Vjftf-'fWV "flWf I t'jtutW fW'-VeXV7'' f -r"J ef JPWB'"'1 -" TEff? Wi-7'Vrjr' EVENING PUBLIC IyEDER-rKHIL'ADELPHIA, SATURDAY, APRIL' 23; 1921 13 FS5?ftsSrtsi5s'W,''' ''!S'r-r THE PLAYGOER'S WEEKLY TALK OXIjV one of next week's clmngcs of billst Ii complete hUrc novelty, "Tlie 1'nnslon Flower," nt the Walnut,' nml this tlrniim by the noted HiiiiuIhIi ptnywrlulit. .Inelnto HeiinvctitP, linn nl ren'ily I"11''' Introduced to screen audi ences tills week nt the Stanley. In the Miirc version, In whleli Nance O'Ncll. findlttfj nt last n role worthy of her nceoinpllsliiiicnts n.s an emotional ac tress, has been npticnrliiK for n sciiejn nnd a lialf. the star takes the role of the distressed nnd passion-tossed mother. In the film Norma Talmailgc iimkes the dmishtcr, whose love for a nniinntlc sweetheart Is almost ruined by the jealousy and desire of licr step father, the outbtnndlng fisure. Tlie other openlnes arc "Ilobln Hood" (Forrest), which had Its last professional revival here about n decade ago nnd which. If memory serves, wns put mi for n performance by one of the nmntciir operatic organizations, nnd "Mnry" (Oarrlck), which returns to the house of Its metropolitan premiere for a third engagement, with the origi nal company. IN ITS hordidncss of situation and fcombcrness of treatment, "The l'ns sion Flower" would seem to be of n niece with "Marta of the Lowlands' "Tiellnlid" In its operatic form by D'Albert the last Important drnmn de rived from Spanish sources. Mono vnntc's plot has to do with the smolder iu? passions that burst Into Home in n peasant household In n remote village of the Spnnish mountains. There n husband burno with desire for his beau tiful stepdaughter, "The 1'asslon Flower," ho fiercely that n suitor for her hand Is shot from nmbush following the celebration of their betrothal at bis Instigation, although this phnse of the plot is cunningly bidden by the drama tist. The wife nfid mother, portrayed bv Miss O'Ncll. broods, suspects, finally discovers, lets loose her rage and agony mid speeds the final outcome of the A' sincere attempt has been made throughout to follow the traditions of the Spanish theatre. There is no carica ture of Spain nor of the Spaniards, but a serious version of one of the most vigorous dramas on the contemporary Mate, presented by n company of artists. The scenery, costumes and accessories employed during the run of the piny In Madrid nine years ago have becu re produced to minute details. BHL'SII up, folks, on medieval his tory and review tho story of the greatest nnd most lovable of all brig finds. "Ilobln Hood." Of course, all remember about this titled Britisher of the Middle Ages who turned ogainst tho law, gathered n group of audacious fel lows about him and robbed the rich to give to the pooh The late Itcglnaid Do Kovcn put "Robin Hood" Immor tal on the musical stage with apparently perennial results. At the Forrct, beginning Monday with scenic pieturesquenoss, a big cast, a large singing chorus, n symphonv or chestra and period costuming. "Ilobln Hood" will be presented here for Hie lust time in years. Italph Dunbar, the director, is forg ing to tlie front as a producer of pop ular operas. Even now he