HSZxlHKiilS ")' -'$ v- - f v 14 EVENING PUBLIC LEDGER PHILADELPHIA, MONDAY, OCTOBER 17, 1921 .' CLOSE-UPS of the MOVIE GAME By IIKNKY M. NEEDY . r . . . r i r . , ii war M O w"; lEel 1 !;?wK& ' M ill ifi t Tiey Arc Visioning the Future of Movies in the Schools WITH nwl of tlic lls weIp rempnnlrs striving te sntlify the public's demand for sonsntlennl filinx nnd eluber.itp prodnettute. there arc n few men in tlie buylni'SM who linve. fur uMiif cnis itit . cren n isi(in of n different future for the InduMrj nnd who hnvp (iiietl leen werUInc tewnrd n different end. Yeu'te reail predletimiM everj new nnd then that the day wlU come when thn movie will supplant the M'lioel boe'.t Met of thevp predictions s'n llttle tee far, It seems te me. they nre the re-Milt of i)rpr-Mitliiihinm nther than n dellbernte attempt te mislead. 1 doubt If toekx will ever be entirely supplanted, but I hava nlrendy seen enough evidence nf this new movement te be convinced that the film Is destined te be a powerful ally of the printed page nnd thnt It will accom plish some tnluablc results whkh the book cannot accomplish. Ker several jeitrs pn-t tliee men of whom I vpcnl; have been quietly gather ing hundreds of reels of film de.tlins with educational subjects. You've seen n let of this material. Kerv new anil thru it is put en the program of the larger movie houses as a hert subject te round out the bill." It may deal with nature study, with travel, with srinvr, with indutr.t. Or it ina show you the life and iabit" of 0,111 cr people in some out of the waj coiner of the glebe. In the rneUe buitu" these are Known as i duratienal leels. Thore l"" a fair market for them meugh te make it worth while ter people te produce them but the de net bring in the sensational returns thnt the big stories de. Hut none of thnt mnterl.il is biltig wasted. The men with vision, of whom I have spoken, are ipiii'tlj buwug nil such material and storing it in their raiiUs. waiting patientlj for the time when school beards will realize its value and will install projection machines in each building te line visual education supplement the education of the books nnd the blackboards I've had see-al opportunities recently te ei the extent and the value of these. film libraries. And, while I knew that the work wns going en, I was. astonished t the completeness that has alriady been a-hisws! y JT IS pemblc tetlny te ecl nlmesl a complete usual course in the primary stapri nf animal study, hiitami. chemistry, history, biology, astiennmy ' they u recti yel films showing the walking of the solar iijstcm). bacteriology, physiology mid riery ether ' olegy" that is dealt icith in our hoels. A T TIIH present time the tinniu ml letuins r'lem these films scarcely cover the work can be handled in thi wn. nnd pocketing their lessiw, tirinl lenv.nceil realized some (lav . One man showed me seme figures that seem te prove the day te be nearer than is geinTitilj supposed The us(. of thi'e films must, of reurse, depend largelv en the Installation of projection nnchine?. and the figures he showed ni were from a report showing the number of machine li enses issued last jenr in America. Thej proved the very astonishing fw t that theie are mere than twice as many private! emml nmchines us tlicre are m.Khines m movie tlieutres. The words "pnvntelv owned" de net mean that thev are in the possession of individuals. They refer enl.v te uen-theatrkal ownership elmrclies, schools, clubs, social organizations as wellns prniple who have them in their homes. Hut the statistics show hew the Ii Id is opening up At present