W JiV -V" ' ' . " . - ' "S; -f A ;H !. & ? . i m i On 'i ' 1 1 -.-" , A '"Tl" ' J rV- t H h j ' " ' . ij .' If . fl EVENING BUBLIO 1BDGERPHItiADBBPSrA" -1 WEDNESDAY, ' JULY $ 1921 I -r M, ft - ' -r(l "3 - u v.z r v i: i -!VVitjSyi fie D aily Movie Magazine tttl fmffy -K urn 3$VTBaaaaaam''3fcM''' .l r if ' . hi L is &: r ".. ( fc P"- yi. ( P It, ? tr & I J i j - CLOSE-UPS of the MO VIE GAME Things the Daily Movie Magazine Man Sees and Hear,s and What He Thinks of 'Em Hy IIENItY M. KEELY You Haven't a Chance, Gcraldinc TT'S Just as well tp break it to you brutally nt tho start, Geraldlnc. p X There Isn't a chance in the world (or you to get into the movies at the present time. If the thousands of young women in this city and young men, too would nly put about ten cents apiece into n fund and send a representative over to New York to try to get an "extra" job nnd come back here and tell her experi ences, she would say, "Forget it, Gcraldinc. There's a customer coming to your counter. Better get on the Job." In the past six weeks thero must hnve been at least two hundred girls in ; this office nil lured by the chnncc ottered by our beauty contest, but nil wanting to enlist somebody's aid in gcttting them into the game whether they won or not. And, after we had talked to them and told them the truth about tilings, they went awny, probably thinking that we wcro all brutes and didn't know any thing1 about movies anyway. Which might have been true. IJUr, before you begin to feel resentful about hearing the bald truth, D juat, just ait doien acnoualy and atk yourself this question: "'What havo I that I can absolutely guarantee to deliver in return for getting a job with a big companyt" For you must remember that there are fifty people hunting every I singlo little job that a studio has to offer. And the studio will give that , job to the one who can deliver the most in return. PRODUCTION has been cut down to the very bones in every studio, both Kast and West. In New York tliey nre doing only such work as is necessary to fulfill contracts and pay overhead. The West Coast studios have had a sickening slump the past few wecko. A few days ago we printed a letter from Constnnco l'almcr, our Hollywood cor respondent, saying that things seemed still to be humming, but n few dayx after he had mailed that letter, Jesse I.asky, production head of Famous l'lajcrs, went to I.os Angeles, got the heads of other big concerns together, and tlic result was a general flat reduction of LT per cent in nil production expenses. That doesn't mean cutting the snlnrtes of the big stars. It means getting rid of most of the little folks the extras, the helpers, the people who make, a living by playing minor bits. The quantity of output will be mnintninod by a general ipeeding up, and that means a life of drudgery for every one who remains. ' . 5IKCE June 15, when there was a reduction in railroad rates across the continent, picture player folk have been deserting the West Coait in stearins. On one day fifteen additional sections xcerc added to the regular trains eastward from California. ALL of these people each one nn experienced camera actor or actress arc .headed for New York, hoping to find a niche in n studio there or else get a Job on the speaking stage. And the slump on the speaking stage is so bad that there are JS000 chorus firls out of work in New Yor,k, all sitting day nfter day outside the offices of casting directors, hoping to get their room rent by picking up nn odd day now ad then in the studios. Itcmember, these people nre nil experienced ; thoy hnve made reputations for themselves as dependable, satisfactory, hard-working folks who will relieve a director of all worry. If they can't finfl jobs, Gcrnldine, where do you think you would get off? No; unless you can absolutely guarantee to deliver something valuable in return, you'd better hang on to the job selling ribbons. Maybe there's nothing romantic about it, but