is to the light operatic field what David Bclasco Is to the drama. Dunbar has produced1 "The Chocolate Soldier," "Ilobin Hood," "The Mikado" nnd "Cannon" In the Inst two seasons and plans addi tional revivals for next year. SYBILLA BOWHAN, the Golden Girl In "Mary," made her first stage en trance in the mob scene with Robert Mantell in ".Tulius Caesar" nnd was encouraged by Mr. Mantell to cmbain. on a dramatic career, for even In the crowd lie picked her out as having talent. To gain technique she later joined Poll's stock company in Worces ter, Mns. Then she was with Leo Dltrlchsteln in "The Great Lover " with Peggy O'Neill in "The Flame," and h1m appeared in "The Wanderer." nMii.iMnr. ulm .1 nnlil ltbn tn PflMflV milfll- cal comedy, nfter several unsuccessful attempts to get into n cliorus, Biie was enrolled as a member of the Cohan Itevtie of 1018, a happy engagement she considers, for there she met Jessica Brown, who taught her all she knows about dancing, and that she was a good teacher is shown by Miss Bow han's clever work in "Mary." IT IS not generally known that Mark Twain's beloved "Tho Prince and the Pauper," in which William Fnvw sham is starring nt the Adclphi, was inspired by "The Prince and the Page" by Charlotte M. Vonge, a juvenilo vol ume containing an English story of the thirteenth century. It wns tlie story of Kdnnrd I, and his cousins, Richard nnd Henry dc Montfort, nml told of tho prince's submerged personality, pic turing him as. having dwelt in disguise ns a blind beggar for n period of years. This was n story and setting of the kind Mark Twain loved and he got a correlative idea from It. Not only would ho disguise tlie prlnco ns a beggar but also the beggar as a prince. He would have them change places and each learn the burdens of the other's life. How ever, thero Is no point of resemblance between the two stories nnd no com parisons may bo made. The idea of tho cbanglings in the cra dle later used In "Pudd'n Head Wil eon" presented itself, but it could not provide the situations ho hnd in mind. Finally came the thought of tho playful Interchange of rniment nnd stnto with startling and unlooked-for consequences, iho guise anil person of Tom Canty, of Olfal Court, for those of the son of Henry VIII, little Edward Tudor, later sixth English King of that name. This little King wus not his first selection for the part. His originnl idea, it Is said, was to upo the Into King Edward VII (then Prince of Wales), at about fiftce'n, but he found that it would never answer to lose a Prlnco among the slums of mod ern London and havo his proud cstnto denied nnd jeered at by a modern mob. He felt that he could not make this situ ation seem real; so lie followed back through history looking for tho proper tltm and prince till he enmc to little Ldward, with the result of this charm ins 'talo for nil nges," which Amcllc JjHcs has charmingly fitted for the Mage. Ml writers for tho stage nre not so rthirect or delicate-minded as Mr. wtinens, for only last season an enter l'lixiiig playwright made n sentimental comedy out of tho American tour of the ZZ , '?. ry Vmce of wnha, whose personality and movements were ob 1oun under a slight camoiilluge. "IpHEIlE are bovernl kinds of tech- MnrJl'T1?. ln 1H"-,inR." explained :,!"Bn.rct Seve"i to the Playgoer. "Of rlli,? tl.'iei,wo most H"tinctlve nre the liti.