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M'J.;n1U lJUBLiO LHJUUMi-PHiLiVDliiLFHIA, &l1UUDAY, AJbUilb 1U, 1B&1
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"HOW DO THEY DO THAT?
MOVIE FANS OFTEN ASK
Day of the Falte Is About Over and Stars Really Go Through
Harrowing Experiences for Benefit of Their Audiences
How They Take Those Peaceful Family Dinner Scenes
Frnhnl'l' tl e nne iineMinn tlint i innxt
Often h nrd dunnc tin priicris. of a
motion jiii Hue mi ilio "iti'imi nft-r H
lin been seen i. llo il" I'lex ii"
tiiat
In tin old i,t of mot imi vl mres
Tvlirn tiiiK ilmt'ii.ip!n ri tn'i i"titlv
used to cum lint rii 'itrddi n d blclilx
enterlainltij: rffioti all of thi. v :i ver.
cadlx extdnlned Vnxvndtivs lumen r.
were trl.'ki-rv with thr ton l less fro
qtientlv resetted t" lluin mldii to i'
potted, mid In tnnnx of the nnt ir
tercsting photoplnv there i no lov.ri
ubntenr to trnK pliotompln
I'm lii-tnnn in n l'nrnnifiint pu'tui
Marrine llijiinl tin- nmed linndi nff
ftpilt tlioro ifi ii i,ino win roil) lio i o.i
one side of a inllnmil trml vxhlle tlio
heroine i on tlio otlur In tlio crap of
n number of rltinn llondlni i in .1
hlKh-pn"'ri'd moti'i uir mill in I. - nn
iot to rnli to tlio vrono. oon tliousli
tlio proio'tiw- sati'i linf il . oii'liil. In
drm I111 nr 111 lnonKnooU poiil
tlirmicti ilf"' Rati- 11ml inlo tlio train
i n ill-' no o nf i.nlj 11 fo fiot nrris
ing in run- to .no On -'111 from lior
per' ' iiior-
Tlil n trioil oornl tlinon nionni
of Hint inislii l'o ti rinod trliK
method " hut tho reinlt a unatK
faftoM It nilslit luno Koiini l' voiii'
niwn lull linln It UOIlIll HOT l!"
Kinnlh it n dooldod ix'ttinllx to do
the -tunt in ilotintioo of danfor. and n
n matter of faot tho tram. 0111111111: n
full -P'O'I ii uithin half a doon
feet of tit motor a it iIhkIioiI pn-t
t.plitit nnp 'ho hi2 'ti'o in U- ta'l ''n-
In another prodno'ion tieorso .Met
ford pi. into ..f .Inok 1 "niton - iin"I
Tt.o oll Wolf - th. lii-mn h.'twooii
11 .loainei and a ferr hoat on nn
KranM-io hav a -msr-.l fart of tni
M-eni .i 111 tu ill tiiKoii on tho Inn m
tho pii.ivo to. ,ilo of tho tor nml two
hoatv v.f iliaitored and nmn or l
danuiji'd in the prio. hut it would
hne on ohiou-h tinpoililo I" P 1
in it .1 vtoanur t" nu-'i 'lirmKli '''rr
"el wiim n I'oriMrui'ted that it uould
took ii with tlio inotion of the waxes
mid the inipnet. tlltitiB to an nlarmiiiR
degree
At the piren isnal from the dtreotiir
the prow of tlio -teamer n proieeted
tliriniKli tin- iilo of the hoat. vhattonnx
tho (jlni windowi and splintering the
wood Tho nrimi effoiti of prn anil
-team wore all prni iilctl for 11 nil the
Mono wan mi nrriiiiKed that the etrn
piopto ooiild I'Mtipp without injur
Ai'tori and nrtri'wpi are innietiiiioH,
ooiniiellod to iintleiso rather iinp'eiiatit '
ovpirienios in the innkini: of a iiitme,
mid It N a trihuto to their hdelil to
iheir art that thN -olilniii itrou" a
murmur of protest
The loratlon diiietor not lntig ngo had 1
11 ditlli'tilt time finding 11 hog for a pit
turo In wlin-li l.iln l.ee appealed iik the
t ir llo linnlli iliiooxereil one. how
iior, n mi 0. iiiusli hug. n virtual ninr.1""
nf lilai'l slimo. in which the little notres
11 n li'igi tl lo tloiindir. to lie Inter re
iiud plastered with 111111I from head to
f-lf
In atioihir pnlute Miss l.ee was
on 'Ud upon to make tutidx with a lialiv
li'o i'n nl who I'litnlniieil all the vieiou"
ni's nf tin- fnlim uiio in Ins small hut
powertul im Mi's l.ee did her In t
to titine li 1 tn nt the expense nf ninnx
, sevrre si rati he She Itnnltj did get tho
little fellow Into n frnnio of mind that
perinittid him to go thiough the inrt ns
signed to him siitisfnetoril.x
Waltaoe Helil has often referred to
himself as one of the most nbiised netors
in tho profession That N to a.v, lip in
xarinblx gits hurt if there N an poss.
