THE SORAKTON TRIBUNE-FRIDAY MORNING, JUNE II, 1897. i. ii r i 33 Jl "JMt 111 I the Rome Reading irck THE REHEARSAL OF THE NEW PLAY. KHJKSL -Author of "Vignettes of Manhatten." Copyright, 1697, by tho SYNOPSIS Harry Brackftt and Wilson Carpenter, dramatists, 'have written nn American comedy, "Touth and Go," which U about to bo produced at a Now York theater un der tho management of '., Kllburn, It Is the ovenrng of tho final rehearsal. Tho company la waiting for the leading lady, Daisy Fostelle, the 'Stellar Attraction." Among' thoso present are tho dramtlsts, also Miss Alary Marvin, who tukea an lm poitant part und with whom Cirponter la In love her mother, Kate Shitiuon Io ralne, an e'x-actross, ShorrlnRton and tho dramatists dlscups tho play, tho star up pearly am) tho first act Is given. Miss Marvin Joins hev mother In the audtto ilutii and Carpenter folows her. PART II. "It was very jjood of you to come this evening; Mrs. Loralne," he Be gan. "I feel as If having your daugh ter act In this play of mine will bring me luck somehow." "Tho Idea!" said Miss Marvin, smil ingly. "Mury had told me how clever the piece was," the elder actress resjwnd ed, "but It Is really better than she said. The dialogue Is very brilliant nt times, and the characters are excel lently contrasted and, what Is more Important, the whole thing will act! The parts carry the actors; they've got something to do which Is worth while doing. It will go all right to morrow night!" "It's a beautiful piece," Alary Marvin declared; "and I think my part Is Just lovely!" And beforo ho could say anything In fit acknowledgment, Mrs. Loralne Went on. "Yes, Mary's part Is charm ing. And I think she will play It very well, too!" "I'm sure of It!" he cried, unhesitat ingly. "I think there Is more In it than I thought at llrst," Bald Mary's mother, "now I've seen tlib play, and I'll go over Mary's part with her tonight and show her what can bo done with It. I'm waiting for that scene In the sec ond act with Fostelle. I think thmat Mary ought to share the call after that. In fact, I'm sure that she can't take the scene away from Fostelle." "Oh, mother," the daughter broke In, "that wouldn ever do! I should get my two weeks' notice the next morn ing, shouldn't I? And I don't want to be out of an engagement Just nt tho beginning of the season when all the companies are made up." "Are you sure that the ghost will walk every week with this Fostelle company, If you strike bad business for a month or bo?" asked Mrs. Lo ralne, with a suggestion of anxiety In her voice. "I think Zeka Kllburn Is all right," the dramatic author responded; "ho made a pile of money last year on that imported melodrama, the 'Doctor's Daughter;' and besides he has a backer." Mrs. Loralne laughed gently, showed htr beautifully regular teeth; she was still a handsome woman with a fine fig ure and a ciown of silver hair. "A backer?" she rejoined; "but who backs tho bncker? I've heard your friend. Mr. rjrackett, there, say that a Jay and his money are soon parted?" Carpenter answered her earnestly. "I really think. Kllburn Js pretty solid, tun I supposed that a great deal does depend on tho way that the play draws They've got open time here In New' York, and if 'Touch 'and Go' catches on they can stay here till Christmas. So It cojr.es down to this, that if our plrce is a go, the ghost will walk regulaily." "I hope it will mike n, hit," Mri. Loralne answered, "for ycur sake, too. You haven't sold It outright, have you7" "No, Indeed," the young dramatist replied. "Harry Brackett Is too old In tho business for that. We've got a nightly royalty, with a percentage on the gross, whenever It plays to more than four thousand dollais a week, We stand to make a lot of money If it makes a'hlt. What do you think of Its chances, Mrs. Loralne?" V "The first act is ah right," she re Hponded. "That's the most I can say now. nut come and ask mo after I've seen the third act, and I'll tell you what I think, and I believe I can then prophesy its fate pretty well." By this time the scene of the sec ond act had been set. It represented ft stoi)(0 summer house on the top of a hill overlooking the Hudson Just be low West Point. It was picturesque In Itself, and lr was Ingeniously arranged to provide opportunities for effective stage business. Carpenter