.V rir' , V,' -V '- -V "? , W.T" .j yritf y "W ?;av .- .- '".-i " " 0 A iM - , v w '-- v-f.j? .,4' ." ".I -. ' Y .' .' '.-,(i "' . t. "-'f - . x .... r a ' ; BVEJNI2W3- TUBIC LEDaE-PHIliADEIyH'IAv mOTjRBAY,, 'MA28j ;1921 ' LJWU.. -l L I Itt 10 , J f .va-ray wW 1 - , Cie D ailv Movie E2 r,s) - ;-) -.MMMMMWWWwaMWMWlWWWMWMwMwiMMWIWWMBMHMHWMaMWliMMwwMi ...... ..-, ' ii ' 1 t rr-rmn wmTwrriTTTr- i. i ' " " -- j i w xpwg V .... . .....- . ' ... I. - , 'MagaM'l is t l .' r. SCENARIO WRITER CAN'T BE REGULAR IN "OFFICE" HOURS By -1EANIE MncFIIKRSOX Wtltr of rhotoplaim fr tVcll II. DeMllle WHAT constitutes au jivm-arc Iay'M ork for a scenario writer? 1 lmve been asked that question so often that It hn become nn old story. And my answer is aluajs the nmc there U no Kiich thins a- nn "average dav'n work" in the life of n scenario writer. , , . , . In scnarin writinn. every day brings a ncparnte net of problems. Knch prob lem calls for a special solution. Tho.i are like so many different mathematical problems. One mn. be solved in five, jninutes: the next may require live hours' or five riays. Because of the iitiuunl demand of the work, "office hours" In the unal sene of the wordt nre an unknown nuantltv. My day's work may start when 1 nrie in the morning and end when I fall asleep at night. That doesn't necessarily mean that I am writiug continuously from dawn to dark. But it does mean that I am studying and thinking over situation , that I am planning the action of n jtorv or threshing out in my own mind tome knotty problem of scenario con struction. MV HOURS nt the Lasky studio arc regular only in the senc thnt I try to arrive there between ! nnd 10 o'clock In the morning. Whenever pos sible. I devote my firt hour to ncce.s ary business appointments nnd routlu details which must be nttended to daily There are letters to write nnd semt JjU'iiness and personnl mntters pertain Tells of Scenario Writing JEANIE MacPHERSON ing to the work which must not be al lowed to accumulate from day to day. My office is really not an office at all. Rather is it a workshop, a den and a library rolled into one. And of these the term workshop is the most trulyi descriptive, for after that first hour it become the scene of n full day's work. While a scenario N iif the process of construction there are numberless con sultntions with Mr. DeMille. First cutnes the idea and n thorough disciiion ot it with him. Scenarios arc not things of the minute. Often the idea which fcerira nn the motive has Iain in the back nf one's head for mouths or years. If Mr DcMU'c is interested it h considers the iden practical I proceed to rough out the storj. 1 wish to "put over' such-and-such a theme. What kind of action will best nccom plish this md? Length thought, occasional reference to past experience nnd thorough discus sion of the Mubject with Mr. DeMille ore the means which 1 use to come to a solution of this first problem. In almost every story there are purely technical angles which must be care fully studied if (lie story is to ring true. How did people conduct them selves in Mich-and-snch n period? How did they regard certain matters? Ana tio through dozens of similar question which muM be answered before the storj can be put on paper. HJ 'AVINC secured the necessary in formation nnd having a general outline ot the story well in mind, 1 proceed to write it. sene by scene. 