Vf-V Kr-f Oil ft -M ''..jV " 1.. a VT ' ' v .sr f'PKZzr nlr '" tfr . K . rfff firiif - ,rv- -cx K v N i EVEKlM 'PUBLIC " DGERPltiLlDFXPHlir WfeMESDAY, SEPEIEJe; U 121 t' JA'. v '. "1. - - - . P'. I. ' !' If IKS 1 fc. m i I B w t urn 7 CLOSE-UPS of By HENRY They Pray for Good Scenarios, but Can't Get 'Em rpiIE (scenario hns become the crux of the whole moving-picture situation. I " don't know what n crux Is. but anyway, the cenarlo Is It. I have the word of no lei an authority than my friend I.uclen Hubbard, scenario editor-in-chief for I'nlrersal, and what T.ucieu doesn't know about scenarios isn't worth know ing. And he says they're the crux. I wrote him not long ago, asking him to tell something about the problems his big job put him up agafnft and how they affect the whole movie business, and his answer is so intrrriting that I'm going to let him tell it in his own way. So Mr. Hubbard has the floor. First he sajs "Ladles and gentlemen, it is a pleasure to be with joti -" nnd then gets down to business this way: "hi the rejection basket on my desk are more than fifty scenarios which 1 have jut finished rending. Among them arc contributions from Tokio, Winni peg, most of the 1'nitcd States, and two from Kugland All these scripts are being returned as unavailable. "It is virtually impossible for the person outside the picture world to write acceptable stories unless he is patient, plodding, and ready to bide his time. A thorough study of the screen Its requirements, developments and technical problems is an essential foundation. It Is uot enough for the untrained critic to sec a picture once. He should see it twire, three times, and If it is a good picture, even more often. Ho should analjie It A picture Is composed of situa tions secondary situations leading up to the big dramatic moments in the story, and the big dramatic moments drawing up to the climax. A good screen story will not lag: but will contain plenty of action; move quickly: have a wH developed plot; the right nmount of humor and pathos, "But that is not all. Universal lias been bujing, almost exclusively, stories taken from magazines and novels. This does not mean we do not prefer the orig Inal story or scenario written expressly for the screen. We prefer the latter; but the ideal scenario, containing the charm, style and characterization to be found in the short story and novel, is scarce and rarely found. "Until recently the original story Intended for the creen has ben an out line of screen action, unadorned by snappy suggestions In conversation for sub titles; totally locking In characterizations; Its cast composed of types labeled, hero, heroine, and villain. They wero bat cold irnoptdf wanting the human element that makes big pictures. "Short stories and Domls am cot always satitfytng for screen purposea. They have generally to be buflt up and revised, and sometimes an excellent story makes a disappointing picturo. There is no method of telling in advance just how they will turn out, whereas with the workable and comffMe original script of today, the possibility of failure Is minimized. 'It is not easy to write such a synopsis. One must be both a student of the screen, and at the snmn time he able rnough a writer to ilrnu subtle char acterizations and to transmit through the medium of cleverly worded sub-titles the essence of the story. HJTXIVERSAL wants stories; but while I do not like to discourage the J amateur, I tlitnk it best to open his eyes to the situation as it really is. Xo one thinks it easy to become a successful author, and few persons would try 1o turn out a short story orer night. It is just as difficult with teriting for the screen just m big and impossible a struggle, and only those few icho have etcept tonal talent and trill persevere trill ever meet with success. TT'On the benefit of authors and scenarists, as well as the occasional talented amateur, 1 might mention here that Universal is in great need of stories for 11 its stars. "We have recently added two new stars to our list. They