B MnrTVfl7'Mn4? i .VtvAL'iil .' Ujl f-"---i lid BBBWS -t ns. I- i P . v L'7 10 tlllllfr I .A 10 I Whii,wi JV-. Catchy Muele and' Ckta dy, With' Charming 'julla tandaraen LiZmT Mmdr that would be enjoyable Sal la production by an amateur '2Tny. That la about as high prats rmy th nd " lyrtc' Wl tht whole framework of -a piece 7 It Wnd. Te aay that a awaleal iaaiy almett carries lteett te (wc aaa. regardleae of tfc peneaalltlM of i-" . la. m .. MaaaaaMeeBl :t players w ra,r " "" "" """""" of dilution te tm aw . 'M-rical proaucueM. . i, te Mid of "Tangerine" eaa b. in fun eneuih In the Terjr first VtA where the Alimony Club helda Ita Fissions In New Yerk'a famous Ludlow ' Brett Jail, but the fun become even nwater when the membere of clubaeek kit te escape the yoke ex women, nee 'tetbe Island of Tangerine, where every Mn Is allowed eign. w.t aw. " ttibt have te work for him ae that i, can Utb in eaM and luxury and fgnt demean himeelf by labor of any "rhere le a genuine bread comedy king .j the Island who has lived In thla Iteef blissand the New Tork wlvee, Kg their huebanda te the kingdom, KTeut te work te atone for their lamination at home. xus uwy wu S compllcatiena by spreading Sfmnn'e rights propaganda among the ffis of their sex and the" Ublee 'it'alVwunds silly, of ceurie, but then .-I'ul comedy plot would, related & 4d. T Vffi"'. ! IiS for enty of riotous fun and K , or 1ms Blap-stlck humor and lets 5?oed wns nd dances: but prlncl--telfy this particular production shines it"' ' .i .u. mm anil rhurm and W.ISrS t., iu Sanderson. Bhe has i moral haunting musical numbers, but Xr duet with Frank .Onmlt'Falr lladv." long laminar nere mrua jf ? ?..', '" ?nrds and dance orchestras, i seems doubly compelling when she sings it It "stepped the show" Inst night "J.i ;:. .,unce could .net seem te get ! t&eugh of It. . Tne principal ui iut VLB!. ., ...... the exception of one member, are tne ame who achieved such a long run for ""piece in New Yerk. That exception 1, ftank Laler,. In the part of the Island king, created by Jehn Haxiard. Laler easily proves that all misgivings bout the change were unfounded. He tires the character a new Interpretation and one that does net overlook a single tteicdy opportunity. Nixon Lea Klda Mvnn Jane and Katherlne Lee, tivenlle film stars, easily were accorded eadline honors. These children went through all kinds of funny situations, and gave the audlencenn inkling into hew pictures are made. The final scene .was full of pathos, and showed the children could bring tears, as well as ii.a tn tin, faces of their listeners. Bill Chase and Charlette La Tour te . btt entitixi "Around the Cerner'-'. P la J ttmmmjt 'ini. ..ir wu. m. bkiacuu uuui . n.L. ...A. . . .MUM.fArrf iik.. .-.---" -jjtMii'l ffiKhfficendKd Simmons, cnuiucicr wwum -..h Five Avalens. deuble-wlreiwalkera, also irti. Th Scotch Iluhlanuers irem "ThevBunch and JudyT' new at the Qirrick, were u special birthday an alversary attraction. ' . Glebe "The 8lrena" Thr'ii semething: entertaining: for 11 I the show of which "The iHirens," a musical tahlled, is the head line feature, jay kuwoeu ana utay Hill have prominent re.es and have a urge share in making this miniature production n success. The act is lavishly staged. Many new ideas are brought out in "Miss Cupid,", a musical farce. which is punctuated wun timely pnuos pnues ephy. Ethel McDonough and company In ''Milady's Busy Day" kept laughs In motion. Geed nctx were also pre mmm by ifnrbara ureiiB ami company ; L Cliften and De Rex, Raymond and Lee I He, comedy ami hengs; Tellaac and IDcnn, in a little of everything. Allegheny Review Quality throughout tells the story t the bill, which runs with considerable (nip. There's a whole show in "The Meledv Itcview."' a tabloid in which rile girls and witty comedians mingle With cenerallv eoed results. The tnualc sounds as though it might be just fresh from Broadway. "Cellmates,'' a com- for piayiet, shows bow pleasant lite may be in jai'. The bill also includes Clark and O'Neill, in comedy and songs; Four Hinging Miners and