10 EVENING PUBLIC LEDGER PHILADELPHIA, MONDAY, JULY 25, 1921 CLOSE-UPS of the By 1IRNRY M. A Man Who Plays With Sharks and Things r1 TOl' know of nny one who lias a shnrk that ho tints to rrnt.to the movies, there's a mini In New Yorlt who will take him. Ho ilnesn't want a tame hark; he wants one villi plenty of pep a piinnaelnu. unsociable, misanthropic Bk A - seen CHARLES HITCHI80N of safety to life and limb. Wt'T. in realitu. it noes cceti farther than that. It makt him D deliberately sit down it night nnd Haurr nut some new method 01 tchirh he can ritk hit life the next dan. He never intended to be x "ttunt" man. Rut, once he teas forced into it, he made up hi mind he k cm going throuqh with it- nnd hr has. V FIR ten years. Hutchison was a leading man on the spt ikltig staer Then he began to be attracted by the growing popularity of the movies and he wrote aerial It looked pretty gooci nnd John tJolderl was assigned to put it on. tJnldon flgurcd he would get better result tf lie had the author with him. so he gave Hutch a pnrt and cast I.eah Baird and Sheldon Lewis for the other principal toles. The erial was cnllod "Wolves of Kultur." It was free from stunts orig lnally. but when the first episode was sent to rathe, they wouldn't have it They had ajecialized In serin's and knau the market and they insisted that such a story a Hutch had written must have stunts in every episode. And they sug gested some that would liven it up. It put ticilden up against it lie hud no stunt man available. Lewis wouldn't do them mid Miss Baird couldn't. So. one day when he mentioned it to Hutch, he cm surprised to huve the author and uctor calmly volunteer to jump t Into the breach "I've a!wa;s been a gymnast.'' said Hutch. "I'm tumbling about in a gymnasium every day nnd I'm sure I can get away with that stuff if anybody alse can." So thov put the spin's in "Wolves of Kultur." and Hutch began to se,. poaslbilities In the game. An! he confessed, as he told me nbout it, that he also 1 begin to like the risk and excitement of it. F YOU think the jnh of a movie nrtnr it 1 pretty easy let' of earning n lot of tnonety. fn$t 'on aider the things thnt Hutch has done niee then. Then imagine yourself in his place ard imagine tlir kind of letter your life insurance agent irould write yon irhrn hr heard about it. Or. if Ion are a girl irho aspiret to morit honors, imagine yourttlf going through some of these stunts irtth Hutch. WHEN he was doing "Double Adventure" out in California, he wrote into his part a scene where he was beins pursued bv enemies, and to escape them na'l to jump trc m roe op or an on oerncs imo a tree. i ue irec was torty feet high-just about to the mof of a four-story house. Hut'-h made the jump, but his hands slipped on the smooth bark of the branch he grabbed and he bought a one-way trip to the ground without stop- ver privileges He broke his right arm and wrist nnd fractured his left wrist, besides getting '' eome nasty internal injuries that kept him out f pictures fnr five months with! weights on his wrists to get them back into si-.npe. V, ..!,., l, nninn.l i.ml.tKcnaiiU ITI. B II' IJ It! I' fall III' 'I "i,-i i"ii -- banding over him. wondering what kind aameramnn and asked. "Pid you keep grinding hilc I fell?" "Yes." -ail the cameraman "(lood !" exoinimed Hutch. "We'll change the rc-rip to ufili.e thnt fall. "Here's the way the story will go now " And he was still outlining the alterations in the scenario while they loaded him into an ambulance While he wai in the hospital, Patle sent an official to him t" work into his contract a clause stipulating thnt lie should hire doublis to 1" his stunts for him. His stuff was going so well with the public that tiie producers didn't want to lose him. B J'T Ruteh uou'dn t hear of it. 