1 do all of my writing in long hnnd end turn over mv manuscript to mj itenograplier for copying. Many scenario writer. I heliee, either use a typewriter themsehex or dictate their rontinuit)- the scene -h cene working plot of the storj to n Utenographnl. I prefer to write mine with pencil and paper, nlthoush it is undoubtedly slower ami more tiring And so through the dny I labor at my scenario Often the evenings will be devoted consultations with Mr. DeMille or ome other interested per son Sometimes the story becomes so absorbingly interesting thnt 1 work on Into the night without thought of time. Not infrequently the work of filming the story gets under way before the fina' scenes nre written This means that I must kenp well in advance of the production work with my writing If I am to avoid halting this highly ex pensive process But through all of this there is no auch thing as an "average dny s work." Every day is a day unto itself It may start nt noon nnd end at .1 in the mom ing nf the following day . or it may start at 0 and end when the work is fin ished. Sometimes I think that the grind of It will nrove too much for me But It never does. The work, for all ot its dltadvnntages, possesses nn appeal V'hlch I can never refuse. It Is often hard, generally irregular as to hours nud freiiuentlv trying to the patience But it still continues to elnun my time nnd ray best efforts. Filmdom's Most Famous Now Working in East WITH the arrival of Wallnce Reid in New York to play the part of Peter" Ibbetson in Du Mnurier's Mory. which will be produced by George Fitimaurice. the Lasky Eastern studio has begun to lake on the aspect of Hollywood, Cnlif.. as far a screen per (tonalities go. No fewer than six per sons who have been working on the Coast until recently are now in Nr Tork. Tom Formal), who is directing Thomas Mcighnn In "Cappy Ricks," nnd Agnes Ajres, leading woman in this picture, nre two recent arrivals at the Long Island studio. Jeanl" " phcrwin, Cecil B. DeMilln's scenart'i writer, who bus Just returned after n teit'wefks stny in Europe. Is spending' some nf, lief time In New York before slit goes back to California One of her oworker&, Olga PrhiUlan who does VntWMi writing for WJUiam DeMills, ' TOD ATS HONOR ROLL IN MOV IE BEAUTY CONTEST- , , ! vtuS'""'1 5SH I 5632 Catharine, JS HK LUCILLE ESPOSITO, 7 iN ' '""1 JB 603 Fitjwate-r St. BHHHfiSH Vl , t" -'jP ilci has been in the East for more than a month. Elliott Dexter who will take a promi nent part in "r Ibbetson" is a re cent arrival from Hollywood and Thomas Mcighnn. who has just com pleted "The Conquest of Canaan" and has started on "Cnppy Ricks," came from the Coast to make these pictures. Elsie Ferguson also came from the Lasky studio following the completing ' of her picture. "Sncred and Tfane Love" nnd recently made "Footlights." I a Rita Welman story, at the Long Island studio. A Day With an in a TtTHEX a girl hai been to fortunate as " to obtain an "extia" role am! enters a big studio to begin her first icork in motion picttne, the is probably im vreuied first of all with the magnitude of the thing. Take, ot nn example, a studio of the ii:e of the f.askv plant in Ifolluieood. Calif., irhich it a nood illustration of West Coast conditions, The new girl sees a marvelous or- Uanizaiion. trith evertl Otlll hllXU. &A r- - .... .