- nt,,,etIo ti-aluliis of the classical Z.i, '.""J' tho spontaneous 'iiutural' til I1 ?fJho Interpretative schools." Jfn mrked the versatile dancer with tiio l iim,'!Hk?. lu t,,e "Greenwich Vll hJlL1'"1 k,a llt tl10 Hhubert. "Tho mil. i Blt"tl Produce perfectly trained muscles and teaches the pupils to ex- 'VUIU IllnilV Pftimilli.ntn.l .....1 .11111... ,l iitVi ' U,1,U tho interpretative method is n, ,.,to, '"'Blcct tho physical tralu h or the body in favor of tho encour- ; , l "i ,,,le natural individual ex pression ,,f it dancers. When dancing " a mask, it is necessary to combine f '', Uv? ht'leH of technique, for while "noginntlon and the power of character ""Min'iiuiou are indispensable quali J ck, ninny Ilrm,ticni difficulties nrjN I Willed cannot propcrl) be overcome IV Hli "limit the d nf the muscular train. "ij njinidril by tho bullet hclinol. J he niaoks mudo by W. T. Bendu," continued Miss Severn, "nnd which huvo become widely known because of their novelty nnd Brent artistic value, fit over tho entire head nnd allow the dancer very little opportunity either for brenthing or for seeing. The silts for the eyes arc very small and do not nhvnyp fit over the eyes of the wearer the fiaturcs of the different masks' charac ters nnturnlly vary a great deal as to size nnd proportion this makes It Im possible to sec more than u small section of one's surrouiidingiOat a time. Tho wearer of u mask, for Instance, cannot even lodk nt her own feet unless she bends way over nnd searches around to get the right ungl with her eyeholes. "One feels rather like Alice in Won derland must Imvc felt after drinking tho magic liquid which caused her to shoot up so high she doubted whether or not she would be nble toremovc her own shoes nny longer. Neither may one look to the side without turning the whole head. With these limitations of sight, It naturally becomes very diffi cult In maintain a faultless balance or execute complicated stdps nnd turns. "Here Is where a trustworthy ballet school training makes Itself absolutely Imtlnttfinanlilii TI.A l1n,l(Pr,rf IIOMV lOtlSt Iw. un trniii'nil Hint she Is S1ITO of her steps and pirouettes whether she has the use of her eyes or not. At the finish of quick turns she must be nbln to tell when she is facing the audience nnd when the scenery all this by means of her muscular reaction rather than by sight. She must know when tho limit of a back -bend has been reached by a very careful calculation of balance Instead of by. noting with her eyes the distance between her head nnd the floor." IN HEll own brilliant stage career. Florence Reed has practiced the gos pel she preaches of reaching stardom slowlv but progressively. The daughter of Roland llcpd', the famous comedian, Florence lost her father when she was sixteen. With this, her best friend In the thentre, no longer here to advise her there was plenty to urge the early ex ploitation of her name. But she was wise enough to turn a denf car to unusual opportunities. She realized quite sensibly that she must gain ex