-. - ni J. J ., v v a! N tf- ' " t- yw- 'iwt v .:; ' r" - Ar A-T& l., EVENING PUBLIC, IiEDaB--PfcLAPELgHlAt, MQffDAY, AUJ&tTB -29, 4921 Y y l III I ,1 . vjWiirrrwiiwv-3Mv - ymm U!m0r ZJk CLOSE-UPS of the MOVIE GAME Hy HKNKY M. NKI5IA Is the Titleless Picture Really Worth Working For? MOST of joii liao seen Hiiro ltnllin'w beautiful jiroiluetiou, "Tlio Journey's I'nil." Von lime iid in I red the smooth cimMsteticv with lilch the story in worked out nml ou linve loved the nppciiling lieauty mid the quiet nrtistry of Mnbel ltnllln. Hut, In the iiintum-pii'turp Industry, die thing tluit lint mnde "The .Tour ney'H I'tul" in tnlile is the fnet that it is the llrt i-oinplete ilnimntie feature tb be iirniluccil without a sub-title All tlio wnv thiouKh. then1 nro no word" IliHicil on the screen for tlie pest two roWK haik to rend uloud for nil the world to hear. There are elecr little plotorlul effects thnt explain the lapes of time and one .cent' in particular utrttck me as heniR especinll iii'ienious. Tlie lierolne lean's her t-nmtnt In Itnly to come to the home of relatives In America. The lrpe of time had to be explained nnd the fact thnt it was taken up in this trip across the water. Hut instead of inserting words, Hnllin hIiows her bidding pod-l to the old priest nnd then inierts n beautiful picture taken from the stern of a steamer, showing the frothing wnke of the ship nml I'lirr.v Iiik ton netually with it so that ou nre doubly impressed with the Idei Unit tune is being taken up in n journey ncros.s the wnter Then, when the harbor of New York appears, joti feel that jou have pen -toiinlly made the journey with tlie heroine, l'or ninny jonrs people in the business hiue been talking of the picture without titles as the ideal pliture. Hut ! it icn.ll? Is there any good renson whj we shouldn't linu tltlnx? In't It rather that the problems prevented in making a picture without titles nre s0 interesting that their successful solution is nn evidence of tlie cleverness of the producers'' ('A'T imaanie the Ihni'i icing letter done than it has hecn by fulfill in "7'ftt Journeys Kml." And yet. ci-tn here, there irerc several places iciric I ury much missed o spoken title or tiro. The screen mint mate the. illusion that ire aic personally prcsint in all the scenes we see. Anil, to iln that, it mint let us Imoic all the things the charac l ten m c saying. In shoit scenes, the actum can tell us. Hut chtrc theic i extended dialogue on the serein tir begin to feel that ice are being deluded unless ire are told irhat is nriiij said. It forces on us the unpleasant tcatitatian that ice are mi rely spectators. I felt that in sciciul places m "The Journey's End." m Willi's the Hallins ictiirtied from Hermuda a short time ago, I nsked Mrs Hnllin if she wouldn't write for the readers of this page her frank opinion of the titleless picture and whether she considered it really worth the extra effort it demands Her cr Inteiesting letter cninc last week. She sa! "If my unimportant opinions nre of any iuteiest to jour readers, I glmllj ubniit them herewith. "To mj way of thinking, there are few -loues that lend thetnsehes ti the making of the titleless picture IMuvn. mng.mne stories, modern books nnd classics should be told with the aid of sub-titles, because persons familiar with the stories feel that the lose their llnor without the spoken word "Then. too. the persons arriving iate can generally catch up with the stor bv sitting through the end and then the beginning "Tlie sub-titles make the cutter's job a less difficult one in the matching up of jumps, time lapses nnd indifferent acting and many technical difficulties Tlie continuity writer finds that sub-titles make his work much easier To tell the storj without sub-titles and make it tindersood Is u feat not easily accomplished. "M reasons for belieing that the ideal picture should be without sub-titles nre that ecntuiill persons would