Rese widen and Brether In gymnastic thrills. Georae Arllss. in "The Man Vihn PlnreH Cln A tu 1.. Aim n,nn. Ueni , , .. v -.. Walten Reef "Maaon-Dlxen" Melodies which linunf lie m.tnnra ami carry with them an atmosphere of tne Southland were dispensed by the AUMnDlxen "Seven," which, despite Its name, consists of an aggregation of one dozen talented musicians. They can Play nnythinar under the sun nnd seemed te he much at home with ene instru- HiCnt IW another. Thev vavn n hrnnH. Jew program in which many Hrendway hits are included. They landed a solid fit. Anether big feature of the program IS the WllHn U'n,. rr.ln n.lilnl. !.. M Jured n number of novelties In cennee. "u" n n varied program, or msa Travesties it Dument'e DUninilt'a -Tn 1ni,f1i.niA..Alln kvestli's feature this week's program -rr uv i,mmett welch nnd his mm Pemilnr Tln.i'iil,." ..,.1 en.... ... ..... Most Clmrmlng Yeung Weman" and ney nre combined In n clever nnd enginal wny. The program also con ?'P" ,A,Pes;lnl, the magician; Kelley nd Thompson, In a comedy; "Belling lAtH and Amerlca'H Pnmerfv Four in engs and fun. Kmractt Welch sings some new ballads. ' . Alhambra Revue . Harry Remm and his revue feature re this week. It gees big with pretty firis ami snnppy (Imcs. Tuesday and Wednemlny Owen" Moere stars in the SI feature, "Leve Is an Awful Thing." Ben Smith la en hand with me fun,,y j,0Mgl, end PjW ,no et ZZi :, "araner ana itevere have some vfl'l bIts. of nonsense dialogue, and .hv Trl thrill with an acrobatic umber. The bill changes Thursday. Keystone Variety ivavanaugh and Everett please with girls and catchy melodies In their rlhe Ueauinent Ulsters and com y make n hit wl1i Ihihiamm .lln LWed ggue and song, Olivette Haynes und ZKJL 11 n.nnnd with n rollick comedy skit wlfii n. ,wit in i. ,V" 'jmere geed ceniedy with Frank wry nu eiae Keating, Miacauua cempanjr have a thrilling wire act, there la a feed Aim serial. "In the ,k 5!50 B,,, Thla la the tn'testettawit. . - . V .f,P'- "leespm,.:Ttm,"' with v S! 'arej 'sreel ftturlnBTjvSMi nw. '. i. i 7rr-:v..Tf"" - PLAY WITH MUSIC SCORES REAL HIT "Geed Morning, Daarla,' Qlvn Mera Than Cordial Qratt- Ing at Ferraat, Ferrest The' man who aald Phila delphia audiences were apathetic alunk away from the Ferreat Theatre shortly before midnight with the echoes of the last resounding applause that greeted "Geed Morning, Uearie" stlll'ringlng In hi ears. And probably no persons were mere genuinely glad that the per fermance was ever than the performers themselves. Because from'the first time that Louise Greedy and Harlan Dixen added their agile stepping te a tuneful melody until Miss Greedy sang the last note of the score encores were asked net only that, demanded. In one or two words Philadelphia at leaat one audience seemed te have found Just what it wanted. In "Geed 'Morning, Dearie" Anne Caldwell and Jereme Kern did some thing they did net de In "The Bunch and Judy" they made a play Inte a musical comedy. The play Itself hangs by alight fabric, but still the fabric is there, and Miss Greedy, Mr. Dixen and their assistants act what thev have te act as though It mattered and the music waa only "incidental. And the whole was se well blended that one never seemed te knew exactly whether he was seeing an honesttegooaness piay or a muaical comedy. The theme Is a sort of "tenement and Fifth avenue" affair, such as -"Irene" made popular, but It Is net an old tune overplayed. The little girl of the tene ments, Miss Greedy. is the "sweetie" of a young creek (Mr. Dixen), 'but the son of a wealthy family sees the girl and falls in love. , All this starts off things. There Is a meeting again in a dance hall, when the aristocrat knocks out the tough In as realistic a rough and-tumble battle as has been staged outside the movies. It was a thrill the audience rose te with a whoop. Then fellows n house party, when the young creek is foiled in an attempted robbery by a comedy detective, and everything apparently ends happily. In "Geed Morning, Dearie,'' It is net se much what,they de as hew they de it. Miss