perience, study human nature, know something of life, broaden mentally Hnn acquire n real understanding of dram atic values before she might hope to hold any high place In the theatre. So she set herself to u number of years schooling in stock organizations; spent n year with B. H. Sothcrn as his lending lady In "If I Were King," appeared ns Ann Brown In "Seven Days," as Bcttlna In "Tho Master of the House," as Illona Kcrner in "The Typhoon." and In the leading feminine roles of "The Yellow Ticket," nnd the spectacular "Chit Chin Chow" before she felt herself rendy for the distinc tion of being starred. How wise she was Is shown In her fine nnd varied acting In "The Mirage," at the Lyric. FOR many jcars it has been regarded as "Cardinal Principle No. 1" among theatrical managers that his torical plays are held in strict taboo by the public. Plays, that Is, that deal with American figures and that arc meant to be truthful. Just how mnny authorial toes have been stubbed on that obstacleit is impossible to my, but n good guess Is that the number Is large. And it must be confessed that the cases that havo, run counter successfully to this alleged principle arc few. Now, however, comes John Drlnk wntcr's cbroniclo play of "Abraham Lincoln," and instead of curling up nnd dying politely, as the rules declare it should, It draws the public in great numbers and Interests It widely and deeply. Whether his example of "Abraham Lincoln" will be followed by others or not only time can tell. It would seem, however, that Mr. Drlnkwatcr has definitely nnd finally laid to rest one "good old" fetish: For the American public is interested In American char acters; "Abraham Lincoln" has proved Mr. Drinkwater himself has already written a drama on "Mary Stuart," now current in New York, and has one under way centering ln Oliver Crom well. And he Is to prove his faith in the belief that Americans aro interested In American historical characters by writing a drama on General Robert E. Lee. TT IS not always good to be n bad girl. J- At least, that is what Beatrice Noycs thinks. She Is the little girl who does so much talking in "The Mirage." Tlie part is one which permits the ac tress to get through her work earlier than some of her fellow-players and often she may be found In the back part of tlie auditorium watching her co workers In their roles. Miss Noycs stays at the theatre, too, to gain ideas on her work as tho audience leaves the theatre. She Is interested to hear how mnny people forget that the role Is but .one written for the play nnd necessarily docs not call for tho actress to be the name type of person oft the stage. Yet, there are many who say they would not care to know the girl cither on or off the boards. As a contrast to her part, off stage Miss Noycs Is a qaiet, unassuming little actress who lives at the new Char lotte Cushmnn Club, where only ac tresses are cared for. Early to bed und early to rise Is Miss Noycs' wise motto. It was during her acting with Justine THE ONLY CIRCUS COMING TO PHILADELPHIA THIS YEAR ONE CIRCUS WEEK COMMENCING Monday MAY 9 UUOUNDH AT 10TII ST. AND UllNTINO l'ABK AVE. RINCLING A DARNUM ' UROS.01 &DAILEY PrV1DlNC, I OADARDMYM