&V' r fW r?v.'i- v , hi k A. ' - f rt: , I r 'f EVENING PUBLIC (LEDaEKr-PHlUADELPHlA, . TUESDAY, !A.U&U$ 23, 1921, 'wmmPt I I ' a HL jf Ji5 i Bj-1 CLOSE-UPS of the By HENRY Tho'Chamclcon Hasn't a Thing on Lon Chancy S0MJ3 day Bomo Bccnnrlo will lmvo Its scenic Bettings in tho stock yards and they'll need an actor to play tlio part of tho tqucal of n pig. They'll call on Lon Chaney. I don't know how ho will mako tip for tho part, but I nm willing to bet that when you bco it on the scTccn, Chaney will look exactly like the squeal of a S pig sounds. We've had n good mnny artlclei on thl pago telling young nsplrants to BOTle honors all tho secrets of make-up. That is, the writers thought they wero telling all. Hut they really stopped just about where I.on Chaney begins and they couldn't go any further because nobody knows how Lon Chaney does tho things he doeB with mnko-up. In fact I'm told that Chancy himself never knows just how ho Is going to do it until they are ready to shoot nnd he is In his dressing room confronting him self in his mirror. It's safe to say that no actor on tho screen today has played such an aatonlshing variety of "freak" parts as Lon has. All of the ordinary character work Is an old story to him. IIo has run tho whole well-known gamut though I never saw u gamut and I can fancy hlra looking bored to death now when he discovers that his new part doesn't cull for auj thing more difficult than plajlng a locomotive or a spark-plug In a flivver. He has been a cripple, u legless man, a blind man, a fat man, a lean man, old, young, tull, short, rich, poor and just Lon Chaney. He has changed his color more often than the justly famous chameleon. IF I knew exactly what the icord Lon Chaney is protian. but I it up for me, tctll you, Gcraldmef Lon Chaneu is nrotian. but I THE other day in New York I hud a chance to see a few feet of Marshall Nellan's latest picture, "Bits of Life." In the glimpse I had of it there was one character that jumped Tight out of the screen and hit mo between the eyes. Ho was a Chinuman. He was the most Chinese looking Chinaman you can Imagine. He was so typically Chinese that the thing which astonished mo was that they were able to make him act with all of the best traditions of American standards. "Where did they get the Chink?" I asked the man who was showing me the picture. "And how on earth did 'Mickey' Xeilan ever put him across like that?" "Chink nothing," tald my friend (press agents are always your friends as long as you're on a newspaper) "Chink nothing. That's Lon Chnney." And it was. You'll sec a picture of him in his Chinese make-up on this page. Look it over and tell me if you would have suspected it was an American. And then look at the other pictures in the group and see if there Is any resem blance among them. Yet the are nil Lon Chancy. And it is no mobile mask that he weurs for this Chiuaman's part. He actually builds up his face at )ou see It iu the picture. Over the surfuce of his cheek bones he lass as much putty ns he can carry and still keep them elastic enough to move with his changing expression. Then to get thera still higher nnd nccentuate the Oriental type he uses two ell-chewed-up wads of chewing gum, one on each side between his gums and bis checks. He has to hold these iu his mouth during all the violent scenes he is called upon to play In "Bits of Life." THERE'S one difficulty the screen actor has that the singe actor hasn't. On the stage you can make little changes m your make-up every night. Un the screen you. can't. You start with ichiskcrs having hairs that straggle around the edges tn a certain way and every day during the