accompanied Miss Man In back to tho stage when tho time drety nigh for the secftnd act to begin. As he was passing through the door between the auditorium and th? stage he found himself face to face with Dresser, whp was fidgeting baclt and forward. "Oh, Mr. Carpenter," he cried. "I'm tro glad to see you. I want to ask your opinion about this. After all, you know you wrote' tho play, and you ought to be able to decide. In my scene with Marvin in this act, am I really in love with her then, or ain't I? Sherrington says J am, but I think it's a great deal funnier if I'm not in love with her then It helps to work up tho last act bet ter. ..Now, what do you think? Sher- HAIR HUMORS tubing, irritated, icily, eruted Scalp, dry, thin, snd falling Hair, cleansed, jiurlned, and besutl. fled by warm shampoos with Cutioub Bo.tr, and occailonal dressings of CoTicoxa, purest of moments, the greatest ikto curei. (uticura .Treatment will produce s clean, healthy icalp wltMoinrlsnt, lnitrom hair, when all elie falls. "old throuthout Ike werld. roTTisDsioaSDCaiK. Cuir.,lol Prop., Holloa. aj-'ii to produce LassrlaatUtlr," mailed toe. 9VIUe fill CIDC "h tsstesily ralled oMno um nnc tycetieaitiiitn. Bachellor Syndicate. rlngton Insists that his way of playing It Is more dramatic. Well, I don't say It ain't, but It Isn't half as funny, Is It?" After Carpenter had given his opin ion upon this question, Dresser allow ed him to escape. But he had not ad vanced ten yards until he was claimed by Mrs. Castleman. "Mr. Carpenter," the elderly actress began, In her usual haughtily dignified manner, "how do you think I ought to dress this part In the first act? She's a housekeeper, isn't she? So I sup pose I ought to wear an apron." The young dramatist expressed his belief that perhaps an apron would be a proper thing for the housekeeper to wear In the first act. "But not a cap, I hope?" urged Mrs. Castleman. Carpenter doubted If a cap would bo necessary. "Thank you," said Mrs. Castleman. "You see, I have always hitherto been associated with the legitimate and I really don't quite know what to do with this sort of thing." Then she suddenly paused only to break out again Impetuously: "Oh, I beg your pardon, Mr. Carpenter, really I did not mean to Imply that this charming play of yours Is not legitimate " The dramatic author laughed. "You needn't apologize," he declared; "I'm inclined to think that "Touch and Go' Is si illegitimate now that its own par ents can't recognize It!" At last the rehearsal of the second act began, the two authors sitting at the little table with the stage mana ger. Sherrington consulted them once or twice In regard to the omission of a line here and there. "Cut It down to the bone, when you can that's what I say," he explained, "what you cut out can't make people yawn." But once he stopped the rehearsal to suggest that a speech be written In. "You've got to make that complication mighty clear," he declared, "and this Is the place to do it, I think. If you want them to understand that Dresser here Is going to mistake Marvin for Fostelle In the next scene, you had better give him another line now to lead up to It." The two authors consulted hastily; and Carpenter.drau Ing out a note book and a pencil, hurriedly wrote a sen tenc which he showed to Brackett. "That'll do It," said Sherrington and he read It aloud to Dresser, who bor rowed Carpenter's pencil and wrote in the lino on the manuscript of his part, wondering aloud whether he should ever remember It on the first night. A few minutes later Sherrington again Intel rupted the aetora to insist that the sunset effect should be ad Justed carefully to accompany tho spoken dialogue. "1 want a soft rosy tinge on Fostelle in this scene," he explained. "Quite right," laughed the black eyed star; "that ought to be becoming to my style1 of beauty." "And I want It to rontrast with the blve moonlight In the scsne with Mar vin," said the stage manager. "Quite right again," Miss Daisy Fos telle commented, "I'll take the center of the stage and you will order calci ums for one!" "We had better go bad: to your entrance, I think," Sherrington decid ed, "and take the whole scene over." The actors and actresses obediently resumed tho positions they h'ad occu pied when Miss Daisy Fcsleile made her first appearance