m r i m EVENING FPjBLIO BEDGERPHILAPELPHtA, FBIDAY, JUNE IT, 1921 U -WliyW? e D aily Movie Magazine Zn? r nftl FOR YOUR SCRAPBOOK OF STARS TODF'5 HONOR ROLL IN THE MOVIE BEAUTY COWEST pt s r' .wF v Jl ?. sJ 3s- -.'JLt US- fc t , t ' ' v; : A r i ! XHDltSlyfUBt llmv IHR' ;Hb CTx :vN-; ""elle.anod.el MAY HARTLEY, 2964 Kensington. Ave JFHY THE AMATEUR SCENARIO WRITER USUALLY FAILS rESTEIWAY ttc printed the first m itaUmcnt of (nil untmial article for the amateur scenario irritcr. This installment today concludes it. We feel that ffcii it one of the moil helpful articles of iM Kind that ut hare . Icen able to secuic. ' By IXMEK IIAK1US Titles arc necessary t(i cover lapses of limp, tell what lias happened in the interim episodes; while the episodes themselves should be confined to the liigh spots or important part' of the tory important from either the com- i edy or dramatic standpoint. Lapse titles, as these nie called, should never tell what follows, other wise we have an anticlimax and what follows is Male before it happens. Hach episode should tell its ov n part , of the story, just as nn act tells its own part of the play, with recourse to j the titles, whether spoken or plot, when absolutely necessary to add humor to the situation, to clarify some point which nil the ingenuity of the writer nnd the director has been unable to ex jili'ss in pantomime. 1 'MIES' we sav that pictures differ j ' from the stage play or the story ns . dialogue difTerR from pantomime, it is not meant that the picture can dispense with dialogue altogether any more than the play or story can dispense with movoment or pantomime. Sub-titles representing the spoken word aie acceptable as a met tor of course in motion picture', but the new writer Is prone to fill the scene with spoken titles nnd furnish the director with little or no biininess to carry the action nnd hold the c.vc. A scene with more than two title, or bits of dialogue. Is n bud scene: three or four spoken titles in the nine wmr re likely to give the spectators the im pression of characters uacklng like ducks, nnd, however instructive or Amusing the sub-titles may be, the pic ture nudience, accustomed to movement oi pantomime, is soon yawning and Advises Amateur Writers iW5V, J ELMEK IIAICKIS siuinting nt programs In the dark to see what follows. In other words, a picture without interesting pntifombue s like u phn without interesting dialogue nnd is usually panned hj the Mime cntics. One of tin greatest difii'Miltics leu- the new nter t i men nine is thut of ti mpn. ' In drama the iiMimi moie 11I0114 liormnll nt a lifelike speed, but In ' icnieuj 11 slioillil lie iinri tied, while iu farce it ni'ist he exaggerated, This is accomplished pcitlv lij the ndnal speed wltli which scene follows scene rn the writing Itself nnd paitl b. what is called "cranking" or gt lulling tile caiiiera. Normal cranking niciiti- about sixteen pictures to a foot of film, and the handle ol the camera is turned at 11 certain Hived to accomplish this result 1'nicc nnd comedies arc ciaukcd ut from ten to fourteen pictures to the fool Thus, when a mimic which is photo graphed by slow ciiiiiking of the camera is projected in the theatre nt mu in 1 1 speed, the iiiocinents of the actors are nil uccelf rnted. musing the action to proceed at 11 more rapid gait and the laughs follow one upon the other at closer iutcrwtls, and should build to a climax. The dnngtr in slow rrnnkiug is that iuiHirtnnl hits of business, necessary to the plot may be slurred, or rather, blurred, and it is up to the director to (know when to