-..,- -.... ... sees notable and familiar people. And hard and at times discouraging work retire to recommend tne liook you ile she sees a large majonty of fnees that and' then sometimes dionppointment nt I '''? because I do not know anything nre tlitrrlil uiit-tinirn hul trhnte lint. .V. l,..:l. lit JO lit It. IlOW CVer. I can Safelv advise sessors may perhapi hare a very im portant part m the making of the pic tures. - 'v ...,..., ..... .......... ...... THERE are many things that as tonish the novice. First, there is the "wardrobe; there are two of these, one devoted to the general productions, the other exclusively to Cecil B. I)e Mille's pictures. The first is under the direction of Ethel Chnffin. the lat ter of Clare West. Each has a large I body of asistants nnd workers. j These departments arc literally ex- ! aggerated modiste's shops. A great deal . , . , ., ,!, m.. u t of material of the finest quality s al- i ways on Hand in tne raw auu mime mm but new gowns are oostantly being made for the stars and leading plavers. ' made for tin HMr8 """ 'l"u," ' , while the extras und small-part people are hiipilied from the made-over gar ments, which indeed nre nlmost in variably liautiful in the extreme The new girl, after having b'en s... lected among others for an i-xtia imrt ,n n. i.ictnr.. .inrl checked up b the ... ..q i-.- casting department, is tent up to the '-LMh .... - nartlrnlio for n costume. Tnln n fnr ernnted that it Is t l,P a ballroom scene; she will need nn eve ning frock and is soon fitted the experts in the department Then some, more experienced girl helps her to make up if she is unfamiliar with it. and soon she is called to the -et In the as- l sidtant director and supplied with hen ticket, which must be Mgned anil upon j uliinVi al.p inllects her ua i Our little girl sees n fullv furnished vooni with lights all arranged and the i i iiiineramen at llieir nini nines i ne in rector appears with his assistant nnd si ript holder The principals and the star arrive There is an orchestia plavlng soft ! and dreamy music. The lights go on a blinding glare or white light it is and rehearsal having been accomplished "camera" is called. THE piincipals do their part, the ex tras have perhaps been dancing, or sitting nbout in their best bal'rooin manner. Some young man in full dress has been supplied as a partner for oui little lielolnc. and they chat iiiilinated'y Soon the signal to dance is given mid thev Hre interwoven in the mazes of a wnitz or one-step "Cut," comes the (all. and half ( finished, the extras wait or leturn u . their seats. , So it goes through the day. Some times there are long waits while scenes between the principals nre being made , This cort of work may continue foi several days, and then our little git I finds that her work is fiulshed She l uiav he catieu again iu a iew nays perhaps not for a week or a month. Once familiar with the ropes she goes to the different studios and be comes acquainted with the casting de partments, gets listed nnd may keep falrlv busv if production is lively If not she mn find the between times vcrv tedious Thnt Is whv it in so in advisable for a girl to undertake this sort of work far from home unless she has some private means. But it i the one it wy iu iuiic yv a ,' v ig t y. 7 ii in . i rr&i-fMrf 'IppLV tt MARIE MADONNA . V?Hk T 2444 V.HurttirtBdoSt. NpHk " 'pMi&& B.ROBERTS, . -k -f PpfvV Js' 4313 Ludlow St . -V "Extra" Girl Big Mode Studio unless you have had previous experience either on stage or screen or can win our movie contest. In time. If you have shown .nbllit or even indications of it, if you have looks and .outli and adaptability, sooner or later some one is going to pick sou or later some one is going to pick out. in till nrobabilitN . for n small nart Making good in that, u rise is easier than might be expected lint rl.ai.a nvo Line ltni mnnttia nf UL.V I. llll. .... u... W.lft ...u.....- ". mt- IIUI-MI, Ur -ittle extra girl doesn't know Si 'stVLXr -"U hiiu mai .vi iiit'n in i iipr unit nuiui.v nini opportunity take her out of it, but she learns in time the massiene.ss of the organization and .sees instinctively what a great task It is to make motion pic tures today . ' It is much the iiime in any big studio. All nre modeled on similar lines, but ' bometimes the minor details are linn- ! d'ed somewhat differently, T '' '' ' "'R st'"llo I all activity - H tr.et business. The frequent and unfounded tales nf evtinvngant par Jn , re nl)'snr(1 , ,1()M0 wm, novl. There is little time for play. Making piitures is a highly nignnized buhim hich nee.ls the closest intuition and ,,,,.,, ,,r(.,.m,e, ,.XPM Uniught of the frivolity that untliliiMiig iicupre .some- times ossuine Is part nnd parcel of nuv life imrtaking of the thuitrical. The Hnnneial outlay is eiioimous, thi work is exacting nnd time Is alwins au element of more or less importiuue It is necessary, therefme to work upon system that peitnits of no loss of this vnlunble element coinpntlblo with elfi cient and artistic accomplishment WHERE THE "EXTRA" GIRL GETS CHANCE ' I . 1 rniUS Kccue is typical of tho many, I J- hundreds which uie innnnntiv i.eintr acted In Iho bis motion p.ctuic studios It Is in such a scene as this thnt the un known sirl (he Wistful nsnlrant tn screen lame gets ner nrst rnsnee. DOROTHY FARNUM GIVES ADVICE ON SCRIPT WRITING ALINE C. BAGLER As I do not know what type of stories yours arc I cannot tell you to whom to submit them. If j ou will describe the nature of the stories, whether they ore drama, farcp or comedy, and whether you have had anv particular star in mind when you wrote them I will be vciy happy to advise jou further. I'. H. H. I cannot recommend or . ., . -,.' " " J- 0.!! ! "" by "ann.w Mcl! se,lsPfor?r.r,0. , T 1 T . To the lady who asked not to hove Jicr nnme published Seo above answer. t: v. n.- opsis form. -Submit your story in syn- F R. Be yourself. Never Imitate another writer. You can only copy his faults. LEWIS W. ."aPPLETON. Jr. When do editors feel at their best? When out of thousands of manuscripts they find one which is available for use. Thnt should he encojiraging. A C. SMITH I am sorry that" I anuot undertake to show your play to onstitnce Tnlmadge. Miss Tnlmadg? " only one member of the company- "men nears ner name ineie ate ex- put rcnder.s employed to go over iiiiinu- w ript. hifting it outt handing only the most piomising material to Miss Tnl- mndge for consideration, I iftn sure that when you consider it, you will feel as thev do. that you want to save Miss Tnlmadge every possible drnin on the vitality which Hhe gives so freely to the public. Hero she joins 11 "core or more othCM 11s ' atmosphere." . Slfe. """y "e culled iiiiciii' to wear evening (ircss one nay, whero tni.s kiihi or piny w-ipiir put on, the next 'lav she mnv bo herded in with a mob of East Bidera in rog and tatters. Todays Motiie Contest Article" . 