In that act. The cue for her entrance was given and she came forward with a burst of artificial laughter. "That laugh was very good," Sher rington declared, "better than it was last time, but you must make it as hol low oo you can. P.omember the situa tion; your best young mnn has gone back on you and you are trying to keep a stiff upper Up but your heart is breaking all the same see?" The star repeated the laugh and it was more obviously artificial. "That's it, my dear," said tho stage manager. "Now keep it up till you cross, and then drop Into that chair there, and then you let the laugh die away into a sob." The star went back to the rustic gato by which she had entered, laughed again and came fomaid; then she crossed the stage, sank upon a seat and choked with a sob. Carpenter stepped forward and whispered Into Sherrington'5! ear, whereupon Mine Fostelle sat upright Instantly and very suspiciously asked: "What's that? I'd rather have you say it out loud than whisper it!" The young dramatist explained at once. "I was -only suggesting to Sherring ton that perhaps it would be better It that sect were turned a little so that you were not so sideways then the audience would get a full view of your faco here." "It would be a pity to deprive them of that, I'll admit," said the mollified actress, as she and the stage man ager slightly turned the rustic chair. Then she dropped into the seat and repeated her sob. Miss Marvin stepped upon the stage and remarked to space: "What a love ly evening, nnd how glorious the Bun set!" Then she stood silently watching. Miss Daisy Fostelle sobbed again, and in tones heavy-laden with tears, she said: "What have I to live for now?" Looking back at the other ac tress she remarked in her ordinary voice: "You will give me time to pick myself up here, won't you?" Then she went on In the former tear-stained ac cents: "What have I left to live for now? Myheart is broken! My heart Is broken!" Again she resumed her ev eryday tone to ask the stage mali nger: "Is that all right? Ant I far enough around now?" Thus they came to perhaps the most Important scene of the play that be tween the Stellar Attraction (as Breck ett liked to call her) and the girl Car penter was In love with. Botn actresses were well fitted to the characters they had to perform. Carpenter, who had no liking for Daisy Fostelle, was a lit tle surprised at the Judgment and skill with which she carried off the bravura passages of her part; and he was not a little charmed with the delicate force the gentle Mary Marvin revealed In the contrasting character. And so the rehearsal proceeded U- borlously, Shei rlngton directing It au tocratically, ordering certain scenes to be played more rapidly and seeing that others were taken more slowly, so that the spectators might have time to understand the situation. Now and then either Carpenter or Brackett made a suggestion or a criticism, but both yielded to Sherrington, If he was In sistent. The stage manager kept the whole company of .actors up to their work, and Imposed on them his un derstanding of that work, much as the conductor of the orchestra leads his musicians at the performance of a symphony. When the whole act had been re hearsed, and the final scene was re peated three or four times, until It ran like well-oiled clockwork, the stage was cleared so that the scenery of the third act might be set. Sherrington accompanied Miss Mar vin through the door behind the pro scenium box Into the dark auditorium. "You will play that scene very well," he said, "but you've got to have con fidence." "It is a beautiful part. Isn't It?" she responded, with enthusiasm. "I never had a part I could enjoy playing so much." Carpenter was about to leave-the stage to tell Mary what a delight It was to him to hear her speak the words he had written when his collaborator tapped him on the shoulder. As he turned Harry Brackett whispered In his ear: "Look out for the Stellar Attraction. I'm afraid she has Just dropped on Mar vin's part. If she once suspects that the little girl may get that scene away from her, she can make herself might ily disagreeable all round. I guess we had better go up and tell her Bhe is a greater actress than Charlotte Cush-man." PART III. Carpenter laughingly answered: "Take care she doesn't drop on you! It