leulize the importance of seeing n picture from the beginning, which eliminutes curlier patrons of the theatre fiom being nnnojed by others constantly leaviiig or enteiiiig during the running of the pic ture, being disturbed by the ncnr-iilitcrntes in tlie adjoining seats leading the sub-titles aloud with generally the wrong emphasis on the lines. "The picture without sun-titles necessitates clean-cut actrfig, planting definitely the emotion intended. This docs not menu exaggerated action as. for instance, the old European idea of antomline, but sinceic heartfelt effort, " A FOR ",c slnr!'i it must be especially suited to this form of enter. J tamment. not a makeshift nr madc-oicr irhash obriouslu in f f iirffei for another foim of presentation. (( 'jlTANY authors have "devoted much time and thought to the writing of 1.Y-L Ctflfn Tllni !, l,t ill lltlt tl,.,,n nx, ft,., tmlnml ,. 1. 1, llnllU , na i.n nl .ai- ',(.., ". ,."..,. lii. .in,, i. , l studv to the requirements of the screen, to dispose of as second -hand garments for Trom the unit n pi'ue funiluiii i h i fi i gr , i xeeeil h have iMilied In niigiimlh imd -g r,i n , i n i i novel f"rm "The r suit i- th it d i" t tin i nnliffi n r in tin liuding tt n' i' li eers and public f.ill buk on i ' nlled ii.i-. s f ir n Mine cm itioij "I mil only one nl tin in.iiiv who InUeve in Tlie unique lequnc incuts of the wreen, and sincerely hope thut more stones il be written expnssh for the eereen, and with sinientj of pin pose and with an understanding of it iisyiho logical purport. Thin we will have mote sub-titlcliss pictures." MllS. 11ATJJV, ly.thc uty, n a 1'hiladdphia girl- a graduate i,f the School of Industrial rt. She teas an aitist hcisclf hefnrr she became an actriss. And note she u qmng to do probably the last thing she rur irpictid to dn. She is going to In tame knoirn amunu the famous "iiil ' types and ttihe hr place it ith the (libsan girl, the Hniri ton Fisher girl and others. Some tunc ago the Polish artist, II. T Itrnda, met her and uas ttrucK uith her raie quality of beauty, lie ashed her to pose for a series of pictures. She did not think he iras leally serious and unit to Bermuda nif'i 7icr husband. Itut 11101 she came back, Henda uas nail ing for her xcith more argument. And she has consented. So von ire may expect to see the Ilenda girl blossom forth from the enters of the magazines anil it tcill be Mabel ltallm. Answers to Questions by Movie Fans LIIjYAN Hvlvlft Hreamer In playing ;, opposite) Tom Mooro in "The Man with , Two Mothers." Normn Tultnndgfi will I noon bo ueeu in "Tlio Oarden of Allah." ' READER "Hen Hur" will be filmed , In tho near future Antrim Shot t phiie!, , tho part of Hud Eanier in "O'Mallej JV CI tlio Mounted on re welcome GENESEE- Dbris Kankjn is the wife of Lionel Horn more. She recently plined opposltu him in ",11m the I'eiiiuun" ami "The Devil's Onrden " i VERNON -Secnn Owen Is married. e is one of the bobbed-hnircd beauties dolpn Valentino hns. finished "Cn Jl4irwlth Nuzimoru aud is worklui: le Daily Movie Magazine n ful ,l,, inn, i 11 ,,ii,i ,,,1111,1 11,,. i,i liii but hold on to these priceless ideas as muili money as they can extract in "The Sheik." An which picture lie plays the lead MAROARET V Rudolph Vnlen .inn hns been man ted, but he is single at present. He was inanied to dean Ac ker. I MRS IIAKRIE- Irene Cn-tle is 'inanied to Robert Ti email Iler addiess h Itlim.i Ni w Vuili. As to her age, she is still in her twenties U'csjey Hairy is tluiteen TRIXIE (iloiin Svvanson. Vallda Ilnwley. Hi he Daniels and I, iln Leo can iu reai licit at the I.askv Studios (iloriu doesn't till her age, Wanda is twenty six years old and Hebe and Lila are both twenty years old, -s. i WOMEN OF FUTURE ! TO WEAR LESS AND BOB THEIR HAIR "rpIIE costume forty years from now - will be patterned nfter the pres- pnt-dny bathing suit," declares Marie i iuvosi, "All women will wenr their hair bobbed nml then they will know what is incnnt by absolute freedom especial ly If they weur sandals or go bnre footed. "The censors nre trying to make laws concerning women's rlothrs, but they will never succeed. Woman is n law I unto 1iprqn!fnii,t tln ...III 1 1. l.. .I...I ' " ...... ,.,..