Greedy, hardly beniitiful, but certainly attractive, is a geed com panion stepper for Mr. Dixen, "who actually carries off the stellar honors. Oscar Shaw, a dentifrice tenor, who eutsmlles even Cecil Lean, in the num ber of teeth ehews, also makes up in his acting for what he lacks in voice. Ada Lewis, mero matronly than of yore, but still the Ads of the reeefr.nuipand . resonant voice, ana wiuiani-jent, m YYiiiH.re; Kent, a the Besides these and net least by any means is, a large and fair-te-gaze-upon chorus that Is given frequent op portunities. Mr. Dillingham has provided one et his usual careful productions, and Ed ward Reyce who also, by the way, staged "The Bunch and Judy" does wonders with the material accorded hlra. "Geed Morning, Dearie," has all the makings of a real Philadelphia sucecss, wbich'-in this season means mucn. NORA BAYES SCORES IN, NEW SONG HITS Character Singer Heads Un usually Geed Shubert Unit Shew Chestnut Street Opera Heuse Nem Bayes Is back again! That's the only word her thousands of Philadelphia ad mirers need, and they crowd te bear her characteristic songs sung in her characteristic way. Miss Bayes, of course, has te sing some of her old successes because the audience usually Isn't satisfied until she does, one scores a nit witn several of the "old ones," and she has added en a few brand-new numbers which are typical Bayes songs. Dudley Wil kinson Is at the piano In Miss Bayes' act. The surrounding bill is exceptionally Interesting. Anna Prepp and Geerge Stene provide some fancy dancing in "The Opening Act." This Is followed by James B. Carsen and company in their presentation, "The Music Pub lishers," n entire en the exploitation of popular songs. Matty White nnd Mor Mer Mor eon Beck have several melodic numbers sung In an Individual and highly humor ous manner, while Bert Walten exposes the wiles of women in two episodes of "You'll de the same thing te sbme one else." Fast stepping, clever Imitations and an eriglnnl conception of what two esthetic dancers would de in n prize ring, make up a particularly geed num ber by Geerge Llbby and Ida May Sparrow. The latter gives remarkable imitations of Marilyn Miller nnd Pav Pav Iewa, while Mr. Llbby is equally apt as Geerge M. Cehan and Leen Errel. The latter part of the show Is a musical revue, "Town Talk," with .lames B.Carsen end Chester ("Rube") Nelsen In the leading parts. Through nut the five scenes there Is much friv olity. The chorus Is nbeve the aver age and provides a suitable background. Cresa Kaya "Dixie Land" A mimlcnl nfferlntr. "Dixieland te Broadway," features this weeV' pre- gram, wplcn was wen reccivea ey yes terday's audiences, Arthur Alexander takea the leading part In the playlet and was eh pleasing as en former appear ances In this city. Jack Walsh and company also present a musical playlet. Other numbers en the program include McKenna. Banks and company, in com edy, singing and dancing, and Kraft'a Harmonists, four pretty girls, in a mu sical number Trocadero's New Shew Trocadero "The High-Life Girls," a two-act musical burlesque, opened last night and was well received by an enthusiastic beuse, La Belle Helena, whose dance acts have alwaya proved very popular here, presented a new terpilcherean number which had the advantage of elaborate staging and cos tuming. The big cast included Harry Meyers, La Belle Paula, Maria Crlsple, Beb Grlfln, Temmy BWdans and Terry, the piper tajaeaft, reels aaddaaees. tesaEMEj iXit ti - HAS '' flOm OF PATHOS Hghry, Mllltr ihi Ruth Chattar Chattar .ten ttar In Dramk Frem Franeh ' Philadelphia has had ae fe'w . se pitifully few real dramas this tea bob that It 111 behooves her te be overly critical, and, after all, "La Teadreaaa" la a play that la alwaya theatrically ef fective and has a real literary Haver. La BaUllle, who wrote It, haa tot lowed 'well-worn and accepted tinea. Then, tee, they are lines of Continental thought "aad practice. Audiences .ever here eaa only regard it In an imper senal way and In a far-away and de tached, frame .of mind. , It's one of these