'The people like me," he said, "because they behere that I musetf ", fnc fnte;j they sec on fAe screen. I hired a double, I'd he double -erossinn iiy puhln. Noth ing doing. You irnit until I get out of this hospital and I'll ihoic yo'i tome raal stuntt." s sVTTLRRlCANF HUTCH." the serial on which he is now working !n the il Bronx studio, will give you a pretty good idea of how he has carried out this promise. Here are some of the things he does in this thriller: He sees tr villain carrving off Lucy Fox. the heroine. In an automobile. Hutch jumps into another and pursues tlem. (Joing at nearly s:xry miles an hour, he lenp- from his ear Into 'he villain's and rceues Lucy Which would you rather be in tins stunt, tteraldine Hutch, the villain or Lucy? Driving with Lucy in an auto along the brink of Atisable Chasm, he loses aontrol and they both plunge still in the car. mind you! into the water, 1.10 feet below Again Oraldlne. how d you like to he Lucy? He swims the rapids in the chasm, rescucjng Lucy., i Don t forget Lucy in U this. Oraldine.i He crosses the Chnsm on a tight wire Riding a motorcycle, he leaps on it thirty feet across the gap of a broken bridge He rides his motorcycle the fill length of an open tret with a train only twenty feet behind him If he had an accident, the train would be too close to atop before it hit htm Very n re .i ml -,llf . I calls that He rolls under a moving freight train to escape pursuers. Them ain't the kindn rolls 1 likes, fiernldine. He balance on a l'g and "rides'" a lumber sluice. Ills director tried to hire a lumber .lack to double for Hutch much sense. Hutch w;s rettv badly He crosses from one tenement to (mother high above the street by hanging to a pulley running on a clothes line. There was no trick of double exposure in this either. Hiding his motorcycle, he Jumps It from shore to n dredge, dashes across the dredge and jumps the cycle fr'-m the dredge to the opposite shore. Well. anyway, that saved him four cents for ferry. He hangs by a rope from nn airplane reaches clown and rescues Lucy from a speeding ue lorhoat. i Some day I'm going to ask I.uc.v what she thinks of all this stuff, i He jumps from a lighthouse into a about like a six-storv building Nice, He crawls down a rope from the --ailroa 1 bridge at Poughkcepsle, 1.10 feet high, swings until be enn get n.nr the mast of -i schooner passing berienrh. leaps to the mast, crawls down the mast nnd rescues Lucy again, tire' that girl Lucy certainly does require a lot of rescuing. Alfl) iioie Hutch wants n nice, hungry, pugnacious, unsociable shark 1 o t(n;e a battle tn the water with Imn. I didn't 4tid out uhnt J.ui-i is tupnosed to do n this episode. Hut if I were Lucy, and Hutch vauted to rescue me from a thark, then- would he no retate necestary. I'd be headed West so fast unu could jutt see me mining up over the Eastern koriion on mil wnij back. Row about you. Oeraldinet Fannie Huret Story Being Titled Photographing of "Mink I'av." Fnn nle Hurst's stor . which wa-. adapted for the screen bv France- Marion, who wrote the scenario of "iliimnresipie." another Fsniil. Ilorst ston ha been finished at the ('osinoio'il:in Long Tsland studio. This picture was d1 reted by Frnnk llmzage vim directed "Humorcsipie " Seinn ll i n nn i Mult Moore play the limi ng I Harney .sherry and r.tht-l Ouray are amn n the cast ", picture is now being titled , fie Daily Movie Magazine MOVIE GAME NBBLT shnrk who will resent any attempt at familiarity. For the shark has got to act lr a fiaht scene In the movies, and It's going to he :i regular