tlfi (Tfimrc'T?VfLf?TK' i '-T-.-jr - J- - JwnvA - JweiAMimfc., AWtaawmi'i .vy . a M.yitiMr ' 'Wiiwii.ijywp"" - " tyl, 'Hr' -.flS'A '".- 7 JV -i s ftUnNra S' t. dTCV j thai I"' ruling j .14: H r xr:nii.,fc-. ' . mmi t-rfr I1 IF? ?w vte jLdiiy iviuvic iviagaiiic 'ftvljpj CLOSE-UPS e By HENRY Yeu See Plays Within Plays Sometimes in the Studies : T0 YOU remember the blc thentre '-f Rlietn thnt Allowed the foyer nntl the ntidlterlmn with lis rcRtilnr tiers of tents nnd the fiilWMzrd Ptnce with nil Its nrct'serles? At the time they were nuking that film ever In the I,nk.v Iveng Ilnntl studio I went pretty ther- ' fltlRhly ever the whole pet and I wns astonished te pec that every detail of It was genuine, even the theatre chairs being the real article. Seme time later, in the Cosmopolitan studies, I watched them making "Enchantment," with Marien Duvirs a' the ptar. and I found a theatre set encn mere elaborate, If anything, than the one in " Footlights." And then when I paw the film projected en the screen the amazing thing te me was the cemparnthcly plight '"npertancc of that pet in the completed story in spite of the immense expense of building It and the elaborate enre thnt I hud ecn tnken te mnkc the action as nearly perfect as possible. The average fan hasn't the remotest conception of the thought nnd work expended en ninny of the details of n pholerda. Fer this one epiede of 'niichnntment.""fer Instance, it required mere than a week te rehearce and sheet the sequence, te sej nothing of the time expended en building It The scene takes the characters In the sterj te n performance of "The Tnmlng of the Shrew." Miss I).ies jilns the part of a very much spoiled and exceedingly hendtreng society girl, nnd her father, watching the play, gets from it an Idea for taming her. The entire interior of n theatre was constructed in the studio, Including nearly a thousand scats en the mnln fleer and two tiers of boxes. The stage was a "practical" one and the detail was carried se far that n company of plnjers learned the lines nnd the business In seernl scenes of "The Taming of the Shrew" nnd the play was actually gheu. with the lines spoken in the best , traditienul manner and all the business carried out in as much elaboration as though It were part of an nctual performance J .VJ, irith something liken thousand people tntnlicil, the whole thinn had te be rehearsed again and aaain se that, when the making e the various shots from different angle and different distances was com pleted, they ireuM nil match u ppcrfecthj with no discrepancies in the action. PERHAPS j ou can imagine some of .the difficulties of the director's job when he has a thing like that te sheet. During the rehearsals he can usually spot the "dumbbells," who nre likely te get things wrong and spoil it all. Rut avert thnt isn't always possible. And It's frequently the case thnt, when the "rushes" are seen in the pro jection room, the most consnicueus figure is some idiot who has innnnged te get In front of the camera and who. instead of trlng te act his part, just sits there I smiling Interestedly at it nil and every new and then glancing squarely into the lens te be sure the camera man Isn't missing him. . Rut Jhc main difficulty Is te get the whole crowd te act like a real audience , and te time everything te suit the movement en the stnge. Once jour stnge piny starts it gives the key te everything cW. And I ( have often seen mob scenes like this go along beautifiiilv until, jus at the end. j some group of extrns gets mixed up, does exactly the wrong thing jnd ccr.Uhlng Is spoiled nnd must be done all ever again. s That's the kind of business thnt mnkes the directors fe . like tearing their hair and letting