' ' -' m -"-"--'-.v-.. ' L ! s-a , . . '. h y-" . m ' iW'i immm? ' m '?,' l w rC&, D aijy Movie Magazine 5 ' W J Wt'" tffi .& T n w- X I. "2 r r4 i - . CLOSE-UPS of the MOVIE GAME By HENRY M. NEELY PHILADELPHIA BOY IS MAKING GOOD Maybe You'll "Screen"; Maybe You Won't MTjn HAD nbout given up nil hope, when n friend, advised him to try moving pictures. He did nnd todny lie Is a star." Ever notice how often you read that or something lllce it In the biogra phies of screen luminaries? It seemi to hnvc become a stock story with the press departments sounds sort of romantic and saves the trouble of thinking up a new story for each of thorn. And if there Is anything a publicity man loves nowadays It Is something that will save him the trouble of thinking. Hut the worst of this standard ynrn Is that It glvci the average fan the im pression thnt the movie offer a career to any one who hnsn't managed to make Cood In any other business thnt they arc an easy thing to hold In reserve to brandish finally In the fnee of the wolf when he comes howling at the door. And you unconsciously find yourself believing that any one at nil can walk In front of a movie camera and later be projected perfectly satisfactorily on the screen. But the cruel fact of the matter is that the best way to scare the wolf from the door is to let him sec the screen portraits of most of us when they nrc projected through the film thnt the movie camera makes. If anything in the world has distorted vision, It is the glaring and heartless cyo of the cinema lens. If anything has a ghoulish and perverted sense of humor, It is the outfit with Which motion pictures arc made. TIIERE'S nothing it likes letter than to take soma one like Cleopatra or the Queen of Sheba and mako her look like Jack Dcmpsey after the fight. And then, in a fit of sardonic malice, it will tofcc o human hairpin and project her like Atlantic City on Easter Sunday. And the tcorst of it is that nobody can tell, just by looking at you or me, tchich class the movie camera will put us into. frHE nearest thing to n definite statement you can get an experienced movie man to make is, "She looks as if she might screen well." The more experienced ho Is the more vague he will make his remark. He knows that no human eye can see a girl as the lens will sec her. If it does, the man behind the eye ought to consult an oculist or a commission In lunacy. Out of doors. In the sunlight, almost any one will reproduce with fairly atibfactory results. That Is because the light is all coming from one direction, as we nrp accustomed to see it in our ordinary lives. The lines, the shadows, the high lights nnd the half tones nrc ju't as the eye sees them nnd, after years of looking at things this way, wc have fallen into the habit of always expecting to have them so. The minute we see them differently, wc get an unpleasant sense of something wrong, something grotesquely out of order. , t And that is what happens on n set in a studio. All nround you nrc artificial lights on both sides, above, sometimes even from behlud and below. If your check bones are n trifle high in real life, some malicious light above them will glare down nnd enst a distorted shadow over your cheeks and make them look shrunken and sallow. If your nose is just a tritlc long or pointed, some arc is bound to spy it nnd send out one sharp ray of light that will mnke that piquant tip the most conspicuous thing in the picture shining ahead of you like the grotesque nasal make-up that brought fortune to Mansfield In Cyrano de Bergcrac. 