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'fi CLOSE-UPS of the MeViEGAMEA
ImK .' "' HENKY M. NEEL.Y "fl ? '
Bltlj3K5' I BH i t f& A
SI8R r,,c Have te Tnrew Atvy a Let f Mv'c ''Wl I a U HH flp ' & '- j$3&
TFIB motion picture that you may srp en tlir- t-rrren tnnlght was probably mndc S H '4 1'"
!z times before tbc work vvns considered geed enough te put out en the RHj KM(Swl " H- W&ff&
They Have te Threw Aivay a Let of Mevie Film
TI1E motion picture that you may srp en the screen tnnlght was probably mndc
!z times before tbc work was considered geed enough te put out en the
market.
According te figures compiled by Frank Lawrence. Him editor-in-chief of
Cniversnl, It takes) about .10,000 feet of motion-picture film te produce one five
reel feature of S000 feet.
The average varies with different directors and the nature of the ntery
Seme of the big Universal features require eight and ten times their normal screen
lengths te make, while many twe-rcelers arc filmed within a few hundred feet
of the 2000 feet cen en the screen.
Why is e much surplus footage necessary?
When a player walks across the average room at a normal gait the camera
clicks oft six feet of film. Ou tbe screen it niav be desirable te show linn just
starting te cress the room. There gees three feet into the wnstebushet T1nfs
an example In miniature Consider a big scene In "Outside the Law," Ted
Browning made a scene 123 feet long. When the story was screened there was
only twenty feet of it left.
In ether words, the mechanics are condensed until the dramatic action i
shown as briefly ns possible without losing its clarity or force
An important scene may be made a de7en times When the 110.000 feet of
film reaches the editorial rooms te be cut into ."000 fet of fast nctien, it is up te
Lawrence te decide which one of the dozen scenes shall gu into the picture The
ether eleven go into the waste baket
A shade of expression en the face of one or another of the players, n flick
ering light, a bad shadow, the tempo of the nctien. or any one of a hundred
ether seemingly trivial things will ruin a scene.
LET'S take 30,000 ftel of film te l,aeience enrf U him. te give hi a
five-reel photedrnma n rrh the ttery i. tehl aiiejiiiy teilheut the
lest of logical action. Sec what happeni.
A
THE .10,000 feet, wound en thirty metal rels holding 1000 feet each, is rmiglilj
patched together according te tJie continuity of the sterj. Ah the director
filmed it the climax may be in the first reel nnd the opening hcenes in the last
but in the cutting room the purch mechanical work of patching the film together
into a Remblnncc of continuity is done before Lawrence ncs It en the screen
With 30.000 feet of multi-duplicated scenes en the screen before him. Law
rence watches the picture nnd makes his election of scenes.
"Take that one," he will say te an nsitant, nnd a stenographer will jet
down the number of the scene.
"Cut this scene where the man enters the deer " he may say and the
instruction is written down for the guidnncc of the cutters The scene iry ques
tion may be 100 feet long, but the dramatic force of the story mny only need a
glimpse of the man entering the deer The ninety feet remaining is discarded
Wbcn tne picture i- down te w.tuin one or two mevant, ,eec ei us pre, ijr
length, Lawrence again sees it screened. 1 hen comes the delicate surgrn He
trims the action, llternllv, feet b feet, until nothing remains but the punch. A
feet tee Hbert nnd the sterj is lest, a feet tee long nnd the action may drag.
In the parlance of the editennl
details of n simple move en the part of
example, a player mav be required te go from a hotel desk te the elevator.
Instead of following him ncress the Iebbv he is perhaps shown first at the regis
ter. He turns nwuv and is next seen entering the elevator
The "cut-backs." the "close-ups" and the speaking titles are the intricacies
of the film editor's work dav
The "cut-baelt" is a method of recalling nn incident that has gene before
without telling the whole sterv ever again. It mav le n tliish showing the fnrm-
heufc which tbe star left te go te the city, which was the tlrsUsccne four reels
age when the story opened
The "clee-up" Is another problem with which a film editor has te contend.
It is used principal! with featured pluvrrs and must einphasire emotion. Its i
function is te show bv facial expression the reason for the action that is taking
nlsri. in'thc fccpnps illst hpferp it nrwi llnmeillnlpli nffcr.
Cutting titles into n production in another delicate problem The title must
be introduced into a film at the proper moment or else the situation of a man
shouting te another n few feet after he has turned around and looked at him is
net unlikely.
A FIIjM editor job, nernrding in I.aicrenee. u nliiwi? nn thavklri
04 n proniniMett inspector' . If hr cuti nut n rcnp if m sure te he
the pet scene of the dircctei . If he ciiM out a cleie-up, the ttnr is indig indig
nenr, and if he leave them in the thcatre-encr rnn't crartly erphun
ichat the tieuble teas, hut is conscious that the picture didn't hale the
punch.