WORLD? CnrATIJT NORSK ACT lOOCLOKifSlOO CONCflESSESOF ARENIC STARS PRI((5'ADULK75f ";,;;;; cuiiDREriso? DOOM 0PIHATU7P.M. MKrCRrUnCEJ AT2a8 RM. Danntuwn Tlrkrt Ofllco Oini TliiirndnT, I and Hrnrrtrd Hmtn on Hale. ROSELAND THE HOME OF CLEAN DANCING Broad and Columbia PnlnnitiU TIM CONTINUOUS DANCINU' TONIOHT rrivate instruction Dlnmoml S0?S Diamond 3S0S CASINO VI. nli. Nth Miit. V,0 FOLLIES OF THE DAY raff.jffiffij Johnstone in the movie studio when "The Plaything of Broadway" was made that her early rising began. In the movies the plnycrs must be nt the studio ready to go on tho scene nt 8:30 o'clock. Miss Noycs thinks It easier to follow this routine tbnn to find It a hardship when going back to making movies, as she expects to do within a few months. MANTELL'S REPERTORY "As You Like It." in n new scenic production, featuring the outhful Miss Genevieve Hamper as Rosalind, will be Included lu the first week of Robert I). Mnntell's ensnireiiient. nt the Broad, kstartlng May L The. tragedian him self nppears in the picturesque roie 01 the Melancholy Jnqucs, n part he 1ms not played before in Philadelphia. As You Like It" will be seen nt the Wed nesday matinee. The other plays of the opening week arc: "Richelieu,' Monday night: "Hamlet," Tuesday night; "As You Like It." Wednesday afternoon; "Julius Caesar," Wednesday night; "King Lear." Thursday night; "Muc beth." Friday night; "The Merchant of Venice," Saturday afternoon, und "Richard III." Saturday night. UNIQUELY NAMED ACT Willltfm Rock has re-entered vaude ville with a production since the with drawal of "Silks and Satins," one of the new musical revues of the season, from the legitimate stage. Rock nnd his company come to Keith's next week. Rock hns gained considerable distinc tion as a producer, ns well ns u char acter nctcr and a master of the dance. He wns unable to select u suitable name for the revue. Rock y surrounded with clrl.q and each girl Is n type, being selected to depict thcvnrlous forms of beauty nnd to wear the assortment of fashionable gowns provided lor tucm. He decided to bill It "William Rock and Ills 1-2-3-4-G Girls ami Two More," which is probably the most unique title ever given nn net. International BUI at Walton This is the season of the year when the big musical comedies are stopping. Some of the headline attractions will show on the Walton Roof. Tlie pro nram orranged for next week Is excep tional because of Its diversity of enter tninment, nnd the fact that the players come from several parts of the world, headed by the Canslnos, Spanish dancers. MONDAY. Tl'KSDAY 4. WEDNESDAY First North I'lillndclphla Showing MONTE BLUE AND ALI-8TAR CAST In "The Kentuckians" "It'ii a PAKASIOVNT Nrtnrt" TIlt'BSDAY. FBIDAY SATURDAY DOROTHY GISH in "The Ghost in The Garret" ' a PARAMOUNT rleture" ADDED FRATUHK KmnrU Comnlr "OITICKB CUPrD" LEADER Lancaster Ave. St 41tt St. .MONDAY AND TUESDAY Roscoe (Fatty) Arbuckle 'Brewster's Millions' WEDNESDAY AND THURSDAY Justine Johnstone in "The Plaything of Broadway" FRIDAY AND SATURDAY "PAYING THE PIPER" Ilroud A Mnntrnmrrr. 