Mfc M V ?. J," r I ft fi i i I ll i- s ti !V i ft 10 " ni -w ljt Tim . ili -. CLOSE-UPS of the Ily HENRY "Fourteen Points" for Making Good Pictures rnilE little discussion which vn stnrted here n few weeks ago with the object of finding out why movie Inns nre not patronizing pictures ns they used to Mtms to hnvc touched on n vlnl spot In the business. Three newspapers out In LLHLH9& S 1 HB5fU,.iwi 'Zmfii' "SP HttiSiK. $ ' -$. 'j? St kW iHOjP - '- ' MAIUON DA VIES today are not as good as they were a year or two years ngo. Just before Marion Davles finished making "Tho Young Dlnna" and went eut to tho West Coast for a vacation and anothor picture I had a talk with her between scenes in the Cosmopolitan studios. She seemed to feel keenly that there must be a radical improvemnt in the product being put on the market. As we talked she developed her ideas in so interesting a manner that I asked her If she wouldn't find time, to put them in writing for mo co that the readers of this page could get the inside view point, and sho agreed to do it. They reached me yes terday as she was on her way west. MISS DAVIEft, like President Wilson, stands on fourteen point. And into these fourteen tho crowds a whole course of instruction in scenario writing, direction, acting and production. BEST of all, she docn't merely tell how bad everything Is and leave it to somebody else to fix it. It's what the highbrows call constructive criticism, and that's the kind supposed to be most valuablo only every time it appears all the other critics start to pick flaws In it and nobody tries it In practice. But here's Mis Davles' platform: "First (!rt a good story, plausible and human and interesting. "Second. 'nst it with intelligence regardless of the 'fame attached to any given name. "Third. Direct it artistically with an eye to reality, dramatic effect and constructive building up. "Fourth. Keep our suspense. Don't give everything nway no matter bow conventional the plot may seem. Only waiting for something It Isn't sure cf will keep the audience in its seats. I mean that people don't want to foresee everything that is going to happen. Dike life itself, It Is the unexpected that adds color. If ou knew ever thing that might happen to you In advance there would be nothing to live for. "Fifth. Watch your 'business.' Tho dullest motion-picture story In the World enn bo made into a memorable thing If thero are enough diverting incidents in it. "Sixth. Keep jour main story always in the foreground. Don't jump all over the place with superfluous sidelights thnt mean nothing. "Seventh, lime the sets correspond with the action and the atmosphere, but don't have them so clnbornte that they put everything else In tha back ground by the attention they call to themselves. Sets must be slaves to tho picture, not masters of It. "Eighth. Costumes, too. The same may bo said of them as of sets. "Ninth. The main title is of utmost importance. The picture must have one whlsh will mean something interesting to every one. "Tenth. The advertising must tell fetory to arouse interest without disclosing tho sequence of events. "Eleventh. The titles of a picture can mnko or ruin It. Bolstered up by titles which say something and don't forestall everything that is going to happen nearly any photoplay is sure of n modicum of appeal. Titles can be literature, and this is the picture's one chance to belong to the written arts. "Twelfth. Tho ending must not bo known as soon as tho first reel Is over. This is n waste of footage nnd you merely ask yourself the question, 'Why stay until the endV We know they are going to marry.' Hero's the chance for tho unexpected or at least to make the expected something different. "Thlrtenth. Itcmember that a picture can do things which no other method of telling a story lu thi world can do. Take advantage of this and use it for all It's worth, which is 100 per cent. "Fourteenth. Itcmember that the art is still very young, o don't just grouch at every plcturo and 6ay 'It's rotten!' Ask yourself what you have done remarkable in the few short years pictures have been made." 