",- . -fcv' r j' ,r, rj .-' . EV$NItf& PUBLIC LBBGER-rPHILABELPHIA, TUESDAY, 'TObY 19, '102ijv - o v 'ti if 1'Wr ,. r i i ' CLOSE-UPS of the n- HENRY Some Emote Violently and Some Don't NOT long ago I road in otic of the fun. mnrcnzlne.M mi aftcctluR article on the terrible nerve Mrnln of rmotltiR violently for a number of canycr-tith e liota before tho cnmcrn. It told how i-evcrnl of our favorite .-tars ximnly clump to pieces at the end of n particularly emotional dii.v. ' Mary Alden, aceordliiR to the writer, had to take a week's trt when she finished with the production of "The Old Nest." And he told how llelenu Chndwiek that little lady, by the way. Is one of the coming Rrrnt ones of the creen, mark by word vvni n nervous wreck after she had pone through some ot the weepy stuff for "Danserous Curve Ahead." There's no doubt about it that emotliiR doe? really have a serious effect upon some particularly hlRh-strtiUR temperaments. There are artistic natures (that enter so wholo-ouledlj Into their parts that they actually live them nnd uCr in'cnsely with the Miffi-riii of the character the are playing. But there arc others, equally effective on stage or screen, who con drop tho mako-bcllcvc with nn abruptness that is almost shocking to onlookers behind the scenes, HOIt would you like to sit through a hai rowing scene of Xazimova on the speaking stage and get to the point where you irrie gulping hard and openly teiping aitay the teais and then suddenly have her stop acting and cry with a laugh. " Vha! 1 fooled you that time, didn't It" That's the effect sometimes as you tcatch the uork in a studio. r1 DOESN'T often happen thnt wuj, of course. Usually the screen actor or actress is tremendously moved by the part being plnjed. Hut I hnd two hocks in New York in one dn last week that brought the contrast home to me rather sharply. t I spent the morning in the Cosmopolitan studio, at l'Jilth street and Second .venue. Marion Duvles is making a big picture up there and I had been watch ing her on a magnificent set . When she stopped for a co-tumi" change. Albert Cnpcllnni. the director. called for Vorrcvt Staulej and l'cdio de Cordoba to put on one of the great dramatic scenes whose action takes plrne on the amo et. Stanley, as the hero, is in the room when De Cordob.i. as the villain, enters. They quarrel over the girl. ISeginnlng In somewhat quiet tempo thej work up to ft tremendous struggle scene and Stniilev, with a er of "You cur! I'll kill youl" draws a pistol and shoots De Cordoba. They rehearsed It until they had It right. Then Capellanl said. "Let's to" (He doesn't say "camera" like mot directors), and the camera man began to grind nnd the men on the set Ntartcd their action. They did It most Impressively. I laid -boiled as I am, I was conscious of the thrills running up nnd down tny spine with the realism of the death struggle. The great moment enme. "You cur," cried Stanley, and his olco vibrated through the great studio. "I'll kill you !" He whipped out his gun and Cued and. while I watched, fascinated, turned with the same motion to Capellanl. l.iughed pnjly and said, "I think Pedro nnd I ought to go into vaudeville with this stuff," JT WAS like a dash of cold irnter in the face for me. I had let him ' cany me icith him through those moments of his character's mental torture right up to the supreme climax irherc man could no longer con trol himself and teas engulfed in the tidal leave of primitive passion. And he had seemed to feel it so himself. IN THE afternoon I wns plajin; nbout the Fox studios, down on West Fiftj -fifth street, nnd stocd watching Scnrlc Daw ley directing n particularly pretty firl In some close-ups. She sat in n chair, plajing the part of a daughter in