arts Hammond Why By ANGELA C. BARTOLOMEO Collegian Arts Writer There is a subject that is quite delicate to certain departments on campus. It has nothing to do with politics, racism or discrimination, yet this reporter got d run around about it that would rival nearly any scandalous story. Four different people in various positions at the University were approached in researching this sub ject, from the Plants and Opera tions Management office to the secretary of Eric A. Walker, Dean of the College of Engineering. From all but the latter, the same evasive response and a number of someone who could be "more helpful" was evoked. Ironically, the information needed was supplied by Donna Sch royer, Walker's secretary. By now your curiousity must be piqued, so let me divulge the sub ject of this article: the Hammond building. The building, which was constructed in 1958, was voted the ugliest building on campus in a survey conducted last semester by the Collegian Arts staff. Its low, moder 9 facade is a sharp contrast to the , much older Engineering Units it buffers from bustling Col lege Avenue. But that doesn't quite explain the strong dislike found lurking in the minds of many stu dents or the reluctance of the people Japanese art comes to campus By JENNIFER EDWARDS Collegian Arts Writer Starting today, the Museum of Art is offering a chance to step into another culture a culture filled with tradition and ritual, a culture totally different from our own. Japanese Prints and Ceramics from the Museum's Collection, along with a series of related events, will provide every one with the opportunity to experience Japanese visual and performing art. The show contains more than 50 color woodcut prints from the 18th, 19th and 20th centuries, as well as over 15 modern ceramic pieces. Japanese prints were first discovered in the west (Europe) in the middle of the 19th century, when artifacts were first shipped from the Orient to Europe. These objects were wrapped up in Japanese prints much like we wrap fragile objects in newspaper today Traditionally, the art of Japanese woodcut print making is a three part/person process. First, an artist designs the image that will appear on the final print. Then an engraver carves these images into wooden blocks. Each color used in the print must have its own woodblock, so this part of the process, depending on how many colors are used, can be very time consuming. After this, a printer transfers all of the separate images onto one print using vegetable and mineral pigments mixed with water. This process is still used today, although many times, the artist is involved in all three steps. _ _ One of the most fascinating aspects of Japanese art is the tension between the rational and the natural in the way an artist creates. "There is a Characters lend originality to 'Arizona' By DEBBIE GOLINI Collegian Arts Writer Welcome to the atypical, the ab surd, and the humorous. Welcome to Arizona as portrayed in the movie Raising Arizona, a humorous look at the lives of the McDonnough family as they try to stay together and beat the odds. The story is a simple yet outlandish one. H.I. McDonnough (Nicholas Cage), an at least 10-time convicted convenience store robber, marries Ed (Holly Hunter), the local police officer who has taken his mug shot and fingerprints on numerous occa sions. They want to have a baby. Enter the big problem: Ed (short for Edwinna) can't have children and thus becomes so totally despondent that she even stops cleaning the house! H.I. wants to make his new bride happy, so the two of them concoct a plan to kidnap one of the newly born Arizona quintu plets." They have more than they can handle," rationalizes Ed. What ensues is a movie that pro vides plenty of laughs, an outrageous chase scene that begins with the purchase of "Huggies" diapers, and a hell-spawned bounty hunter that looks like his clothes were incine rated before he put them on. To make matters worse for H.I. and Ed, when they snatch the baby and bring him to their home, two of H.l.'s jail buddies break out of the big house and come to stay with them for a while. While they are "guests" of the McDon nough's they drink all the beer, break up the furniture, and steal the