i f,fi.J- iiTttr1: . i rs .. i.i ; . ., w-w -,t, J I'S, rt t-4 : M itj" iff I 1 &.! MM fx'V WfA ... jJjAie 9 '" " V 'i I II I 1 l aaMI ! "-''- t ' '' tLOSE-tPS fAe Uy HENRY Norma Talmadge EU nil the rumors nbont Kormn 'A t Is possible to say something definite ttrn Jiculnli Livingstone, hns returned orr gements that hnrc been under consideration for some time, nnd the result Ib tint Norma will leave um in November. iV"""" Btrcl In New York they nre beginning JLIirUUKJl, WIUCU l Ui: lilt' Ill'Al. U1IV notfj-et returned from vnrutlon. .The exteriors for "Sinllln TTirough Anij, by the way, one of the features of Gcii& Lockhnrt, whose popular songs you wltiont ever looking on the title page Twnbltv of lielnir 11 writer. Nobodv cares 71 thai counts. J With the completion of "Stnllin' Through," the Norma Talmadge company trllu pack up their little steamer trunks nnd sail for two months abroad that ought to result in something notable. It won't be "The Garden of Allah," as most of the rumors have had it. Instead, it will be "The Voice on the Minaret," another of(the works of Robert Hicheng. Incidentally, Norma has bousht screen rights to his "Snake Rite." If she could only arrange to bell the Scure, she'd make her blooming fortune. lA lot of the work will be done in Southern France before they go to Algeria for the main shooting. It was to arrange for studio space in France that! Miss Livingstone crossed and she reports the Europeuns very far behind US fn such things. iThe principal trouble over there is that they haven't sufficient electric current in the ordinary city service to handle the immense demands which we xaatjs on studio lighting. When one of our big modern plants a going full blast, It consumes enougli current to Illuminate n town of some live thousand inhabitants. OXE of those big sunlight arcs alone ilcictopi about 300,000 candle power. Sonic studioi have sit of thcic working at once. Say the average house lamp is thirty eantllepowcr, nnd a simple diri.iion infl jJioio you how many homes rouhl be illuminated with this current alone, nithout lounling the Klicgs, the spots, the domes and all the. rest. Mary Pickford Wasn't 'A MAN who was connected with the when D. W. Griffith was Just beginning to forge his way to the front told me an Interesting little yarn the other day. Wo were on our way back to New York from the Griffith studio on Long Island. We bad been watching Griffith work with Lillian nnd Dorothy Gish and we were going in to see Doug Fair banks nnd Mnr. Pickford at the opening of "The Three Musketeers " As we left the Griffith lot. Lillian Gish came up to us to say good-by. "If jou see Mary Pickford tonight." she said. "I wish you would give ber my love. Tell her we nre working here so I cannot get in to sec her, but ask her to phone me tomorrow." "That takes me back n number of years," this man said as we settled in our scats in the train. "There urd to be a brass rail running down the office of the, old Rlogrnph studios People connected with the Riogrnph were admitted ta the Inner side of the rail, Usiturs were kept on the other sido. "Griffith, then making a name for himself, had started Mary Pickford on her career. He renlly discovered her. you know. They were great friends and Griffith uever lost a chance to plaj a joke on Mury. "One day Mary came in with two little girl friends. Griffith was standing on, the inner side of the brass rail and stopped her with mock gravity. " 'Did you want to see some one?' he us'cd. " 'Yes, Mr. Griffith,' Mary said. 