- ,,iu iiiukk in mi: faces of those who try to make her wear costumes to suit their tastes. "The modern bathing suit is morel modest thntl tbn tnnilnt-tt nvnnlin, r,n "If wo were accustomed to seeing the legs bare instead of sheathed in the thinnest of thin stockings, wo would have less to be shocked nt thnn now when the. skirts nre so short that most of the leg covered with lace lioNcry is revealed anyway. "When women assume the bathing suit us n pattern for their clothes. tln. TTERE'R 'Mane Prevosf, former batli- -L-- ing beaut. shown in one photo graph in the kind of ilothes she thinks women of the future will adopt and, in the other. In the cumbersome and un- loely outfit she has to wear part of the i time In her latest picture, "Moonlight Follies." In nn article on this page i today the little ai tress tells what she .thinks the future costumes of women ' will he. will have much less to worry .about In the way of dressmakers and their bus- ' bands will not lime to woik so hard to U. ep them In stylish garments (I A I.Sll nml this is tlie impoitnnt A thing the will then s,), ,ul their I time in building up n renllv beautiful bodv rather than on so us des- nn idea as the fashionable design of n gown. "If the liody is free, the lulml nml spit it are accordingly fiee and with tune to improe the body, mind nnd spirit, then will arrive in reality the supei -woman, who is modest, but not nsliunied n real comrade and real helper to man." I Miss I'rost has for the moment cast alde the bathing suit and donned "so tict ' creations for her new I'nhersal t linns picture. "Moonlight Tollies,' i 'ro ted h King ISnggot. 'Hut I like tlie bathing suit nnd nn r' regret is that I cannot wear It till t e iitnc " declines the piquant little Mnt.e iid some da 'nu see all women w I wear them." asserted Miss re- ist s she waved n huge feather fun at nothing in particular KMSSbi c" " mmmmEmMxm r mammm Daily Tabloid Talts to Fans on Breaking Into the Movies Ry JOHN KMKKSON and ANITA LOOS Study the Importance The authors of this series are the famous I'merson and Loos, icio have irntten some nf the most successful photoplays. They now haie full charge of all scenarios for Constance Talmadge. ON THE speaking stage, m tors and actresses are called on to uad their parts before beginning rehenrsnls. In motion pictures, the pint Is read to them. Before the company begins to make even the firit scene in a photoplay, the scenaiio w liter mid dlnctor call a meeting and rehearse the company, rending the scenario and explaining the meaning of each scene If the; author and ditector are wise, the stor is then euicfully rehearsed clear through, tcnr bv scene, before anything is photo graphed In this way the actors learn the se quence of their scenes nnd the relation of their parts to other ports and to the whole. It is up to you to make the best of your pait. Secuie n copy nf the icetiario, or nt least one of your scenes, as soon as possible Then go over the sloiv us many times as possible, try ing to giasp the relationship of your own chaimier lo that of the other chin ucters in tlie story Work out your own loineption of the part. I'erliups at lii st tlm director will never give vou a chance to do a piece nf original acting He will work out cverv bit cjf action for you Eventually, hovvcvei, your opportunity will conn to "ciente a part," and you must be ready for it. All the action of a motion-picture story Is contuinrd in tlie numbered vcencs of tho senario. Your bit of I BELIEVES WOMEN WEAR MUCH TOO MUCH I PISHI I t mi SHbHFx HI' 'Extra" of ''The Four Horsemen' Svrincs Into 7' .. v ! ', O IlLWllULtUll i