at least, you know you can reach across the counter nnd grab a square meal three times a day and there's a comfortable bed and n roof just beyond the next aisle. vThat's fcordid and material and inartistic, of course. You arc young nnd you have ideals and aspirations. You can't sec things in that light. TtTELL; I had aspirations once wf And when, after months of when. could find a job, I went I went so ."TTOl" wnnt to know what I mean by "guaranteeing to deliver something vnlu X able." Let's look facts in the face : Beauty contest winners deliver something valuable in return for the trouble it takes to mnltc uetresses of them. They deliver the publicity won by coming out at the top of the hrop. Their widely ndvertised beauty is worth dollars and cents to the producer in marketing the pictures in which they appear. Girls who are rclutivcs or close friends of officials of the companies of the distributing concerns, deliver something valuable. They deliver the co-operation of these interests with the director. Girls with training, experience, known screen ability (if I may coin such n word) deliver something vnluablc in normal times, but nt present there nre f.o many thousand who are offering only this standard inducement that it is nu inducement at all. Jiyn now, of course, you Kant to know how long this condition is " floiiifl to last. If I knew that, Oeraldinc, I'd lay my bets accord ingly. And J shouldn't worry about a job thereafter. REX INGRAM IS PUTTING BALZAC ON THE SCREEN By CONSTANCE PALMER Hollywood, Calif. THERE seems to be no length to which Rex Ingram will not go to ct the effect he want. "The Four Horsemen" took montliB nnd months to make. He is now nt work on nn adap tation of BaUnc's "Eugenic Grnndet," which will probably be shown as "The Conquering Power." He has had a statue made by Ralph Barton to place " In the center of a banquet board to ex press the bpirit of the gathering. If I were in the mood I could discover some thing very significant from the fnct that It is of cubist design. In the original n.ilnc story Pere ' Grnndet, the miner, in his mental tor '' ture sees spirits of things that are and are not. Mi. Ingram nnd his camera man have worked out ery simple means of filming these ghosts of the departed without tin) nld of double exposure. Lovely Alice Terry plays Eugenie. Rudolph Valentino, also of "Four "?' Horsemen" tame, piajs me nero. mc nilscr 13 uuipn Lewis, wno wiw oiuik- man in '"Ihe Blrtli of a Nation." j". Other members of the cast are Ld- .fcwnrd Conncll. Brid?ettn Clark (I like f j that name; it's so honest), Nobel John- i ll- .l 1I..I. .' Tiinu fntlila fill! r fi'IWll UIIU 1UUIK 'uitii. wu..w ..-...- ... :T mOM MOORE is just starting "From JL the Ground Fp," which was written especially for him by Rupert Hughes. IT.Iai.a rltnilii'trb a nin1n IiIh lp.ifltncr x&man. I like her a lot. De Witt Jennings, Grace Pike, Hnrdco Kirkland ml Tlnrrcl Fobs nre also in the enst. E. Mason Hopper (if lie only wouldn't part his nnme in the middle ! And he s , jwch a nice, unassuming young man!) U directing. I , , ,Klta MCiman, naiuruuy ravening i-uhi bWlhe and writer for our movies, makes ft collection ot jatic. xnis is noi press lagentu' twitter I've really seen It. JTfce latest addition is a pair ot earrings long, dangly things which Ml Welmairs lamer gavo ner. Due mis ' rtetrs. bracelets and necklaces, besides plces of unset jnde. .Metro has Instituted a now fire-fight- lng system whereby Alice Lnke, Viola i Dana and the other stars will have to 'All their places in tho bucket Una just J 'llie same as the firemen. Think of thaU lilUVi... HUGHES has completed rMt' -bin first starring tt't getting ready myiclf. But I also had an appetite, aspiring, some one told mo where I aspiring, some one told fast you couldn't see me for dust. story w'hich appeared In a magazine. Gareth's third und last starring venture for Metro under the present contract will be "Little Eva