would be woise if she thought you were guying her." "There's no danger of that," Harry Brackett returned. "That Stellar At traction of ours Is a boa-constrictor for flattery there's Isn't anything she won't swallow." The two dramatic authors found Miss Daisy Fostelle standing in the wings and discussing with Dresser the per sonal peculiarities of another member of the dramatic profession. As Carpenter and Brackett came up, the actress was saying: "Why, she had the cheek actually to tell me I was more amusing off the stage than on the cat! But I got even with her. I told her I was sorry I couldn't return the compliment, for she was even less amusing on the stago than off!" The two dramatists Joined in tho laugh; and then Harry Brnckett be gan. "Is it your hated rival you are hav ing fun w th?" he asked. "Well, If she cOmes to see you in this play tomorrow, they'll have to put a waterproof carpet into the private box, for she 'will weep bitter tears of despair while she's watching you in tho second act of ours." Miss Daisy Fostelle snapped she big black eyes at him and smiled with pleasure. "Yes," she adm tted. "I don't believe she will really enjoy that scene and yet she'll have to give me a hand at the end of the act." "She'll go through the motions, per 'haps." Brackett returned, "but she wont' burst a hole in her gloves." Then he slyly nudged his collaborator. "The fact Is," began Carpenter, thus admonished, "I was Just -going to tell Harry Brackett here that maybe wo havo made a mistake in writing you a high-comedy part like this" The actress flashed a suspicious glance at h m; but he went on as if un conscious of this. "We can see now," he continued, "that you are going to play this part so well' that ou will make a great hit In it, and then tho critics will all be after you to play Lady Teazel and Ilosallnd. They'll tell that you are only wasting your talents In modern plays and that you ought to devote yourself to tho legitimate." The suspicion faded from Miss Dairy Fostelle's face and the smile of pleas ure reappeared. "That's so," Harry Brackett declar. ed. "You will make such a hit in this I part, I'm afraid, that Sheridan and .BJV-ty rPLSSbt 5 UkPK MR. FOOTIN1T : " Do you think it rude to ask a lady her age ? " " Yes. But not so rude as to try to guess it. -From Lifo. copyright, 1807, Mitohoii Miner. Shakespeare will be good enough for you next season. Now that would bo taking the bread out of our mouths!" The actress laughed easily. "I don't think you would starvs," she returned; "and I might, maybe If I took to the legitimate. Not that it would be my first attempt either, for I played Ariel In the 'Tempest' when I was a mere child. And It wasn't easy, I can tell you. Ariel's a real hard part, I think; there's a certain swing to the words, too, and you can't make up a" lino of your own If you get stuck, as I could in this piece of yours." "No." Brackett confessed solemnly, "the dialogue of 'Touch and Go' is not as rhythmic as the dialogue of the 'Tempest'." "And I've played Francois in 'Riche lieu', too," continued Miss Fostelle. "But I don't think I really llko any of those Shakespearean parts." "No," Brackett confessed again, with fearless gravity, "Francois Is not ono of Shakespeare's best parts. It wasn't worthy of you, no matter how Inex perienced you were. But Rosalind, now, as Carpenter suggests, and Be atrice " Carpenter here guessed from Dres ser's spasmodic manner that the actor was about to Intervene In the conver sation, and, not knowing what might be the result the younger of the dram atists dropped out of the group and managed to draw Dresser away with him. After they had exchanged a few words Carpenter looked into the audi torium to discover where Mary Marvin might be. He saw that she was by the side of her mother, and that Mrs. Loralne and Sherrington were still en gaged In an earnest conversation. He made a movement as If to leave Dress er, whereupon the comedian begged him for a moment's interview. "It's about that speech of mine In the third act that I want to make a sug gestion," said the actor. "It's a very good speech, too, and I think I can get three laughs out of it, easy. You know the speech, I mean the one about the three old maids: 'There were three old maids in our town, one was plain as a pike-staff, and