kid naped baby, Nathan Jr., in order to inspires it won ugliest questioned about its history. So just why is the Hammond building so shunned by both students and pro fessionals? Briefly stated, the history of the Hammond building is not a glamo rous one. In 1957, Walker suggested the construction of a new main engineering building that would house deans' and department of fices and the engineering library. In 1958 the $5.9 million plan was imple mented and construction began. The building, which is 609 feet long, 60 feet wide and four stories high, was dedicated on June 3, 1960, in the memory of Harry Hammond, dean of the college from 1937 to 1951. Situated in the small strip of land in front of the older engi neering units, the building spans the stretch from Burrowes Street to the Sackett Building which Ham mond is joined to by a glass en closed main entrance, the Kunkle Activities Center. Looking at the building, one is not immediately aware of fascinating aspects within its structures. The "hanging walls" of the activities center is an interesting support system where each floor supports itself by vertical highbeams at tached to the ceiling. The walls provide no support to the floors, leaving it free to perform one func tion, keeping out the elements. The expensive and attractive 430 return him to his parents and collect the $25,000 reward. The real parents of this darling angel of a , baby are Nathan and Florence Arizona. Nathan (Trey Wil son) is the king of unpainted furniture and Flo just sits around the house reading Dr. Spock's baby book. Once the infant disappears, Flo leaves town to protect the other children and Nathan is left to contend with the police, the FBI, and the hell-spawned, motorcycle-riding bounty hunter. What makes this movie so delight ful and amusing is the collection of off-the- wall characters it portrays and its interesting visual/narrative style. The camera allows the audi tremendous amount of discipline and a tremen dous amount of control . . . that allows the artists - to make very natural gestures," said Charles Garoian, educational director for the museum. "Discipline means to become as nature-like as possible." Process, rather than product, is also a very important part of Japanese art, especially in the ceramic pieces. "In the work, you see a strong influence of the process," said Garoian. This means that the viewer sees where the work has been shaped by the artists' hands or where the work has been deformed in the firing process. "Anything that is'a natural part of the process is like nature and nature is the greatest thing to emulate. The beauty is that it has gone through a natural process," said Garoian. "A pot is the child of the marriage of the artist and nature." When looking at the pieces, especially the prints, viewers should look for several things. "Look for quality of line . . . rich colors and dramatic relationship of color and line," said Garoian. He also said to look at the relationship of the various objects in the work their color, shape and texture, and the way the foreground relates to the background. All of these aspects come 'together to influence the whole print. In addition to the exhibition, there are several other related events that will occur in the next three weeks. These include several different ex amples of Japanese performing and visual arts. The first of these events will be presented tonight at 7:30 p.m. in the museum. The Japanese- American Community of Centre County will spon sor an evening of traditional Japanese culture and arts. Demonstrations of calligraphy by Yoshiko "HI" McDonnough (Nicholas Cage) in Raising the Arizona investigation building on campus foot limestone retaining wall that separates the old and new units was a controversial addition to the building. At the time of its construc tion, it was criticized for its ex pense. The wall consists of a 12 inch concrete core faced with 9 inches of limestone on the south side, and 2 feet of solid stone on top. Although critics complained about the money spent on the limestone, which is more expensive than regular stone of concrete, the wall has become a durable symbol of sentiment. The Fraser Street underpass was created to allow for convient