Ascends," which 1 think I remember reading In the Saturday Evening Post. Ethel Graudin, who returned to the 6crcen atter two yeurs absence, was Mr. (well, I don't know why I should call him "Mr." He and I first-name each other when we meet!) was Gnreth's leading lady in "The Hunch," und will continue the same in ills next. John Stoppling, that splendid char acter actor, has a part In "Garments of Truth." FOR YOUR SCRAPBOOK OF STARS ft- s '- Y - f$m$ Cafe w.iH. -" "V-NilLLH K,. ' y JM ih IVLHflHb,. '"; -iH lHtSBBBBBMI " J I '"imJm' " " ' ' ' I MOTHER OF THIRTEEN MOVIE ACTORS THIS is n unique photograph in that it shows two unique figures in the moving-picture world. The pt'iitlciiinn in the top hnt is, of course, AVill Rogers. All of his recent pictures show him with n violin in hU hands. He had to play it in a recent The LOVE STORY MOVIE STAR CHAPTER XIV W Y FIRST taste of real success for I was sensible enough to realize thn my success was largely a matter of accident came when I happened to be playing a small part iu an old-fashioned melodrama. The part, in itself, was worth little. But I hnd a short scene ...hnre T wns Riinnosed to fly into a rage over a supposed Hlight nt the hamjs of my lover. Prompted bv a spirit of mischief, I had cnrcfully held myself In nt rehearsal. I wos adcauate, no more. But on the opening ntgiit, I let myself go. I had only to recall some of my stormy scenes with my foster mother, or with some of my tcacners when I was n pcricct wildcat, to put myself in the proper mood. The effect was electrical. Thunders of applause greeted my outburst of temper. One admirer in the gallery ev went the length of calling out : "Go it. ou little devil ! You've got him scared!" Of course that got a laugh. But the scene was fortunately over, so it couldn't be spoiled. All through the week I got the same lound of applause each night. Uf po inc. I delighted. But 1 really believe that dear little Kitty was even himnier than I Tliel was never n more generous person In the world than Kittv' And It was this success that brought mc for the first time In actual contact once more with Benvor-Ince Not that I had not -cen him constantly nbout tlie tneatre; out. oejumi .un nnd. he had neer acknowledged iiij nrcnice His whole attitude suggested that, having turned me over to the stage iiiiiiiiigi'r after I had brought him my 'itter from Roland, his duty was done. Nevertheless, I was constantly stumbling across him ns I came off the stnge. More than once I had glanced aside in tlw nuldlo of n scene to find him watching me with that same old (iving-cnlf cxpievsion which I found so iiipxprcsslblj comic. But I think I am tvttliln tlm limit when I sav that we hnd not exchanged above a dozen words since l Mjmjv v nriiTiriw Mi v .i -I , -.j.Y,"tr. ' Eroduction and bernmo so interested that o nctually took lessons. Kvcr hear n beginner scraping nwny at his scales? That's what the people around the studio have hnil to nut up with ever since. Rogers has learned to "play" one whole tunc, und ho Insists This Is Hoiv the Story Begins: MELLA MOllELAVD, most famous " of screen stars, hears that a young girl, Annette Wilkini, has fallen in love icith Roland Welles, an idol of the screen. Miss Morcland; to save Annette, writes the story of her own tragic love affair with Welles, intending to send it to Annetic so she may know the kind of man he is. She Jells how, while a pianiit in a movie theatre m n western Penn sylvania town, she met Welles when he made a "personal appearance" "iherc, how he invited her to come to A'cto l'orfc and said he would place her in thee movies, how she eame.and the chilly reception which he gave her in the studio. Then, becoming inter ested in her, he gets her a job in a small town stork company for the experience, promising to see her often. Kitty, a member of the company, proves her best friend, but the man ager, whom she nicknames "Reaver Face," becomes obnoxious with his attentions. Now