'THERE isn't anything personal about that camera. You mustn't feel insulted tchen a director tells you that you haven t screened tcell. He doesn't mean you aren't beautiful. lie simply means that the lens hasn't sense enough to sec how ravishingly bcautfiul you really are. QO FAIt as mere features are concerned, most veteran movie men can mnke a O fairly safe guess as to how you will screen. But, after thnt ahead of it sometimes in importance comes the mystery of color. The lens records in only one color black. Every rny of light that goes through it to the sensitive film causes n chemical action that, In the developer, changes the nitrate of silver to metallic silver. And metallic silver is black. It may bo a.iy kind of black, from a solid to a soft half tone. But it is all blnck. And every color In the spectrum nnd every mixture of colors has Its own photographic value in blacks. It is no unusual thing for a girl with the most beautiful natural coloring to screen like n gaunt nnd haggard woman of fifty. And there are women of fifty who, through some peculiarity of coloring, screen so that their mail is loaded down with mash notes from lovelorn college boys. ' STOOD beside a director not long ago tchile he ieas having some teits made of several very pretty oirls. "Thcii look nrettu nnnd. Hnn'i theyt" I hazarded. fSBm Lsssttrsias PHILADELPHIA BOY IS MAKING GOOD IN MOTION 'PICTURES WHEREFORE ART THOU, ROMEO? i3J233&24toi' The picture shows Arthur Stuart Hull, formerly of this city, and Rose mary Theby in "Good Women" The LOVE STORY MOVIE STAR i tcio Ant Seen in the game from the early days, tted to the camera. "There's the boy tcho will lie shrugged ana pointed to the camera. "There's tho boy toll," he said. "You and I don't know anything about it." GARRULOUS GARRY JUST RAVES OVER COLLEEN MOORE By HELEN KLUMPH GABBY had n letter from a friend the other day who had seen "When Dawn Cnmc," the Hugh Dierker pro duction, five times, nnd Gnrry was Im mediately stricken with jealousy. She had seen It only four times. Isot that either of them liked the picture, but oil, how they loved Colleen Moore in it! So, though tho day was not we sought out a secluded theatre and saw it ngain. "I don't wonder that they all want her," Garry sobbed, wiping her eyes as Colleen, as the little blind girl, came on to the screen. "Even hard-hearted directors can't look at her without thinking of for get-me-nots and , family albums and tho old homesteads and that sort of thing, I've heard it was her work in tills picture just ns much as In 'Dinty' that made John Barrymore decide that she was the only leading woman for him in 'The Lotus Eaters.' "And maybe thnt was what made them select her for 'Slippy McGce.' Aren't you crazy to see that? Every one who read the book will want to see It to sec if they've tampered with the Story, and every ono like me who didn't read the book will want to re pair the omission by seeing the picture. "And, of cotirie, every one will want to see it anyway because Colleen and Wheeler Quitman are in it." miTIIEBE nre they now?" I asked. ' "Have you heard from her?" "Oh, didn't I tell you?" she gasped. "I don't see how It happened. I've worn my last letter from her thin carrying It around nnd reading it to people. So I'll have to tell you. 1 "Tho company went to Natchez, Miss., just a little while ago to make the exterior scenes for the picture. Colleen said that she hnd never known &y u uutier, turner trip, una sno was bo Vv tired out when mip got there that she ;' . 41 1.4 .!. 11 3 i t . I. i luuugm sue wuuiii jum urop lino a taxlcnb nnd rush off to the hotel bo fore nny one saw her. "But do you know, the whole town Was out to meet them, and Colleen hnd to ride on a sort of glorified throne mounted on a truck, with Wheeler Oakman, Wesley Buggies, the director. f and I'at O'Malley following close bo- mnu, rveiy uuu irum mu viiuiiiuvr ui Commerce nnd Elks to the Ladles' Aid and tho Girl Scouts must have, been there, judging by the crowd, Colleen . said. " 'AtiiI nt pnnrHA alio wia tprrlhlv . .'jsorry thnt die hadn't been ambitious .'(WeilOUKIl 10 gci nil uiriiaeu uii juav ui-iuiu Li.'-.the train pulled in. 