six or seven tcccks of the production you've got to mako those hairs straggle in exactly the same icay or else the difference tcill show in the close-ups. You can't change your facial geography in the movies. ttfVSE of the hardest make-ups I eer carried over was that of King Canute," says Mr. Chaney. "He was hairy of face nnd breast and besides I had to use putty to build out my nose nnd checks. One day I tried wax instead and when the,sun got hot my nose begnn to run, literally. "As for my hair, 'I'm glad it's nil there,' as the poet tays; yet in character parts life is just one wig after another. I have had all mine made especially and I keep them labeled nnd carefully 6torcd, having them examined once a month to fight the moths. I have a collection of more than one hundred ol these wigs and you'd be surprised to know the Investment they represent. "You know, one of the most effective of nil disguises is tho hair nnd the way in which it is combed. I nlunjs make my own hair serve when I can and to make silvery hair I use neck-white, if jou know what that is. Some people une aluminum, but that shows too much on the screen. "Of course, make-up goes much deeper than mere wrinkles, whiskers or grease paint. No, I don't mean thought this time, although thnt is the prin cipal part. I mean jou must stud nil the previous history of the character and realize its effect on his physical being. "For instance, in playing a music master who constantly led an orchestra with his bow or baton I made him nppcnr all through the picture as bavins one shoulder jut a little higher thnn the other. Men in different walks of life have llttlo differences in the manner in which they enrry themselves. Home of these arc psychological effects nnd others come from the nature of their occupations. "One of the most difficult characters I ever played from the make-up stand point was that of n blind boy. All through that picture in order to look blind I had to roll my eyes clenr up In what seemed to me to be the very top of my head. Did you ever try to do that? Try it and then nt the same time try to act naturally. You'll get my idea then." 'D LIKE to take some lessons in this sort of stuff from Lon Chaney. I'd like him to teach me to make up as a breath of thin air. I want to uso it around the first of each month when the bill collectors come in. Daily Tabloid Talks to Fans on Breaking Into the Movies By JOHN EMERSON and ANITA LOOS Principles of Make-Up The authors of this series arc the famous Emerson and Loos, who have tcrittcn some of the most successful photoplays. They now have full charge of all scenarios for Constance Talmadgc. JXTAKINO. up is like flirting with n ! prize-fighter's wife. It's all right if you don't overdo it Almost every beginner lop. Movie mnko-up strives only for n photographic effect, and hns no rela tion to street or stage mak-up Almost every face contains numerous imperfec tions which are imisililt' to the eye yet which, when enlarged inanv tinifs on the screen are erv nbvlnus There nr fundamental rules nf make up, hut the onlv way t pprfrrt jour technique In b constant' lew me your own 'stills and mnwes. and changing , your miiKe up to the best .id.intagi. Red photographs black, nnd fur this reason rouge is little used in the tu dlos, except for specinl effects. Rouge on tho cheeks gives the illusion of dark (shadows and makes the face look Iml low; It deepens the eyes, nnd is some times used on the ejclids for this rea son. Light carmine may be utcd on the lips. To start our innkc-up you will need cold cream, specinl jel'nw film pow der, film grensu paint, ami n soft towel. iuuBBiigo jour inw with cold crc.im I una then remove it with the towel, so that tho surface is absolute!