Go On With the Story the day 1 first saw him. I had been a little piqued ot first that he had made o comment upon the progress I hnd made. But I hnd decided that it wns just his way. ond had let It go at that. But nt the end of the eventful week, when I had made my first legitimate "hit," 'jc stopped me after the Satur day afternoon matinee, just ns I was about to go out to supper. "Well," he said, "so you're not nn icicle after all." "An Icicle?" I echoed, nstonished. "Yes," he snld. "I begin to think that jour coldness is nil assumed." Seing that I still looked puzzled, he went on, "You know you might get on faster if you were a little more picas nnt." "Why, I didn't renllze that I wosn't pleasant, ' I stammered, blushing furl oiHy fpr some unknown reason. "I'm sure I always intend to be." He laughed mockingly. '"Well, you don't think you've been particularly pleasant to me, do you?" I stared at him without reply. I did not know what on earth he was drivlnii at. I got back to the thentre earlier than usual, having hurried through my supper, and went nt once to Kitty's dressing room "What on earth do you suppose be mennt :anif- i ui'inmiiieu, uuer t. nau torn her of my encounter with Beaver-Face. "I wouldn't worry about It," said Kitty evasively. But I was not to be put off. "But con vou imagine what he meant by mv not being pleasant?" "He means thnt you haven't been what he colls 'pleasant' to him," said Kitty in n low voice. Suddenly her meaning flnshed upon mi-. "Tim tond!" I raged. "The miser able littlo tond ! How dare he ! Why, if it were to save my life, I wouldn't think of him in thnt wny!" His "dying-cnlf" expression came back to my mind. I went into a perfect galo of hysterical laughter. I laughed nnd Inughed until poor Kitty was falrh frightened. She ran out of the room nnd returned bringing me n glass of water. "Here, drink this," sho said, "and try to control yourself." "Oh. don't mind me. I'm nil right. Onlv tho whole thing seems too per fectly nbsurd when you think of him! I couldn't be angry If 1 tried. It's nil too itrotesnuo!" But, nil the same. Kitty's words came back to me otten in tho flays to come. And I never saw Beaver-Face without thinking of them I determined to keep n wary eye on mm in tne uiturc. Mny 18th. Months passed. Spring came. I wn nlnvlng excellent pnrts, but I had not :.. ..I.rml nnv "Ion, to " Tim . ll'i IMHJi" w.,j .v... .nu it-umf tnr this was obvious. Beaver-Face eon- tinned to mnKe it plain to me thnt I must be "more plensunt." He made it evident that tho way up lay through his love. I wan quite indifferent, save that at times he was like a mosnulto whlcti I kept brushing away, and his buzzing nn- noyeii mc. Before people, I was nlways quiet, determined, lnconic; but sometimes, when nt last I came to my littlo room, I wept bitter tears, when no one else was nenr. In the dead of night. I think nt such times It wns love that kept me alive, as It was love that kept mp at my work. I dung to it undaunted. I determined, in spite of everything, to keen everlastingly nt It. Spring came; and wily Beaver-Face, biding his time, kept on with ills trivial intrigncs. At that time I took every occnslon I could for long walks up the river, along the cliffs. I loved the country. One morning, coming back through the woods, I looked up and saw a man in ine uininnqe. It yB Beavcr-Fuce. I puckered up AND ACTRESSES. on doing it for every one that he meets. Here he is shown, snapped as he was boasting of his accomplishment to Mrs. Treboal, who has thirteen children, ovcry one of them steadily employed in tho various studios nbout Hollywood, Calif. my nose nnd thought, "The Pest!" Then I smiled to see how awkward and nervous he wns. "Why. good-morning, Nolln!" he said. I nodded. "Walking, is it? Suppose we sit down?" t0,','Ph' no'" J snld- "I don't core He drew nenrcr. "Now, see here, Nella," he burst out, thiSr you think x can s,nnt I said nothing. "Listen," he went on a