FOR YOUR SCRAP
f .
m m mMmm
cjk; uviiwi a smsst- , ty?awi!agft'giBiM m , -mm l
i -11 mm Ml
f - M Wmm '"Mm
- , nth m&M f , W
aL.. t "JmmW f
faif l j&Jnmb$9m mp
j K-W 'J
7jSI " "" ' W1 ' "
Answers te Questions by Mevie Fans
IIUTII M it teems te me tnat yeui
dad'ii office paier netils no c i.se m
may write te me en it as ef'ui as the
rplrit moves. Leen (jpndren is tweutv
eight He ma.v be married, but if be is
it s quite a secret lie pla.ved In "Tne
World and HU Wife." Cirl With the
nzjt Ilesrt. ' "Sci nmbled Wives' mill
"If Women Onlv Knew " Mndgp Ken
nedy played oipes;te him in "The tiul
Ayith the Jai lleirt " If jeu vvish l
write te him end veur litter in c ire nf
Itobertsen-Cole I'irtj -eighth strcrt un,
Ureadvvay, New Yerk Citj
a n n
-Mildred Marsh
younger sister of Mac Maish She has 'tne M'jnt is tni en rii.in the sKiv of
golden hair nnd verv blue ejes She U P'lillitis Oppenl pi n "Pnsser.i )( ,
married te a Spauiurd, Ygnacio Jeliniuist is beudid b Itubje Of ItPtner nnd
"Ferrest. Lewis Sten
cuJPAN Ann Ferest made her first ap-
t. W felirnrancc en inc riie.iinu;; ini;r i"i .. s , , ....... -s.ims
!., "f'.itenlien Phtllins' ilrunmtK nneni. ! Bt present. Ne. he does net Infnit.the
-i - tl. . .. .. i a. M i.nHi
UCVQ a nii -n , t--tn ' l'.,i.rnil N'nupl
Innsenh " p'" eme KM
Inpaugh. V...JI.. ,..,.
...UL V. I
,1 a.ri.i ni.vt ....- .. ...r...
were Incluilcu
fanned. 1
Iy out, GuWUITFOUIv
I'he ( inttel"
was
CHI:. , ldi
live ycniH ,iw bv itaurnpb I.
Sothern made Ills ll'ui debut in It.
en hip net inula Ken I Men in
Tr ' li'
U1 .''
'7'bvce Jliikkelccra " One wua luade
yearn ns bv Themas 11. In v,-
jreihy U.ilteh, Ouiti
)
lelllUiiu
("Cie,
room n picture thnt shows the tiresome
u plaver is called a "travelogue." As an
BOOK OF STARS
I lid Lein in lilnum, another w.i' ie
mitlj iiiinpleteil lv I niteil Aitists
starling 1 In njl.i- I'liilianl..- We.UIni
Al viinilr I hi in is fun nil' in his arm e
II he weie nvviie nf di.plic.ite "Thre
Muskeleeis' vjmg vvllli incli oilier for
btellar lioneis-1
SKi AllETTIV Mine Den. v ill iJ(.
I sc i n in i new plav this fail. It is i,i
lie c.illid "Lilies of the J'iebl ' l.,.
I Weber is iimriied le 'Mnlip Sinnllev
NEWTON "The Inlidi'." bi
tun let A . I.iiL'ue. ivil be kmln i m.,
.MiicDenald'N ne;i plitute. "Pilmmis
.11 A,NIT Win MAN-As fur as I
in i iviii it . ii-nil ii in- isi in niMkinir earin't
Miaeus icglcs have no glnss in them
Put .I'M lib. v is man ml He ;s nn
Il Minimi In Mrth Address Ci.'leen
Moere nt "I lil Seuth (Jriind lew . Les
Angeles. Calif fiaieth Iliii'liis i
tvvcntj -finii j ears old.
NANCY- lb be Oniileks made her first
apptainuce In fine the fneihglits nt the
tine of fn ii Mm is tvveiib jeais old
iVinl IIUI Ill.ll'etPit.
(
EVENING PUBLIC
Daily Mevie Magazine
mm m mwmmmmmammmmmmmsmmmsimmmmeatpmaimmaam twnrrynr;
BPIIB k .rj;j9:.mmm !rasf&iifet;i2i&&3.
