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EVENING PUBLIC LEDGErv-PHlLADELPHIA, FRIDAY, NOVEMBER 11, 1921-
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CLOSE-UPS of the
ll IIKNKY
What a Merc Village
IP YOU aic writing a llirllliuj: sppniirie anil fi rl t tint it vvmilil be w-rv ilnunn n
te have n villnse tl"tre.rd. but lii'sitnie t put that in tin1 M-ripl fur fi-iir nT
the expense, you can step nerrjitis rislit new ami writ- your i'iiu'ii' e w'h an
caty mind.
Fer u mere village doesn't nie.m .1 thing te the iniivir pmple am m"V - net
thing. Hurry Millnrde has ju--t built one and ilelibnrutely ili'irnvi il n rv
flood ever beyond Pert I.ee in New .U'n-e.v.
I (nw one of the item's in the order that went into the l'n iiiiIie's mrpent r
hop for tlie uenxtrurtiun of till" town. One item wa for l.'.il full - -ieil window.
Figure It out at five or six window te the front of eaen lnu-e and J 011 inn get
tome idea of tie size of the village they built.
And then they turned loee the waters and iletrejid 11 liv an iiniliing
flood, while the lightning 1 inev ic brand 1 tin-died and the howling winds (ditto
movie brand) tore the leaves jnd small branches from the trees igrnuitic artiil'si.
It didn't matter te them that there are no great iliu"- te hurst ncr he.end '
Fert l.ee. The script called for .1 dam, and thej didn't can- a iwhnt the seript
called for), they just had te hue it. s(( they did.
They built half a dozen huge tanks and re-emiirs and ran Iiih,p Irem
tliem and built the town and filled the tanks and reserxeirs with water ami then '
one blaek, shhery cold night, while n let f us looked 011 and wished we wne,
emcvvlicre (or had something) warm, the started the cranks, of the cameras.
let loose their artificial storm and opened the gates te let the waters into the
kiices. '
And what the onrushing stream did te these movie houses was eiictl thu
thing that was pictured In the mind of the chap who wrote the scenario.
. . . . .... . .1 t . . r .1 -...I I.,.,n '
J tic rain poured new 11 in torrents lrum uie mumiui mr s,,,,,..,,,. ,.,,. .1.,.. -. ,
the tornado howled like mad from the whirling propellers of a battery of wingless 1
xlrnlnnes nml the liffhtnine llusheil vhiill.v
sunlight arc lamps. ,
y
Of sir, the meiica have pet te the
consider old Dame aturc viru
it beautiful sunlit garden, cvtn though the blm I; rlnudit be lowering ecri -head,
and we tun stage a terrifying typhoon though the moon be flooding
the earth with silver and the stars be nlittinny in n iJii'I;Imi slni
ion write what you want into your .scn'it they'll put it en for you.
A XI) thev hnie n verv ilever way of
this. tee. 1 de net kneii that they are going te de it in tlii- particular
instance, but ordinarily the procedure would he like this:
They would build their set outdoors and stage their storm nnd their Heed.
Hut, of course, the could hardly produce artificially en full scale a Heed that
would reach up te third-story windows and rage down through a willei and down
a street like Niagara Palls. It has been done in the West, but it's the exception
Per ordinary purposes wc would build in the studio an exact immature repro
duction of the villuge. with its trees, houses and adjoining hillsides.
We would set up our camera close
lcw would exactly match the angle of view of the camera in the actual outdoor
xillage. In this ,ij, you mp. the photographs taken outdoors miiiI in the "tmlie
xieiHd exactly match
We would also t-pt up cameras at
bout this miniature xillage. in each use
, , , . ,
Clese te it-that the photographic Units--
Then we would arrange the studio
.....i 1 n...i,r.. n .... u,, oleetrle
. , , . , . ,
that in which we had our battery of airplane prepell. rs outdoor-.