are Marie Trevost, a former bathing beauty who ha" discnided her water togs for more aerious roles, and Miss du Pont, a statuesque blonde bcautv now appearing in Ton Stroheim's 'Foolit.li Wives.' "Most of all, however, we want a big dramatic vehicle for Prlscllla Dean; Hi am and tenement stories for Gladys Walton; unusual character studies for Harry Carey, and comedy dramas nnd society dramas for the rest of our stars. "The future of the motion-picture industry depends upon the scenario, but like the motion-picture industry Itself, the art of writing for the screen Is still undiscovered. At the present time, screen writing Is undergoing a change, which will vitally affect future productions. "In the past we have contended that the ultimate of the silent art was attained when we were nblo to visualize on the screen the novels and plays of famous authors. Undoubtedly the pictures in this cpocli of the screen's develop ment were often superior spectacles. Stories were taken from books of accentl standing in the literary world; books which the author at the time of writing had little intention of presenting as a film spectacle. "Ah a consequence there Is a great deal in stories of the type that it Is Impossible to visualize on the screen. ' Also, not detracting in the least from the authors of the old school, there is a great deal hi the -creen version of their works which was never written In the original stories by their authors. "That story writing for the printed pajre nnd story writing for the silver creenare two separate and distinct sister nrti, accounts for the fact that acennrio writers and directors must often alter a seemingly perfect story to fit the needs of the camera. "Even now the influence of the screen is noticeable in modern iiternture. Magazine writers, short-story artists, novelists, bricklayers and track diggers all write their stories suitable to the peculiar needs of the screen. "This change has come about in the last few .ear. Not lonn ago it was considered highly improper for actors from the speaking stage to work before the camera; so was there a time when it was not considered good form for a uovellst or playwright to waste his talents on motion pictures. "That has all been changed. The finest actors arc giving their best to the Bcrcen; they found that it was a new art requiring them to remodel their tech nique to harmonize with the screen. The same Is true of the writers. "The greatest literary men of the age are now in pictures thev have had to reconstruct their ideas of story selling they have taught themselves to think in terms of animated pictures instead of words. ifpUE scenarios of the future icill be written etclusnely for the screen. Instead of transposing the printed pane into action on the kcreen, scenarios of epochal pictures arc being turned into great plays and stories. " . FOR YOUR SCRAPBOOK OF STARS ammmmmmW '' v & mmmmmmi-''' Jmm$S&BSmWtif& jMMmJmT( .mmmm.--'C BmmW?&r JmMafflmmmEnMMlk. mmmmmmP f ' W v&ZmmmmMmmmmKmWZw&t. smmmmmmmmmmmmm'' mnE9(SmmyK9tmmmmmmmmmj& 4 A Tw,, HHLAH ' 'SmmmmmmStL aB bbbbbbbbbIbIbbHbbbbBL "mmmmr mWi mmcymWmmr$mmMJmmmmmmmmmmmmmma BKttmWmmMmmmmyil1 hi iwkk Hoiibe Peters and Irene Blob, who are playing opposite each other in a picture "Star Dust" Is Nearly Finished llobart lieu ey has finally completed "I just happened to run Into an old thu actual filming of "Star Dust," and , friend downtown." bal.i I Lloyd HamM Is now engaged In putting the finishing; ton as he entered the Hamilton-White touches to the editing, titling mid gen-Utiidins the other day. inn eiiociiiuie, iiiiitu uy nope uuiiiii-1 titli Mm utnu t(J... flint- ....... . . .. 1 4 n, mi- dm, ,-ir uupi wm win- rullior'n Hist full-length novel, and l-n Ktlall.v for seve.,.1 i.uuti.N ! l,..4anu...atii. I ipn uy riiiiiiii'. iiuir; III inci ii . rii ("Cie D aily Movie Magazine the MOVIE GAME M. NKKIA "Ham'a" Little Joke "wns he glad to see you?" asked I.... 1. I ma I Vl Comedv Mimedy .. , iiii'inuer oi me .Mermaid .'uiupnuy. "I should sny not," Lloyd replied. "I smashed his right fender and B I light." . -J3rft3rinlBBBSBBBEHBaiatfQ?2lartffir?