KmrcHl TVhjr-JH&' .""'Miii '',- v ' ' -1- ''! t yv '.Ti- fT.i T? S?fl "Jf" Jv r? & K K 31 CLOSE-UPS of the Xly iIISMIT ) en Hear Seme Weird Things in a Mevie Studie SOMt' plmi nnd erlnu-minded elil lndv frcnn Hip roil ii try mifcht be terrlblv !lie( ked If die should Imppen te everhenr tent" of flip things thnt nr nld in a movie umlln. I 'In net tnlkltiR nbeut mnrnW new . periennll.v. Vrr never heanl nytlilnp nnniernl nld in n otmlle rnt it striiek tin- the oilier ilny thnt some one who iliiln t iiiiderMnnd the Msnlflrnnce of things wouldn't consider It quite rlvlllzed. I had been inlklnf t" I'enrl White In 'he Vex plnnt A I left here he Mid, ' I'm come te commit middle nert week Why den i ou come up nnd ee te de It'.' ' ' Mew lire ion eeinc te rle it? 1 asked ' Shern jentwlft'" n dtewn tnjeelf In the river I hate n frightfully nnd cold. 10,. I hope t will he l.eyer In then nnd thnt the uentlvr will stny wnrni." "All right." I ald. "I'll keep in touch with the tudle nnd come up Pan vim imncinr the nfercnld piein old Indy overbearing surh n ion ien ion Terfntlen as that "' 1 went up te the studio th follemni: w'ek. hut IVnrl "till hnd tee bid n Celd te tnnke it w ie fur her te attempt her Mitt trie Se ilie were putt ills her through "'me of the hcn etr.etlnc stuff In the new piciuie Herbert Ilrenen is making with her nnd cicn new and then he nltiwxr wrecked a ilr.itnnti' memeni b nee7inc or having n tit of roughing Sin- wan't n bit hapiu bout it l "And ctlll I've go' te commit sulii'lf ' li" wnlied ' And by the tm.e 1 get rid of till I'el.l th" weather will be fiee.inj nnd 1 II get a fresh cold nnd I prebabh n were one. I ld tlie'd lei no- lient mclf mste.id.'.' That ort of thing l nil l'.ir of the dnv' work in a studio Yeu get se ilipil te hearing people ta '. 'ha' wa) thut ion don't oxen get the humor of 1' F.vcn dm jeu'll hear n ilite ler imuelj irclnc eiin ninn te threw n woman I out or . ether mnn te nwsh tlll another barrier en the jaw and all that ; Bert of thing And jeu'll rnMi ewt mid get te the -it after It's ever and see evervbe.h -tnnding around talkuis In the met friendU way even the two who here ut hmi pounding the da' light" out of eiuii ether. h ini I' (me- ewe than I ln "i'i " W IWil. rnm phtniril. I hm O m Hull tin i a diiUU, i n'lini' 'In 'Ai u'l'i ii'fini ta I In' titiifi' tinir Itn neil Aiieii irn I hrhfrr 'if iki hrin i-iiUni nti In imhii hi thi unit i ) e',t'l in u'iii'iC) ' TT 1N 1' .limngecl that iiitentlonelii of ure ' "he i-entinued The .i lit der- pmhnhlv get tlie mgge"tien for the water -eenes while tliej are mtJDg In the Miniiner and the water i" the uhieu thine te think about. Hut e den t get nt the production of their teri until otne uientlit later nnd niinllj we reach the ni"r " ene eme time in feeetiibr or .Tiinunrv. That i belutelv true, Tie had te .tump In whn there wa- ice en the river." The Mire making one of the big drninnti. "cenei tne ernnil day I w n there The teri f being prmluieil under the working title of "Dlvententriipnt " Mts While plm" n "polled micimh weimn, wife of a wealthy man. She heroine di-cententcd. lemes hii"band nnd child ke'" hwhj , meet" reverses and then attempts te come hack and resume her plm e The "cene I watched hewed bet return The lilld wil 111 in bd. with