little hoarsely. "You know you could be a great actress, if " He paused. Always this "If"! ltieo, before I wns aware of it. he It was bffl,tl,CiSirm.,,lnd.?rIed to WmJ,? was like blinding git. I awoke as from months of dreaming and un derstood fully. I broke loosand turned SS"ICrWi"to'tc and swimvtrTCmbl,',nK frora hn to foot. May 10th. ed all. I fct thBt that0,1 , wu SfSLT ra iff&rS not care what happened. ' iow, it so happened that I nn,. ,,i ing in a melodrama, and Ti the Inst nc't 1inc "u" with n Wen revolver ,! put on the shelf before me, besid tin revolver, and the other box. To bo continued tomorrow PAULINE FREDERICK TELLS WOMEN HOW TO WEAR CLOTHES "fyi, HEAVENS! I'll have to cut vy out enndy ond potatoes for o week! Maybe a month! Tallin t-rnnnpfl Plnrlhpl 1ia V. --l. model who is just the same size and uCKht ns Puullnc Fre rederick. and who spends most of her time fitting gowui for tho famous motion-picture star. "Mon DIeu," sighed Celeste over In Paris. wh.-n she, too, received u mes sage that she must reduce eighteen pounds in order to keep pace with the svelte lines of Pauline. For Pauline Frederick, admittedly tho best-dressed actress in the pictures, has two models of tho same size und weight ns herself who do little else than lit gowns tor ner. unc ot tnem is in New York and one is in one of the smartest dress-mnking establishments in Paris. Tho moment n new material has left the designer's hands; the moment a new st)le is created, long before even the trndc has been it, a telegram is dis patched post-haste from these houses to the Robertson -Cole star. Then follow letters with samples of material and photographs. Miss Fred crick goes over the.se carefully, makes her choice, cables or wires, and later there arrives at her Beverly Hills home In California o package containing everything ordered nnd it all fits to perfection ! That's because of Cloribel in New York and Cclesto In Paris. The most Interesting pnrt of this whole little venture is thnt both models have to follow carefully Miss Freder ick's progress as regards weight. A pound lost by the famous star a mes sage Hashing over the wires a frenzied dush for the uumu-heiis nnd Indian clubs on the part of Cloribel and Celeste n rigorous denial of sweets and starcby foods. PAULINE FREDERICK has studied clothes as few women have. She is the model of thousands of women nil over the world, who copy her dresses, wraps, hatB and gowne. And If thtft isn't a 'staggering responsibility, we'd like to know what is. "No one can minimize tho importance of being able to wear clothes," sovs Miss Frederick. "The girl who Is eager for a screen career must really study clothes, for while her talent may carry her far she must be able to appear to advantage. "It is much more difficult for a screen actress than it Is for nn actress on the spoaklng stage. Pictures penetrate every corner of the world nnd some times tliey rench certain points many months after their first release. Styles change so rapidly thahe playera would treraely careful aboutjSeV tbey drees. appear muivryun u wiu were not so ex- GARRULOUS GARRY HEARS DORIS MAY IS HAPPY BRIDE HELEN KLVMPH t A BOUT Doris May," Garry began importnntly "You needn't tell me," I interrupted. "I'vo hnd a letter from her myself." But n little thing like that doesn't stop Garry. "She's so happy Rlncc she's married thnt she's In a daze most of Hie time. She says she didn't know thnt any body could be so bcwilderingly, wildly happy as she and Wnllaco MacDonald nre. They have a little houso out in Hollywood nnd Doris just loves fixing it up. Oh, wouldn't you love to see it! I'll bet that it's the daintiest, loveliest little house imaginable." "Well, remembering nil the tilings she bought when Blie wns in New York," 1 volunteered. "es, she did tnke back loads of things and, thank goodness, most of them were pink," Garry remarked with finality. 