pas sage from College Avenue to the engineering units. Without it, stu dents would have to walk down Burrowes or around Sackett to get to the buildings behind it. But what one does see when view ing the ominous orange edifice is its bland stone and metal panel struc ture and towering glass east end. The next thing that strikes you funny is that there are no entrances on the College Avenue side of the building, all the entrances exist on the side facing campus, with one in the glass enclosed east end. Students gripe because it is im possible to traverse the entire build ing on the first floor because of the Dean's office that is situated there. Initially the office was open, and because of restricted space, secra taries were forced to keep their desks in the hallway. Students tray- ence to see situations as the charac ters do. We see the McDonnough's looking larger than life to Nathan Jr.; and there is•a periodic voice-over by Holly Hunter is also equally effec- H.I. that explains what action is tak- tive as Ed, the suffering, barren wife ing place and why he is in another who only wants to cuddle a baby of troublesome predicament. her own. Where H.I. is weak, she is Nicholas Cage is terrific as the slow strong. These two are so completely speaking, hair-all-rumpled H.I. who opposite of each other that they truly really has a heart of gold despite his _ do belong with each other and with obsession for knocking over 24- hour Nathan Jr. groceries. Unlike his last movie,Peg- Raising Arizona is satirical comedy gy Sue Got Married, in which he that attempts to instill a message of played a whiney, philandering hus- love among the laughter. It's scenic band, Cage's character is likeable in locale and offbeat collection of char an offbeat way. You know what H.I. acters lend originality to the capable and his wife have done is wrong but script and provide entertainment for you find yourself rooting for them all an appreciative audience: eling from one end of the building to the other created a constant stream of traffic that disrupted the work of the secrataries. The office, there fore, was remodeled, making it impossible to use the office as an easy-access walkway. Another complaint students have about Hammond is the tempera ture. "The temperature is never right," Donna Schroyer said. "The heat is on too late in the fall and too early in the spring. The windows can't be opened because the' stu dents can't hear their teachers, so we.all suffocate. And those windows are dirty I think they've been cleaned once since I came here in 1978." • It seems the Hammond building exists shrouded in a cloud of mys tery. No one involved with it is very proud of its distinction as "the ug liest building on campus" and few seemed willing to discuss it. Per haps it's this avoidance that helped bring about the adverse feelings that surround its existence. And the fact that the building houses one of the largest colleges on campus means that more students see it and have the chance to find fault in it. Out:of all the students questioned, only one could give a favorable comment about the unpopular Hammond: "It may not be beauti ful, but the couches (in the activ ities center) sure are comfortable!" Sudo, origami by Yoko Iwama and flower arrang ing by Noriko Funasaka and Yoko Iwama will be performed. Anyone who saw The Karate Kid II should remember the Japanese tea ceremony performed twice in that movie. Keiko Fujiu and Komiko Shimuzu will be performing this traditional ritual tonight accompanied by Yoshinobu Yamaguchi on bamboo flutes. To finish the evening, Sherrie Garoian will perform two selections from Pucci ni's opera Madame Butterfly. Tomorrow night, Women in the Dunes, a film by Hiroshi Teshigahara, will be shown at 7 p.m. in the museum. This 1964 film, subtitled in English, is the story of Eiji Okada, an entomologist collecting beetles in the sand dunes. After falling asleep, he is captured by nearby villagers and held against his will along with a woman. Eventually he adjusts to his strange situation, and starts a relationship with the woman. On Thursday night, Susan Munshower, an in structor of art history at the University, will deliver a lecture called Poetry, Man and Nature; The