheriinliii.
ii, i- i- nfnii timg tn tho iiin-t
i .i( i inn i i -i hi II ll' lni - temper.
line nl tlio iiniu-iug -lories current at
im. linldwin stuilii.-. tells of ii oi bal
l.ii ' hi i uili inii'l" Ihoie liv Unpen '
IIilKln Ii Hughes met Tom .Mooio
wealing gi hades. In pioiect his
CIO- fli'lll tlio hniii llgllt-
i Mn. ,n . ii si'diis to mo that
ENGAGE MW STUDIO
FOR MAE 'MURRAY
A big stiiili,. mi l'nlty-fnlllth stlcef 111 i
New Vnik la- In "ii leased fur one jcar,
by ilu tilnlio I'liiiliirtimi- ('iii'iuiaiinn,J
ami it i- aniiuiiiu oil (lint mur nig spe
cial pioilui tinas in wlibh Mno Murra
will iippuu nnd whioh will bo i"ha-eil
thinuh A iilid Kxhibllurs will l.
ilo H I'h" liiiill K'lei IKUI of llioi
tn-l pii tun 'nil ho miiilo till- wool, nun
wmk mil In iiimnieuoeil iiiiineilialol i
'I wn -imii- nio' under (onsnloi'atiuii.
Ibiiii gm iiipiiriiinil' fur the h"( nil
lni' k'.inuiid in which Mis.- .Mm rn up-peiii-
i" In -I iidv.inlagc. Unbolt .. '
I mini u In, iliiciicd Miss .Mun. i.i in,
"Tin liililnl 1.11," will dnecl In r lir.t
fui A urn d
L.iii iftiui will be made lo uiin.
in lie -pb mini' nf the -oi-, anil
giioi.ll iiiiiii. phoro of the -turj
tin .in u rn I, in the pn-t.
MODERN MOVIE STUDIO A CITY OF WONDERS
. i '
H "ll
will I..
Tn' .i.i.l
i.il no
iiiog g
n
nf
rerni-
-kelehi - ii 1 1 I
siibiniiii'd i.
UIII'IHO si; il
It Is blmlglll
, ,.IM ,! I 1,1
iiuipli - "f nml'
ilo 'I nlllili'U - '
i in. ii I ill -ign 'i
ut b I ig.
Mm.. .
(iirrlli Hugh
featured pliin r. .ignin i to ii .
flirting with in. -in ikmg si.igi
Dal. hii- nil. nil Hugh. - .iitt.it tin
in Ins furtln ninnnj iH"lu, iimi- I
illdtt ' and Il.in.'i t ' ' '.n
inmo lioimn nml i. uili in -i i (i
lii'AI -en son.' iii-il" Mi Dan
leopio , Hi i- llugl -, nisi-t
lllflt ll" " '" li"l ' " n liimo
lo ",r Iii.i i in i una
trm, III! l -I fu ;i -I I n nf f
iliR-timi in niii, i i u di i,
.. lo ,ii
Id 'I
foil '
ml
I
Maj Mllsoil I .i- i,,.ii for im ,n j, '
pholngrnphli' pmiijil iii luiiili 'Iu1
lls i oiiiph leil ' min' nf Nils l
shows her heii'l 'limn mi a Inn n luliKiug I
of slighllv mmi Iiiiiii (no and mio half
feet lij M'leu and nuo-liiilf ficl ,
llllll iiiaking '-nil' in bad' iiipie-icil Hi
t m4
V
slur In glo do hi
for i .o ..il.
C"kt phot orriiphn
pi rmltl ' b lb
wan lur pb n "
Uurii JJ.'O i
In. fans nalie the nugnitiiih nf the mnderii inmie studio. Ileie Is a lrw of the (.nlilwjn iil.lll ill invci
I ,u inni'i'iise buildings .tie thousands of sonant feet tleiotcd lo sludios, hut the. lake up only a p.iit of
the' loom itlii.ill. enrj Ir.nle iudiisli .raft and profession is ghin r'joiu. for all :ue called iipun for urn lie
, the piodiiitinii of up to diile pl.olopla. Writers, iiutli.il, editors artists and draftsmen nine llieir
mn. nfii.e,. Deciaiors ami .leslgin'is. . ariienlers. Iiiiililers. moliil woikrrs. drapers, expeils on fiirnisli tig and
I "p'1 l,l )Ht I IMII
I Imp. ii Mi.- In.