love with a oung man whom her father will not tolerate. And father was telling her lust what he thought of her nnd the young man and everybody, anil asking who'd pay her carfare "when he disowned her nnd nil that sort of thing. , Dawley hlmelf spoke the father's lines. Ho as nut of the picture, of course. The camera was shooting close-ups of the changing emotions on the firl's face her terror at first at discoverj. her indignation ns she heard her lover called insulting things, her mental struggle between !oe for her father and for the joung man. and her final bursting of all bounds ns she sprang to her feet, crying. "No. father; I will NEVER give him up." Thnt springing to her , feet ended the shooting. Well, they rehenrsed it and then went to it for the camera. Dnwley wns certainl one irate father. And the verv beautiful little girl raftered such pal pable soul anguish and showed it so plninl.v on her loely face that, as the climax came, my heart went out to her ami I felt- like bashing Dawlej over the bean. Then came the Inst supreme effoit; she prang to her fet, cried. "No. father; I will NEVER give him up," and. glancing at the sk lights, continued, Good Lord' Look nt It raining: And I didn't bring nn umbrella." I'D LIKE to tell you tiiat little gut's name, because she is sure one beauty and she uin act. They told me who she irn., but 1're for gotten it. Which simply proves hoir old I'm netting. Tuenty years ago, I'd haxe had her name and address jotted down in my notebook and icould probably hate asked her her phone number ichilc I offered her my oxen umbrella. Ah, well COGLEY RECALLS "GOOD OLD DAYS" ON WEST COAST By NICK COOLEY (Mr. Coglcy, icell-known character mctor, famous for his interpretation of Ntgro tolcs, and now a number of the Ocldicyn stock company, nas one of th first players to leave the stagv for 18 screen. He tells some interesting Itorie of early days in filmdom.) rnHE motion-picture industry Is one A of the biggest in the world todaj, X con remember when there wns onl) on company on tho Pacific. Coast, and thty called It a "polyscope cotupun I" In tflbse days all a fellow needed was n pir of corduroys, a slouch hat, an old coat and a bandanuu nnd he wns dressed for any role. All the pictures were Westerns or mining stories, you eo. Well, those were the good old das, TOM enough, when every ono was taking a gambling chance on the future of the movies, and motion-picture uctors were looked upon as hoboes bj regular folks About fourteen years ago lie Selig Polyscope Co. was the only picture con cern In the West. Thej had a little Jilaco on Olive street, Los Angeles, that ooked more like a Chinese junk house than anything else The studio was a back lot, filled with tin cans to this da) the open space re served for outside sets is called the "back lot." I had drifted out from the East, where I was a stotk in-tor, and de cided to throw my luck with the pic tures. fielig had a regular stock compnnj, all but tho chnracter mini, and I mine along right in the nirk of time, whnh makes mc rank with Santschi ns one t the oldest screen actor on the coast. There was Siintschi. Ilarbnra Worth, Jean Ward, Frank .Montgomery, Dick Vivian and Frank Richardson. FIRST they usked me: "Cnn jou swim?" I couldn't "Can ion ride?" ' I couldif't. Remember This Edisonette? GLADYS 1IULKTTK "Oie Daily Movie Magazine MOVIE GAME M. NEISL.Y "Cnn you climb hills?" 