off stenm. Rut usually they don't. T' they started te lese tlielr tempers, they would seen huc their mob nervous- md uncertain and noth ing would go right from then en T'S ichen you sec a mob scene being made and then sec heic little of the finished itery it occupies that you begin te realize the big scale of modern productions. In the old days this ireuld all have been faked, mere or lest, nut net note. Yeu fans wouldn't stand for it. Answers te Questions by Mevie Fans NORMA Rill Hart is cetning back te the screen next February, se it l. reported. I'inte is the name of his pony which has se frequemlj been fea Jurcd with him. ,-j i PAULINE Ann. Mar wns leading n,' lady for C'hnrles Kav in "Peaceful Vnl- Y' ' ley." Deris I'ft,n jn "The Midnight ? IWI," Vera Svadmnn In "Scrap Iren." Dorethy Peijp.re in "4." Minutes from Broadway.' Charlette Pierce in "Twe Minutes toTJe." Mary Andersen In "R. S. V. r ''' It would seem thnt Charles likes vajrictj . HjfeLEN Mef! I de net knew the Pjwturc jeu mention. Charles Rrynnt Jiplays opposite Nazlmevn in "Rilllens." "P. M. H. Dorethy Davenport re turned te the screen recently, phiving opposite Lester Cunee. Melly King has net been making pictures latelv. She has been appearing en the stuge. She Is married and has one child. I V TV AV Tviiilu T.eielv is Mrc William Welsh. Mnhlen Hamilton piayed opposite Louise (ilatim in "I Am Guilty." ALPHA Your name gives jeu away. 'I'll bet you a pound of mndy that jeu belong te a h gh school serietr. Of course jeu may write te me as often us you like. I reallv can't send jeu a J photograph, for I necr hae thm I taken. There s a rensen. Tela .Negri J was born In Poland. Her lntest picture i.f It "One Arabian Night." She did net appear In "Deception " RHODA Katherlne MacDonald has been married, but is single at thp pot ent time. Juanlta Hansen is net married. Mnrj I'.ckferd has naturally curly hair. ADELE Yes. there was a rumei that May MaeAtey wns engaged te a well-known motion picture actor, but they both deny it, se 1 gue-s we will have te bclicie them. n 1 f JAZZY Man I lav and Richard JnVartheln.ess met for the tir 1 ihehenrsing for "'Wav I. tirt tune while Dew n I' ast ' tThey have been married for a jear and LONDON THOUGHT HE'D LOST AN rw IHu'r" ir.tiiiiMiii.TiTmiir. i-nmmram'.imiMtf, .i yj BRIDGE ACC'iben JBj& w HPIN9HBr Ml TUIl'EE suits for mil. .fx M Va nm-WtKKSi ? V V 1 '. M -Un.. t .. i. JiJGl.(tM t-i M1KKBKLIFIsrstuA H ti r i.7r. '(' ', t ui . 7.VM2?1 I m V-S VT nKtu'B.JHfc MTs m tl "lit ar&ins, ;reta the premiiik of ?8'. opinion, which is sin difficult the enforcing sfslatlen and tendf jetiptct for Hie law," bt the First RaptUt 0 ' i:s(erwrud their tr '" . lln fin n lir i are Its w i b.vl 1 dcla, ns tin ,n nnti. V ,."n5. fls .? Pr B.gi&xai: M ' -. T .the (k. us tSiiuufj, was enlv t.U'iii y JZ (the c, Spuufj, was only tjfriiiK s.- prjlils lamb attracted lets of Mmiin mS fAe MOVIE GAME SI. NEEL.Y tet In Klsle KcrRUMii h "roetllKhts tlie a half. Mrb. Ranhelmess is no lengir en the stuge or en the screen. JULIE Eddie Pole was born in l.n Angeles. lie was educated in Vienna He has a daughter, one brothel and four sifters, all either en the stage ei screen. DAVID Mary Andersen has blue ics and golden hair. She ped with Charles Raj in "The Earlv llird." and will be .vcn with him in "R. S V. P..' a forthcoming release". She is te be stnrred in six independent releases bj the Spencer Production Cemp.un. GLENN Ethel Ran. mere was l.rrn in Philn-Jelphin, Pi , in 17l. Dorethy Hernard is apiearins en the legitimate stage at present. RUTH Ilnrriette Hammend was one of Mack Sennett's bathing beauties. She has an important role in "Kits of Life." PEGGY I think jeu have mode ,i mistake. I