Origin and Development of the Japanese Landscape Print at 8 p.m. in the museum. Topics covered in this talk will be: different woodblock printing methods used by Japanese artists of the 17th, 18th and 19th centuries; the origins of the landscape print; the relationship of the print to man and poetry and the print's dependency on philosophy and nature. Finally, on April 29 at 7 p.m., the museum will present Fire on the Plain, a movie made in 1959 and directed by Kon Ichikawa. This film, set at the end of World War 11, shows what lengths people will go to to stay alive. the way. Cage gets the chance to play deadpan comedy and pulls it off bril liantly. . . . t:•• '• ' , ,i% 44", ¥ ),,,v;.,.-,, :t : ; '';';l•;,•,Zi‘ c ~ 1 tNrci , '-, ,:: , c,' • ~,- T r' . ‘'' . i . . )) „!.,„ , ii ` 5 ‘: '`•,% 5• ' -5 :,V,, , ' ' , / ". 1. 4 !, <' ,,i , .-', @ /jam i ' ' '' :'' ' l ..* , e4 ‘., : ' < : '''. 1 4V44:,; : f215' • • lZl's, 2. .1 . '''' ''''6 -'4, N,.: :;.5, ~,, ~, ' . . a . ~ ! , :•\°„. •,,AN '.! ' , ''65';' ,!... ,. t . ' '! , '.,':', ` , - ' :,,/ i' ." ' '' '-',.>'`..:-',' ' C , 4.V, .. 4, ~ ..,'; i ;37 44 .. 1 ''," ' s li:gc, :'.. , '' , l . i i . . 'i ''' - !'*,‘, : : \ ' ; .. e ''', ' ‘.,' Y,',lf#;V:l,,'; ', ' ; ''' g',,,:0 146 5", ?..' 1 ;c .' 1 / 4 '', T l' Z,fr 'P ,, • i 1 2'l': ' ' ' ' .,1 .•:., :, • .. ''; ';,>;.''. ';. , Vif , i , , ''', ''' f ...'''' ~ ' , ,1 , . , , ~ The facade of Hammond Building facing busy College Avenue lacks an entrance. This is just one of the anomalies surrounding this structure. The Smithereens make it big with Merseybeat without being boring By PAT GRANDJEAN Collegian Arts Writer The life of a touring pop band can bring one to some unique places. That's why Smithereens drummer Dennis Diken took a moment during a recent phone interview to marvel at the venue he'd be playing that evening, the Colonial Theater in Keane, N.H. "This place is actually a movie theater we're the first band to perform here in 40 some years. It's pretty classic looking, with a great; old-fashioned marquee, all in blinking red lights. And our name is up there," he says. There's no surprise in that. Af ter all, the Smithereens are a pretty classic quartet themselves, as evidenced by their 1986 album Especially For You. At a time when many pop bands manufac ture more quirks than "hooks," Diken and his colleagues guitar ist Jim Babjak, bassist Mike Mesaros and vocalist/songwiiter /guitarist Pat DiNizio turn out a stewpot of 30 years of rock'n'roll tradition that's hard, fast, dark and even a bit ominous. They invoke the ghosts of Mer seybeat, country and jazz without being trite. And songs like "Time And Time Again" and "Behind The Wall Of Sleep" stir up a gothic guitar thunderstorm that's just this side of pop-metal. Best of all, the Smithereens dare to play post-adolescent, corny love songs at a time when some of their peers wouldn't be caught dead in the act. "When everything is said and done, that's the stuff that's gonna be listened to years and years from now. The classic songs of the 1930 s and '4os will never die. The same holds true for any song with some heart and emotion and passion to it," Diken says. Formed in the late 19705, the band's roots actually go back as far as the grammar school friendship between Babjak, Masa ros and Diken. All have long been rabid record enthusiasts Di ken's earliest aspirations included becoming a radio station deejay. "We got started on everything that was really popular on AM radio in the '6os. We're real radio era kids," Diken reports. The three fiddled around in each other's garages and basements before finding DiNizio in 1980. Whereupon they graduated, Diken recalls, to playing parties and parks. They used the money from their earliest public gigs to self-produce a four-song EP, 1980's Girls About Town. Three years later a second recording, Beauty and Sadness, also self-financed, was released to glowing, reviews. Before the Smi thereens had the chance to fret that they'd never have the money to cut another record, they were offered a contract with Enigma The Daily Collegian Tuesday, April 21, 1987 i ''... A ..-i. i ' j .4 ' iii •' .1 ,?. *,,,,,, ~ : if - 1 , . . i I i' 1 cg ~, ~, ; , i . . t., ',,...,' ; ' . .. ' • , .