1 couldn't I was, and am. too fat. I began to think I had no qualifica tions whateer when suddenly a bright idea came to mc. "I make no claim to be an acro bat." I announced Impressively ns the director (lied another question nt me. "hut, gentlemen. I cnn act." They gave me a job. (If course I was handicapped, not being a mountain climber, but they got nround thut difficult by lowering me down und casing me up with a piano wire.. You see, once I started rolling, being so fat, I naturally rolled to King dom Come. Climbing hills wns a regu lar part of making pictures in those duvs. We climbed nil over the country Yosemlte, Tahoc, even as far north as Oregon. The first sear we hit Yotemitc we had to get permission of tho mnior to stay, nnd were compelled to check all of our guns and nminunltion with the military. A Western nictiire not being much good without a lot of shoot ing in it, we hnd fo pull wires to get the guns out again, but we weren't allowed any ammunition. The picture was "The Wild Man." and from the wiij the summer wsilors looked at us we might have come straight from the jungle. THE first time Tom Siintschi wore his make-up the whole camp wns scand to dpath. .lean Ward was to come run ning out of the brush, screaming bloodv murder, with the wild man after her. About liOO people were watching us, not knowing what wns coming. When Jean came tinring down the hill, shrieking like mad. with Tom ronrin after her win should have sceji thoe folks take to their heels I'll bet some of H)em are running jet! That night Tom got an official order fiom the commandant, saing he wns not to appi ar on the trails, or where am one could see him, in that sort of a get mi I i an see Tom ct, sitting up in the locks, where he wns ordered to make up, and ussing his head off over the inconvenience of It. Will, things went along like that for several jear In the meantime Hio Kiaph and Vitngraph mid otheis had started up and Selig had put up the first building of what Is now known ns the Selig Zoo. The same old bunch hung together until our director was killed out theie one dnj I ciiinc pretty near to being murdered iiijself We were all in the otlire. llogj-s, sjelig and some others, when a crazy .lap janitor burst in and commenced shoot 1 log up the place. He got Hoggs and I shot Selig in the arm before Tom jumped lu and disarmed him. PI( -L a ICTl'RES had begun to get down to I and more of the speaking Hinge nctors ! joined the ranks. 1 envn up all thought I of going back to the legitimate, nnd i w lien (foldvvvii offered me a lontract 1 I m id to mv wife I "Mother. I'll just sifcu up and we'll ' liuve a plncc somewheie uenr tho studio where the kids can go to h hool ami there wont be anj more of this traips ing around the couutrj. We'll have a regular homo ot our own" and we have. MOVIE BEAUTY CONTEST WINNERS CREATE FURORE ON CAPE mjmumiKmii'immimmmmmmmmmmmmMMtmim itimsmmmsmmmmmmmmmammmmmcmMifmnmm -.v.i;Ma'iGtaja&a&,:a:a THE tlnee glils who won our movie benuu (ontest went to Cape May on Snturdnv to make two personnl np- penrniices at the Libert) Theatre in the I "cniiiK. Mimln morning thej went for a The LOVE STORY MOVIE STAR CHAPTER XXV WAS hi the struct, then Roland I helped mo lnln nm nf the nutn. mobiles, nnd a gltl next to me loaned me n ribbon. Soon we were off, scoot ing through the dtj I must confess right now that Roland made nn excellent director. Hi- nut Inside eierj thing personal when he was directing a picture, nnd flung himself body and soul into the work. Wc took thi scene in the park ; left the automo bile in one of the drhes, made a pro cession on down a lane to a rutlc bridge, nnd tinallj located among tht rocks nnd the little waterfall below this bridge. A ciowd gnthcicd at once, lin ing the bridge and the paths. There were stepping stones along the edge of the waterfall, and It was on this perilous brink that we were lo act! I begun to be n little self-concious. That crowd watching, the open uir, the feel ing of no stage backing mc up, the thought that 1 had to make good with Roland directing me