It" father, the doctor ami the nure about It. There . a crv eutide and the Mart There i another r anil then nnetlier The deer open and a frightened maid anneuiiied the erring wifi'" lcturti She ei-h'ui the "tnir. followed b tbe butler the liubnud nnd dm ter ru"h t the deer nnd slie fight" desperatelv but Milnii a- the thtew lur ou'. with the ihild rMing in bed anil calling pitlfullv for her (vr and ni'i ih-- imu te rehenre thi" i ene The action hnd te be timd x a r tli righi nnd even ei t" -he een perens had te keep registeiing the fitting emotion i'uti; eeend of It 1 found in -i-l f u lining thnt the fans' could be pre-ent at the making of Mirb jeem The would reali7e tneii hew all-impel tant ihe dnecier I" In rhe pro duction et geid pu turpi The actor" left te th.eni"chv. would simply ruin cvemhinj tut thnt ' natural Th' lUiuiet get the perspective en a scene while thi v are rking in It And thi l ntieut the n it -eunded tiem Mrenen's megaphone. "Nun it.. 1 1 lour ii tieii mil lie.ir the tirst cri : turn linlfwn around and i . w . .. i ' pa use ii bushaii'i mi n ea iMlt'se g i both ltus'i n in Slisw lute tijlil Iji r bai k hu"lnind ! Vi . i t nt e ti v;li T nlli, I i Child Mm an 'ii.ie le go it nun 1'ig'i' tig'n de mhi he.ir me'? Yeu -ee your iimthei I.iiwiepie l!i-e and rem 'i nut fir her I p up en jour knei" Yeu see hiin. Mis- Whin. Vm are dcspi raie. Fight l,er b.uk. everylimh . Fight tight Kii-h back te the bed nurse and get that i luld ipiieted down Hug him te veu. i e i r Id- in.nl witii tle hid i 1, uhes Thtew Miss White out. Threw her out. 1 -m Sunn the . i . . . i That s rettin Mark it N'-! and w II vie it all ever agnln New. listen te no -- A Ii in il qnr.i nil ilny Inm) I hr i ni)li ur ;) the ituietcjr is en iveiy 1 little ilelml 41 ri ft littli muiuti. I nut mi'int nullum) tn hint, irnihri t film means nulhinij tunl Inula i mnl icmiii iiinnK mriiTi vnthint). He then tn tjet thnt tn nt iittl iflit nml In nnntq tn tin it. 'I he nrianfir in). huhtinii. lelieni ini() iluintimi nntt relnhim) nf tint one tut of aetien I hat r ilnt riheil tnnl; them the inltri uinrnwe. When lhii quit jei lit nth it irtit mill unvitnl'it Itn . II n nun iimnhi ami tlni.i n hnl) hum tn ent mnl nil thtu munli ;ff n it nml then until te" them b'lrk te no met it nnltl he iron latutul Answers te Questions by Mevie Fans VOdlF - i' Mae !imiii is mar ried te Itnbei-l Fills An unci esting tact Concerning him is that he has n-ienlly' signed a contract te appear oppemte the American Menmi. Kail" rinc lin -Donnld in Inu newest puiuie. The anfidel " LILIAN I fun I cant nil mhi a fl eat deal about Silul Scalej I dux knew that she is nineteen tears old nnd Iluster Ke.itun'" leading Indj in The Dual," but mere I don't knew. HOOVF.H Mmgueiite De l.u Mede is pin J Ing opposite Douglas Fairbanks Stl "The Three Muskelcer" " She lda led the lending feminine mle in "The Ten Dellar liaise," mid will seen be Keen In "A llrnlc of the finds " She tvns born in Dulutli. Minn. She ban light brown hair and hnuel ejes, is five feet two inches in height and weighs 202 pound.". PINKIE- Florence Vider played an k Daily Mevie Magazine MOVIE GAME M. NEEL.Y i . re d . i ml " IliliJ liegllli ti 'li'k I t i I ump up ii "r i an "tne in ' Uu-ii in it Itusli iiv or nnd " nne 1 i ,i i it In- ,ii tn Yeu spi our iiiifiertnin part in The Jai k Knife Mini She is ih wife of the dm"''. King ider She will mhiii appeal "i. ' Hail the Weman ' i ANXIfil'S- The pi.tuii-s n -rh . h Helen I.jiich hnve nipeiirei mi. Hener, Mound " 'What - a Wife Werth'' and' 'Mj I.ikIj Friends She is .1 blend ' and, ns tar in 1 knew, i" net nuiirled ' VIUtilNIA- The pictuie ou ask about 1" "Maggie I'eppei " in which Man in Manen appeared. Shirlej Mnsen will nnsnei lour lettet if veu addrevN her nt ihii I'm Studie, l.e Anzeles Calif IJDN'A Ituhw- De Uemer has blend hair mid blue cen She appeared en the stage before her screen enrepr. She wus a ii gfeld I'ellj girl and nlse was one of the hei nf beauties U "The Midnight Frolic," VEittNG PUBLIC HIKE'S I As Told le im:z kllmpii WHAT MAS AI-KlvVDY llArriAKl) litifeflu' ! line, e Qirl from n smnl! ten if. vhniri ht Iwjqi'if 'tntlnlinv irilli thniimiith of itlhri liiirneijii nirUlhn' ') lirinitnnii n meciiu; pitnrr iMi. i'ir thiuki hn i inner hnn rntnr irhcv triiH. it fiiftnl nt hrt irniKhi'j iti .Veil lecA. fi.s of inrrtinrj fetnr yicniilt (nttimtril trilli mnttnn ini'ttiitu unil its.' irr te i s i f 'in'. On her firit tiny in the imtinp eh a the nirr itnitt en il enit In tie iliulini mill pnini udmittniiee- In nne of I hem. CHAl'TKIl We mndi "e miicn noise that the n lter" left the u'stauinnt scene and mini ever te .see what we weie doing. The casting director'- assistant had tnken me ever te the direiter and I told him Mr Hunt said I was te he in the mob. and as thej were just beginning te "hoot that scene 1 we" stuck into it and told what te de. and didn't lime anj make up or anvthing. We lehmrsed it eiie . and then, while th- tied one of tin I'll t". n nice woman lent me her lip stick anil powder puff it had light ellew powder en it nnd told me te take a nft lend pencil thnt one of the men had and fix mv brews nnd dm ken tin lids a little ' Vel '.in touch up regulnrU when we get readj te go outdoor for the nigh' s'uff " -he told me. "We'll be working heie till all heurn. se jeu'll have plent of chance You'll he all right as veu aie. though, for new wen t -hew nnthew,." I sin,4 loved whnt we did I get se .feu that I found ni.iself nght in tne front of the crowd whin we "topped for a "still." with my hand i leached feeling as surh and mad te tiar the Thief awa from the heroine as if it had all been in leal life I'd been, afraid I might be self-con-i ieu. but ' the il.eip tiling wai se thrilling that I ' ferg..' .iheuf the carneia ami eierirhmg eNe oil i pt ju"t the thing I wu" doing 1 saw the director turn and "peak te InwT-enet Kieinh. w lie had cenie ever ti 'ii '. nnd wa" na'ing something and ioeKiiig nt u,e. nnd I began te wendei ,f I I done everything wrong and te ri.ii.7r tint probably I shouldn't have Hihe,i t i tne front of the crowd. I d ueiii I sort of wilted avav nnd nitiK bn' k into a corner then. I'd have .mi am thing If I'd just been mere inen"i "" I'ut the direi ter aim1 hut te nie .i minute or two latet with Mr Kiencli and a-ked wdiat m tiaiiie WU" Dorethv l.aiir." I te'. nun. m hi e -iinpl shaking I ist go with Ml . Krein h. will a win. le.umg e' And he tinned Lameine French te intieduie Inm-elf 'e me Yeu leek se much like one of our "iDrf." lie