hilitx of injurx. hut fortntiatel.x lie nl
waxs psi apes without am spnous or
liistiiu damage although he beari sex -
I 1 ral si .us on his lioilx as 1111 iin'tilocs nf
I his adwnture in the hlms
I It is n niattor of lustor.x that 111 'Male
land Ketnnto.'- (Veil H do Mille s vpennl
produetion. xirttmll.x exer.x nietnber of
the east experieneed tho ipialm nf son-
sii kness while en routp to Santa Cruz
Island, where nmrh of the pi ture xxa
1 filmed It was there .hat Thnmn
poill III Mii.l- ....,,. .1... lll,- ... 11,., l-,t,ni. ..,,1!.. i-.ilo nl
Tlieieforo lit the I hsm ,,,, , r .... .. ...
enl re sido of a f.rnhoat in a.tu.il sire most ,t h,s life when the w reeked
nnieoii.trii. tod and 111 opted hi a num-, lit turmd turtlo off the shore of the
her of extia- Din-.th behind this the island, throw tng htm Into tin water and
Iirow of 11 'full--i'd ti mi r wii- built , it was onlx tin tmng eurn nt .arrxing
and arraii'id 11 a " ' mt.ipult him swifil.x out of harni s wax that
foutul.it on" T o f.rrx boa- pir' of tne.s-ixeil him
what Your Favorite Film Stars Are Doing
IHHHHHbHHBHHHHHHHHHHHHHHH 1 I bbbB IB JH b i 1
1 nMHtjlt aWaWAHrVJiii' XiV iBBTHBBBBBBBBBBBBlBBBBBBaBBVXf v AS i rWfl.fr yijKSMKKV vf V
MOVIE HABITS HAVE BECOME
PART OF EVERYDA Y LIFE
Few Realize Influence the Pictures Are Having on American
Humanity or Extent to Whicli Our Ordinary
Actions Reflect Their Power
.lack riiUfnril. who has Won helping
1 . 11.... ... I,, h nfibllir
firnt lis iMir iiii in 1 i".'.'-.
tinn f Little I ord 1 iiiiiirbrox
I.n ,. nlnriiiin? to return to
.l. ., r. . 11 liuuelf When 1
1. .11. lir in. tun' 1 " will
own loinpinv Hid produeo luirrl
I'm.sh a 1111 ins st, nx
ad
1 t"
Is through
liond hl-
n I.
iii.t 1 ntirl Miee
" 1 1.1
lest 111 IIIO k-i II in
fistun ' niseis
M,ix Mllsnn. Viola
I..1I1P. nfter being the
r,,... ,, i.nll of the motioti-l'I'ture
nt .111 Krnm !. ro. uitl . nierta.no 1
fiOlt d snhl.d war xitorinis me next dax
8t th. rrisiiiio H.d ' r.i- 1 .e I ho
xxer. 1111 nj lie tweiitx women stars ot
filmland ju'st- ..f In n-'i who w.nt f
the I 111. Aiiilitoiiutn before one of the
l,nn.t .p., ml. Ih.lt exit n-.eilll'leil
thp'hall Mi-s llison di In-nil a 1
licfoii tin ball
loin Dana, who hn hoeonio a xiolin
1st fur her forthooniing produi'tioii.
'I.ifi's Darn I"iituix " has an aiiilienop
t lint liii'ludos at eas one ptroinelx
itnnpproi iatixe member I'arno. a
lirire Airedale In longing to (inrotli
Hughes, her xouthful tending man
stands at one end of the ' et" on xvlnen
Miss Dunn works mid howls until Hn
last note has been plnxptl Dallas Kit?-
who is diroi'ting tlio produetion.