'THAT seems simple enough, doesn't itt In a general way, I outlined irc poinM to a man pretty high up in another company. "Yes," he said, "it's all true. And most producers would he glad to follow every one of those points if you would answer just one question where are we going to get tho good sioricst" HERE'S A KMf Wljlfi&i 'aV-laaaaaaaaaaaaaaaHi ABBBBBBBBBBBBBBBBBBBBBPaYaBBBBBBtf 1TJ wTftL v'A- iiiiiiB aiB x Wa 'Baaaaaaaaaaaaaaaaaav V . &vj$6b aaaaaaaaaaaaaaV t WH2aaaaaaal aaalLaaaaaP VaaaaaaV "aaaaBaaaa i & flKl aaaaVrnar.'lfaBBBBBBBBBWn a"araT' 4-Vt-.;(r"1aBBBBBBBBB aBBBiaiiS.aBBBBBMl:lMaBBBBWBB,i WMymm&iwiimrmim iwammmm r& Daily Movie Magazine MOVIE GAME 31. NEEIA' the Middle "West have started depart ments headed "What's the Matter With the Movlei?" and are printing letters from readers giving nil sorts of views. But the most Interesting thing is in n flip wnT thn nroblem has hit the ijSMCcutlvo offices and the studios In Now York. The peoplo over thcro nnvo felt for porno time that there wnfl eomcthlng the matter, but there was a tendency to attrlbuto it to tho general slump In business conditions. In n number of offices where the letters printed on this page hnd been read I found the effect quite surprising. The letters advanced Ideas that had not occurred to thoso on tho lnsldo. They gavo tho perspective of tho average fan, and people In offices and studios aro too close to tho Industry to get this perspective for themselves. It was especially Interesting to talk to leading film nctors and actresses about the situation. I found that they, more than the folks In the offices, took tho view generally expressed by the letters that tho pictures being put out accurately and honestly enough of tho COWBOY ROMEO WILL When Goldwyns Made "Doubling for Romeo" They Took the Comedian From His Regular Line of Work and Put Him in Mediaeval Doublet and Hose 'EVENING 1UBLIC aaaaWaaaail . li LMiil ' iaaMaaPV aaJaaaaBliBaaaaaar?Z BBBBBBBBBBBBBSrFatlauEBBmif 'iS- i&&'5'tMwM&&ffrtfKm, BBBBBBBBBBBBBHBra&$r 4MiH099K?fi2aiffiV,H,,&J 5J5aSSSBllSSjaBBBBBBWf BBBBBBBBBBBBHBBSttKs IWTYmSnvtmntWm mTtlf ? SV 1&3 2?3Rm$BffBaKraBBBBBBBBX?da BBBBBBBBaBBaBBBBaWaHHBBBm. ' JBBWSs (' k tU t&HS&lf'MilUBBBBBBVflw BaaaaV9BaanSBBaaaar!$HBIaaaaaiL. iBW3f fJB usr3&m?jffKirBaaaaaa'w'-r aBBBaWSBaafliHaaiBMillamBBBBMi! aaaafaBaaaaaaaaarBlMMMBlBaaaaaaW WmM:Wim',mmM BaaaakdBaaaaaaaaMaaaBflBKaaBaanaaaaaaaaaav'aaKuBHKlaauavW .bbbbbbR&3"bbbh BaaVBBBBBnaBBBWHaHaBBBBffisl " aaBBaHHaWlaBBBBBiiyBBBf LaPiiaBBBBBBBBBBBBBBBBBBBBBBBBWHaBBBcBBBBWPBBBBBB JPMP-iipifaaaaaSB aaaaaaaaaaVHHHTKf ' ' "U"' ! laaaaHHIiaHuv'NV J W T I'fl .. w AHY 3IILES MIN'TER is seen high nbovo tho studio floor. She is emoting to tho tuno of soft music i which makes her romantic. The top i Earlo Williams Back at Work "Lucky Carson" is tho tltlo of the picture which Earlo Williams will star In immediately after "Bring Dim In." "Lucky Carson" Is nn adaptation of tho widely read novel "Salvage," by Aquilla Kcmpster. Uls current produc tion, "Bring Ulm In," is a rugged and dramatic tale of tho Canadian North west Mounted Pollco and Williams ap pears in tho scarlet