2ilB. 1 n F. . Nlion-Nlrdlliwir. (Ira. Mrr. JACK WYATT and Hit Scotch Lads and Lassies "In KIIU nnrt Tartnni" Cottrr & Hold I Norwood A Hall Ilnlllott Trio I nroitrttvay Four "TOUCHY MIXES IN" n Aid Ilrl. Market St. i vis Mm. i". K. o VArVJfW B nm-TIMF. ACTH Next Week MME ELLIS THE WOMAN WHO KNOWS Ull, I.IK m'HKK'H "TA.MIO NIIOK.S" IMK.THO i ? BKN'O ? MOIIK & AI.DIIU'II nnd "SOMEONE IN THE HOUSF." ocU4 BJD & LOCUST 8TS. Mon., Tarn.. Wrd. VIOLA DANA in "CINDERELLA'S TWIN" THURSDAY. FRIDAY & SATURDAY Oitrn Moor "Th Chlrlum In th C'mm'.' "T A f BSd ab. Mrkt pievnV6)ltin.. tum.. wd. LON "THE CHANEY ' PENALTY" Thlir.. l'rl.. Silt. "KAUTlinOUND" .' I lit B2d and , Tctfou. M.".:n!.B..?iu 'The Palace of Darkened Windows" Thurs.. Frl Hut. -Justin? Johnntone In "The Plaything of Broadway" f 0 m. . Marktt St. Rel. 00th OouOexuiv shin "! Charles Chaplin, 'The Kid' Wrd.. Conway Tcarl. "Marooned Urartu" Tliurit. & Frl. FATTY AKIIUCKLE ln "IIBEWSTER'S MILIJONS" "Tti I DOTH ST. AND f OdjtMl. CKDAR AVENUE WW Monday & Taeiday "The Passionate Pilgrim" Wrd.. Thurii. "THK KKNTUCKIANS" Frl. i. Mat. FATTY ARItUCKI.E lo "IIHKWSTKR'H MII.1JONH" FORREST Last Mat. & Evg. ZIEGFELD FOLLIES NKXT Wi:UK "RODIN HOOD" BROAD Matinee Today bvos. ABRAHAM LINCOLN With TRANK McOM'NN GARRICK Last Mat. & Evg. LENORE ULRIC ln "THK n- 1CIXW1i-. uumv- DAUOHTKn" Next Wtek Oi-o. SI. Cohan'i "SIART" ACADEMY OF MUSIC Mask & Wig Club UNIVERSITY Ol" rn.N'NSTI.VANIA N,: HSPOMAEBOTDYSEIlIOnJANCK, Friday Evening, April 29lh HtaU NOW at Hrpkw'f. Uin Chetnut it. and Academy o( Mualo Box Offlco. ' MASK AND WIQ 8HOW Tlie special performance of "Some body's Mon" nt the Academy of Music on Friday evening next will bo unique, InaHiniicli nn the nudlcnco will be ns worth while looking nt ns the Mack and AVlg show. The French relay team have been tendered two boxes, In one of which Ambassador Jiixncrnnd will nit with three members of llife team, while In the other the French Connul In Phil adnlphln, Maurice Tallinn!, will nit with the rest of the team. Contestants from over 400 universities, colleges and schools have entered for the relay races nt Pennsylvania, which take place on Friday nnd Saturday next, nnd one or more representatives from them will bo fltafl . . tun PHILADELPHIA'S KOfWIVIOST THEATRES GARRICK Sx Monday Popular Mats. Wed. & Saturday K, $2.00 7UCOHAN BULLETIN (ISN'T IT A GRAND OLD NAME) DEAR PHILADELPHIA:- I WANT TO THANK PHILADELPHIA (isn't it a crand old town) FOR PUTTING THE INITIAL stamp or SUCCESS ON MAAY (ISN'T IT A CRAND .OLD NAME) , PHILADELPHIA WAS THE FIRST CITY TO GET A PEEK AT THE NOW FAMOUS GIRL AND SAID BULLY: MUSICAL PLAYS ARE NOT UNLIKE THE LITTLE GIRL WITH THE CURL RIGHT IN THE MIDDLE OF HER FOREHEAD. IF THEY ARE GOOD THiy ARE VERY, VERY GOOD, like MARY ( YOU BET ,TS A cand oud NAMt); BUT IF THEY ARE BAD, THEY'RE HORRID. NEW YORKOowtcu), ROSTON (2 WUM), CHICAGO (HOW PIAYIHC), FOLLOWED INTO THE FOOTSTEPS OF PHILLY AND DECLARED MARY (SHOULD SAY IT WAS A CRAND OLD NAME) ABSOLUTELY THE SEST MUSICAL COMEDY THEY EVER HAD THE GOOD FORTUNE TO SEE: THANKS. FORREST llroid flanwm 8t. TH08. M. I.OVT3 Bualn.i Mar. POPULAR MAT. WEDNESDAY ". RALPH DUNBAR PRESENTS A SUMPTUOUS REVIVAL OF - a vrnTiif rvwvw AFlEJUUia UKCAtlUS COMIC -OPEBA Til iJfMPI I Ulfm llllvallf IIiIIih'i alliHll BSSSSSI BSSS. BMm I l Km Bl iniifiiiiiiii.inin- m . Mm rStttcMtsAupmzjja) Str&urjymc- - dTANMRDSJN THE tJUSK A ZUPER-fROWCTIONJNPantrOF&EAVTr r : WJWTAND HCIURESQUZNESS WQMswcMffs&smmcomm wirMEsi QmuaoBt SPECIAL SCALE OF PRICES All Mahln A Hat. Slat.. Loner Floor. St.OOi Ilalconr, Flmt Nretlon, il.noi Nrrond HrHlon. ft nallrrr. SOo rUPCLAR "KI. SIATS.. MWKII FLOOR. I.50i BALCONY. fl.OOi (IALLF.RY BOc Sffi8 FORREST "THE M ASK" Fraturlnr JACK HOLT. HF.HDA NOVA nnd LITTLE MICKRY MOOKE. BROAD Rroad Below Loeuat FRANK NIRDLINQER nuslneia Manat.r Last Popular Matinee NEXT WEEK LAST WEEK Wi"' Frank McGlynn ORIGINAL. FAMOUS N. V. CO. INTACT TWO WKK.KH MONDAY MAY 9 SKATS REtilNNINU WUnUAI, IVIA.X Z TllliihllW ROBERT B. MANTELL GENEVIEVJE HAMPER REPERTOIRE FOR THE FIRST WEEK MONDAY. MAY I "niCHELIEU" TUESDAY "HAMLET" WED, MAT. "AS YOU I.IKE IT" WKD, EVO. "JULIUS CAESAR" MAIL ORDERS NOW FOR BNg"T 4T TMKvAIHVi: "- aaavia.vsr Inthontidlcnro. There should be more .1lnrAnnt .MtAfA nf rrtOI vpUs In the staid Academy on Friday evening next tlian nave ever Dcioro uccn ncuru uhuc. one roof. 1.-.-I.1.... ....iitni. nln tnnkfl the lnt occasion that "Somebody's Lion" will be seen In Philadelphia, after the most successful tour which this dramatic organization from Pcnn has innde. Orpheum'a Comlnfl Attractions The list of attractions announced for the Orphcum Theatre by Frank Fielder. .i.4- r i.a Xnn Dfxtmnnn l'lnvern. uiinvui in in.- ...... ...:..: .--- : i i...i iic. . VMifli." "Artnm nml Kvn." "Tiger Hose" nnd n revival of "Knst Inline." faru GEO.M.COHAN GARRICK THEATRE Monday NinilTS AT :1S $1.50 WORLD IATINEES WEDNESDAY SATURDAY SIATINEK TODAY All NIkIUm nnd Snturtlar Slat., SOo to S3, SO Wednesday 50c to $2.00 mm n -AVry v Sfk , 1 1 tw- s -sd J V kit VIM JOHN DRINKWATER'S THURSDAY "KINO I.EAR" FRIDAY "MAOIIBTH" BAT. MAT "MERCHANT OF VENICE" SAT. NICJHT "RICHARD Ill- All N labia and Hat. Mat. I Lower Floor, $3, Ilaloonr, SI, 1.S0, S3. Oallerj', BOc. ropolor Wrdnrfidar Mat.i Lower door. SI. JO, Ralronr, l and S1.&0. (Jnllrrr, SOr. THEATRES. APPLY AT THE rr4 llll'.AlllIj Htl YIbbsfbssssssssT AMADIA Chestnut St. below IGth ONE WEEK ONLY COMMENCING MONDAY A Rcalart Picturo and IN A NEW riCTt'RE Jo J V P ' "X First presentation of the refresh ing and entertaining romance Willi Hip I "III! ' Mi I till '"! By Elmer Harris Directed by JIaurice Campbell A drama showing the most vivid feminine personality of the screen today in her best characterization, with Jack Holt.William E. Law rence, Edward1 Martindel, Wade Boteler and Mame Kelso in supporting roles. Daily, 10 A.M.-l 1:15 P.M. Matinees, 35o. Evenings and Saturdays, 50c. , c ,.. sesfe. v.2;;ri MAY 2D Douglas Mat-Lean in 'THE HOME STRETCH' IBIS lUlBBiii Hlllli nuLi ;iSSSSa jHftv'SSSSx'' aSSSW - IBBBBBr' - K -' ,:L) ftStfK SBBimK. "kv Xmm IBm m CKS turn i iiiji P',1111 ill W" lUlllllll'lilllllii 9 l 1 1 1 1 1 IM I "' il ' DRAKE Hilt m i. afe. tf. A ! 