that the dog has no mr for
miisii t Ii 11 1 Miss Dana's nuisii isn't
iienrlj as bad ns sonio he hns heard
Here Is a bird's. p.xp lexx ulilili Minus ullli 11n11s11.il ile.itness Just lion n siene Is photographed in a ninIr
Mtitllu. ou see the famll.x lit dinner in their comfortable bnnte. And nn sec that the comfortable. Iioino Is a cry
"lllmsx affair propped tip 'on nil sides xxilli long brain lies, hoe the dinner table. ou M'c txo huge cases con
talnitig tubes of Cooper-Ileultt lights ulilrh shed a phutngraplile refulseiue oxer tho room. In the front, on
our right. ou see more of these lights. On the left ou see the xioiliing force tho director, in .1 tit raw bat.
calling for the nitloit lie wants, two 1 .interns 1 Hiking merrll.x awa.x so that. If there Is something lining with one
nrgatlxe. the other will he all right. Thus are homes built, lived in for a few minutes, and torn down for the
delectation of the innxie fans
ISettj Compsoti will lime for hoi next
tiirritig iiluele .in original b W Som
erset Mnughiim. noted P.iirIipIi author,
entitled "Tlii' tlrdeal " The piiture
will mark Miss Cotnpson's mm mid tip
prar.uiio as 11 l'lirnmiMint snr. Her
tirst produetion. "At the lml of the
World." is now under the direction of
I'enrlixn Stanlaws who nNu w ill. . lire, t
The Ordeal."
eih
BILL AND MARY MEET AT LAST
i
Diana Mien.
feminine rote in
p aim; 1 10 pan
Thomas M' l-'h.in
ii, 1 . phiiel a loading I
'I ho It ntiiokians. 1,
of Mnniie 1'ike in
latest in. tare The
i otiqili t
thi 1 1
Jllo ml I
of 1 ana 11
.. of 111 oil
ng I-land
win h is now in
11 1. m nt the I'ara-
-tud. 1
Ihnm.is Meighan an.' h nituesi
of I iiuati i-mpatn in. Imliiig Don
Kuinn Inxo ! turned ! l'liriim it s
.tudio ntur a 1.. ir xxpoks ,.
N I' W lieie etl'l lois 101
nil 1I1 i I 1-1. 1 mi Itnoih
.tori xx' n taken Asiu'-
iiililiti i t'liiisformed into
mtrhi. n Ciiiinau t'i '
rn sk n
111 s
flu- 1 1 tui
Tnrkin.-t n
Tille in.
Tiirkint
I.
direi ti.m "f It
lm 1 mi ill .lllff 111 'or I
William Null I ! A-h.iille str.-i
rs l'i. nn. iiiaati m t r tl
fiuinti tail had ' an in i-ninnd 1.1
tin limn and i rn In 'el h .line Caiiiin -Clmf
hosti'rx
inla Dana, du' "- 1" r isil t" N' '
Tori, 1 r. has'il -1 gown- that t 1 1
fin trunk- M" innnd'd ' u- " 01
frr . piod 1. ' 'I- I' i' hu I inn- mi
to 1 1 isl t for '"'I bn-l- -lie . 1-'
Men, 1 fin nil in one pi' tun I it
Du n y iintn 11 .
I nr'
Mnd
Xl'.nl
toi .
Tom '
tin
rerjutie. :
p f'-hl'.tl
I 1 I ill
1- Mi
bi
u-. n 1- ma'
i'hri-'i". 1
in- tli at
l.nretli
r.'l. of
1 1 1 1 11
'I
1 ,
darhie
"T1 l
11." n
xi 11 1 " 1
( oogan.
I . - ,
1. in .
I ..1 . 1
a r
II ig'ie- a
s....ititi'. nt r
. nd ng in 1 1
1 1 Ii ip n -l'i
k I'.i-I
1 I n hi. 11
1 S lit'
lmise (il.illlll
I
.f I l'i
1 f
1,
kor
Itrnd
I gngeil
in. lor
Ir '
Insuers to Questions
From loi te Fans
V I lie. I 1 ' 1 I 11- gone t 1
Calif ti in agnn n'tir -trip net Ho ",
U 1 i it w. rk i'iit.1 1' 11- no fixx- re
Ii 1. tug -1 1 ins .f 11- it -t p tur' ,1.
