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The Stones flounder on 'Emotional Rescue'
By PAUL BOYNTON
Daily Collegian Staff Writer
The pretentious bad boys of rock ’n’
roll tantalized our innermost fantasies.
They exploited the lust that we could
only dream,- not act out. The Rolling
Stones did the acting for us.
They rarely tried anything fancy with
their music they liked their music
black, the rhythm and blues scene im
mersed in a driving rock beat. Their
lyrics generally told tales of hedonistic
pleasures in a cruel, sexist, cynical
manner.
For nearly 18 years, The Rolling
Stones have been the vanguard of youth
rebellion brought to life in rock ’n’ roll,
sex and drugs. Parents detested the
decadent values the Stones bluntly
thrust out in their lyrics and grinding
rock beat.
arts
But time has passed the Glimmer
Twins and crew by. Their latest effort,
‘‘Emotional Rescue,” is evidence of that
sad truth. The music is bland and is
generally tame, although there are hints
of leering madness on the album.
Mick Jagger doesn’t shock us
anymore. The Stones used to be bizarre
and different, one step ahead of the rest,
snickering at their fans' desire to be bad
and at the pressures of societal
restraints.
Indeed, the Stones have made being
< bad fashionable. But because the Stones
have conditioned us to be bad, their
music has lost some of its impact.
Alas, “Emotional Rescue” is too damn
predictable.
Even the crudest tune on the album is
Mick dagger
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not shocking. "... I’m so hot for her, but
she’s so cold,” Jagger laments in “She’s
so cold.” “. . . I’m so hot for her and
cream so, Put your hand on the heat,
come on baby let’s go! ”
Radio censors won’t bother with those
lyrics because we are inundated with sex
everywhere we look magazine racks,
television and the movies.
But parents used to cringe, for
example, when their children blared the
vulgar “Brown Sugar”: “Uh, Brown
Sugar, how cum ya taste so good? Brown
Sugar, just like a black girl should! ”
“Let Me Go” is the Stones’ strongest
stance on "Emotional Rescue.” Besides
being the best rocket on the album,
Jagger’s cynicism is stinging.
“You’re gonna get it straight from the
shoulder, can’t you see the party’s over,
pleeeeease, let meeeeee go./I tried
giving you the velvet gloves, I tried
giving you the knockout punch/. . . can’t
you get it through your thick head?”
Jagger shows his lack of conviction or
pride or caring or whatever: “Maybe I’ll
become a playboy, hang around the gay
bars/and moooove to the west side of
town.”
Perhaps the most telling tune of the
Stones’ state of mind is “Down in The
Hole.” The slow, bluesy song relays a
haunting truth that Jagger is frustrated,
confused, scared. For 18 years Jagger
has made kinky cash, lots of it, by
singing sexist, racist, drug-oriented
songs. But what has the money done for
him?
“Money doesn’t keep you from
madness and sadness./Will money buy
you forgiveness?/No money, no jewelry,
no gold/. . . begging forgiveness,
begging for cigarettes, down in the>
hole.”
But the rest of the album is drivel.
Nothing to take seriously. Jagger has
always said critics needlessly analyze
his lyrics. He said rock ’n’ roll should not
be taken seriously. Jagger gets his wish
on “Emotional Rescue.”
“Dance” is a perfect example.
Nothing more than a boogie cut, the
music could be heard in numerous
nightclubs. Uncle Mick, we need more
than that, something frighteningly fun.
“Send It To Me” is a harmless ditty in
which Jagger shamelessly says he will
take any woman for himself. “She could
be Roumanian, she couid be Albanian,
she could be Bulgarian, she could be
Australian, she could be the Alien, send
her to me.” Cute stuff.
“Indian Girl” has political overtones:
“Indian girl, where is papa?/Indian girl,
where is your mama?/‘There fighting
for Mr. Castro in the streets of
Angola!’ ” '
Jagger knew what he was talking
about in the 1968 song “Street Fighting
Man.” He recognized that it was time for
a revolution against governments gone
passive and uncaring. But how much
does Jagger, a rich man, know about
Cubans struggling to exist under the
oppressive rule of Castro?
Perhaps the most disappointing aspect
of “Emotional Rescue” is that the music
itself lacks sparkle. The rock ’n’ roll the
Stones once churned out so well is not
■exciting on their latest album.
They seem burned out. The Stones
have apparently lost their high pitch
energy. Someone once said the Stones
didn’t piay concerts, they played
riots. Now, the Stones are going through
the motions or at least they sound like it.