'It must hirvo tff,3?wbeen a terrible shock to them to find W most people are just perverse enough to want her sweet nnd natural on the screen, but terribly posey off. "QJHE asked me ono day what I J would suggest in the way of a pose, nnd I confess I couldn't suggest one. We were lunching at Sherry's at the time. "Just then Constance Tnlmndge went by with a diamond anklet on and Fifth nvenue to a man stopped nnd stared. "As soon ns we cot home Colleen tried my dog's collar on her ankle, but she didn't seem to care for it. "But going back to Natchez the first morning she was there tho biggest bakery in town sent her an enormous box of French pastry. You know how she loves It. And some little girls brought her homc-mndo fudge, nnd everything was so lovely thnt she just felt like settling down there to grow fat and old. "And then, of course, evcarbody entertained her, so I suppose by this time she is as tired as though she'd been in New York. They've decided to Garry Just Loves Her it. IV SL COLLEEN MOOBE "Even hard-heartPd directors," says Gnrry, "can't look ut her without thinking of forget-me-nots nnd fam ily albums nnd the old homesteads nnd thnt sort of thing." mn actress dressed In nn old dustj J...tfc ...1 Lt.n AH U . Mn.l. In ItinU (UI. wut'll tivy cu uii j wiroii iiv illceu wrote, told Colleen look more V I X . ...11 THniitiiil m-0 Innuiiirt a r t, r 0i vi nni-n 111 hii i n 1-111 1 in iiiiitviiiL. ,.'i&lairro nnd unusual nnd exciting, she r 'VJFa just line tue sort oi gtn you wisn iwr iretftrf ao Le Kit wlti. Ani'. I f jJsu, wen muy with un u u-b .;iV!?f pretty organdie dresses,' Colic E ijtRS"Of course. I've always to v ' . ;sSnot she owed it to people to stay there for six weeks and take the interior scenes In the genuine old houses there." "She'll bo lucky," I finally managed to cdi:e in. "if she doesn't hnvo the same kind of experience Norma Tul madgc had when she went out to a hog farm in Keokuk, la., to make part of 'The Wonderful Thing.' An old man hung around for days trying to get In troduced, and when some one did finally take pity on him, he said, 'Well, Miss Norma, I guess you'll look mighty pretty alongside of all these hogs.' " "And I'll bet Norma smiled at hint just as sweetly as though he'd mndn tho most gallant speech in the world," Gnrry added, getting the last word, even though tho story was minu, "Hhe wouUL" CHAPTER XVII LIKE the reckless thing I was, I made up my mind to wait at least a week before looking for anything to do. Remember, this was my first real holi day for ages. Any one who has ever worked in stock knows how exhaust ing it is both to mind nnd body. I hnd luxurious ylsions of lying in bed ns lntc as I liked, untroubled by thoughts of rehearsals ; of spending long afternoons going about looking nt the pretty things In the shops I nm not ono of thoc persons who cannot enjoy see ing things becnuso I ennnot hope to buy them nnd of going ench evening to the thsotre. .Tulin Marlowe, Maude Adnnis, John Drew, I would sec thein nil for tho first time in my life. It would be n new nnd delightful form of study to watch tlieao great ones of tho stage and learn, if possible, the secret of their Buccess. For I was not silly enough to believe that I had yet learned oven tho A B O of my art. What a happy, care-free week I had! I have never had one quite like it since. I lazed about deliciously until after noon, pottering nbout doing odd bits of sewing nnd repniring for which during the pnst year I had never been ablo to find the time. I even bought some pretty, light material nnd made myself n now gown which turned out to be a great success. Indeed, if my landlady, Mrs. Burkstndt, could bo Denevcti. i nnu oniy to wear it when I went to sco a man ager, and I would be nble to make my own terms. , Of coun.0 I had told her all about my hopua and fears. Sho was the sort of TMiMin in lvhnin (ma lust has to con fide. When she saw mo strutting before the mirror in my new crentlon, tho tears I camo into her poor, taueu ejes. "Pcoplo said that I was pretty, too, long ago," she sighed, "although no ono would believe It to look nt mo now. "I'd believe it," I cried warmly. And I added, "I think you'd be linndKome yet, if only you looked n little happier. She