the other was as homely as a hedge fence, and the third 'was ns ugly as sin; and whenever they all three walked out together every clock In that place stopped. Their parents had christened them Faith and Hope and Charity: but the boys always call ed them Battle and Murder and Sud den Death. Now, don't you think it would help to bring out the point more if the orchestra was to play 'Grand father's Clock' very gently Just as I say that 'every clock In the place stap- ed short?' What do you think? That's my own idea!" The dramatist said nothing for a sec ond or two, and then told the actor to consult the stage manager, who was Just returning, to begin the rehearsal of the third act. The new scene had been set swiftly and the furniture was already In place. The" first of tho actors to enter was the cadaverous and irritable Stark. He be gan glibly enough, but soon hesitated for a word, and then broke out impa tiently, regardless of tho presence of the two authors: "Oh, I can't get that line Into my head! And I don't know what It means, either! How can you expect a man to speak such rubbish?" As before, nobody paid any attention to this petulance, and the actor went on with his part without further com ment. Dresser then entered and the two men proceeded to misunderstand each other In the most elaborate fashion. The character which Stark represented had reason to' believe that the charac ter that Dresser represented was tho undo of the charcter that Daisy Fos telle represented and was also a eol dler. In like manner Dresser had rea son to believe that Stark was the lady's uncle and also a sailor. They address ed each other, therefore, In sailor talk and In soldier's talk; and the fun wax ed fast and furious. At the height of the misunderstanding Daisy Fostelle entered unexpectedly and found her self Instantly Immersed in the humor ous complication, with no possibility of plausible explanation. Once tho stage manager reminded Dresser that he had omitted a phrase, "You left out! 'Confound It, man!' " he said. "I know It," tljo actor explalned,"but I wanted to eavo It to use In my next Bpeech. It goes better there you sec If It does not." And Sherrington decided that "Con found it, man!" was more effective in the later speech, bo the transposition w'as authorized to Dresser's satisfac tion. The stage manager had this Impor tant scene of mutual misunderstanding between Stark and Dresser and Daisy Fostelle repeated twice, until every word fell glibly and every gesture seemed automatic And so the rehear sal went to the end, Sherrington apply ing the finishing touches, and seeming at last to be fairly well satisfied with the result of his labors. The final lines of, the comedy were, of course, to be delivered by th star; but when the cue was given to her, Miss Fostelle simply said "Tag!" everybody being aware that It is very unlucky to speak the last speech of a play at a rehearsal as unlucky as It Is to put up an umbrella on the stage, or to quote from "Macbeth. ' "That will do," said the stage man ager, "I think It will be all right to morrow night." And with thlat the rehearsal con cluded and the company began to dis perse. "I hope It is all right," Harry Brack ett remarked to Carpenter, "and 1 think it Is. But I shall have a great deal more confidence after tho man in the box ofllco shakes hands with mo cordially, say, next Wednesday or Thursday, and inquiries about my health. He'll know by that time whether we've got a good thing or not!" Carpenter helped Miss Marvin to put on her light cape. Then, after her mother had Joined them, they said good night to the others and left the theater together. When they came out Into the warm night the street was quieter than It had T5en when Carpenter entered the the ater. There were fewer cable cars passing the door and the trains on the elevated road In tho avenue were now Infrequent. Tho lights liad been turn ed out in front of the variety show across the way and evidently the Grand Sacred Concert was over. The moon had sunk; and before they had gone a block the bell of tho church tolled the hour of midnight. The young man who was walking by the side of Mrs. Loralne broke the silence at last, "Well," he asked: "what do you think of the play now?" "I think It is a good piece of its Kind," tho elder actress