discriminate, when to sliced up 11 ml when to ictuni. ANOTIII'R dosed hook to the novice Is the expms" of production. With out nitual cMicricni'c in the studio it Is Impoivsllilo for him to develop his story wUliln the range of lommiri iul poMlbilltir.x It loxtK h roiiKldcnible sum to pro dure n modern picture nnyvvlicrc from forty tlioucand dollars for a program k'lure to a couple of hundred tuourand . s y-. s)k v flFwHI P m W W 1 HP WM WSBKUk :VV::'"- Sllv ruth BHHW' f PFQ6Y MARTIN. llHi7 5930Nl2TH5t ! v -;MgEm?' I y MUSIC IN STUDIOS ; X yy IS MORE IMPORTANT ' 1 AJ. - - THAN FJ'S IlFAI.r.l: . V ANNA FINK., 515 Wilder St WHO WROTE IT? The Love ?of a Movie Story Star Ileie is a soul-rev callng, intimate document thnt lays hare the heart of n favorite of the screen. You'll recognize ninny of the characters who nppear in its pages. ii rr cas' yot KKconxi.i: THE WOMAN" 1IEUSELI-"? AND THE FILM IIEKO WHOSE PEKKIDY LEADS HEH THHOl'tm AtiONY TO THE HAPPINESS OF PEUFECT LOVE? It is n story that will grip you and hold ou from the first install ment until the last. It Begins on This Page Next Monday dollars or more for 11 special, and piofits are nckoned niconlingly. To gauge the expense of production nnd the possible commercial returns require not only an intimate knowledge of th" writing part of the game, but of the pioduction and distribution us well. For instance, nn author mnv demand an immense and spacious iuteiior which will cost in tile neighborhood of twenty or thirty thousand dollars. In order to tako, a picture of it the camera must he set up a couple of hundred feet away. Hut since Intelligent action nnd the intimate detail neeessnrv to the story enn only he made effeitive by inoMiig the camera up within a radius of 11 few feet . a long shot of the set is good tor only a few feet of film and this huge expense is waste. Large sets ore necessarv nt times for atmospheric effects, but should be used sparingly nt best, but when used cure is always taken in the wilting of the script to hne a large and important part of the action trnnspire within them, so ns to offset the expense. To build n drawing room nnd furnish it for one shot would he commercial suicide, nnd in this respect, usunlli, . the script of the new writer, if shot ns writ ten, would put the' film business into an untimely giave A man must profit bv Ins niiMnkcs. learn In Ins fuluies I md seernl disasters hefon I nnd nnv success on the stage. I had to learn the tech nique of the photoplni befoie the stu dio would trust me without a guardian The man who knows it all knows nothing Itewnie of him. Photoplay writing is still in swaddling clothes. The pictures of tomorrow will surpass the ph tures of todaj, just ns those of to day make the ones of estrrday 11 ioko with the public and laboratory alike, Plavs, it is said, nre lewritten not written They nre chanced and re wimpid nt the prompt table, often In the iln wrighr himself. And similnilv with the photophiN . rplll X ),, IIL !''-! lesiilts inn he olitnilieil on!' mstniit woik in the sh.dio Itrown.ng vvroie n plav. It is oecn- slounll.v produced by ambitious stage societns ndowed with loose rb.iiige Drowning wrote it in the lihrnrv imr in the theatre, nnd It could never In , ommereiul success It is very well f .1 those not finnnciallj interested to scuff ur the commercial producer, whether of plays or pictures, but the fact remnins that nionev is required to exhibit either, , and so long as the public is expected to j pil.v Hie inline IIIUM l' lUt'llM'il. ilini on- where but in the workshop, and in c'oe association with every department of the busiiis'ss cm the demands of the public be understood mid succcssfullj Mir, plied. Heme the necessity for the writer, munitions to become n successful nhnto playwright, to serve an apprenticeship on the lot and in big studio, under com petent supervision of men who under stand the possibilities of the screen ns well as its very definite limitations. Want Hungry-Looking Children Mrs. 