only shook her head eudly by way of reply. When it camo to going to tho thea tres, I lacked tho courngo to try to get in on my "card" ns I hnd henrd sonvi of tho women in tho company speak of doing. I felt that I should dio if I worn refuwHl. And refused I almost cer tainly would bo. Who In tliis great bee hive hnd ever henrd of Nelln Morclnnd. nn obscure member of nn obscure stock company in a little hninlet across the river? , , , . Besides, I had mado up my mind to not, tr niirifdtmlt to bo with me. I felt a strange timidity about going about nt night alone. I didn't feel thnt 't was qulto "nice." I would certainly lock more importnnt if I had such an im nndno lnnitlnp duenna. Uien, too. 1 had n genuine desiro to bring n little rlensuro and gaycty Into her drnb life Any doubt that I might have enter tained ns to whether fbo would enjoy it vanished, the minute I proposed my sehemo to her. Her fnco lighted up like n child's, to cloud over ngain almost instantly. Sho thanked me very much. I was very kind, etc. But she really couldn't accept. I had the most dread ful time getting at her rcahon. As I more than half suspected. It was be Miic Bho didn't have a decent rng to her backi Sho admitted having more than one trunk packed with old things. Bu thev were all hoplessly out of ttvio Tim bovs on tho street would hoot at her if she were to appear in any one of them. ,v fin., n irpmendous amount of nlcad- lng I prevailed upon her to let mo seo som'o of them, reminding her that phe had alreudy pralscu ray bkiii ns a tircss maker, and declaring that the only way to prove to mo that she had meant what she said, was to let me "build" a new costumo for her out of thoso relics of bygone splendor. Half an hour Inter she nppenred in my room, her arms piled high with cos tumes of every description. There were walking costumes, afternoon costumes, all of beautiful materials, and several This Is How the tory Begins: "MELLA MORELAXD, most famous of screen stars, hears that a young girl, Annette Wtlfchts, has fallen in love with Roland Welles, an idol of the screen. Miss Morcland, to save Annette, icritcs the story of her own tragic love affair with Welles, intending to send it to AmicMe so she may knoto the kind of man hr is. She tells how, while a pfani'st m a movie theatre in a Western Penh- sylvania town, she met Welles tcftcn he made a "personal appearance there, how he invited her to come to New York and said he would place her in the movies, how she came and the chilly reception, which he gave her in the studio. Then, becoming inter estal in her, he gets her a job in a small town stock company for the experience, promising to see her often. Kitty, a membet of the company, proves her best friend, but the man ager, whom she nicknames "licaver race," becomes obnoxious with Am Mention. 'She threatens him with a teviilver, leaven the company and goes to New York to find work. A'oio Go On Jfith the Story really splendid evening gowns, In addi tion to several opera cloaks. "These all came from the old coun try, mostly from my dear Sweden," she snid. "And these," pointing to two of the evening gowns, "were mnde in Paris. They were for when I was first married." I feared she wns going to burst into tenrs, so I linstened to ndmlrc them, holding them up one by one. I did not have to pretend. Considered as fab rics, they left nothing to be desired. But she certainly was right about fear ing thnt she would cxcito remnric it sho were to nppenr In nny one of them on the street. As I looked at them, I could only think of some old fashion plates thnt I hnd been in the property room nt the thentre. Heaven knows what exact period they represented, but they might to all intents and purposes have been made before the Civil War. To Bo. Continued Monday FROM bookkeeper in a Philadelphia brewery to leading roles on the stage nnd screen Is tho envlablo leap mado by Arthur Stuart Hill, who was born in this city, attended the public schools here and has climbed