explained, n" we walked ai res" the "tudle together, "that I want 'te use Mill in a publicity stunt, Mi well , a" taking jeu im'r te the direi ter who's; , doing her picture He' been looking; , all mer town for a double for her. and you're exactly whnt he want" ' I decided that I 'iii pist about the , luckiest person in the world. Think of having n ihance te double ter a star Ien tin von tirst day in picture"' I . can't tPll J nil w-he "he was. but sIie'h I very popular; I'd seen her doene of times, of i eurse And when I wiih hi , treduced te her I was se excited that T 1,1 1 ,11. ... .,.,,1, I could hardh sneak She and the direi ter and Mt u,s3ssssws,scsiss.', v '- - Tem Mix hns fersnken t i Inxente koiubrere Hew I Became SHWEMWMBmS A Mevie Star iimMMmSmSM XEDGER PkCCADELPHIA, MONDAY, GJ E-AWAY OF A SCREEN SECRET iv i'i Hi" ih i p m ii i i in h n s& 4 jdv yc y f . fffy w ? wk v 4 "Tfc two jewt't x flHI 0"rftf?t33wwi TL I , . - r T , ' ' aaMr -'??!, it"fX H 1 n " ' -t&OL Above I- one of ihe heauiilnl gulden si cue- n, "l'eter Ibbet-en ' with Wiillme lieiil ami Klsh Kergiisen " the dream people beholding their i hihllioed dm.-. Ilelew is ih.it -nine "garden" si cue m the making. Tlm'ie plopping up the studio trie and uttai hing the studio blo."tem". Siii Ii is screen ici lmiipie I llllll I- I I, Otltllll't 'I 11 T II bthtct Entrr Deg: Exit Kitty! Result Delayed Film IN Till", si cue In '"Mnm'-ille ,le ' wheie one ef'the ihaiaiters gits his Inspiration for a name for hi" infant "en lij seeing a tern iar walk across the bar, a trained cat was used liiisiiier. the direiter. ie ie lienised the "cene. and (writhing was ieailj .lust it" the i anier.i" started "I'.itched." the weinleiful Aitidalc deg. who ha- .in important pail in the pictuie, ninth a I 'ip for the at and mete isnifu-lnii as I'lgistereil than lui" e,'r hei n -ceii before in the Il-C I'm tun - -tudie The ,'iit hiiaUs climbed te ,i l.ijjh after and made an exit te the inuf. and two geed hours wen i til ing te get tlie teiTifiid i ai down Inte the set agnin. 1 I'l-inch talked a minute ei two nnd then turned te me uguin "Well tin vuiir scene- innnu row jthc illrciter told me, "J!e lien- nt. tl.Itil sharp, and bring no. she'll lme te 'wear meii- cluilii-'. won't she Mis- lilunk '' " That's whnt I'll have le inll the -tar "And I'll get some shots et mhi inn 'tngethei. and see If the pap"ts won't run 'em the resemblance is rematk- nble. Mr. French told me walking along nt mi side ns I "taifnl b.n I, te I the ether set "You're awfilllj lue. de jeu teali7c that':" "Yes I de. ' I told him ' 1 1 "h iii lirst dai in pictures, tee mi knew." i "tjnsh "' lie looked at in i- a iiunute. I and tin n iud : "Uut what mi cntii de win want In de thi" for'.' It's an awful . profession I knew it from A te '.. 'and I wouldn't want a girl whom I HERE'S SOMETHING OUT OF THE xr horse for tlie nieiiiint mnl ! liikins Uiuugli. Wemler if lie Uen mniitx en ,xt&&m$mmz?.t&KMgA?&mi . ? ' t Jui r Is, wouldn't want a siter of mine, if I had etic, te go into ii." "Was that win .mhi looked at me. se nueerlj out in the nilice tnw morning?" 