tight and he Isn't allowed to get any other shark to double for him. f course this sounds silly. But It'a the truth. There's an actor chap ovr in New York who i actually looking for real live shark to go through a thrilling battle in the water while the cameras grind. I ran across the actor when I went up to visit the Tnthe studio in the Bronx in N'ew York the other day You've all him in Ills thrilling Trials an you'xe all probably thought what 1 did that he hired some reckless adventurer to double for him in the dangerous stunts cir else he had a mightv clever camera mnn who faked the thrills by mechanical means. But he doesn't. They're real. (Everything that you see Charles Hut hlion do on the screen he actually doea while the cameras grind it into the celluloid. And you'd never think It to look at him. You'd know he was an athlete and tin out-of-doors man. but you'd never suspect that the will power de noted by ih" firm. aCSr,Rslv Jw Would go so far ns to spurn even the thought M-1 1 h thn ciicmrcorj nf tU ....,..... "". . . . ii.i i . . ' . i,' ' 'HI I'll II I eompnnv of flowers to send, he looked up at the in this but the lumber .Inei'.s had too hurt, but lies nil right now sandbank - n mere matter of sixty feet I -iiatim s,,rt of recreation Ordera False Finger Ends Jimmy I'nllahnn will defer the open. Ing of his new studio in Atlantic City for a week, to give the tinjpr- of his left hand, from which the cuds were cut off in a hydroplane accident, an opportunity to henl so thnt fal e ends u ith nails 'tins be made t i tit ihein. The process of remedying physi al defects nf this Kind has become so .er f,i t iiui i'nllahnn is assure I that hi mnv play nn the screen without any evidence being apparent of hi. recent IF YOU WAIST 1 ; 1 mt a. sv mror ?r4iH2Pm. ?-r? - fa HiTuii3ii.BiBi bt vbdji itih ' m mn iis- mz. a 9EKto&t&ZA . w;Jn Wm HW1 KtwM iWLt.mB r JH B1-, x-'s 'm w i PWW. If iJik il RBUI mm 1& JH b - u MW 0i . j. sWh 'mM m Rrn HJ f '' " ik BTl kN ffsM rTJ3fU B. ur v m ""'L &mom wrrmmmeBMZF7mr i ' fii f --'ti"T itHli FTf TT Fi Vmmm mxtf'--MWrW'3K' ":-,-J wpr r' " 5 '"! r5BfiBelEHr' t liitf iW Jb'- e nri -jt-tK . .'MKfflB isn WW r ' v. lanoKctRH BfifStc&. . ,- 3fi .S-K . w ,;HSttl9mi'' t&jKjgnKBBl . : aPS' f 'm Ml IS ' '"fflBran VydNvMPH The LOVE STORY of a MOVIE STAR CHAPTER XXX "FROZE" it. us it were. He seemed thrilled beyond word. H' was all aetfvltj He fetched his pot if paint brushes, and his palette, and his tubes, in i sort of ferocious speed of excite ment. He seemed bristling with in spiration. He fairly thing himself . i ... if lit- . into Ins Chcir, unci phuim-u .1 " - ,ifl mlng n til hnian0(, ' .fter"w lint Keemed a long while, I ,,,., i t, t m,,st i prcw so stiff and sore that I felt I mu bleak. But 1 Ireld on tloggeui unui i could not bear it nv longer, "Please. Mr. More "I (-aid. jp ntared at me. Then he laughed. iM tine one. I fofgot nil about ,, ,OU. r-II cji.xic ., , I sat down perfect!. limp- He stood out me. studying me. "Miss Mercian-!." tie 'aid. 'know that ou are a great 'do you . net rc-? I've never seen anything like this, i never ! Hon long nave ou been act- I ing?" I told him. He urged me to go c,n , I told him mv story, all about my ud i.ni.t,.,. with Beaver-Face and my I fruitle-s efforts to find work. Hit of Roland Welle- I said new,- ,.l -I. f .11.1 .,tl 1'il. I font T a worn, aitiiouii om c-n "" i 'had tried the movies He listened at tentively, always puffing at his pipe. I "You're too good f"i- model work. I he said at last. "You've g"t to get into . the movies again." For scvral minutes he paced up and down the floor, pondering deeply. Sud denly bis frown vanished, as if by magic His