M . mM m '! VL.f8f H - , .., ,. -mm
aj.4f t&KijBKw ctekib . :, :. . - 'i! .'; mt-'mLsi ,
i liimJL!! K ws JIB
' SmmWBBmmmWEmWmmt
ml mWMmnumtm iiihwimmiiiji m sMxMmMmm
i
, ,., , , f uh, h
i I
I SCP " n f'-Miniing feature
' Mnm rle fee." hich L .1. (5asnicr
mn been making up In the hierra Jleun
tains, leeks himple enough Merely a
shot showing man and a g"' looking
out of n window, jeu say nt once
Yes, but leek at the picture en the
right ami see hew that eftcct was
AGNES AYRES MAY
DEFER PICTURE
TO LAUNCH SHIPS
i:
CONSTANCE IWMIEK
HollyweoO. Calif.
AGNL'K AYItKS nin defer the start
ing of her first starring picture for
a little while .lust long enough, how
ever, te go te Bosten, and from there
up the i east tu christen a fleet of
seven ships. She met the owners
while she wns making "Capp Kicks"
with Themas Meighan They liked
her se well that they have written,
saving the ships mn't possibly be
started right utiles' she helps lnutiih
'em
Thej've built a spei ml cetictetc
vault te held the slxtv uiilti of
"Foolish Wive- " Oh. es. dears, I
knew if thev were steed in n line,
there would be mere foolish wives than
that, but I'm talking about the pic
ture, that precious, pn cleus picture.
I will admit, though, that the sixty
miles of film Is about ns valuable ax
sixtv miles of railroad, se jeu can t
b lime them for taking geed care of it.
Muakln.' of building, tluj've mndc
tie whole vllinge of Thrums out at
i tie Lnskv ranch, for Hcttv Compson
i.. de "The Little Minl-.fr" in hi
caving with the cetiipun.v nt "s i.
sharp, se will tell jeu all aOeilt it vvneu
I Htngger bin k home
(;uv Oliver is in the cast De jeu
remember what a splendid Scotchman
he made in "What I'ver Weman
Knows'"' 1 in uendmng If they've cast
Charlie Ogle, tee He ccriainlv is a
darling. i
R
ALENTINO
is ie be
Mclferd's
lending mnii m tientge
next prmluetien,
tlin I mil I. trv ."
bv name "Meinn nf
The leading woman
is net vit iiecideri upon. Prnilitctien
starts iti nbeut a vveik. thej tell me
Here's semething: I'ellv Frederiik.
the dear, doesn't use nny ponder en the
itreets .Net u spi k I looked viry
lesely. and then liskeit her se; retniy
t.,.1 il,..,. ion whip it tahes eveiv
1 ether ai tress I knew n geed two hours
le make up. Miss Fredi i ick just takes
.....,. ivhiie iiniilil. rubs it en her palms
and then rubs her fn e the whole
nrecess tnking nbeut a inliiiif And I
niver suw a mere perieei iiiiiic-mi uu
the scricn.
' . .. i.. .... ....
1 told von Tem Uallerv is emingl
along He's bei n he-en leniling man'
for Mnrie Provest in her new picture!
lieetge Ce Is te duett them. Mr I
Cox is a great friend of King rtaggett.
who hns iliricted all Miss PrevestV,
starring pliturts lifntofere. nml It is1
I inter' sting te knew that just two years
ngu te the dav he MtirK dlreitlug
Prlniess Virtue." he sinrted (lirectlng
Ilnggiiti in "The Thlrtletn Piece or dil-
1 ver ' Itemeinber It : ,
'E
Ll.IOTT
UEXTEH who has'
been signed un bv llelil
rei fin iv
wvu is
III.IKIIIg Ilir.llleilieilis ill (ill 'i
Te wink'' Nn. be snvs, de-
1 Europe
,.i,l..,IK In li UV (
i Ethel Kav, the girl hnsen te jilnv
,,!,..' lead in """"K' IIp',.r,kv '', ",
I verv iiiiusual gill This is her fust big
pmi I believe she nl.ived nothing but
atmosphere before.
I She is Utissinn. her real nnme blng
something unpronounceable beginning
with K She was stib'tlv down and
'out until the Studie Club befriended ,
I her She bus lived there ever since
I v.,,1 let me say tlie mner i inn Kin
i nrp juht about as happv
her success, bless their
as she aoeut
benrts' Ven
girls thej re
nil en
It te lllt'Cl lIHJe
f wonderful '
Beery in "Call of the ?erlh"
Netih Kerry Kmembered fur lis
powerful ihni'acler roles in such (u
tuiPH ns r.eerge Melfeid's Tin Sea
Volf. Hie Ited Lantern The
Sngebriishei " mid elllpr, hns linen
added te 'be ""ast of "TIip Call of the
North," .laik Helt's tirsi starring pn
ture.