1 a-ked him. lie turned red, and "eit of stammered us he answeied: "Yes, il was The thnp I was talk ing le "poke about mhi aid you were se ptettj and I milled mound and -aw mhi, and thought of tin- things I knew about motion pn-tines, mid w-ell I wished I could till jeu te go straight hack home "Well, jeu run tell me new," I said, laughing. I couldn't help feeling son ei ginu unit lie had heeii that miuli in i teiested in me. "p. I ran bin guessi I won't.' he told me higmlii until. ' I had te hiirij awm then . all the cxtnis weie going ever te one coiner of the studio, and I didn't wunt te la left out I was s0 hnppj. thinking about hew nice Mr. French had been. een tlieiath I'd just met bun m then I leuuuiihered about mj appointment for the in.xt day, and alme.st jumped up and down and shouted ter joy. Te think that I wus te double for a Mtar! i Te lie Cunt hilled Tomorrow livcnen Is Directing Pearl lute I'ilm Hi:iuu:ur hhknwn is duuting I'cail While in a new pictuie. This i" the tu-t I 'earl While pictuie sime the i t-t in n of Tie I'll star from Flllepe. , The n"w piciuie i" beuiB made under ihe title "ltlseenti'lil " Mi.-s White appears In the mle of i, woman of wealth and high eci.il position. I The (ist for "Disi enteiit" jiic lude" iiilbeit Fmerj , llelmi- llcniert nnd , I aw rem e .fohnseii, a r luld actor of the , si i ten who ha. appeal id in a number of preiliti tiens directed bv Mr. Hremui. ORDINARY rlile In Ills new enr. lie"'. Uept Ills l'ii deed. OCTOBER 24, 1921 DAY OF SCRIPTS WRITTEN IN SUBWAY IS GONE rIB day when a motlen-pleturo dl rector could write his own ticrlpt ns he jolted te work en n Fert Le f nr. eml ncccpt his uninll iron's recollection of history an n basis for emrrirp-snlnsili-Ing drama, Ih ever. There are n few of the old fellows who still think that nlcturejt ran be made in n haphazard mnnner. but the rcltietniiee of producers te let tnem try It Is con fining them te hall bedrooms. Today when a director starts a story he coos into action with n stuff of troll tiicnl experts at his side and the chances for mbttnkes are reduced te a minimum Net se letig age in motien-rdcture history a man became an actor by an nouncing it en his cards Frem thnt moment en he was expected te be able le aceurntely depict any role from nn ambassador te a victim of emnevia Tbcn a critical public learned that n man does certain things naturally and oilier things unnaturally. It gradually discovered that a man who was a min iature painter bferc he decided te be-i-ome an actor could net lay bricks with that peculiar flip of the trowel which tharacteri7.es a geed bricklayer. .yeday. whenever it is possible, pluy ers of smnll roles are selected frpm among thousands of extra people who have hnd actual experience in the par ticular thing that they arc required te simulnte en the scren. At I'nlversnl City a case In point roine up recently. When Hnrry Carey wrote "The Fex," the story upon wdilch he is new nt work under Ilebert Thernby'a di rection, he incorporated into the trirrn trirrn tive an important sequence In which the regular United Ktntcs cavalry partici pates. Fer an ordinary" production of the old-time; "movie" days a sufficient num ber of men would have been put in uni form, mounted nnd sent before the cam era. Net anVmere. WHBN the cnvalrj sequence is filmed en the Mejnve Desert next week two troops of the .