iiimi; LOI'IS Dl'MAK, who was nn "extra" in "Tlie Tour Horsemen of the Anoenlyp'o," hns suddenly bios, somrd into imputance in one of the hading roles of "The (loldeli (iift." in which Adice Lake is star. His impor tance became magnified after he made n dnic-denl leap, lor pictuic piuposes, across n deen chasm, Eciy one started pointing to him in udmiratiou. On u stage adjoining that upon which "The tioldcn (lift" was being si u'en"d s-enes weie being taken for Nazimovo's production of Dumas' "Co mille." l.ouis Dumnr hanpened to lie pissing the "Cainille" stage when the director. Ilav ('. S'linlluood, pointed liini out lis "Dunai', the man of the hour " "Oh. the author of '('amllle' !" ox- 'aimed an "cMra." !cw York's Most Beautiful Girl Painted by Clive HKNKY C'MVK. the noted portrait artist whose paintings nre to be placed on exhibition in u Fifth nenuo gulleiy in t month, hns completed a painting of Edna Whiaton, who won a beauty oiitest louiliuted in New Yoik to find a giil to play the iole of Heauty in the picture, "E.pi liciu e " Last week Miss Whe.itoii made two Itiividwa appciiranns, li,iing an Im portant part on I he stage in the. Zieg teld 1'ollies. nnd on the screen at the Kialtn Tluyitre in the tilin version of "Expcrierfie." of Your Own Part iiMing will be in 01 mote of these si cues. THERE are two linpoitant secrets, lonncited with tin psyihologv of screen acting, wlibh every beginner I should know, even if he never niiikes j use of them. The first is that of pieparntion ; tlie smml, that of auto i suggestion. A sc teen actor or actress j., in a more difficult position sn far nh t ho nitistry of his woik i-, concerned, than the plaicrs of the spoken diuiiia. In I the films the scene., are ncnrlv nl- I ways taken out of sequence tho hist 'last, the last first, and so forth, l'or that iciisou. the iiiotiou-plctiue stuis have great difhcultv in working them- H'lves up to the piopei "pitch" to plav a scene, hint much lis thei have not been through the union which lends up to it Contiury to common belief, the ac tors renllv speak the wouls of tfielr lines. There was u ()uy when tho hero, kissing the hemine in the final ilose-up. might say something like "Let's go out and get a cheese sand wich, now thut this is over," But just about this time, large num bers of lip-rciiders begun to wilte Jn I to the pioduccrs. kicking against this port of thing. It seems that constant i attendance at motion inclines develops u i unions power of following a speech by watching the c Ininic ler's lips And fiom that dav the slapstiik comedians who used to xwenr so beau tifully before the camera and the lieioincs t the n-i nil tlnillers who used ,1c) talk iihout the weather in their big I si cues, K'gun speaking their proper lines. (These "Tabloid Talks" are con densed from the material for a book by Mr. Emerson and Miss Loos to be I published by the James A, McC'ann ' Company, New York, J I ... X& EVEN THE EXTRAS ARE RAVING OVER GLORIA SW ANSON Ky CONSTANCE PALMER Hollywood. Calif. OSCOE ARHI'CKLE and his com pany, chaperoned by dim Cruze, the director, have returned fiom Chi cago, where they havo been filming ex terior scenes in the railroad yards nnd city streets oh, us hicks I for the new comedy, 'Treight Prernld." They wcio hard at work on the set today. Fatty is a cook nnd waiter In a quick order rcstnurant. To indicate thnt he is versed in tlie little niceties of tha kitchen, he keeps his bow tie. which Is lit Id on by n rubber, on his upper lip like a mustache. J lien to show lie un derstands tlie etiquette of the lunch counter, he puts it back in place when lie goes to tuke nn older! "My! Olcria Swanson's n marvelous looking woman!" uin-d an extra who hud played ou her set the dav before. I agreed of couie. She continued. "You know I said thnt to her. mil she turned to me and said, just as sweet: 'You're nwfullv nice to snv that. You don't need to feel n bit bad that