face was lighted by a I smile. Wl ' he laughed "I've got it I I must bring H- clown here to meet1 I you. He Is a friend of mine. lie's m Ith, y Si olio. When he sees thi I picture nt.ci then sees you. well' it's nil ever but the shouting!" Three clays later I not H II', came down 111 the afternoon. My fr t I Impression of him was of a rather slen der mnn, not much above middle height, i with clear blue eyes and light hair, a jniiirt manner nnd an expression that j seemed to indicate a victory over him- : i-elf. affr much struggle and suffering From the very beginning. I felt that I he was "tie of those who would under- I tand. ilia' he was good and true ancle leal Dear II- - ! He looked attentively nt the picture. Tl c n he looked nt me. Me asked me n I f, ,v questions about my work at the Studio. Then he said "Hon soon could you come to me, for u trial ?" "Whenever you want me -since Mr. Morey doesn't seem to want me nny more !" I smiled archly nt my good ft lend. Wi made an appointment for the be- ! ginning of the following week and he went out smiling gently nt me thing's all right again, isn't' It?" H . 1.-1 I I i I . . I' i ' . . . .- i - I sei.ed both his hands and pressed them warmly. I could huve huggid film! Perhaps I should have done s,, ! I's all due to you," I cried warmly "Nonsense!" he laughed. "You've I got if in you. you've got the power. that's all This will put you where yon i belong Hut I'm sorry to lose such nn I exceptional model," he added a bit rue- fully A gren' resolv took shape in mt I mind tlere nnd then: tc, siil light in ! nnd beat my way to the very lop o risk would be too great, no effort too ' costly nn struggle too burdensome. It did not matter any way I I did not care what happened to myself, so I n Igyht as v ill sU, i',..'d as fail. At least, tighnir; overwhelming odds. I would for','"i myself. I would oscnpe from in) troubles So I thought; hut , vow I have censed to think llml I hear the great oceon pnuudii g on the cliff-, and I recall those lines of T mu Hi's "lireak. break hr uk ' ; "Hut the lender grn f u lay ih.n: IS cc .-111 I Will never some back to mo"' TO BE A STUNT MAN, TRY THESE ON YOUR TALKING MACHINE vsbov- Js, -. .'. -mtmr-. u.'unk. .vuweiiwiiiiwiiiiwjarfl ". 7wm. g This Is How the Story Begins: A.', I UOHKI.AM). most famoiii if of vrern ttars, hears that a lulling girl, Annette Wilkins, has fallen in love with Roland Writes, mi idol of the screen. Miss Moreland. to sice Anneffr, writes the story nt lirr men tvngii- late affair with ! went, intending to send it to Annette o she may hnoic the kind of man he is. She tells ho:e, while a pianist in ; a movie thmtrc in a H'eefern Penn tylvania town, she met ircY.i n In n he made a "personal appearance" there, hon- he incited her to come to ri' YorV nnd said he would place her in the movie, how nhe came and tin 'hilly reception which he aan her in the studio. Then, becoming inter- slid in her, he gets her a job in a ' null town stoek company for the c experience, promising to sec hei tifti n. Tin manager insults her and the leaves, finally getting into pictures tic Vic York. Here she u or'.. .? u ith Willis, lie makes love to her. pro potes ami she is deliriously happy until another icoman reveals Welles' perfidy. 'Then she quits him and the . i ompany. Mow Go On With the Story Vatican Architect Designed Sets All of the sets for the Italian photo play. "Theodora." which tioldw-vn is ri ' i- ng in the fall, were designed l one of the architects of the Vntiiun It required six months to erect them. NORM AS FIRST APPEARANCE ON THE STAGE tUA TAltUADOE h beloved by millions of theatre-goers nil over I the I nited Slates, yet .she had m ver appeared on the speak ing stage until the recent benefit performance of tin Equity imoctQtion di ,1 Ncic lurk. Sottna and Marion Ihtvtex, the i h n r m inn J ttnr of f'osnutfiolitan pictures upftfitrrd ns v t t i tt I brought home t her the great difference in j A- ' V St ft, ' .': ..alssssKa iHssTf . 