nil this unnerved ine. Roland stood on the left bank be neath us. He spoke to the young man who loafed beside me, "All right, Jim. Oct out on thnt third stone there. Now. remember, jou're coming one way, she the othci. Shu gets stuck half way across. I'p jou come and otter to help her; jou I tnIe licr bands, jou draw her near ; she I almost loses her balance. Then jou kiss ncr .vim ueiore sue Knows it ou hnc her across. Put sonic love into It, and some snap. (Jo to it !" He eio sed over, I gingerly took mj plncc on the center stone. And. all at once, I realized what was happening, nnd I knew that my love for Roland was going to make me spoil the scene' How could I make love with some one else, and right before his ejes' Awk waidly, I balanced mjself on the stone, expecting every moment to make a mis step and topple down over the locks. T". was a competent actor, but he evidpntlj felt that he was dealing with a stick, for when he came to seize mj hands he paused, blank, giuing at me hopelessly Then he tried to draw me near, he tried to kiss me, and. In voluntarily, I turned inj fnce the other war. I grew led and felt tr.iglcallj awkward Roland lost his temper "What's the matter with win?" he snapped. "Love, Nella ! Can't jou love?" We tried again. And now the tears flooded mv ejes. To fnll before him' To fall nt this test! Wns all over al reodj '! "Say. vnu two Jim! Act, man, act! You've lost your ginger!" "Saj, Ro," muttered Jim, "sorrj but tills girl don't respond begging your pardon !" Roland dashed up the locks and crossed the stepping-stones, his face dnrklv angrj. "Oet nut of this!" he said to Jim, nnd sent the joung man (lying past me, almost throwing us both into the water "Here now, Nella , let me show jou !" His frown was unpleasant, and the scowl on his face troubled me deeply, tunic If c u t tin ii mj failure Ho leaned forward, and lowered his voire. "I'm Mironsed at jou "' Mv cheeks were burning. I wanted to run uway Rut he tool; mj two hands niid, faint witli lovo of him, I Mood there, turnlnj away my head, "So." he snld, drawing mo close. "So, foi Heaven's sake, feel it! You're In love- llrst love It's a life and death inrtter- You've ome t' roagh the woods- The time i- sn ing -You're meeting hiiu. here It'- the ni' st won doi fnl ii'on.i nt of void life Lord, Nella' llnvin'l von rv.i loved'' I smiled tijing not to en, unci then lie kissed me, mul I lost. ,,) lia'iun'P, niid 1 hem! him Inughliiy as he pushed me up on my feet. "llctter to fnll and break jour Mck." . 'f mm. -s. . "quiet" stioll on the beach during the bathing hour. It didn't end as quietly as It began, Word was Hashed somehow from one end of the resort to the other thnt the famous three were there, nnd every- ' This Is How the Story Begins: JtiELLA MOIIELAXI). most famous if of screen stais, hears that a VQiing girl, Annette Wilkini. has fjillcn in tore irii Uoland Vfcllci, an idol of the seicen. .If in Jforcfamf. to save Annette, icrites the story of her own tranie love affair icith Welles, intending to send it to Annette so she may know the kind of man hr is. She tells hoie, fhile a pianist in a movie tbeatic in a UYafrni Penn sylvania toirn. she met Welles irhen he made a "personal appearand'' there, hoir he invi'ed her to cowe to AVir Voi A: and said he icould place her in the movies, hoir she came and the chilly tereptwn which he gave her In the studio. Then, becoming inter ested in her, he gets her a job in a small town stock company for tho experience, promising to see her often. Kitty, a membei of tht company, proves her best friend, but the man arter, whom she nicknames "Heaver Face," becomes obnoxious with his attentions. She threatens him with a revolver, leaves the company and goes to A'ir