'I want to introduce two friends of mine. They want to act for the mowes. They think they will be good and I do, too." ' "Griffith looked at her seriously nnd then opened the gate in the railing and drew her inside, leaving the other two outside. " 'Mary,' he said solemnly, 'you belong this side of the rail; they belong out there. If jnu keep on bringing your friends in to this side, first thing you know some of them will be so good that every one will forget about Mary Pickford.' "And Mary drew herself as far as her tiny height would let her and snid : " 'Mr. Griffith, Mary Pickford will never be afraid of any little girls, no Matter which side of the railing they arc on.' ifpRIFFITII lauahed at her independence. 'All right.' he said, ( vl 'fcrmp them m nnd introduce me and 1 will see what they can i do.' So Mary brouaht them in. TAii,' she laid, indicating the older . one, 'is my friend Lillian Oish and this is her suiter, Dorothy.' " -,.-, Daily Tabloid Talks to Fans on 1 By JOHN EMERSON What Are the Salaries The authots of this series are the famous Emerson and Loos, who have written some of the most successful photoplays. They now have full charge of all scenarios for Constance Talmadge. n tiTTnti j . I QO MUCH propaganda and press- J agentry has loen at work during tlie laat few yenrs that no one knows what to believe of motion pictures. There appears to be a sort of attenuated smoke cloud thrown up "ibout all con nected with the artistic, and. more par ticularly, the financial side of pictures. And naturally, the fust question to b asked by ono who is considering en- taring this field ns a vocntion is "What Tio they pay? Is it all true? Is there money in the movies?" The leading stnrs of the screen get anywhere from $1000 to $10,000 u week. There nre only two or three 4a rs, however, who set as high as Is She the Prettiest Girl? ALTA ALLEN BHB8aHaMBsw&.ifr i?-, S'Max Llnder, the comedian, being KL Prench. noturullv thinks that he has Ki'B infallible eje for benuty And hav- D"T uw lt.An It. Hn. innuln lillutnunu rivnr lncei t started, he thinks lie lm:i seen thA pck of the prett girls of the world. We1 has declared Alta Allen, a West ern girl who recently made quite a hit in Rroadwaj musical comedies, the prettiest girl he has ever seen, and therefore the prettiest girl in the world, .po you think she is? You'll have o chance to judge soon, for Max has irfffied her to play the feminine lends in ta emnfdioa he is now making out in ' CallftraU. 'A I. ' it Wfjfli ("Cie Daily Movie Magazine MO WE G4M M. NEELY Is Going to Algeria Talmadge nnd her plans (or the future, now. Norma's personal represent!!- from nbroad, where she completed to shoot the interiors for "Sinllin' IUI. UUk L .IUWUUi .VilDkUllUU IIU were shot down on Long Island. thl play will be the screen debut of have sung dozens of times, probably to soc who wrote 'em. That's the much about you : It's onlv vour stuff a Bit Afraid of Them old Riogruph studios in the earlv days Breaking Into the Movies and ANITA LOOS in the Movie Business? ten thousand. The majority rnuge be ! tween one and three thousand. A few stars nre iaid n percentage of the profits of the 'picture. One or two others nro paid a lump sum for n pic ture, rather than a vcoklv snmrv. nml in oni caStJ tlis lump sum comes to $go,(X)0. A good lendinj man or lending woman gets $400 or $300 a week some much nioie. Firbt-rnte character tiifmln nr "heavies," set up to tlnce or Ave huu ured a week, or, If t ailed on to play by the day, get anywhere from $30 to .100. Tho smaller parts bring snlaiics ranging from $50 to $200. "Bits," such ns the butler who opens the door, which Involve n small bit of individual acting, although really merely atmos pheric work, bring $10 a day or there abouts. Extras for the crowds scenes get about $5 a day. THE the salaries of directors range all way from $10,000 a week. wiucu is tno emolument of one great artist, down to the hundred and fiftv a week of the ll.v-b.v-nisht con cerns Tho average director in n large lompany gets nn where from $300 to $1000 a week, especially as nt present there Is a ;reat shortage of good di rectors. Scenario writers are paid nccordlng to the type of work they do. If they write original stories they may get fr, sinrw. tr. ii firm c.