& X i..JhJkm Jiy JyWVj THBaaU w ) . vk. yfy -.fff rT" Mf'IBaaalaLBP"V1 T1 VAaafcaaMlBatfAifctinHBffTWaaaaaaaaaaaM JaWBaaaB RS3S3IXB 'vB ' V ' aiiHaaaaaaaHIH iS Y3aaaaaaaHaaHMIaKaEEaiaaaH j?N5p'Ltf yV? lffTaia8aHWHB5paMTattffiaBB Jty aSaBalafBaBaBCiafiWiaaaBBBriMHaffPwaaaiaaaaai JfimWmXBmmmkWsmtK I LON CHANEY SIGNED jMkWsmmMmmMmms. FOR BIG PICTURE, SSKHllHHim 1 connie whispers HliKBHnwHHHHH By CONSTANCE PALMER Hollywood, Calif. T ON OHANBT, famous for his ehar-J-Jactcr protrayals in "The Miracle Man' nnd "The Penalty," has been Mgnnd bv Universal to star in a big picture to Start shortlr. Thnr .1.. that there wns an all-night conference between Uhnney, the manager and the tcennrio writer. At the end of the talk, when they staggered out to break- msi. an tncy would say was that it dc u puny good pic-toor. nunc secreiire souls. It is interesting to know that Chancy started his stage career with Kolb and IJiIJ. the inimitable comedy team. The name of Mnric I're'vost's next picture will be "Prince Virtue" and llobart Henley is on his wav from the I-.nst to direct it. Herbert Hawliusou's first starring picture will be "The Substitute .Mil lionalre, ' which waR purchased from me estate of the late (ieorge Loane Tucker. Herbert is a likable chap, with a strong penchant for comic bongs to the tune of the ukulele. Lois Weber, during her nojourn abroad, will probably direct Elsie .lanls. the event to be staged Wn England. There seems to be a preference for comedies among the producors. Metro, within a few days, will start Ave new dramas in which the laugh is para mount. Viola Dana will do "Glass House:" Bert hytell. with Virginia alli again as his leading woman, will do "The Bight That Failed." This is a Saturday Kveninc Post, stnrr h the way. Alice Lake starts "The nole in the Wall" with Maxwell Karger again directing. Bex Ingram is now at work ou "Turn to the Bight," with Alice Terry, Jack Mulhall, Harrv Myers and Margaret Loomis in the cast. George D. Baker is preparing another comedy for Gnreth Hughes, who hns just finished "Little Eva Ascends.' which they do say is very funnv. Giucth pluys a girl with Mary l'ickfiird cuils. Can you feature it? GEORGE tin.slied MELFOBD Is almost with "The Sheik Watched a big Ket last nieht in which a lot of hhootin' took plnce, both by guns and George. He ccrtainlv is the eusMngeht director I ever listened to. Seems hardly right. Oh. well, it takes till sorts of people to make a picture. Mnry Miles Minter's next picture will b a South Sea Island story called ha ! just let Bealart try to keep name necret "South of Cuba." Can't fea ture Mnry ns n South Sea IslRnder, but everybody seems to be doing that sort of story. n suppose we must be in the running. Nice Jack Ho't's up north making his first starring nicture. "The Call of the North." Mndge Bellamy, of the big eyes, is his lending woman. The name of Gloria Swnnson'R next picture will be "The Husband's Trade mark." It is from an original story h Clara Bernnger. Clever Lornn Moon is writing the continuity, bo that it wl'l be reaily for the Swanson when hlic comes home from New York, which wil' he toon. Wallio Beld is using thy studio roof. , augmented by whnt is technically known in "The Hall Process"," for the loca Mons of his new picture, "Bent Free." lu other words, nrtistB arc blocking out , i he background of Hollywood mountains I ind painting in n New York skyline. Jack Mulhall Gossips About His Stage Debut Isek Mulhall, who Is to plav the 'ending role In "Turn to the Bight.' hns, after years of discretion, told the story of his stage debut. He got on as a super in Viola Allen's production of "In the Pulace of n King," garbed ns a Spanish soldier of King Philip's day, carrying the conventional spear. On the first night he did nobly until he started to walk off the stage The end of his pcar caught In his clonk. Prying to disentangle it he caught the point in u tapchtry which started rip ping. He backed