G—The Daily Collegian Monday, May 8, 1978 Shirley Edmonds (10th-general arts and sciences ), Denise Kaiser (11th-advertising) and Ruth Merriman (Bth-divi- "Dance! in Performance" A program that crosses over the traditional division between classical, modern and' jazz forms will be presented by Orchesis,. the University's dance company, at 8:30 p.m. May 10 through 13 in the White Hall Dance Theatre. Under the artistic direction of Patricia Ileigel-Tanner, assistant professor of physical education, 'll original dances will be performed. Lighting design for the concert is by Drew Landmesser. Classical ballet will be, demonstrated by Robert Hard ing's "Balletomane," with music by Shostakovich. At the opposite t end of the music and movement spectrum, is Amy Lehman-McKinstry's "T.S.B. Put It Back," based ' r11\1101\001111W&WWILIIIMILIMILWIIMILWILIIIMILWILW111011 c Drs. Jim and Gay Dunne Medicine and the Family Mon., May 8 g . Everyone is welcome. 0 P ' 0 a L110171~11:111M11:1 MALIMMINIMNIVILNIIIMINICIIIM‘WII.4 The Pre:Med Society presents speaking on 321 HUB sion of undergraduate studies) rehearse for the upcoming Orchesis recital. on the boogie-woogie pieces of Jimmy Yancey and Willie "The Lion" Smith. Two dances of improvisational origin' are Sally Totenbier's "Schizophrenigenic" and Robert Kjelgaard's "Landscapade." An ode to Elvis Presley is represented by Mina Lou Thompson's "The ; Good-bye Elvis Rock." Michele Maguire has .captured the, complexities of the Beatles With her dance "Three Saville Row:" • s• Incorporating pantomime and comedy with the music of Scott Joplin is "Shrimply Divoone," by Peggy Moses. t. Ticket are $1 for students and $2 for general admission. They will be available at 105 White Buliding or at the door. 7:30 lIIIMILIILIMIIRLIIIMILILIIMILINWMINI\IIII\IIIMUMMIMI.II.WI\IIS • -Dea r Theta C Ili' 6,- , : ' ' , 0 0 . Thanks for giving us a Spring , 3 P ,0 i Week of _the most mystical kind:, We g 0:: lovei;l•Nit'orking 14-oi.,yoli.:=Yon're ~--,, ,' ?,,zi, , -..:-Y: f terriffie!' • • g Lime, .. 3 P -The K -Dee's 0 i1va................................w.wim0.........4 ft) er rtunities We are a youn g . expanding corporation seeking enthusiastic individuals to work at our airport and hotel locations. . These . glamorous positions offer the challenge and diversity that you have been seeking. Your bubbling personality will be appreciated by , everyone that you come into contact with. You will enjoy working with our professional clienB in these beautiful surroundings. Your responsible, nature and sincere desire to helppeople will insure your opportunity to grow in our accelerated advancement program. Positions ore available locally and in the near future positions will open in other Pennsylvania locations and in surrounding states. We ore offering full and part time positions with a .- complete training program; paid vacations, company benefits, uniforms and flexible working ' hours. Interviews for these positions will be held on May 8 and 9 from 9 A.M. to 9 P.M. at the Sheraton Penn State Inn, 240 South Pugh Street, State College,' PA. • , 1328 TILGHMAN ST.; ALLENTOWN, PA. 18102 ' :40.,k1,.aboot::.4rowin:q___up By DENISE GOLODETZ Daily Collegian Staff Writer ~„ Sometimes, accepting growing up can be the most difficult time in 'yourlife. "Tuck Everlasting" is 'a play that helps pre-teens and teens understand , why „ people must grow up. • • • , preview The play is about a 12-year-old girl, Winnie, who doesn't' want to grow up. i She meets an old woman who s a special storyteller. As the old woman tells her story, Winnie.begins to live through it. The tale is about a ',fountain-of-youth" stream that Winnie discovers and the Tuck family who has drunk from it. :- . Winnie learns about greed, how to help others and how •to make decisions for herself. She also learns to accept the responsibility for her choices. The Hackett takes backseat on LP By TOM BUTCH Daily Collegian Staff Writer Steve Hackett, "Please Don't Touch," Chrysalis CHICII76 One would logically assume that the move to a solo career is prompted by, among other things, the artist's desire to spotlight his individual talents as a performer. With the release of "Please Don't Touch," however, Steve Hackett, recently departed from Genesis, seems to have taken a back seat, concerning himself more with delivering the song than with displaying his own abilities. The enlistment of an impressive corps of guest artists for the LP, including Steve ‘ Walsh and Phil Ehart from Kansas, Richie Havens, and Randy Crawford, among othets, is indicative of Hackett's • concern for the - _ overall musical package. One might interpret such reliance on guest performers'in two ways the first is that use . of other artists on a "solo" LP is a cop-out. I see , this instead as an artistic maturity': which signifies that Hackett a) feels no intense need to "prove himself," and b) realizes his own limitations, especially as a vocalist. , And, of course, the bottom line is the music, and it is here'that Hackett can rest his case, for "Please Don't Touch" is a strong, diverse release which not only affirms Hackett's ability••as a 227 E. 