- t,... i -."ill r.... (. ikn,iinr ,., Ittvill 1 '(ourso tho published works of notable I author or tho stage hits of famous playwrights bilng more. i Writers doinz the adaptations or 'continuities of the stories of otheis nre more often paid by tho week The big scennrio writers get solorlcs rang ing up to hundreds of thousands of lol Inrs a year, for this is fast becoming the most important work of the entire Industry. The lesser lights seldom le ceive less than $!X),000 a jeur. Cameramen get from $100 to $.100 in wcrK. Art directors receive several .hundred dollars a week, but few eom I j nnicM have as yet realized tho neces sity of cmi-Ioins specialists in scenic art. These "Tabloid Talks" are con densed from the material for a book by Mr. Emerson and Miss Loos to be published by the James A. McC'ann Company, New York.) Tourists Welcome at This Studio The one Southern California motion picture studio in which visitors are made welcome and arc given nu oppor tunity of witnessing reel stars at work is that of the Pacific Film Company where each week Manuger John ,T. Hares entertains hundreds of tourists, They see George Ovev, Vernon Dent and their White Cap comedians In action, filming single reclers in an ambitious program that schedules fifty-two re leases during the next twelve mouths, Wallace MacDonald In New Serial Wallace JfaeDonald one of tho best known male leads in motion pictures, Is the co-star with Carmel Myers In her new serial, "llrcaking Through," which is now being produced on the Pacific Coast under the direction of Robert Ensmlnger. The well-known screen villain, Vincent tiowaru, m also a member ot the cat. ,A evhning public NORMA TO GO ABROAD AFTER MAKING THIS PICTURE J 4i s 1 t ' yw w . m-Mifiusyn , vA-vAy vwiwAWA-far4' V V f4 - 1 1- 'WeSmmm r Mm W SP'lllHHKlK ' Y ' Msm r HAD to confess that I rORMA finishing 'Smilln' Through" in her New- York studio as fast as she enn so as to be ready to go abroad in November The article at the beginning of tills page tells about her plans. In the out doors seenc nbove she is shown "on location" on n big hog farm near Keokuk. la., making exteriors for "The Wonderful Thing." The othe- MONTE BLUE ACTS WITH GRIFFITH, GARRY DISCOVERS By HELEN KLUMPII "W;1,1 I1Y does everything good come out the West?" Garry asked with n pensive air. as though she knew the answer already. "If you mean Monte Blue," I told her in my most 'natter-of-fntt wa and Garry hates to fail to surpriso peo plo "jou ought to be glad that he did 1 HAD TO LIGHT MINIATURE CITY FOR (irV.ALLINGFORD, PRODUCTION HI flBftalf fo'Jif i KmrmtrMrt nSmiiiS'"' M&UKiJHftSLKtk wSSKBSSsSBhBISx BKKUFKmMselvfsssfEamittt TflMMiEmKUKifinKQtZM.!Enm rpIIH last mi ne in Oet-Rlch-Quick J- Walllngfuid " bused on George M Colan's famous stage ph, wlildi will be Keen soon on the i-ciecn, shows the sleepy town of Itnttlcshuig mude into a metropolis by the efforts of J. Kufuf Wnlllngfn.nl and his associate, "Ulacklo" Daw. Wallingford nnd Daw are looking from the terince of their innnslou down on the city of Ilattles burg with its moving trolle) cars, street lanjps nnd fine, olcctrically lighted dwellings, In order to got tho proper effect for turn fccene in tno Dncugroitua it was necessary to build a miniature city and ( I.,. ? v; ; in-' sw ,,? (("A' I iivmtr - BBjinL&,'k0miM two pictures show her In her present work, "Smilin' Through." The man with the ice cream trousers Is Sydney I'lnuklin, himself n well-known nctor. who 1h directing her In this. Gene Lockhurt, in the ministerial get-up, is making ills screen debut after achiev ing fame ns n