most of these mui hines nie used for lectures and entertainments of various kinds. Few organizations even jet n-nllzp that it is ptsib!c te plan A consistent course of edmntlen through their machines. It is die slew process of getting this thought widelj spread that is holding back the business of the non theatrical him, but once the idea tul.es held, the men behind the movement believe it will be the greatest. Minimus te education that we have jet stui. There is no doubt nbeut the fait that the child learns mere quickly nnd mete lastingly through the e.ve than in nnj ether way. A reader of this pnge dropped in te tell me of an vuunnc of He said that, at the dinner tabl woedchiuk ihueking weed And at once ft woedchuclc doesn't chuck weed." And he ichment, te give an excellent description of the little animal and told a let nbeut the woodchuck's habits that the father had never known. "And in the winter time," the little fellow continued, "he digs a tunnel under the ground and he gees into it nnd he curls himself up in a little ball and sleips there until spring. And even if you dig him out during the cold weather he won't wake up." "Where did jeu learn nil thnt at school?" the father asked. "Ne," sonny answered. "I think we did study it once at school, but I've forgotten It. I taw this at the movies." LOOK back yourself en some of the thiiint j,eu hai e learned from the movies and ask yeuiself if it didn't make a mere find imjircajien en you than tchen you icad it n book. Hew about the English history you learned from "Dei cptien." and the French history in "Passion" t Your children tall be learning history that way some day neon. WOULD YOU RECOGNIZE HIM? This is Richard Barthelmcss, but net the handsome. Immaculate "Dick" generally known. It leeks as if he had been Iiaving a real scrap in this picture from "Tel'able David" Answers te Questions by Mevie Fans CHAHLOTTr Hed and orange photograph black en the siecn Th" lighter terus of blue, old lese and Javender photograph i am white or a light gray. I'ure white is net often used, e.tc 'pt te git ever the iden of no Shading of color, tinwns used m screen work nre freipientlj made in such a manner tha,t they uiu easily be made eyer and used ngain. I can net tell JflULMC "" -'--""-' " peu the address of anv actress who "ells bar used gowns. I'erhups this custom iirev'alls. but I de net knew. , VHINDLK l.dith Storey lending lady in "Heach of Her address is did Uiver- JOHN as the Dreams f bide Drive. New Yerk t'ltj. HILDnOAHDH "Dangerous Curve Ahead" is the title of the pew Uupert Ilughes photeplnv. Helen I'lmdvviik and Hichard Di piny the leading ndis. nUHnilT "The Prisoner nf Zemin" la te be adapted for the scieeu. I be lieve jeu Inquired about this unite some time age. 1 was unable te tell you nt the time, but it has been detinitely de cided new, and Hex Ingram, director el "The Four Horsemen" nnd "The Cbnniierlng Hovver," will direct thii picture. Alice Terry will huvc the lead- lUr rOlC. - CilAltMAIN Harrison Ferd may be jMrapf JCalmadae gtutJiOB, 818 the men who are rarryins the tilni are i thnt the value of their goods will be' this the ether daj some one cot off' the e',l stuff nbeut the ' his little boy piped up with, "Father, preieuled, much te his father's usten Hnst Fertv. eighth street. New Yerk Cm He will appnr in N'erma'H next piiture "Siniliu' Through." W. r T Richard Div: has brown hair and ees. He is tj fuet in height nn weighs 1S. 