nlavs about an un faithful mistress. Moreover, the .man' in the case is one of these agMt.and retro Intend pathetic. en the rldieuleua. In '"La Taiidrei he has his suspicions aroused and aeta a trap ter t&e lady in question by in vltlng the two men of whom he Is sus picious te his home and stationing two shorthand experts behind a curtain. The young woman flouts both the sua pects, but is then rash, enough te 'admit her love te another mle visitor,, where upon the middle-aged nretectpr- con fronts her with her guilt and Tells her (net once, but.atany, many ttmea) te begene.v In tbe.fnal act-avhich takes place two years later he Is inclined te moreseneas and colds In the head aad te thinking romantically about his lest lady. Hence when she comes back for what is supposed te be a purely busi ness 'reason he first attempts te make her feel as badly aa possible! and then offers her a sort of refuge for life, the basis of which, he tells her,' is net te be their old kind of love, but a sort of "tenderness." We have said that these middle-aged levers are Inclined te be ridiculous. This one certainly would have "been without the tempered, and finely poised skill of Henry Miller. Te be sure, his acting in the "begone-frem-me-door" scene of the second act 'belonged te a school net seen much any mere ea our stage, but it is finely effective in a large and wholesome way. and Inte bis auieter scenes Mr. Miller nut a depth of feeling that lifted them far above the general standard of the rather tawdry nlay. Here attain, as in "Mollere' he was the deceived male. but here was none of the nobility or poetry that was present In the Mellcr drama. Only Miller was there te give it dignity and solidity. We think we are safe In raying that Ruth Chatterton has never risen te such emotional heights, but having- said that, we must admit that she couldn't, even then, rise high enough te keep her head above the flood of familiar emotional emetional emotienal isms which Batallle 'put in' that big scene. Here she broke from part new nnd then, with glimpses of Barrie and "Mary Rese" new, and again, perhaps, even a suggestion of the eaccbarinlty et "Moonlight and Honeysuckle." We felt sorry for Mlsn Chatterton; she did se well with the rest of the play, but we missed, the genuine pathos of that island scene from "Mary Rese," and we think perhaps she did, tee. The supporting cast," particularly H. Coeper-Cllffe and Tem Nesbltt (shorn of the part he had with Miss Chatterton before) were acceptable. The staging was of the popular French domestic-drama variety plenty of gilt and many plush chnirs. j.1111., .. .. J1 .". LATENDRFSSP pecuve tsurepeaa creations wne it!T" r . 7 .'..."" ""."I.. led te'b. wkell wistful and MgrMrtafi It Is all sound, both from but at timet actually vertea tfca tecwilcn. and from the interpre- bkILm aallft bbbiiV a4" LLm BaaiiW bbbW bbHHH BxbYbbiiiiA bbH bbHHIH bHHH fMf MS 'H iL II LgjV bxbiiHbibbiiiiI bbiiiiiiiI1ibbiiI Lbiiiiiik LiiiiiiK txeLiiimaBiiiiiil BW SBBBBB OsxIibNs? J CI V3-Mfr Ei.X,7 J ,.v Terael VkhnW one of tU -beet of tka .Manaer aetnratlM ef 'FklfcM- pate's pianists' aad who has f reauently appeared publicly1 aa a yeuihf el prodigy, gave a recitai,m tne Feyer ectae Aaadesay of Muate last eVealag before large audience. '"Mr. Vteaala'apria- elpal number waa the great fantasia li O BMjer of achaauna, a work tukTag very considerable mental and technical demands upea the performer, bat the young pianist had apparently uttie trouble with its diacuities, The Chepin group, without which ae fjUae recltaf appears te 'be complete, .wag composed, of the Berceuse, the scherte, in C-sharp miner, the F-akarp aecturne and the Pelenaise' la A-flat. Tat last group "was Debussy's "Dr, Oradus ad Parnaieum". and epilogue Of Komgeld "Sennetto 104 del Pe trarcav andthe gnemenrelgen of Llsat ana the Valse Caprice of Rubinstein. This Is a program, which requires, a decided variety of technical and etae tleaakequlpment and the brilliancy of the whole performance sneaks' well for .tne manner in wmen tnis premising There