Drummer Charlie Watts is the only
band member who consistently plays
well bn the album. Watts has always
been solid; he has held the band
together. Indeed, lead guitarist Keith
Richards once said Charlie Watts is the
Rolling Stones.
Jagger has brief interludes of ex
cellence. The title cut is interesting
because Jagger combines falsetto vocals
with his classic throaty snarl. His
shivering growls on “She’s So Cold” are
also good. Otherwise, mediocrity and
worse is the dominant theme of
“Emotional Rescue.”
No guitar riff by either Richards or
Ron Wood stands' out as classic.
The Stones’ rhythm ’n’ and blues just
doesn’t click on “Emotional Rescue.”
They sound old and tired. The album
would be a sad farewell to rock ’n’ roll
the music genre they once led on a
fleeting path of conquest over the so
called older generation and their in
sufferable values and laws.
We still have memories of the Stones
at their best. The band doesn’t look to the
past, but if you are to maintain respect
for The Rolling Stones, remember the
old and try to forget the present.
'Final Countdown'
just doesn't add up
By SCOTT DUGAN
For The Daily Collegian
What do you get when you cross
“1941” with “Tora, Tora, Tora?” You
get “The Final Countdown.” And if
that sounds like a confused com
bination, that’s because “The Final
Countdown” is a confusing movie.
First, a U.S. aircraft carrier is
caught in a “time storm” just off the
coast of Hawaii, and ends up in Dec.
6, 1941, just before the Japanese at
tack on Pearl Harbor. Kirk Douglas
is the captain; Martin Sheen, a
systems analyst; and Katherine
Ross, a senator’s assistant. James
Farentino, who isn’t given star
billing, is a fighter pilot. So far, so
good.
This could have been a fairly good
science fiction film, either an in
tellectual study of time paradox and
manipulative histor or a good
-y, - g'
whiz action flick. But it is neither,
Maybe that is because Don Taylor’s
direction is so bad. Or maybe it is
because the actors are given roles
they can do little more than walk
through. Maybe it is because there
are holes in the plot the size of an
aircraftcarrier.
Or maybe it is because most of the
shots look like Navy recruiting
commercials. But for whatever
reasons, this is a funny movie. Not
that it was intended to be, but there’s
considerable humor in places where
the director never intended.
And for that reason alone, I
recommend it. If you’d like to see a
near farce which never really in
tended to be a farce, don’t miss “The
Final Countdown.” There is plenty of
action, not too much dramatic human
conflict to slow things down,and
enough hardware shots of F-14
Tomcats and Corsairs and God knows
what else to keep any military buff
happy.
In fact, the feeling that you are in
the real Navy is so pomplete that you
will swear some of the bit parts were
ife.
BpS
1_
Monday, Aug. 18 “IC|sr
Illustration by Cyndi Shoup
played by real Navy men. They
certainly were not played by actors,
not in the conventional sense of the
word. Except for the real footage of
U.S. “engines of war,” the special
effects are nothing to rave about.
It’s downright embarassing to see
an actor of Martin Sheen’s caliber in
a film like this. “Apocalypse Now” it
ain’t.
There’s a lot of potential in the
premise: the ability, and the
responsibility of being able to
manipulate history; playing God,
with all the foresight of 40 years. But
it is never really taken seriously
not by the director, and not by the
actors.
Frankly, “Star Trek” (the
television show) handled the same
premise with a much better treat
ment in one show more than 10 years
ago, and it was nominated for a Hugo
Award to boot. But there will be no
awards for “The Final Countdown.”
It’s ridiculous.
'Robber Bridegroom' a fairy ta/e and more
By JOE MATIVY
For The Daily Collegian
The fairy tale is not dead. In the State
sCollege Community Theatre’s Boal Barn
production of “The Robber
Bridegroom” it’s been up-dated,
countrified and apple-pied, chocked full
of tall tales, of lovable, loathable and
laughable characters and set forth on a
i ' frantic gallop to the sounds of bluegrass
and crowing ravens.
At its most basic level, the story
resembles a fairy tale, but after all,
what’s in a label? It’s also an adventure
tale, a whodunit, a country musical
extravaganza, a farce - and the most
comedic rape since Harvey and Schmidt
■ desensitized the concept in “The Fan
tasticks” in the early ’6os.
Fair maiden Rosamunde (Elizabeth
Uhler) is a wide-eyed waif who conjours
up 11-foot midnight blue panthers to
transport her from her monotone
existence.