'llien) nre two wei - known ucticses bv the name of Alke Terr). One wu-i born in NaRhvilln, Tex., in ISM). The ether Alice Terrv is '. . . . " uat ve ut jneennus, Jnu.. nnd was , bem i" VM- T1L" Intter Mibs Tprry is engaged te Hex Ingram, the director, land iippearid in The tour Horsemen e ti,0 Apocalypse," "The f'eii(iuering , iieupr nI1j "Turn te the Hlght." I HETTY Hcssie Waters is the win Iner of the beaut j nnd popularity con gest i endueted by the Les Angeles newspapers, Sim has been given a role , in It. A Walsh's production, "Kin died of the Dust " t WALLNTA Wanda Hnwlev is miirrnd Hefore she became Mrs Ilnw- laj she was andn Tetlt. Her latest picture is "The Heuse That iazt Huilt." LLN Harry Carey is married. I Murshnll Neilun does net play in the piCllirCS III! lllirtie. "" lin M..v,ni-. en the stage and bcrecn In the past, but lis bpendlnjf ull e lib Uiue direcUug at 'nrcscn - -- -XJU-J ,- Y 4 'iJ svP; t i bbI vPb1 i t7k" fja& If BT.dBl b mw ..-w ::8eraiTasiBt.sv 7vrr .k7yjj?v nv z .im. v s i ivBBBBBBBk'-n I ' ' - f- AGNES AYRES' FACE , s" sfS 'iB ff CONFESSIONS OF A STAR As Told te I.EZ KLVMPU CIIAITEK MAUI AKING n picture Is rather like building u heuc ; no matter hew muih nienev jeu allow for it, lt'b sure te cost mere than that. Yeu can't get e character man you want, and have te engage another one, who wants mere money; jeu find that you can get n wonderful cameraman, who's worked with Griffith or Maiy l'ickferd for just a little mere than you'd thought you'd pay some one else. Instead of building part of a terrace overlooking the sea, you find that n newly rich millionaire will be delighted te lend jeu his home vvltere jrtu can sheet the rcnl thing, if you'll let his wifj nnd daughters ap pear in the picture. Yeu agree, but by the time you've taken n mob of extras way down en Leng Island te his home, nnd bought their luncheon, you find that, though jeu get a better effect, the cost is something ghatly. After dn.vs of arguing, Dcrry let me invest the money I'd Fined in our pic ture. He'd put ;n nil that he had and was weirying nbeut getting mere; I hud $13,000, which wouldn't see us through, but would tunke it possible for us te sheet enough film se thnt we'd be able te borrow mere, using it as security when we did hnve te borrow. If you've never had n picture en jour mind' veu can't nnnreciate what it muih nione jeu allow for it, lt'b turc ! "aNi vleK? -'H-w!v v IMw$g& "&&sE)r IK ' H ou eat and sleep with thutlturc- menus pictare. Veu wnKe up in tee niniuin , of the night wondering hew that double oxpesiiro is going te leek, or whether thnt big set ts tee blooming big te be ( lighted with the equipment jeu have. , The leading man has n bad cold; what I if he should be laid up with pnenmeuin and held up production for weeks'' Whnt If he died? You'd have te get somebedj else te play his part, nnd re- take all the uceues be's done. There's a rumor that some ene else is ranking n picture that s almost identical wmi' you. . se far ns the story is cenccrnd. and that it will be released a full month before yours is done. That would kill yours, absolutely. These are only a few of the things thnt made Derry leek gaunt and pale, and that drove me te the verge of de traction. I saw thu world through a haze of worry. And my heart went out te Derrj, when I'd bp him en u lltrle 1 latfenn above a mob of extras. ),is its protected from the glare of the lights by dark glasses, putting bis mair and soul into Stirling them into the proper frenzy te go through tluir H-enes aa the should. And then they d dawdle, nnd different ones would trj te staj in front of the camera as long as they could, nnd thej'd lnugh instead of looking terribly excited. Directing U bard work, you knew. It