nwny, bumping into a stool which crashed into the foot lights. A friend who hnd come to watch ..V. dclut "ho'itcd from the audience "Be careful, Jackie!" Ills stage career was temporarily dis continued. Elinor Olyn Writes Another Elinor Glyn, author of "Three Weeks, who wrote "The Grent Mo ment, Glorln Swanson's first stnrrmg picture, has written another original for Miss Swanson. "Beyond the Hocks" Is the title "Beyond the Hocks" will follow in production "The Husband's Trademark," the Clarn Bcranger story which Miss Swanbon will start ns soon ns she returns to California from her visit in New York. Lowell Sherman has been engaged as the leading man for the labt-nnmed picture. Cartoonlst'a Daughter In It Gloria Znvennort. enirnireil h,- n.. 1,nffro"'.n81,on f he laugn-mnkcrs in hir production of "Turn to the Bight " '? 'M daughter of Homer Davennort. Ih.VaVoonfst HI SSI" ' B . S.'r f X?W InJSm ' Bcan deliver as many ""' "cm ennoons, ' HAYAKAWA SHOWS JUST HOW ORIENTAL NOBLEMEN LIVE wFnJFiawPlllaaEaaVaHrfllBJ Epu v ijRBt nl Kmm IWIV'iH rnrBVPTiMmF9viiPmWrSMmm ma UfU iHui. IJ: iJBsTf'l ! iMHMaMTiwaA'tKi J IJL ilmmI&Sl?lxmmf'.t?lJXmm JL afPMHnfllH w mlHM ml wits. HPIflPHHOTKzMHIflMHsllHaHiMKnl i. MfU mlrJvimi m 5 MmWmtriKmmBminmMWBmmVmmml A.aih LMm I wBmIIPbHhS WSBmmmm hWL. WW&idgL siMJai5wiin. Durn 1 1 aW'l ll Ml Wl III il I I HI I I I I i i Mill I M I l WOMEN BECOMING LESS ATTRACTIVE, SAYS ELINOR GLYgl AUTHOBS with reputations lit. . a disappointing habit of believing their literary selves. The discursive on paper are apt to be reticent in peron. Jsot so Elinor Glyn. The heady draft she hands to a half credulous, half-amused public Is ob viously the expression of a singular peri-onnllty. There Is much of the conventional Englishwoman about her. even if her books have been banned occasionally, or surreptitiously read behind camou flaged coven. But here and there a bit of tho primitive soul that stalks un ashamed through her entertaining para graphs ntserts itself. Then she becomes the Elinor Glyn who. as many interpret her, would make the world n happy hunting ground for men. rather than the wifo nnd mother who has spent most of her life, at a charming pine? in Essex bringing up two daughters and cultivating horses. But at any rate, the atmosphere sur rounding her Is chnrged with emotion of the best seller type. She has subtle green eyes n bit feline. "Why is it." she asks herself, "that there are only two species in the world the canine nnd the telinc and the high tst development of the canine Is man and the highest development of the Wine is woman?" Her hair is as Titian as it was when she came to America to look us over in 1007 and again in 1011. She is still given to gorgeous raiment, has a Cinderella foot, a sinuous figure, an eye for effective background and n pas lonfor rhetoric When the war was on she left her Louis Seize setting nnd the famous paWlwm in Esses, where she hns com mitted most of her litornry devlltrv, and svrubb-d hospital doors in France, just like every other nicely brought up Englishwoman. She even rushed in court dress from Buckingham Palace to ersailles to be present nt the signing of pence. Hnving lookd nt llfo from a good many nngles, she is now In California, Showed 'Serve in "Stunt" OABMELMYEBS Carmel Myers, co-star with Wnl lace MacDouald In tho new serial, "Breaking Through." has just hnd her first teBt of real serial "stunt" work in filming the trestlo scene in one of the early episodes. Miss Myers, as the heroine, climbs down underneath a trestle and hangs by !...