'In Mini W I. -
DMIUI It M' -" r I' a ti n ha- 1 1-'
j , 1 i It. mi nix -hfin bitthd.i 'l
1. - 11 1. 1 1 rati of the .'iigi nad rem
, 1 i- . 1 nt tiiit ..11. ii.ir- lilting
1
.IXt.ill ill tin' ligltlllilli' II I'd Mo
lufiii tin . 'in king .huh 111 Hi- tir-i
flitge appoainnio xxn- n 11 no 111I.1 r of
II klHH klllio'll III Kli'inn "- l'i' 1 'If
vi .ton-
pi I It mill Dana and Slinlev
Mii-on ,ir si-n r- Their nal iiiiun . am
" 10I11 111. 1 la 1 1110 1 lugiat'i
1
XX 111
I III
nn
film
I i I.owpII Sturman plaxpd
Mm Mnrtiix in TIip iilipil
and In mi- with I illi.in filsh in
1 i. 'i n l'i t III. hind Hurt hi I-
I 1 1 1 . l'i id ItirlU tt in llu latter
j V
CONSTANCE TALMADGE TELLS
OF HER START IN FILMDOM
Admjts She Got on hirst Be
cause She IT as orma's Sis
ter, but ,ow Hopes She Has
Made Good and Can Stand
Alone
Here nre three things that you hnx'cn't
nnd one thnt you have Htoppcd to think
of concerning the extent to which the
nioxie linn Influenced your life by which
Is meant the hours of your life and the
conversation ublei nil those snme
hours. A report 'InsuciI by tho Gold-xx-yns
tells Interestingly of how the cin
ema bni changed the hours of nmuse
ment nnd hoxx it hns otherwise affected
the time lxhich once hung heaxy on jour
bands.
The report begins by pointing out thnt
the motion picture is heavily attended
In the nftcrnoon ns well ns in the eve
ning which means that jou. or jour
xvlfc. or jour husband, or sonic other
rclntlvc or friend, drops cnsunlly into n
movie thentre nt 2 or .'. p. m. nnd cnjos
fot nn hour or two the performances of
Tom Moore or Mnbcl Normnnd.
Tho Lunch -Hour Attendance
Not long ngo there xxerc only n few
vaudeville houses to which jou could
hnie gone of an nftcrnoon. And cer
tainly there were not nearly enough
vaudeville theatres to house the hiiRO
throngs which attend the movie matinees
of the day! Or, for thut matter, the
large crowds whicli. in many of the
working districts, spend part of their
lunch-hour witching the film.
Still another time clement in the in
fluence which the movie hns had lies In
the txvo evening shows which nre now
usually given the tirst from 7 to 0 nnd
the second from 0 to 11 p. m. In 'the
good old days" n thentre-going night
wos something of nn event nnd people
did not expect to be home before the
clock struck the mj.stle tones of mid
night. Now, hoxxexer. mnnv go to the
movies, hnve n full txxo hours of enter
tainment, nnd nre nblc to turn their
fates bomewnrd nt n little after 1)
o'clock. And. further, the niidiences nre
nearer to home thnn in the dn.xs when
thentre-going meant going "down
town."
Something to Talk About
Turning to another inllueni'o of pig
lures, the report' declares thnt the sever
est critic of the motion plctuie cannot
deny that it has accelerated conx'ersn
Mori. People do tnlk a grent deal about the
moxles, the stars, the leading pln.xers.
the extras, the directors, the press
agents, and all the other personnel nntl
parnphcrnnlln of the nmnzing industry
What tlid people do with their eve
nings before tne cinemn wns bom? And.
furthermore, what did thev tnlk about
durlnc those exenings? Life must hnve
been dreadfully bare nbout ten jenrs '
ngo' '
A Nexv language
And ninx-ie terms I Do ,xou ienl!7el
how they haxe Influenced the nation's
jour vocabulary?
Do jou realise that during the Inst
decade n whole nexv set of phi uses has
become common property ns a reult of
the growth in popularity of tin.' new me
"shooting n scene"? Of hut one could
go on n long, long way, which would be
senseless.
The words nnd phrases quoted me
sufficient, except, perhnps. to mention
In ndditlon the frequent facetious use of
other words nnd phrnses which the mov
ies hnve used too ficqupnur, sucii ns
"The Next Day." "Ten Years Later,
"And Then ."
WILL ROGERS AGAIN
PLAYS PART OF HOBO
VI1I Rogers fans will soon have nn
opportunity to see him in another
tramp role. It xvns ns n hobo in ".III
bilo" thnt lingers made one of his
biggest screen hits, nnd It xvlll be good
news to his admirers that, ns the hero
of "Am I'nwllling Hero," he is ngntn n
"knight of the road."
Rogers, his director, Clarence Ilndger,
Moll Matone. .lohn llowcrs, Dnrrcl
Toss, .Tack Cuttls. Nick Copley,
Kimball nnd the other members nf tnJ
enst went to New Orknns to photo,
graph the exterior scenes of the play ,
the action of the O. Henry shoit Mori
"Whistling Dick's Chiistmns Klerk
iiirf." upon which the new lingers
photoplay xvns based, took place in nnl
nround tl.nt southern city.
