14 WW-?!- v?firtWiV! frf. ' -. -,. Aihjcir, iitlllrA (.AJi Hi ill, ' ---. -"- ' i- - "J ' ' - '1W y..YTS'r,V " -"' 1 W'IjJ?.Jt'' WVX I. ' .. i r jfc I. r: l-i I r r . b ! "','. EVENING 1TBL1P LEDOER-rnTLADELPTnA, SATTRDAY, THE CRITIC TALKS TO MUSIC LOVERS i H evilly Continent on Things Musical in Discriminating J Philadelphia rplIM iciTiil nililiTHs nf Mr. (intti- Ciimiixzii, Kcncnil iiiiiniiRi'i- nt tlir .Mctrnpotilan Imtii Cniiipnii.i , to tiff "Pern going pulilic of IMilInilolpliln. ns niio of 1P tiifist ltilrniiig tlilngi xiliirli tlm pipii'rit spiihoh litiM brought forth. Jlr. (initi'.s Miilrinnnt is o limminl Hint it is lioi-n glvt-n in fullf '"I'lin l'llillldolpllin tllll'-ir- -pciilipr public (Miiil Mr. tinlll-CiiMiixii) tins Minim n very gi-iitiitii iipprreln lion nf our cIToiIm. V linn, rntlm vniTil to jsivn in tin sixteen iicrfonn iiiiiTs, (lie i-rriiiii of our repertoire "ml "illi llic best possible ciisi.s. is evident that I'liiliiili-lpliiii most np Iireciates old openitic favorites. Tin modern iiiu.if ilranm docs not fccm to lie ipnle .so ,,,,,,. , tH tn-tf. lint tbe inleresl i Vi-iili. 1" iui. liniitiml Jind Ilizet shows nil nbatcinrnt. so that e feel pii( ju-tilied in limit -g the nnmlier of socallcd niodeni 'novelties' In fnVoi- of the standard works without which an npern sea M"( would be impossible. "As for next season, we can onlv t ,lVO" cl 'I'Mii'inl upon it that we Minll strive to maintain the high Mnniliiril that we bine M-t for the .Metropolitan Opera C.nipanv and Which our I'luladelphia patrons wry proper! demand. For nnself. I ie'- sirc to e,ress my sincere thanks to tin; public and the press of I'liiladel lilnii for their patronage and en ; for it. ureal i success j n music Hough to carry It. alone Is not i'i APRIL 20, 1!)10 15 II. IM Pi lllil I ,11, f r. ! l.. Iliki Kurt Httil .fn.-,-,, The Tr.in ml. I, I In- tt.i lYnilAT the uiiier resents in Mr. " !n(li t'asn..a's slatenienl Isthelu- I --ii nun t ion that (, Phlhidelphia musical piililli- does not care fur new works. 'whether Ihej are of a high onler of meiil hi- not. The ,hm tecords do tint warrant such n mcanltu.', it this whs what Mr. tialti had in ininil. nor does , I'" imdiei which (jreeled Hie rucclnl trlptjch here this yenr bear it mil. On I Unit rrcnliiK i-wiy seat w.'is taken, and It Would luiw been dillicull to linn- got 100 more person into the houe, for. ns it was, n In rite numbei' slood. 'I'lie crowds of people who are lliinbli-i Tr""1 ' i" Ret lain the Academy of Music when the nnliestra presents n new work of Inrce proportions is another scrap of testimony to the cited thai if 'the work I'" of admitted merit our musical people-will attend it. New Vork plumed itself mightily sino f,.w jears iign when (lie I'hilailelihia Orchestra gnw the Mahlcy Ilightl, Sjiiiplimiy for the lirst time in Ihe rnited Slates, and nfler the .e York perfol malice there was such a crowd thai