'BEAVER outcome: is that she understands why people must grow.: • _ ' ! ' , The play is about 'a young girl who learns about life, says, - -Randee Slielkoman (12th-bachelor of philosophy). ' • • Spelkoman, , who is directing and producing '. the. play, has , combined University talent with local talent. Kim Williams, 14' a freshman at Westerly Parkway - Junior Schixd, plays Winnie.' The other nine cast_ members are from the University. They'are: Eric, Blum (12th-film), • Barry Boyce (12th: baChelor . of philiosophy); Chris Hanszek (9th-theatre); Jedne Harris (Bth- ' theater),' E. Scott Lang _(loth elementary% education),' Lynn Anne Lunsford (6th-theater), 'John R. O'Hara - Jr. ( 6 th-theater, Susan • Opilo (12th; theater); and Alan Shrout : (13th- • finance). guitarist but establishes him as a songwriter as well. breezes atop a pounding bass and per cussion background to produce a track that sounds like a 1984-ish theme song fat • "Mission Impossible.' 1. 1 The album's only weak track,."Carq While the voca - retrengths of the guest On Up the Vicarage,'•', a tribute to ; performers are highlighted throughout, Agatha Christie,, does little musically:, Hackett is always there with tasteful, ,and the vocal distortions used for the often subtle guitar work, which oc- song are distracting. Perhaps this sow casionally comes out front, then again . points to the necessity, of Hackett's use of fades comfortably into the background.. guest vocalists, for it is the only song he Hackett is particularly outstanding on sings alone; and it relies .on voice , "Land of a Thousand Autumns," with a distortion throughout. , • i mesmerizing blend: - of acoustic and ' "Please Don't Touch," while -it does synthesized guitar, and on "Racing in not come off as being purely a Sieve, A, • a track which concludes with a , . Hackett release, is quite satisfyin g well-executed classical guitar interhicle. „ musically, integrating the strengths of . , On "Please Don't .Touch,'! a :highly - several talented performers. I just won electronic ' song, Hackett's - guitar der how he performs the songs live'. .. • , album review Woodwind The Claremont Woodwind Quintet will present its final concert of the season at 8:30 tonight in the Music Building recital hall. • The program, based on the theme " the, romantic woodwind quintet," will include 'Maurice ,Ravel's "IA Tombeau de Couperin" as transcribed by Mason Jones of the Philadelphia Orchestra, Carl Nielsen's , "Quintet" and . Irving Give a child the gift of Life. , Support the MARCH OF DIMES • • PINEMERE CAMP • Robert Miner, executive director will . be interviewing on campus Thursday, May 4 at 9:30-4:30 ;t: Cdunselors male and female ' Specialty and resource personnel - Sign up at 105 Boucke • I . ) Hi-Way Pizzct Round Pie Shops Open for lunch at 11:00 . ' Great pizza (by the slice or pie) The play is aimed at children from ages 8 to 14. Spelkoman is gearing ',the production so that the, audience , pan identify with ,`the' J characters. „She achieves this ,by, doing: away, with 'the stage so that' the actors are playing on the floor with the audience.. - Mike" Ryan ' (12th-architectUre) designed the set that; ; SpelkoMan ' describes as a "fragmented furniture ' idea." There ale no walls or platforms. Instead:: rugs, ..; furniture and ladders 'define the set, producing an open feeling. • , • , The'.play is part of the - , Children's Theatre IVeekend und..is ;presented by ,the• HUB. It was adapted by Laurie Srerrnan -(grad:-theater) from Natalie Babbitt's novel ; Bverlasting." The, play will be perfornied at-11 a.m. and 3, p.m. May 13:and I4,in the HUB ballroom. Admission is free. ' • concert set Fine's "Partita." The ' Claremont Woodwind Quintet, made up of four University music department faculty members, consiits of clarinetist 'Smith Toulson, flutia Overda Page, oboist Monte Bedfoql, French hornist Christopher Callahan and bassoonist William Dole. ` The concert is sponsored by the music department and is free.
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