you're not prettv. If you're good nnd kind, that's all thnt mat teis! " I laughed, and so did the girl, but Hither ruefully. "Well, 1 had it com ing to me, I sucss. I took her a glast, of wnter that morning." Miss Swnuson Is beautiful wonder fully s-o. Her eyes hold tlie mysterious deeps of still water nt twilight. Their iprcssion is fnsciiintinsly uilgmntlc. Her figure mid cairlnge are distin guished, and her thlniiig hair is thick and jet black. Shu is about to start a uew picture, tiot yet named, which was written by r.orim Moon. Wallace Reid is to play opposite, and Elliott Dexter is to do the usual sympathetic friend.' ' ALICE LAKE is afwoik nt Metro on a new picture called "The (olden Oift." She looked verv charm ing today more rested than I have ever seen tier. In the picture she i n singer, just deserting her plctoiial Inby. The poor little thing "rid pitcously. It must be lather hard lines for n baby to be de suted first by its iei'1 mother on n lint stage, under glaring Kliegs, nnd then by its screen mother 'a moment Inter. Over on another stage Onreth Hughes was doing "Little Eva Ascends" his new picture. In tills be lias to piny the part of n boy playing this pint of n girl If you get what I mean I first glimpsed him ut n distance and tried gleefully. "Ah. Alice Terrv !" Mv guide turned, nnd, to put It kindly, gav me a dirty look. "Alice Terry, my eye! That's Onre tli Hughes!" Just then the lovely maiden with a muttered curse grabbed the Mmv Hick ford wig with one hand nnd the pink satin I hwoio in tlie beginning to write ti"' truth, whnli and nothing but the pink satin nightimss in the other, and came striding nvci u,, biew n kiss nnd i ailed, "Bv the friiniious linnder suatch, l'ot. this ib an uffisli part for u feller to plov!" Build Big Set Where Once D. W. Griffith Erected His AI.THOrCH It Is more than two veins since D. W. Oiifiilh deserted the studios nt Sunset nnd Hollywood boulevards, Hollvwood, Calif., to go East to make his pictures, there has just been erected the tirt set big nnd elabniate enough to lompare with those which stood on tlie spot for "Intoler ance," "Hearts nf the World" nnd other famous Griffith pictutcs. The new set is being used in the making of n two reel coined v. Hamilton-White, Ine , Mho recently ni quired tills studio property for the making of Mermaid Comedies, con structed buildings covering more than an ucre of ground for use in Lloyd ITfim" lTmnlltnn'n Lfirnml rnmmlv it his new series. The big new &et repre sents n section of New Yoik's tenement ilisinci, nun uir iii'iiiii; scenes 01 inu new comedy, which has been tem porarily called "Tho Vaguint," arc now being filmed. Change Title of Anita's Film The title of Anita Stewart's new starling vehicle has been changed from "The I'rice of Happiness" to "Her Mai Bargain " Tlie story was written for tlie screen by Josephine Quirk, Ed win Carewe directed Miss Stewurt In "Her Mad Bargain," nnd in the sup porting cast aro Walter McGrnil, Ar thur Edmund Carewe, Gertrude Aster, Adclo Farrlngton, Ernest Buttcrworth, Margaret McWntlc and William Bad ger. CONFESSIONS OF AsSTAR As Told to INEZ KLUMPH CHAPTER VI ISABEL'S last fib seemed to bo too much for tho reporter, for ho left after that, and tho and I sat down and talked everything over again. But we couldn't reach any decision, and were still going round and round in con versational circles when Derr Win chester came for me. "I'm suro that Dcrry will know what to do," I told Isabel as I ran to let him in. "Let's .leuvo it .to him." Sie said something about being able to manage her own affairs In future without letting any man take n hand in them, but when Dcrry enmc In she seemed nil too willing to curl up on the davenport beside him and fairly hang on his words. "Of course, Crancy's n cad," he lold us. "Most of thp men around the studio have known that right nlong. He hasn't iad any real connection with the company; he's just