With everything ready the whole miniature being in a lank of ceur-e -
MC weuhl turn en the water anil start our
W ith geed pressure from the city water mains, w.. would gel a -wirling.
ragiliK. cicr-meunting torrent of waler pouring into the lillage It would gind
ually cover the i-trccl. the front steps, ruili into the first llnei windows, mpple
down 11 house here and there ami swirl
ennl.l ...... mil il. linn, 1 hml i-eiicliei
Then, later, in the cutting room we
taken outdoors. and tin one taken In the studio
Plrst we would use a let of the outdoor shift liec.iuse it weild haie people
in it, We would confine eurbehef te this until it befan te leach an exciting
pumt.
Then we would deliberately nit in n bit of llie studio lilin. showing the
waters rushing madly up te the first-fleer
here and ih'-re of this bits taken from
tareful net te have, any of them long enough le reieal the fact that it was a
miniature set.
These short bits changing iUiekly from one location te anelhi r, keep the
fcpeetater's excitement keyed se high that he doesn't have time nor attention te
give le detail.'!. It all seems a continuation of tlie scenes he saw with human
beings in them.
After a tew Hashes of tips studio stuff we mt in meie of the otildeor stud
With characters in It, getting the action
nnd hlgner.
80 we shift from outdoor te indoor scenes and build up a tremendous climax,
ending In Hashes of the end of the Indoor shots showing tlie walirs madly vortex vertex
Itig about the third-story xiindeww, with debris swirling about ami buildings
mvept ilvvay in such a Heed as no bunion being could possibly live through.
1 Itut our here and heroine imibt live through this one. Se we go out te
ionic fairly swift stream, have them swim down in front of the cameras, with the
Heroine neiniess ami ine nere hvitiiiuuik
. . .... 1 ...! 1....
S Insert Hashes of this among the ether
Iilghly keyed up In Ms excitement, vveuiti almost swear 111111 11 an ioek place
during that Heed that he saw beginning
fil.SK'! Aef at all. 7 hut's geed, hem human psychology. I In
object of the director i te give you the impression that Ihe hcie
and Ji'et-aincmanaged te live through a terrible flood that destroyed theii
rlWiuiL wWtJwtf, That's art,
n IS. f' 7
cCie Daily Mevie Magazine
.1 VILLAGE WAS BUILT AND FLOODED FOR A FILM
MO VIE GAME
M. NKKI-
Among Mevie People?
fieni the len-e of a couple et great m
stage nun unc u c dun I Imir hi
much. He run maAe a sniuiiu'c 111
increasing the illusion in such a euu
te this miniature, se that the angli "I I
in laneus locutions
inrieiis corners am,
placing them at such u disitiiice --e
1 1 i 1 (,,..i k.,
would leek nattnal Mr.
lights te correspond te Ihe light- -sed
fni, lii n twi.itieii leliitiielv the simie ns.leeks. and two. I believe, uen in hole I
cameras
and our storm
its shattered debus abeut: nnd mi it
ns-lilcli iis we wanted it
would mat" h up the I110 lilin. the one
windows. W'e would use mill a Hash
different location. Hut we would i,(.
faster and faster
the excitement higher
m-r mm iiiiiikiiik mi 111 snore, ami xie
1. ..... I. i.. ..!.... 1 .. . .. ... .
stuff in such a way that the spectator,
in the outdoor sei
V Tyy rx, t,; ,,.. t (HI 1 1 tm i .. 7TTW77 W'W f.VMZ.Tb- -- jj.- .m
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Aliiive is the ciuintry tirwu that Many Millnrde, l'e director, buill for 11
pli ttire. Nete the klieglightH peiclied en reefs uud ground. ISeleu is the
same 1 illage after its "Heeding" began. Today 's elese-up aitiele tells nil
about it
11 ILL CARLETON IS
OTIIING IF NOT
J FRY VERSA TJLE
It CONSTAM !C lI,Mr.l
Hollywood, t'alil.