Whistling Dick, portrayed by Itogr
refuses to enter in'o a plot of his ft'.
low hoboes to 10b n neighboring planter
of his week's pnjroll. As bo goes donn
the road whirling the lnterme77o fmm
"Cnvnllerin Hustlcana" lie Is overtaken
by n smrey In which is the pretty jnu.
daughter of the planter whom tl,.
tramps planned to rob. Attracted hv
his whistling of n grand opera air. sh
offers him 11 litle. nnd cventuoll.v prof,
fcis him ti pipe ns n Chrlstmns gift, lm
hands him the wiong liiiCl.ngc. the on
containing a pnlr of silk stockings for
herself.
Whistling Dick Is touched by tier
gift nnd that cloning x'.hen ho n'os tip
turnips tenllng up to the plantation
houses lie joins them 111 the hope of he
ing able to warn t'10 girl. ReganM
xvith suspicion by the hobo leader, he
Is bound fast to n tree, but manage w
sctlbhle n note of warning, slips it Into
one of tho silk stockings, together with
n stone, nml sends It crashing through
a window of tne dining room.
The hoboes ire foiled nnd rapture),
nntl Whistling Dick is given n bath ami
decent clothe, ngninst his will, and of.
forrd a job on the plantation
flint l'i"k tloes not want a job nnn
vanishes nt first dawn, satisfied with
having foiled the robbery nnd helped
the pl.intoi's daughter win the man she
loved.
FASHIONS FROM FILMDOM
1
iiy coNsrvsci: tm.madrk
did 1 c 1 into the movies '
ell. nlthoiigh I li.it.- to admit it.
loalli did nothins more or less than
HOW
w,
follow- Norma in. ami that's the truth
1 1 111 u that I stopped
soon as I was in nnd
look about 11 bit for
Photn bs- International
i.r DP. IM'
wns .me . f 1 in la 10 I
Jol nn lone- j.Ih x
of the riirkitig'on
t the ("irons
.1 . Kid - pi. turo
in the nunio part
IMgur comedies.
It is n'w tits bi'-t lo
cents in stump, to th
iiueMing a pi. turo
.cud twentx-fixo
stars when rp
C II C
In l.adn-loik
I'liid Mnrkei is appearing
Ni.-lit," a ilnx in .New
M IJ I AIiop I ik. npprurcd in
SIctro s "Hodj and Soul '
! ' Whr hello Bill "
' Hello Marv '
N'ot roi formal girting, perhaps
n hen two peopp hare just bron intro
duced for the tirst time but thnt - ju-t
what wa -aid earli this week when
Marr fiarden nnd liill Hurt met after
! open 1 1 ndmiring rn. h other nt 11 di tnnep
tor several xiars
The fascinating prima donna hn- long
frinklx admitted that shp "adored
Hill Hart And Hill has ns publielv
and ns franklv admitted n "pru-h" on
Mary.
This week thpv met Their firt u nrds
10 ph. Ii nthpr wprp PxaMh as qunlod
abnw And innde of fi.r minutes
thex wrie lifelong pan- und in ten thev
po.pi) for this picture with their arms
around each other.
Man had expected that Hill might
greet her toting a couple of ominous
nx-shonters Hut he didn't
And shp fenrea thnt the grpat liprn of
thp primitive might blow off the top
of her dressing room nt the I'hllhar
inonn Auditorium in I.os Angeles Hut
he didn't
I oxpppted you to come in the guise
nf n linn n roaring." exclaimed Man
I til t here ou are, as meek anil huiubln
as a lamb ''
Iloth hud long looked forward to the
meeting.
Yeais ngo so the narrative goes
Marv had become pnthrHlled hi the
famed western hero when she saw him
111 his screen picture Htn Jim in
Paris It was then that she lot her
heart to the dauntless "Hill.'
I but it is nl-o tin
follow ing Iht 11
hud n 1 hatuo to
1 111,1 of.
I Whin 1 wns f.uirti. 11 jeats old Not inn
Iliad a job with the Vitagraph. and I
used to go lo the -tudio with her mil
hang around until the duectors were so
I used to seiing nn that thex leallx
tl'night 1 belonged there. Then one dm
1 just walki.l riht 111 flout of the
minora, mid no mio thought to put me
out.