Her boredom is momentarily soothed
when her doting papa (Robert Godfrey)
brings her a gift from New Orleans a
dress in which she literally Elektra-fies
him much to the jealousy of his second
wife. She is a tall trunk of a raucous,
over-sexed, lascivious, conniving,
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A muse named Kira (Olivia Newton-John) looks on while struggling artist Sonny (Michael Beck) paints her portrait in a
scene from the movie “Xanadu.” He falls in love; with her, and though it’s not supposed to happen to a muse, she falls in
love with him too.
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aggressive and all around likeable
wicked step-mother (Pat Swanson). Her
name is Salome (pronounced Salami)
and she covers the stage like a human oil
slick.
Everything about Salome is
despicable from her less-than-elegant
word choice: “If this place ain’t
spotless, I’ll kick your ass to Memphis,”
'to her cracker pie, from her love of
skunk cabbage to her more-than
maternal attraction to the title
character, Jamie Lockhart (G. Brian
Kaufman).
Jamie has been contracted to marry
Rosamunde without realizing they
already know each other. Of course, boy
gets girl, papa gets reward and step
mother gets what is coming to her and
how!
Sawnson’s songs were difficult and
atypical but she pulled them off with
surprising ease; Kaufman, however,
took longer to fill his role. His voice,
though suited well enough to the coun
try/western type musical, showed
unattained potential. At first relying
excessively on the debonair stereotype,
he slowly worked his way into an
amiable and spirited characterization.
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Papa was consistent throughout and
exhibited a perfect board for Salome’s
darts and Rosamunde’s loving glances.
The supporting cast very literally
made the show.
Goat the simpleton (Ron Rager), stole
the show with his rubbery face and his
natural flair for comedy. His portrayal
of the simpleton who glowed with the
brilliance of a two-watt doorknob was
undoubtably the most popular.
Andy Bealer and Asa Berlin as the
zanily proportioned archvillains Little
Harp and Big Harp snorted and pawed
like “a couple ’a pigs at a picnic.” They
maintained a high level of energy which
started the momentum rolling toward
the middle of the first act and kept it up
in the second.
Tamara Hemmelburger deserves
mention too, not only for her role (she
played a raven) but also for her grace
and style.
The music never stopped. The
costume changes and scene changes
were done to square dance music
complete with caller and squares.
The supporting cast and chorus served
as a Greek-type chorus, a visual
distraction and a living set, becoming
doors, floorboards, forest fauna and
The choreography by Barbra Bruno
was light and rustic, imaginative and
almost perfectly executed. The small
theatre in the round took on many faces
with the slightest ingenious and effective
set changes. All in all, the production
was technically well-balanced and
organized.
One observation should be made,
however. There is no room for feminists
in this play, be they male or female.
he point of view concerning the
treatment of women on the whole could
be offensive to some. What’s importatnt
is that one realize the framework of the
offense. This is, after all, a harmless
musical play, not an overt statement on
the treatment of women. Context,
therefore, is an essential consideration.
The result of the evening is loads of
fun. So, if you want to see a girl who
dances so hard she breaks off at the
bellybutton, a talking head and a
grandmother who changes the tem
perature of the moon just by sleeping
raw, then y’ail come down to the Nat
chez Trace, ’cause that’s exactly how
it’s happening through Aug. 24 at the
Boal Barn.
'Xanadu' is a dream that flops
By MARY JO SANTILLI
Daily Collegian Staff Writer
Producer Lawrence Gordon and
director Robert Greenwald recycle that
age-old Hollywood concept of “Making
Dreams Come True,” just one more
time with their film “Xanadu.”
Olivia Newton-John is cast as Kira the
muse, one of the nine daughters of Zeus
who is sent to earth to inspire a young
artist, Sonny. Micheal Beck as Sonny is
pretty to look at, and that’s just about it.
However, Beck does the best he can
within a limited role. His character is
colorless, he neither sings nor dances in
this musical, he mostly hangs around
and gapes at the beautiful Kira.lndeed
he spends the better part of the first half
of the film chasing Newton-John around
on roller skates.
Yes, every ’Bos gimmick is used in this
film, from space-age special effects
(that border on the tacky side) to the
roller skating and disco craze, in order
to emphasize the film’s contemporary
flavor. But “Xanadu” is not merely a
modernization of the Hollywood
musical.
It attempts to dredge up nostalgia for
the “Good Old Days” in its casting of
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Monday Evening
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PM MAGAZINE
® LITTLE HOUSE ON THE PRAIRIE Mary ln
gallssuffersanemotionalbreakdownafteralire
roar 3 through the Walnut Grove School lor the
Blind, claimingthelifeofherinfantson. (Repeat;
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anamazingcomputerthatallowsayoungmanto
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O OZAWA IN PEKING
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drop ol family conflicts during the period alter
the Civil War, Dr. Jonathan Ferrier stands trial
for the murder of his wife. Stars; David Birney,
Barbara Parkins.