-oculars from the t'rcsldle at Monterey will swing down the line Why go te ill the trouble nnd ex I ense nf moving troops when nnj geed riders in uniform would hnve lone just as well? Carey wn" diwussipg the subject with Hnrrv Schenek. piodttetien manager nt f'niversal City, and Lucim Hubbard scenario editor, who wrote the con cen linuitv for "The Fex." "The only man wile ran leek like n soldier is a man who has done n hitch in the regular." sold Cerey. "It's partlcnlnrlj hard te leek like n lavnlryman." nddid Schenek, he nk a troop commander when he .was com missioned ns mnjnr for ihe Inte tinplens rntness. Schenek wanted te illustrate his point. lie tent te the wardrobe for n set vice hat. Then he called five tapa Me actens into the production office and asked them te put en the hat at. a cav alryman would. One of them get the indcs-ribnbln slant te it mat a nan only !iritiliei in the troop. He had ridden n hitch with the regulars. C.uey, who is perhaps the mesl fie piently quoted authority en horseman ship in the Wejt, then commented upon the "sent" of a real cavalryman. "A man may ride splendidly," he "aid; "he may be n cewpun her. it pole player or a jockey, mt unless he ha ridden with troops h" can't fet the lif of him sit en his heise like ti email man.' All nf which accounts for the unprec edented order of Majer (leneml Mulr, leiumnnding the Ninth Cerps Area, nil nil theri.inc Colonel Jehn M. Jenkins.' commandant of the Presidio al Mon Men lirey. te detach two troops of cavalry nndns.sign them te field service, with n motion -picture unit. Star's Father Has Idea Erall Flugrnth. father of Vinln Dana, recently announced thnt he wus consid ering writing a book in "The Cnre and Feeding of Stars." The fact thnt Mf. two ether daughters, Stanley Masen nnd Kdna FliiEtnth. are also wren luminaries, he fn't. qualified him as an expert. rllOTOl'I.AYM aarimAir cOKMirr r . in Company of AIL ,L 12th MerrU Paesyunk Av. AlnamOra Mai Uallynta KBt. : .Mlt.TON Nil, I.N In "THE LITTLE FOOL" Charlie Chaplin in "The Idle Clan" i r-si ir-NTA Frnnkleril & Al'caheny AL.LC-Untl I Mid Dall a l!i Hvas at 8 THOMAS MEIGHAN In "CAl'I'V HICKK" Charlie Chaplin in "The Idle Class" APOl 1 0&-il a'thomi'sen pth. MI L.LA-' iTINii; DAll.V JAMES KIKKWOOn lu "A WISE FOOL" ARCADIA "irZ u .''m BEBE DANIELS InJTHK SIKKI (11KI." A OTAD FltA.NKl.IS 4r IJIIlAItU AVK AijlWrx Mvrt.Ni;i. iiaii.y HOBART BOSWORTH la "HIS OUN IwVW baltTmere , iwf Sennett'i "Leve, Hener and Behave MKRMAUJLJWMIHn' -" M'ltll. I)l." fi'irMN.l ("TH anu "woeuiAnh am:. J11,IM M.riM:i; haii.y CKCII- II. UK MII.I.l'.'N "The Affair of Anatel" t-) I II7QIDO "read A HuMiueliuliriu rl,U UiDirVL Cnniliiuniit '' until 11 "The Cabinet of Dr. Cnligari" VlVinrANTAtiTIO DltTKHKNT BROADWAY "r.;"';,1, r;d.r T BEBE DANIELS In "THE MARCH II HIIJ" Charlie Chaplin in "The Idle Class" r APITOl 722 MARKUT ST LArl 1 s-H- te a m n, ii ir. i jr. IllTKRT IM'OIIKS' "Dangerous Curve Ahead" t rMI AI etn Mil(iel Aven vwLVJlNlML-i J an. 7 .iiel n v M NORMA TALMADGE In "THIS HH1JS;J)NTIIK HOOK1' DARBY THEATRE RI I'l-.RT Hl'dllF.S- "THE OLD NEST" EMPRESS mai,an1;aa,Vvn'k KI'PKRT IIVHIIIW "tup run npqt" FAIRMOUNTA,T,.