York to find work, A'ojo Go On With the Story he said, "than to limp through it ! ' Down he went ngnln Jim took hi place, nnd I did my best. "Nell." Mild Rolind, sighing. "Let's take it." The enmem-mnn put hi haul on the handle of his machine, sciewcd up his forehead, nnd ejes us keenly. "Oo to it!" shouted Roland, and then the clicking of the camera began. I wire the picture was tnken , ence for the foreign uinrket, oneo for the American. Rolnnd did mt spoil; to me on the way back. T knew he was ungrj nnd disappointed, an 1 I burned with shnme. May 2. I will skip the blackness of tin dnys that follow id I have written enough alrcadv ulsiut such things To sit about in the warm studio, all daj, waiting, with the clamor of the em' i MAKES CHILDREN HAPPY BETWEEN SCENES t ' - 'mBL '' sW?MEmtW8XMuKlLEMmEmi iV liWHHiliKHHSiMLlr PjJf. t. .n- .. ....Aw...mAtAj.'..m-.3cflW body deserted ocean and boardwalk to crowd about them and see them in the full glare of open day. The lower picture shows the out- Hide of the dense ring of humanity that soon formed nround them nnd mhdo It impossible for them to escnpe. penteiing in one's enrs. tho dn7:lc of I iights, the scenes that come nnd ro, the mi., oi voices, me moiion oi people. To spend tin' nights in n lonely hall bedroom, the window open nnd the city clanging nnd rumbling nnd push ing all through the sleepless hours. To eat in miserable little dirty lunch rooms, among the tiles nnd the lardy smells. To feel shut out of the presence of him jou loe, tinnothcd in the throng, discarded. Hut there, that's enough; there was one other ordeal I must mention. I laugh at it now, but then it was teais and sighs. Thursdnj c cuing I was allowed to go down lo the "try-out." The new pictures, their mniij scenes pasted to gether in tluir proper order, were to be run on heroic me manager, me in-i rectors, the nctors. the clerks and the rest of the force, in order to sec whether they were successful hr not, nnd If not, what changes were to be made. This is nlvvnjs nn intense evening, for slips of paper are passed around, and u vote taken on each picture; u vote on the acting, the photography, the directing, etc., etc. On these eve nings nctors aie made or unmade. Rut that evening! We went crowd ing into that hot. black loom, which seemed quite iinventilntcd. At one end was the Mteen, at the other wcic tables on a platform lor the directors. Ue- tvvcen the two, we nctors and others' i at on benches. In an asbestos box be hind tho renr wall, with an npertuic for the beam of light, sat the opeiator with Ids projecting machine. The lightn went out; we were hushed, and the pictures flashed before us. My picture camu last, "Stepping Stones." I felt blinded. My heart thumped, ami I was in no frame of mind to judge of its merits. Dlzzilj 1 sat there, while that impossible thing unwound, siene after seine Hut when at last I saw the waterfall, and saw, opposite Jim on the stone, an nwkvvatn, dark girl that missi d the kiss. I turned mj face away In disgust, and did not wntch the him anj mou Art was lost. To be continued tomorrow Molly M ahne cuts out paper dolls between n(nci at Culier City, They arc for Robert De Vilblieu and Jeanette Ticboal, The latter child is one of a fnwUy of thir teen who ivork for Goldwyn, t? ," lur 'I MAY BEACH The upper picture shows the girls as they faced their ndmirers. From left to right thej nre Eugenie Ilrcw, Hotel Normandle; Mndelnine Staihlll. ,"iK)(i Cedar avenue, nnd M irinn Hoist, JOr South Forty-second stteet. William P. Burt Will Soon Be Making Short Subjects That two-reel pictures are becoming more nnd more popular no one can deny. The lntcst nnnouncement along these lines comes from William P. (Rill) Hurt, for several years