5 PK2a( They Call a take) We Have to Repeal Our Warning Against '.Resting Your ! Chances on Dinky Little Ping-Pong Photograplis '. and Amateur Snapshots JITIIKN n dWtoior hat finiihed a dau's ff i deretonina and nrintino processes and 1 olcction room tq seq if it Is satisfactory. , . , .' It it isn't it'snmir nf the actort or acttessts have done thinos theu oughtn't to have done, he orders a "rc-take," Thal'means the job arts to be done over again, ' Today irc'tc forced to order a "re-take" on this dailyjirtkle about our Movie Iteauty Contest. Jtrs because somcof the actresses in ita ichole'lot of 'em, in tiict -ate continuing to do things ice told them not to do. , Ho this 'Ire-take1' is simply a repetition of things cc have-already printed. TTERE'S the gist of the whole thing: I AJ- Dense, girls, for your own sakes, stop sending in dinky little ping-pong photographs and backyard or Atlantic City beach amateur snapshots. They haven't got the chance of the snowball in--well, you know the old saying or don't you? We're ready to admit you all look mighty charming in our dear little bathing suits and the snapshots make us wish we were down there on the sands with you but they won't do you any good In this contest. t We hno n hundred or more of 'em right no.w on qur desk and nt least half of them mnkc us fairly nure thnt the girls they represent are Vtty enough and charmlngCenough to deserve a place on our honor roll. ' But they only make tis suspect this. In a contest of this sort, your photo graph MUST PROVE IT BEYOND A DOUBT. -"7"OU must remember thnt the artists ' and the noted camera men who are on the jury of judges have the keenest possible eyes for photographic possibili ties, but they work customarily with the best nf stjidio lighting and back grounds just as the movie photogra phers do and they arc going to give the preference to the pictures thnt show girls who "take" best under studio condi tions. And, in this connection, we want to impress another thing on you. It is not necessary to go to the cry highest priced photographers to gct pictures that will give you a chance. Any man competent to build up a successful photographic business in your neighborhood is competent to take a photograph that will show jou to ad vantage. So ;ET A fJOOD PICTURE. There is time. The contest will probably last for three or four weeks yet,' and it is really worth the trouble to giveour- hen a real cnancc. Lucy Fox Is 'Converted - to. Stardom in Serials LUCY FOX has been signed to play leadini: narts in Pathe serials. She is now working with Chnrles Hutchison on his new serial called "Hurricane Hutch." Miss Fox confesses that Ruth Ro land's advice was inFtruinentnl In caus ing her to forsake features for lending pnrtH in serials. - Both are ardent devo tees of horseback riding and other out door excicise which fit tliem for the sometimes strenuous action demanded in serial work. Miss Fox's beauty and typically fem inine charms seem to belie her pos session of these dualities. They were demonstrated recently, however, when she wns loaned to Marshall Neilan to play a big dramatic scerie with John Barrymore. For twenty minutes Barry more "threw her all over the place" and she didn't mind it