- i i- , her lands from an undcrsupport. I he location used was one of the loftiest bridges in the vicinity of Los Angeles, spanning a deep chasm with a little trickle of a stream in. the. bottom JHJKfePi MR 'Hm i Ik " -"'VH mk '''-mm wmmm v ' As'mmm r i i &M: r adding to her store of experience life in Hollywood, America's motion pic ture colony, ot which she became a pnrt during the six months spent In writing nnd lilmlng her picture, "The Great Moment." WHEN she wrote "The VNits of Ellznbeth" she sketched American men and women with a light and ap preciative touch nnd her opinion of them has not changed much. She is especially partial to American men and thinks that American business is pic turesque. "The particular problem of the Amer ican woman." she said after looking them over, "is to control the natural human vanity that lurks in the feminine soul. The women of every country are what their men make them, and here women are so petted that their very contentment is nt stake. "Do you think they are happy? The faces of these perfectly groomed women i see around me nre tilled with discon tent And it is because women nre not meant to hav too much of their own way They nre happier when ruled by wire and brilliant men. It is the law of Nature, and when we distort Nature she takes her revenge by destroying the individual." Elinor Glvn's Tltonln wnnM ho hnlcyon place for men, but a strenuous one tor women. Subtle sophist that she is. she believes In capturing and binding the mnle with the silken skeins of physical charm, creature comfort and niseriminating surrender. She mixes oin-tasnioned bromides and radical stimulants quite freely. "Feed the brute, my dear." she ad vises the young wifo. "Beautify and adorn yourself lor the hours when vou nre alone with Henry. Men's senses tnte in everything, npparentlv uncon sciously. An ungraceful position in sitting, an uglv personal habit of biting lips, or wrinkling the forehead, or tin. geiing the face, subconsciously revolt mem. "AT ALL costs do not jar on Henry. Thorp U no use in giving sugar to n bird if sugar makes it sick and some other food would be more accept able. Find out what docs attract nenrv and give him that. "Then, when the spark of interest is nllght. the greatest Intelligence Is require!! to unng in a little mybtcrv. Drop n veil, so to speak, so that he must use effort to lift it; arouse his hunting instinct, in fact. And. above all. let him leave you at all times soothed nnd pleased with himself. "In America, where men nre in the majority, the women can give them selves what nlrn they plviibc," slic de clared. "This ingrnined knowledge of personal supremacy gives them mag netic attraction, but in our poor old Lnglnnd there are six women to every man and the fight is totnlly unequal, for a fight It certainly has become. "It Im perfectly ridiculous for people m Mr ,'1'H 1n ""feminine nnd unlady like. It is natural that n normal womnn should desire a mate and the struggle in every country is regulated by the state of numbers. A career may solve things for a time, but unless the nerves and desires 0f the working bee are evolved in women the solution Is not permanent. "I find that women nre becoming a muss of egotism anil less nttrin-tlvi. nil , the time. This is a condition of num. , bers. The war Is responsible. So mnnv i soldiers rushed into marriage with what I all the 'jazz girls' that the race is going to lie set buck n generation." Madge Bellamy in Lead Madge Bellamy, one of the most at. tractive girls In screen circles, has been engaged for the feminine lend In .Tack Holt's first star picture, "The Call of the North," from the Ijook, "Con iurcr's House," by Stewart Edward White nnd the play by George Broad burnt. It Is being directed bv .Tosenii iii.'imwvj, lie lutiiuuij.T in iiimv oil in. ention fn tho mountains, where it will remain for some time before re- lTAnnhl)iV rPI.A .inmi.nnw, lu .n... A I . turning to maKo interior scenes. Miss .Bellamy is a fourth cousin of Sam 1 Houston, of Alamo fame, and was ed- ucated.ln San Antonio. ii f In his latest pictitre the pop ular Japanese actor has ob tained this exact counterpart of the country home of a Japanese nobleman. The Bernheim Brothers, former ly importers and experts in Japanese works of art, traveled in the Far East, and were enchanted with a noble man's home. They had an architect go through it, and later built an exact counter part in Los Angeles. Through his friendship for the Bernheim Brothers, Hayalcawa obtained permis sion ' to take