la youth, has been trained. ' roadway "Nearly Married" "Nfarly Married," n musical-farce comedy, heads this week's bill, which la replete with laughter. Fred Llghtner uu cu-jmui appear in las prouuciien, and dellfhteil audiences at the oeenlna performances yesterday. Other numbers en the program Include Sascha Platev ana pataue, tameus dancers, in a novel terpneherean act .which waa well re ceived, , and McLellan and Sarah in "Bits of Everything." The moving picture feature for this week is "The Man Who Played Ged," featuring Geerge Arllss, the famous actor, in the leading role. Fay'e J'ln 122" There's' a wealth of surprise in the tabloid "Vaudeville n la 1022," which heads an excellent bill. The fads arid follies of .the year, with a little leek at the' future., are given a number of scenes In which clever comedians and pretty girls frolic In entertaining fashion.' Bertram and Delly laughs in comedy, the 'Robinson Four tell the latest in, harmony, and Worsley and HUller, comedians, show some Inside stuff in the way of getting real laughs. The bill also Included Rhodes, Kelly and Reynolds, and the Kremka Broth Breth ers, gymnasts. '.'My Wild Irish Rese',' is the photoplay attraction, William PennRevlew "The Timely Review." a musical ed dity, featuring Leu Browne, is the headline attraction at this popular playhouse this week, dividing honors with-Te te, the famous clown, and his company in' a big' net. Jehn Alexander and Bill .Fields, tramp comedians, and Beb Knapp1 and Chris Cernelia, come dians, acrobats and singers, round out the bill,, which was pronounced excel lent by audiences at the enening per fermances, judging by the amount of applause.' The moving-picture feature is a Znne Grey story, "Gelden Dreams," with Claire Adams In the leadln- role. Blman III, Defera Concert Here BecaueeA et the illness of Mtscha Elmnn,the violinist, a concert te be alverTbv him at the Academr of Music Thursday night has been postponed. He will play here later;. In ihe, season. Mr. Blman became HI in Bosten nnd his physicians advised "that he cancel all cngdgements for this week. JV lil-MJ 1lt-J, f. MjhU. ... k..t.t.M AM f1.M AKJ..C m" tttlva eaa. rl . After Every Meal S' GHMMHMMMmmnmwmmuuuHmtX A five cent package a beneficial treat for It gives delight Your stomach Wrigley's of flavor in ETOM-aSMlHaMHmraaHsBiMHsHF Mm,. i',mtigdmlH. .,rff-M.M -4 NORMA TALMADGE IS .SEEN AT RADIANT BEST ttar Shows Seraan'i Finest Art In ."Cterntl Flame" at Stanley , Stanley After a wearisome preces sien of pretty puppets, vivacious dells and falsely Inflated stars, shown week after week In pictures that ri.Ight be worthy if worthily acted. It Is mere than a pleasure rather aay a heartfelt delight te greet once mere a real screen aristocrat. Nerma Talmadge. who has struggled onward and upward through the vicis situdes of paltry pictures, feeble me chanical technique nnd unobservant producers,, has, some time since, reached the top rung of the screen ladder, but she shows no Indication of slipping or of taking tee much for granted her elevation. As Madame La Duchess de Langeats. Balinc's heroine In "The Eternal Flame." she nuts te ahnir.e the average film star. Here is n finished product, mere rarely beniitiful' than In w er schoolgirl dnva of nctlne maids and extras, new perfectly noised, and. un dcnlably, the most perfect mistress of real emotion that the pictures pessew. "The Eternal Flame" (except for Its tltle) Is surely one of the year's finest pictures. If it becomes a wee bit hysterical at the end (because Its makers did net quite dare te retain the unhappy Balzac -ending), that ran be forgiven because of the sane, dignified and extremely Imaginative way the fea ture Is presented. It Is a story of France, In the reign of Leuis XVIII, and Its principal char acter ia the, aforesaid Duchess, who, disillusioned in her first marriage, be comes an incorrigible flirt and breaker of hearts. Among her conquests Is n Certain General Mnntrlvnnu la f-tMiH of Napeleon's), but thla very serious All mi iniciiKB gentleman taKcs her Oippnnt