-j ; i.; ;n Will Carleton, wlm
J s,( , ))0 M1 ,Hlp,,!lr j .tnsi.
eiuedles, both iiiiisiimI and e'liu'vl-i
Smile time age he Iniaded the films, and
since dial time h.is Uei 11 lending inii'i
fni ('lata Kimball Yeung and man:
I ether stellar ladies, .lust new he is ic
'si,pi(irt of Wnmla Hawley. and be
!feie tha'. by a few days. May Mac
Amy . With the Inst named he im
'personated 11 iery dignified lliltish pcei
- ami new he's ;i musicnl eet.icdy x)ct.
v 1 tli loin; hair and Heman robes! Ver
satile, eliV
is 1 I'ligene It. Lewis, who hn seiueihing
like .iJO produced motion plctuies te hw
-Hi. is doing a story for Mary .Miles
Mititci. He did the script for "The
Little Clown" for the Identical lunii
tin, and 'ise for "The Leve Special."
villi Wall Keid and Agne.s Ay res.
ml he's a darling, 0110 of the gentlest,
most undent dears I ever knew.
, During the het days last w rcl, peer
j Herbert Ituwliiisen was at weik en
1 -fine strenuous scenes in a stuPy. 111111
i faitiired cine at the studio. With I11111
in his inisei 1 were Mnrjeile Dav and
Anna I.ehr,
' icspeetiielv.
leading woman ami heniy
New . who wants te be a
l.ieiie.'
Ilarri Carey 's ecv pictuic.
M1I1 N lll1B , i. 0t,i
'M in 10
: if net
, ll iilling. They filmed a stun pede 0111
'n tlie Agoure rnnch the etliei d.n. en
.. thpy twpnj ,.,, S(1I11
t,rm M0rP perched in trees and en
'dug 111 the ground, d'recth 111 the path
, (f m, ,li,1,,111ln(r ,,.. The untie
( nf , aineianieu Is "(i't the piettin."
,,ni' 'hal iceaiis no matter xx lull he-
iinngei' or wliat tne etistacie. 11 11 is 1
.Iiinianly pe-sible, and tlial doesn't al-
e;w lorieneii ii-iwu.i, inc k-i
'""" :', i?.i ." . ,: '
, heril. and barely miRsed being gored
when h" get in front et tlie camera.
It wc' oil- of these things written In
1 he iiinl .mil safety of n seenaue
1 'i 1 iti"-'s deu.
"Hungry Hearts" abounds In char-
' acier types. Pact is. that's the picture
The pers.ni win veuldn't be considered
"charaeier" n Hussln, where Ihe sterv
' i' laid Is most decidedly diameter when
1 nlaied in llie ernnd old P. S. A. P. A. ,
nrreti plays Helen Pergusen's father.,
and In. ns Ins name sIiewh. tpiitc natie
I theu'iht they'd Imported him for tin
pirtiir"! Then I found out whx hi-'
whiskers looked m natural. Mrs. Win
! leu gits up -it tlie clatter of dawn ami
I helps him put them 011! Like the wise
wife she is, sin arrangid long 'ige wim
l.er husband that whenever she helpn1
'him -lie should rcei'lv one wish's m1
it iv of that engagement. Hut lit thi
plciure ilieti tie se many whiskers thai
slie vows she's going te get two week
pay or die In 'ie attempt! I'll say she
deserves it '
lieuvenietii' Merris has a stei 1 up
pearing in one of the big ti!iiga.liiis
about which he tells something nitn
esllng. He was watching the work 01
te
llie set vvlitle "llie .ee et Hearts w 11
,,,,,,. .... ii, I.,,,. .,,, i,..i ,,. .
jf .. ri.meniber. One afliriioen hediew
,. Meri is -iiide and told him the stm
whhli later developed into llie la'e you
may rend. lie felt that Mr. Mertis
wiis the one mail who could write it,
rnd had been waiting an opportunity '
tell It te him. Tlie name ..( It ,
"(iroet'K Mucew," w If you're Inter
ested, leek for II
1
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lS!
ENGLISH LAWS GIVE
TROUBLE
TO V. S. DIRECTORS
, Qe.Mi: ier.1
O letter of I',n
lice disiincilens in the
nglisli law are te he met
with In American motion-picture direc
tors doing location shots in ami around
Londen. At least that it the experience
of Jehn S Knheitsen and (Jcerge Pit,,
maiiricc, who are there making "Leie's
lioemerang" and "Three Live Ghosts."