associated with Oeorge R. Seltz in the production of his serials. He is now producing n series of two reel (llamas for the Putnam Popular Productions. Three nre already made rnd ready for the market. The pictures nre adapted from the stories by Cnp tr.in Ross Whjtock, of the New York World, one of Americas journalists , , . ... . t...h . .. , w" ervc.u '" " """ ".' leau during the war. "Tales of the Tenements" is the general title of the Hurt productions now being made in the Hoi Hcnedlct studio nt College Point, L. I, Announcements of marketing methods will be made later. All the printable experiences of Mr. Whytork's career ns a new simper repoiter will be used ns film fodder for these new comers In the two-icel field. rnoTQi'i.Wh . Tenu C0MP4HV r .erAMiroe APOI 1 C 5-u THOMPSON STS. rtrULLU MATINER DAILY ALMA RUBENS In "THOlKillTI.K.sS WOMKN" ARCADIA CUUSTNTT Il 10TH 10 A M tu 11 15 I'. -M. sl'J.t'IW. CST In "THE GREAT LOVER" ACTOR FRANKLIN A ClinAIlD AVK S-0 I Ul MATIN'Ri: HAILV zi:kna KKr.in: ami si-icim, cast in "PROXIES" BALTIMOREAT,i&,''s,,(T,v?Tn A roM!oi'oi,iTN srr.riAi, "PROXIES" BENN ,MrH DK Ml I.I .SD WOODLAND AVE MATiNi:r: ihii.v DK MII.I.i;" ritODl'C'IKlN "What Every Woman Knows II BLUEBIRD llro-v! fc HuHquehanna Continuous 1' until 11 TIII1MV.K MKHillVN In "THE EASY ROAD" PAPlTOl 1" MAIIKET ST rtn i vi, 0 A M tn n ,-, j. jt VVII.IIAVI K MII.I.K'H PIlOni'CTION "THE LOST ROMANCE" prl OM1AI atn ManloHon.) Aes VVUUIIlrtL. n 30 7 anil 0 P. M ELSIE FERGUSON "s.riu.i m pkiiimm: i.hvi:" DARBY THEATRE. MAIIY KOIIKIITS Itl.NKHAKT'S "IT'S A GREAT LIFE" PMPRr'QQ MAIN HT. .MANATt'.NK L.1VII rI3CI MATINKi: DAILY ELLIOTT DEXTER lit "niK u'liniiM, iiuuit" 17 A Mil Y TIIKATKK 1311 Mnrkft bC I -MV1IL, I p A jr -10 MiDNIClIir MARY PICKFORD III "TIIIUILCII 1HK HACK 1)0011" 1ATW QT TH1:aTHK Ilelow .Spruco Jin sll. MAflNKK DAILY LON CHANEY In ".NOMADS OP HIK NORTH" frank?orT74Ti71 AI.ISTAB CAST III TIIOMAH II. INCH'S "MOTHER O' MINE" f ORP r't'01 MAIIKBT HT ULUUC VI anl 0 30 to II MADGE KENNEDY In "Till: llir.UKST 1IIDDICII" P.R ANT i0-i aiAi ab. " vjrv.rti i matiniu; daily NORMA TALMADGE la "OAITIVATINO 3Ltnv CAIlbTAllTH" CONTEST WINNERS START THEIR WORK IN MOVIE STUDIO THE three girls who won our Movie Beauty Contest started their nctual work toward movie stardom yesterday. They arc now regularly enrolled on tho payroll of the Hctr.vvood Film Co. at a minimum salary of $40 a week for the period required to make tho present production. Three minor parts hnvc been writ ten Into thin Tooncrvillc Trolley comedy especially for them. They nre first being put through some work? inside the studio, so n to overcome their enmera-shyness nnd to determine their special needs in mnkc-up. And, later In tho week, they will go out on locntlon with the compnny until by Snturdny, they will feel Uko veterans and wonder what they have been worry ing nbout nil this time. The girl who dlsploys the most adapt' ability to tho demands of the screen In this comedy will be' signed on as the lending woman In the next one nt $100 a week. The nume of the fortunnto winner will probably be announced In two week. IT HAS ben a long time since the rntioerrnttve week-enders and sum- met era nt Cope May have liad quite ns much excitement on tncir Dcncn ns incy hnd last Sunday. It wns all caused by these three little Tlio excitement started on Snturdny night, when the girls made nersonnl ap lunMitinii nt the I.lhrrtv Theatre. Al most everybody lu Cape May crowded into the playhouse for either the first or second show, nnd the reception they gave the girls was so spontaneous nnd cordial that it was really reward enough lor winning the contest, even without the cxtrn prize of octlng in the Tooucr vitle Trolley comedies. Bl'T