'enn Trebonl, mother of the fnmous thirteen children who appear on the screen, snvs she l seriously con sidcrlnc putting them all on a hrend-nnd-milk diet, so Ihev will mote ueniiv conform to present market demand At 1 t,e present moment nil the casting dlree torn seem to linve iirrll for pnle, liilli- cry looklnc youngster' of lier joiiiicest, lm Jenilliette, one th" pnit of tlie starvlm; mid negleetci Itogcrs' new pleture, ' tlon," now belnf innta I'atrll ill Will 'A Poor Ilela- by floldwyn. I 1.T I.AA.llllA.11 Kr a .m d m. JUS ft v- t MUSIC IN STUDIOS IS MORE IMPORTANT THAN FANS REALIZE "CJOME of them enn't act unless they sJ have music nnd some enn t net with l Comedies, made from the stories by it and some can't m t either wnj," wnSSewcll Ford nnd relcnsed through Edit the manner in which a veteran director I rational, Is well llttcd to represent mice put it. regnidlng the w- of music the N'cw York girl, Vce. whom she por while film plujers are working before trojs in these pictures, for she wns the camera. I born in the big city nnd has lived theic S'owadnjs. however, most companies i nil her twenty years with the exception lime some kind oT music with their I of the time she spent nt a finishing woik. At the Lukj studio it is varied in character. (Veil II. He Mille usually uses a vio linist, sometimes a piano nnd often a full orchestra, but the latter Is generally mplojcd only when it is to be used in the picture. The usual thing is to have ' i girl lor it mnn) on the side lines piny stage, anil slie spent Her spare time ing sobby music when the heroine isistudjing in thnt direction. Imme ihout to. part from her sweetheart or dintely after the graduation she ob- when the wife renlizcs nt last that her husband is perfidious. Mn Fisher, who is now up in the high places in the musical world, cut his melodious teeth in the I)e Mille troupe, phoing the violin on the side, sometimes ucting us n leader and again portrnjlng nn cntcrtuiner in a jazz palace. The George Melford company is stiong for jn7z. Speed Hansen with his inevitable guitnr is usually there pick ing out foot -tickling nirs with a violin ist or souictling to help out. "1'ncle" licorge likes lively music. Speed has lately taken up the Hawaiian steel gui tnr and is conlng such plaintive bounds illllll II lllllL III.' v Wlllllllll PU.. ll 11 as good as n whole orchestra. He nlv, from it that the company says he is composes songs which lie smes or talk' to his own nccnmpnnlmcnt songs about unj thing nnd ctcrj thing, often the members of the cnmpuii , for lie is no icspecter of persons. 1 WHAT does the music do? Well it l;ejs 'em up nnd makes 'em ' sad or hnppv as desired. Then between shots it fills in some dreary moments ou sometimes see the star, director nnd the crew nil seated together around the piano, while waiting for lights on something or other, playing nnd singing nnd thus forgetting the many troubles which beset the tilm workers in spite of (nie nnd precautions. The film actor hasn't the Inspiration of audience and the lights of the thea- trc, the orchestra and so on. He has tn work to 11 lot of people who nre us blase as he js, perhaps. Also tlure is that