Per instnnee, there is nothing te prc
x lit a ineving-pii ture company setting
up a camera in a public paik, but it is
distinctly illegal te use it in conjunc
tion with a meilng-plcture actor.
Therefore, if a director lias set his
heart 011 getting a geed shot of. say,
Hde Park, witii a cerrectl) sllk-hatled
niorniitg-eeateil gentleman strolling
through it. say. for the sake of argu
ment, unobtrusively pushing a b.iby
eaiuage, naturally' a certain degree of
strategy in securing his shot must be
resorted te.
H
i: DOPS it thih wise.
! J-x II
is camera is set tip, remninuding
a line view of the Albert Memerial and
uii adjacent walk. Te all intents ami
purpose. ic h inspired by the Inexplic
able ambition of securing a photograph
of llie most inartistic monument in Kng
land. His caiueraman stnris craukliig.
Pliexpectedly, of course, a gentle
man with a baby carriage drifts guile
lcs.sl into the picture. The dli color
slieuts and waxes liis arms 111 a frenzied
efTiut te induce the geiitlcinan te re re re
inoie himself from the camera's range
of vision, hut the gentleman is either
hard of hearing or tee dense te get the
director's meaning.
Then it suddenly occurs te the latter
that tlie camera, bus been cranking dur
ing the entire episode, entailing no ex
pensive waste of film. After telling the
gentleman with the liaby-cnrriage e-
M,lllls Iitti,. P0(iieniv en the absent
aein wniii iii' iiiiiiks. me director ex-
j niindeil cauieramnn.
And the eameramnn gees cheerfully
back le the studio with a record of the
whole incident, while the director de
mutl hepcH there won't hnie te be a
retake.
Yeung Star in "eii Film
UxtlM&vft
tLLLLH' iiiH,
1 WftK: 'W?f-; -BSP":
f t f,wmyf7VfrftVMttfMttffri m, t. it , "&
Miriam ItaliiMa. teu-vcai' old pic
lure si, n who appcnriil in ' ilu
in ireMpie ' nla 1111 1 " '
relu in William Christy ('nliiiiinc'u
new pioduitieii.
Ey fc' l
Heu) I Became
A Mede Star
As Told te
. Inez KLutipn
What Has Already Happened
Dorethy Lanr, a mall-tetcn girl,
ambitious te bcqpmc a screen tthr,
visits the studies ichile en n trip te
AVm Yerk. She meets Lawrence
French, a press aprnt, who becomes
interested in her and secures for her
an important part playing opposite
Jehn Seward, a famous screen star.
While en location at Cape Ced,
Seward asks her te marry him. She
refuses him and returns te AV10 I'erfc,
realising that she loves Lawrence
French. Dorethy meets Eikhern, a
big producer, who engages her for an
important role. She gees te dinner
icith Lawrence French.
"T'VE had two extra chairs put at our
'I
table." fdic snid gnyly. "U's fiieh
nepn since I'vn hppe f.nrrv flint
tl Dimply
must have a geed visit with him. We
were childhood sweethearts, you knew.
And this is mv rtnly ejiancc T(n sailing
for Ktiglaml tomorrow," ehc explained
te tne.
Well, there wa.sn't anything te tle
but join her, of cetirKP. I would hnve
given anything net te nnd Lawrence
did start te make excuses, but neither
of tis had sense enough te say that we
weic leaving right away, and that was
the only thing that would haxe saved
us,
Se we t-at down at the ether tabic,
with Lawrence next Pric'il1a. nnd she
promptly began te monopolize him and
make things uncomfortable for me.
"Larry says you're an actress, Miss
Lane," she cried, after she'd been talk
ing with him for a few moments, and
I'd been listening te the man next me
while he raved against prohibition.
"Iteally. are you? Hew interesting it
must be! De tell me just xvhat you
de."
I began te de no, of course, but in
a moment I saw that she wasn't listen
ing te me at all ; she was just saying,
"Oh, yes," occasionally, and making
eyes at Larry. Se I stepped talking.
Hut she didn't seem te notice, and
Lawrence was looking at her and laugh
ing at some funny little thing she said.