at length to a po sition of eminence on the screen. Mr. Hull's most recent work of note was his Important rola In Louis J. Gnsnler's production, "Good Women," distributed by Robertson-Cole. Mr. Hull mad? a roputatlon here sevcrnl years ngo as bass soloist in Holy Trinity Church. He also nursed professional ambitions as a singer, but destiny carried him to the camera and tho screen, where, owing to his suc cess, ho probably will remain for many years. When George W. Ledcrcr nnd his company visited Philadelphia with a musical comedy several years ngo, Mr. Hull obtained his first Job In the thea tre. Four weeks after his first night in tho chorus of the Ledcrcr show nt $12 a week, Hull was singing the leading role and doing n mighty good job with It. WHEN bass voices went out of style for a time, Hull turned toward the dramntlc stage, making his first appear ance ns lending mnn In "Mrs. Wiggs of tho Cabbage Patch." Ho Inter was seen in other important leading roles, among them in "The Time, the Place, the Girl." It was while touring the Pacific Coast In tho musical comedies, "Going Up" nnd "Ladles Fir-t," that Hull became Interested in motion pictures and deter mined to noomion the stage. O'Malley Tells How Movies Were Once Made NOW nt the top working In large, perfectly appointed studios under tho most favorable conditions, Pat O'Mnlley finds keen delight in going buck to thoso dnys when he wns the juvenile, heavy, character and property man all nt the ogo of sixteen. And that wns only n few years ngo. O'Mnlley, now n member of the hnnd picked cast plcturizing "Slippy Mc Gce," the second Srorosco production, began his film career In 1012 after ho already had accumulated eight years stage experience. He arrived on the stage at the tender age of eight as a ttgnt-wire walker: "Those were wonderful days." savs O'SIalley. "Wc had no studios, no props just one camera and endless en thusiasm. Tho leading lady wrote all the scenarios nnd also looked after the wardrobes. The leading mnn wns as sistnnt enrpenter and casting director. "With only vague pinna we would start out to make pictures. Wc began working the moment of our departure. We used every nvnllnblo person on the trains and at the stations where wc stopped long enough. When we nrrlveo at some likely place to finish tho picture wc had most of It 'shot.' "Wc mnde several trips abroad, uslnft the same system of working en route. In Ireland I, because of my name, was selected to go from door to door and borrow the necessary props. Muny times Irate lenders of furniture were forced j to sleep on tho floor because we were using their only bed." m KtmWWWm ''"': miW V V&. BH m'(y ft,KKklm& V'AHH Wmw BmHIH''IH FROM CHOIRS TO, COMEDIES FOR JIMMIE ADAMS The modern Juliet is btanding on her wooden balcony, fifty feet from the ground, while In front of her the director nnd cameramen record her picas from n high platform. It's all being done for Will Rogers "Doubling for Romeo," which Goldwyn is making EDWIN CAREWE HAS GATHERED STAFF OF TECHNICAL EXPERTS War Veteran In Talmadge Film Desnite thp fnct that n Gcrmnti shell toro off the back of ono of his hnnds nt tho battle of the Somme, Captuln Gor don Hume Smith, M. C. Croix do Guerro, is not going to permit this maimed member to interfere with his cniccr as a screen nctor. Captain Smith played his part so well ns a member of tho cast supporting Norma Tnlmndge in "The Wonderful Tiling" thnt he is going to bo given an opportunity to play a big role in an other Norma Talmadgo production for Associated First National release. Tho veteran has returned to his home in Toronto, Canada, to undergo an (ipcrntlon to have his wounded hand btraightencd. Director Herbert Brenon specks very highly of this Canadian of ficer, whom ho met in France. NINE years of motion-picture ex perience has taught Edwin Carcwe. the director, thnt the best nssct in mak ing films is nn nblo and efficient stnff of workers. Carrying out this idea, Carcwe has a staff of