I And on o ro.illi in I wouldn't go, so
! help I nin '
When Norma wont to the coast. I
went ton foi mother didn't like to lot
hit go nl. mi ot to lcnxe Nntnlie and
mo hori It n- like thr old piu.le of
tho mnn cm. -ing the pond and taking
oxer one nt n Inn" the fox, the gon-o
nnd tho hag "f 'iain Which two muld
we Ipiixo l hind''
So we nil ixi nt nlnng, nnd I did a
little work tun' and there, hut nothing
xorx nin. Ii until D W finflitb started
to tunk' liitoli'ianeo " He wanted
1 some one f.ii the part 01 tlio mountain
1 girl and at lu-t ho chosi. me, telling
1110 ' thnt I wii- to lie sort of n lioness
1 girl and not nfrnnl of an thing "
I I hnd to dine a ehaiiot, and while I
wnsn t afraid in do it, I had to lenru
'how N'ni mu mn te'l jou thnt oxerv
I niglit nftir I i-anie home finni pi in tu ing
I to drue that 1 harlot I was bruised from
' head to toi
I Aft. r tin. siinoss I began to dieain
of soini tiling besides being just Norma
i litt 1 --tu 1 wanted a leguiar jmi,
' with 'i 11 inn nil for inssclf
1 'I In in I met Lewis .1. Seliiii-k and
, he ii ml d tu nx to make 11 star of me
tliousli he didn't promise that lo
lenlli 1 ild do it for usually when two
sisters plai on the stage of the sitipii
there 1- ni-t one who becomes known
Kor tli" other there Is plain nbsiutitx
behind the title of "So-aild-So's little
M-tir Air Sel7iiick nntl I, however,
dei id' d to make the Tnlmndgi' si-tprh
the exception In the rule, and when he
did his -haie liv starring me it wns up
to hip to make good
Hefore stari ing. I xvns leading woman
for Douglas l'airbnnks. Starring isn't
half the -train that plaving xvith Doug
Ins was fter wotching bun risk his
life so minx times for n picture and
tilling him that dead men make no tllm.
I decided to take the risk myself and
have done quite a few stunts before the
camera
First of all. I don't want to lie 1
rettx-prittx notress I nin xorx will-
g to hi im nglx or ns funnv looking ns
the pnrt demands, for the punne knows
how I look nnxhovv, nnd after nn ugli
pirt thpx mm think me prettier than I
renllv am througli pure contrast'
Hut nn friends have often expostu
lated at pome of my faces and toll mr
that I will get wrinkles and all that
sort of thing That doesn't bother ni"
xet though I suppose In n few vears I
will have to beware.
M debut ns a stnr enme when Soloi t
Pictures presented me in Cosmo Ham
ilton's "Scandal "
At the oMiiratinn of me contract with
Select 1 formed mi own ininpnnx tin
Constance Talmadgo nim Co Mi pu.
turcs are now released through the First
aiSP MJifi'S'' i -Ttist ns the war helped to popularise YWKKm U
' TW h,-',-''-vw1 ' many phraseologies strange to America. I b"Jt,jBwl" w
t,m.rm:.JHf vriLX !.,,e..!"" '.'.""r'T :. p r '"!' h"n.
1 tWP&fM . 75SV.r oxie. In nonce and xmr contributed to Analol." Hearing a
laT'sBft:! i.y &4-'- m ,n,.j ,n,.ni, slher ion! and
jk3iR t ' 1 Who doesn't know the meaning of
u ,irT ( ' '"i- "close-up"? Of "Fcennrlo'"' Of
xxvr jt "C '
wkmbL "
1? PHOTni'i,s
&&mm&& : itze
mm 1
.1 m
T.fy..W1.y.....VlfW.WiW)y
Vit tf,V ' H'- - '-' ? S
lending woman in the production of "Tho Affairs nf
negligee of turquoise blue brocade velvet edced xxitli
gray rhilTnn stitched with silver threads and bands of
satin lace. The sleeves arc trimmed with bauds of ihlnrlilllii and the
unusual tassels ending them as well as the train arc also of chlmhllli
rnoTni'i.is
l'HOTll'I.As
&va2mezBsmsszmeEamea2
Daily Photoplay Guide
iZum&ttmesamizsmezis
DIRECTION STANLEY
COMPANY OF AMERICA
I I TOTh NIXON-NIRDLINGERtfTIf
J I Ul THEATRES UJ
A I I CTUCMV Krankfonl 4 Allenhtny
ALLLxjUClN I Mat. Dully !! 11 Kxs. t 8
KATHERINE MacDONALD
In 'Tl IITAJV'
Alknmkr.n ISth. Morrl & rasaunk Axe.
MinamDraMM riaiiyntL- i:xEh iiihh
M.I, STAIl f'ST In
"MILESTONES"
AVPWl IP -5"1 ht' "ll1 Allegheny Ave.