S 3) © FLO The Castleberry Gang rides again
when Flo leads a daring attempt to break
Mama's boyfriend out ot an old people's home.
(Repeat)
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drama recounts the events leading up to the
slgning’of the World WarlArmisticeinarailroad
car in the forest of Compeigne. (90 mins.)
aSSMII WKRP IN CINCINNATI Venus Flytrap
is offered a much higher paying job as the pro
gram director of a rival radio station. (Repeat)
9:00 ® NATIONALGEOGRAPHIC'Mysteriesofthe
Mind' This program delves Into some of the
intriguing research being done to unlock the
secrets ol how the human brain functions. (60
mins.)
® MONDAYNIGHTMOVIE'HeroesOfRock'N
Roll' 1979 Fascinating film and taped footage
from the careers ol 82 ot the rock world's big
gest stars-including Elvis Presley, The Bea
tles, Chubby Checker and Janis Joplin. (2
hrs.)
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1966 Charlton Heston, Laurence Olivier. The
story of Major Gordon and his famous defeat by
Arab tribesman in 1833. (2 hrs., 30 mins.)
(ED (55©) M.A.S.H. Angered by the way civilian
doctors stateside are profiting from the war,
Hawkeye presents the Army with a bill forhis
medical services. (Repeat)
9:30 (ED(55©) HOUSE CALLS The stall of Kensing
ton hospital is shocked when Ihe now adminis
trator fires Amos. (Repeat)
10:00 ® DOLPHIN This film chronicles an adventur
ous attempt to communicate with wild dolphins
and documents a unique two-ocean effort at
contact through the use of UPE music played on
an underwater keyboard. (60 mins.)
Gene Kelly as Danny, an aging musician
who once fronted a Big Band in the ’4os.
He owned his own club in those days, but
he threw it all away in grief for a lost
love. He spends most of his time now
sitting on the beach blowing tunes on his
clarinet.
He meets Sonny on the beach one day,
and they become freinds. Danny’s
dream is to one day open up another
club, Sonny dreams of being able to quit
his dreary, compromising job copying
album covers for advertisments to
freelance on his own. They become,
friends and quickly decide to join forces
to make “Xanadu” the Club, a reality.
This is where Newton-John comes in. She
is sent by Zeus to help make “Xanadu,”
happen at which time she is supposed to
return to her father, only, as you might
imagine, she falls in love with Sonny. ..
need I go on?
And there is “Xanadu’s major
problem: Newton-John. She can neither
act nor dance, and that quivering,
breathy singing voice that catapulted
her to the top of the charts just doesn’t
transpose to the big screen. Her big
dance number with Kelly is stilted and
uneasy looking, in fact the choreography
0 NEWS
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Rogers’ A recreation of a documented incident
in the life of young Will Rogers, as he is caught
in a powderkeg situation between ranchersand
Indians ih his homestate of Oklahoma. Stars:
Robert Hays, Jack Elam. (60 mins.)
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setsoffawaveofvandalismandcausesablack
out that leaves the Trib with no way to print the
story. (Repeat; 60 mins.)
(D INDEPENDENT NEWS
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QD THE TONIGHT SHOW 'Best Of Carson’
Guests: Lauren Bacall, Anthony Newley, Char
lie Callas. (Repeat; 90 mins.)
(1) ABC NEWS NIGHTLINE
0 MOVIE-(DRAMA)*** "Jane Eyre” 1044
Joan Fontaine, Orson Welles. A orphan girls
grows up to be a governess in a strange hou
sehold A 2 hrs.)
(ED @) S 3) CBS LATE MOVIE 'HARRY O: Coin
age Of The Realm' Harry searches for Donald
Yorkfield when Yorkfield's daughter requires
transplant surgery and he is the only possible
donor. (Repeat) 'DR. Strange' 1978 Stars:
Peter Hooten, Jessica Walter.
(D PRISONER: CELL BLOCK H
11:50 GD BARNEY MILLER Investigating vandals
attacksonapornobookstore.thedetectivesof
thel2thprecinctareastonishedtodiscoverthe
owners aren’t wild-eyed degenerates, but a
pleasant elderly couple. (Repeat; 70 mins.)