coat of tho famous guardians of the law north of 53. Newcomer for Screen Honors Jack Roach, one of the featured players in "Dcburnu," probably the greatest Individual stngo success of tho last season in New York City nnd cer tainly tho mot artistic bucccss. has u prominent rolo in support of Allco Calhoun in this star's newest Vita graph production, "Tho Rainbow." lie was especially selected by Ed want Joso, tho director. This is Mr. ltuach's screen debut. ROGERS LEDGER - PHILADELPHIA', SATURDAY, ROMANCE AND MUSIC FOR THE PHOTOPLAYS picture shows how cameramen get what is known as "back lighting." The sub ject is placed so that the sain shines into the camera lens with high lights shown nil around them. Agnes Ayres Finds Stardom in Movies an Exacting Job QCREEN stnrdora has its drawbacks. J At least, that Is that conclusion of Agnes Ayres after n few short weeks of llfo following her elevation to stellnr heights. W'hlle 6tardom naturally is the goal of every ambitious actor or actress and gives gcnulno opportunity to the artist. It has its accompanying respon sibilities which no player realizes until stardom actually ia nehlcvcd. "It's rush, riifh, rush from early morning until late at night," says the newest feminine star. "While nil tho work is pleasant, thero Is so much of It that it is hard to crowd it all in n twenty-four-hour dny and still find a Uttlo timo for rest. "When I stop to think that I haven't moro than stnrted on mv first star nlc. ture, I wonder just what will ho my plight then, what with more work and additional worries. "It always has been mv nmbitlon to bo n star, since tho very first day I was in a motlon-plcturo studio. That is tho ambition, I suppose, of cverv girl in pictures. But I laugh when I 'look back at those early dajs and think of how I Idealized tho llfo of a star. I was very much llko tho average person who believes n film star lives a life of luxury and ense. I have now learned just how Uttlo I knew when I dreamed thoso dreams." Real Mother Plays Mother Role Very rarely Indeed does tho real mother of n famous motion picture star play tho part of tho star's mother on tho screen with her, but that Is what Pauline Starke's mother docs in "Flower of tho North," tho James Oliver Curwood special production, now being directed by David Smith for Vitagraph, on the Paclfio Coast. The oicture requires that Miss Stnrke. in the title role, dreams and conjure visions of her dead mother. Thnr a striking personal resemblance between tiic youtniui siar ami iier mother. Mis. Starke wos sitting In the studio one day, wntchlng her daughter being dutctcd In u scene with Henry B. Walt hall, who plays the male lend, when Director Smith, noting tho startling resemblance between mother nnd daugh ter, suggested that Mrs. Starke play in tho visional pnrt. More Players Arrive at Hollywood Tho Hollywood film colony has been increased recently by an influx of players, directors nnd production rep resentatives from New York. Among tho recent nrrlvals nt tho Lasky studio aro Robert M. Hans, formerly art di rector nt tho Famous Players-Lasky Long Island studio; Clani llcrnnger, nuthor: Wnldemar Young, bcenarist, mid Gilbert Warrentnn. ram.rnm.. Thomas Melghan and hiaVdlrector, Tom Forinan, will nrlvc in Ilolly'wood next week to begin work on tho plcturiza tion of George M. Cohan's stage, sue cum, "A Prince There Was," 9 m "--MMjE'aaaaaaaaaaafcaaaMMiaawNjiX GLYCERINE TEARS ARE COMING BACK AMONG ACTRESSES ACTRESSES may come and stars may go but the little glycerine tear drop rolls on forever before the relent less movio enmern. For n timo this substitute for the real