I leaned back in my chair, feeling
terribly out of things. When I first
t'lime from home I'd have known hew
te talk te these people, but new I'd been
with just motion-picture people for se
long, and se completely absorbed In my
work that I didn't feel at ease with
outsiders at all. X wished that I could
go home.
Ami then two men came in and sat
down at the table next ours, nnd I
heard one of them exclaim: "Well, just
leek at our little neighbor."
I turned around, trjintr te nlace the
voice, which was very familiar. And
Mr. Kikhern rose and bowed te me,
with a little smile that made me feel
terribly uncomfortable-.
I was afraid at first that he would be
angry because I had deceived him and
let him think that I was going home
te re-t. but a moment later he sent
Jack Cibbs ever te ask me if I wouldn't
join them. Lawrence looked at him Pi
niuazeiiieiit as (Hbbs. after I had in
troduced him. delivered his mesMige.
"I'll come nt once." I said; rising.
"It's a matter of business," I ex
plained te flic ethers, "and, of course,
I must accept."
"Dorethy just a moment "
Lawrence had risen as I did. but I
turned awuy and followed CJibbs ever te
tlie ether table. I felt n little angry nt
Lawrence, somehew: Im needn't have
acted se devoted te Priscilla Graves.
1 ins would be a geed lessen for him, I
decided.
Mr. Kikhern was awfully nice, though
he teased me 11 little about net accepting
his-mvltatlen.
"Of course you prefer the veung
men, he laughed, as he took a flask i
from his pocket anil poured some whlskvi
into the ginger ale he had ordered for
me. "Oh. well. I don't mind when
there nre three young men if von hnd
been dining alone with just one I should
he angry but there is safety in num
beis. '
I did wish he wouldn't be personal
I couldn't see why he should care
what I did outside working hours. And
I wished, tee. that he hadn't spoiled 111
ginger ale, and snid se.
"Yeu don't drink?" lie exclaimed in
amazement. "Ah. well, it is better se,
of course. Hut I didn't knew there
was a girl In New Yerk any mere who
dldn t tnke whatever came her way in
that line. New, shall we talk busi
ness" He went en then and told me what
he wanted me te de. It was reallv a
wonderful contract that he was offering
me. It was te 1 im three years. If I
made geed in the first picture T was te
work in for him. In that I would have
a very goetl role; there would be two
lending ladles, and 1 was te be one of
them.
My clothes would be furnished, and
most of my expenses paid, as we would
de very little work at the studio In New
lerk, but weuhl he out en location most
of tlie time. And the size of mv salary
simply took my lireatli away. 1 was te
get five hundred dollars a week!
It seemed simply incredible. I just
sHt there ami stared nt the table, net
daring le lift m.v eyes for fear I'd find
that I had just Imagined that Mr. Kik Kik
eorn was there, after all.
"Well, hew about It? Ih it a go?"
he asked, as I didn't answer. "Will veu
come ever in the morning and sign?''
"I d sign tonight If you hnd the eon
tract here," 1 answered, ami mv voice
sounded strange and husky te me, as if
It had belonged te some one else. I
could hardly tnlk.
"That's the way te talk that's what
I wanted te hear:" he cried, rubbing
his hands together njid laughing. "I'd
have brought It along if I'd supposed
you were te be here, that's vertain. Hut
tomorrow will huve te de tomorrow in
tip office at shall we say Im,' pa-t
eleven, and then we can have luncheon
together iiTterward, nnd you can meet
the girl who'll play with you."
"And xvhe's the man the star, I
mean?" I asked.
"Well, we're dickering for him,"
Lihl'ern answered. "I hadn't thought
of engaging him until early this after
noon, when fiililm told me hew well you
-anti he worked together. Hut I think
I'll get him, If things work out the way
they're going new. If they de you'll be
playing with Jehn Seward again. I'rettv
nice, eh'""
Jehn Seward '. The one mnn in the
motion-picture world thnt I weuUr hove
preferred net te piny with.