treatment much te heart, end finally, believing her entirely Insincere, which she is net, kidnnpn her nnd threatens te put a brand upon her lovely face. Ifer entreaties dissuade him, but when he leaves her she realizes for the first tlme JuRt hew much she cares. Letter after letter (twenty-two In all) she sends him and waits, bedecked in her finery, for his arrival, but he never comes. Bhe gives him one final chance and then dlsnpnenre te nn old Spanish nunnery en a Mediterranean Isle. .Toe late he repents his hardness, and It is only after months of searching and hours of entreaty thst he can persuade her te return te the world with him. .Frank Lloyd's superb direction must be taken into account In a summary of this picture's high points. France of a hundred years age has been recreated with beautiful effect ; cobbletsene streets with swaying coaches, ballrooms in which hundreds tread the stately minuet, and Inns with huge hams roasting before the fireplace all these are given us In splendid detail. ' Clese beside Miss Talmadge in dra matic effect is Conway Tearle as the General; this is easily his finest screen effort. It Is net te be uendcred at since he had the inspiration of the star before Kim. There is a Mib-title in- "The Eternal Flame" containing a beautiful and well-known line, "Te lese a friend is te die n little." We can only offer an inenectuai pnnapnrase ana say, ' Te keep a true and dear friend u pentine screen like Miss Talmadge is te live a little longer." . ' i Stanten A great wonderment and a host of thrills will likely be inspired in most of these who 'see the latest film GLEJ efcauu IhiHlIBbI lal amsVsaIBWBHuwlr' iiswninaunsrm Sm WSikMsSbSBX arm m vaaaaaaaaaam -aaam - aaaaaaaar-am aa -amxanam- nar ill AMZmBBM A vjaaj BZaaasri.auaaaF'- bbss .r m ma -a- .sa iv -ar-a m -a - s.fa-a-anrmszf si ram aaaaaaaaaaraaaaaaaaaaaw'- U 'gjaaBaaa-' and will comes te you clean, wholesome its waxed wrapped package Photoplay EUetekn . ALDttfB "The Broadway ' fteat," latest Mae Murray feature. , . KAKLTONr-"Skin Deep," story of a criminal, with Milten Bills. M PAZiACK "The Prisoner et Zenda," Antheny Hepe's romance, directed by Res Ingram. CAPITOL "Under Twe FtagsV Oulda's romance of the desert, with Prlsell In, Dean. OKBAT NORTHSRlf "The Mas querader," with euy Bates Pest. MAKKBST BTRBBT "Manslaugh ter," with Themas Melghan. ,.. IUPM1UAL "Human HearU," with HeusePeters. COLONIAL "Pink Oefe," with BMbe Daniels. .. .. . LOCVMT "Human Hearta," Hal Held's bucolic Buceess, with Heuse tTJXONB AMBAB8AD0K"Humn Hearta" with Heuse Peters BSLUOST "On the High JBeae." Mm story, with Dorethy Dalten and Jack Helt. niVOLI "Moonshine Valtey," with William Fernum. , COLIBKUM "Uurntng Bands," with Wnd Hawley. CBDAR "Moonshine Valley," with William Fnrnum. JUttBO "The Storm." with Heuse Peters. STRAND "Pink Gods," with Bebe Daniels. SIXTY-NINTH BTRBBT "The Face In the Feg," with Lionel Bar . rymere. LBADBtt "Burning Sands," with Wanda Hawley. spectacle, "Nere," but net once, will they be transported back te the old Reman days nnd made te feel that the characters ere flesh-and-bleed people. That, .perhaps, bet describes the dif ference between the delicate, needle like art of Krnest Lubitsch and the heavy-handed, opulent efforts of American producer i and directors. However, If you're nht tee nnxteus te have reality in your historical films. you'll get all kinds of enjoyment out of "Nere." As tn "Theodora," you'll b 'confronted with mammoth nlllars. towering temples and streets filled with seemingly end Kingly endless streams of humanity, A thread of story ihread of story U introduced into the history and, nltheugh it resembles "oue vntlis" in a striking manner, that fact does net hurt it. The perse- ontlens of the enrlv Christian!). In eluding their terror-stricken moments in the arena v,ith the ferocious liens, provide lively action in the extreme. The real "kick" comes, though, with the far-famed burning of the city, which gives Director J. Gorden IM wards nil kinds of opportunities for stupendous settings and