scenes for his newest picture in and around this remarkable house. Choose Two Vehicles for Anita Stetvart Anita Stcwart'a next two starring vehicles will be "nose o' the Sea." by Countess Barcynska. and "The Wom an ne Married," by Herbert Bnsh ford. This announcement comes from the Louis H. Mayer studios, together with the information thnt Miss Stew art intends to terminate her vacation in the East shortly and Is expected back at the studio by the middle of Sep tember or October 1 at the latest. The order In which these two na tures will be made hns not been decided upon, out both stories have been turned over to the Mayer editorial staff and are now being adapted for the screen. Mndge Tyrone, who edited "The Child Thou Gnvcst Me" and wrote the scennrios for "Habit" and "The Invisible Fcor," is working on the scrint of "Boso n' the Sen." Tho mm version of 'Tho Womnn He Mnr. rled" is being prepared by Josephine Qu,rk I'lIOTOI'I.AVN "pHoropUYT" COMMMV y . OTAKtSKA AlUcmLvi ISlh, Morris 4 rnsjyunk Avt. ninamura mm. nny nt a rw. :is t WILLIAM RUSSELL In "HINOINQ IUVKK" Al I FnHFIMY 1'rankford U Al'rsheny fAL.LiEiUnE.l I ft. Dully 2:iri. rvrn nt 8 CLARA KIMBALL YOUNG In "CIIAKOK IT" APm I C 02D & THOMPSON STfl. frJL.L.KJ MATINRI' UAIUT MILTON SILLS tn "T1IK FAITH 1IEALKR" ARrAniA CHESTNUT nl. 10TH rArvMLlZ-V io a. M. to 11:15 P. M. WHITMAN IIKNNI'.TT'S PnODUCTION "The Truth About Husbands" A QTOD ntANICLIN 4 GIUAnD AVE. rJ 1 TV MATINEE DAIUY TltOAMS II. IT'" "THE BRONZE BELL" BALTIMORE.o!11 AI.T-8T4R CART In "THE CONCERT' RFMM 4TIt AND WOOUI.AND AVa DCIMN MATINHK DAILY A PARAMOUNT IMCTI'Itl! "The Woman God Changed" BLUEBIRD Uroful & Huiq. Ave. rnntln'io'i until It THOMAS MfclUHAN In "Tin: COXHUKST OF CANAAN" BROADWAY "oSnWp CLARA KIMBALL YOUNG In "STRAIOHT FROM PARIS" PAPITOI T22 MARKET IT rl 1 1 vyl. io A M m 11-15 P. M. EUGENE O'BRIEN hi "GILDED LIES" POl niKlIA! atn- Maplawood AvmL V-l-,V-l,lr-li .an, 7 nnil II P. M. OFO, MKLFOKIPS PRODUCTION "The Great Impersonation" DARBY THEATRE BEBE DANIELS In "DUCKS AND DRAKES" RMPRFS U,N KT- MANAYIJNK 1,1VI1 IILOO MATIN'Ei: DAILY ItAKLKY KN01.1VS PRODUCTION "CARNIVAL" FAIRMOUNT tV" BETTY COMPSON In 'M'HlSOXr.HH OF LOVK" FAMII Y THEATRE 18U SUrKt fit. MARGUARITA CLAYTON In "WOMEN WHO WAIT" 56TH ST. TaEATI-r,.N,KK dS ALL-STAR CAHT In K DXILT "HIS ENEMY'S DAUGHTER" FRANKFORD 47t0 W?'l5 "ONE MAN IN A MILLION'' SiirprUe YnnTlllf Swc. MmlfMl Protmm C HRP col "ARRET HT" LIONEL BARRYMORE, " In VTHB DRVIL'S GARDEN" CONFESSIONS OF A STAR As Told to INEZ KLUMPH CHAPTER XX NOT only was I actually learning to be a star; I was becoming n beauty as well. Sometimes I rebelled bitterly against the process, and nometimos it amused me to tho point of hysteria, but I hnd to stick to It, If 1 was to live up to my part of the contract with Mr. Bandy. 1 was fairly good looking lo begin with. I have very large, deep pay eyes, and 'my bronze hnlr is light enough to look yellow when n light Is thrown on It properly. My features screen well the eyes nre wide apart, the nose nnd mouth aro clear-cut nnd tint- inn fine, vet not heavy : m.v face lu broad enough so that fatigue docs not make it hard, nnd so tnat n taxes me light well effectively. And I nm rnthor sinnll ; not tiny, like Marguerite Clark, and not awfully thin, like Constance Tnltnndgc, but sort of in-between. That's in my favor, being smnll ; you see, the camera exaggerates, always, and many a star who thought ahe win about the proper weight bus suddenly reniireil. when she saw herself 011 tho screen, that she was too fat. Prlscllla Dean got stout a while ngo, ou know, and lived on a diet of haked potatocn ond milk for weeks till she lost twenty pounds. And Norma Talmndge some, times has to make' n regular altar of her bathroom scales, for fear she'll get too stout. It hadn't occurred to mo thnt mj looks would be any special considera tion; 1 mean, In my mind you either were good looking or you weren't., nnu that wns all there wns to it. But Mr. Sandy's sister, Mrs. Lnne, promptlv disillusioned me. "Haven't