- clean Then apply jour grease paint with the fingers, cover every bit of the face from tho collar line to the hnir When jou have a smooth, even sur face of gicuse paint, sprend special film powder upon it and pat it in lighth with n powder puff. There are a num ber of wirlcticH of greuso paint and hj changing the grease tint before apply ing the powder jou can darken or lighten jour complexion in accordance with your pnit. Before going further, make sure there ore no blotches on jour make-up's sur JfnCfl. nnd that the gicuse has left no Uan, f . Til 10 ejes are the most important and oxpresHle feu tin en The make-up "which relates to them is all liminrtniir Frbt you must ascertain In actual test tho correct color with wheh to Inn your eyes. Almost every color s used, far the effect seems to wirj with dif ..fYront faces. Black, blue, gree brown uml red are nil used, in viming pro portions and mixtures, by different uc iora. i'IllA. ilA e.t fliA tinnAM ia1M la ' Wi i..l' -. Wj, v MU M'J'V IJVIAll IS Te D aily Movie Magazine MOVIE GAME M. NEELY "protean meant, I icon Id say that haven t a dictionary handy. Look for Movie Camera clearly lined Then the shade is worked back toward the ejobrow. get ting constantly lighter, until it finally blonds with the grease pnlnt of the face. The process is loversed for tho lower lid. which Is darkest at tho edge and grows lighter ns you work down. Your ojolids should be lined with black cosmetic. Do not bend them. This shows clenrly in close-ups nnd looks rather ridiculous. The slapstick comedy people sometimes uo headed ojolids to burlesque the "baby -doll" ex pression. Tho corners of the eyes are shadowed with brown or led. It is this shadow lug that gives most of tho character to the ees, but at tho same time it Ik apt to ago tho whole face. l'or this rinson It must bo done in ennjunotiou with netunl tests. Tinnllj applj light carmine to jour menlo it nps arm mane sure tnnt joj ;o not (The, "Tabloid Talk" are con dented from the material for a booh by Mr Emerson and Jm Lons to be published by the James A. McCann Company. Xcw York. J Director Ten Years, Now an Actor .iiiuougutu director ior ten joars, i rrniiK Ileal had never nppenred in motion pictures before Louis B. Mnver sieneil him fnr nn Itnnnrt'int rnli In 'A jQiifstion of Honor." .starring Anita Stew-art. which Edwin Carewo directed The latter world d under Mr Beal vc.irs ago. When the two met in Los Angeles! ricentlj, Mr Carewo insisted that his fiiimer director was exactly the type he was looking for nnd Induced him to play in Miss .Stownrt's support. Cameraman Must Be Able to Climb Mountains In order to get specinl scenic ef fects for Cecil B. I)e Mille's produc tion. "Fools' Paradise," Alvln Wjokoff, diicf of photography nt the LiisU studio, iniide an extended trip to Mount Whitney, one of the high est mountains in the 1,'nited States. It took Wjckoff, his assistant and guide two dnjs to reach the moun tain lop ami tlie scene needed re quited onlj forty feet of film In addition there were days of packing by mule into the mountain region with nil the attendant hardships. 