tear was in danger of being super seded in supremacy by actual briny drops from the limpid eyes of beautiful actresses, but according to stotlsticians of tho Lasky studio In Hollywood, the glycerlno tear is here to stay. The property mnn who carries the glycerine bottle nnd eye dropper nt the studio is an ardent supporter of the artificial tear, nnd he says that no mat ter how proficient an actress gets in crying, there nre times when nothing will do so well as a little drop of gly cerine. "The glycerine tear has had Its ups and downs In tho movie industry, just like everything else." said the ubiqui tous prop man. "When the business wns young, no one thought of anything but nrtificlnl tears, hut Inter, when n few stars wero discovered who cnnhl cry real 6alty tears, with tho aid of sou violin music, these tears became the oguo and tno glycerine bottle was put on tho shelf. Now tho elvcerlne tear ilrnn U inm. ing back. It has been found thnt in many instances nn artificial tear is mucn more artistic than a real one." rBTAININO tears for tho close-up - Is a matter of femnornmonf ha plained. Some actresses nro moro pmn- tional than others. When thev want tears th?v permit their emotions to swell within them until tho lachrymal ducts How freely. sometimes n particular tuno on the violin inspiros n flood of tenrn. rwhor actresses are acutely temperamental and when ordered to cry they need no out side help to make tho tears come. Still others cannot cry nt nil. and then the Iittlo glycerlno bottle nnd the cvo drop per como In very handy. It 'is all n mniter or ucgrce. At times directors have to use rough methods to get their nctresscs to weep. One director recently told his star bluntly before a crowd of fellow plny crs that her nctlne was bad tprriMo and that sho showed no spark of genius, anu mat no was noouc at tlio point of giving up. The little actress burst Into tears nt this tirade. Tho director called "cam era," In a low tone, nnd tho result on tho screen wns immense. After tho scene the director explained to tho actress why he hnd tnlked harshly to her. and sho fonzave him. The nnlv troublo with the method, however, is that it cannot be used on the same actress twice. SUCII artists as Gloria Swanson, Betty Comnson. Ethel Clnvton nnd Agnes Ayres nre classified as "highly emotional." They teel tho toles they are playing so Intensely that they find It fairly easy to cry. Crying for tho camera Is exhnustlng work and after a highly emotional scene it is no uncommon slgnt In n studio to sco tho actress slip Into a chair, com pletely unnerved. Answers to Questions From Movie Fans Gernldlne Constance Talmadgo Is nt work on "Good for Nothing," nn orig inal storv by John Emerson and Anita Loos. Tho picture will be directed by John Bmcrson. Tho caBt Includes) Georgo Fawcett, Frank Lnlor, Nita Naldl, Theresa Maxwell Conovcr and Thomas Cnrr. Etliolyn If you control the rights for a good screen 6tory. your fortune is mndo. Producers pay largo sums for a story that has made a hit on tho stngo nr linn screen possibilities. For in stance, you probably know thnt "Turn to tho Right," tho well-known stage bucccss. has recently uecn sold xor $500,000. man Douglas Fairbanks has grown a real mustache. It's not pnrt Of his maKC-uy. JncK uuinuu was lending man for Viola Dana in "The Offshore Pirate." Roderick B. Sessuo Hayakawn's latest plcturo is "Where Lights Are Low." The story was written by Lloyd Osbourne, stepson ot Robert Louis Hto venson. Francellft May Collin is reported to havo denied her ongngement to Charlie Chaplin. Thnt Is all I enn tell you. It was announced at ono time