you always found that vou looked much prettier sometimes than vou did others?" she demnnded. "Well, you can't afford now to let your look.; slump that way. Mr. Sandy has mnppcd out a campaign for you that covers the next three, years, and you'll have to make vonr looks last, not only for that time, but much longer. If you want to have n real career. You'vo got to be consistently beautiful and if more, women would take tho time for It, and make a very little effort, they could be, too." Ho my beauty regime started. My food was ordered by schedulo; lots of fruit nnd fresh vegetables, vary little meat, nothing but milk to drink. More than once, ns I climbed Into bed and sipped a glass of milk, did I remember the days when I'd stayed with Colleen Moore und we'd rummaged in tho re frigcrntor nnd oaten everything from cold chicken and salad to chocolate cake before we went to bed. And, oh, mnvbe I didn't have a fellow feeling for Constance Binncy the day I went 'behind the scenes when she wns play ing "Thirty-nine Kast ' anil round ner lunching in her dressing loom on one raw t-gg! I had all sorts of bnths. too: n lukewarm shower in the morning, pre ceded by u salt rub : a hot one at night, after which 1 was massaged with scented oil. Mintage massage 1 grew to hate the word ! I exorcised regularly rode horse back In Cential Park, took barefoot dancing lessons, went swimming in n gorgeous pool where I later met a Sunshine bathing girl who was sur reptitiously learning to swim ! 1 wasn't even allowed to go to bed tired, funny ns that may seem. "You won't really rest If you do," Mrs. Lane told me, the first time 1 came in late from the studio, an rounced thnt 1 didn't want any dinner, dropped off m.v clothes in the middle of my bedroom Moor, nnd scrambled Into bed. I was hauled out mid simply driven to n hot bath, nnd then had to eat something, sitting up in bed, while my maid rubbed my feet. I will admit that 1 felt heaps much better nfter ward, and tiiat the next morning I looked ns if I'd never known what it was to he tired. "Why doesn't somebody tell girls and women everywhere how stars keep themselves beautiful?" I asked Sirs. Lane one day, when I wns having my hnlr rubbed and brushed with some gorgeous herb-scented toilet water. "Peonle have." she answered, keen. Inc ntl enele ee nn niv mniit n... most women nre either too busy to take so much bother or too lazy. Most of I'l!OTO!rAYN The following theatres obtain their pictures through the STANLEY Company of America, which is a guarantee of early showing of the finest productions. Ask for the theatre in your locality obtaining pictures through the Stanley Company of America. flRAMT 02- amAHD ave. ,JXX'Ai3.1 MATINKrJ DAILY SYDNEY CHAPLIN In "KlXd. UI'KKN ANI .IOKKR" GREAT NORTHERN WirS' JUSTINE JOHNSTONE ' In "Wlli:i.TKRi: DVIKIHTKKK" IMPFRIAI 00T1t WALNUT ST8. 1. tXIAL' M"t. S'30 Evbb. 7 A 1) CLARA KIMBALL YOUNG In "CIIAKOK IT" Lehigh Palace G"manrhr(,hAVAUnu,i .. ItKfllNALD IIAnitrjffi "THE BRANDING IRON" L1RFRTY BOAD & COLL'MDIA AV. TiiWJL. . MATINKR DAILY CONSTANCE BINNEY In "SUCH A 1.ITTI.K ( UK KS ' OVERBROOKC3D&IIA.Y.UlInD CLARA KIMBALL YOUNG In "HTHAWHT FROM PAltm" PAI APF Uii MARKET STREET rrl ,0 A. M. tn 11:15 P. M. ELSIE FERGUSON In "FOOTLUillTH" PRINCFSS 1018 MARKET BTREET 1 linv-L-3Og.;i0 A M to 11:10 V. M. 4,-r,..,A''Jr.TAn rAfi'i' '" "THE FOURTH FACE" RFCiFNT AKKT til. Ilelow 17TH ..... - n:ft A- M- " U P. M. SHIRLEY MASON In "EVER SINCE KVK' RIALTO OERMANTOWN AVENIJR ir-VI I J KT TULPEHOCKBN ST. .. . "ONALD CRIRP'H "APPEARANCES" RUBY "A't'tlST T. UEI.OW 7TII VUU .. JLB A. M. tn 11:15 P. 11. LOUISE GLAUM In "GREATER THAN ijivrm SAVOY 12U MAHKLT STREET tomV.0 lr,DNI0"T In "AFTER VOIIRJUVV ItF.ART" SHERWOOD BJ!5T& ??WtJ: 3d ivii 1V1CAVUY In "A PRIVATE HCANDAI." STANLEY uhVlKFWZ "IHB ArAIKS OF ANATOL" 333 MARKET-TJT1? WILLIAM RUSSELL In "HINBIXO II I Vi;n' VICTORIA I'nST TOM MIX "" In "THE MIIIIT HOIIHEMrv W M. PENN IP . I-nrMw"A7. BEBE TJANIELS " "ONT It'll 11 11 v i-f AT WEST CHESTER RIALTO "TB IIHONZK HELL" tt 3fSHEfiflBBHBBV i ttS? AwbbbbbM LOUISE PAZENDA T OUI8H FAZHVnt ... dienne, Is In JKS,-fl extended visit to the bl. Cll ? W' could walk from one end of ti LSuI ft to the other without r hWt pectea ot Deinc a "movie n;.,. ? sue happened to meet som. ...J? f1 Knew tier when not dressed tin i lt ' much more like some ranched M&' who rides ten miles mm, i.!uWtu mail than Ahe docs llko the Z.I1 -conception of an actress. ' wWii "Hie Love Egg," th n. . 