playwright and composer of popular -ongs. Herbert Rrenon will again direct Norma In the pictures she makes nbroad. come East. Mae Murray deserves n ote of thanks for persu'iding him to come." "And Griffit'i for keeping him," she cut in. "You know he's finished 'Pea coek Allot' with Mno Murray, nnd he's up at Griffith's playing a part in 'The Two Orphans.' "He's wonderfully modest, anyway," shi continued. "If any one gave Monte Blue his choice of parts to play In a production lie would probably siy. Well, I can run pretty fast: do you need a policeman o a messenger or nnj thing like that?' He never tries to put him' elf in the limelight, or Klieglight, rather, cen though the fans liBht it Wli n the matter was taken up by .Incl. Kellj, head of tho ( osmo- iiolitaii electrical department, witn the leading ihittlcnl companies who supply nuiterlal for motion pictures, Mr. Kellj was tolil that it could not be done Hut he had been told many things eleitrleal could not be done, which later he actually nchlcved, to he sat down un( designed the ncceusur material himself. Tho problem in the case of the town of Hattlesbuig was tho same as it would he to arrange for the entiro lighting of a municipal community, except that tho work had tn bn dono In miniature. (there were no lights on the market I ........ : cviyy - vU Vi"t! .: wish he would. And that reminds me do jou know the dlffeieiiLC between 'lens louse' ami n scene stealer?" didn't. ell. Marshall Nellan told me n long time ii'o," Garry began impoit nntly, ns she alwnjs docs when men tioning the name of one of her favor ite celebrities, "so I know that the dis tinction is official. "A 'lens louse' is an nctor who gets up as close to the camera as n director will let him and then turns very slowly so ns to keep his faic in the camera' lens ns long ns possible. "Rut a scene stonier is nn nctor who, In plnin;r a scene witii some one else, keeps moving back until the other player l.as to have his back to the enmira In order to face him. "Marshall Ncllun said that once he took a picture with four scene-stealers in it, and they all moved back until they were almost off the set. He laughed nt ihem so hard he almost hnd to stop woik for the day. "Rut sneaking of good tilings coming out of the West, I started out to tell jou that Bill Desmond is In town. He's finished n picture called 'Fighting Mad,' and he's come East to see that It jfcrs properly launched in the Now York theatre, then liens going to rutli uncK home to his wife and the baby nml the neighbors. He's so lonesome for them now, he says, that he will never leav them again even for a day. No moon stiuck fan pver had so many pictures of her favoiite around her oh Bill Des mond hns of his wife nnd daughter. " "Well, that may be so," 1 remarked caustically, gathering up my tilings nnd preparing to run, "Rut that's because jou've only been able to Hud clghty tcven portraits of Rudolph Valentino." Cooley In New Production Hnlhim Cooley has been signed to play the lend with Doris May in the production which has started at the Robertson -Colo studios. Three other companies nro to commence work soon. small enough nnd powerful enough to do tho woik, mj Mr. Kelly designed lights to biiit hlu purpose. Ordinary luinlatuic electric bulbs aro much too weak to register properly on the film. All the houses were lighted, nnd the trolley cars, propelled by Individual motors up iind down tho main street, we.ro lighted. "Oct-Hieh. Quick Wallingford" wns directed by Frank llorzage, who di rected "Ilumoronpie." Luther Heed wroto the scenario. In the cast, 8am Hardy plays Wallingford and Norman Kerry "IHackio" Daw, Doris Kenyon and Bllllo Dove play the leading fem inine rolw. JKliU . n eetbmbee 6,- im CONFESSIONS OF A STAR As Told to INEZ KLUMPH THE STORY BEGINS with the