at nil. She had inclinations townrd movie acting even before being graduated from St. Anne's Academy in Providence, R. I. Her parents were traveling abroad. Aeromnnnied bv sympathetic family friends she went to New York and ob tained a small part in a Sonia Markova picture Her work was io satisfactory that she was later starred in "The Crystal of Faith" and "Why I WouhJ Not Mairy." This was less than three yeais ago. After a period of supporting Tom Moore, Mao Marsh and Mndge Kennedy, she went back to Providence and finished her school course. Since then Miss Fox lias appeared with Vltginln" Pearson In, ''The Bishop's Emeralds,'' Mollle JKing in "Women Men Forget." Alice Joyce in "The Winchester Woman," Hnn-y Morey In "The naming Clue" and "The Sen Rider " Constance Binncy in "Some tiling Different" and In "The Empire of Diamonds." For work in the last named pinduction she went abroad with Leonce Perret nnd other principals of the company, was entertnined in Eng land, France and Spain while devoting pearl eight months to work on the picture. Mibs Fox has just returned with TO MAKE GOOD 1 , of, And then the next day nnd the next for miiiiy inorc daysshe mny liuye no ioh ut nil and no income." Hut each nine ?nv is ou sue nns uie cupiick i nttracf the director's eve: the smsIP "hit" comes and then'lho slow riM to J ttardom. h ' work, the film i runhnl hraugh the he vtetcs it on the screen In the studio Movie Beauty Contest Facts in. Nutshell THE Betawood. Film Co. wants to find three girls o'f n fresh, attrac tive wpe for their series of "Toonor ville Trolley" comedies. .Wo have agreed fo find thesp girls through a contest. Tocnter simply send your photograph addressed to "Movie Beauty Contest," Evknino Tudlio LKnoF.n, Sixth and Chest nut streets. The winners will be employed first W in minor parts at "$'l a week. The best of the threa will then be given the leading pnrt in the next film nt MOO a week. The othe two, If they show sufficient talent, will be further trained with n view to filling the leading pnrt later. The photographs will b judged by a 'committee of three well-known photographers Theodore T. Mnr ccau. 1C0U Chestnut street; EllaH Ooldensky. 170.r Chestnut street: William Shew ell Ellis. 1012 Chest nut street and two famous artists Leopold' Seyffbrf and Miss Harriet Sartoin, principal of the School of Design for Women. No time limit has yet been set for the termination of this contest. Hutchison and his company from Au-' sable Chasm, where she figured In Mime, of the tnost exciting outdoor'sQtnes in "Hurricane Hutch." Met Here In Old Lubln Days Mary Carr, who came Into fame over- night by Tier poitrnyal of Mn Benton in "Over the Hill." and Harry Myers, who was macc famous oy the part of the Yankee in "A Connecticut Yankee in King Arthur's Court." both were doing small parts together a fewyearsj ago nt the old Lubln studio. 