been making this picture on speculation. "I Imagine that this thing will blow over by Itself if you give it time. I saw- Cranoy with his wdfe this evening going into the Alexandria, nnd they've probably made it nil up by now. I'm told that he can always get around her nfter n fuss of this kind. Ho used to be n regulnr limn nctor, you know called himself tlie great, Jover of the stngo, though lie newer s'aw Broadway professionally. But they sny he has nil the little tricks down pnt." I stole n look at Isabel then, but she was gazing into Derry's fnee, wide eyed nnd innocent as could be. I felt rather uncomfortable, somehow. In n few moments I felt even more so, for Isnbel proposed n plan that I couldn't feel quite right about, no matter how hard I tried. "I should tlilnk It would be a good idea If I went nroiind a lot with some body else." she said. "Then nobody would think I'd been crazy over Mr. Crnncy ; they'd think what I said about wishing he'd nsked me to go Inst night was just silly nonsense. I could even explain to one of the papers that I'd Hiought he was n grent director nnd felt thnt if lio'd taken me outwdth him I'd have learned n great deal. How do you think that would do. Derry? You might take me around a good deal, just for n littlp while, nnd then maybe people would forget this horrid thing about me." I just sat there open-mouthed. I felt horribly excited inside, ns If some one hnd been opening and shutting nn umbrella very fast where my heart was supposed to be. JSI10 was cooing so sweetly at Derry my Derry ! "Well, that might turn the trick." ho answered slowly, but he looked at me for 11 moment before he went on. I turned nwny. If he was ns rriuy ns that to run around with Isnbel he could do it. I told myself. I felt nngry at her. nnd at him. nnd nt myself too. So we went to the movies tnnt eve ning, nil three of us; it wns Isabel's idea to stnrt right away to throw peo ple 'nlT the track. And he nnd she took me home and then went on to her house. Thnt wns the beginning of a per fectly ghastly time for me. I told my self thnt 1 couldn't be ienlous because I didn't renlly enre for Dcrry Winches ter but Id go nml see pictures In which he'd had n small part time aud time agoin. He kept asking me to go places with him nnd Is, but I wouldn't do it I told him it would spoil the phut if I tagged nlong. It would linve, too. But nfter n while lie stopped asking me, and then I was furious at him. His rescuing me when wo were out on location, instead of tlie hero's doing it, had intlier upset the picture we were making there, but the director de cided that it would be a good lesson for Richard Yale to let Dcrry keep Unit scene, nnd changed the story so that wo could keep the rescue just as It was. Yale was furious, of com so. nnd said he'd break his contract. He hnd done very well n few years before in tlie rending role in n big, spectacular production, and since then of course he'd had a gicat following, but lie had begun drinking so heavily that he was just going down and down. You haiillv ever hear of him nowadays ; he's made several attempts to come back, but he can't seem to do it. At that time lie T" rnoTori.AVs iuTTO-PLAY? . COMPANY f TAnemcA. A DOT 1 C 62D i THOMPSON BTS. 1SI,KY 1IAHKY 1n Mnrslmll Nfllun'ii "DINTY" ADrAnlA CHESTNUT liel. 10TII AKVAUIA 10 a m 11 is v. x. WANDA HAWLEY In "TUB HNOll" AOTnD FHANKLIN ft UlRAltD AVlll AOlUK VATIVT5B rA1I.Y SYDNEY CHAPLIN In "KINIl. 01 KKN AM) JOKKn" RAI TIMOR F "t "aV'V? 1 jamkh oi.tvfu rmwoon'S "KAZAN" hrMM II4TH AND WOOULA.NU AVIS. DEL.l'il XUTINI1I3 nAH.Y Sperlul Cnt In I'nr-inoiint I'lrturc 'TKUAltO ni T ICDIDn BroaO ft 8uqufNinn DL.UC.DlrxL' Conllnunu. 8 until II AI,UX IIWAN'K fHOmTTICIN "THE FORBIDDEN THING" 'rs AD1TH1 VII MAHKITT HT. CArl I UL io a m " u:15 P. M. TOM MOORE In "MAPI: IN 11KAVKN" COLONIAL u'?.' 