nnd acknowledged by both of them. Re lievo whichever version you prefer. However, It Is truo that sho has been engaged to play onposito Gareth Hughes in "Little Ka Ascends," n Saturday Evening Post story by Thomas Beers. Runty "Tho Old Nest" is not the latest story for tho screen by Robert HuRlieH. He haB jii3t completed "The Wall J.' lower. Mrs. V. M. II. -Charles Ray was his own director in "Scrap Iron." Ken nnth Harlan plays opposite C'onstnnce Talmadgo lu "Lessons In Love," AUGUST 13, 1921 The LOVE STORY MOVIEaSTAR 77ji5 Is How the Story Begins: jqELLA MORKLAND, most famous of screen stars, hears that a young girl, Annette Willcins, has fallen in love with Roland Welles, an idol of the screen. Miss Morelana, to save Annette, writes the story of her own tragio love affair twith Welles, intending to send tt to Annette so sho may Inow the kind of man he is. She tells how, while a pianist in a movie theatre in a Western Penn sylvania town, she met Welles when he made a "personal appearance there, how he invited her to come to A'cic VorA; ond said he would place her in the movies, how she came and the chilly reception which he gave her in the studio. Then, becoming interested in her, he gets her " job, makes love to her, proposes and she is deliriously happy until another woman reveals Wclfc' perfidy. Then she quits him and the company. Later, when she 'has achieved fpme, Welles reappears and tries to renew his love-making, but she knows he wants her for her value as a film favorite in his pictures, and she repulses him. Desperate, she writes a photoplay full of dangerous "stunts," and she and II -, her director, who has stood hy her m all her troubles, jorcnarc to film it. Here the Story Continues "VTOT so badly damaged thnt it can IN not be fixed. Tomorrow von can swim out there nnd get the eh illtl. it will bo just so much more thrilling in the end. It will show your bnd fall. But you can nppear to right yourself, and swim on. But promise me. "Yes," I said, "I promise you. You know host." It was n comnlctc surrender, sweet because It wns so complete. It wns tho dawning of n great, new nnd real happiness in my life. But only tho dawning. Ami n oeau tlful dawn does not always mean a clear day I Ah, Annette, why did you ever cross my path? The end Is not yet. Why, I ask again, why, dear II , can I not lovo you as completely ns you lovo me? But let mo go back to say that it was nearly a week before my poor sirnincu back would permit of the finishing of that plcturo which miglit nnvo cost mo my life. Eventually it was finished nlnnir tlin lines suecCStcd by II . And it wns one of tho most successful I have ever been connected with. But for nearly n week, 1 Kept to my jjC(t ii enme to lnquiro for mo every day. And ho never came without leaving n huge box of Uic choicest lowers behind him. September 3rd. II just poked his hend in nt tho doorway. . ., "Whoo!" he said; "may I nsk if you are writing a trageoy?" "No yes. Why?" "Because you look like Lady Mac beth in tho sleep-walking scene. But, seriously, what is it? A diary.'" "Sort of." "Then just jot in it: 'II looked In nnd wished me well.' " There It is, dear II . If ever tou como to read this, you will sec that I havo obeyed you. I know you "wish mo well." I know tnnt I hnve one truo friend In this world. And, nh, how I need n friend 1 I hnd one of my blue spells ngaln vesterdny. Not so blue, possibly, as the ones I used to have, but bad enough. First, I thought of bpending the evening in writing. But what is there to writo? Am 1 going to go on with this to the end of my days? Instead, I went downtown to a big photoplay