Lydia Knett in Picture
Ljdla Knett, plnving in 'Hiating
the (lame," a Tem Meiue plcturp bv
Cieldwvn Is tin metliPi of Olieclei
Laiilbeit Ilillver. fnired for Ins d rev
ticn of the WilHnm S Hurt iiictures
EEDGEB PHILADELPHIA, SATTJEDAY' OCTOBER 1, 1021
77EV TAKE THEIR WINDOWS AROUND WITH THEM IN THE MOVIES
enined. Tliey couldn't put the camera
In the iouse and get the lighting the
wanted What te de? Simple They
just took the entire window frame out
and iit t it in the open where they could
get all kinds of light. Tins result en
the Minis was very beautiful. Hese Dl
one nnd (ieerge MclJaniel arc the
watchers b the window and Huth King
is the lady en the horse.
'What's in a A'ae?"
Please See Larry Semen
Mendav Larry Semen completes
"The IWlhep."
Tnesdny "The Itellhep" is di
uirdrd in fnver of the peppj title,
"He Who Heps "
Wedne-dn.v ll.v order of Jhe In
ternal Revenue Department Lnrrv
S'emen's new cemedv will net be
ailed "He Who Heps." The word
'hops" has n nefarious significance.
"Itlng One Hell" in the new title.
Thursdiiv King W Lnrdner.
simplified spelling expert, has vvlrpd
Lurr.v Semen pleadinf; him net te
infringe en his name in the title.
"King One Hell " Larry won't
he's renamed it "Ice Water."
Fridnj Pretests from exhibitors
that the name would chill nny box
office result in cancellation of "Ice
Water" and substitution of "While
the Servant Snores" ns title for the
Semen emed.v
Saturdav IlccnuH- it is tee long
for electric Mgns Lnrrv Semen's
"While the Senant Snores" will
be released as "The nellliep."
Pff Revers Encaacd
" bub"
te Play a Professer
in a Lasky Comedy
WILL KOCEUS. Lila Lee and Wal
ter I Hers have been engaged for
i h"t leading roles in n uncial picture
which is being produced ut the LasUv
studio in Hollywood bv .Itiius Chip
The title of the production bus net jet
hi en icl"( ted
Will Itegers in this picture will lie
si en in 'he lele of n profcssei, n pm-t
something iliffercnt from nnv thing he
i t-n" vet none en t'e s Tfeii
Others in llicia-l will hi Emily Halt.
Clarence ISurteii nnd Jehn IV x
ClairC H(1S LenCCSt LaSllVS
Claire Windser, leading woman In
"(Jriind Larienv." which Wnllaie
Wnrslev i directing for fieldwvn. has.
according te her director, the longest
nelnslies ever seen in (nptivitv. At
in... .... :...... ,- ..'.. A. ti .
h-iiim hii nun. .m inn-iri esuuiaies
SHE ISN'T AFRAID
iela Dnnn Is one of the few prett.v fiirln en tbe screen who 1 peifectly
wi ling te make herself up for plain or even ridiculous parts AIievh, for
IiiMuiiip Is nn exninple of the "URly dufklinj;" pei.e of Viela, and a
pi tine of the little lending Ind.s ub nhc usually appears
HAD TO HAVE REAL
PEARLS IN ORDER
TO SATISFY CAMERA
TnAT there is illusion empleye! in
moving-picture production, direc
tor will admit, Jut it remntard for
I'hile McCulleugb. who handled the
megnphene in an Lileen IN icy picture
(e discevsr that thcie are times when
even the films themselves revolt against
Imposition or deliberate substitution.
Much of the nctien in one of the I'er i
star h recent pictures revolved mound
n $."i0,000 strin: of pcnrls. The di
rector called upon the prepetty men nt
the studies in Hollvvveod for the pearls
A fins Imitation necklace was handed
te Miss l'crcy, which she were in Sev
ern! scenes of Oie piny, le (he nston nsten
Ishmcnt of both dliecter nnil star, when
Ibey viewed the first "shots" in (he
studio projection room they found that
tbe pearls "heved hollow, nnd evn the
wire through the cenfr of the gems
vvns plainly vis.blc. Other strings of
pearls were tritd and nlwn.vs with the
snme result.
Th technical director of the studio
Investigated That the powerful rns of
the Cooper-Hewitt electiic lights used
in tb- studio possess! nn clement of
Urn lloentppn op violet rnv bus letu
l,i.i I untvli 11 scientists. It VMS felllld
l but these si arching shafts -if light pen
ttiated the piarls like an X-rav, mak
m; their sham only tee obvious Hel
fcails must be ubed. decreed tin dircctei
THEN It was (hut Mi-s IN'wv her
self mine te the res. ue bv offering
te boirew n $."50,000 pcail netklacefrnm
rue of 'ier seclet.v friends The n.'M
('iy she breiiitlit the iewe's te the stit-
,l!n ..ml evlltlllncl tllllt tlll.V W CIV till
liir.'iiprt of Mis Anna II. Buscli. ew tr '
!of the famous ntiseh Cardens of l'asa-
una. one of Les Angebs' guatest Hhnw !