-.3' . .„ k•,. ..... ~, ., • ••••1 WO ..,„. . Vi .. .. , 1t4 ; .'.; ,',;, „, , ..,?.,. 4 -.,1 i 4 ...j,.., , '',..„..,,, , -1 , 4 w ,-, ‘ ,, ,V•t`t ' 1 ~. . '0..42 .. r:.11 .$.:„.,, Collegian Photo I Ralph Oswald The Smithereens will perform at 8 tomorrow night in Fisher Auditorium at Indiana University of Pennsylvania. Tickets are $4. Records, which released Especial ly for You. Production chores were handled by Don Dixon, who has also manned the boards for R.E.M. and Fetch'n Bones. Because the band had already arranged most of the album's songs in rehearsal, no time was spent in preproduction, and all of the rhythm tracks were cut in one night. Dixon proved to be more of a team player than an imposing father figure. "He main ly used his recording expertise to help us get our own ideas down on tape, shape them up a bit," Diken says. "Dixon was more like a part of the band he played piano, percussion and did background vocals for us." The Smithereens are delighted with the final product. "We could never afford to do this ourselves make a full length LP in a good studio. We felt it was a very true reflection of the band," Diken notes. One particular favorite song of his is the samba "In A Lonely Place," which features a winsome duet between DiNizio and Suzanne Vega. "It wasn't written com pletely until the day we recorded it, so we cut it totally fresh. Suz anne and Pat had worked together in an office building in Manhettan, before either she or we had any recording career. She was also a roommate of an ex-girlfriend of Pat's. So Pat wrote the song with her in mind as a duet partner. As it turned out she came in and did her part real quick, and it worked out really well." Plans for a follow-up record probably won't take shape until this fall, and in the meantime the quartet will stay on the road. "We're still covering new ground in touring, going to places that aren't acquainted with the band yet," Diken reports. He is un daunted by the constant perform ing grind. "We're just four regular guys playing real songs with real - instruments, and we give it every thing we've got. We try to convey our passion for it, do what comes naturally for us. This has been a very successful year, but it could end tomorrow. We're grateful to be able to do it and as we get better at it, we hope people like it , more." Book discusses child activity By ANGELA C. BARTOLOMEO Collegian Arts Writer ' Joachim F. Wohlwill, professor of human development, is co-editor of the 1987 book Curiousity, Imagination and Play. The volume, to which Wohl will also wrote the introduction and a chapter on exploratory activity in early childhood, is part of 2 series edited by David S. Palermo, profes sor of psychology at Penn State. This edition represents a cross-sec tion of issues only recently recog nized as important to child development. Child's curiosity, ex ploratory activity, imaginative activ ity and play are topics contained in the volume which is the culmination of the work of 15 developmental psy chologists from Germany, Great Britain and the United States. "The book grew out of a 1981 con ference in Berlin that was organized by Dietmar Gorlitz at my sugges tion," Wohlwill said. "It represents, in part, an outgrowth from the confer ence most of the chapters are revised papers that were presented at the conference and also some additio nal materials." Wohlwill was born in Germany in 1928, where his family lived until 1934 when they left the country to escape Nazi occupation. They settled in Por tugal where Wohlwill received most of his early schooling. Then in 1943, Wohlwill came to the United States where he attended Harvard and stud ied in a program in a newly formed social relations department which Every Tuesday! Long Beach Ice Teas $1.75 Miller Lite Pitchers $2.50 101 Heister St. DISPLAY YOUR CHARACTER Kinku's self-service typewriters and copy creation centers give your reports and presentations the clean, professional look they deserve. kinko's® Great copies. Great people. 