theatro on Broadway. The place was crowded to the top. One of my pictures wns being shown. It wns one of n scries of historical pictures which I worked up myself, during lonely Sunday afternoons nnd evenings In u dusty, musty branch of the Public Librnry. And it gratifies me to think thnt these pictures have given me n new nnd different standing with the public. " In them I hope I havo been nble to show some of the larger possibilities, both for tho producer nnd tho actor In motion-nlcture work. The European producers havo done tilings nlong the snmo lino for a long time. But there has been nil too Iittlo of it, up to now, in this country. And I must say that I do not believe that tho fault has lain rnoTorr.AYB 'pHOTOPUt!' COMOAMY r . ADfM m tm Thompson trra. r ULJLAJ MATINEB DAIL.Y . MATT MOOUE nnd 81'KOIAT. OAST In "STRAIGHT IS THE WAY" ADPAniA CHESTNUT Ul. 18TH AKL.AU1A 10 a. m. 10 11 -is v. m. MARY MILES MINTER In "MOONI.IOIIT AND HONKYHUCKI.K" ACTHD KIANKL1N & alllAIlD AVH. MO 1 UtV MATINISK DAILY fil'KCIAI. CAST In ,. 'THE GREAT LOVER" BALTIMOREoT'.nSTx5. CONSTANCE TALMADGE In "llANnEKOOH tlPSINBSB" BENN CiTH AND WOODLAND AVB. MATINEE DAIIjX SYDNEY CHAPLIN in "kino. orr.r.N and jokkh" Dl-UE.tJlrL Conttntioui 2 until It ELSIE FERGUSON In "BAritKO AMI I'HOFANK I.OVK" fAPITOl 722 MAHKET ST. NORMA TALMADGE " In "TIIK MOTH" COLONIAL " WTp AT LIONEL BARRYMORE In "TUB limifl tlAItDKN" DARBY THEATRE I'OLA NKfiKI nnd SI'ECIAI. CAST la "GIPSY BLOOD' CMDDITQC HAIN 8T MANAYUNK fc.lVlr KtOO N MATINKB DAILT ROSCOE (Fatty) ARBUCKLE In "THE TKAVEI.INO SALESMAN" CAMII V THEATRE 1311 Markt St. rAlVllL.1 8 A. M. TO MIDNIOHT TOM MIX In "A HKl-TOWN KOl'NTMTP" CZTU CT THEATRE Below Upnio PO 1 rl Ol, MATINEE DAILT ALT-STAR TAHT In "NOBODY'S KID" ' FRANKFORD 4m ruv-"D PAULINE FREDERICK In "THE MIHTKESH OI' HHENhTOXE" f HRI7 &DU1 MARKET HT ULWDL an nn.l n 30 to 11 P. M BERT LYTELL n '2 MEKSAdi: I'KOM MAKS" fDAMT ojs aiHAitD ave. YjJAMIN 1 MATINRH DAlLt MUM WFIIFK'H I'lUIIM'CTION "TOO WISE WOMEN" t EDWIN CAREWE SAYS SCREEN DEMANDS GOOD ROMANCES fi-rroUTII, lovo nnd romance will be JL tho key to publlo taste for the coming year," thinks Edwin Cnrcwe. " 'Every plcturo Is ns good ns its director' is not a fair standard. "Many stnrs hnvc been broken by producers, who kept them iff roles of similar character too,'0"?- Thcso nre somo of tho Ideas regarding tho film industry which Cnrcwe enunelntcd before his jdcpnrturc from the West for New York. . He menns them all but particularly thp first one. , , , "Wo have had our regn of 'Kaiser' films our sentience, some good, some Indifferent of mlrnclo men and faith i,ii.iit films! wp have hnd the reign of tho bad Westerner nnd the vamp and now the public taste turns nun grllv to romance. "Not inushincss," said the director, who has just completed his fourth special with Anltn Stewart as the star, "but romanco with action with real love nnd the clean wholesomcness which mnde the poet sing so long ago thnt 'nil the world loves n lover.' " Mr. Cnrcwo has gono Enst primarily to nrrango for a scries of independent productions which ho will begin in about four weeks. He expects to mnko the first of thcso in tho East, because the entire locale Is of tho Maine and New England Coast. Tho last picture this director mnde with 3llss Stewart was "A Question of Honor." Previous to that he made "Playthings of Destiny," "The " In visible Fear" nnd "Something 3Ioncy Can't Buy" with tho samo star, nis most notable productions in tho last two vcars nro "Rio Grnndo" nnd "Isobcl." EDWIN CAREWE wholly with the American producers. But I am not going to enlarge on that