nbseluttly wears seu out. Even taing rcstd en your shoulders, and it s up te jeu te keep things moving, te see the picture clearly in your own mind, nnd then mnke your people work Invdhnr en thnt the lllcttlrP. is OHO l.TT- monleus whole, instead of u production ) I in which every one does tilings as ue .banks best. . .... . , We couldn't quite decide hew wd s,..w It tirst. " " nl in le nroieetien room, pf course, nnu asiieii hu people who might release' it f... us, but we didn't icallj want te de Imvv it first. We could nave rented a ti.nt "IVibii. tiie. there was tin- pieuuiu I of le,w te manage about lilting it go , out , whether te see if we could get u hig company te hnndle it, and i pav .their price, or get enu that wasti t se 'NU.ll (mown but wouldn't charge us t.u inucli mencj "It's our first big picture together, and the money doesn't matter se ( much ns the name we make," Derry decided u ., name . icf uVil leen bitting in the funny ijttle room thut he used us nn office, in .rnnr nf the studio thnt we were uslne. And we'd taiscu picn r mtiura nicture ever sinccdinncrtime.lt was nearly eleven umu, uu - some work te de. Se we let it go at We finally decided en a showing nt a Rreadvvay theutre. We could ask evcrj one then, nnd its being shown that way might help it Inter, people told . I'er I'er benully, I didn't believe that I ve nl wavs felt that people weren't se much intlucnecxl by v,bat 'ew erk theuglit nt a picture as n geed many producers seem te think. We were in debt ever our ncaus wiicn the picture was done, i he uny we saw thc finished print run off, Derry leaned ever and took my hands in liU. "Tliia i what wn stand or fall by, honey," lie told me. "What'll we de if it fnllH 'through V" "It won't fall through, Drrry dear," I answered staunchly. Hut I did won der, just a little, what wa8 going te happen te us. We tool; a ticatre ana en, wnat taaVfOSWi iVflTmaftttaUJinaDStpeaiviValUiiivUur yjirer ana JuTetjjiuaui "- "T '.I b tr v,t i&t&kua-isrv&Hsata-imx,, -? t . v&Lvt '' m l jmr . . imaKnmr (k i -,ai r r a :nAt.iW4iex'rrw?fliBK.2 shaw .r. M.xfc v - I F .raav ., $u rannkv Tdr iBxai l ' 1IS1K;. Vt? t?IFfi4rf&.'Vs ! .'VJfWi,: . f I fcW , . JTaMxMr im. J II SaBS?fiSE&.- Amur VK5 m. V')bbm mti H X V BBBfl9Ki2vaFBBBBBBBBBBBaiFZ;)r, , , amSaSlw f I vv s V ckv. v iMBBBBBBBBBm jBB Jr ," BBBBBB vWbIbkw t-!i! -'--A 3?tbbbv -"Mr i"; MM XNrJsaBBBBgBji?!iK,'&; &iL- iiA Z.-& l- KlBBBBBf ;- s .v BBB1 nnd s.ent out our invitations Wi didn't dare coent up what we d put liu i it; we just counted up what wt ewi.l ami that was enough. And thtn the big day came, the dnv en which our fate, would b; sttil When I get up, I wondered lievv I'd ! ever live till evening. Hut when o'clock came I didn't wonder anv longer; I had something clse te think about. Ter I get word thnt, because of my breaking my contract with Mil celm Sandy, he hud get out an injuiu tien preventing our snowing tin- pu i inu meugiir, nnu se anu uerrv that I bad geed reason for breaking no contract. Hut, of course, that would hnve te be proved. Till it was I couldn't net in a picture for any one else. ou may remember that Anita Stewart wj- off the screen for u long time because sh" was under contract te Vitagraph . she didn't make any pictures for them, but till the time of thnt contract was up she couldn't make them for nn ethet company. i,crIV nmi j just frat nn,i f.nrn M cach erilcr hcn we licttnl thc IH.WS. It meant that we were bankrupt "Well, I can get a job directing two twe reelern for T'niversal, I think," Derrj said finally. "We urii) t going te glvi. up en this, sweetheart, we'll show the picture evcntunllj." 