5a. J&Z?' zvmm&mssz irM' .. .rWlrEb DIRKCTtON BTANf.RV COJirANV Or AMBIUCAT Jfnlln... Loiver rioor "J llntconv (Inc. Tan rlBJqEyNSMaiSMNy1 ' ' '111"' MJty KtMPyy PjpfMlyTfpSfTBysBay "'icony, !i;05. .rMTjr.r;.v?i.r-y- line. Tax) Worlas tnost oeautuiuinvairu MARKET l TODAY NORMA TAI.MADOE In iJwigfta? jf ' NEXT WEEK ROSCOE (FATTY) p. ARBUCKU 'Ji ( By Anandemcnl with Joseph III I licivyiai a Year Man iv A rarnmount "fc. I'lcture Annpn ATTR.Ar.Tinv5? The Star nf Ilnoth Tarklntrton'a "EDOAR" Stories JOHNNY JONES IN PERSON IN FILM "Ket-RlrMiiilrk Kdimr" GLADYS RICE, forrano I'rnlonue Dance Dlertlement TODAY Et'OENE O'RRIEN In NEXT WEEK A "rAMOUH STORY MADE INTO A WONDER TICTURE FILLED WITH IJVE. Ht'HI'ENSE AND SrECTACl'LAR SCENES bgw BLACK o Ailupti'il by Lillian and GoorRO Randolph Chester. From the World-Famom Novel by Anna Howell MAY 2 ANNIVERSARY rESTIX'AL DOVOLAS FAIRIIANKS IN "TlIE NUT" PALACE 1214 MARKET STREET TODAY JVSTINE JOHNSTONE In NEXT M EEK MrttlVyf A Talmadge Mr qjie Passion Hower rrK vSL Adapted of the Jacinto VICTORIA MARKET ABOVE NINTH TODA V "MAN -WOMAN MARRIAGE" NEXT WEEK A REGINALD M.n L' -'Outside the Law,' with REBENTe9 TOM MOORE In Plcturlzatlon of Play "OFFICER 666" nnsT rniisENTATioN GLOBE Junttxr L Market Streets Vauden ' It A M m 11 P M Nt W K - T rtRi. htrean Noe tv WINIFRED GSLRAIN AND COMPANY 7 WTTi .I'll., II. f l Jl ,mm i. nl BuiIh hi nn: mui. in- the D M r." Add 'I Atirnitloii- UIjii a! IkI .id "ONCE UPON A TIME" 'iTHLlt .UTS WORTH VHIIL cross kes NiAituri' Tii. it hi-'i ..urn NiAltKIl' Mil' IT IIKI MIDI Momla Tn sila i. eitneed.i "" TASMANIAN TROUPE m:nation i. ironaw Mil KI.TY 1111 I. I HAMlKll" nitl'RSDAV COLONIAL iienniintu. n ft c'heiten M in lue We.l THE raNTOOOAW. ' I'VRAMui NT I'll TIRE IMPERIAL floth & Walnut f"n Tues Wed. RAMI. KIM.'s "EARTHBOUND" 333 Sf?LKfT Mnday ST.Thutri Tu u,. OTIS SKINNER in "KISMET" t Mk THE J& f, BRANDING Iwron -JBr Etenlnan an4 Saturdar Lower Floor and Ralcony Lncea. TSa (Ir.e. Tai). Ilakony. 50a lino. Tax) IV"i "THE PASSION FLOWER" A Gale of Fun . fa q OfflUgl M.Scbenck) ' -r sJ&P ' "HROADWAY AND HOME" Prices: 10 A. M. to 11 P. M.. 3So 'THE PLAYTIIINO OF HROADWAY" from the Play ISST same name by II Benaventc. Vmkm&$ jyVv DIRECTION I1Y HERBERT IUIENON 0 A. St. TO 11 P. M.. 330 BARKER PRODUCTION FROM THE WIDELY DISCUSSED NOVEL BY KATHERINE NEWLIN BURT As Flcturlied by Coldwyn It Is One of the Sen. national and Inspirational Dramas of the Screen Prlscl'la Dean and Lon Chaney 1CAPIT0L 724 MARKET NEXT WEEK ELAINE HAMMERSTE1N IN SELECT PICTURE "PLEASURE SEEKERS" FIRST PRESENTATION ALLEGHENY ,. I'r.inkfinl Ae k AlleBheny Worm Ijirmm Vnudevilia Theatre WK rh" neninrka' le Myetlc I Aaanted by Mile. Stanton In nn Vi un ',.i-. iii,Imiu Riddla nil. Ml s. I-SlciMA ' A METRO PHOTOI.AY NAZIM0VA in "BILLIONS" wmm iTr.T.TrT' ?.f ..?;".. I'ltilAD SN Dflt AVE. Mond.n Tucbi1j . Wednesday Fred V. Bowers &. Co. IS A NEW SONil REVl B INA CLAIRE In DaiM llearn MImk Surreal "Polly With a Pait" Ull I i II IMihlJ Till' IlrtlTv Y Northern Mrnad and Erie Ave. Mini , Tnes. Wed CHSSFAS- I.MtRY SK.MDX In "THE HICK" ALHAMBRA l.'Mi & Morris Sts Mon Tues Wed, "cabaret de luxe" A llat'pv ''cimblnHiion uf honas. Dnn.es and Jasi "THE KKNTITKIANR""" I'LVTlRINii MONTE lll.l'E "U1LL"'"c"HANUED THOliHUAX" i. Ji m m a n wm tl IJS i '6frS WW ' ti. In 'itfi 'If ' iJB-f i iri i V -i Ik 1 n I m (111 m h V M i' . M. - .A,.fi$4 ,KCt,'iIlip .UL. v.,,jrtwli,ji .-,. .j-tni. V- ui asi'iu, ..ftOHUa, tJK .)
Significant historical Pennsylvania newspapers