1 yOU'D NEVER BELIEVE IT, BVT THESE ARE ALL THE SAME MAN, AND HE'S NORMAL GARRULOUS GARRY SAYS BEN TURPIN IS STAR OF STARS By HELEN KLUMPH UQOMHBODY told me the other O day," Garry announced, her eyes flnriiing with anger, "that Wallace Roid was the, most popular man in the movies " "And I suppose you defended tho title for Dick I'artlielmcs9," I offered. She looked nt mo coldly, ns though she despaired of me, too, losing my senses. "Of course, they're both awfully pop ular." she admitted. "But when you're talking about the most populnr, elimi nating Charlie Ciinplin. of course, as a sure winner, you hne to give iirst hon ors to Ben Turpin. Why he's much the most popular star. Just go to any the atre where one of his pictures is show ing nnd spo if the audience doesn't all but rie from their tents to cheer him. "Tho funniest thing I ever henrd about Ben Turpin happened jut jes terdnj. A club of women who had never written or nctcd or nnj thing, but who ndmitted thnt they knew just how to uplift tho drama, gave a luncheon nt which the guest of honor was a famous woman writer. umilEY talked nbout thc-inner menn- ing of this piny, nnd tho sjmbolic significance of that until she got so bored that she could hardly stand it. They had just begun to rnve about Jo soph SchiMkrout's performance of 'LI liom' they probnbly wouldn't have raved about him if they'd known that he ncted in movies, too when the Kuo,t ' of honor got so bored thnt she felt she coiilun t stand It nny longer. "When the woman next to her nsked her who she considered tho greatest actor in America, sho answered frankly nnd immediately, 'Ben Turpin.' The woman protended nt first that she had never heard of him, but later that after neon when the guest of honor passed her house she saw tho woman's two joung sons out in tho front jnrd jdnj -ing, nnd what do jou suppose they weie doing?" "Wfcnt?" I demundod "Imitating Ben 1'urpln, of cojr-e," Onny replied. FOR YOUR SCRAPBOOK OF STARS I KKBhlBHHflnlHjIHUtv ' Lsm2 ALssVhflHpSL '"' awOaiH&sissssssssssV&BHlBAS&VjSi&ssl .LssbLvLLsssskwS ittflHLssssssssssssssssLLLVLLssyr &fl 1 mimf mmmsBSmSml fir LILA LEE AND JIER BKWi ! SCREEN DEMANDS ' H.Mi ' NEW ACTING ART, VnBIf ! ASSERTS MOROSCO l .jflBlill i LON CHANEY holds all screen rec ords for the wide variety of char acter parts he has played. His achieve ments in mnke-ui are famous i.ni.mj "'KeT nrc is boitening under tno intei MC, nL?l'"nu ? " ": , licence being applied to the screen movin actors and actresses, but he Inn i added one to tho list which is one ol the most rcmnrknble of nil. It is th ' part of a Chinaman in "Hits of Life." The pictures here show him making un ns the lccloss mnn In "Tim I'on. alty." as tho Chinnmnn with his high cheekbones built up of putty outside nnd chewing gum inside, nnd almost ai himself In tho part of tho sturdy pioneer in "Nomads of the Noith." Tho article at the beginning of this pago tells something of Chaney's methods. ., French City Uses Movies In School The city fnthers of Snint-L'tlenno. r rnnce, hnve decided to introduce the cinema ns a practical means of instruc tion in nil the public sell, mis. To this end they have voted a preliminary sum for the neccsary machines. SISTER MAR GARET By OLIVER .MOROSCO WHICH requires more of the nctor tho screen or the stnse? With the growing discrimination between noting anil nction. I believe thnt the senrchlug rnys of the projecting machine demand finer artistry thnn the glaic of the foot lights. The screen actor has more to "get over." Tho contemptuous estimnte of the Idramn. Admitting thut "panning pic tures ' is still n popular pnstime, much in the same fashion thnt tho automobile was the conventional joke, the silent dramn is undeniably making rapid strides. "It should; theie is room for improvement." Is an obvious retort. Granting this, too, tho fact remains that it is. Pictures, relying so much upon mo chnnics, hnve progressed only an the science of photography, electrical light ing and physical arrangement permitted. Yenrs have been spent in developing the tools of tho art. it is natural, there- I fore, that