'Oh, I kitfw we will but I can't bear te havii this lumpen te jeu. ' 1 told him. "I'm going te get sunn thin; le de, tee; I can werK in tlie Inborn - terv or the cutting room, or uinjbe get,1'"1 ''ire it will be worth waiting for. u job as continuity dirk for some Little Miuguerlte de In Mettf. whom berlv ' I tt . ,.,, ill iinrden inv snvlnp ft env He protested, but though I didn't nr- ue with him, I intended te de ir jui he same. g the same And then salvation suddi nlj ap- ? eared en the scene m the sliuiie of "abel Heath, of nil people! CONTINUED TOMOKHOW CLUBWOMEN TO TO BE EXTRAS BUT TOO LATE W'" 1C '" "" " h ,U,!: f , ni VV extra pl.ije. In the rrewd seui ' 0f "l'he Twe ' ' phuns," thu (inlli en Inst wuli for lies Ilith studio wnt out ii iteneral invitation ., . L .......! .. - i...i u.ieugn vvcsv . . v.u.. ,. , . .. , u . iB X, u Z KiZ -" rtu, a story In conjunction S1: ?', 'n:. '.'. "? .,e Zlr Ur" 5ellii William V. Meng, which is very UIU L Ull IWH t. III""' .... According te n nitmber the invitation suited n debate ns te whetlur or nut it would he dignltied. Se derision nvii- . continued until next daj whin each u- ported what the husband, ei m-in ' friend, had commented. . The nrgument get hotter, and finnllj was continued for a week. Mcuiwluiu . thp scene was taken, with evirj avail able white person in three villages I present. Then by a close vote the club rnst for art, ndventuie and a peep ut D. W. direr ting. On some euc'h very best stutiemiv, the niiiieuneeiiient was borne bv .pei ml messenger te the studio. When told th day was far past, the club insiti 1 tlieie must be ether scenes for wn h wertlu material ns the.v, mid have suit ,, ,r ultimatums demanding appeurnuep Se if there is going te be anv pea.,. In Mnmarencek. it seems (iillhth jn-1 must hnvn another mob wene in " i'l Twe Orplinns," whether or net it ,i tirferes vvitli the story. Pcnrhyn Stanlaws Resting Pcnrhjn Stanlaws has finished Sir Jninei M. Hnrrle's "The Llttlu .Mlit ister" in Hollywood. Hetty Comnsen Is starred in the role of Lndj Hubble, nnd is suimerted by Geerge Hnckntberne. Nijel Harric, Edwin. Steycnu, Will R. .-.-. ----, zn ' i- .- .rt SK0s&feL- !.,.Jr J&kr1 ; Km, iBBBl S IMSm" Hi OCMBEBMKftSE?fl LV'rV '.''', BBBBBBi-- y'v y, ,,.,.n,.aha9V' 'VBBl RAIVLINSON IS SO HAPPY AT HIS WORK, SAYS CONNIE Itj CONSTANCE I'ALMEU Hnlljwoed, Calif. HI.UHEHT HAWIINSON is n jelly soul He s in the midst of mnking a new film jelcpt "Harry Gorden," and, as lie said him-If, "I feel tee great for any geed use. There's ertainlv going te 1m tnme news in the papers before the dnj'ri ever." And he did him a bit of n twirl en the tee nnd sang n snntch of song nnd made off te romp through his scene. Hobart Henley is bis direr ter, and a nice, polite man he IIMtlinilT UAWI INHO.ST is. tee. They weik v.-ell together, every thing smoothed ever with n veneer of lush Minvilv that makes you wnnt te lining aieund for the bust-up. Yeu just I ,t ,01 it,,' ,'"" "" I Llir'Q et like as the beielne of "Tlie Musketeers," Is a very busy jeung trooper these days. Her mun ng -, J. L. riet(.iinghnm, leans her out te n picture or two te ether managers, ai. then hauls her bnck for a picture e. s own, for he Is a well-known pro ducer himself. Hight after she had linlshcd her work in "The Three Mils ketitis" for which she was leaned Mi Krethlnghain started "The Hrlde of the Cods," which jeu will. seen see She's- hui'dicd that, and has been sent ever te thu line Studie te play the lend in enu of their pb'tuies. 