mob effects. The authenticity et rertnlri nwnea will be forgiven In the gorgeousness of it an. ' The cast, with one exception, Is for eign, i Jacques Oretillnt, a Continental star, plays the title role, and it is net his fault that the character abides by tradition rather thnn sober history. The Amerlcnn is Violet Mcrscreau, who plays Marcin, the heroine In the in terpolated love affair. The rent of the characters enter well into the spirit of this exciting spectacle. Victeria A picture that Is much out of the ordinary and which in concep tion is far above the average and in execution, though net se geed, still nraisewerthv. Is "Hhndewx." which i an adaptation of Wilbur Daniel Steele's cast ashore in n little New England fishing .village and sets up there, de- spiteTiestlllty and nbuse, a small iaunV ,i m..v n.iar.,.1 .b.., i. one of his greatest achievements, worthy "The Miracle Man." He ia nlmta the Inscrutable, mystic, observant one, the Emin'" ' ' mysterious or fancy trimmings In de- Its most remarkable feature is the ldtSm,d'lnn .Tuneful' TnM- characterization by Len Chaney of Yen ""JL", JJ S i KL. ,T.m, ., ,J n,i ai. e.k- -v .i... I, -.li i ...l. , HDrlnkle geed comedy with music nnd eui. iui uvjuiui'ii. n viiiue-3 nuu in HRnmi Ww of Wrigley's the whole keeps teeth thank you. Interesting aad4 arresting fgare Back' t the atery. ' , , a young clergyman who has married hthe widow of a fisherman, lest at sea. A jealous aad hypocritical -piuar et the church" writes letters. .supposedly from the fisherman husband and claim-Ins- he la still alive, but this blackmail- lag scheme is exposed by the "Chink" and the, latter, before hie strange self destruction, accepts Christianity. Harrison Ferd Is a sincere, and potent figure as Maiden, the young clergyman, and Marguerite De I a Mette is Hym pathy Globs,'' the heroine. Jehn Main- Soils is the villain and Wnlter Leng the Sherman husband. The direction was In the capable hands of Tem Formen, one of the most premising of the younger wlelders of the megaphone. Except for a very slight excess feet- ace and a mistaken "clinch" as a final shot, this picture is something that all discerning lilm ions should see. But, v.ny, eh why, the changed title I Arcadia Alice' Brady appears In "Anna Ascends" In the role of a pretty Italian immigrant .who rises up the so cial ladder, becomes a writer, gets In volved in n jewel -smuggling robbery, and finally finds ".the real Jove" In the nersen of nn American newsnnnerman. fit Is nil far-fetched but entertaining, and Miss urndye portrayal neips uu it out of the rut of utter mediocrity. David Powell has a villainous role for n change and does it well. Of course, Nlta Naldl is an adventuress and a fascinating one. Rebert Ellis Is the rather tepid here, and there are mnny ethers of note in the long cast. The settings are mere than ordinarily attractive 'and varied. ' Regent "The Deuce of spades" is a combination melodrama -comedy, with Charles Ray featured. It is unfnrtun nate, but true, that the former element dominates. It concerns n young chap who acquires, through strange means, a restaurant in a small Western town, and a pretty waitress in that restau rant. Of course, there la n "bad man" In it for geed measure. Ray is clever and hia cast geed, but the plot is rather futile. ""ON TONS" AT CASINO Casine A snavpy, fast-moving show is that presented In Jacobs nnd Jereme's "Ben Tens." which opened last night. This wnB distinctly net a case of tee many cooks spoiling the broth, for everybody who had anything te de with the "Ben Tens" succeeded ad mirably. Abe Lenvltt's book is clever and often original. Helly l lelds staged the attractive dance numbers, nnd J. Seymour, Miller nnd Knhn nrranged the music. There were two nets and twelve scenes, nnd the cast which ca vorted threug'u the mixture of song nnd comedy included Jehn Barry, Beb Stratzman, Gertude Beck, Leu Barry, Jean DeLIsle, Dave Kindlcr and the Frasler Trie, vocalists. Nixon's Grand "The Fakera" These who doubt that human minds may be rend should Mop here this week