'A00?. AiT THOMAS MEIGHAN In "TIIK rONdl'KsiT 111' CANAAN" DARBY THEATKE K1N(. VIDIIH'H l'lmiU'C'TlOV ... "THE JACK-KNIFE MAN" I-IVinDITCC MAIN ST.. AIA.NAtUMS EMrKtOO MATINlin DAII.T Mil MAM 1)U Mll.l.K'Si l'ltlllUC'TION "THE LOST ROMANCE" faTrmount t'.x CONSTANCE TALMADGE In "I.KHHONH IN UIVi:" rTTTIlI V THBATHR 1311 Mamt Ot, rAIVlll-.I H A to MiiwitHir PAULINE FREDERICK In "HAI.AOi:" VTU CT 'HHJATIli: Hi-lnw Hpruc po 1 rl O 1 . mativpp n".v KATHERINE MacDONALD In "MY I.AI1VH I.TrHKK" FRANKFORD iua H,AhB l,USTA" CKT III "THE TEN-DOLLAR RAISE" (i -MDir CUOl MAHKET HT UiUJDC an and (I 30 ta 11 AIJ.-KTAH CAST In "THE LITTLE FOOL" t-nA MX 22 aiiiAiiD ave. jry-Vll I MATIVfK HAH.T JACK PICKFORD la "TUB UAH WHO 1IAII YUYTU1NQ" the BTinnr begins s with the early days in the old Fine Arts studio In California, tchen Col leen Moore, the Wish pirfs, lies sic Jjovc and a host of others tccre not much more than extra pirls. Diana Cheyne relates the ialo: she begins ith the day in tho ttuaio tchen she and Isabel Heath, not stars then as they are note, iccro sitting on tho stairs when a strange mait came into the studio and looked at them. The cameraman called them doien to meet him, ami it proved the turn ing point in Isabel's life, Ho tens Phil Crancy, a famous dhector from the eastern studios, und ha, taught Isabel to be the first of the screen's "baby vamps;" and engaged her for such a part in a photoplay he teas producing, NOW GO ON WITH THE STORY wns Just beginning to slide down the ladder. Changing the story meant that Dcrry nnd I had some more scenes to mnkc together, nnd when wo wcro working Isnbel used to come nnd sit nt the edge of the set. After we'd finished n s.ccno, she'd tell me oh, so kindly ! how I could linve done it better. I used to long to murder her in cold blood. Crancy's picture had fnllen through. nnd she wasn't working just then, so sho had, lots of time to play nround with the rest of us. Iler experience with lUin lindn't taught her anything. apparently, for sho still tried to bc- witcn limy wraiinm, anil any other man in the vicinity. Her smile was improv ing all the time, I noticed. It seemed to me thnt I just could not stay In thnt studio another minute. I'd gladly have taken anything else that I could get qjen a job with one of the slapstick comedy compnnlcs would have been welcome. But it wasn't ncccssnry for me to change; nn absolutely unex pected turn ot events straightened out the tnngl between Derry and me and another one mnde it possible for Isnbel to telephone 1110 one cvcningttrlum phnntly, to sny : "Dl dear, can't you run ervcr nnd hear the latest news? I'm going to be starred!" To bo continued tomorrow THEY MARCELLED W ALLY'S HAIR EVERY DAY HHHlP!""inMHf '"J tl mr AVBAVbVbVBVBVbVbVKBS.-MI WHEN you see the film version of "1'eter Ibbetsou" under the title of "1'orevcr." tlie first thing that will strike you on the appearance ot Wal lace Held will be ills crimpy hair. You'll declare it Is a wig. You've scpii Wally so often looking sleek nnd shiny on ton that you can't believe it is ills natuiiil covering. But it is. AVhen they weie mukin; ritOTOPl.AYS The following theatres obtain their pictures through the STANLEY Company of America, which is a guarantee of early showing of the finest productions. Ask if or the theatre in your locality obtaining pictures through the Stanley Company of America. ' GREAT NORTHERN ,i")?dis,aJ,.n ', I'llUV Nf;(,UI anil M'ECIAI. J'hT In "GYPSY BLOOD" 1MPPRIAI ti0TI' WALNUT BT8. 