1 believe she has a live-jiar contract te nliiv alternate met ores with Ml. I I'aulmiikH. Ami the lady is net jet ' twenty . IMvvnrd Sleman inv goodness, its . . 1 m(,nUeneil Mm- seen te go into production. It's called "The Man Who Smiled," nnd nmeng the plajerb will he Marcia Mnnen, Mr. Meng und u newcomer, Mary Wynn, who is described ns teventeen nnd . blonde. . , Mi-s Wvnn, in her former activities, 1 suntiiluted nt the Christie Studies. I Mere than that I will net say. I Mlhs Dupent, of whom I have spoken before, made a personal appearance at a local theatie In conjunction with her lirst btarring pic tnrc. Tlic kiiidt'ht thing the press snll about her the next ibiy was thnt "M Mb l)ll pun t i k"n.Vu'rff S nil about." Huinhcy Wnlliuc UN tnc nenvy, new - St"V. ever, me apiunval e llir critics n n il n p -poured en the whole as the bright nnd particular light of n inthcr nerry per formance. .Mihs Dunent ban MlrSU DUI'ONT jiiHt finished .. r.- ",..--.: '"J?. "110PC8, ii Btcemi Biarrinc eaert, '9aiUr- vTiew-wlsi '-. a-,i AM ,in.H lt-. it r rati ES '.T- v .!K HVaH '.w' j" f .Bl Kf -".x- .;- "fiSSSTi .3 ' ..ia..' . screen.'" r'-'x. "'faBBB f? ,m Jft' , " m I u4' . 4BUV&4iBBBBBBBBt . v v . W in . ,fieiirev i , i?reX'aKir 's-i'.V' sss IP1 ' v WLL'B-m - VV BT liuit icnipeMiiuiis love story, "Tlie Sheik," linn been screened with Hudelph Valentine nnd Agnes Ajres in the leading roles. Headers of the book can rendily identify the cjclc of scenes bhewn nbevp nnd can fellow thc love story by noting the varying expressions en lovely Miss Ajies' fneu ns her hatred for her captor turns te leve I'HOTOrl.AYSi AlhamKra l:,h M"r'l' p?,!,yun,1,Tei ' MmamDra Mt nn.ij at .:Kvk. 0.45& HI rl.KT HKilll h' "THE OLD NEST" , AI I FP.HFNY I'runkferd t Allegheny ALLCuriClN 1 ,Mt rjniiv 1!'1S: Kvus. nt 8 I ELSIE FERGUSON ' III "I OOTI.N.IITh" I A D-M I r 02t) & rilOMPSON 8TP. MATINEH DAILY CECII. II. III". MU.T.K'S "The Affairs of Anatel" ARCADIA t HnST.lT Hal. 16TH 10 A it le 11 lfl P. M. CONSTANCE BINNEY In "TIIK (ASK (II" lll'CK" Charlie Chaplin in "The Idle Class" ACTHR I'ltA.NKLIN & OHIAHI) AVE. rJ 1 VwT MATIST.E DAIL.T ernitflK Mr.i.rnKii's riKiiircTiev "Thc Great Impersonation" BALTIMORE-1, n'AT8 EUGENE O'BRIEN In "MllKI.IIS AI'AUT" BENN f,4lh and Woodland Hat Dally Y i riiti. OrK.inlm DOROTHY DALTON ' In "HKHIMI MSs" BLUEBIRD an, ."Tl CONSTANCE TALMADGE lnl,l-J'ONS IN.MIVK BROADWAY Rf$ ir KOU(.n '"1'" ' ""JT. L''""JH'l'TI(I.V "EXPERIENCE" L-Arl lWb ie a it te ii-is p. 1-BANli MIMUIIVN In M. "The Rider of King Leg" Charlie Chaplin in "The Idle Class' rrvt nMlAI cm a Mnplewoed Atb. 7 hihI n i. m. AJlVlsil.-U- 1 30 ETHEL CLAYTON In "IIKIONII" DARBY THEATRE TOM MIX in "Tin: MiiiiT iieusi;jir' EMPRESS MA,N at'a.I1 i m ii. ii. nr. mii.i.k-s "The Affairs of Anatel" FAIRMOUNT VV'lv1 i JUSTINE JOHNSTONE ! i "-jiici ti iti'.n ii (,hti:hs" i . FAMILY WW ffiUKlfA M in I'hi-.vii! .. "M1UIN1UM 1 fULLIES" JO in iJl. MATINI.E DAILY IHMtOTIIY PIIII.I.U'S In "Man NVeman Marriage" GLOBE 5m MA,,IHJ." " SSMf S1 A'i 'J.""!" 1 LUNWAI IILAKI'K WIIYYAI llWtlV-4 m .. : T .-- MflnctttiNaaimaicaBav ,. MA. M TMI,U rilOTOI'I.AYH The following theatres obtain their pictures through the STANLEY Company of America, which is a guarantee of early showing of the finest productions. Ask for the theatre in your locality obtaining pictures through the Stanley Company of America. CR A iMT -- Olrard Ave. Mt. Tatar V-iI-1N1 eVEIlTt'Ri:. "OniENTAL" T.T-STK I'AHT In "THE TEN-DOLlSr RAISE" GREAT NORTHERN WWW. CONSTANCE TALMADGE . In "MAMA'S AFI'AIK" IMPERIAL COTH t WALNUT HTB. Mnla L SO! Kvci 7 A 0 it MAnKI, .HMKNM- SCOTT In "Don't Neglect Your