experts that he takes with him from studio to studio. It is n rule with this director that unless the studio agrees to employ all his workers he will not take a job. More than once Carcwe has turned down big money because a certain studio would not tnke his cameraman or one of Ids assistant directors. For the last four years the same stnff hns been with Carcwe. They ure Robert Kurrlc, cameraman, and Al Green, his assistant; Wallace Fox and Ray Davidson, assistant directors, and in addition a technical man and prop boy. TYURING the time these men have J been with unrcwe no lias worned in more than n half dozen studios, in cluding Metro, Brunton, Knthcriuc Return of Photographs in Movie Beauty Contest PHOTOGRAPHS submitted to our Movie Beauty Contest may bo obtained by their owners nny dny between 10 A. M. nnd 5 P. M. until Wcdncsdny, July 13. Call at the EVENING PUBLIC LEDGER offices, Sixth nnd Chest nut streets. Go to tho SECOND FLOOR. riROM choir singer to comedian" ' might be the Horatio AlgeMnl ' description of the career ot JlmTi . Adams, who Is featured in Mermi ' Comedies, released through Eductl0.ii ' Exchanges. , "gn, Adams was born in Pnteraon N J -October 4, 1805, and when 'a atl dcrful voice that ho became a 1 Inirer. It wns hll l, .". a "oil 1 gaged that the tiroductlnn n rn.l ,,V 1 untcer Organist" was organlied b,mI 'II home town and Jimmle was offcd. Jl nosltion. Ho wa onlv HiIpi. i.".. M W i",,y.cr.hj.8 p?"?.f . .'.' hoine. But when tho innn -?.' found that the salary of $18 aZ ?! -the road was not conducive to S and he reached home broke. Hi. . immediately decided thnt h. ,.ti. ::"S get much better training by golnr work in a Patcrson silk mill at S3 M5 ' I OUT the plan did not appeal .ta Jimmc, nnu the night the subject 'I was broached he ran awnv nmt ru.i.; I the occupations of messenger, bellbov nnd office boy in various cities until h I rfinnlip1 ATllU'nnlrpn 'TIiak. 1. -i..i I ;l a po'sltion ns entertainer In the Had i Room of the Wisconsin Hotel snd hett he made tho acquaintance of two othei youths, with the result that the tlnilni comedy tenm of Adams. Beverly anj West was formed nnd soon began to rla? "big time" in vnudcvlllc. It was white the trio was playing an engagement in Los Angeles three yenrs ago that Adam was tempted to become n member cl the company producing Sunshine Come. dies. 'i It wns here thnt he made the ac quaintance of Jack White, who Is to charge of producing all Mermaids, and ' at the Sunshine plant he ntmenrM nn. dcr tho direction of White In the tni Hon comedy ever made. He remnlnM there for two years and afterward pjui'u wiui cuvuiui iiiucircnneni screen organizations, but when Whito organ' lzed the Mcrmold Company he went with him nnd npeared in the first produc tion. "A Fresh Start." Such n mn. Hon did he create in this picture thai he wns lmmcdlntcly mnde n featured plnycr. Thnt this wns justified is shown bv the attention that he has attracted in ''Nonsense," 'High nnd Dry" ud "Holy Smoke." MncDonald nnd Louis B. Mnycr, and suffering has mnde such pictures as "Rio Grande" and "Isobel." productions bearing his own name: "My Lady's Latchkey," with Katherlne MacDonald and four specials with Anita Stewart. Just at present Carcwe is finishing ".A Question of Honor," his fourth picture with Miss Stcwnrt. The other three are titled, "Playthings of Des tiny," "The Invisible Fear" and "The Price of Happiness." Theodore Roberts Back on Sick List Theodore Boberts, veteran charac ter nctor. is agnin confined to his bed by illness, but his physicians sny there is nothing critical about ms condition. though he is undergoing considerable Singer Now Silent JIMMIE ADAMS FOR YOUR SCRAPBOOK OF STARS FIIOTOrr.AYH 1'HOTOrf.AYS riinTori.VYB The following theatres obtain their pictures through the pmotb-puyIw STANLEY Company of America, which is a guarantee of Z&tanEut, I early showing of the finest productions. Ask for the theatre commot r J in vniir looftlitv nhtainincr nin.t.nrflR tVirniiph t.hn