1 DOROTHY PHILLIPS In "MAX WIIVUX-MAllltlAl.r." 1 I nl.IrvU I3nlnn Gcrmantown Ave. anil Lehigh ralace i,hinh Avi-nut wii.i.iam di; mii.i.k's pitmircTinv "THE LOST ROMANCE" OVERBROOKcaDiIA,0BD THOMAS MEIGHAN In "IIITr. AM) 1 N.MAIlltlKD" PALACE 214 MAItKUT 8TP.EJ?T 10 A M to 11 IS ) M CLARA KIMBALL YOUMG In "ClIAKfli: If" PRIMrTQC 1018 MARKET BTnCKT 1 IMIIVIUJ 8 3n A M , ,,.,, ,, M f l.lltU AI)MS nml SITCIAI- CAST til THE MAN OF THE FOREST' RPP.PMT MAHKET ST. Ilelow 17TH 1XL-VJ1-'N 0:4n A M to 11 P U. JUSTINE JOHNSTONE In "Wlir.l.TI.KKD DM Hill Kits" KlAI TC aEUMANTOW.V AVENUB IMrtLilW AT Tl!LPV:ilOrCEM 9T. ETHEL CLAYTON In "SHAM" RUBY UAltKET ST, IIELOW 7TH 10 A. M to 11 U3 P, M. CONSTANCE BINNEY In "Tim MAtiir C'l'l'" SAVOY :2U MAHKET STnEET H A Hf Tn MTHMtmiT J. I,. ruilTIIINdllAM'H PKODUCTION "THE TEN-DOLLAR RAISE" SHERWOOD A'T ioUaE,vmr?r,.i MAItJOItlE DAW III Mnrcliill Nrll'an'H 'BOB HAMPTON of PLACER' STANLEY MAUKirr AT 10TII 1 1 A M in n n n r itr.ui..i.ii ii.MiKi.ir.M riiuiii rrio.N "THE OLD NEST" 53 MARKTT STIILXT THEATHB jjj iviMri.iAnA M to n,)nI,M, THOMAS MEIGHAN In "THE C'HNQI'KST OF CANAAN" VFPTORIA MAHKET ST. Ab. OTH V lw I J.U- n A M to 11 MB P. XI. flOUVEUNFAlR MOItlllS' HTOItY "A TALE OFTWO WORLDS" IT SOUNDED MUCH TOO BLOODTHlRRTv 1 FOR PICKANINNIFM jlTOVIH parlance must tienTiTTiTi 1V1 too literally or dlsas, J? often itiliovv. "wtM To "cut" se'ene does not tiJk Harlly entail cruelty and ,0 "iM star is lint no .. .., .l00t'jaT . .... .,,.,. oj nuiriinp. . -., stranger 1 slon nir tn .1.1. . .' t harrngc of epithets mh,l.t i,.t,.. " . " in ravished Armenia mtlmV T ..."eM American cinema factory ttmn 1 J "tlii ." Ml refers to the lights, not the player uuuiu, iiiii-cu ln front of tlm "'ii to protect the lens frpm the S9 French salon 'set n "Tie i?K of ' l'nrls." ll,c ""se'irf .Tnck Conway, responsible for "r bnrdl, Ltd." was directing ?L ' The star wns to nppenr rov ,i," gorgeous red creation, as ''T fa , ffl ' 1'arlH." the ,tniim.r ,i. "vWe Chnmps Elysecs. Everything Tn J " even to tho twwi little ,.i" H v "",' in leopnul slJIns. who were to dM11 "Then Harry Val e o? he ca J ', Quick, quick, kill 'em. Drag JW" niggers here in n hurry," bellowed cSJJ- Cupid Again Invades Studio "i Cupid Invaded tlio Fox lot again l. other day nt Hollywood and stood!' tlio corner while Howard Mltrh.ii Shirley Mnson'.s director ..,.1 'VS Hughes answered n few questions uV .-... .. UUUiuiii, ..us, iiiiBnei li i Los Angeles society girl who wns etcn ping on Cntnlinn Islaml i.o if. Mitchell was making a picture the i with Miss Mason. This Is the ilSM marriage on tho 1'ox lot in two montli the picture over at the I.asky studio on Long Island tii'v hnd a profctjionil lin lr,li.nwh.ii,. it, fit I milium e cirri' AST. His first job was to mated Wall). Italy be attended to the others. I rl'lin i.i,i,iic nf tlm stnl'l flrp l.lM IS the curly ISoOs, mid cu'ily hair Ml . quite tno toge tncn. .nu, ns mess tors didn't want to wear wigs, Wnlly simply lefuscd. the linirdrHser was added ti the studio pay roll. I'llOTtlPLAYH MOTaputr cgMMNr r- . orAMlilCA H7 The NIXON-NIRDLINCER ai; THEATRES DT7I lytirrVT'T r..i nu Xtkt Uoubl- Bill UU.L.1V1VJ1N 1 n-3" , ic 10 .0 11 P. a. WANDA HAWLEY ill thi; oiTSiiu; ovi" CEDAR i ciOTtr a rcnAti AVE.VTJ) " 30 and fl 30 o 11 T. M. . I i.ri.ll, ,sr in "THEIR MUTUAL CHILD" COLISEUM 3ta";.'iftuB,ndTowlu Al.lnSTAR CAIT In "THE GOLDEN TRAIL" JUMBO FnONT ST. ft OIHAnD .AT .lnmlio .Innr nn Frnnwa AM.-STAIt (AST in THE DEVIL'S CONFESSIOIS" I PAHITR 41ST A I.ANCASTEII AV L.U.MUtl,r MATIN Kr DAIM DOUGLAS MacLEAN in "m: a mixiti." I nn ICT 5-'0 & I.OCl'ST STREETS ' THOMAS MEIGHAN n "Til K f OMH'KS r Ot'J-AN-i- RIVOLI JD .M'NEAttl' SHIRLEY MASON in "i.oyi: timk" i STRAND u"A'!r vJInanoo BTOirt . ...... ..A,k, vn THOMAS MEIGHAN In "Till; C'OMIl'KST Or CANAAN AT OTHER THEATRES MEMBERS OF M.P.T.O.A. r i BB10 CermanlonTB f Uermantown matinee dak.t II I.STAH C'ST 111 THE JOURNEY'S END' irrrrnenM ::Dth i. Uiurnln'1' J HIT HIOWlN m vns-:i: ' J MV JlcWOV i-iicl SPIX'IAI TVST "A PRIVATESCANPAL pari hiduu ave. ft UAnu,,,:s n" rAKrw Mat. S"13, Kviti ! lo , LIONEL BARRYMORE It, "THE IHiaTAHNTntB. , WEST ALLEGHENY .VMf nFrF.PTION" JA Two blnck streaks elnd In Ion.,. skins whizzed through the gate and 2&v returned to Universal City " h" , o&t way mentioned watermelon. U - . iC . , . . . , . m 'i f M - 1 A- f A t'iftl-''& . &! ,. t t,t&Htr.)lXli
Significant historical Pennsylvania newspapers