camera clicking nwnv.. The sit is but n spot lirn big open, stage, pnssibh The scene is one out of the middle or the end or the begin ing. aernrding to circumstances. And lie hns to get up nnd emote or net funm or be shot and die nnd be natural and (onUncing That is where the music has some helpful quality unywny and aids the illusion. ' EVEN CHINESE TOTS MUST ATTEND MOVIE STUDIO SCHOOL I'll liltentioii to me, 1 pli asi' And vniinx Wmis. ieientl. .irrivcd from the rinvw'i v Kinsdoni. nlui'lunt ly turns Ins eves fiom the vvlndiw, just ns n irstless Amei 11 1111 jiiilUBSter vvnilld do, mid nheilielitlv pll.vs iit(iitloli to "Tencher " Its iriliv Imnl on Won;: thoilRh ililu fv-w.Hni mi ,111 1I111 mirl nt' the .voiinc vvomiiii iii (lini'Ke of the sehool 1 up iu 11 rorner 01 nie uoueitron-l i room tlint he will fix hln attention onlistudioi especially for the slnnt-ejeil spelling when ha has juat finished llttlo totu who must provldo "atiaoH DOROTHY LEEDS IS JOHNNY HINES' LEADING LADY D OllOTHY LEEDS, leading woman cliool. Miss Leeds' parents had no other thought than thut she would take her place in society nnd so they sent her to the fnshionnblo Phelps School nt Wnllingford, Conn. Hut tho had long cherished n secret nmbition to go on the tallied a position with one of Hilling liniu s musical shows nnd Inter joined the .iegfeld Midnight Follies, where her unusual beauty and grace innde her one of the sensations of New York. She 4 now n member of the Itnjniond Hitchcock Hitch Koo company nnd is reported to be the highest salaried 1 show girl on Uroauway. A FTEU having tried a number of experiments Miss Leeds was finnlly selected ns the ideal type for Yee, the rich New York girl with whom Torchy falls iu loe mid afterward marries in one of tile later Sewell Ford stories. She hns appeared in the Inst five of the ! 1 . if "oniedies mid is now working on nn other one Miss Leeds has brown hair and gray eves mid screens exceptional!! well. She is live feet eight nnd weighs l.'l," pounds. Her hobbies nre dnnclug and nil soits of outdoor sports, iu which she Is most prolicicnt Woman Director's First Film Marion Fairfax "shot" the fun I scene for her initial production. "Tin 1 Lvlng Truth," last week. The work, ot cutting nml nsseiutmng tne him is now in progress nnd it is expected that It will be icndy for public presentation short Ij . Staged under the personal diuction of Miss Fairfax, this film .marks the entinnte of the noted author anil plaj -wright to the motion-picture producing field. Miss Fairfax during the Inst sis years lias written the scripts for many sci cen successes. First Morosco Picture Shown "The Half Hrced," the liist of the Oliver Moroco pictures, bus been com pleted, titled ond edited. To celcbiote this event it was shown to 1111 imitcd nudience of U'.'tK) persons iu Los Ange les. "Slippv McOce" hns nlrend.v been started in the second Moiosco ofleriug. mnrrhinR thronpli n wonderful street while the cnmernH eliewed iivvn.v tuisllj. I Milt just Irt'i'inibP hildreii nie in. motion pleturi'H i no eeuse for neg- 1 leetlns their ediu ntion. nml the llltlc Orientnls who nppenr with Si xsiie , lla.viiknwii in Kilieitsnn-( oh' pie'iiu's nie no exeeptlon to the nile They lire In the nnlv t'liiuesi. motion. pliture si-hoolioom iu this enuiitiv. however lieiifiies nuu iihiks me ll'el THIS IS THE LAST DAY TO SEND IN PICTURES FOR OUR BEAUTY CONTEST n ELL, this is the last call for dinner in the dining car. W In other words, if you don't mail your photographs today to the Movie Beauty Contest, you will lose your chance to get those