and listen te the feats of Hnrry and Erania Viharreck. Itemnrkiible feats In this Tine nre just n side at traction In their well-staged skit called "The Fair Ground Fakers." Incidentally, the Shnrrecks use no snrlnkle go " J?Slt.f" eil" "".., JK ni"rn,w Geerge F. Meprc, the musical comedy jLt"r:eff"B A ,,tt,e of Th,?T.,ir,d That" nnd wen solid nnnrevnl. WUIIe .r t. . - ., .. . and Jee Hale. Frezer and his High- n comedy surerise. round out un excel- lent bill. affords family. white. and full Save the wrappers W LLull JflmQ IN VAUI Heads Prearram of Jellrtv :i Comedy at Kefth'a 4Jj Theatre i WTi Keith's Elsie Jnnls, the Inoempaf rf? Innllty, is the star of the bill at Kelts? this week. Elsie said in a dainty little, curtain speech, after being recalled fel iffi encore niter encore, tnat sne was reaiiy un n uttie nit nonren. rnr iu waa mm mm v.ivj hew her return te vaudeville after, years would take. It took. It took because she was Elsie, and without the necessity elaborate preparation and scenery eke alone can vut across an 'act that is ea tiring te her observers as long aa eke will remain before the lights. Going back te her wrvlce In France, When she cheered the boys of the allied armies, she repeated her "Happiness and Cheer Bringer" of the dark day) "Over There" by singing "Give Me til Moen, Dear," as it seemed te her char ncters of various nationalities would have Interpreted It. A comb end different arrangement el her hair wan all the make-up sh needed in order te portray the charac ters, and each one get ever with force ful elenrness. Curtain call after cur tain call resulted, se she thanked the audience as "Fanny Brlce" would thank them. Still the house was net satisfied, se Elsie thanked them In tht sweet and normal voice of Elsie Janla, It Is n laughable nnd clean UU nl Keith's this week. Captain H. C. Mr Intyre nne company perform some verj clever target nnd fancy sheeting with a 22 -caliber rifle. A comedy pantenJmg by the Brlants brings laugh after laugh. Chnrlcs Harrison nnd Sylvia DakM with Billy Hogue in "The Three el Un" have conceived a novel and inter esting musical number. Married life at its worst Is portrayed in n humorous manner by Julln Nash and C. II. O'Donnell In the latter't comedy, "Almest Single," while Powers nnd Wallace give some geed singing nnd dancing. Fer unadulterated nonsence that brings n constant rear el In ugbter Rockwell nnd Fex succeeded. The program closed with one of tb most clever wire-walking and dancing by the elevens, who, with a scenU compliment, Introduced new ideas In tight-repe btunts. MAE DE8MOND-3 PLAY Desmond Adventure and love are mingled In "The Story of the Rosary," which is being presented by Mne Dee men nnd her t-toek favorites this week. It concerns the abiding love of a girl who gives her sweetheart a rosary en the occasion of their parting nnd tell! of the part this rosary plays In- their later lives. Miss Desmond has a highly cmotlennl role, which she playa with discretion nnd abllltv. In her support, ing cast are Frank Fielder, Louise San ford, De Ferrest Dawley, Sumner Nichols, Rita Davis, Bettv Garde, Jehn W. Lett and Bcrnlce Callahan. Orpheum Mrs. Gene Hughes Mrs. Gene Hughes heads the bill with n novel comedy playlet full of laughs for everybody. Wilbur P. Sweatman and his syncopated five offer new jasl numbers, and Latham and Lee please with a novelty surprise act ' called "What De Yeu Mean?" Barret and Cuneen offer n geed sentimental sketch, "Grey and Old Rese," and Mae Fran cis sings some pretty songs. The film is the old but ver new melodrama, uure iw ajv i-uiuu xiinn ecurneQ. i .- ' C125 Geed for valuable premiums Yh. . ., . ., .. .. . -.-- -y. mi w SB Yjir :&Wi A-i m .TKI ijSs SC$ MM " Jil tfm m . MAtJU1;.- AAuih.mm.xxMihh2&, . X 4h M A r tij -t jIL. 1 . . . i".' LSTeitfe.feV&WgjilfiW l l?'-fte Vrf, M iiiv .,. jiMwmmmmm - . . ' --.aw n T iiiiniifiirifrfir- -Tf vtir ?. .jy ! i .'!. .!. I IT I I" -t.THi nni 1 li . (..V ., I i I III MitMi I isJataWMi nm,w,L .-.ism m aaSaBBwiiL)iii
Significant historical Pennsylvania newspapers