"And new let's have a dance- siU
we?" Kikhern went en. Oh, hew I
wanted te refuse! I didn't feel as if
I could possibly dnncn with that big,
fat, unpleasant-looking man. I tried te
tell myself net te be n perfect feel, and
te think of all the girls I knew who'd
.1.110 given anything te be In my place,
.mil te remember that It wasn't hit) fault
that he looked the way he did. And se
I get up mill led the way te the dnneln-
lloer, and If I could have sprained uiv
ankle en the way rtr been overtaken by
some, ether disaster I'd have been per
fectly hnpii.
Te lie Continued 'pnmprrexT
F
ROOFING
MATKHIAI.S
Mnmifnrtiirrd by
I I). IIKIKIKU CO,, BD N 2I STKKKT
Main 8714 Mnrkrt 03(1 1
Makes Curls or "Ear
Muffs" Stay in Place
Yeu will h clad te learn that you can
lifep your hair beautifully wavy anil
curiy 1' ualnir ft perfectly harmlesa
II.11M IfiiAtvn In ririiirslata am "jlllmer
Ine,." Yeu neul only apply 11 little with"
a clean loom nruan jusi ixiere oeinE up
the hair, and In thri hours or e you
will he most anreeably aurprleeil with
the effect. And this effect laeta for
quite a conalderable time, ae n atnall
bottle bops a Ions way and la quite
economical te uae. Pure allmerlne la
really beneficial te the hair nnd ttiere Is
no ureaalneaa, atlcklneas nor anvthlnc
unpleasant about It. It la a Reed deA
te divide the hair Inte ntranda nnd
inelaten three one at a time, drawlne
the brunli -down the full Icnirth.
With the aid of liquid allmerlne It la
eaay te ahape the pretlleit "ear murfa"
and eaey te keep fiern aa placed all
day. Juat try It! 1rfw.
1 Mr3SsiRxlliii4iJyv
P,
LADIES' DEPARTMENT
iVn. ePfcA-lALIZL
T T original arc
niOTOPI.AYS
COMPANY .
All K '-'"'. Merris I'',,,3u!!,t,,Ai0
Alhambra Mn, n,,ii, t 2 r.vus :4e
HUPKIIT Illtill KS V
"Dangerous Curve Ahead
ALLEGHENY V;TJ
WILLIAM S. HART
In "TllllKrWOiy'-J''''1?-
APOLLO M.mi' i.mi.y
CHARLES RAY
t jrn.r me v;
s--rvtiT cinisTM'T He) kith
ARCADIA clTvt.ii.np. m.
lllSSr.1,1. MMI'HON In
"Bunty Pulls the Slruig"
Te-TrY riiANifi.tN & uiiiAiin am:
ASTOR MATtNKi: DAILY
M.ISTAH I'AST In
"GOOD ANDJVIL
i- a 1 T-'uvtrMJC MST & UAI.TIMOIlk
BALTIMOKL P -, n... ., m;
Constance Talmadge, Mamma 5 A Fair
f'OMI'.nV-'TUIIlAY TJ1H 13TII"
fTPCirT)TiTANn woem.vMi avi:
BENN MATINUi: DAILY
THOMAS MEIGHAN
In "CAfl'V !IH'KS"
pr,, irninn Tiread f. HuquelinniiR
BLUEBIKU "..nln mil- ! UMll '
ETHEL CLAYTON in 'Beyond'
CHAKMF, niAi-LiN. "Tin, tni.n 1 i.asm-
BROADWAY "-t'iVm'
BETTY COMPSON
In "AT Till'. KSI) erTIIBWOJt
A niTVi 7 MAHKl'.r PT
CAP! lOL ill .V. M . ill,",
1". M
EUGENb U'BKitiN
"IS I.IKK VAOUTII I.IVINI1?"