positions with the Bctzivood Film Co. Tomorrow morning the judges start their meetings and their work must all be systematized and laid out for them in advance, for there is a great deal of it for them to do and they are .such busy people that they cannot be expected to attend to'the clerical details. Consequently, every picture to be considered MUST POS ITIVELY BE IN THIS OFFICE BY NOON -TOMORROW. What Your Favorite Charles lirabln is expected to put the finishing touches today on "Footfalls." the big special he hns been spending months in making. Estclle Tnlor and Tyrone Power nre fentutod player-i. Dorothy Dalfon hopped on the fast train to New York and arrived jester da without telling n soul her inten tion. If one hadn't seen her at the Famous Players-Lasky offices one wouM never have known she was iu New Yoi Phllo McCullough has taken to di recting pictures, and so Shirley Mason is to have" n new leading man iu her next Fox production, "Concerning Chl Chine." Herbert Hcycs, who has plajeJ opposite many of the joungcr stars, is the lucky man. Catherine Ferguson is going to give her sister. Helen Ferguson, lending woman for lluck .Tones, 11 light for lirst honors on the screen. Catherine ar rhed nt Holljwood recently nnd in :i few dn.s wns in the cast of "To n Finish," which Jones is now making. The Singer Midgets, who have been an attraction in vaudeville nnd big pro diutions for several ears, nre being featiycd in n new Sunshine comedy. The Singers first appeared for Fox in Hines' Leading Lady DOROTHY LEEDS tho Clyde Cook comed. Their new production is Singer Midgets' Scandal." "Skirls." ailed "The Cecil 15. tic Mille nrrixed In New York jesterday fiom the mast. He will lemuin tliere for several das and thru ictuni to Los Angeles. Macljn Arhuchle. the well-known singe and screen actor, hns been en gaged to piny nn linpoitunt part iu Mnrion Davies' cast 111 "The Young iHnim," 11 Cosmopolitan production which Miss I)nies i now woiking on ut Internntionnl Film Studio, New ! pliere" for tho nmen iip.iiiise m-tor'n IiIiiih. Men-, (lad in their unlive eiuli. tliej htud.v le.idin'. vvrilui,' '1 ithiuetir fm sever.il Iioihm iiiel diiv. the Stiile ln,v ()f Cnllfoiiiln iiisislim.' th 11 rliilduu who nppeur Iu nmtlon pliliiren must purMi their studies ut the siiiue time. Onee th. ir piirentN iht nntiirnlUiil the t'liine-e nnd .Inpuu se rlil'dieti rome uuiiir tills rule (n Alnerienn ni-IiouI tern her Is cu. I MRcd to condiiLt tiie studio school evOry day that the youiig"torn are wprklnit. lis J'w5S' j . " - W$ 1 Eaiia: i i 1 ,R -' Film Stars Are Doing York. "The Young Dinnn" is n screen adaptation of Marie Corclll's famous sforj. Albert Capeilonl. who directed "The' Inside of the Cup." is directing "ilie loung Dinnn Gaston Glass, who played the young violinist in "Humorcsquc," has been engaged as lending man for Yloln Dana in her next Metro picture, based on n story by Frank II. Adams. It will be a Haynrd Velller production. Mr. (Jlnss camo to tno Lnlted Htatcfl wun einrnn Uernhnrdt's company. He has plnyed in motion pictures in Trance with Gnu mont nnd Pnthe : more recently he has appeared In Fnmous Plnjers, Warner and World Film productions;. Allco Terry will soon he "The League ot Nations Uirl of the Screen." Miss Terry, whose portrayal of the heroine in Hex Ingram's "Four Horsemen." placed her nmong screen favorites, had the port of an English Intly of high tank in her first Metro production, "Hearts Are Trumps": then the fa mous Spnnish author, lhancz, nfforded her her great role: now she is engaged in the liortinyol of a French