1 1 U in " i i t inii'l'
' W S'llllHIIIII M " i
' ' 'mi pi i iai
i" ' -. ...... , . . i
iuli line wink .ill must he ai.iimuiod.il.il Modiste, anil milliners, wijn uieir assisinnis, woinpe.i.iL ...... .sin (.-.,
.lie linnml.inl a.lj s ilflen a Icidim- l.nl will lime as in.m ir. thirl. n.sluiiie .h.inges In jiln . I Men
llni. .in- .Mi'iish.. nei.it mill is for (he ollicials and stulls. Ilryond the liuildlii-is .an he seen the lot with
il. ens of scK iii'itnl, pii lu.is fm scleral pliolonlnjs that aie being made slniultaiieoiislj Su.li imini'iisp plants
Ihis iNiilaJn nil. II lias been ncicviury for produring ii:nimiiiis io 1....1..110 uu.. u.g ..rpo...i.i...s,
of dollais am nerdid in the Imslness now where iiuiusniius wunm 11.1t i' s.iiuirii u ..- jii.ii. nB.i
Am beniilj thai I 111111 no " I
11 10 entirely to good hcilin I In
lie.' llllll I'tiM'y wntinili . oul.l be licni
tlful if she would lake uili of hei-olf.
1'iir beauty does mil menu period fea
tures, by any nioans.
And health is gioall l prudent upon
1 IciiiiUiicss. The ol.l-fiisliioii. d woman
mini frcipieiilly the .ild-fashioiieil il
I m-. wlin sbnilld lime Klluun liellorl,
used to believe thai balhing wn- ni.ik
euing llllll shuiild theielme be indulged
iu sparingly.
I myself talio a wnnu bath oierv
morning, nnd Inter 111 the daj a .mm 111
the pool, if I can spine the time. After
1111 ounlng nf ilaiieiiig iu 11 win in ball
inmii. nf i'iiiir-o. 111111I lii'i- bulb is de
siralilo liefoic 1 ionic, llun thuiigh I
hnvo been iu iho water twice that day
I hae 110 hesilniiov in tnlliiug a third
b'lth, which sunlhos my in no . muses
1110 in relim (iiinpleloh and -end- nn. off
mio 11 delioiutislj sniiml ami ic-iful
shop.
loll sliiuilil !ii' join- lace iiinii .aie.
pi 1 haps, than an. nlhcr pan nf jnur
liuilj. It is aluajs oxposoil In dust llllll
dill, ami is. nflei- nil. one's nm-i 1 mi
spiouous hid for hi nut j -or iho In. U of
in Uo'j.it. .
all of I It seems lo 1110 llllll luiisi of Iho
ttoulen Indn me u lus lu-hnig
ill oil ml. pulling on a dab nf inugo nml
piiwder, uu uml then. Hull the ilmi'l
j iilid i noiigh lime In Wls 11 nfl. ( 'll
llll in s nro bad fur the fin o I notor 11-e
tin ocopt pel naps a 1111-1 m ,,,i,,'i oe-.11-ioiiall.t
. A pei-Min wilh a heallhy
i-kin dues not need i.ismetiis.
1 lieloe in thm-uiighl. wii-Iiiiik the
fine, but washing 11 iu a slight lj dif
ferent way from most ponph . 1 ni'er
use Miup or water nn inv lino I use
11 cleansing croani at night mid in I In
lunrnliig use uiKilher 1 11 inn, after wlibh
I apply ice to my fnie. I dn iml ml -
tiso mis mr oicijiuki.i. 1 uappou in
bine a mirt it'll 111 rl.v ilu skill, 'lo tl mil v
ns lunch greiiso as I do to in face would
b. disastrous to 11 person with oil skin.
1 lliil then is luithiiig so liinolii-ial tn
,11 pel son with lllij soil of skill 11- iio
lie cln-1's the I Hire- and cause- the il,n,,
I to ciinilato. bringing the ro-os tn u,ui'
iheoks. Ilcciiiiso my skin 1- mil oil,
need no powder.