'1 laces nud.ilwajH Included in the ltir.
lunry of visitlng temist).. The penils
lw"p n gift te Mrs. ISusch fiein her
fclhcr-in-lnw. the millieiiulie St Leuis
Lrcvver, and were valued at ST.'i.OOO
Sel. M. Wurtrel. grneial i.uperin-
! Undent of the Fex West Coast studin.s. j
wd-t.l nt thn wonderful ue.trls intlcnll.v
thanked Miss Pcrc.v for iKiriev.ing them
and oreinptly telephoned for a Uunis
liilictive te come nnd guard the l' x
star each dav the jewels were worn, and
nlglitlv te place ihcm in the s.ife ib ib
jesit vntilts of n Hollvvveod bunk
The eirller scenes of the pictuie vere
"le-shot ' nnd the pictuie preieeileil
Berf Lytell Has Ideas
en Name-Changing Mania
BEI
tl,
EIIT LYTELL has ghen thought te
he matter of changing sterv titles
for screen purposes simp the levl-dim
in title of two of bis foithceming pic
tures KpnriPtt Ilnrris' Ciiliferni.i remntiep
".luiik " bus new become "The Idle
Huh," nnd .T P Mnrqunnd's prlre
light story. "The Bight Thnt Fniled."
has been hanged te leep en tlif
Mlllf" (
.Mr l.vtcUs luight little thought
I ceiiimiiiiicated te Nazlmevii for her lnt-
' est piodiictlen. is te call ' Cnmillc" ,
i nn .... . . ., ii
mih inssiennie iiirisiciiiir
TO LOOK UGLY
yft - MMtf '
nm.Kf$gffi.
Buck's Herse IFanted
te Ge Down Cliff First,
Se Back Obliged Him
"NE would net erdinnrllv cultlvnte
the habit of falling off th Weel
worth Building.
Neither would Uuik .lenes.
Hut Iliick took n drop of equal
ecigiir. nitiieugn net quite se perpen
dicular, diirinir the til mini? of n fnrltw
coming picture. "Hiding With Death."
Director Jacques .Tnccard was shoot sheet
ing the pictures, nnd in order te obtain
the most realistic effect in a "chase"
jjeene'he selected a spot en "Lookout
Mountain." tO till, west nf TTnllv,,-,!
where the cliff drops down through the
brush nlmest sheer into the ennven be
low. Jiiccard plnred his cameramen se
that ull angles of the ride would be
taken nnd then called for action.
He get it.
.Huek'H horse, the partner of all his
lame He used n new horse for the ride,
nnd the animal was net camera-wIrp.
one camera 'had been placed in the
'ffff h,BhJi "f .,he P0i,1? wh"- '"
llff wus the steepest, and ns the
horse dashed past it he shied and the
hank crumpled beneath him.
rjHSPITn Buck's superb. hnrsemnn
' !hlp, man nnd horse went ever the
flge.
There vvns n rush of directors, ncters
ind cnmcrincii te the ledge, but nil thev
i en hi see was n cloud of dust nnd nil
avit lnnche of dislodged rock.
i no noise nnlved at th
bottom in
nine, nut itticl,
was lowered bv .,... n.,.i t...... i i!"
WHS tint nn lit,. V .......
ffiS.
. . .........
wiiIIJ I IMML
i.iicn vvns rnisfd te the ten. He uns
dazed, but criimliiir
'nil It i i .... "
"Hew's the Imrsc'" be asked
A glance down into the cjnven
showed the animal limping about among
therecks.
"All risht." replied .Inceard. "But
hew illdjeu gut out of it?"
Oh. rcteitcd limk fncitieiislv. 'T
' ecided the hursp wanted te get "down
"rat. se I just slepppil off ,i, nn, ct
him have his way nbeut it
rneTiii'i. n
AIL,kw l"ih. Miirrls I'jununli Avu
Alnambra Jr, i.nii .u k. u
IM.IAMSllN'S I'HODI'CTION
"WET GOLD"
A I t fTPUirMV 1'runkferU & AlIfKhfny
ALLLunHNI m.i diin . i . i;vK ut 8
IlICIIMU) IIAItTIIKI.MBSS In
"EXPERIENCE"
Anrti I r 6'-U & THOMPSOS' 8TH.