colonial M. tM""'rr? $1
WILLIAM S. HART
In "TlinKB-WpKII IIKANIJ
DARBY THEATRE
VIOLA DANA
jii."Tiir, oi'i'-hiiejti: nu.vi vr
CIVIDDCCQ MAIN bT MANAVUNK
LIVlrlvteJ MATINiei' llVll.Y
THOMAS MEIGHAN
I11 'TAIM'V KICKS"
faTrmeunt j;rK
BOKAI.DINO "nil STAI HT IIIII.Mr.S
'PASSION FRUIT"
ffAlvTrrv tiii;atiu; 1:111 MTrkft ST
rAlVllL.1 ra m te miumeiit
ELSIE FERGUSON
iiJ'l'nOTI,IOHTS
C?TUi QT TriEATKI -Hulevv H7fuce
DO HI Oli MATIN'IIU DAILY
MARGUERITE CLARK
ln JW'KAMIH.KII UIYKK
FfhRC OtwrMAItKLT T" '
ULWDL ; in n,t n au , .
(iOlVKKNKl It MtlltlllS'
!A Tale of Twe Worlds"
GRANT ;- Syn m ;
F.thrl Clavton in "Bevnnrl"
Ethrl Clayten in "Bevenrl"
LIIAltLIU CHAPJJN In 'I III! .) CM8S
l t' w-1.' !5sp$rI
m
Cuticura Seap
The Velvet Touch
Fer the Skin
Sp,0(tmnt.Ttram, rttrrwliwj.rernjitilM
luMrMti OtUtvt lUnUt J1X, MiUu, Km.
Office amid
BankSmipplnes
Catbs:
JaiMLeiTipairiy
J)29 Market Street I
Mann & Dilks
1102 CHESTNUT STREET
in things for ladies and misses
for ladies and rr
JW
My
I'V'i'.l'iilMiMM II II mrrir-d
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the best te be had and at reasena
HUDDERSFIELD FABRICS
English Tweeds nnd fleecei from Hudderafield in
SUITS, COATS nnd CAPES in original models. The
fabrics are confined te us.
WAISTS AND SHIRTS
Plain tailored nnd made in our custom-shirt work
rooms ready-te-wear or made-te-order.
SPORT HOSIERY
Special importations of Scotch and English
Hosiery and dependable qualities in silk, lisle, etc.
LA GRECQUE UNDERWEAR
Tailored te fit Silk and cotton fabrics that expressly
appeal te the woman who believes quality is always
true economy.
TAILORED HATS
Ne, net regular hats but the unusual kinds and
all of confined styles,
THE DIXVILLE DRESS
A one-piece Dress of a fine knitted wool fabric that
combines style with serviceability. This fabric is sold
by us exclusively in this city.
GLOVES
The mannish-made kind that have their own style;
washable fabric gloves also standard makes.
Mann & Dilks
1102 CHESTNUT STREET
I'HOTOn.ATS
The following theatres obtain their pictures through the
STANLEY Company of America, which is a guarantee of
early showing of the finest productions. Ask for the theatre
in your locality obtaining pictures through the Stanley
Company of America.
3REAT NORTHERN re?,!,.rIMe
BEBE DANIELS
In "Till". MT.I'.II (JIUI,"
HVIPRRIAl ,I,IT" WALNUT STH
uvii 4ixi-i, vr,,,, 1: in hm-h. 7 t u
CHARLES RAY
'' "MXI'.TF.KN AMI 'l I M.MS'
KARI TOM CHKSTNl'T A huve IIHOAD
lniLlUIHi,,-. 10 , M te 11.13 1'. M.
AI.USTAK CAST In
"SNOW BLIND"
Lehigh Palace Ucrma",rre
THOMAS MEIGHAN
In 't'AI'I'Y Kit KSJ1
I IRFRTY ,",0A1 "celi'mhia'av:
iiui.rv.i 1 Mvnsr.i: nvnv
CONSTANCE TALMADGE
In "Till: SIliN ON Till! IMKIIt
OVER"BROOl:lriTTXvi7ui75TTb
ETHEL CLAYTON
In "Wiai.TH"
PAI AfF J-H MAIIKUT SrilKKf
I rL-VIw f A N, f) n (. lt M
ELSIE FERGUSON
J"L"i'a" "UMINIIS"
nniMrrpn tniR maiik-i t .ri-'r,i:
riMlNVCOD s :it a M. in 11 1.-, fir
VIOLA DANA
injrjj'n?rsjr j'atk
REGENT SI ,u5rKT ST" iw ii'nt
i,ivinnu"i ','" " v- SI
'DANGEROUS LIES
M
RIA1 TO UHHMANTOWN AVI3NUE
linuiv-l ,vT I't'i iKliii'Ki;v ST.