$V:,rA'l,I.ATv, SHIRLEY MASON InJ'KVFJl HINCi; KVK" rNJII V 'I'llKATIlK 1311 Mirket Kt rAlVllL.1 M A. M. TO MIDNIOHT BEBE DANIELS i". "NK WILD WKKK" ETl'TLI CT THBATHIS Helow" Hpfuee JO 1 ri OI. MATINUI. IAIH Charlie Chaplin in "The Idle Class" rent(inr Talmridge In "IfiwiD la Iee" r- nne "!"" MAIIKCT HT Vjl,VJDl- l' .'III hiiiI il ,'ln m II All-Star Cast "COINCIDENCE" "MUBRICANK HUTCH" NO. T NAGEL IN Ak TRAGIC SCENE jl vI2f Uut this enc Wasnt V jJxJfc. '" " pictu,'c' Cenrad il ,;!-VlWL '" 4Sl?ci&l- SCCIIIR ie haVP. rnifi. . fl Charles Ray Handled Palette and Brushes te Suit Real Painters CHAHUB RAY Is n practical patron (Sf the arts of architecture nnd painting. Mr It in reeentlj engaged one of I.eh Angele' mesl premising architects who has ju"t finished a plas tic reproduction of the fncade of n Hpanish mission of classic lines nt (lie Hay studio for Mr Hnj's next plcturi . its extent and the fidelity te detail employed In erecting it have aroused admiiing comment from the many I.es Angeles nichiteetH who hnve made spe cial visits te the Knj studio te see it. On the ether hnnd. no fewer than eleven young painters deserted their studies In the environs of l.es Angeles this week te attend the private review for artists enI of "It. K. V. I'.." the latest Hny ceinedv melange of Fifth avenue nnd (Sreeuwich Village. The artists complimented Mr Ilny upon his skillful handling of his pa lette, knife and brushes. Mr. Kay, they ugiccd. is evidently of the im pressionistic school ns an uitlst for he worked his knife mere than his brush in applying his colors, in the stjle most approved bj every Montmartre and Ileul 'Mich' painter since Degas. Myers as "Traveling Salesman" Harry Mvers. the Yankee of "A Con necticut Yankee at King Arthur's Court." nnd the fiillj of the fortheem- ! ing Ilex Ingrnm production of "Turn te the Hlght. bus heen engaged te sup port Alice Lake in her new picture, "Kifses " Mr. Mjers will appear as an ndventmeus traveling salesman. nioTei'i.Avs The following theatres obtain their pictures through the STANLEY Company of America, which is a guarantee of early showing of the finest productions. Ask for the theatre your locality eDtaining pictures tnreugn America. .GRANTS, Vizis' i; wun SAT l ,, AIJeSTAIl CAST IN "The Cabinet of DrCaligari" ! GREAT NORTHERN .Vr !.",';; ! NORMA TALMADGE in "Tin; shi.v en thi; doeh" Charlie Chaplin in "The Idle Class" ' , IMPERIAL "T,1 ..VM''1' -8Th.' NORMA TALMADGE In ..T1Ir u,v 1V ,rlll. ,.., Pl,,lji. I'I r ,Vl i I ' n Charlie Chaplin in "The Ide Cass Karlton CHliS'l'M I' ALuve HltOAD Hnl. 10 A -I Ii, 1 I I.', ! M AI.I.STAR CAST IN I "The Sen of Wallingford" ' I pllirxh Pnlnr-B U, nnanieun Ae i.iid ' benign raiace ,.,h,kh Avtliut "Thi. AfTnlVc nt Annl I LIRJY ,,nc Tran AV LIONEL BARRYMORE . In ".II.M Till; I'lJNMAV- OVERB'RdOK,,3T,V-A:N,,'I,'-Kum"' JAMF.S IjIltiaVJIOl) nml Siic 1,,'i c ..M In A WISE FOOL" PALACE vl f T7. NORMA TALMADGE in "Tin: niiin en thi: hook- PRINCESS ""s 'K'-'r sTifiiTTi "DISCONTENTED WIVES" RFCiFNT 'AKKTM:rlle eivT'lfl 'Sl-VJll-N I 4S v M .. ., MILDRED HARRIS CHAPLIN In Firs I siheulnit, "ll.T" RIAI TO GKltMANTONAVKNrjB rl-I. 1 KJ vr Tl I.I'HIIfK'KBN UT. BETTY COMPSON !" "at Tin: iKiinr this world" RURY MAHKWr MT UULUW 7-IH IX-,1J l ie a :,t. te ins f. u. Ill (ill IIALI.IN'N "THE JOURNEY'S END" SAVOY lvn maiikct biniuvr Jrtvul N .. M TO riDNiailT CHARLES RAY In NINICTIXN jXNIi I'HVI.IIS" SHERWOODIVt lutnTr" VL