'Doris is so dellciously pink nnd white herself that it would be lienrtbrenking if she didn't wear pink nnd furnish her house with lots of sunrise pinks nnd yellows. "Wasn't it funny that the Inst pic ture she mnde before she was married vns 'The Foolish Matrons'? She in sists that she got lota of tips from it. T'LL bet Maurice Tourncur kidded X her unmercifully while they were mnking thnt picture," I observed, and as usual, my remark fired Garry to further flights. "Well, his heart wasn't In it as much ns usual. He never knew just how long he could engage Doris in mere picture-ranking when the New York shops were beckoning her to come trouhsenu -buying. "He'd say, 'The car will come to the Commodore for you at 10 o'clock. We're going out on location.' And Doris would say in that demure but uncom bntable way of hers, 'Yes, of course, Mr. Tourneur, but hnvo it come to Hickson'fl for me instead. I'll be hav ing a fitting just then.' "And, of course, he'd wonder if she rcnlly would show up. He always had a secret horror that sho would rush back to California and the prospective groom before the picture wns finished. "And if you think that her making 'The Foolish Matrons' wns funny, how nbout Wallace MacDonnld? He made n picture called 'Arc All Men Alike?' It is easy to see that Doris hasn't the sllghtost interest in n title like that." "Hollywood ought to be changed to Honevmoon." I volunteered. "Yes," Gnrry admitted. If Doris May and Virginia Valli were the only brides there It would justify that. And inci dentally Virginia is going to play op posite Bert Lytcll in his next picture again. The name of it is 'Junk.' I should think that her husband would prefer to have her play opposite some body less delightful than Bert. Mere handsomeness might get tiresome, but Bert's disposition, never! QPEAKING of Bert Lytell reminds O mc of something thnt happened in the Metro Studio one tir..e Inst winter. " V girl wns there tnlklng. to him while they both watched Miss Valll working. The girl wns one of that kind that always 'knew her when.' She told Mr Lvtell superciliously thnt Virginia Viiill's' nnme used to be Sweeney years ago in Chicago. " 'Gee. I'm glad to hear it.' Mr. Lvtell remarked unexpectedly. 'The one thing I was afraid that girl lacked was a littlo good old Sweeney blood.' "The girl was utterlv crushed." "Served her right," I added glad to edge into the conversation somehow. "And there nre lots of other people in the motion -picture business who could have slaughtered her for casting any reflection on a good old Irish name." "Chiefly Marshall Nellan," Gnrry Virnkn In. "If vou ever know any one who wants to get n job in a picture of his, just tell them there is only one rnoTOPLAVS MOTfrPlAYs' company r -OfAMtmCA APOI TO 62D t THOMPSON ST3. t-rJLl-J MATINEH DAILY CARLYLE BLACKWELL in "tin; nunoLAU" ARPAniA CHESTNUT Del 10TH AMSTAlt CAST In "THE LITTLE FOOL" ASTHR FIIANKLYN & QIllAnD AVE. "" l v-r- MATINEE DAILY CONWAY TEARLE In "HOCIKTV SNOIIS" RAI TIMOR F 518T nAuriMonE ari- i uviwiC uve nan.8AT.MAT MAX LINDER In "HKVKN YK.M18 OF HAD LOCK" RFMM T" AND WOODLAND AVE. I-I-.1M MATINEE DAILY ,.- AI.L-8TAU CAKT In "The Revenge of Tarzan" DL4JH,DllU Cnrrtlnnniiii 2 to 11 WALLACE REID In "TI1K LOVK HI'KCIAI," BROADWAY n!7"4 Tlal? $ lARHIIAI.f. NKII.AN "Bob Hampton of Placer" 3 CAPITOL 7:if MARKET 8T. Ill A f In llill P. SESSUE HAYAKAWA In "I1I.ACK KOHKS" POl OMIAI otn- Maplowood AT. VVlV-lNl-M. 0,30, t an(j n p Mi AI.T-STAK OAT In 1)18 WKnKD'H "TOO WISE WIVES" DARBY THEATRE i,niH ivrairai'R riionurnov "WHAT'S WORTH WHILE" PMPRFS MAIN 8T" MANAYUNK n,lVirrrioo matinee daily WILLIAM I)K MII.I.K'S PHODI'CTION "What Every Woman Knows" 17 A Mil V TUEATHB 1311 Market Bt t nimu s A M. TO MIDNIOHT ELAINE HAMMERSTEIN In "THK l'LKAHUItE-WKICHKn.S" cZtlPOT TIIBATIIIS U1ow Hpruo. JJ I n Jl. MATINEE DAILY BETTY COMPSON In "1'KIHONKHH OV T)VE' ' FRANKFORD 4"B Aff,nD MARY PICKFORD In "TllllDlKIH THE HACK DOOIt" Pi ORF 601 MAIIKBT 8T. VllADC j.30 ana 9 80 to j, VIOLA DANA In "THK