answered, "a very good piece of Its kind; and It 1j well staged; and It will be well acted too. Sherrington knows how to get his best work out of everybody. Yes, It will bo a success." "Is it good for three months here now?" tho young author asked, "and for the rest of the season on the road?" "Oh, yes, Indeed," replied Mrs. Lo ralne, "yes, Indeed. It's safe for a hundred nights here at least!" They paused at the corner to wait for a cablo car, and Sherrington Joined them. This gave Carpenter a chance to lead the daughter away from the mother half-a-dozen steps. ."I'm so glad mother thinks the play will go," tho girl began. "And mother Is ft very good Judge, too. You ought to make a lot out of it" The young dramatist felt that he had his chance at last. "I've wanted to make money mainly for one reason,"' ho returned; "I wanted to ask you to take half of It." "Half of It?" she echoed, as though sho did not understand. "Oh, well all of It," ho responded swiftly, "and me with it." "Mr. Carpenter!" she cried, and her blushes made her look even lovelier than r-efore. "Won't you marry me?" ho asked ardently. "Oh, I suppose I've got to say yes," she answered, "or else you will go down on your knees here In the moon light!" (Tho End.) NOT EXACTLY IUdHT la tho way thousands of people feel. It Is because their blood la poor. Hood's 1-larsa-parllla. the Ono True Blood Purifier, will promptly set them right. HOOD'S PILLS aro purely vegetable and do not puree, pain or gripe. All druggists. SHORT STORIES OP FAMOUS MEN. Tho correspondent of a great east ern dally newspaper narrated In a group of friends Ih Washington how a slip of tho tongue destroyed his chances of obtaining some matter ho was seeking earnestly, and Involved him In an unpleasant experience with one of the Supreme court Justices. He received a letter Instructing him to see the chief Justice and the associate Justices of the supreme court and ask each of them to contribute to tho col umns of his paper a Bhort essay on a subject pertaining to the history of tho supreme court. Ho glanced over the note of Instructions hurriedly, and when ho met Justice Field a short time later be was not certain of Its con tents. To refresh his memory he drew the letter from his pocket and began to read from It to the associate Judges tho Instructions' which had been sent to him. In tho body of the letter was this sentence: "Of course, th'o old duffers do not expect to bo paid for this work," the correspondent read hurriedly, nnd he ran right into this sentence before ho knew where he was. He stopped in the middle of it and was about to omit the remainder, when Justice Field says: "Hold on whlat Is that? Let me see that for a moment." "Oh, that's of no consequence, Judge," said the correspondent. "Just let mo look at It for a minute," said Justice Field. He glanced over tho correspondent's shoulder and read tho sentence. There was a twinkle In his eyo that showed that he appreciated the humor of tho situation, but the cor respondent said to himself: "This ends my search for essays." It did not end the search, but it might as well have ended It, for none of tho essays were ever written. Justice Field appreciates a Joke, but ho does not llko to encour age It at his own expense New York Tribune. Dr. Edward Everett Hale, the cele brated divine, preached In Washington several Sundays ago, and afterward a number of people went up to congratu late htm. Among them was a young woman, who, after shaking hands with the famous Bostonlan, said: "You don't know me, Dr. Hale, but I know you." His hands descended as If In blessing, and he said: "Ah, my dear young lady, I don't doubt that I chris tened you," and she passed on In the crowd. Some one asked Dr. Hale: "Do you know her? It Is Secretary Olney's doughter." "Oh, then It's all right," said Dr. Hale. "I christened her moth er." Baltimore News. o Since Leo XIII has filled the chair of St. Peter, he has repressed the humor ous side of his nature, which made him greatly In demand as a diner out while filling the ofllco of nuncio at Brussels. Always severe In matters of propriety, ho was deeply offended on one of these occasions by a baron who passed him a snuff box on the ltd of which was enameled a feminine figure en des habille. 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