CONSTANCE TALMADGE ln "LF.sse.SN IN I.OVK" STANI FY MAiiitbr ai iuth" iJlrtHLLil it A j, ,re n.lBF. M. WALLACE REID In 1'IHi; III. LI, IHdtiFRS" STANTON MAiucir xbm- huh WILLIAM I'OX'N UIINIICK .jv "OVER THE HILL" 333 MARKET WVOT THOMAS MEIGHAN . .. la TI'I'V RICKS" Charlie Chaplin in "The Idle Class" ' EILEEN PERCY LIKES "CRARBED OLD" HISTORIANS NOW E im.ex rnncv. the f0x isf., ,, wears the costume of nti IHik noblewoman of two generations nRe la .nnic scenes of her latest picture Mis I'ercj, in her qiiesl for an authentic j model et that period anil locality, c, ricd en some lesearch persenalli I Fieni her own library en i-nstuisi and diess she gathered part of tin: necessary infei nintieii. Fer Ihe halanw. she wrote te a friend in New Yerk City and te another in Dublin Itefert long she hnd a mass of mntter en Irinh costumes, and the sources of the infor mation were found in famous liistericul costume lecerds stored in Hip great, . Public Uhnuy of New Yeik. and from' descriptions contained in vnlunhlc vel-, limes nt the Fniversity nf Dublin. It wns a simple task, from that point, te recreate the gown. With thei help of a special staff of cetmners ami' a few suggestions from the director,' Miss Percy seen was able te leek in the' mirror, nnd exclaim, "Isn't tnnt stun- ining?" deferring tn the diess ei, course. I ."TjrSTOUIANS'.'' snld Mis" run?, J---"mny be crabbed from eentlnuallf poring ever records and hunting for old- papers nnd forgotten documents, but they proved n blessing in mj case .lirnt i think hew many ideas nre bring ob tained from their books ideas thnt are icnllcd new. I wonder if the world wnuld progress ns qnicklj a" It hns if lm lm terlcal records never bail been com plied?" l,llllrell.s TSutrwuTr tne Stanley . COMAKY V . rMme VICTORIA "JT".. , jaiiis ei.ivkr ri'imneirs "THE GOLDEN SNARE" AT WEST CHESTER RIALTO UlAM.r.H HAIi In IDLE HOUR "" MIIrN Mlnlrr In , ly'SI(iimllKht A llenf.riifkU' w The N1XON-N1RDLINCER 0 THEATRES I RFI MONT 6i'D ABOVB MARKET ' UII1V1W1N 1 , 30 s ;, ,,, ,, J( SESSUE HAYAKAWA I in "viii;ni: i,ium aki; i,eh fPHAR 0011t fKDAR AVENUS V"1-'L-""IX I 30 n nJ .'I 7 ivnil d V M. ( i. (it. it. hi; Mii.i.r.'s "The Affairs of Anatel" PHI ISPl 1IVI MarUet hd SOtli 4 W ETHEL CLAYTON in "iii;emi" II IIMRO ('"ON''' si' etRAnn avj. JVJI1UU jumlx) lime en Fr.inkferd L" WALLACE REID In "I'lli: CHAIt.M 8(11001" I PAnFR IHT LANCASTER At L-.I,-l-'I-,r MATIN'BK DAILT Themas Meighan in "Cappy Ricks" HAROLD LLOYD In "1 1)0" I frt ICT 021) AND LOCUST STRWt 1Js-vA31 j,at, , 30 3 30 ,:i(r,, fi3UIIl'J .iinni .i.ur.. in id ri.it i niiuir.e "THE OLD NEST" INIAAJiN vif., 7JM TOM .MOORi: lii (lOLDlVV.Sf "MADE IN HEAVEN" KIVUL1 '" m"aT1vbb nXitJ Charlie Chaplin in "The Idle Class r t w w w r.en ivii u4varr RTfl. (nii-l. Tiilmuiliir, "I ii (hi- Ilnuil 1 Itn bii" STRAND aE"NI7Ai'TB! Charlie Chaplin in "The Idle Clan if THOMAS MKIOHAN In 'TAPrV MfK' J AT OTHER THEATRES MEMBERS OF M.P.T.O.AJ GERMANTOWN 'i.fM Charlie Chaplin in "The Idle uw. Mary Miles Mlnler In "Her Winning W, JEFFERSON 50,fA?fs?:MH EUCSNE O'BKlt In "(IILIIFD I.IKS" PARL RIDOK ab t DAl ' V, i rl rAKl. Mt"l Ke-'rr,,t lij Rt'DOLI'H SHILDKRAIT nnil H' ',ii 4 "THE WANDERINU JC" 4 , v i. Jl. -i.' -fT- h . 'K
Significant historical Pennsylvania newspapers