Sfnnlow Company of America. pi0TW?i, COMPANY r . -Of AMERICA. APOl 1 C BSD THOMPSON STB. trJL.LJ MATINKB DAILY JEAN TAIGK nnd Nl'KCI I CAST In "BLACK BEAUTY" CHESTNUT Dl. 10TH 10 A. M. to 11:18 P. M. ARCADIA AI.L-STAU CABT.tn THE LITTLE FOOL" ACTOD FRANKLIN & OIRARD AVH. rJ 1 Jl MAT1NEK DAILT MARION DAVIES In "I1UIUKD TKHASUHK8" if - fri:. i;'lwr-?!SHBBal DOUGLAS iFAIRUANKS DAI TIylODI7 BtST & DALTIMOKB OiLi I lilJttlif:vK. a-so. bat. mat. VIOLA DANA Ul "IIUVCILMAJL" DCMM MTI1 AND WOODLAND AVB. ROSCOE (Fatty) ARBUCKLE In "A DOI.I.AII-A.YEAK MAN" OI I TCUIDr Drood & 8iuquehnn DLUUDllMJ rontlnimun 2 unMi 11 CONSTANCE TALMADGE In "OOOI IlEVKItKNCISS" BROADWAY nrct jfSTp THOMAS MEIGHAN In "TIIK CITY 01' SHJOVT MKN" GREAT NORTHERN .r0?Viittp.EM! WANDA HAWLEY In "TIU3 HOUSE THAT JAZZ HDILT" o The NIXON-N1RDL1NGER THEATRES 0 1MPFRIAI 60TI1 & WALNUT I llVir Jr.lAl MntR. 3:a0: BvgB. 7 TOM MOORE In "HOLD YOUR HORSES" STS. & a I oViirrlt Pa... Oermantown At, and i-emgri ralace L.hBh Av.nu MACK SENNETT'8 COMEDY "HOME TALENT" T I RPR TV BROAD & COLUMBIA AV, 1.1ULiI 1 I XtXTINEE DAILY VIOLA DANA In "CINDERELLA'S TWIN" OVERBROOK63D4IAu,BUI, MARY PICKFORD In "TIIROUQII THE HACK DOOR" PAI APR 1214 MARKET STREET 1 nunyu 10 a. M. to 11:15 P. U. JACKIE COOGAN In "PECK'S HAD HOY" n A PITrI 722 MARKET ST. L.A1 I ll-i 10 A M. to 11115 P. M. SESSUE HAYAKAWA In "IlLACK HOSES" rrl 1IAT Otn. & Maplewood Atm. UULVJlNliVLi 2M 7 nd 0 P. M. THOMAS MEIGHAN hi "THE CITY OF SILENT MEN" PRlNirT 1018 MARKET BTREBrr 1 IMnE-JO 8,80 a. M. to 11:18 P. M. ROSCOE (Fatty) ARBUCKLE A DOLLAR-A-YJ1AR MAN" In RFCFNT MARKET ST. Below 1TTH WILL ROGERS In "THE GUILE 01' WOMEN" RIAI TO OEHMANTOWN AVENUE IMUIW at TUt.VEHOCKEN ST. TOM MIX In "A HIDI.V" ROMEO" DARBY THEATRE CLARA KIMBALL YOUNG In "STRAIGHT VROJI PARIS" niVTPQE'CQ MAIN ST., MANAYUNK HlVlr rllJJ MATINER DAILT MARY PICKFORD In "THROUGH THE HACK DOOR" CANflll V THEATRE 1311 Market Bt. rlVlll-I 8 A. M. TO MIDNIGHT ALL-STAR CART In "The Ranger and the Law" CATLI CT THEATRE Below Spruoe 3Dln Ol, MATINKP" DAILT CLARA KIMBALL YOUNG In "STRAIGHT PROM PARIS" FRANKFORD "" FnRD ALTSTAR CAST n "THE BRANDING IRON" RtJRY MAnKBT ST. DULOW 7TII IWJU 1 10 A. M. to 11:13 P. BERT LYTELL lrt "THE MISLEADING IDY" M, SAVOY 12U MARKET ST. k,nVV 8 A- M. TO MIDNIOHT MARY PICKFORD In "THROUGH THE RACK DOOR" DC! HlMT 02D ABOVE MAMCW ux-.ilivxwi'l a i;8o n 3: 0:30 to 11 P. U. ALL-STAR CAST In Kdunrd KnoblocVl "BLIND WIVES" eOTII & CEDAR AVEflJI 1:80 and 30.30 to II CEDAR BEBE DANIELS In "DUCKS AND DRAKES" ITM TCCT 1IVT Market bet. BQth Wt vllkjvjlVl 1:80 4 3. fl.30 to 11 V.U. T. ROY nARNES and V nARNES and HPKCT V CAI "SEE MY LAWYER' STh JUMBO FRONT BT. A OIRARD AV Jumbo June, on Ftankfora t ALL-STAR CAST In "WOMEN WHO WAIT" I PAnFR 1ST & LANCASTER AT MARY PICKFORD In "THROUGH THE HACK DOOR" i. CC KT 82D AND LOCUST STREET! uuuji MatlIi 1;30 8;3I) E esotoil ROSEMARY TIIE1IY nnd SPECIAL CASIl "GOOD WOMEN" NIXON M AND MAnJ0. J'Sn HAROLD LLOYD In "NOW OH NEVER" STRAND a8WS?aASffi THOMAS MEIGHAN In "THE CITY 01' SILENT MEX" SHERWOOD M.'.h Baltimore At. lilt. AND MRS. CARTER DK HAVEN In "TWIN BEDS" STANLEY MA"KET AT 10TH "WHITE AND UNMARRIED" PI ORF n001 MARKET ST. JLJULi 2'W ii nd 0 HO to 11 MACK BENNETT'S COMEDY "HOME TALENT" P.R ANT 02Z OIRARD AVE. yjrtl"N I MATINEE DAILTf CARMEL MEYERS in "CHEATED LOVE" In "JUST OUT OP COLLEGE" 333 MARKETo8AT.T:,To7'I,A,T,r CLARA KIMBALL YOUNG In "STRAIGHT PROM PAIIIH" VICTORIA' WAfTiAVS1 PUINCILIA Iihv in"'" l' Ul "REPUTATION" AT OTHER THEATRES MEMBERS OF M.P.T.O.A. Germantown B5i?ATrM"BttVJ MARY PICKFORD In "THROUGH THE HACK DOOR" I ICCCCDCriM Mth ft DtupW; l, JW 1 IjIUU11 MATINKIi """ ELLIOTT DEXTER In "THE W1TCHINO HOUR" P A R IT Hinqn ve. DAurj'.f .' "" Mat, auo. tiva. "" . SPECIAL CAST In MARSIIALL.NEIIf "Bob Hampton or riacc wrcT at i rr.MFNY SBh .'?. ROSCOE (Fatty) ARBUOT- In "A DOLLAJUA-YEAW MAM , wis! Nl S" Jj- -,tMu- (n'i 'Ji-''". "" i i iii'Hii - (''"
Significant historical Pennsylvania newspapers