96hgt 'vV 'It 'J '.JUj B H ;V mfavBaA WWwL G"?1 lbp, a tvr H ffijpV iKfr nfm H rlHif tf Ma&t 7' -1 Rb?& 1 H WsmWw VtBi 3i&k jmBlsWm Mt 1 ffliKssr tBHHIbiL. " !r)9Qk k 9h m-"Js)2m' sswKtWsmsLj JBf it JsWWWWw Hty B.riaAHSfci't' : 8 ' WwLwKSfw h tm t sWy BsWSMSssTTutHt HsBPfliam'-iilBBBffi w 'ft llWmi Jj&SfeiPe V SsMMMMMMMMMwtlMMBflMMMMMMMij' ' Tt Sstt 4(PftBfWi' ttiwlljffi ' A JtSMWtsWtsWSsWswB '"1381 REX BEACH NOW MAKING MOVIES NEAR HIS HOME REX BEACH is having a chance to work ne.ir home these days. In the past when he had a picture to film, i. l..i i.:. 1 ..,, l-.n c,...;rxf l, II UM l' M lll I'll'.. l"'"tt III- ns I iF. - California, to Klondike, or to wherever his studio liiiiitcened to lie located. His first T'nited Artist picture is being pr luced ut the Vmkers Mudm. It was Whitman Bennett who discovered ihi1 little city as a suitable place to pro duce plot ii res, nnd incidentally an swered the fatuous question: "What are Yolikc rs?" Nowadays nny well-informed motion picture jierscm will tell you Yonkera i the place they make good pictures, so you can see what Mr. Bennett did for his country. It Is tc this picturesque little city titstiecl along the Hudson to which Mr. Bench has carried the script t" "The Iron Trail." and R. -William Neill has unpacked his megaphone ready for 'lights." Answering Mr. Will's call is an Interesting group of players who have been idii cu for Mr. I leach 'a first I'niticl Artist story. Tliey are Wyndam standing. Alma Tell. Betty Carpenter, Reiinala Dcntn. Kulnlic Jensen ami Harlan Knight. While all i he interiors nie tic be of I 'home brew." the exteriors have been filmed in Alaska, a cameraman having been sent up there some mouths ago by Mr. Bench. IIKSI' are some of the stuntH that rles Hutchison "Hurricane Hutch" -does in his new serial. They are described in the article to ! the left of the pictures. slt's the kind of thing they expect you to do sometimes in the movies, so If you think they'd spoil your appetite you'd better stick to the job you've got and eat regularly. CUPID SHOOTS A LOT OF WICKED LOVING DARTS YOrXfl DAX CI'PID must be get ting short of arrows out at Holly wood, particularly among the players at the William Fox studio. The little chap has been unusually active during the Inst six weeks, and vacations for 1 honeymoon purposes have been in de mand. Four mnrringes have taken place nnd ! an engagement is announced. The lntest to say "1 will" is pretty Kathleen O'Connor, Tom Mix's lending woman. Her new husband is Lynn Reynolds. He is n Fox director. All ight lets tec you direct, Lynn. Jack Dillon, another director, toon Edith Hallor, Selznick leading woman, for his bride, and started the weddin-' ball rolling, while Shirley Mason and Bernard Duralng stood In the happy couples' corner, and gave three cheers. THEN Barbara Bedford. leading woman in a forthcoming produc tion with Jack Gilbert, decided It "bout time she annexed u husband. She l'""ii.iuiimn it iiiiii. nil' f-ii-hr.iiwi director. Irvin didn't mind, anil they have just got back from their wedding trip. While all this was going on Leatrlce Joy was made a star by Ooldwyn, and about the same time William Fox. ele vated Jack Gilberl to stellar honor. Now the two stars shine ns one, for Jink ami Leatrlce stepped np to a cler gyman recently nnd are now bungalow -ing in Hollywood. Not satisfied with what he had done. Kid Cupid lei go another shaft, and this did the job for William Scott, lending"-man. and !lads Brockwell, They have not said the fatal words yet, i but every one on the coast is looking for an tiniioiincenii nt soon. Theda Barn and C, J. Brahin were recently inuriicd. PHOTOPLAY! APOLLO & THOMPSON MTS. MATINKi: UA1I-V OLIVE TELL In !