pensnnt girl in the production of one of Unlzac's novels, which Mr. lnginm is directing. And nn Italian role Is still forthcom ing. Ed Flanagan, the "Ilallroom Hoys" comedian, who has been engaged for n leading role in support of (Inreth Hughes in "The Hunch," hns tied up Ilnbe Ruth's rppord for this srason in bring twice arrested for speeding. When he wns haled to couit last week in Los Angeles, he admitted readily that lie had driven his cur a trifle faster than the law allows, but plended thnt lie bo excused, as he had hurried up In fenr of being late at court. "And what was jour business nt the court?" the Judge asked. "I had to answer the charge of exceeding the speed limit." said Flanagan. After which lie paid two fines. New Universal Star Universal ha. a new star for its scrips of special attractions. She is just plain "Miss du Pont" with no other name nnd tho company says she has been working on "Foolish Wies" for nine months past. I'lioroi'i.w.s VMonnUY COMUNV y rtMVUZA Alhambra 12lh, jrorrlp, & I'nssjunk Avo. Mitt riU nt T-iira. o .it. x n WILLIAM S. HART n'MAi.i.i.r oi" tiik jiousti:iT" In A I I FP.HFMY I'rnnkfoiil H Al'oith. rtuununuM MrI, Uh ... 1,., I;B8 - env & 0 n. vv. lillll riTirsi "DREAM STREET" APOLLO Dill) . TIIOjri'.SdN STS MATiNi:r. n.vn. A I'lTZM I KICK ritom TTIOV "PAYING THE PIPER" ARPAniA CHESTNUT Hit 10TH -IV-L-- )0 A M, to n,iB t, M nr.itT i,iti:m. in "A MESSAGE FROM MARS" ASTOR ntANKLIN . C.IUAIU) AVK, MATINI'.i: DVtl.V Nil. 1. 1 AM t'llltlsTV CAHANNIVS "What's a Wife Worth?" BALTIMORE,f:ifVAJ.CrIMJ?ltP ALICE BRADY In "III! 01" Till', CIIOKIS" nrIM OITH AND WOODLAND A E. DC.1N1N MVTISI.i, Ul. WILLIAM S. HART in "(r.M.i.i,r.Y or Tin: JitiiMi;n" 131 I iLTPinn Hroml . Fusriuelwinna tJLUbOlKU Cn.lnu..llH J t 11 GEORGE BEBAN In "IIM1 MAN IN A MILLION btToadway "$rsh wv- m: Mii.i.rsi imioim ction "What Every Woman Knows" U - 1 4- I r r nrodil lel.LHiAv, MAI' IIA1I. rOdU Ol, VdOlIIU A' )A1I. l'I.UItUN'l' llttlC anil MM ( IAI, t'AHl' III nrAii rcvpi 'BEAU REVEL' PAP1TOI "'" ' ''' M' lMi 1 IwL 10 A .r In II I-, Ji Jt MADGE KENNEDY in "nn: iiKiiirsT iiioiii.k" colonial"01. ??. A,r DOUGLAS MncLEAN in "Tin: 110M1; hruinoi" DARBY THEATRE EUGENE O'BRIEN In "1H10A11MAY ANI HOMI'," EMPRESSu"N,ii;K" MAE MURRAY In "Till: llll.lir.II I.IIA" FAIRMOUNT lt WILLIAM S. HART In "O'MAM.KY (11' TIII5 MOUNTI'.D" 17 A Mil Y TunATiti: tan Mari.n st. 1 MIV11L. I K, M TO MIliVKlHT DOUGLAS FAIRBANKS In "Till: l T" ATI-I c;t 'nir.ATiii. n..i.,w stirm JU 111 ol. t v 1 isi.i. iniu NORMA TALMADGE in "Tin; rhsiiiN ri.iii:if FRANKFORD 1T,r' AVol,D LOUISE GLAUM In "I AM (,t un' annp ' MAitM-i .st W1.1-. j xii 11 ,1 1, in ... ,, IIKN TI lll'IN III Mtl'll HKNM-rr.H "A SMALL-TOWN IDOL" dorothy niiLurs Day of the Big Spectacles Over VICTOR SdllERTZINCIER, the Ooldwjn director who supervised Tom Moore's lntest comedy. "Made in IIencn," made an interesting prophecy in a lcccnt statement concerning the spectacle pictuic. "The time lias come," declared Mr. Schertzinger. "when the public's con stant repudiation of the spectacle pic ture must bo heeded by the producer rnd the producer-director. "The spectacle is much like the effort of a new writer. With an extensive lII0T01'I.AtH The following theatres obtain theix- pictures through the STANLEY Company of America, which is a guarantee of early showing of the finest productions. Ask for tho theatre in your locality obtaining pictures through the Stanley Company of America. OD AWT -10: 02? riiit.wm wir Niir-vi-i i MA'IINnn DAIliT ritlSCIM.A ii:w . 