CHARLES RAY
In "HfKAf IKON"
RUBY
MAltKLT ST IILLOW 7TH
in A VI 11. 11 ir. i i
lll.K.N W1IITIJ In '
"THF. TRIPI P r IIP"
IKIfLE CLUE"
TiTT-MAituiTf-sTTtnin
?Anv
w '"' M In . US'tuilT
.MKS I1MVKH t'UKHOOll'S
"THE GOLDEN SNARE"
SHERWOOD MV,Vr "alV'' a3ve
MARGUERITE CLARK
In "St KAMIIMTIMVIVKH"
STANI FY MAitKhf .w"rtTrir
POLA NEGRI
In "ONB AltAIIIANMliHTJ'
STANTON w'M. X'"K nT Almve 1UT1I
J I -IN I WIX in )-, A t t (i j,
AVII.LIAM I'OX'M WOMIBKI'l,.V
OVER THE HILL"
333 MARKEW'y5!?""
WILLIAM S. HART
Jn"TmH!!',nlll IHIMi
VICTORIA M.),,;p TM ?v
' ,lclJl'" t.xsr in ' M
"UU i UK THE DUST"
j RIALTO, WEST CHESTER
TunmiAc MRinmi
THOMAS MEIGHAN
in "f'APPX RICUS"
7?
., UNSWECTEUtt) 4
svaperated f
vH CeulIi I
With
Ihe TO
cream Cazifi
I left .
in' '
; J
llii'VJiLU'l'UJ.i.WJ.LWJltUi.ttJiiiuu! i,.jlil c
that arc unusual and
reasonable prices,
Weel
J
I'HOTCU'LATB
IQTheNlXONRDLiNCEpm
BELMONT C2D AII0V1J MA11KET
"iv-'iil if ,., ni( UM g u p y
SESS.UE HAYAKAWA
In "IILACK nONIM"
CEDAR
00T1I
. CUUAIt AVEMJE
1 !ll unH 1- 1 ..J It
ETHEL CLAYTON
In "III'.iO.mi"
V-OLISEUM Atjn' liet nim k m
MADGE KENNEDY
'" ".1IAUY nr, CARKFl'L"
JUMBO
KKONT ST
Jumbo June
1 OiltAIlD AYR.
en 1'riiikferit "t,"
MARY MILES MINTER
In "Till!
MTTI.K t'UllVN"
LLADFR 1BT LANCASTUn AV
. i-it aiativi-ii- hhv
"AIII5I. Iiam.in jl ivymiiiam standinO
1 "THE JOURNEY'S END"
!
LOCUST r,2I AND locust ktiibem :
uUOIt nan. ann. i:,, .1.10 tell :
PAULINE FREDERICK
In "Till; HTINfl or Till! MNII"
NIXON -U AND MVIlKIJr STS.
lMAU1N 2-1.1, 7 -ni
SMILING BILLY MASON
In "IT MlfillT IIAI'fKN TO 10L"
RIVni F r,2D AND SANSOM BTS. .
I n i "tV' VM !
i-ul,iine. einr
In "Till! VOIMIOTT1SN WOMAN"
STRAND
UKIt.MANTOWN AVR
AT VU.NANWl STIIHB
WILLIAM S. HART
In "TIIKI!B-VOUI HKA.M'"
AT OTHER THEATRES
TRES I
T. O. AJ
MEMBERS OF M. P.
GB510 Oirniantewn Av
ermantewnvATiNRi: daily
Bert Lytell in "This Man Who
MONTY HANKS In "THI! (Hll.l BU"
JE?FRSONlrlI,,snuAp.'''nvM,
Nmti r'lin.niiii. in
"COURAGE"
PARK
,,., .' : !H! PUP
ST
Mill '- IS 1" k .t " "
MAY MAVOY
In
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