there should have been n striving for spectacle nnd "effects" to the neglect of the drama itself. But today the pictures are swinging bnck to the "storj" with drnmntlc vnl ues given their proper rclntions in the progressive pj rambling. And to vis ualise the diaina, a new school of acting nnd direction is oominjj to tho screen. Tho first iden thnt there must be nc tion. nction. notion Is giving wny to the demand for acting, acting nnd still bet ter noting. We see a now subtlety instead nf obvious pnntomlmo More confidence Is reposed in tho nudiencos' mentality be cause tho picture-makers themselves hnve more confidence iu their own abil ity to portraj instind of dingram. GOOD picture qualltj stories are the keenest need of the screen Tho so-called "Hereon literature" may not have kept pnee with the development of tho mechnnlcnl and mting branches. I believe thnt the expnuslon oJT fctngo plajs of tho right sort como the nearest to the solution nt present This has been p'roved bv tho notable I successes based upon adaptations nnd tho remarkably high prices that bnvo been pnid for picture rights to foot- ' light classics. i But this does not menu that the screen must follow the singe. A proof ,of this is that "Slippy Mcfieo," which wo nave oeen mining in tnc natural set tings at Natchez, Miss., may reach the East before tho stago play, which has been seen only on the Coast so far. New Machine Controls Projection The-trial of a new instrument In. vented by I'ieirv t'hniidv wns held at the Theatre dos Chumps Eljsees wiicn a film revue entitled "Ahinodee n Purls" wns presented on the screen. The object 'of this new instrument, which is called the viNiphone, is tn control the projec tion of tho film so that the picture abso lutely will synchronise with the music. The npparatus is placed in the orchestra with electric wires running Into the operator's booth. By menus of nn elee- I ini-iinignoiio uniKP tno speed ot tile llliu Is regulated. It Is claimed that the now 1 instrument prevents the music being ahead of the picture, and vice versa, the sjnchrnnlsm bolni; controlled by the conductor, Ethel Clayton Starts New Vehicle Ethel Clinton bus completed "Exit tho Vamp," from Clara Beiuiigor's original storv, which she has been mak ing, under the direction of Frank l'r son. In a week or ten days she will start work In "Tho Cradle," an adapta tion of the stago play from tho French Ul uuKcno wiiyut Many Famous Characters of History Seen in Film The dressing. up iden evidently hns found n permanent plnce in the now stvlo Christie Comedies. Although "Lxit Quietly," the fifth picture in the new seiles which Christie is mnking, is in no sense u burlesque of nny his torical play, many famous characters of history arc there, dolled up in nil the regalia of their periods. "Mr. and . ," ' Anne Holoyn are quite chunuiiv with Nanoleon; the Devil dnnces with Dngmnr Dnhlgrcn ns a Maid of Orleans, while the Queen of Sheba and New York Follies girls on the half hose mingle with caicfree alnndon with a Prisoner of Kendit nnd othcis of lomantic his torical fiction. "Don Quixote" to Be Filmed "Don QuKote" is to bo filmed by a trench oonfpmiv under the direction of Andre Ilugon. According to reports more money is to bo expended on the production of Cervantes' immortal wo A than ever lias been devoted to tho mail ing of nny French picture. TJIOTOrLAYS APOl 1 C B2D THOMPSON 8T3. tTJl-.U.J MATINEE DAILT CHARLES RAY In "llir. (H,I SW1MMIN' 110I.K" ARPAHIA CHESTNUT 13el. 18TH rtIV-rtUiA j0 A. M. to 11.15 1'. M. BEBE DANIELS in "om: mii.d wijkk" AQTDR FnAKiais & amAUD avl tJ l KJ MATtNKH nAILT TOM MOORE In "IIOI.II YDt'll HOUSKS" DAI