(, Ill I'RIDI arcadia ;;:,rTMs','i; .?.' ETHEL CLAYTON 10TH T. M In "WKAI.TH ASTOR A I' KUANK1.1N IRARD A E MATINKK DAILY I'M! VOI M sI'KflAI. "THE GREAT DAY" BALTIMOREKvf,Ncl'-V;VTvir n- -inr ast in Marshall aeiisn-s Bob Hampton of Placer' nPkllil'tlTll ANfJ WIMIDI.AM) AVE. AND WOODLAND MATIVEK llMI.V M.I.STAH (AST III "STRAIGHT IS THE WAY" ril 1 IrDIDn HriM'i A SUMciiehnnM HLUt-nlKU rnilnii.iii " until II ROSCOE (Fatty) ARBUCKLE In "A IIOI.l.AR-A-YKAR .MAN" CAPITOL "n""!." ": p m DOROTHY DALTON In "III.HIMl M Mi COLONIAL a,n-:,p7op.AMVM' Paramount Kiiifr-Wpwlnl Production "DECEPTION" DARBY THEATRE MM'K SKNNKTT IIMI ll "MARRIED LIFE" rjfihn CCC MAIN HT . UANAYUNK EMPKLb? MATINRi: t'All.Y "SENTIMENTAL TOMMY" "Till NIM'.KIUH.T .lAt'K" NO. 4 L'ANlll V THKATIIK 1.111 Ma rkel et rAlvilll h i Tn Miii.snair CONWAY TEARLE in 'lUTKIMi THK TIIIKB" r-'T- qT THEATRE -Belov Bprues JOlIl Ol. MATINKE riAll.Y Kiihi-in.ir, lliilc unit 11 MolUn,, Hi in,- In "GOOD WOMEN" FRANKFORD " IIOI1MI1 1 11 W'H 'ii mill IHANKKIIHD A YEKl'H HIHIS MAN In "THE FOOLISH MATRONS" " 1 nuc ''"" mau'kct si jLV-Jrir ; nn .,,. c, in , n HACK s vsi its I'm . in c 1 hi N "MARRIED LIFE" r.RAM I I'lll.Mlli M TI COMPANY ROSCOE (Fatty) ARBUCKLE In "A mil I K 1I.1H MAN" GARRULOUS GARRY FALLS'FOR CHARM OF WES BARRY By nil IN KH1MPK "liniEN school opens," Garry began v brightly, In the manner of her best imitation of Mary Miles Minter. "It won't make any difference to you, or me, or Bull Montana," I cut in. "Do stop playing the ingehue Vind tell me where you've been." "Well, all I win going to say WH-" Onrrv deliberately drawled, knowing that I was flying to find out who was responsible for the orchid nt her waist "that Wesley Barry will be a mighty hnppy boy when school opens. . , "Not that he'll hnve to go; no, he 11 have his tutor ns usual. "But he's going to take a par ticularly malicious Joy in watching all the little bovs go to school this fall because of the way he's had to work this summer. He's making 'School days' in the movies you know. Mar shall Neilnn loaned him especially to make this picture "Of course, Wesley was tickled to death to play the part, but it docs seem pretty hnrd being shut tip In a schoolroom these hot summer days, even if it is for a picture. He expects to finish the picture in a few more days and then he'll go back to California.' "And that means going back to Mar shall Neilnn," I remarked. "Wesley will nearly die of joy nfter being separated from him nearly two months." "Yes," Garry added, "it will seem almost like a scene from 'Bob Hampton of Placer,' with Marshall Neilan in the. part Jnmes Kirkwood played. Only in the picture when the boy got lonesome he could just up ami run after his idol. And Wesley had to stay here acting in 'SchooldajV after Mr. Neilan left." MTJUT you haven't yet explained the -D orchid," I remarked caustically. "If Colleen Moore or Mary Miles Minter were in town I'd know thnt you'd been shopping with one of them, but "Don't worry nbout that,' dairy renin, lie, I nlrilv. "You must realize that Wesley learned n lot from wntcli ing men who were rushing CoUeen. Not that he's trying to rush me or Buy other girl, bless his stanch young henrt. but you sue, in 'Schooldnys' he wears a dress suit for the first time, and it mnde him feci so dressed up thnt lie wanted to do something reckless. Ho he did " "I can't imngine Wesley finding that reckless," 1 offered, remembering the ornate cigarette-holder he gave Marshall Neilan for n birthday present ; remembering the utter abandon with which he used to weave his way through Fifth avenue traffic when he was out shopping with Colleen, and remember ing the way he frequently endangered his life by kidding Marshall Neilnn. A NT) what do you suppose he'll x. think of his idol when he finds that he's turned actor again." "Done what?'