Al ULLVJ trt.N' r. ia it
nmtni lcl.ICtM
I UUUIjLU lViBCl-c.A4
In "Tlir, HOMK hTlthTt II
A D- A r A
1XV'VL""
CUKhTNCT
til A .V in
lid 10X11
11 IS I' it
BERT LYTELL
in "iin: man mho"
A CTAD KUA.MCI.1N 4 OlUAItD AVE.
AOlsJI Mvnvit; DAILY
(ltlUmiN's SK('I,
"THE BRANDING IRON"
baTtTmere ?Ki iviFS??
Ethel Clayten in "Wealth"
I.AKnVJ!MONlnTlli:liI.LJilV,
BROADWAY "!
Ilreml I.
SnjJer Ave
. f ft II I
M
KATHERINE MacDONALD
In "MY I I'H LATCHKEY"
i CAPITOL iw.mkbt8?;-.. v
i CONSTANCE TALMADGE
in "viwniA's rrni"
COLONIAL
(Jtn &
Maptewoed Av
7 .1 'i I'
in
1 CONSTANCE TALMADGE
In "MAMMA'S XKI'AIK"
DARBY THEATRE
, BERT LYTELL
I In "A MK1SAOK I'ltOM MAIln"
rMDDTCC MAIN fiT . MANAYUNK
LlVlrKll-33 mvtinli: daily
GLORIA SWANSON
In "TIIK l.ltKAT MtlMKNT"
FAIRMOUNT TATl.rDAtt?Y
VIISTAIl CST In
"A Tale of Twe Worlds"
FA Mil V TIllSAllti: 1811 .MAKICKT
rAlVllL4l vi te wion'ieiit
BUCK JONES
In "STUMIHIT IHtlM TIIK HIKU'LUnt"
fiATI-1 -T THKATHK Ileluw fJDri.ct
JO in Ol, M VTI.NKH DAILY l
AII-SIr Cunt In Jnineii Ollvfr Curvvoed'n i
"KAZAN" I
FRANKFORD 471rnJEre,lD
I "Ged's Country and the Law"
I HtUI'IIISi; VM'DKVII.LK
rl rUV WiOt MAItKBT ST
Ul'w.r: "2. "' ise in ii
SHlKLtY MASON .
In "KiKI. HINCK KVK"
pMUTWLAtY
m it. m nu V
CONFESSIONS
OF A STAR
As Told te
INEZ KLVMPH
THE STORY 1IEGIN8
Kith the early days in the old
Fine Arts studio In California ichen
Colleen Moere, the Oish girls, Bessie
Leve and a host of ethers tccrc net
much mere than estra girls, Diana
Chtyne tells hew she and her chum.
Isabel Heath, sat loncsemcly around
the studio until l'.il Ctaney, the
famous director, chose Isabel te be
the first of the scretn's "baby
vamps." They ire seen together a
prcat deal, and a randal is created
by the director's wife. Derry Win
chester, a friend of Diana s, is
called en le help, and Isabel tries le
"vamp" him. l'hen Isabel an
nounces she Is te be starred in the
East by a Paul Markham. Jerry
gees te France toil! the nulnfien
corp and Diana meets Keith Oer
ham, iche strangely attracts her.
On the eve of a remantia ruttetcay
marriage, Keith is killed In an auto
mobile accident.
AND IIEHE IT CONTINUES
CHAPTER XXXV
STANLEY QUENTIN'S camp in tbe
Adlrendacks was the most beautiful
place of Its kind that I have ever seen.
It was a long, low house of legs, with it
veranda that seemed te bang right ever
(he edge of a precipice, and from which
you get n breath-taking view of a
wonderful valley. The living-room was
enormous, with Brent fireplaces at cither
end ; that first day, after our long sleigh
ride from the little station where we
had left the train. I cried out with de
light ns I enme Inte thnt room, with
Its dancing fires, its wide, deep couches,
and Its gay cushions nnd many books.
It was such n place ns I had dreamed
about many times.
And my own little room bow I
loved thnt. I felt when I stepped into
It thnt I had found the corner of the
world that was meant for me. There
was nn open lire there, tee, with low
bookcases built in nt either Mile: evi
dently Stanley Qucntln felt, as I did.
that one must always have books nbeut.
There was n great white bearskin rug
before the fire, nnd another one lay
by my bed, where I would step out ou
it In the morning when I get up.
(lay. rose-strewn chintz, covered the
white enameled bed, matching the
painted garlands en the furniture; it
was hung nt the windows, tee, nnd
covered the cushions en the chaise
leuguc. , ,
And from tbe little bnlceny outside
I euld leek straight up nt the v?on v?en
ilerful. snowy mountains. "The hills
from whence cerneth my salvation"
the words sung in my head as 1 slipped
out of mv blue serge frock nnd Inte
one of soft white wool; surely the mud
dled condition of my life would
strnlghten out in this quiet, lovely
place !