TIMnDC BIST & DALTIMOIIB "Vrt"" nwiT.iEVE fM0. SAT. MAT. 0. IVIoorc, A Divorce of Convenience Toonrrvlllr Trolley Com. "Tim Tire Ilrlmldf' DCMM tMTII AND WOODLAND AVB. JOClt MATlNlin DAILY hi'i.ciAi. i ast i r.r.oiun: aiklford'S "A WISE FOOL" BLUEBIRD Liroaa ft Suaquetunna Pontlni'oi J tin til 11 THOMAS MEIGHAN In "MIIITi: AND t'NMAIIKIKn" PAPITOI '" MARKET ST. rtri lUb m a r to ims p. m. AVIl.UAAI 1111 MlY'M IMIODUCTION "LIFE" PHI OMIAI G'n- Mnplewood Atm. wV;i.WlNI-M o 3n 7 uni o P- U4 DOUGLAS MacLEAN In "ONI. A MINI'TK" DARBY THEATRE AI.W TIWAN'S PIKIDITTIOV "A SPLENDID HAZARD" PMPRF UA1N ST- M-4NAYUNK ClVll IE-JO MVTINRE DAILY hl'KCIAI. CAST In Ul.niKiP. MEI.FOim'K "A WISE FOOL" FAMII Y TlinATUK-.13U Mnrkt flt, 1 -1V11I.I H A M ,ro MIliVKUIT MAIUil'IIY I)W nml HITCIAL CVRT In "THE BUTTERFLY GIRL" 56TH ST TiiBATnn nio sprue JJ in D 1 . MATINEK DAILT WESI.I'.Y llHBY III MnrMnll Nflnn' "Bob Hampton of Placer" FRANKFORD 715 tf l,".;;ri., I" 2i. ' i"""riM ifiiii-iiurt'a "IT'S A GREAT LIFE" P.I DRF CU01 MAIIKET HT "THE TEN-DOI.l.AR RAiGr"1 GRANT i0i" omAnD avk. t-'mdio-puy? eoMVANv r M CONFESSIONS OF A STAR As Told to CHAPTER I I AM not going to repeat scandal. I nm not going to skate on thin ice, Implying things thnt nrc not fit to tell, or telling tilings which will ninko you feel that" tho worst rumors you have heard nbout motion picture people must have been true. I am just going to glvo you n real, true picture of what tho world behind the screen Is rcnlly like. I'm golng.to tell Intimate things nbout some of tho players, things thnt hnve never before been told In public, that I bcllovo will convlnco you that we nro real human beings In this lnnd of tho silver sheet. I'll have to uso fictitious nnmes In some cases, of course, because It would bo embarrassing for those of us who nro most concerned If you knew our real ones. Pcrhnps you will bo nblo to rec ognize us In spite of this change of name. But whether you do or not I'm sure that you'll bo glad to know the truth nbout the people you see In the movies. "My life has fallen to pieces In my hands nnd I can't patch it together again." That's what Isabel Heath said to mo only n few days ago beautiful Isabel Heath, whose diamonds nnd emeralds nrc famous in two countries, nnd whoso piquant littlo face nnd golden hnir nro known over half tho world. She's been a star In pictures for several years now, nnd when sho goes nnywhero In public she almost needs n bodyguard to keep pcoplo from mobbing her. Yet thcro sho sat In tho window of my living room, looking out over River side drive nnd the Hudson, nnd sobbed as if her heart would break.- "I wish I'd tried to work the thing out the way you have, Diana," sho said at last, as tho striking of n clock re minded her thnt she was duo nt the studio. "You're n star, too but you ro happy. You'ro going to marry the man you love, who's madly in lovo with you. You have your own company, friends, money everything. Nice people won't nssoclato with me, yet If they only knew It, I'vo never dono anything wrong; I've just been n fool, that's nil. Oh, I wish I could go back to the time when wo were nil together out nt Fine Arts four jears ago I'd do things dif ferently, 1 enn tell you!" And watching her ns sho adjusted the Aibles nbout her thront, and drew her gloves on "over, the grent, glimmer ing jewels on her hands nnd wrists, I wished, too, for her snke, that wo could go bnck to that time when wc were just btnrting in pictures. There were n lot of us out at tho old Fine Arts Studio in Los Angeles Col leen Moore, Mildred Harris, Pauline Stnrk, Mnrjorlc Daw, Cnrmcl Myers, Winifred Wcstover. Secnn Owen, Dor othy nnd