OFF-HIIOHK 1'IKATB" nRANIT m OIUARD AVE. jrn 1 MATINEE nAILY '!k SMALL-TOWW toOL' . Tells Garry She Is Happy DORIS MAY "She's so bappy since she's married that she's in a -daze most of the time," says Garry, after getting a letter from Doris, who is now Mrs. Wallace MacDonald. magic way to gain entrance to his office." "And what's that?" I asked eagerly as she picked up her things to depart. "Scud in nn Irish name," Garry an swered and was off. Film Making Delayed by Atmospheric Conditions TIHH3N Percy Hilburn, the camera ' man of the Goldwyn company that journeyed to Banff, Canada, to take the snow scenes in the Rcginnld Bar ker production of Katharine Newlin Burt's photoplay, "Snow blind," swung blithely on the train thnt took him north, he little dreamed that he would get nbout three hours' sleep every night. But atmospheric conditions In Cnnnda were such that all the unexposed film become electrically charged, which re sulted i,n white streaks showing on the negative when it wns developed. Consequently, Mr. Hilburn hnd to send to the Goldwyn studios, in Culver City, Calif., for a new lot of film; nnd every night, wficn the twenty-six play ers were snuggling in their two-by-four rooms, he carefully examined every foot of film thnt wns to be exposed the fol lowing day. Every inch of film that showed the effect of the electricity in the atmosphere was discarded and no more trouble wns encountered because of the raw stock. But when Mr. Hilburn returned to the studios he wns promptly given n short vacation. Opera "Rlgoletto" Made Into Movie The Italians have just completed an other of those spectacular pictures for which they are justly famous. The theme this timo is "Rlgoletto," a pic turlzation of the story of Verdi's great opera. Return of Photographs in Movie Beauty Contest PHOTOGRAPHS submitted to our Movie Beauty Contest may be obtained by their owners nny day between 10 A. M. nnd 5 P. M. until Wednesday, July 3.1. Call at the EVENING PUBLIC LEDGER offices, Sixth and Chest nut streets. Go to tile SECOND FLOOR. rHOTOI'LAYB The following theatres obtain their pictures through the STANLEY Company of America, which is a guarantee of early showing of the finest productions. Ask for the theatre in your locality obtaining pictures through the Stanley Company of America. GREAT NORTHERN Tfp CHARLES RAY In "THK Q1J) HW1MMIN' HOIJ!" IMPERIA1 00TI1 AVALNUT BTS. "At'i . SEXNCTT tMKI)Y "MARRIED LIFE" Lehich Palar u""mantown Ave. and "OUT OF THE SNOWS LIBERTY UUA" C-ULUMJIIA AV. MULiIl I MATINBU DAILY "UNCLE TOM'S CABIN" OVERBROOK UJd "Ji;vKeHr,ord "THE FAITH HEALER'' PALACE 1214 MAIIKBT ttTHEUffT 10 A. f tn 1 1 .IK T r JACKIE COOGAN ' ln "I'lX'K'S HAD linv" PRINCFJvSo1018 MAHKET BTllEET GLADYS WALTON in "Till; MAN TAaiHIt" REGENT MA''KET bT. D.low 17TH lL,JI.,ll I U.1B K M WILL ROGERS In "THK HUII.K Ol WOMEN" RIALTO "iOWN AVENUE Wtfc S 'V&wK sww "itiini 1 n riCALii RUMY MAHKUT BT. 11KLOW 7TH HHnw riimlwIA .fn.iAn":J? IU? M yil'JS..".1 numwll N GODLESS MEN fj'fnpflon In t SAVOY 12u W'IP-JTJJB'bt ROSCOE (FattyA) RBUcTkHI In "THE IUII.T.AJUA.YKAK .MAN" aritKWUOD ViaV DISSS' INA CLAIRE At, 0:30 In "rilLT.V WITH A I'Aht.i TUm A,r.,,m.Uktn.V,J5 P- M. n "WII1TK AMI IIVMn,..,).. MAnniKit STATITON MAniCET ilU.. ,7T- JAck,0PaCakW8p- In "" ""T OF rnf.T.lrll,.. 333 MARKET.OTTJvlAjniE HAM.IAM. NKI.IhoVtloV,1'- VICTORIA ItFFttsFy rRisri ir.A iiKN i"" e m n, ni. to II "RI i DOROTHY FARNUM ANSWERS QUERIES OF SCRIPT WRITERS Ci. (i. Never wrlt , .! t mandine return of your stories, nil win an dc rcau nnu passed upon in kwSj season, you may be sure. s', Herbert Tntucll Never before in hJ ginhlngs, has the unknown author' wi ' as time goes on." the policy of bujlM :i..-V i.n" V A . "."' ue evcn moti' ' 1'iuniij urmiiMi innn lOnny, ' J, F. Lowell Th instruction mMi.,' , von mention Is nn oTPlln..t "", if you can arrange to subscrlbo to a. ' course, by nil means do so. af Llln A. Blake Write yqur gtorr . standard-sized typewriting ifcpcr ? " must, by all means, be typewritten t ..... .