WM. FAVERSHAM
in "Tin: sis ruT i s his"
BELMONT MD""vl!0E MAIIKET
" NORMA TALMADGE
In "l'NTIIK"
CARMAN UEII.MANV1WS ,XB
T. W IIMlNFsi In
"SO LONG LETTY"
CENTURY
MATIMPM " 13
PEARL WHITE
In "KNOW Ollt 'IKN"
40ib
nil
Uroid A Snider Are.
I' 11.
arwjtWJ w r 1 o r,t 0
BILLIE BURKE
In "TllK KI)U ATION (IK I'.l.l.AIlKTlt
CONSTANCK I LMAI)(.I.
Uln . Mapl'ivood Axes,
' 30 7 Rllrt II I- M
National Inhibitors' f'iicuit Home of
my more iccent pictures are "Two
Weeks," "In Search of a Sinnei , '
"The Perfect Womnn." "(iond Itefer
ences." "Ilnngerous IIusines." "Wed
ding Hells" and "Mninina's Affair. '
nn
ing
rni ONIAL
CLARA KIMBALL YOUNG
In "lit Ml"
CEDAR UTH " CCUAK AVENUE
RALPH INCE
In "01 T (IF Till, SAIMls,"
CCA ISFl IM MAIlkET DETWKEN
V-X-1-.IOC.VJIV1 f,nTH AND OOTJt
hTAIl ( vr In
"THE INNER VOICE"
Fay's Knickerbocker &Vi
iiiikiitiii rmi.r.ii's in
"ONCE TO EVERY WOMAN"
FAIRMOUNT tMV'dUV''
SHIRLEY MASON
In "TllK LAMP Until IK
DARBY THEATRE
TOM MIX
In "TllK ItOAll nr.MOV
11 mnr ru'WT t
jjhius fumnn Junrttnn on Frankford
& GIRAIiU AVE.
1 nn lranLfnrrl ?.
"FOOD FOR SCANDAL"
IfVTW QT THKATUE Dm Spruce
-U 1 n O 1 . MATINFP DAILY
OTIS SKINNER
In "KISMET"
Dix Leaves Speaking Stage
Ilicharil Ilix. n risint ncruit to tin
inotion-plcture ai tors' inhnj m IM
Angles, has just smtnil n t.vo',veai (on-
trait with (lOlilxv.vii. 111 nccoriliinie xvith
xx huh he is now n ineii.hi'i of tin- moi k
company nt the Culver t'itv studios
.Mi . Mix: np)iared on the speakiiiK
wtnt'i' two seasons nsu in tupport of
W'nlkii' Whitr-side In "The l.itth'
Ilmther " His fust scnin appear.! uro
was 11 adc a shorr time lalei mid last
enr (ioldvxxn siRned him to plnj the
mnle lead, opposite Jlilene (liadvvick
in Hupert IlilKhes' first oriulnal see
nario, "DntiKerntis Curve Ahead,"
ulinli bis not .xet been iilensed I on
the completion of that picture he was
at once aslpncd to pln the leaduiK
man's role in "I.00U Hefore Ynu I.eap "
the screen version of Thompson JJu
ihannn's comedy, "The Tiridul rath,"
nhirh is now- being lilmrd.
ChrlEtopher Morley In Film
In the thentro scenes for Hlsie Ker
KU'on's latest picture, "Footlights. '
two of the most distinguished "extras"
that ever have worked In Paramount'
eastern studio appeared. Thev urm
Don Mnriiils, columnist of the New
York Sun. and Christopher Morley, for
merlv of the fivhNis.0 I'i-buo (Knorn,
who presides oxer the New York I'ven
ing I'ost'a column These txvo humor
ists have been wanting to write the
inside stor.x of the movies for some time,
but unlike most xvriterd who tell the In
side story from the outside, thei decided
to come inside for their information
I'nder these londltinnN it xxns an easy
matter for Cecil Owen casting diiretur,
to get Marquis nnd Morley a "job in
pictures' at $10 a daj.
rMHDDCCC'AI','i,T MANATUNK
MAK Ml KIIA In
"IDOLS OF CLAY"
I FAPlPR 1ST kANCASTEn AVE.
lUi-UEl,r MATIVHK UAIL'?
r r.tir. 111; mu.i.ivs
"FORBIDDEN FRUIT"
r-AtxlII V THEATnE 1311 Market 8t.