1,0V CHANKY In "OUTSIDE THE LAW" GREAT NORTHERN VuW.0 BERT LYTELL in "1IIK JIS,KAI)1N(I I.1" IMPERIAL V.. i WALNUT ST9 : n. Kvcs .tin II. W. tilllFllTir. "DREAM STREET" Lehigh Palace Go jormnrtown Ave nml I.hlirli Avnu Ill'.N Tt Itl'IN In M ('K SI'.VNKTT'S .'A SMALL-TOWN IDOL" 'LIBERTY 11IIOM) & ( OU'.MIUA AV. -MATINHi: DAILV LOUISE GLAUM In "I AM (.IllTV OVERBROOK,K,u&,AIM!.IIl.!?nu JOHN BARRYMORE In "KAI TI.KS" PAI APIT '-'" JIMtKHT STItlILT I -1-VI, jo A m , u j- j. jj i. v. (iinrnrii's "DREAM STREET" PRINCESS 1018 MAltKHT S'lltllKT S .10 A M In I t IS r tr PEARL WHITE 111 "iihiom rmri:" REGENT MMlKr.T HT llxltiw 1T1H !l J"i A M In IIP M VIOLA DANA in "ii iTirrs or i'ati;" RIALTO (il.HMWmU.N AVLNLH A I' r I I I i :l 1 1 .kin. sir WILLIAM S. HART "O'MAI.I.KY 01' Hill MIHNTI.II" In RU3Y MAIIKIJT ST. IIUIXJVV 7TH CONSTANCE f ALMADGE " In "(i00I UIU'ICUKNCI.S" SAVOY 1JU MAiiMsr .stui:i;t 1UI1T BtKl LYTELL In "TIIK Mlhl.KADLMI I,AII" SHERWOOD Ml11 ''"r av uwl,iVVVJUUsUT ... ,:N1: (i..M "THE CALLK6F YOUTH" STANLEY,, "'".Vm" ,3u"' MARYpicKF6RD"IJ' In "llllttiLdll Till'. MACK DOOK" STANTON AKr.T Aimv nirn" 11 "iixmikkiii's, iiimm:sV 333 MARKET11s'fl,i3,-7TAT"r: "TOO WISE WIVES75 V,CT0SJaama"mm. ?!'i.!"m' POLA NEGRI In ".I'M IILIIIID" AT WEST CHESTER " RIALTO V.'v?"' Hl" i IDLE HOUR ; aJ.IaW' , "ut at I lie Clioru" j . i.yuiY.' Aim H f v , ii.,r t' 5 ' 'v, ; JBi L, L.i 'jl;. st --z&Kt,i&. . fcia commnnd of words nt his fingertips, th" iviiiiuiiiiou is 10 use uicm nn. TM re sult is 11 llorid nrticlc or storv which loses its effectiveness by its fffusirenMs. Likewise with the average director. Realizing new eientiye horizons v folded by the technical experts of tie picture industry, the director's tempta tion is to cram them into one mliliti', epic. The result is tho spectacle, the lesson or the point of which is Ion in ! tho clustered inngnificenee with xsblch tile director has surrounded it. "Rut todny the tide is turning Like j the finished wiiter who couches bis ideas In the simplest phrases, the pro ducer is getting back to a sane form of picture. First of nil, he determine! whnt ho wants to say and then un it. l'UOTOl'I.AVB The NIXON-N1RDLINGER L! THEATRES BELMONT 5'JD AtlOVn MAIIKIT MAE MARSH In "NonOIlY S Kill" CEDAR P.OTH A CI'.DAU AVOrtJ j 1 :30 t. .1 ami fl 39 t it,i.u mii'irt, tt mt nnn'il 'ISOBEL; or THE TRAIL'S END" COLISEUM MarUtlM.Wth DOIIOTIIY (iltl'.KN i s"iNY,,J,Ve2l!'. "IHt UUUU BAO ri. HIMRn I'HONT ST . inAnD l JUIMBU .lumlx. June nn IVunkforl'lAl BEBE DANIELS In "DUCKS AM) imAULS" I I7Ann"D S-T ' LANCAbTUIt MS. i MILTON SILLS III "Tim 1'AlTlt IIK.I.KW" r I nn 1CT '- and 1.01 t";r wMf! LULUOI Milt". J ..JO. 3.30, Kvk. OMtt" . . .. .. ..MtVVP'll "WHAT'S A WIFE WORTH? . . - . - .. .-!. .itrirT RTS. NIXON 'u A'" "" IS. 7. m MO.NH mill MOHAN IN TIIK III COMB" "BLUE SUNDAY" ,. CTJ RIVOLI MATIN'Ki: UAI I.ISTll AST ln 1 IM,( "UNCLE TOM'S CABIN " .. v ilE. STRAND "Wl-OTu St6 i. w. I.KiniTII'S "DREAM STREET" WEST ALLEGHENY a,,"V1 THOMAS MEIGHAN in "Tin: iiw now at htufr THF.ATRES MEMBERS OF M.P.T.O " . in. AURORA -,a- l",r:nv-VniNF:E vox OLIVE TELL In "WINDS Ol' I'KII'l'" or.io iiormantwn ' Germantown rATlr' ""vyi. ' AUCi: l.Ki: mill hTt.BTI!II,, "BODY AND SOUL iPrrnnortM L'lltli t I""1.0.,5! j cr r nrowiN matinui: w LOUISE GLAUM In "1 AM (II ll-T" .. .. r.,llM Jf. PARK hiiji.i: a 1: UA si U1 Ml s ir. m; -' i,W 0,1 I"," J PI AI7A kTIMRALL III "HTHAH.IIT riKIM VM" sPRnr.F. ". Ji!L!'."& W 4L. 1 THBO A s COMPANY V M Sr i"- WILLIAM S. HARTj bt "IUIS U1SSKUX M"! i A 3 . d j ,A." m- YSU ti l. sm. im . tj,) - . - ffy -I, Sflft'SW' b
Significant historical Pennsylvania newspapers