256 E. Beaver Ave. 224 W, College Ave. 238.2679 237.1317 cAPTURING THE LIFE ix al e • is here! 7 The Penn State Yearbook Don't Come to 209 HUB To Pick Up Your Yearbook. On April 21st to April 24th you must bring your receipt or student I.D. to the HUB Ground Floor Bus Ticket Office (Next to Electronic Diversions) in order to receive your copy of La Vie 'B7. LA VIE 'B7 0 The Penn State Yearbook 0219 Wha d'ya mean they're outta Collegians! combined portions of psychology, so ciology and anthropology. In 1953, Wohlwill attended graduate school at the University of Chicago where he first met the respected psychologist John Piaget who gave Wohlwill a new perspective toward his career. He decided to obtain a better basis in psychology so he transferred to the University of Southern California at Berkeley in 1957 to receive his doctorate. Wohlwill traveled to Geneva with Piaget and "had one of the most rewarding experiences of my life," he said. "Piaget was also instrumen tal in my being appointed as director of a training program at' Clark Uni versity which is a center of excel lence in psychology." Wohlwill stayed at Clark until 1970. "In the latter part of my stay at Clark I became interested in the study of behavoir as it relates to the physical environment," Wohlwill said. "So when Penn State intiated a program designed to bring behavoir scientists and people in the environmental sci ences together, it sounded like an exciting opportunity." Wohlwill stayed with the program, called Program in Man and Environ mental Relations, until it ended in 1979. "At times I regret the demise of the program," Wohlwill said. "I felt it required an inter-college base in or der to sustain itself, and it did not have that." Wohlwill's interest turned to indi vidual and family studies. He at tempted to synthesize his earlier THE 4O environmental interests with his ex perience in child development on both the social and physical levels. "The fact that children naturally and spontaneously engage in play aroused my enthusiasm," Wohlwill said. "Little attention was given to those aspects until recently; most textbooks have no coverage. It's only been in the last decade that an inter est has been shown." Wohlwill con tributed to a volume on play edited by Thomas Yawkey called Child's Play which explores the psychological aes thetics of intrinsically motivated forms of behavior. Wohlwill said working at Penn State has been an enjoyable experi ence. "I have found a supportive atmosphere here," Wohlwill said. "I feel particularly fortunate to be part of an outstanding department and faculty which is both nationally and internationally known." Though Wohlwill finds the atmo sphere here condusive, he would like to see more of an effort made to better integrate different kinds of educational experiences for the un dergraduate level. "The undergrad uate program tends to be somewhat fragmentary. I'd like to see a better initiation for students and fewer elec tives so students could structure their own educational program." Wohlwill is currently first in charge of the undergraduate program in Individual and Family Studies and hopes to reorganize the major and options within the major. INDIVIDUAL A class of one. That's what you are when you take courses through the Department of Independent Learning. With more than 200 courses to chose from, you can fulfill many of your degree requirements while setting your own schedule. For more Information, call: 885.6403 (State College area) 1.800-262-3592 (In Pennsylvania) 1.800-468-3817 (nationwide) At University Park, stop by: 128 Mitchell Building At Commonwealth campuses, write for a free course catalog to: Department of Independent Learning 128 Mitchell Building University Park, PA 16802 musical rpundup The following lists compile the top 10 albums for the week ending April 21, as indicated by State College record store sales. ARBORIA USED BOOKS & RECORDS, 151 S. Allen St. I.The Joshua Tree U 2 2. Strong Persuader Robert Cray 3. Running In The Family Level 42 4. Into The Fire Bryan Adams 5. Louder Than Bombs The Smiths 6. Blow Your Cool Hoodoo Gurus 7. Tango In The Night Fleetwood Mac 8. Another Scoop Peter Townshend 9. Money For Art's Sake compilation: local artists 10. Skylarking XTC CITY LIGHTS RECORDS, 318 E. College Ave 1. Electric The Cult 2. Blow Your Cool Hoodoo Gurus 3. Mirage Meat Puppets 4. The Joshua Tree U 2 5. All Fool's Day— The Saints 8. Sign 'o' The Times Prince 