1 rilOTOl'LAVS pnnwunr WOJy . coHunr r tr AMERICA AIramrra. '2h. Morrl t, Pmayunk A. AIJCK I,AKK In "BODY AND SOUL" rtLLVjnLIUjrit. IMtlv'Jiin. Kvi at 8 DOUGLAS FAIRBANKS In "TI1K NVT" APOI I C C2D THOMPSON 8T3. VI VyiLAf MATINI'.E DAII.V MONTK III.HK AND ALL-STAR CAST In "THE KENTUCKIANS"V ADCAniA CHESTNUT liet. 10TH -iv.nLir 0 A. Jl. to 1I:1S P. M. BEBE DANIELS In "TWO WEEKS WITH PAY" AQTriD FRANKLIN ft CUP-AHD AVB. m -'rv MATINKK DAILY WALLACE REID In "THE I.OVK SPECIAL" DAI TIlVinDIT fiiT ft P.ALTIMOKE DAL. 1 llVlUKt.BvE, .0. SAT MAT LEWIS NTtNE In "MILESTONES" BENN UTH AND WOODLAND AVE. MATINEE DAILY DOUGLAS FAIRBANKS In "THE MJT" DI I II7DIDr Brond & Suseiuehnnna DLULDirVU nntlnunm .' until II CONSTANCE TALMADGE In "THE PERFECT WOMAN" NORMA TALMADGE In "THE PANSION KI.OWEU" Broad St. Ca3inpnrodfrbrA'v FRANK MAYO In "A MAGNIFICENT 1IRUTE" fAPITfI 722 MARKET 8T. VMI 1 1 KJL4 10 A. Sf to 11:1.1 P. M. MAK.HIIAI.L NEILAN'S PHODl'CTION "Bob Hampton of Placer" . fr fKU AI OI" Muplewooil Mn. VlWiNlAU. ...30, 7 anrt It P. M. CONSTANCE TALMADGE In "(lOIID REFERENCES" DARBY THEATRE WILLIAM FARNUM In "IIIH (iREATEHT HACR1FICE" UMDDCQC1 MAIN 8T MANAYUNK HlVlrKtOO MATIN RF. un.r WILLIAM S. HART In "O'MALLEY OF THE MOUNTED" FAIRMOUm-AA?!. .IA'K LONDOV'N "THE STAR ROVER" rAt V tiicatju:- inn Market st. rAlVllUl A M. TO MIDNIQIIT WILLIAM S. HART In "THE SILENT MAN" GATUI CT THEATRE ltlnw Spruit DO 1 ri CD 1 . MATINEE DAILY GEORGE ARLISS In "THE DEVIL" FRANKFORD fraVvkd THOMAS MEIGHAN In "THE FRONTIER OF THE STARS' r rMan" gwi market st. ULUDL " unit :S0 to II BEBE DANIELS In "SHK COULDN'T HELP IT" GREAT NORTHERN W WILLIAM FARNUM In "HM GREATEST SACRIFICE" FOR YOUR SCRAPBOOK OF STARS GEORGE B. SEITZ Rosemary Theby lins been engaged to play the feminine lend in a special pro duction Einmctt J. Flynn is mnking in Hollywood' fftr Fox. Miss Tlicby mnde n lilt ns.thc wicked Queen Morgan I.tv Fay In "A Connecticut Yankee In King Arthur's Cojirt" and nppears nt the Weaver of Drcoms In "Shame." Tom-Mix was Rhone time head cow boy for the 101 Ranch show. Now the circus folk are trying to get hiyi back under the big top, nnd have offered him $100,000 ,for, n season of twenty-six weeks. Tom scjuls word that he will continue 4iinkipg pictures. Cleo Madison, that stately 'queen of riin.Toi'i.AYs The following theatres obtain their pictures through the STANLEY Company of America which is a guarantee of early showing of the finest productions. Ask for the theatre in your locality obtaining pictures through the Stanley Company of America. - IMPFRIAI OOTJI A WALNUT STS. . DOUGLAS FAIRBANKS In "THE NUT" v IMPPRIAI -Q AD POPLAR. 2 18 '"" t,,,rtL . MATINEE -DAILY BUSTER KEATON III "THE SAPIIEAD" Lehigh Palace German,;.:hnlg; atvl uenuc i INA CLAIRE In "POLLY WITIt A PAST" LFRFRTY biioad a columiiia av. LllMLil 1 I VITIVfl' TlAfl.V ELAINE HAMMERSTEIN In "PLEASURE SEEKERS" MQDEL 2.1 SOUTH ST. Orehmtra Continuous from 1 to 11 AI.I.-STAR CAST In "THE STEALERS" O VERBROOK 03D & "Ai?iD. TOM MIX In "THE ROAD DEMON" PAL'ACF 12U market street ' TOM MOORE In "HOLD VOL' II HORSES" PRINCFSS 101S market PTiiEirr WALLACE' REID. In "THE LOVE SPEC IAL1 REGENT J4"KKT ST. nelow t7TH ii-ucs. i u,4, A M o n p Jf HUOII FORDS PRODUCTION - "THE GREAT DAY" RIALTO OKnMANTOW.V AVENUE 1Unlj ' AT TULPEIIOCKEN ST. -, Tori MIX In "HANDS OFF" RUBY MARKEt'st. HELO'W 7TH 111(111 FOIID'S "THE CALL OF YOUTH" SAVOY 12U MA'iJT htrert .-"HEARTS ARE TRUMPS" SHERWOOD & i..R.'Flv7 V WILLIAM St HART' !- h' "O'AIALI.Er OF THE MOUNTED" .STA'Nf PV MARKET AT -V - 10TH .Tfr H A M.. in lit ir. mie jiiro t ...;...