Lillian Gish, Constanco Tal madge, some of them stnrs then, of course, to nil Intents nnd purposes. Douglas Fairbanks was there, too, so was Bessie Love. But none of them seemed very big nnd Importnnt. Bessie and Colleclr nnd 1 nil lived near each other, nnd morn ings tho ones who were ready first would climb over tho back fences nnd meet the other one, nnd we'd nil go to the studio together. Colleen nnd I were laughing nbout It just tho other day, when we wuit to see her newest picture, in New Yoik. , , Bobby Hnrron wns there, too Bob bv. whom every one In the Industry loVed. My heart warms to the memory of Bobby for a very special reason; he introduced Derrv Winchester to me, you (,cc nnd Dcrry s the mnn I'm going to innrry. Not that that's his real name, any more than Isabel Heath Is real or Diana Chejne, the namo I'm using for myself. But I'd rather you wouldn't know who we really nrc; not just yet. nt lenst. Most of us were just kids. I was sixteen, and the rcstof the gills were around thnt same age. The studio was n good deal Hue a high school to us, nnd when we girls were given a role for which wo had to put up our hnir nnd wear long skirts it wns like graduating. I remember when Colleen did it it was for "An Old-Fashioned Young Man," with Bohbj, nnd she wabbled so In her French heels thnt when wc snw the pic ture in the projection room we all shrieked with laughter. The day that Isnbcl definitely started on the career that has landed her where she is today, wo were sitting on the stairs sho and I, nnd Colleen and Pauline discussing the new dress ing rooms thnt had been built on the balcony above un. We all wanted them, but Is nnd I didn't get one. You see, thev paired us off for dressing rooms a tidy girl nnd ono who wasn't so ncnt. Colleen nnd Mildred hnd been given otic, nnd Lillian and Dorothy GUh, of riioToruws The following theatres obtain their pictures through the STANLEY Company of America, which is a guarantee of early showing of the finest productions. Ask for the theatre in your locality obtaining pictures through the Stanley Company of America. GREAT NORTHERN ,iro?dftB,0BPEM! CONSTANCE TALMADGE I" "I.KSSONS IN I.OVK", IMPFRIAF TH & WALNUT 8T3. ""' 1-I1AI-' Mat 2.30 Eve. 79 SI'IICIAI. CAST In "THE CONCERT" Lehigh Palace awm"!5!J.nAU,SI. (.Kouc.i; siici.roitD's priiiiuction "A WISE FOOL" AlPDDnnoTaniiiAvrnmnn w v -tDivjKjr. avbnub KUbCOE (Fatty) ARBUCKLE In "Tin: TUAVKM.NQ SAHISMAN" PALACE 214 MAIIKET HTnKUTT 10 A XI. to 11MB P. M THOMAS MEIGHAN In "Till: rON-Qt'EhT OF CANAAN" PRINCESS fi108 a111, .?TJlEI??' "THE KISS" v REGENT MAIIKET ST. Delon 1TTH AI-VaE.iNl 0iJB Ai M t0 ,, ,,', MARY MILES MINTER In "TIIK I.ITTI.K CLOWN" RIALTO QEIIMANTOWN AVENUB nL,1U AT TULPEHOCICEN PT. ELSIE FERGUSON In "SCHK AND IM1I1KAVI- ,OVr." RUBY MAI"tET ST. I1ELOW 7TU MINALI) CHISP PltODl'CTlON M. "APPEARANCES" SAVOY :2U "AnKET STUEOT " Y 8 A. M TO MIDNIOHT EUGENE O'BRIEN . In "WOUUVH APAKT" SHERWOOD $& &oDalE,vmEorV J. L. ni()TIIIN(,lI VM'K 'lrtniIT(rin A. 3 "THE TEN.DOLLAR RAISE TION n I STANLEY MAIIKET AT 10T1I 11 A M In II IS P M GLORIA SWANSON in "'i iir. (iitr. t iiiMi'v.Ti. 333 MARKET0'-fT! CONSTANCE TALMADGE in "l.FbSONH y l.oypj VICTORIA M".KK,7 HT- -b- 'viwiun 0 A. M. to 11:18 p. u. TOM MIX In "AFTKIl YOUll OIW miavn Inez Klumph course, but wc two hadn't, and Is w A sputtering nbout It. s wa V And then u man on tho floor belnn, ' who hnd been talking to one of this Ktiiwl IIIVII HUHLU Hill) lOOKCd fit lift ' Tho others dlditt see him J Paulino w.1 touching up her mnkoUp, nnd CoIImb wns sncaklnir off to the wnrdrobo room to try on Borne of Lllllnn Dish's coi ""-7l buu uiu .unurcu nnu a cruili on Lllllnn, nnd they used to do that .iN tho time. il ' Tho man looked nt us lor n momtnt nnd then said something to tho cnmeri scuttled down the stairs, curious as twn mogplos I to n llttlo disappointment nml Itmbcl to tho turning point In h life. To Bo Continued Tomorrow Ansivers to Questions From Movie Fans Newton "Scrambled Wives" h tk.Jl l.t. .1.1.,.. ...! 