the oichestia was nbRi., .,.,. ,k in that city. In I'liihldi'lpliia. Iiniwwr. right perfonmiiues were giwn before all I lime who wanted to Iff-tif il had had Ihe .,p. purl unity. There as not a snllicicnl demand fnp a tliird performance in Now Vork to warrant the expense of another I'loduclion. In nihcr words, New Viuk's insatiable appetite for soinelhins "new" had been appeased by two per foi'iiiaiici'v. This is onlv one of ninnv iiislances which niiKlit be cited, and Mr. I'Ulll as well ns Ipssec iit!iii,ifriias . ill jhnd that Philadelphia will rspml pnuiiptlj euoiiKh to the call of the novel I n it is really worth while. ;' piilumi m 1l,c '! ' H I- I l.t un HI I.. tiio-miM r.,i I'lrln.li.iphu ,,, ,' ., , '-' V ' , I fllll 1 ,t I 11 il I Ilia ..f tli. . ..!.. ,. I in he I'l.lilrt Itn f ll'lllHl .Mr. .-mi "" 'II" 'lll'HHil I'l'TH ."i. Illlnll It 1. 1 nine f Ii.t I I ni.lUilii,. n , ,t ..,, ,, , , , f .V '.'."".' 'I" l'1-l til.. I III - I.,. ,,.. 'r in.. I'll, Hi, riiw.m, s... I. Iv l t,. I... .In, i V- ,.". ' "" "'"I s"i"i.il Ic nir.- .loin .. ..i ,"',"" "'"' ,l"11" union 1'i.ui. . iiiiiin iirli. lid in. .mi. . I.. I.MIIHI. i.lln. Arllur l.uel.. "l I' nun ii,rR,lt KmiMi'imiihi lilui... .. i V lrlll(T limiit' I will Ini il, ii i "HIT lCllllllii-K InsllIU WIN llllnlel fiti tiLst... lollii I "Ini lili... Iii Sihuhrrl. sn mil' "I iO! ,,f Inllnlliil.a ...n....l.l. ' lie mini ,i,",,t u-r SI. I, Ml.... I'. I." th-Miio riiit.v.'M 1 1 mum. mi vim t m! r: linn ADELPHI F'r!' Tit MrWto, 8.1B Maimers iliurtdny noil Seturclny nl ?. : 1 5 1 nun it m;i in ni : !y ami 3i"lurlny Mntinto Snturday, llr.l Sent $1 50 -2!B2S2"" -s- PHILADELPHIA'S J-oREPOST THEATRES .lei!,V,l l)! -,"".rr"' """ ''"" ' "" ''I" C, i- V Mh""tr,''; wl ""'"i 'I" i in ,1 "i,"",ll'h unellB III.' ClI'llJIK , i r..i?..L , ''"ill KiiImsiiki I ill, in 'l V. ' . ' . "'" ''" ' Viiimi nf -..il, . . .lllil II I!, in, ii f w,.,,,,. Tl,,. tl, ,, "I1,1,:,""' '," .b."i:"i i.a'",',' i .': sun Willi n ,. ,. .,, nrr,,,.,,,, ., ,, "'M Mi., ih. 11,1.1 .,,,.. r,. i .Mi.ll.ill" M.,',1, ,t . i-imi'i rln I Ml- K h'iim, m,(! , II"' Hi.lolst . ihp srt,,,, IllMTltHry u..r.1, st,i I, u. .;.. iitii, ,.'..., i lei 1 S lll'l ,. ,.. sni.ltiiii. . 'l'll"H,'n ,,, ..inir with H,lf l"t IP- rt pliitrnri,, Tim III 1 1 lh,i.i .i... ""'.' '. "'" " ii.iiii ii. ' n'Vl... i .."" u,n """ 111"'- "ii "' I, rU i ""'" 1"1 II' "I Hi" .M.'ll.....lil n. r,pr.ue pim.-iiin,! ,h llt ,, ,, , ., nn.-:nl ,.,., n "l.'llni. i.l,," I "Tltn llri.l" , lhl',M,,,K ,ne.,.,.,mr:;,Vlui 'llleV, "'. , Villnnl, s. i.l 1 1 , , , I,., role ,r !'..,,. '!.,."" ,"".'""'"1 'i'"p '" H.I.I , ...'.,, i" '.',': ' ',',' " "ii.t... us will i.rt i l..' , " '"ii.ll. ,!,. iiiisil.nnii " Tl i. .Ill I'l. lu.l. I I... Ki.,1,,11. I 'i ., . . .'"..: ." " I'.in.u.i 1'ihii. i" Mil. i i,i,i,i r....ii. in,,,. . i:.,i .,,. r .,,,,1 v.ii i In- i '.i .M'!T,,,1. 