early days in the old Fine Arts studio in California, when Col leen Moore, the Oish girls, Uessie Love and a host of others tcere. not much more than extra girls, Diana Cheyno relates the talc: she begin with the day in the studio when she and Isabel Heath, not stars then as theti arc note, were sitting oti the stairs when a strange man came tnto the studio and looked at them. The. cameraman called them down to meet him, and it proved the turn ing point in Isabel's life. He was Phil Craney, a famous director from the eastern studios, and he taught Isabel to be the first of the screen's "baby vamps," and engaged her for uch a part in a photoplay, he was producing, NOW GO ON WITH THE STORY Chapter XIII SUCH contracts ns the ono which Malcolm Sandy wanted me to sign nro not so common in the motion-picture world ns one might think. I sup pose the most fnmous one was that which Mnry Miles Mlnter accepted when she went to Rcnlart, agreeing not to marry for Its duration, nnd promis ing to abide by certain other restric tions. Mine made no such demand, but Mr. Sandy piade It quite plain that ho ex pected me to accept his plans for me, in which my personal life as well ns my career In pictures was included. I was not to go around with Keith Gorham ns I had. I was not to frequent public rcstaurantB except those of very high standing and conservative patronage. In fact, I wiion't to bo "a common littles movie actress." I told Keith about It that night. We had dined tocethcr, nnd motored along our favorite highway for some distance, to n point where the great, tumbled sweep of the Pacific spread below us. The sky was very deep and blue, and the stars wcro golden. Fnr out, n liner plunged along on Its way to the Orient, Its lights a double bar of yellow agninst the wntor. China, Japan, India n sudden longing surged over me. I wished thnt I could go to those fnr countries, govern my own life ns I pleased, never again have a director say to me, "We'll bo ready for you on tho set at 1) in the morning, Miss Diana," and know that I'd be blamed if I wasn't there, but would probably have to sit around for at least an hour, shiv ering In tho drafts If it was a cold day, or with my make-up melting nnd running all together, If It was a warm one, before they wcro ready to begin work. Keith and I had nlwnys been just friendly; he had never made the slight est attempt even to hold my hnnd. Rut thnt night, ns we sat there with the fra grant wind blowing to us from ncross tho land I loved so, he caught both my hands and kissed them eagerly, then turned, took mo by the shoulders and bent his fucc to mine. "Please nlcase Keith " I stam mered, drawing back. "You mustn't do this not now." And then I told him all that Malcolm Sandy had said. "Rut this is absurd whv, I never heard of anything so silly!" ho pro tested. "Why should it hurt you any to go around with me? Why, we'ro always home by half-past eleven or twelve: we never go nnj where that Isn't perfectly nil right we nren't half ns giddy as any high-school bunch in the whole darned country!" "Yes, but don't you see well, he s going to mnke a star of me, perhaps, nnd he doesn't want to have me talked nbout." I tried to explnin. "And people nre nlwnys ready to gossip about nn actress, you know, even though, like mo, she's just n nobody in comedies." "And you care more for your work than you do about mo?" be asked, fac ing mo again, nnd holding my hnnds very tightly in bis. I forced myscu 10 iook ui nun, id look strnlght into those long, nnrrow, rHOTPri.ATB i ii i i"ih Morrl 4 rruwyunk Ave. Alhambra Jrf?; r?i " It ai evr"' DOROTHY DALTON In "IIKIIISD MA8K8" ALLEGHENY rrn:.? $? GLORIA SW ANSON m -Tire niiEAT momkt- APOLLO nDMlTS?SS333S.T" " MAE MURRAY In "TIIK r.HJ)Kn LK.Y" , ARCADIA OTg iui " ELSIE FERGUSON In "TOOT LIGHTS" AS 