7. Louder Than Bombs The Smiths 8. Skylarking XTC 9. Join The Army Suicidal Tendencies 10. Tango In The Night Fleetwood Mac NATIONAL RECORD MART, 226 E. College Ave. 1. The Joshua Tree U 2 2. Sign 'o' The Times Prince 3. Whitesnake Whileanake 4. Graceland Paul Simon 5. The Final Countdown— Europe 6. The Way It Is Bruce Hornsby And The Range 7. Tango In The Night Fleetwood Mac 8. Back In The High Life Steve Winwood 9. Look What The Cat Dragged In Poison 10. Broadcast— The Cutting Crew WPSU NEW MUSIC TOP 20 The following records compose WPSU's new music survey for the week ending April 22. At 8 tomorrow night, 91.1 FM will broadcast the Top AFTER EASTER SPRING FASHION SALE 20% OFF Storewide This Week Only 11 At ailg@t The Red Barn 135 Calder Alley In Calder Way State College, Pa Director of the National Conference of Black Lawyers Sponsored by: ••SPECIAL••: From 7:30 to 10 p.m. Thursday, WPSU will broadcast a special on R.E.M., chock full of music, record giveaways and fun facts. 1. "Cowboy's Reign" The Darrows 2. "Happiness" Cellophane Ceiling 3. "Get On Down" Meat Puppets 4. "Optimist" SWA 5. "Trampoiene" Jullan Cope EL "This Time" Go Four Three 7. "They Can't Touch Us" Nixon's Head 8. "Broken Bottles" Salem 88 9. "Way Up Here" Fleshtones 10. "Clean Sheets" Descendents 11. "TV Party" McGuires 12. "For The Turnstiles" Yo La Tengo 13. "My Shoes" Blue Hippos 14. "(I'll Never) KIII Myself Over You" D.C. 3 15. "Sympathy For The Mekons" The . Mekons 18. "Clarkesville" Green On Red 17. "Orange Airplane" Screaming Trees 18. "Gunslinger Man" Long Ryders 19. "Hangin' Round" Cat Heads 20. "1000 Umbrellas" XTC UPCOMING CONCERT DATES More Information concerning dates preceded with (f) can be obtained by calling Ticketron at 865.1884 or the hotline, 863.4500. Information concerning other dates is available from the locations cited. "SPECIAL NOTE": The 112 concerts scheduled for the Meadowlands Arena in East Rutherford, N.J. are being handled by Ticketmaster, not Ticketron. All five dates have been sold out; there are no plans for additional U.S. tour dates prior to 1988. Concert Halls and Arenas Smithereens, 8 p.m. April 22, Indiana Universi ty of Pennsylvania (t)Klymaxx, April 23, Valley Forge Music Fair Valley Forge) (f)Deep Purple, 8 p.m. April 24 & 25, Spectrum (Philadelphia) (t) Eric Clapton, 8 p.m. April 27, Madison Square Garden (New York City) • 'SOLD OUT" (t) Huey Lewis and the News, 8 p.m. May 5, Madison Square Garden "Partners in Apartheid Israel and South Africa" Mr. Wilhem Joseph, Jr. Tuesday, April 21st 8:00 p.m. Penn Slate Association for Palestine International Student Council Black Caucus Minority Law Students Association Refreshments The Daily Collegian Tuesday, April 21, 1987 by: 112 Kern Bldg (t) Merle Haggard, May 6, Valley Forge Music Falr (Valley Forge) Rosanne Barr/Louts Anderson, 7:30 p.m. May 8, Syria Mosque (Pittsburgh)' (f) Luther Vandross, 8 p.m. May 18, Spectrum Wayne Newton, 7:30 p.m. May 19, Syria Mosque (t) Genesis, 7:30 p.m. May 28, Veterans Stadi- um (Philadelphia) "SOLD OUT" (t)Rlcky Skaggs, June 4, Valley Forge Music Fair (t)James Brown June 5, Valley Forge Muslc Fair (t)Temptations, Juno 24, Valley Forge Music Fair (t)Freddle Jackson, July 3.5, Valley Forge Music Fair (t)Waylon Jennings, July 10, Valley Forge Music Fair WEverly Brothers, July 15, Valley Forge Music FalY CLUB DATES Lene Lovich, April 21, Revival (Philadelphia) Webb Wilder, April 21, Decade (Oakland) The Knack/Dwight Twiflay, April 22, Chestnut Cabaret (Philadelphia) Schoolly D., April 22, The Troc (Philadelphia) The Tubes, April 22, Graffiti (Pittsburgh) Bon Ton Roule4 April 23, Decade The Mekons, April 23, Revival Albert King, April 24, Chestnut Cabaret Chesterfield Kings, April 25, Decade John Lee Hooker, April 25, Chestnut Cabaret gission U.K, April 28, Revival Stingray% April 28, Decade Dreams So Real, April 29, Decade Scratch Acid, April 29, Revival Billy Bragg, April 30, Graffiti Dave Mason, May 2, Chestnut Cabaret Scruffy The Cat, May 5, Decade Johnny Rang May 7, Decade The Nests, May 11, Decade (t)Robin Trower, May 13, The Troc Taligators, May 14, Decade Evan Johns and the H•Bombs, May 15, Decade • compiled by Pat Grandjean
Significant historical Pennsylvania newspapers