That evening at dinner n telegram
inme for Malcolm Sandy. He rend it
eagerly, then rend it again. And then
he tossed It down en the table, with a
hapnv, exultant laugh.
"I've get her!" he exclaimed jubi
lantlj. "I'hjllls rnlrchltd has signed
with me."
New. Phyllis Knlrcliliu was one et tnc
best-known nnd best-loved actresses en
the American stage Every one knows
her real name. and. no matter hew
bad the play in which she appears,
crowds throng te the (hentrc. She,
Is verv beaiit'ful. and, In reality. erv
hnrd te get along witti. nut the public
doesn't knew that.
I knew that several motion -picture
producers bud been trving te get her
te sign with them, but she bad Insisted
that she didn't cntr te go Inte the
movies, and nobody had been able te
purstinde her te change her mind. It
had been a question of money, of
ceurse: her be office value would be
i rcii riiui'". "" -
i ..... ...in l.ii t ..lie unu i rtnnni Hi
she was (teinnnillug
lmi-e salary nnd n big sum In advance
And new .Mniceim nanny nnu none wnat
noliedy else could de, nnd signed her.
The telegram lay there in the ruddv
glow from the rnsp-shndcil candles,
crumpled, blurred and jet hew signi
ficant! I looked nt it. wondering wlint
It meant in mv life, vet net suspect
ing that it could be se important. Had
I known. I think th.it evpr.vthlng would
bnve been different. And vet new.
looking back, I can't see thnt. perhaps.
--n - ., ..!. t... !
PHOTOI'MIS
The following theatres obtain their pictures through the
STANLEY Company of America, which is a guarantee of
early showing of the finest productions. Ask for the theatre
in your locality obtaining pictures through the Stanley
Company of America.
GRANT,
1UJJ Olllini Ave M-.il. Ted.li
ffeilui( 'i'iiv illi-rlfi HuHllLnnu'
PAULINE FREDERICK
"Till: MISTItKSS op hHI.NSTOM'."
In
GPEAT N0RTHERNl,ruaVI-
, at Krle
i 1'. M
lll'.UINAI II HAItkl W I'IKllii ( TIO
"THE OLD NEST"
IMPERIAL
Mill S. WAI..SL1 8TS
.vintM. :tn. i.ib. ? jb. h
I'.KHINAI II IIA1IM !(' 1'IMiin (THIN
"THE OLD NEST"
Lehigh Palace ""WST VaDa
POLA NEGRI
In "t.U'hV III.(KII)"
I IRFRTY ullO'L A C'OLtMUIA AV
L,IUI1. 1 I MAT N.CJJ UaILY
TOM MIX
lu "TIIK Mtilir lltKSt.VHi
OVERBROOK 0JU&1liD
HOBART BOSWORTH
In "'TIIK yVAIKFlKl.ll C'Asr."
PALACE
12H MAItKCT STHUET
10 A il te II 15 l: il
IAjni Ut'TI.KK In
THE SKY PILOT'
1 1
PRINPRSS ... suhkTt
STHliK f
. ... .n.u . r ,,, ,
WILLIAM S. HART
In "Till: III M kiiitkii"
REGENT
MAItKLI HT. Ueluw 17 1 1
BERT LYTELL
i" vi in il ! t
In "Tlir, I'UI.Nj KHH
rillMBHH OF NKIV OIIK.i
RIALTO UEffi0Sf
.ll I MM s,. i MiT In
"THE WHISTLE"
RUBY WAHKLi; bt IIEIXJW 7TU
4mvck sknnktV FHonrc-TieN u
Leve, Hener and Behave"
SAVOY "" VA.u,fP 8T,"cct
deuglasVairbanks"t
In "TIIK 11(1011 nll MAS"
SHERWOOD 8?&.S-!ifa
Chn$. Ray in The Old Swimmin' Hele
J-AimVWliMON In "TIIK Fit.!. Ol'Y"
STANLEY "'KT AT iuTU-
NORMA TLMAD'cdE1'- M
In "TIIK SION UN TIIK IKIQU"
333 MARKET VXK'VPitVZ
ELSIE FERGUSON
L,,JlliD'TLI(lllTH"
VICTORIA "j.,t'5r ,
DUSTIN FARNUM
- -"'LTiL1'' I'UIMAI, I.n"
ST ab OTII
''13 I', il,
A I WtbT CHESTER
Ieiai Tr uin.iv..
.'?,:.. .'l' .n vT'.rt,"IKn 8
IDLE HOUR..M8 "KHrMTKU (
f " ' - i ''SWt' y
He Wants te Knew . J '" ,
J ; . llEl? "JEd!'
h efiBuainia&irLC'euasi m
HEN TUUI'IN
Tbe famous c ess-cyed comedian
is taking a flyer in vaudeville te
find out what people think of him.