1... r- ' '"11 lUll-at intuitu inutiu uy ,ln' RUCriU Clark. Speaking of nges, you should lenrn tho modern definition of a dlpln. ? tnnt. It is one who rotnrmhn.. . V woman's birthday but forgets her an. J Mrs. II. 0. 0. You nro mlstin nbout tho two pictures of Charll. Chaplin. "Vnnlty Fnir" and ''Tn. Idle Clnss" ore tho same picture, or course, you thought thnt the latter- i namcu piciuro ioiiowcu. vnnlty Fair." working purposes. When tho pictuw Is edited nnd cut the permanent title IS lllL'Il glVl'II. iuoiiio- oncKs nnu Htones ' Is the nuu uj. .muni'iniu .iiucunnnid s neit picture. Tho cast has been selected nnd will Include Charles Meredith Kate Lester, Wilfred Lucas nnd Joseph Dowllng. "Penchio" nnd "ner So. cial Value" have not yet been released. uany jir. nnd .Mrs. .Carter IV f"" "" iwo cniKircn. i do not happen to know the nges of the youne stcrs. Pearl W. Eddie Polo is fnrtr.v... Ho hns a daughter who has recently made her debut In "Foolish Wivo" Polo Negri's latest picture Is "The Desert Dancer." I nm uniiole to give you her nddrcss, ns sho Is in Europe The latest play of Josephine IIII1 Is ' "Let Mo Explain." Texas Guinan li not mnKing n picture just nt present. Maiy IL Marguerite Dc La Motte is leading lady for Douglass Fair, bunks in "The Three Musketeers." Na, she is not mnrried, but rumor has It that she is engaged to Mitchell Ljson. Hatton in "Turn to Right" Raymond Ilntton, noted for his por trayal of crook roles, has signed to piny ono of the principal crook parts in Ilei Ingram's pioduction of "Turn to the Right." the John Golden stngo succew by Winchell Smith nnd Jack Hazzard. AHco Terry, who scored n success In "The Four Horsemen of the Apocs ypso" nnd "Tho Conquering Power," hns been ns&Iened the lcmllnr mlo. Th. part of tho village miser will be plated by Ldwanl Connelly. Juno Mathls. who minpied tno previous Ingram pictures, wrote tho continuity. rJIOTOPL.Y8 'HBTO-PUyr j, - THRU " . VOMMNV r . OJAMtmc. U THEATRES Lj BELMOMT B-'d l Mkt -Doubl- BUI JACK PICKFORD In "Tlie Jinn Mlio Had Ktfrjlhlnf" CEDAR 00T" CEDAU AVENUl v-i-lVVI 2 30 and 0 30 io 1 1 P. M. Norma Talmadge & Eugene O'Brien I" "nilOSTS or YK.STKIUH" COLISFI liVT Marli.t bt. BOlh h 0lk PRISCILLA DEAN In "IIHU'UTATIO.N" JUMBO FRONT ST. & OIIUnD A Jiimbo June nn FrunkforS "l EDITH STOREY In "THE (. ()I.1)I'..V JIOPF." I FAnFR 41ST LANCASTKrt AVI A-i-iLVCiA. MATINEE DAII.T Jack Holt nnd Lain Wllftcm In Dp Ml'le'' "THE LOST ROMANCE" LOCUST B:'D & LOrTHT hTHEETS DOl'llI.E iiimi ,t Mats 1:30. n no. EtcH. II 30 in n HAROLD LLOYD in "I DO" .Sccnu Unrn In "Tim Wo mnn (od CliniJ" RIV0LI D2D A-ND SSiWiLT HERBERT RAWLINSON In "THE WAKEFIF.l.l) CSK" STRAND OEKMANTOWN AVB. AT VENANOO KTH THOMAS MEIGHAN In "TUB CONQUF.HT OF CANAAN" AT OTHER THEATRES MEMBERS OF M.P.T.O.A. ermantown matinee daiu LOUISE GLAUM In l'lr PI. II,. Hlini.liir f.rrulrt TIlHH I'" JEFFERSON 20lh 4 Daupnln Bf MATIM5B DAI' WALLACE REID III "TOO JIL'CII I'KKH" , r A rtr nituix htv a. D III'IIIN t," rAKlS. jUt. 2;i5. Kvgi. ;4 .; JACK HOLT IN TJB MILLKJI " rHBaKiitt&lw r 'iHaWIP' " vSl atalaa.v . Mk f- JHi 'aHk HNI atH' aBBBBBBBBBBBBBBBBBBaW mXX4UtJ 'HbB(BBBBBBBBb! 'aaaaaaaaam' 'ff H 'aaaaaaaaaaaaaaaav HluBaaaaaa "THE LOST ROMANCE -5 jt; v jk . ILhMv.,,,. f
Significant historical Pennsylvania newspapers