Sunday morning brought the rllmnx to the public Intel est. It was an Ideal morning for bathing nnd til" bench wns crowded when the girls, little drcnmlng that thev would be so widely recognized, strolled down the sands to watch the fun. Somebody must hnvc sent out n gen eral wireless "O 8 T" mcmnRe to every one from one end of the resort to the other. Scarcely had the girls nppcnicd than little Rroups of people began lo Rother near them nnd pnssed the word along thnt the famous three were there, uiul that evcrjbody could eininlne them In the full glare of dnj light and see just how pretty they were. Then an enterprising newspaper photographer went up to them nnd nsked them to pose for n picture. He had no sooner unlimbered his apparatus than tlie ocean nnd the boardwalk were deserted nnd people swarmed from every where to wntch the interesting process ot pliotogrnphlng the beauties. It was an embnriosslng time for the girls. None of them had ever been the center of so much public interest before, nnd for n moment it looked ns though they were going to be pnnlc-strlcken nnd mnke a break through the sur rounding crowd and hide in their hotel. Hut they stood It until the snapshot man hnd completed his job. Then they elbowed their way ns best they could through the circle that hemmed them in and sought icfugc in a less conspicuous plnce. The winners are Mndelaine Starhill, ."800 Cedar avenue; Eugenie Hrew, Hotel Normnndic, and Marlon Heist, 'Mo South Forty-second street. Pat O'Malley Was Movlo Cop Perhnps It was because of his name, but Pnt O'Malley's first role before the camera was as a cop. The director in stiucted him to be nntural and joung Pntilck, all very earnest, ninde a figur ative and literal hit bv his realism. He was to arrest the villain. The latter, to get "footage" for the scene, dram atically protested. O'Malley, remem bering the director's words, quickly fig ured wlint a policeman would do to a man lesisting nnest. The villain was (lattened out by Pat's fist nnd then dragged off tho scene. It wns n grcnt success with every one except the vil lain. O'Mnllej Is now nt Natchez, Miss., in Oliver Morosco's "Slippj Mc (ice," cast under the dliection of Wes ley Ruggles. 1'1I0T()!I.AS5 The following theatres obtain their pictures through the STANLEY Company of America, which is a guarantee of early showing of the finest productions. Ask for the theatre in your locality obtaining pictures through the Stanley Company of America. GREAT NORTHERN ? WftV5!? BETTY COMPSON In "PKISONISIIS OP 1.0 VB" IMPFRIA1 n0TH WALNUT llVirE-IMML. mm ski i;vcs 7 PTS H 0 JACK PICKFORD In "TIIK MAN MHO HAD KVKIiYTlllNfi" I nklrrU Pl-, c;rmanton Ave. und Lehigh rilace uMu api.u iiiovivs ii. i.nck's I'RonrcTioN "MOTHER O' MINE" LIBERTY nUOAD t COLV.MI1IA AV MATINKE DAILY BEBE DANIELS In "llli; MAHCII HAKE" OVERBROOK 03D4IS FORD K WALLACE REID III "THK I.OVK SI'F.CIAL" PALACE UM MARKin' HTIIEET lo A M in 11 1 1. .VI THOMAS MEIGHAN In "VVlliri: A.ND UNMAHUIED" PRINCESS 1018 .MAllKUl' HTllEKT s in a i tn ii lr, p v EUGENE O'BRIEN "lIltOUmAY AM) HOME" In RFP.PMT MAKKi:r ht, iioio itth lxt-'v-1I-'l, II IS A VI in 11 P. .M JEM EI, CRMKN In "THE SILVER LINING" R1A1 TO (ii:il.MANTOVN AVENUE 1I-J. 1 V- AT .rr, i;i,f)cKE.N' ST, ,MM. DE M1I.I.E-H I'ltODl ( THIN "What Every Woman Knows" RIIRY MARKET ST IlEIXIW 7TH IVJO I ,n A M. In 11 n P. I DOROTHY DALTON In "THE IDOL OP THE NORTH" SAVOY 12U MARKET hTUEET rVJl K A M TCI M-IDNK1HT ALICE LAKE In "THE (IREATEK CLAIM" SHERWOOD flV,AT rtio t , .lAvir.s Oliver cfTMonWsK " ao "Tlie Nomads of the North" STANLEY MAnKCT"AT1Tir j i nnuc-1 ii ir a m mil n j. M .. A PARAMOUNT PICTl'RK "The Woman God Changed" STANTON MAn,K""-T ai im-ii PAULINE FREDERICK In "ROADS OP DESTINY" 