-..:-' M. "SENTIMENTAL TOMMY" STANTON10,,A,iI;rj?" ",1T,r 'I" 15 A M. lo 11:1(1 ji jt. MARSHALL NEIIWN'S PRODUCTION "DINTY" ' 333 MARKER , WILLIAM S. HART ln"VIAM.KVjl.' TIMj MOUNTED" VICTORIA 2(tTIt aSW . HEN TUHPIN In HENNETT t'OMEDY "A SMALL TOWN IDOL" WM. PRNN r Ln.tr At I. . . vnurtfVlll pd Plctnran VGimSTSF"YHfER,,DlAY" AT WEST CHESTER ' RIA! .TCI i TOM MIX tn IDLE HOUR JWiVIgxEv i t U "Her Flrt Eloptmnr" .fi 1. ipppppppppppflrapr' " ' ' -jtj&i tip- . ppppppMpm. -- dusri npWn HpppppH 1 ppppppppB'&K' -J&fr PPPPPH 1 -ppppppppHSpfKi Ippppb 1 pHppppHpMpK'ppH 1 ppHBpK'MppH ' PPPPPPPPPPPJSPPPBHHCtK'V9IK'I pppppppppppplpbrjhpppppmv''' pppppppppb ppppppppppflHBiPHIppHr K" pppppppH ppppvwsnpivr ' '"' pppph p WpBHpmk' PPPPPB VflVflVi lHHK'':,pppH wflHPPt'.ppppppppl ppHv" plpHplpP?-'tppppppppl ppppppp1sHpKppppppppH ' ppppppppppppppppL''. HHBBMprVWjppppppppppppppppppppppppl ppppppppK- x iL e ' $20. x . ? ; IpHpppppppppm i -jpftpV VIpppppppH ppppppppppppK r .pBp- fvrlppppppppppppppppl ' PPpIpPpHK "' .- JELJh' IpPPPPPH mHpHpK'' Pvpfi-'i?ppppH KTKBBKvi JHiii ppppI BllpHpffipfpK ppMTPMil'sn' pppH ' HpppK'lppffi v?' i'ipppl pHplpHpPBH,BPpBKy ' :V YM f PPPH ppppHHmlpPlpHpM'fly pH ppHhIpKpbI mm I, H BKm'lmmWmmmmMh'tmQ H pppHIpVIpHpmI' pv wm pppppKKMpHI I&l.H ppppHMpjilpHlpjl' pppHHHpHI' m mmmmmmmmMb?s' 'pppsspppbppppml' 'WmmMBmmjmmM&jmjmm&mmmtmmmtm&3 tnn --- t " itzr ' vg JVhat Your Favorite Film Stars Are Doing ,J earlier filiq plays, namely Univcnilj ctrnmns nnd'sennls, is coming back 6 the screen with n new company. &U hits fjecn with Metro for tne & year nnd when her contract eiplwi this month site will be fentnreil u.j. special features to be mnde by the I. reriHi i-rouucuous, n ueiawnrc rorporil tlon! The'si" productions will be nil and exploiPd under the personal h pcrvision of Jesse J. Goldberg, who bit been in the film Industry for some rut jjis inure!) nre ni u west FoftJ. fnlirtli street. Vnu- Vnrl nu,.id lelcnse will be n story by Wln'ifi Dunn, the title to he chosen lihlPl Liic medium ot distribution is to be selected. 1'IIOTOri.AlS HOTWUrt ,rAMIieA FlTTtThe NIXON-NlRDLINCERl 1 U THEATRES Uf AVPMf IP 25th St. and Allecncnr AW n V E.l UC MATINEE DAltf ALfSTAR CAST lirt . C '.'REVENGE OF TARZArf BFJ MONT B2D ABOVE MABKW DCIMW1N 1 130 4 a unit fl.U tilt. VERA GORDON In "GREATEST LOVE" i fCriAD C0TH A CEDAIt AJ'JS OWEN MOORE i In "CHICKEN IN THE CASE" ( mi IQCT !M market nkmajM, vvuiuwui, floTj( Axo CONWAY TEARLi M In HHISFEIUNO DEVILS" ' HIMRn FKPNT ST I OinARDtAn JUlVlDLf .lumlio .tunc on FrHnkfortlt ALUSTAIt CAST In "LONE HAND" I FAnCU 41HT A LANCASTER AI LC.Urr .MATINEE DAILY tT.T-HTAK CAST In "COUNTY FAIR" I HP KT 52D AND l5Ct'5T STRM LiUUCiJA jim, j 3o, a 30 Ein. 6 JO ll BETTY COMPSON In "PRISONERS OI LOVE" NIXON B-D AND MA".iST.Vi SUNSHINE COMEDY ' "', "NIGHT BEFORE" RIVOLI K'm An uAvtinf fiTS. MATINEE DAtW ALUSTAR CAST In "GOOD BAD WIFE" CTDAMn QBRMANTOW.V AV ij i ixr-n-i-' at vr.vitn htm ' DOUGLAS FAIKB- " f In "THE NUT" T OTHEB THEATRES AURORA "Wi atT$wm CONWAY 1EARI.E in f , "SOCIETY SNOBS'' nnkfri rr-i-v t'tIa aw. nnd flth CIN 1 U W I M ATINEP H'i MILTON SILLS in ,-j "The Street Called StraigW Fay's Knickerbocker 4i1 COKlININb. UKirriin' ln"ttlml la Your Hfputntlon HlftjL liflrmantnwn .i.tikkr daH . rin n.rmaniDVH WSI. CHANE AND IUSTEH KEATOX ' "SAPHEAD" . . ir i JEFFERSON tun & """x.iil nAHE. KUin i.. imvlllIN' IIOMK" 1 fOADk' llai3 AVE. OAurS PAULINE HREDERICKj In "THE MISIHLSS Ot' H-S, SPRUCE C0T,MA'r'NEi: NORMA TALMAS In r.ttTHB-V " r klP. 'ftV.l'j . ", fH 1 , . JtiijV -5J.. IfeSJ B'S-iil3 jj- v ,. Jlt&Vfc. " aWis-ia . j ".t . j
Significant historical Pennsylvania newspapers