1 I nn or whiten in. link, -hnuldci . or
mm-, lis I belie" the fie-h, heallhj
tini- of ln-iii, clean tlesli 1110 iiuuii more
benilliful t linn n "nil of whitewash
And I should say the same I In tin if I
1 who u brunette, for tlio lonl jor. m
I ole lints of diiik-skinuod persons are
lust u lionutiful n the fuller skin of
iilmides. Dark hair thut is bleached is
I si Idiiiii bountiful : and thut criticism up
Inlie. also to .Im k skin with 1111 mil
1 tn ml whiteness,
I .In not indulge In nil, tor strenu-on-
exorcise" I walk ll greul deal
t.Miu ijiilto 11 bit uml occu-ioiiiiIU ilde
horsehaok. 1 mu a nrm Pelleter In
,-rnr-arcafccgigigs -z&HLX&zzsmnzzsmix&sci
im
Daily Photoplay Guide
"
Ci-i25.rrL3.s?
DIRECTION STANLEY
COMPANY OF AMERICA
M.nrnL l-lh, Morris i. rnusjunk Aw.
lamora mhi tianaig i,.-.. u is&ai
l.li STAK ( VST 111
"MILESTONES"
A I I rrUk'MV l runlilord ( AIIBliony
ML.LL.vjnC.lM Min. i), i -j ir, Kies. nt 8
KATHERINE MacDONALD
In "(t KI'AI.N '
iBROADWAY I!."a i.-.W "A"'
BILLIE BURKE
in "Tin: r.ui '.iin oi i.i.imii.tm"
-ttt MIA1 '"- & Maiilcwond Atll.
CJL.vJlMrAl-1 vaii 7 ami 11 p m
CLARA KIMBALL YOUNG
ill "III Ml"
DARBY THEATRE
TOM MIX
in "iiir. itnui in. won"
I
r-i. DIDtTCC MM.S ST MANAVUNIC
LIVil KtOD i.ri.sni: daily
.11 a 1; in nn At in
"IDOLS OF CLAY"
rAItIII V TUlIA'l 111 iai I XlnrUn St.
rAlvllLi h . ti I.. MianiKht
BLANCHE SWEET
In "HI AT (lllll. MOM AN "
tfYfrThe NIXON-NIRDLINGERjfS
lit THEATRES UJ
APfI 117 -olti nt. mid Ulcsliony A.
nVLlNUL MtTiM.I! SAT.
WM. FAVERSHAM
in "1111: sin Tiivr .s ins"
BELMONT ''1' AUuvl: MAiiTtin"
NORMA TALMADGE
In M-A.NTIir.A"
CEDAR t0T" (;UL,AK AVUNU1S
RALPH JNCE
III "Ol T III' Hii: NMIIIs"
CD ISFl IM AWKKUT IlLTWLEM
V-Vy,lk3,vJlVl Win .Mj uul H
Mtn- tinoiii: 111
"Tlie Passionate PilSrim"
CARMAN aEnMSWlZ,$vn
T. UllV IIAK.Nr.N In
"SO LONG LETTY"
PRNTI IRV L'rlcAip iindClhBL,
1 . . t . 1 M txiNi'.n s u
ROSCOE ARBUCKLE
I in "im; 1, he urim; j'Vkty"
Fay's Knickerbockc
JUMBO j,!
im.N r sr f. Giit.uii) avi:
inlm .tun tluu on I'-rnnk(u(d "L. '
1. 11. ill uii.tt In
"IDOLS OF CLAY"
t . I,A t. Jfllk
1,1 .Noon to 10J
iiiiiiiiriiv I'll 1 i.i ips 111
"ONCE TO EVERY WOMAN'1
! FAIRMOUNT n.a
OWEN MOORE
in "Tin: inn min in 1111; i w
l.TUi QT TIllJATIIi: ridom Spruol
Jl lliuii MATIVI-.i: ll.tllil
OTIS SKINNER
lii "lilhMHT"
onrlTMnDTUCDM Urn
uisiiai iiuiiiil,iii L. 7
oris siiism ii in
"KISMET"
roHil St. at Url
nr, ii.
I FADFR H'sl ' M'Abiru a13.
LH,t-LJ U.l MM'IVKIl UA1LY
( i.i 11. 111. tin. 1 i;-s
"FORBIDDEN FRUIT"
I DPI 1ST ''-'" xv ''" ' 'si is'ninijTd
Sir. .-I1 ' "' '' ' - :u to 11
THOMAS MEIGHAN
in "iiii; 1 ittiNiii.u or 1111; .rtui"
NIYON -D ANU ALVIIKUT STS.