Wife" rs.anten CHEST.Vl'T AtTev nROAD H.IIv in A sr . .. or. ti . WUIiam 5. Hart "ThrrMVercl Ilrend" Charlie Chaplin "thi: mi.i; bi.ASS" m - ' iw "w 4 Lehiryh Pnlnr Gcrmantnvm Avb and DOUGLAS MacLEAN In "PAiSINn TIIUI " LIBERTY I,UOA" COLUMBIA AV. ,,JJ4' n.ffiEL?" "The Affairs of Anatel" OVERBROOK u3UfcI1,j1Il.H?aD HOBART BOSWORTH in "rin: 1 1' or i.ikk" PALACE 'li AnKLT HTIIKET .VJr.. . I." A M tn 11. IS p. Ji THOMAS MEIGHAN r. .. '," "rAi-i'i nit us- Charlie Chaplin in "The Idle Class" PRINCE5S; 1018 MAHKfvr STiii,cri w -. l,li' h no a .. .. .. ml ALLISON in "the viMCltlAr.r. e "M.I.UM AMir- RPr.FMT MAIlKIZT hT Ii. lTTir MARY MILES MINTER' M Charlie Chaplin in "The Idle Class" wizil fi llliuMATevv Avrasfrfir t- v at rn; 5iirxKP,jr nr i. "VJ,I,V i'iiii:i:ii;8 ili " JJWeman -Marriage" RUBY MAKUT ST HELOv"TTII DOUGLAS MacLEAN in "I'Nn tiihl" SAVOY -' MAHKLl' STKECT rrun Vi irl'i'iem i Jn "lll'.MIMl ' SHERWOOD ltfi "".'.yj?' !'","""i ! i' " EXPERIENCE" i STANLEY "V'm Wii Ceniln Tlm..l: UJJi' 'J i .V I , Z . ..b? .""unB ueus u...uuv. aiiiiuuuc. vveaainer kii. Charlie Chaplin in "The Idle Class" STANTON i,AlH:. Vf?r, ,umt . nn i mm i- hemVki ,. y m' 'OVER THE HILL" 333 MARKET f i'S'i? I .. V.-KCH, II. DB MII.M!'BL ''AbfhAit M p-AnafVi- This Character Weman Pleases Auther of Story ROSE blOXE, the French octrei, who will foeii nppcnr In "Mam- ' scllc Je," is the exact counterpart of the original Mnm'selle Je Whom Harriet j T. Comstock, author of the book, dis covered in the little village along tin St. Lawrence Ilivcr, according te th , author. i uiu du uuuxmi-ii in iu?c uiear, said Mrs. Comstock the ether daj. "Such a type of Mau'scllc .le, is hard te find. It will be n wonderful thlsr te me te see Itese Dlone as the French woman, 'live and breathe again en the Deris May Is Leeking for Scenario Material CAN j-eu write an original story for the screen? Deris May. the picture star, ha Mnt out nn S O 8 signal for original stories. "I only rcqulrn geed rharac terizatlen, a modern living locale, new twists, plenty of nctien and th atenr I written in a short synopsis," said thi star. 1 Such stories Flieuld be addreasfrd t Hunt Stromberg Productions, B-0 Studies. Hollywood. Calif. 1'HOTen.AYH VICTORIA WiS-,,; BUCKiONES In "10 A FINISH" Charlie Chaplin in "The Idle Clan" AT WEST CHESTER RIAI TO I.IONF.I, nRKYMORIS Je IIL, 1 KJ TK devii.s fiAnnip." IDLF HOUR M'KCIAl. tA8T In iljic nv-ui ..TK i.ittm: ioev e NIXON-N1RDLINGER 2L THEATRES BFI MONT a'iD ABOVE MXKKBT ETHEL CLAYTON In "Hr.iO.ND" EUGENE O'BRIEN in "uenuis apaut" COI ISFT IM ifarlret btU OOtrt b wi,,, . U1V1 ' ae '"I 8-7 n4 I.KAII IIAIKD nnit M'KCIAI, CAHT hi . "THE HEART LINE" JUMBO rneNr rt. & aiiiARO xva Jumhrt .Tunr. nn VranlttnrA "L MARY MILES MINTER "HO.VT CAM. MK J.ITTI.K (IIRI." I FADPR jst I-ANCASTEn AVt U.l-nUCI MATINKi: IIAILT BETTY COMPSON In "AT TIIK KXI) OK TIIK miKI.P" I OH KT ft-u AN LOCUST SinBSM LUV,U''1 Mam. i se nan. Ke n se tell THOMAS MEIGHAN ! NIXON III "fAPPV IIICKN" CJD A.VU UAltKET 8T8. 2 IS. 7 isd I Mnrirnrlc Ilnw nnd King- nmirflll In.. "THE BUTTERFLY GIRL" RIVOLI ajt) A:u"bA.se.M ma. , HATINfK nI DOUGLAS FAIRBANKS in "THE 00I HAD MAN" STR ANin OUHMANTOWN AVE. J XrtlNL AT VE.VANOO 8TBEB ETHEL CLAYTON In "IIEYOND" AT OTHER THEATRES MEMBERS OF M.P.T.O.A. Gmi... 6010 nermsntewn At ermantewn matinee hail.! HOBART BOSWORTH In "HIIMI IIKJUTS" . JEFFERSON se,h A?f$eBni. PAULINE FREDERICK hi "IIOUIS M' UTIiV". PARK niDiiE AVE i. iaupiiin ;; Mat 2 1.1. EVK .! " "Don't Neglect Your Wife WEST ALLEGHENY "Wffi ' Wh l fiZh)Nxw&!& i .$.
Significant historical Pennsylvania newspapers