He's getting homesick for the studio
custard pits, though, and will
probably flit westward before many
daya
it was better that I didn't knew haw
Phyllis Fairchild was te pick my lift
up in ner iwe nanus nnn twist ana
tear It until it was as crumpled as thai
telegram.
We went te work the next day, out
en the snow. Stanley Qucntln had beta '
right j the locations wcre wendcrtul, anil
the cntncrman raid that if we hadn't
artv plot at all lie could hav shot semn
scenic stuff tip there thnt would havni
been geed enough te run all by ltslf. I ,
I found it a little hard te work in '
the cold nt first, nnd I 'jad te learn !
te held mv breath, bccnjite if. showed
se In the frestv air. But I loved beln u
outdoors, instead of in the drafty
studio, and after we'd been up there
n week I felt like n new person, I
Stanley Queptin taught me te walk '
en snow shoes, nnd even tried te teach
me te ski. I vvns likely te end igne
mlnieusly in n snowdrift, but when I
wntched him sweeping down a huge hill
nnd out into the valley, beautifully
poised, nmnzingly hnndsemc In his
white sweater nnd cap. I wanted se
much te go sailing down beside him
that it seemed incredible that I could
net.
We get te knew each' ether very well
In these days. He was different from
the men I hnd known, net quite as
Keith (ierlinm had been different, be
cause he vvns elder, but jet of the samn
w... 'e wns m we" pelsctl, se sura
nf himself just ns Keith hnd been. And ,
he liked me ns n girl, nnd net as an
actress. He wbh kind, loe, ileing little
things for me thnt Malcolm Sandy, nlcs
as he was. would never have thought of
ileing. Being with hm made me very
happy.
And then one night, as be nnd I snt
nn n big dnvenpert that steed In front
of one of the fireplaces In the living
room. In. told me thnt be loved me.
"1 want te take jeu out of nil this,
Dmnn," he snid. "I'lint's why 1 nsked
Handy and the rest of the crowd up
here; I wanted te have .you get te knew
me well enough, se thnt I could tell
ou thnt I've IevcjI jeu ever since the.
night we met nt fffnt studio pnrty. This
Isti t the sort of work for ou. deur
veu're tee fine for il. Mnrry me, and
lenve it forever, won't you?
I turned nvvny fient the intent, ador
ing leek in his blue e.ves. I couldn't
think when lie wns 1. eking nt me liltc
J int. And then. I glanced up nt
the balcony which a,i around the room,
nnd from which the bedrooms opened, I
snvv Malcolm Sand stnndlns there,
looking down nt us. I knew from hit
expression that he had heard what
Stanley (jtient n snid. And the hntred
in his fnce told iup that he would never
let ineiiiarryQuentiiiiflic could help it.
Te Be Continued Memmy
I'HOTOPf.AlS
..II..MIV..i.
I. U THEATRES f if j
BELMONT ;'' A?ev mahkbt
"liaivi 5. HART
.MOlJTKn"
CEDAR r'0Tn cedah
AVENTJM
WALLACE REID
In "TOO JllTIl WI'KKD"
and (
COLISEUM Marl:t r"-t- -th & oem
WALLACE REID 7 and '
'" "TOO MI'CH HPj.;K..
JUMBO
PltONT ST
A OIRAnn in
Jumtie June.
L"
" '""'STS OF YESTEni).Y"
en
LEADER UST .t-CAHTBn AV
MATINUC DAILY
' ..-J1 I'STAH ''.T I..
"GODLESS MEN"
LOCUST ,J.3:7m' nB8T9
RIVOLI 52 ASD ."A.SSOM 8Tft
.BERT LYTELL
I'T'IK MlhLKAIIINd LAI)
STRAND UUHMANTOWN AVB.
DOUGLAS MncLEAN
I" "I'ANhl.Ml TIIUL"
-
AT OTHER THKAtpl-c
MEMBERS OF M.P.T.O.A,
C ifrmaril'rtip- 6510 Rnrniininun
"T11 MATI.MSK DAIM
HKIH.-jAI.il IIAIIKKH'N l-KOinc'TKl
inc. ULU INtiJT"
JEFFERSON
!0th Duphln ata.
MARY MILES MINTER
"".IM'1" '' 'K f.lTTLK OIBI'
In
PARK Dan am:.
ALICE BRj
In "1.ITTLK M
1 DAL'I'IIIN UT.
jlRv'M 0:5 tu It
DY
A LI"
J
WEST ALLEGHENY s"?.,A.'Xjj
"THE LURE OF EGYPT"
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