1ltis
rn.ti 1 otii.iit
"THE BIG SECRET"
IMPERIAL
IMPERIAL "Si!. VM?.T t828
.lAtii. ni.iviui (inwonii's
"NOMADS OF THE NORTH"
MARKET,,bintV:;!:;vv'il
CHARLES RAY
III "I'llACLIl I. l.ll.t"
I KllNUt-33 MHO A M loll 13 I'. M.
I.t ON" tMl MOIt tN In
"A SHOCKING NIGHT"
LT
RIVni I -D ANU 8AN8OM sin.
. r "V'l'INIllJ U.M
1V1AT ALLISUIN
in "tin; iniutiAdi: or ttii,i.i.ti anui .
STRAND unnMANI?TrN',:V, ,r
.i:nii(.i. rii.Mu,iiriN!.sN,OUf
"PAYING THE PIPER"
ATTRACTIONS AT THE
NEIGHBORHOOD THEATRES
.it
icfctlng au nn nld to lieuuty. T Luvc
jiino hours' fclccn fvcrwuight.
KlMi-. i- i' ti-i pi!iinrui.'N ar.
OLIlMANHntV AVKNL'H
THOMAS MEIGHAN
In "I III". ritONllKK 01' INK HIAIth"
OI IDV JIAIIKBr ST Nlir.OW 7'UI
1U1J I 10 A M lo II IB 1
llllltlllllt I'll I l.l.ll'.-. Ill
(rtlMPF. TO EVERY WOMAN
OAOV 1-" MAIIKI.T HTIIIlirr
OAVUl RA M Tiv MMivtuiIT
WANDA HAWLEY
In "III. II I'llthl' I.I.III'IIMI.M"
AT WEST CHESTER
jt.lM-i"' "iiii:m;i timn iDK.t"
ID1 F HOUR """AWT IIIIMtliiKTII
APOLLO
ASTOR
W X 1'IN.I 1 I . 1 ir v
ANITA STEWART
iiAiiitii.r anii im: hi.,ii'i
KIIAN'KMN A- lllltAni) AVE.
tr,'i ini in nt n v
ti.i1' WWAt In
"IDOLS OF CLAY"
" ' AURORA -u-'tVtl:,l-i,Js,1S?.,V,t
WU.
'PARTNERS OF THE TIDE"
ttllM Tlt ( Ahl'
BENN 0,T,r AN,) '.Rli!.",; AVB
"THE JUCKLINS"
BLUEBIRD 1.,.rc,H.,1' "mi.nn.
IAN (.IIANKVUt'r' " UnlU
"THE PENALTY"
CD AMiirnnn nu riiAVKrow
l ItnillNI -riL-r AM.XUE
W. S. HART
In "rilll TIIMIM. Ill.OCk"
G.-..i- 05ln Gcrinaiitown Ajfc I
ermantown matiniih ntiw I
SESSUE HAYAKAWA
in "ini; riithT noitN"
u ami roriAn :.tl
rATiNri; daiui
IIIA lllltl ll'
"THE PENALTY"
irtTirCDCM Mill. f. inurlilnS
Jlil I lItJVyi tlATINHK I""''
AI'Tllll hC'IIOOI. XIATINUI' 3(J
"The Empire of Diamonds
I ID CD TV linoAI) f. roMMnU ll
AuiiJUiix 1 I jux-riNni-' min
BUSTER KEATON
In "1IIK KAl'III.AO"
innnri 4'jr. south nr 0relii
IV1VJLI1,1 Ooiitlimo'i' fri.ni .1 1"
VERA GORDON
in "run iiikatkm' i.uM."
i 7rs"r-.T-.ni-vi nilJilltVEnrOM
uviLKDiurv vc.
Ill
mi 1 in mil? RTF.
nir. Kill CATION or i.i.i'i11,
n.r.1 T,mm. AV11 1 DAl'l'lllNS'
TAI-nN. " aiTii ".in i'i.- '
James Oliver Cut-wood i
"Mitt.Mis or thi: m'"1" .
'SPRUCE mA&i
T. POY BAKING
III "Ml I.OMI I'i'J.V'.'.
('OtlKI)V "Till! HPII'
..... . rn. .v t a.", ,i,t ijincir.4!i I
WM. lJb(NIN vlU.S'jJnfii
CONSTANCE TALMAD08)
III IMIOOII HKITiM1""
I .
-