-..,... , ....win io fend ti stnrv. ion mnr iten nw . ,".! ment ns to what compnnv or whuMt?.' it is best suited. Addresses of themM ng-picture companies may be obtain! by writing or phoning to the editor T 0. Will ams, Jr. Submit your start In synopsis form to the company whom it is best suited. v y " A. V. nlllltnnf1A n 1 1. -l procure for yoii tho Emerson-Uos bSk on the photoplay. Graco M. Itettew It will be w.n . write a little description of each c". acter in your play, not in the text if tlic nlnr Hsolf. lint nn . .' V Describe them, not In the order tbw nntipnp hnf mil. n,. I i. j . J"J linnortnncn tn tlm slur. .i. lending man, lending woman, etc. PHOTOPLAY REQUIREMENTS Atllt.l RlfU'nrt T ..!.. n Studio, Los Angeles, Cnlif.-Socictt nt least part society drama in ordr to peTlt.d.reS,n5v,h,wi!t WoiV To " H-m. .1 -"i".m0,T?!? M TV , "-"" urn giauiy con s der original stories provided thw show creative effort. Nothlnc sn... tlve will be considered by MliVtewr! ivuuienno niaciionald, Ambasjtdoc Pictures Corp., Lo.s Angeles, Calif. Here is n good chance for orirlnil scenarios. Miss MacDonald. who U known ns th" " AinnrU.,.. t, ... n , one of the most popular stars of todjt and it has, with one or two exception!, .pw. UVv..u ttioi.- hi jnuce ner in socletr ilrnmn np nt Ipnai- (n ur.Mi -,.,. ' . -j.. ira wiucn per. inlt her to wear beautiful gowns. Thi star Is such a beautiful woman that to clothe her shabbily would detract from her marvelous beauty. Miss Mae Donald must be the central figure of tht story and the situations must revolt about her. Becauso she is above th average height, all tho principals of her casta must be tall. The heroine of bit omnia must oe acciueaiy human. Bryant Washburn Gets Royal Consent to Film TDRYANT WASHBURN, whllj . -L working on "The Rond to London ." wanted to "shoot some of the exte rlors on the grounds of the royal castlt at Windsor, England. Officials of fhe royal court, when approached with the request for per mission, were shocked and said that lock a thing hnd never been done before. They were still more shocked when Mr. nshbum told them thnt this was the Tc.r.re,nf",n ""' ho wanted his request fulfilled. The officials being .persistent in thrit rofusal, Bryant Washburn became Im patient and snld: "Well, if joh people won't let me do it then I'll npply for an nudienco with King George; he U a good sport nnd won't put as rainj obstacles in my way as you fellow! seem to." The officials were thoroughly scared, as the young Ynnkec looked as If hi nctually would approach His Majesty, King nnd Emperor George V with the request to bo allowed to moke I movie on the royal grounds, and finally granted permission. rnoTQPLAVH "Thotopuyt COMPANY . orAMtlWCA lf71rThe NIXON-NIRDLINGERin LW THEATRES 11 BELMONT BaD ABOVE MABKOT All-stnr ot In Jxlnurrt I(noblok,l "BLIND WIVES" 1 - CEDAR 00Til CEDAn AVBITCl -uisn.i 1.803:11.80 to UP. CONWAY TEARLE In "HOCIKTY HNOIW" COLISFI IIV4 Market Dt. 60th ( vTtvtuti)d.y.i. i'30 Si 0 30 to 11 P.H, "THE BEACH OF DREAMS'' JUMBO FRONT 8T. & OIIUnD kt Tiimbo June, on Frunkforil "In EVA NOVAK In "THK TORBKKT" LF ADFR 1BT & LANCASTER AT lCUtllt. MATINEE DAILT THOMAS MEIGHAN , In "THE CITY 01' SILENT MEY ' LOCUST, A Tjian.l riMlKla) BIO Mat. 1:B0, 8:30. Evk 0 30tlt : Tiircny and finrdol "GOOD WOMEN" NIXON B2D AND """! F!a BESSIE LOVE In "Till! MIDLANDEKS" STRAND ClEnMANTOWN AVE. ELLIOTT DEXTER In "TH15 WITCIIINO HOW' AT OTHER THEATRES MEMBERS OF M. P. T. 0. A Germantown m&8Buff' MARY PICKFORD t In "T11I10UOU THE HACK DO0l, JEFFERSON neWa!!?: A.Vk.NTABCAHT '" WM. 1B MIUJ "What Every Woman Knotfi PARk' niDOB AVE. DAUPHIN I rw jtRt. 3!t(i. Evb. 0:45 " ti AI.U8TAR PAST In V "INU1 UU1L.1 I WEST ALLEGHENY swh41 ..SlihSJAH r.iT In AIJT.AN If "THE 3PLEpD fAZt t, " M,. A j$ 'j.tiitkyii kk&.. b"i SfiA tfe? LiiOr . it., . . A ik ai'infc i it i x. r-'a
Significant historical Pennsylvania newspapers