never liei.rd of the pictuie jeu mention It.ilpli Grnc pl.ned op posite Ira Cliiire, lit "Pelly With :i Past." VASSAR Ne. Nenn.i Tnlnadge was net lern in Rreikljn. Constance and Natalie were born there Nerma was leni in Niagara Falls, N. Y. LOUIS "The Queen of Sheba" is n great pi tun. lietn Kljtlif is tne ftet Hgllt ill 'lies 111 height. (, sie ) miirtlcd WFRRLR Jein Hallnlnv was lead ing man for Viust.inm I'nlniadge in "Tlie Leve ExpTt " P.ERT SMITH Al Jennings i still in pi' tures, as far ns I knew. His ad dress is Capital Film (emp in), IIell). weed, Cillf LUCETTA Allan Ferrest is the actor who pl.ijed opposite Marv Mile Minter n the pictuie veu nsk nbeut lie is uarK. aru is said te tie a gren" f.nnrlte with lie Miiig lndie off tlie v reen ns well as in picturis a si cue In "I'hicc Live ion. Right in front of WTfM ML x 7z5smz&mF 1 -rf 1 jw s . r i. .-jr-iifc.- i j - i Mlll , EVENING PUBLIC 7MKS OF THE REVOLUTION AND THE Hew I Became A Mevie Star As Told te I.EZ KLUMPII What Has Already Happened Dorethy f.ave, a girl fiem a imnll town, shares her biaacst ambition iclth thousand of ether American girls that of bt comma a movina mevina pit turc (fur, She thinks her chance hat com, rrficii Vrti. a ftxrnd of hni werkinn in .Yctc Yerk, tilli of uncling siime people anne ted nitli mutton pictuirt and aiki her te rivit her. ftn hir first day in the metrep elis, the nn I start en a i mi fe the studies and naini admittance te one of them. Dorethy 11 nit en the cliaii'C te phi'i in a mnh suite, nnd makci the meit of it. She mtels Lawrenre Frank, prrn nacnt for the eempaivj. who becema intci ated in her. 7 hrn comes hir Inn t hancc uhrn, bciauic of her icrmblance te a well-known itnr, she is nikcd te double for her. When she tells I'criis the happy neu s. frisis m turn tells of a de lightful surprise for the evening l party planned by her motion-picture friend. "T KNOW she's geed but you're a J- feel te de it, Jehn," I heard our director. Mr Hajnes, s.iv, "The thumc 1 that she'll wulk awu with the pit turc If jeu let her hne thnt scene; it s tlie blggeM. one in tlie whole thing. Ami tills Is jeit 'Amiw , jeu l;ne.v ihe b(t opperttimtv jeue eer n.i 1. Sh" li lave plentj mere, this one nliase will ibselutelj make 1 er as it is. Don't In n feel." "I've no intention of being," I lie.ntl Jehn Seward an-wcr. "ISut I've -uil from tlie very stmt that this pMurv was going te be handled . , 1 4i.i t tlie most would be made of the sterv I've been thinking that n cue i,v,r ever since we iirst riali7.nl that Dorethy" lliev all called me by in tirsi name he thai time "was going te dewlcp se Hinaznirflj. She's capable of pluving that sien'e in a wav that will lift an audieme right mil of its setts. If we held her part down and plnj initie up, tlie scene- will be uf. of course hut 11 won't teiull the (.fleet vvc'll get if that scene is given te her. And that's what's going te happtu if 1 have any tiling te saj about it." Well, tlu j argued mid argued about it. ami I lust sat there, all huddled up oil tin diienntt. wit n some s i :u i v between lie and them I knew that I was ravesilri ppmg, nut I couldn't help it. And, eh, I was se evitid! Fin.il'y ELECTION BET Hlnists. lie and his perumbu.ater the Royal Eichuiice tee , LEDGEE-PHILADELPHIA-, TUESDAY, 5I2t5 ' M i i II i i i i i ,i i j r -' ' ; f ' "it - -- - 1 - iMmM&mmimAmvaMzvmme-jmNmBtm&mmmmMsX mtmtamy'r- iMMSr'&mr . w Si233L il. xSdKKIwTKai&ITSDKJS 4J&iC&irLJ5iMwyM99AfcztjJrtWtMS2iX'vcX vV,'i'fS?5jiCSvs , , ' - Wr. "w v'nSHhl' isWnMnps TJHiyUHULr nKUHlL s2) As an answer te the fears of tlie iiiMisien of foreign dims comes Griffith's "Twe Orphans." Heie are samples of the settings. Above, the guillotine in a Paris squuie. Rclew the