12:00 U> COMEDY SHOP
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6:00 ® WEATHER-WORLD
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discovering that many design concepts we
think ol as man's inventions are originally found
in nature. (Closed Captioned) (60 mins.)
0 PM MAGAZINE
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3D HAPPY DAYS Fonzie finally wants to settle
down when he goes to the electric company to
fight a bogus bill and meets a lovely computer
orogrammer. (Repeat)
The Daily Collegian- Monday, August 18,1980 —1
in general is dull, seemingly held back
by John’s limited abilities.
Terrific dancing was an important
ingredient in those old films and it just
isn’t present in “Xanadu.” Even the bit
of hoofing that Kelly does in this film
seems to be merely token, but ap
parently he had to be coaxed into doing
any dancing at all, having hung up his
dancing shoes at this stage of the game.
Poor Kelly looks so out of place in this
film! Though he still has that winning
smile and easy charm, he looks
anachronistic at best among the super
sonic settings of “Xanadu.”
’4os romantisism just doesn’t translate
effectivly into an 'Bos milieu of space age
special effects, blatant sexuality, and
quickie gimmicks. For all of its allusions
to “Love” and “Magic,” Xanadu comes
off sterile and plastic. The bloodless
score, performed by, Electric Light
Orchestra (which ran out of creative
ideas five years ago, and have been
churning out formulas ever since), The
Tubes, and Newton-John don’t help
either. An update of the ’4os musical is
an interesting concept in theory, but
“Xanadu” ’s attempt at melding the
with the new just doesn’tcut it.
0 BASEBALL New York Mels vs San Francis
co Giants
d$(S) THE WHITE SHADOW Salami flunks a
history test and is off the basketball team, until
his young instructor teaches him that there is
more than one way to stay eligible. (Repeat; SO
mins.)
(D TESTIMONY OF TWO MEN Against a back
drop of family conflicts during the period after
the Civil War, Dr. Jonathan Ferrier stands trial
for the murder of his wife. Stars; David Birney,
Barbara Parkins.
SI THRU HUMAN HANDS
8:30 0 MERV GRIFFIN
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(Repeat)
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Dorothy throwasurpriseatWilliamandSandy’a
flat, while Williammakeshisintentionsknownto
AuntGraceandlandsthedesigningjobhewant
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® THREE’S COMPANY When an absent
minded policeman leaves his handcuffs at the
trio'sapartment.Chrissyand Jack get into trou
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©TUESDAY NIGHT MOVIE 'lslands In
TheStream' 1977Stars:GeorgeC. Scott, David
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expatriate American artist welcomes his three
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9:30 CD TAXI Latka Gravas meets the beautiful
Simka Dahpiitz from his native country and
romantic sparks fly. (Repeat)
10:00 (D FREE TO CHOOSE ‘Who Protects the Con
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for the consumer, says Milton Friedman, who
relies on history to show that government
regulation and agency watchdogs lead directly
to increased cost for the consumer. (Closed
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mins.)
10:30 0 BASEBALL New York Yankees vs Seattle
Mariners
10:40 0 KINER'SKORNER
11:00(33 MACNEIL-LEHRER REPORT
0 M.A.S.H.
3D (33 a® (2) <2> news
0 AFTER BENNY
11:30® ABC CAPTIONED NEWS
0 KOJAK
CD THE TONIGHT SHOW ‘Best Of Carson’
Guests: George Burns, Marvin Hamlisch, Bess
Armstrong. (Repeat; 90 mins.)
GD ABC NEWS NIGHTLINE
OMOVIE-(HORROR)**I4 "EyeoftheDevll"
1967 David Niven, Deborah Kerr. The Marquis
De Bellac abruptly leaves his wife to conduct
strange happenings at ancestral castle in
FranceJ2 hrs.)
(E)ffl)(2) CBSLATE MOVIE 'CANNON; Murder
By Proxy' Anne Francis guest stars as a Holly
wood publicist charged with the murder of her
former boyfriend and client. (Repeat) 'BAR
NABY JONES: Copy Cat Killing' Stars: Buddy
Ebsen, Trish Stewart.
11:60® SOAP
12:30 0 HOGAN’S HEROES
1:00 0 ADAM 12
® TOMORROW
1:30 0 RAT Patrol
0 LIFE OF RILEY
o(2s NEWS
1:50 (3®® NEWS
2:00 0 GONG SHOW
0 JOE FRANKLIN SHOW
O MOVIE -(BIOGRAPHICAL-DRAMA) ••
"ConfesslonsofTom Harris" 1972 DonMur-,
ray, Linda Evans. The true story of Tom Harris^