- I gasped. "Yes, Marshall Neilafl got so in terested in 'Bits of Life' that lie's act ing in it now. I wish I'd been there to see him. "But there's one consolation cs ley and Colleen weren't then either. If they had been there would have been such talking In sign language ns you never snw before. Wesley and Col leen always use a sign language when talking about Mr. Neilan, you know. And " "Stop " 1 warned her, but too late. "You'd better not tell nny one clue about our sign language." a deter mined voice behind her remarked, and she turned to confront Wesley Barry himself. "Or we'll have just one sign for you thumbs down." Somebody Had to Be Hired to H.oek the Boat EXTRA labor was hired nt the I,asky eastern studios to rock the boats in tin- scenes of ship interiors In "Cnppy Kicks." Peter B. Kyne's stories of the Pacific Ocein shipping trade, in which Thomas Melghan Is starring. The exterior scenes were taken aboard tl ree ships chartered in Boston Har bor and off the Maine Coast, but, in addition, the pitching and rolling ef fect of a ship in heavy sens were nec essary for the cabin interiors, made !n the studio Huge superstructures, which, when nicked, permitted an exact simulation of n storm -tossed vessel, were built anil operated by large crews 'of laborers tliionghoit the filming of the latter scenes. IIIIHiill - The following theatres obtain their pictures through the STANLEY Company of America, which is a guarantee of early showing of the finest productions. Ask for the theatre in your locality obtaining pictures through the Stanley Company of America. GREAT NORTHERN Ta'I'J. MAY ALLISON In "BXTKAVAOAXCK" IMPERIAL IIOTH & WALNUT 8TB. Mill" K.'lll Kibii 7 & II iiuun iimiii l-KIIIH I lliv "CARNIVAL" Lehigh Palace li-;:r;;;r a, env;eu ELLIOTT DEXTER in "THK WITCIIIXU IKH K" LIBERTY BROAD i lOl.r.MMIA AV MATINBK DAILY SMII.IM. HII.I.V MASON In "It Might Happen to You" rkri-ni?OrAk' 'i.ii'MiAV!;nionD v-oi-IMJIW-nJU AVKNfK HII.I.IASI DK. Mil IKS rllllllHTIIIN "What Every Woman Knows" PAI AiC i-n maiiki.t" sTHfc.i;r ' ni-riNU in A M . .. I 1 I . I' U 11 Mil I 1 KNOI K'S ll'liil.l 1 I ins "CARNIVAL" PRINCESS HUH N 311 MAItKKI' iTKEJOT S. M to II It P t JACKIE COOGAN In "PWKH Hli BOY" bfrpFMT MAKKI.I ST. Ilel.o, I71H IX,-VJI-"' l II 'i A M. In 11 P. M OWEN MOORE In "IHVIUM K OF KIMT.MKXCK" RIA1 TC OERMANTOWN AVENUE Il-1. 1 J AT TITI.PEHOPKBN ST. JACKIE COOGAN In "PFUK'S IIMI BOY" RI IRY MARKET HT BELOW 7TH IX"JUI 10 A. M. to 11:15 P. M BERT LYTELL " MKSSV.r. FROM mils' SAVOY '-" MAHKKT HTHEE1 " 1 SAM Tl I f PRISCILLA DEAN in "HI PI T 1 IIIN" SHERWOOD "t&rTlTftii I OIS WKHKR'N PROIii7'Tu "TOO WISE WIVES" STANLEY, 'MU,"1,,.V,I',!,.,T,','M LIONEL BARRYMORE In "THK I. Ill- T AIIIKMI HK." 333 "MARKFT t;'"!'. I i I 1 n I' VTKI v ' . I , I -. 1 ft I I" -s. "I l Ml ll v,.; fny ,,.. VICTORIA MAMKKT .s'l nl, iiTII vh.iuii.a 11 1. 11 In 11:13 p ii Mini 11 -mi-kin i "LOVE'S PENALTY" Gives Garry an Orchid m A WHS :' ' ! 