famous light at the banlc.nle. In the Mule, a crooked Paris street of tlie eighteenth century I Dorethy Dcillen U 'ears Male Attire in New Film DOROTHY DALTON will pretty netirly forget bow te wear feminine appaiel by the time she finishes tile feature lele in "Merilll of the Lady Letlv," Geerge Mel foul's new picture. She dresses mostly in miili attiie and lights HKe a man, tee Rudelph Valentine, in the in de lead, starts out as a veri table cupiislte, but get into rough linil readv togs later en nnd also gets into a few scraps. Thev're all up north en location. thev went away, and I craw leu out atnl went ever te where the i i n i p t f worn in w in knitting a sweater for h :' daugliK r's little bev . "The beat's tee much for ou. veung ladv," she said, after taking one long leek lit Hie, 1 suppesi inv face wns iivvfullv while, but It ceit.nulv vvnn't from the beat. "Yeu loeK faint go evei there and 1m down." "(M. I don't want in"' I cried I couldn't have em siit down rig'.i thfii, I filt se jumpy evii what 1 d just caul "I think 1 II go for a walk. 1'i't I was only half-w ly tu tiie deer vh'n Mr Hl'j.ins imiif out of his lit lie nllli e, ever 111 tlie ininir of the studio, mid hei k"ix d t i in I w int te t'llk te von a miiiuti ." lie sail ns I idesid ti dour lehiiid me .lelip Si ward was sluing n.m tluti, i ml tlie writer Mr. Giant vu walk ing up and down the loom I i mild gin ss vv hat was i online ' "Sevvaid wants te give veu the big gest sicnc in the picture." Mr Hay lies told me. "He ought te have it, and we could tcalh stage it easier if we em pliasyed his pait and net yours. Rut lie's determined te let you have it, and of course if It gees ever well, you'll be Hindi - and It's the ilaineilest whitest thing nnv man ever did!" lie wound up in a liui'si of ( iithusiiisiii that somehow sound' d almost iiugiy at me. He thumped Seward en tlie shoulder, and the tlii-ic men all Im'Siiii taming ut mice, mid baldly paving nnv ntteiilleii te me. I didn't c-Miftly knew what te de. 1 .tit fmallv Jehn Seward get up and came ever te inv side I II dilve jeu Jiniiie in mv car. Dor - Der - ptliv," he .said "W'c aren't going te sheet these ether si cues this afternoon lifter ull. se veu'll lie able te leave at once And en the win back in town we can talk this thing ever and I'll give you mv Ideas alieiii . i "i ve nivvnvs wanieii te unevv you, 1 ran te my dressing mom, smeared, though," he told me that evening, when cold cream en mv face, and mopped itjvve were having dinner nut under the off in less time than It had ever taken stars, and the little brook In the iiivinc me before Then I scrambled Inte the down below us wns tinkling nvvuj se lnrk lilue ergnndle dress and light coat that I was wearing that day it was early In June, nnd nwfiill) warm nnd liurrled down Inte the studio again te join Jehn 8c!vanl. Near the cet Sjlvln wnn Htandlng, tnlklng te Lawrence Vrcncli, and they GUILLOTINE AS GRIFFITH RE-CREATED IT both Heur turned liuirleil ncniss "Ready tn go se earlj V" called Law -n in e. "That's tine, vve might run down te Ceney Islam! for dinner, If you'd like te." "Oh. I can't tonight, Lavvieuee." I answered, barely stepping I could see Jehn Sevvju'd waiting for me ever near the deer. "I'm going home with some one else with Jehn Seward." It hurt me tlie way his face chnnged just as if some one had struck him And Svlvin well, her eyes pist blazed. I wanted te slop and explain te them, I but Mr. Seward bad seep me ceiuing1 and was slipping Inte his meter coat Se I hurried en. hut I didn't feel unite linppv. I didu t t want lawreme te,ApOLLO "u ,'V MS n i.ai. V mpped him for J"ln I 7,l,NYvT. nac.i i. umi iiiiij "!"