subject just now. To return to my pictures: the par ticular ono which wns being shown Inst night was called "3Inry, Queen of Scots." It wns made up of the most picturesque and if I may coin n word plcturable incidents in the life of thnt unhappy and unfortunnto Queen, beginning with her, a enrc-frce. light hearted girl at tho court of Frnncc, when thn world must have bcemcd nu enchanted place to one of her pleasure crnvlng nature. The all too brief days of her hnppy first marrlngc were shown in a scries of really lovely scenes. Then came the truglc one of the death of the poor Uttlo boy-king. And that reminds me; II persists in poking fun nt me because I nm deter mined to do Catherine do Mcdlcls one of these days. The rending I have done has convinced mo tht sh? could be mnde n sympathetic figure. I would not present her ns thnt sinister and masterful woman who stalks across the pages of history, stalnod with crime. Hut even so, licr crimes were more political than .personal, and slip lived in n bloody age, nnd fought with the Fnme weapons which her enemies used. But I would show her ns n woman who for long years was made to buffer both in her iove nnd'in licr pride. But to return to Jlnry Stuart. The most striking, perhaps, of all the pic tures was tho ono showing her departure from Calais for Scotland. It wns a perfect triumph for II . Tho Inst word In moving-picture art. I feel sure that he felt repaid for all the labor and troublo ho hnd put on it. For, it is needless to ndd thnt II backed me to tho limit in ray most extravagant nnd ambitious schemes. Without his sympathy and support, I could iiave ac complished nothing. To Bo Continued Slonday moTorr-AYS Ik' 'iklBBBBBBBBBBBBBBBBBBBWilBBBBl iiaaVfec ?."2aaaBaaaaaaaaaaaaaaLiaaaaal Tho following theatres obtain their pictures through the STANLEY Company of America, which is a guarantee of early showing of the finest productions. Ask for the theatre in your locality obtaining pictures through the Stanley Company of America. GREAT NORTHERN nriWl? BERT LYTELL In 'THU 1'ltICE OF REDEMPTION" IMPFRIAI O0T1I 4 WALNUT STS. n... itnlm. ?S0, Kvkb T U PAULINE FREDERICK ' "HOADS OF I1FJCTIXY" Lehigh Palace Xtirr ELSIE FERGUSON In "SACKED AND PKOFANE I.OVE" OVERBROOK03041!0 GLADYS WALTON In "TIIK MAN TAMKIl" PAI APP 12u MAIUCBT STBEET H&H T.T.,N'-'?,Ar3ODt5f?Ti!,8NP- "THE JOURNEY'S END" PRINCFSS 1018 MAKKET STREET ROSCOE (Fatty) ARBUCKLE in "iiik THWKI.INO HAT.ESMAN" REGFNT MATIKET BT. Below 17TH MAY ALLISON In "THE LAST TAltTI" RIALTO TSKSXFNffi? ROSCOE (Fatty) ARBUCKLE "IIIK THAVKI.IS'n HM.IMllvn RUBY "ARRET ST. I1ELOW 7TH ', Ul, . 10 A M to 11 15 V. M. LOUISE GLAUM in "i am nriirv" SAVOY 12U MARKET ST. LIONEL BARRYMORE In "Tin; (IKKAT ADVr.NTI'U r." SHERWOOD "& Vtfj ROSCOE (Fatty) ARBUCKLE In "THE TUAVEI.Isn SALKNMAN" STANI EY "AWfBT AT 10TJI THOMAS MEIGHAN In "THE COVQlKjjT OF TANAAN" 3?3 MARKET,,1 , THOMAS MEIGHAN in "miiti: ami rMAiuiu:i VICTORIA 'AHKufuT."'i,7ni EUGENE O'BRIEN lu "WOUUia APART" Sho So$n Starts Worh itiaaaaaaaaaaBaiaaaaKJsiM ELAINE IIAM3IERSTEIN Elaine Hammerstcin Ends Vacation to Begin Next Season's Movies ELAINE IIAMMERSTEIN'S vaca tlon is drawing to a close, dcsplt the fact thnt Bhe had hoped-for a much longer furlough. During tho last win ter and enrly spring 3Ilss HammcrMeln worked almost continuously, going from ono picture to another with virtually no intermission. When she finished oft "Handcuffs or Kisses" nt tho Fort Lee studios. Myron Sclznick hoped to give her n respite for several weeks, but plans of the pro duccr, like theatrical programs, are al- :;.. iV """- "iiuuui no tice." 3Ilss Hammerstcin must start at once upon pictures for next season. s REX TAYLOR'S story, "The Way of a Jlald." will go into produc tion nt onco with William P. S. Earle directing. Incidentally. 