'I featuring Miss ffizenda will M, leased soon. It Is the t.. "." ! storage egg and whnt happed VC it wns finally served and is low .? I JMirn rnnt Tl. lit, I ..V ".tn f wrote the mebsngo was by thaflL'4 widowed mother. y l at "a' THE STORY BEGINn Wtth the carlo Ann, u .i. .. Finn Arts $iudio in California JS1 , Colleen Moore, the pish 0irU, BS' j Love and a host of others Mm JJJ Cheyne Jells how she and h SZU, o6el Heath, tat tontsomely orElY the studh until Phil Crantvtu famous direotor, ehose Isabel U , the first of the screen's "J,iJ romp." Then are seen togstlit, great deal, and n seandal is orntti by the director's wife. Derrti Wi,. Chester, a - friend of Diam't, ii called on to help, and Isabel iriu "vamp" him. Then Isabel n. jioiwc ie ft to he starred h t, Kast by a Paul Markham. ,Dem goes to rrance irith the nrimiw corps and Diana meets KeltK'Otr. ham, who strangely attraeit Aer. On the eve. of a romantla runnvnl mtmn MNtM nM ...... .;."" marriage, Keith is killed in an aiilo- mohite accident. NOW GO ON WITH THE STORY them nre too lnzy. The rli-W tV. I get, and the more time they hav,,tlittl lunur nun inure repulsive lOOKmg tMJ , get. And then," she concluded, with a cynical little laugh, "they compWn i bitterly because some netressrlin wn,v. i like n slave to keep her looks Is more ' attractive tnan they are!" I wns beautifully dressed, too. jin. Lano had taken ine to a modistn. wk made a specialty of studying womtn ami pinnnmg costumes that would brine out their cood nolnts. snit'M,. tninly the things she planned for me.-j were amazingly becomlnir. Sh rMilT',i talked in terms of color and line, and -1 could express a person's psrsonslity u J iieiinueiy as a portrait painter cm, If : ho flares 'ji lt was fun. of course. But I new ; hnd anywhere to wear mv hunntlW clothes except In the nicture. in whlrh J I wore only three gowns and a big f coat. When I went anywhere it wi J fust tn Innnhonn nn tlm mnlln.. .. t dinner with Mrs. Lane. Mr. Sarnij didn't want me to be seen a lot ii i public till I really made my debut V a star. The future looked wonderfully ; bright, but sometimes I cot horrlUr . . bored. And when I'd go to themorlfi?! nnn see rne iri in ninmri nrminri ik ' back home, on the screen, I'd be n ' nomesicn tnat I'd almost burst Into ' n uici, tm -!! To Ifo Continued Tomorrow rHOTH'f.AYS . COMAKY r A .orAMUOCA. ffi rhc NlXON-NIRDLINGERn THEATRES jj BFI MONT B2D auove maiikw JACK PICKFORD in "JUBT OCT OF COLLEGE" ifl PPDAR 00TK CEDAR JLVBI8 V-CL-r i,80in18.a0, 7 WftjP.H,. AI.I,HTAR CAST In "CHEATED LOVE" THOMAS MEIGHAN I In "WIIITJ5 AND ONMARIIIED" JUMBO FRONT ST 4 OIRARD AV: Jumbo Juno, on Frankford "t ; SPECIAL CAST In "WELCOME CHILDREN" ! 1 rAnCD 'ST A L.NCASTER AT J LCiAUHK MATINEE DAILT i JUSTINE JOHNSTONE j In "SHELTERED DAUGHTERS" F DPI !QT B2D AND LOCUST STOW' L,WL.UI MatB ,,8Ui a 30 Evki. OSOMlljl JAMES OLIVER CCRW0OIV9 i "God's Country and the Law1 j r- . at . m k vcr flTfl. K1VULI -" "" MATINED WILT.'. Noma Talraadge & Eugene O'BritfJ III "THE MOTH" STRAND QTSS1 JA.1IES lillllvlVIKIll mill III" l"" fll THE GREAT IMPERSONATION AT OTHER THEATRES MEMBERS OF M.P.T.OA. G. 0510 neimnnlown'ti ermantown matini:bdaii.j MADV Mil FC MINTER j . .""ir.... v.rvturiiijr'Vl in '.TllMJ.M.lUII 1 rtIU hu,iuiov i, JEFFERSON 8MhW?Fl?SSS MARY MILES MINTEK in "THE LITTLE CLOHN" PARK "tiWWM ALL-STAR CAST In . Cpif "THE TEN-DOLLAR RAISb. WEST ALLEGHENY ""U.TiSl I IDLE HOUR ""IE MYSTERY ROAD" ALfz-BTAR CAST l "PROXIES" n - , .Ctjr,-Hj(y ..l),. J&. $,!,&. . Wk J -l,' .iiV- u1iv . ij
Significant historical Pennsylvania newspapers