? , '" think that I'd d Seward. Tlie drive along the shore of tlie Hudsen and down te the fern wis beautiful, and I eiiinied it se much that when we get ever te the New Yerk side Jehn Seward said ; "Whv don't we inn up the river somewhere for dinner'' It's a heaveulv night and I knew of n corking place run bv a Japanese it's en tlie edge of a little ravine, with pieat tiees using nil mound you, you cat outdoors, and there's a new moon tonight, nnd it's a pet feet pltne te i elebrnte your use te stardom," "Stardem''" That almost stunned me "Rut I'm net a star," I told linn "Unless I'm ti pretty peer giies-cr veu will he when this picture's e leased." he answered. "Why, leek at the chance jeu've get. Elsie l'cigusen and I were talking about it last night, and she sn( thai she'd give a geed deal te play It herself, though ed course the part is meant for a much younger gill New we'll go en Inratleii up en Cape Ced the last of this week just 1 lav lies, Mrs. Philips" that wns the chin niter unman "you and I. There's a beau tiful hit of coast up there, just light for a background fm that big scene, And we'll work tlie tiling out then- Cm you be readv te leave Thursdav night"'" I could, of i nurse We talked most of the lest of the evening about the ; pictuie, lull 1 get te ) new Jehn Seward as I ncvir had In fine, though wed seen se much of each ether at the s-t mil , f if course, kiiewlne what a wonderful tlln H,., ,(llu, fl. 11p lllII(1 Kft, i((lll llf ,i,fffrfiu-i- about the wav I'd felt . tIiph. tee, I'd always thought of him erv i,, , . y, f,,,,,,, ,(m 'the 'the screen se often before I ever met him that that iiiade him hard te leel Intimately acquainted with for me And in the studio, though he'd always been awfully nice, be never was really chummy. that It sounded lilse leally beautiful music. "It's about time we get no- qiinintcd, isn t It.'" And lie looked at me with Miedi a nice, friendly snille thut I did truly fpcl like u friend of his. Te Be Continued Tomorrow t NOVEMBER 1, 1921 t IIOTM'I.As Ml I. ill M ins t. I .isKMliil. A;i 1,1. MM I (Hill's I'KOIll .T!II "The Great Impersonation Al I FT.HFNY ' " kf"r'1, rtLLCul llT.. ,!-'i!4-' ..'.'i'.iii-. ,, kf..r.l A Al eli. li" H.s ,U S I.. "ninmrnm Curve Ahead" UangereUS urvc.nii.avi 1 rlt L,sJ3 1 nuiuniw"' AO-ArMA i 111 STM T I'-' """H AKCAUIA p. v m i hi. r m EUGENE O'BRIEN in "III I. I.-T llOOIf 'a OTriO HIVNMIN'A itllilH') am. Ab I UK i risn. lAii II I M III.SMOM) 111 "DANGEROUS TOYS" BALTIMORE 5!V.V.,xi'J:r,.r ill pi in m c.iir' ,, 'THE OLD NEST" dTtmm 'H" N" w""i' v,". vvl dLININ m iim-i: umi UICIIlll llUtTIII'.I.MI ss In I'FYPFRIFNr.F." EXPERIENCE' bluebird ' ;,;:,: r'.'V' I .out , vim., mil Mirili- '.'a;"'1 "THE CONCERT" md nriii' -"IPUI1I in in nrVrt A IV7 A V lit . 1 X UKUrtU Vrl J II I . 4. 11 I' M ALICE LAKE i nn i. in vn it c i mm- CAPITOL l.-.V''-V,1 ,. v CONSTANCE TALMADGE In "Ml IID'M, HI-1 Is" colonial ,im. t ""',":; i' r CHARLES RAY i .'MM.ril'N MI I'MM I is" DARBY THEATRE NORMA TALMADGE III "Till. MCiN ON TIIK HOOK" y1lcc MM"-, si inmnk 111V1I IMiiJiJ MM ISM HMI1 KIC II Mill II Mil III. I Ml.ss III "EXPERIENCE" FAIRMOUNT V rVV'r,'. ETHEL CLAYTON In "IlKMIM)" Alll vim viiu mm m.iKpi si r-iviii-, i s mi. Minsiiiiirj VIULA UAINA in "Ti I'i'i rs or rrn" 56TH ST. '""MVr.'s r;xv Undersea Drama, "Wet Geld" HMtlllll IIIIMI In "NOW OK MA HI" pi finP M'1 MMIKI I" ' I ViLA-IJI. . t ,, ., , ,, TOM MOORE III "MMIM IN IIHI N ' r,R ANT 40-2 fAitD am: "inc. WAiNiJh.iiit ; ifw WUU UUUULl'Jt SIIILUKUAU s COMPANY r J s m.uiw. ,t TOM MOORE IS MOST MODEST OF SCREEN STARS TF YOl - of Kpl i YOU had ever been In n gathering icon or stnge stars nnd had been forced te listen te their talk of what "I" lint c done or what "1" think about this, thnt nnd the ether thing, jeu