3Ir. Enrle will bo the third director Miss Hammcrstein has collaborated with In three suc cessive pictures George Archainbaud having directed "Handcuffs or Kisses " while Ralph Ince was director of "Re morseless Love." "The Way of n Maid" will agala bring Nilcs Welch into Miss Hammer" stein's company as lending man. H plnycd opposite tho Selznlck star in' "RcmorsclcBS Love." AnoHmr nmri,i. tlon in which he has prominence is "Who Am I?" in which Hlnlra Ami.,. son is featured nlong with Mr. Welch. Miss IInmmcrstcin;8 forthcoming an. pcaranco in "Remorseless Love" ami the presentation of "Who Am I" promise to bo tho Inst nppcarance of Nll?s Welch in pictures for some time to come. He has contracted to play the leading pnrt in "The Hot Heads," a stngo production that comes to Broad way early in the new season. Larry Scmon, Versatile Artist, Fools His Fellow Workers A WELL-KNOWN ,revicwer re- marked in a mngn7.inc nrticle some time ngo thnt Larry Serrton.-the Vitn graph comedian, if necessary. couM make n funny plctnre with no other asserts tbnna broomstick nnd a tin can. It is sure thnt Lnrry possesses the fac ultv of taking instant advantage of 'The BelUHop." Larry decided to tnk two parts. The idrn was not in hl whntevor may ofiVr itself in the wav of a situation. On Vitngrnph's Hollywood original script, but ho decided to put It in, ns one of the diameters who hn-J been assigned a part did not come up to Larry's specifications. There being no ono elso who seemed to fit in, Larrv disappeared from tho Bet and rc.ipneareil a half hour later In ono of the funnit make-ups over seen on n comedy set. It was several minutes before some of his acquaintances recognized bim. Bathing Playero In New Rolei Thrco graduates of Mack Scnnett'j comedy collcgo appear In "This Is So Sudden." They nre Roseoc (Fatty) Arbucklo, tho star ; Jfary Thurman and Harriett nnmmond. Arbuckle made his motion picture debut ns a five-dollar-a-day at the Bennett studio scverl years ngo. Mnry Thurman left the comedy fold threo years ago and since that time has appeared as a leading woman opposite William S. Hnrt and others. She is playing the lead in "This Is So Sudden." Miss Hnmmond Is tho latest Sennctt boauty to enter the dramatic field from tho pie-throwing troup. "This Is So Sudden" will be released following "Crazy to Marry." rnoToriAYS "wtOTWUrrr COMPANY " . -orAMtmeA The NIXON-NIRDL1NGER C? THEATRES RFI MnMT 02D ADOVE MARKET IJCJlVlVJiM 1-80 & 8i 0:30 to 11 P.M. LOUISE LEE and FRANK WILLLUIS la "The DevU'a Confession" CFHAR e0T" CEDAR AVENU1 V-i-L-r ujo ana 8a:30 to 11 SESSUE HAYAKAWA In "BLACK ROSES" CD! TQFI IIVI Market bet. BOth & BRYANT WASHBURN In "THE ROAD TO LONDON" JUMBO FRONT ST. & OIRARD AVB. Jumbo June, on Frankford "L WILLIAM S. HART in "HETWKKN MEN" I FADFR 4l'JT LANCASTER AVI LbrtULI MATtNFIR DAILT WALLACE REID In "TOO MUCH SPEED" I fin KT WD AND LOCt'ST STIIEETS LAJiwUOI MrU- 1.30i 3ao ivg,,, n 30 to CONWAY TEARLE In "IICCHINO THE T1QEH" , CTD A Mn OERMANTOWN AVB. 'J IvrtMl at VKXivnn STUS" ETHEL CLAYTON In "WEALTH" -U AT OTHER THEATRES MEMBERS OF M.P.T.O.A. Germantown u&WZtffifi'' BEBE DANIELS In "THE MARCH HARK" JEFFERSON jIatinIlt8 OWEN MOORE In "A DIVORCE Or CONVENIENCE" PARkT RinoE ave. t daupihn r-n rMrvN. Mt. sun. n. '" I'i. FRANt'KLIA HII.I.IN''TOJtjS,Jli!imC "HEARTS ARE TRUMPS west'allegheny "'irffiaJ MILTON SILLS T j'm. ln."1IIE FAITH HKM.Eit- V ? i m
Significant historical Pennsylvania newspapers