1 d sB falrlF JUfrK B mv To&l b; :. n WESLEY BARKY CHARLES RAY BUILT EXTERIOR SETS US INTERIOR STUDIO rpiIOfCn the name doesn't yet n -- pear in the official time tables (1 Is a settlement In Southern Cn'lfornli thnt might appropriately be called Hut. iown or itayville. All that Is larkliw to make daily train service, inenn,;-. and outgoing, with th rest of the nrH possible is the linking np of the trnrVn with those of Ihe Lo Angeles terminal 3'o give n realistic background to the street of n mii'I ronntry town n hi Midnight Bell." Charles ljnv bllilt , sure-enough railway station, construct. ed freight yards, with real nwltchku facilities, nnd bought two huge hot cars. All of these were installed Injitlt his studio, for Rayvllle Is a walled town. Thanks to the star's conviction that whenever it is physically possjb1! j. terlors needed in n production should h built on the inside of his ph,nt. the Roy studio, completed only ubmit a year ago, already has become the nu cleus for n genuine metropolis. For "Forty -five Minutes From Hrondway.'; u mansion, representing one of the most palatial of New Roehelle homes. WM constructed. For "Nineteen and Pliyl. lis," a modern business street, bealdei two Southern homes, was set up within studio bounds and a real trolley ear operated. For "Peaceful Valley," ( somewhat luxuriant garden was laid 0t4 on the stage, though Mr. Ray had to take his company out into the coun try to find n "perpendicular farm.'' That wonderful cave in "The Old Swimmln' Hole" was built on the lot, ns wns the store in front of which the watermelon Incident was enacted. IN "A MIDNIGHT HEM adaptation of Charles H. L." th Hovts great stage play, is a realistic street, with a bank, n church, a cemetery and most of the other accompaniment! of a live town. .This street was built right against the glass stage, the wnlls of the church surrounding the studio car penter's workshop. The boxcurs have been given permanent positions at the rear of the studio, one of them serv ing now ns a garage for two of the studio trucks, the other being used for the storHge of properties, They arc mounted on rails, have a freight plat form and no doubt will perform much useful service in their new location Mr. Ray has long contended that money was to be saved by building in teriors within the studio and that th players In a production are more natural nnd do better work when not under the critical, prying eyes of curious sightseers, certain to be encountered when the company goes to outside loca tions. Stevens Appeared in 134 Films Just before his departure with the Oliver Morosco company for Natchez. Miss., to plcturlie "Slippy Mclloe" un der the direction of Wesley Buggies. Edwin Stevens checked over his reeonl of engagements for the Inst three yearn and found that he had appeared In VU films in that lime. Which is keeping tolerably busy. I'lioroi'i-.ws IPUyT COMPANY a OFAMCfl'CA. PTh- N1XON-NIRDLINCER 0 THEATRES belmont -,;.y,;,v M'.KKET 1 I., t I I'. M- BRYANT WASHBURN In Tin; ROAD TO I.IIMiov rmAD liOTII A lilJAll AVKM' 11 mi t,. 11 r. it y.s-.Lsri 1 CONSTANCE BINNEY In SOMKIIIIM. IHI KKHKNT" COLISEUM YffiWitWutt GLADYS WALTON ill "All. IMU.I.I l I I'" IIIMDn KRONT ST A OIRABD AV JUMBU Jum'i, .i ,. rrsnUfurs "L" II-Stiir Ciist In hil inl KiinliiorSi "BLIND WIVES' LEADER ,h1AKH.i' SIR .lAMI'M M. nRRIK'S "SENTIMENTAL TOMMY I rC ICT -1' AM l.tiri'ST STREETI JAMKS OI.IVRR CTBH'OOD'I "KAZAN" CTH A VITA UEBMANWW'N A VS. STRAND VI- EN .NUO .STHEBT I UK hlPKR-SI-UIAI IKIIKMT10N "DECEPTION" at null R THEATRES MEMBERS OF M-P.T.0-A. ,-, .l.-.in OtrtBSDtown " Germantown matinbb daiw BEBE DANIELS ,11 ro ik.iks hum 1 , IFFPFRSON UATINBK PAIM WANDA HAWUM Till, HOI SK WIIATjIAI!!? PARK ,WWV5W CHARLES RAY , ..TIIKOI.UHUnMIIN -IIOI-K . WEST ALLEGHENY WILLIAM DESMON? lu THJ'; PAKIbll I'"'"1 and euits. i 1 4 To Be C'ontlnueil Tomorrow
Significant historical Pennsylvania newspapers