udiild appreciate one te whom the cap ital "I" is distasteful. In every fnn magazine you will sec talks by every stur under the sun nbeut every subject under the sun, but you'll seldom or never see nn interview with or an nrtlclu signed by Tem Moere. He's Just about the linrdest mnn In -the pro fessions te interview. Moere used te be Interviewed. When he lirst rose te prominence or wns en his way up he used te think thnt his opinions were renlly of some nltie, and then something happened thnt chnnged his ldcns or else some one told him thnt he was being immodest and he suddenly pulled hliftsdf into his shell nnd he has stajed there ever since. And you can t get him te come out. TOM'S modesty Is becoming an ob session with him. Relng of Irish birth nnd with the typical Irish humor in his viewpoint of life, his sayings nre usuallv worth quoting, but if jeu try te get his permission te print the things he says, you'll find yourself up ngnlnst n temper ns Irish as Is his humor. Recently, the star was weaving a green eeshadc, while working en "Frem the Around Up." his latest production, nnd-Rupert Hughes came along. "Loek here, Mr. Moere." said Mi Hughes i,eerel . "Yeu nre carrying jour Irish prejudices tee far!" Tem was born, ns was said, nn the old sod. and the way in which his inm- ilv emigrated te this country is enter taining. His father wns a cattle farnitr in dajs when farming In the etild coun try wasn't tee prosperous, and finally the faniih decided te trek. They weie all backed up and In the donkey-fart anil still undecided as te where they should move; Dublin and America weie almost equally alluilng. I'niallv the matter was decided by placing two slips of paper in Tem's ' li.., ni.n wilt, ti.np1.nit ' imirii 'ft ' ' ititrl tlie ether "Dublin." Jee, tlie jeungest of tlie faiuilv, was allowed te act the pint of late, and pit ked "America. Se here tlie.v uiuie. mid went te De. troll, in New Yolk. At the age of sixteen Tem decided te leek for wider avenues for his talents than Detroit afleuled and beat his waj te New Yerk. He will tell jeu, if jeu aren't an in to viewer, that whin he arrived in Jcr- 1'iieTiiri.ws The following theatres obtain their pictures through the STANLEY Company of America, which is a guarantee of early showing of the- finest productions. Ask for the theatre in your locality obtaining pictures through the Stanley C empany of America. GREAT N0RTHERNI,re" ft??, iu 1'i.ur in (.iii'.s1 'Dangerous Curve Ahead" I M PF R 1 A I ,,'7i ,r AvvXNrT5Ttr livil IIA1-1, m, .. ,n Kvbm 7 . l MARGUERITE CLARK in "se nMiu.r,i wnr.s kTTvlfr, I'lIUSTM r Alev( I1UOAU rv-ctruen )a,n 1M A M , t) )-, m BERT LYTELL ln L Tllll' Til I'MtMHM-." Lehigh Palace li '"TnZ1 NORMA TALMADGE III "Till, stl.N UN Tin. HOC IK" I IRFRTV I.IK 'A II t. IIII.IMHIA A U,1LJIZ.I1 1 MM INI. I! HAH 1(1 I'l.ltl III I.IIK.S' "THE OLD NEST" OVERBROOK '.t XrT'.if ui iM.ur iiidiiKs' "THE OLD NEST' PAI APF '-'', MHKi:r khikkt I -I.'-IZ. in a M tn 11 IB'I'. jr WILLIAM S. HART in "Tlllti:K-M)IIII IIICMI" PRINCESSs'ieV'.fV III 1.0 K.M.I IN'S "THE JOURNEY'S END" REGENT 5!,u,K!s'1' 5r , I Mew 1 1 In 11 1' sill UXNKI.IN In "COURAGE" RIAITll -ii:il.MA.TO N AVIINIK IMrtL 1 U v i U'l.iliiCKI.N hi c ki ii. ii. tir. Mii.i.r.s "The Affairs of Anatel" RI IRV MAiiKir st iintnv tth 'sJ3 ' I" M In II I.". ! M M,l,.sTH C's.T In "THE LITTLE FOOL" c AnY l-'n MU',;T Hirinux" " jnvui s t in jr ii.NinnT iiircin in .iii:s- Dangerous Curve Ahead" SHERWOOD ""l. nlTriti in 1'i.itr in em is" ' ' "THE OLD NEST" STANI FY M.utKirr at "umi Mil K'M III', .Mil ,IV "AFTER THE SHOW" STANTON AHKhr alum" "iTTni M 11.11 Ml KCIN'sl lliivniru ..,V "OVER THE HILL 3 3 3 "M A"R KET HT,,,L7"T.,l,,I7'y': NORMA TALMADGE In "rilh: HICN ON THK DOOIC" VICTORIA -MA''"r t nt. fini in Mi I teiM)' ' IHEINy.INcIBLE POWER" RIALTO" WESlXHESTEri Richard Barthelmeu VExptriencei" vnAiu.iK UUPIBC In "TtiK 1DLB CLAt 8 ' Who Would Think It? m ..MMjmri'r.i-i TOM MOORE Who has n renlly geed reason for net wanting te be interviewed. lie says he has saW everything te be said In interviews already ey City lie didn't have the three ccnti necessary te cress te New Yerk. LATER he returned home, but net until he hnd acquired enough menej te buy n rcspectjnble suit and give tin nppenrnnce of prosperity. The wan derlust w-ns In his bleed, however, and once mere he hit the read, this tlmi going te Chicago, where he made hli first nppenrnnce en the htngc ns a snpei in a huge dramatic production of "Pnr. sifnl." Tills "experience" enabled hira te get a job with a read company, which eventually left him stranded, in fact, he hnd uniformly hard luck in his first thrce read engngemeuts; nil thret oempnnies went broke, nnd when read cempnnles go broke, "broke" Is net a sufficiently significant word te applj te the actors who are left. Nevertheless. Tem survived nnd found vnrjetis engngemeuts with stock com panies which were mere successful. lit drifted into the movies during a sum mer thnt snd period for nn actor un der nn assumed nntne, becnuse he feared that if his connection with the silent ilrnnia were known. It might injure his standing in the legitimate. In the winter he was again with n stock com cem pnny, nnd in the following summer, embarked finnlly nn thnt career In tha silent drama which has lifted him te the altitude of a star. He has, therefore, several unique claims te fame first, his talent, sec ond, his popularity, nnd third, his re fusal te be interviewed, n refusal which in itself shows thnt he is mnde of un usual qualities ns you have guessed from his performances. William J. Fergusen Saie Assassination of Lincoln YOUNG actors nt the. Lanky West Coast studio nre having a rare treat these days listening te William J. Fergusen, one of America's eldest actors, who is playing an important part in Wallace Reld's latest picture, "The Champien." Fergusen, a call boy in the Ferd Theatre in Washington, was standing in the wings with Laura Kecne wniting te go en when Jehn Wilkes Reeth sliet Lincoln. In making his escape Reeth ran be tween Fergusen and Miss Keenc. Fergusen had been pressed into service te play it small purt because of the Ill ness of an actor. He had ten lines in nil te speak, but only uttered two of them in tlie first act. Te Start "Justice Soen" Galsworthy's "Justice" will be put into production by Selznick ns seen ns the artist who was sent te England returns with sketches of tlie Old Railej, Londen's famous courtroom. I'llOTtlPLAYM CONMMY & . OTAMUIC. The NIXON-NIRDLINOERT THEATRES UJ BEf MONT b-D ABOVE MARKET JACK LONDON'S a THE LITTLE FOOL" CEDAR ,J,)rH CUDAR AVENUE "x 1 .10 ami 37 andV WILLIAM DESMOND in "WOMEN MEN LOVE" COLISEUM M!"k''t "" cn,h 0ftth v-v'lIOIvJlVl j no A 3 7 and n I' t CONSTANCE TALMADGE "Up the Read With Sally" JUMBO rnei.NT mt Jumhe June & (IIHAI1I) AVfc en rnuileferd "L" PRISCILLA DEAN in "REPUTATION" LEADER I1.ST . I.AM'ASrEn AVK mti.sm:k daii.v Undersea Drama, "Wet Geld" Charlie Chaplin in "The Idle Clan" LOCUST,; ,l A?" MK-l'ST M-rnBKIS llfntrlff ,lnj nn.l .1, nllk u,rDllu ,n 'A Tale of Twe Worlds' NIXON f'-U AN1 MWKCT NTS. . - ''. 7 and 0 EDITH STOREY jnGREATER PROFIT' RIVOLI !,'U ANU HAKSO.M STS. matini:k UA1LT ALICE LAKE in "The Greater Claim" STRAND ll';lTe. Avk. CHARLES RAY in "Nineteen and Phyllb" AT OTHER THEATRES MEMBERS OF M. P. T. O. A. 1IEI.KN CIIADWICK In IIVI'KHT IIUflHVS' "Dangerous Curve Ahead" i JM 7"
Significant historical Pennsylvania newspapers