333 MARKET s'-r:T theatre TOMMix,,,,U,B,M In " RIDIN' IIOMI.O" VICTORIA MnA,.1KF hT h nT "THE VOICE IN THE DARK'' Movies Get JrwaW ' i I i i T i i I ' m. I WILLIAM FAVERSHAM William Fnvcrsham win bo th .. lu the Selznlck production of VhJ OnlBworthy's drama, "Justice." Tm. wll be Mr. Favorjhom'B third 8$. nick picture, but his first this y,V His Inst nppenranee on the was in the Hobart Henlev nroduniA. of Frnnk L. Packard's stSry 'm.' Sin That Was HI,." MrVam sham s stage engagements prevent him from appearing upon the screen fr.. quently, but he Is under contri't witli Selznick for whatever time hi cnn devote to moving pictures STARS OF FICTION, DRAMA AND SCREEN IN NEILAN FILM IN THE production of his newet and most nmbltlous film, "The Lot,,, Eater," Mnrshall Nellan 1ms enlljted the services of famous stars of fiction dramn and screen. The result Ii i notnble aggregation of authors, drami. tlsts nnd plnyers. John Rnrrjmoro returns to the ncreen in the title role of the picture. Another product of the singe whose worx , presented in this picture is Marion Falf fax, dramatist and author of n dazrn plays, who wrote the scenario. From the literarj field. Mr. Nellan has drawn Albert Pajsnn Terhune, who orented the story, and Oeorge Arte, who wrote the titles In his usual epigram mnttlc stjle. Four Individual stars of the screen appear in support of Rurrymore, Thej are Annn Q. Nllsson, Wesley llarrjr, Colleen Moore and Lucy Fox. rathe stnr. loaned to Neilan for this picture. The film has just been linUhpd and will probably be released In the carl; inn. Children Barred From Movlei Owing to strict police regulation of the new law debarring nil children an der the age of sixteen from cinema per formances, unless attending the spe cial matinees for minors, the perform ances of which first have to be npprotfO by n censorship Donril. the Uelginn motion-picture Industry is facing a crinin Since the new lnw became effective the shows have been given to virtually emptv houses. The police nre author ized to enter any theatre nt nny tlm and in suspicious cases to demand the culprit s "carte d identite. English Film In Colon J. Stuart Hlocktnn will be back In this country in October from London witli the completed Lndv Dinna Man ners picture. The production will be in colors for which the commodore will use the Prizmn process. The cnt of the picture is said to be the lnrgest ever nssembled for a Rritish-ninde film. There nre 130 part and mnro than one thousand will ap pear in the mass "ernes. moTOi'i.ws "pHOiofufr COMMSr r a The N1XON-NIRDLINCERK1 THEATRES luj BELMONT TTK?.-rET MARY PICKFORD THHOl'OH THE HACK IIOOR" in CEDAR HOTH & CEDAR AVEMJI 1 '10 nnd 3 n 30 lo 11 WANDA HAWLEY In "HKR PIK8T ELOPEMENT" COLISEUM ,r?nVnVrur!a AI.ISTAK CST I.N "GOOD WOMEN" JUMBO KRONT HT 4 C1IRARD AVTt Jumbo June on FranUrom u DOUGLAS FAIRBANKS In "THE NUT" I FAritTD 1ST LANCASTER AVfc LLAUbK MATINEE IM1I.T LOIri M ERKR nml ALL-STAR CAST I" "TOO WISE WIVES" " I OPI 1CT 12 AND LOCUST STREETI LAJLUOl Mat!1 i jo, 3 30 Evgn. oil) to II HAROLD ILOnilti , "AMOMI THOSE niESEM" PAl'LLNE FREDERICK In "SAIAAGE- CTD A Mn OKRMANTOWN AV& O 1 KAlNU AT VBNANOO BTBEEt ELSIE FERGUSON In "HACKED AND PROPANE WVS" at rrTHP.B TWRATRES MEMBERS OF M-P-T-O-Al -. . nam nrmntown i A' Germantown matinee daot ALUSTAK CAST In D. '. "JlU'' "DREAM STREET' JEFFERSON "nSSttg AI-I-STAR C8T In MCK WMJJ1 "THE 51AK kuyc-" PA'Pk' muae avk. 4 daw""-; ft rAKK- M-ct 'J 1-1. Evg - "' (inrrlli Hunl.rt. Malxl T.mtrra. M.r SIiAt" rill Hunlirt. MHMI '"""""AiiMVI' SENTIMENTAL TOMMY' AVENUE.8' V&tVnSb ELLIOTT DEXlt-w , .n I1IIHE' In "THK WITUMW" --- n " t " cM f I 7 ifeWkv .'.'t nn ...,)., it -''SJ T.-tai,i.i,f
Significant historical Pennsylvania newspapers