1 UK matini:b daii.t DOROTHY DALTON In "inailNP MASKH" BALTIMORE bM.?oaKt2S ELSIE FERGUSON In "BArUED AND l'UOFANK LOVE" OCMM "Til AND WOODLAND AVB. HLlNM matint.k daily ALL HTAIt CAHT In IB AIILLK'H "THE LOST ROMANCE" OI 1 TCiaiDr Broad & Suiiuehann DLUHtJlKU ronllnuou. S until 11 WILLIAM UK MILLK'H "THE LOST ROMANCE" BROADWAY BT,Vsroer.'AM: THOMAS MEIGHAN in "Tiir. roNoimsT av tanaan" road at. Casino mat daily WALLACE REID In "TOO MUCH WEED" C ADIT! "2 MAnKHT ST. GLORIA SW ANSON In "l HE OKEAT MOMENT" COLONIAL SDR W5? " GLORIA SWANSON In "THE iltEAT MOMENT" DARBY THEATRE GEOKOK MEUOKD'S l-nOIH'CTION "A WISE FOOL" EMPRESS MAIN ST.. MANAYUNK MiTIV'RK IIATLT rOSMOPOLIT N PHOlllTTION "The Woman God Changed" FAIRMOUNT 'TFlAK DOROTHY DALTON In ''ItEHIND MASItS" CAMH V THEATRE 1311 Market 8t. r-lVlli-.i s a. m 'rn-MtriNioirr DOROTHY DALTON In "IIEIIINn MASKS" 56TH ST THEATH15- Rolow Hprucn MATINI'C mil. CONSTANCE TALMADGE In "DANGEROUS nt'HIXHSS" FRANKFORD iua Kll$12RU "What'. Your Wife WorlhT" GOOD SURPRISE VAUDEVI1JJ5 ,-.4 COMNINV r f V' ' v , ' .' '- SCRAP BOOK OF STARS LUCY FOX fnsciuating eyes of his. - They proved too much for me. I tried valiantly to mnke myself meet his gare, reminding mj self that I wns only doing what Malcolm Snndy hnd told me to, In breaking off this friendship. Rut sud denly my eyes dropped, and my cheeks flushed hotly, as I turned away. "Listen, sweetheart," he began then, his face husky and trembling with emo tion. "Don't bother with this thing any longer: let it go. You don't hnve to woik. Mnrry mo tomorrow, nnd let's go off somewhere together you'd love Honolulu, and wo could go on to Japan and China why, we could go clenr around the whole darned world if wo wanted to. How about it, honey?" It was amazing, the way he had voiced the very desire I had hnd only a few' moments before. After all, why shouldn't I do It? Why not? For the moment I was swept off my feet, de prived of all ability to resist this op portunity to do exactly what I wanted to. No more working out on location under the broiling sun. doing the same thing over nnd over nnd over ngatn till I wanted to scream, because somebody else couldn't get a bit of action just right; no more need of crying all day long, because there had to be so many "takes" of a scene In which I'd bo nhown in trnrs for possibly one minute on the screon. .lust perfect comfort, travel In far lands with the most at tractive man I'd ever known taking care ot me. Uo you wonder that 1 turned back to him,, nnd lnid my hands on his shoulders and sold "Yes"? We drove bnck to my home then, hardly saying a word, both of us per fectly happy. I say "perfectly" that Isn't quite true, for Dcrry Winchester was still in the bnck of my mind. Not all the arguments I used ngnlnst him could mnke me admit that I didn't care for him still. Little scraps of our days together Insisted on coming before me. as we sped quietly on through tho night. The dav that Dcrry had cnught me up from under the hoofs of Richard Vale's horse ; the morning when ho niOTorLATs The following theatres obtain their pictures through tho STANLEY Company of America,, which is a guarantee of early showing of the finest productions. Ask for the theatre in your locality obtaining pictures through the Stanley Company of America. P.f OnC 0001 MARKET ST. ir ri. . -,ni "d 3 to ii THOMAS MEIGHAN In "THE EASY I10AU" GRANT 4u:!2 UIUAltD AVK- DAVID .rjlWELL nI 8iiffiBCi?8TLta "THE MYSTERY ROAD" GREAT NORTHERN VVif'W CLARA KIMBALL' YOUNG In "CHAllOE IT" IMPFRIAI 00T" WALNUT STfl. ROSCOE (Fatty) ARBUCKLE m "CHAZY TO MAHttY" Lehigh Palace G,rman;.hAvAVnnua. (HI8MOI-OL1TAN PHOnUCTION "The Woman God Changed" I IRFRTY ImOAD & COLUMI1IA AV. "-'uuu l MATINnF. DAILY ETHEL CLAYTON In "WEALTH" OVERBROOK03D1Av'i'NUE5nD ,,'7i.".r.nJl.,0inUi'nkI!,J,'"n ' Minn's "THE LOST ROMANCE' PAI APF 12li MARKET STnEETT BETTY COMPSON In "THE KXU 01" THE WOULD" PRINCESS 1018 MARKET STREET N nn a. v in iMR p r SYDNEY CHAPLIN "KINO, QUEEN AN JOKER" In RFCFNT MARKET ST. Ilelow 1TTH lxl-v-1I-1,, 0r, A. M. ti 11 P. M. ENRICO CARUSO In "MY COL'bIN" RFAI TO OERMANTOWN AVENUE Jf.i.TT. . AT TI'LPEHOCKEN HT. PARAMOUNT HPPEK HIT.CIAL "DECEPTION" RT JRY MARKET BT UELOW 7TII ly,yJIi.. A. M. to 11:111 P. M. DOUGLAS MacLEAN In "ONE A MINUTE" SAVOY ,2U MARKET STRr.ET iZ.i. . . . N A m to xrin.NiaiiT WILLIAM S. HART In "THE WHISTLE" SHERWOOD BV,hAT Wy&Tfa THOMAS MEIGHAN ' ! "WIHTB AND UNMARRIED" STANLEY VffiTilM lllth.ru "srgjgjgjj""..'. 333 MARKET VW'VWttVtf "I ho Woman God Changed" VICTORIA W" , rr.p' ."E""01' MRLroBivH 1Ipnom'rTroNM' The Great Impersonation" WM. PENN SSyaS - CONSTANCE TALMADGE In "LESSONH IN LOVE" i I-'. . w-.ihw jfvWite, yufe, fi! 4J ibhbI &. ShbhbhhBhbhbhbhbhbhM ! HHH -l-l-l-lil-IKlBlll&ilHK'':U Cs, ':-l-l-l-l-l-l-l-l-IH -H HHH -----------Milllllllllllllw- ' ;jhV 'JHiiiiiiiiH IH HHH nHHHHHK ' . HhH 1 Wv HH r had rushed un to mo as I enter! iy. studio to say that he was to hnve i small purt In a ulcture with T.liiui Oish to take the place of somtbodi.l . . """ , "" "urn mums am couldn't work; would I please wait' down to the property room with hint wlille he got his costume together. nd then run through tho action with Mm on the t-ftl Like the rest of us k. worshiped Lllllnn from nfnr. nnH m have died rather thnn suffer the humll. ' iuuuii oi malting a mistaKo the firrf nine lie worsen Willi nor. "I'll come for voil in fhn mm,l..n Keith told me, nnd I welcomed the in terruption of my thoughts. "We'll start nt nine, nnd run down the const I know a corking little Inn where we can ban luncheon nnd then we'll go on ta Cupistrano, and be married. Martltd honey! ' My heart leoped Into my throat at the thought. Like every girl I'd dreamcl of being married, nnd now nil at oncalt wns going to happen to me, rijtht away ! CONTINUED TOMORROW Budding Romance Kept Hayakatva From Baseball TXHIEN Scssuo Hayakawa was i " student at the University of Chi. cago he was considered ono of the most skillful ball players under the super vision of Head Coach Alonzo Statf. Big League scouts made him many offers but the one thing that prevented him from becoming a professional ball " plnyer was his love of mntlnn niur nnd his Interest In Tsuru Aoki, ho was then appearing in films In Loi Angeles. He preferred to go there to sec her than play ball at a good salati during the summer months. As a result Mis Aokl Is now Mr. Hnyaknwa and Sessuo is one of the highest-salaried film stars In the world. riioTorrYH I fTJfTho NIXON-NIRDLINGEn I M THEATRES til BELMONT MD ADOvB MARKST OMBIA SWANHON & MILTON SILLS In "THE GREAT MOMENT' CEDAR e0T" CEDAn AVEXUI " 2:30 anl fl.SO to 1 P. U. WALLACE REID In "THE LOVE SPECIAL" COLISEUM Market bt. 80th 0O WILLIAM S. HART In "O'MALLEY OF THE SIOUNTEP" IUMBO ""JNT ST. A OIRARD AVE ' "uw Jumbo Juno, on Frankfort "V ENID BENNETT In "SILK HOSIERY" LF ADFR 1BT LANCASTER AVe l-L-rtLcr MATINEE DAILY ' WILLIAM S. HART In "THE HHIhTLE" LOCUST BJI) AND LOCUST BTRCPTI buv'w Main. 1 30, 3 30. Evg. l 30 to It OIXJRIA SWANSON A MILTON SILLS H "THE GREAT MOMENT' RIVOI I HD AND 8AN80M STS. Il V WJI MATINEE DAILt PARAMOUNT'S SUPER SPECIAL "DECEPTION" STRAND QERMANTOWN AVE. AT VENANOO BTnBn OUIKIA SWANSON & MILTON SIM-'' '" "THE GREAT MOMENT' AT OTHER THEATRES MEMBERS OF M. P. T. O. AJ Germantown "MKliS A THOMAS II. INCH'S "THE CUP OF LIFE" JEFFERSON Mta CONSTANCE BINNEY In "SUCH A LITTLE QUEEN" PAR IT luoaK ave. & dauphin "Ji ETHEL CLAYTON III "WEALTH" WEST ALLEGHENY 3tEjS.-"'SS5r- Matine jaI'U ikii t i nr. MII.LY.'B "THE LOSTROMANCE' camkanv r m ntvwvrt.ii."-v'4
Significant historical Pennsylvania newspapers