FAMILY H A M to Midnight
TOM MIX
in "THE ItltAIl nr.xtos"
I fin 1ST .f'-n ANU ' OCl'ST STrtKKTS
lwv,uji Mt j 10 a in i:tri n ao 10 11
IMUIWAb MblliHAN -
thi: iKosTir.u of rin: si uts"
In
. n i-it-T-I irnM Ilrm
I KhAl NUKinciUN 2 7 & 0 P. M
Uroail 8t. at Erie
OTlsl SKINNKK III
"KISMtl"
NIXON 6"D AND MAI11CI?T 8Ta-
III M ((1MF.I1V " ''' 7
"THE BIG SECRET"
llxlorDI AI COTIl i WALNUT 8T8
IMPERIAL Jirat. 2 30 Evae 7 U
...iu m.iVKIt CI llXXllllD'rt
"NOMADS OF THE NORTH" STRAND
333 MARKETmWli?.
CHARLES RAY
In "l'KACI'J'lII' M.l.i'A"
RIVOI I B-D A-ND HANSOM STS
1X1 v-t-.l MATIN'KB DAILY
MAY ALLISON
in "nn: mmihiac,
I III' WII.I.IXXI ASIIF."
OEHMANTOWN AVE.
XT ll-vivnft a-i-
(I onni: fit'xim ui'i"s
"PAYING THE PIPER"
FRANKFORD 4T15 afx"ebfobo
W. S. HART
in "Tin: TWiTirxfl ni.oru"
Germantown65Te.rNm?fl,n,AnILAT,
SESSUE HAYAKAWA
III "TllK 1'IIIST IIIIH.N"
IMPFRIAI 2D AND ropiAtt jii
REX BEACH'S
"thi: pi:NAir"
nraiKir-CCC ioie mahkbt btiikkt
rrvil,ts--uj- r ao a. m m 11 10 r.
HARRY CAREY
In "II" OM.V JIM '
M
r t A 1 TD OEnMANTOWN AVENUE
RIAL 1U AT TIt!.PEtrf KEN BT.
THOMAS MEIGHAN
In "11IK F110T1EK OK TllK SiTAItS"
ATTRACTIONS AT THE
NEIGHBORHOOD THEATRES
APOLLO
JOSF.
JEFFERSON iHxisn""".'
Jill. AM) MH1. CAItTFIt UK II 1 KN I"
"TWIN BEDS"
liberty' o7yM,xK0,
BUCK JONES
In "JUST PALS"
6-'u t Thompson ara.
.. iffi'Mi?,''"
"THE SPENDERS"
m TDV MAIIKET ST I1EI.I
KUtSl 10 A. M 10
nnKOTHY PIIII.UP8 iii I AI IRnR A
"ONCE TO EVERY WOMAN", AUKUA
I1EI.0W 7TH
II IK 1.
ASTOR raA'N'K'"s 4 '.InAHD AVE.
0 1 v-I .MATINEE DAILY
"IDOLS OF CLAY'
rtt
C ArW I2" MARKET bTRBET
OAVUT 8 A M TO MIDNIOHT
WANDA HAWLEY
In "IIEB FIRST EI.OI'KMK.NT"
AT WEST CHESTER
RIAI TO I.HK llIIAin In
IMttllxj "TllK M',H Xdltli nil A"
IDLE HOUR aiit iioMioimi
IIVU.U 1 iwwix "JOOU TO 1"
'1.12 tiS:nIANTOV'N AVE.
XIATIVI-tJ" n. i.'o'"'"
BEBE DANIELS
In "OH. I , 1 ..
BENN 'TH Vt WIOULAN'd" AVE
thejucklTnsWda,,'t
A PAIOXIOI NT 11(11 UK
BLUEBIRD' V';r7' W'lwVi"
SESSUE HAYAKAWA
lu "IHF. ilK-sT UUUS"
IVTOnn 2 BOUTII ST orcheiir'
IVlVJUllLi Conllniinun fmm t to
VERA GORDON
In "TllK GREATEST I.0B"
OVERBROOK i?-"mD
WILLIAM FARNUM
In "IIRAf. IIARIAN"
PARK
ridoe Avr. a nu ruts sr.
Mm .' tl Eve 8 3 ,J ll
lint nr, pi;teii lu
"ISOBEL"
SPRUCE 'StUS''-w'
T. ROY BARNES
111 "SO MIMi 1.1 IH
4lt arJ "
if"
.,,. . rr- K IV 1
WIVI. rCJ-NI-N T MM nrr,i
1 CONSTANCE TALMApt
pi "(.ooi) itir.Eiti::.cw
4,msuMU;ima&.'-