'I -tl.i ,11, 'I fheiU" , Id .us, , Nu , rnuintK are tile fineralii .Ml- iniii'ii co'-niziin one or two elenients in piiii,.i)i:i,iMHA'.s -1- in u tl.. liiu-ical At II: II, til. i litiri h lmdlil la ft Ti I ,.r Hi.. ,.,,, I',. ,.-.,. . Ii: In in v i .ii i' fiini'O-rii", r n M"U,,.l,r, Kli: 'M' Wli!hlll,.i,i I Kl,,' Mils th Us .i, 111" .illlitlilt i I' -tl.. iSSL TURT WALKER 4A I t t MAT TODAY TONIGHT LastTimes-MR. DiTRICHSTEIN ' llri.,1,1 nntl I ,,i i,t i n i. - ' lll'l IN' ,1.1! I 1,,,' lflui NEXT WEEK In "THE MARQUIS D PRIOLA" LAST WFFK nights at 8120 f 1 FIRST TIME IN PH I LADLLPH I A BRILLIANT COMCDV OF THC THEATRE u BY LEO DITRICHSTEIN AND A. THOMAS MONDAY, MAY 5 SEATS THURSDAY DAVID BELASCO Presents :ose" WITH LENORE ULRIC AND ORIGINAL CAST reniovnl f,,,,,, this cili I,. I 'l.., ... , 1 1 ..r sillllllioli hen. of whlel, ' ' "". '" ' " "" "'' " '- til" i-Ili-t. IJalti Casazza seems nul to bavei, '' '" ;"1'"'1'- lean's our orchctia to II,,.. ..I- il ..""'""" s,i,, rt. list nf the Clewl.',.,,! imps the most iuipiirtant. is that we get I 'l"""lr" i""1 uil1 'i1-" he the cellisl sKtecn pei-fonnances a sptisnti aciiinst I '""'"'"'i' of the siring ipiai Ii I ul Nikolai sumi'thiiiR like H11 -,. ,,. York, nf !s,,l",1"n' '"' dnclor of the Clewdnud Hie sixteen cveultiKs i nineteen operas') j "Kiiiiiation. 1,'iven iliiriiiK the pu-t n'lison thcie i;-' M''- He tlniniv. came here three icar- but three novelticv. "Maninf" by IJa W beeii. a nicinlier of the I'hila- 'l,!U"1' 1,i''1 ' 'I the sea thc'ili'lphiii lln-heslra. takiii',-Ihe po-ltion in lucciiii "r0pi,.," and I.ei'oux's "La!11'1' 'fllos fonnerly held In- Hans Him Ki'iiif liaininelle." This. f ennr.se. does 1 "icr. 1'ieviouslv t Hv 1. ,,s ,. , ion .iniiii ine rcia o cii s "l.ii lii'i' ol tin . Hal . l. 1.1 i:s.,i - n..l,,,,i , 'i M... I.i M The M.I,,, Until , i .-ft, 1 ..It. tn.iii, . ' ?,,, ,ln, ,,f tlm l. , . . 1.1 ',.iir i,r,,(rr,.i,, , l,'l . ,.r II,.. rlul, iU.' p.. 11 hi.. Mt li,,, ,y, 1 I , ii,. , .' vui,, .,, .1 ul. II l'i. 1 lin,;, I Hi 1,,-, ,1 I'llll. ..Ill L'H" ! .l-.ll, l,"! T,. .. I ,i. in Hi r;, i.,, -lllllfnl.l A Hi", i !" iinpii i, 11,0 11.. ,., AuimiB tln.f. . h,. u, Hill.'. -.k.' Is.ili, , ti, ft lltiimhl.u,. l-'l,,. Mill llHIT.MI M.i,. , which is l,al"'i' "I the S.iu I'l'imi-isi'ii (irchestra and ,1,1 was ihe original .'ellisl of the ('hainl j.Mu-ic Club, f (hat rity. the leading cries of dm- iii-Kiiiiisuition f its kind on the l'lieiiic form nf en- coast. I),. j in ;....,. i.n, i,. i.i,..i. Il l..jll!, I!" i.f Ihe .,1 f N.na J'l' U I orza del Di'st in, as to lie almiil new. In the making P "f a I'ci'ts. operas lie any oil,, ...I... . . . ... , ; ,:v 1 . """...: "l '. :v,,r r: !,M,, h ":-."--' 'i--i.. . " " ...',. ...... 1,-, . in el cetera, fn I ho second are operas such as "I,'i;iisir d'Amnrc' '". 111 i'iiii:iieilna has taken an iiciiic pni'l in Ms musical life. With I'redeii,. (',,!; I,,, oi-cniiiyeil tin. . ti ti'ti boil. wilh Andre Manuarre ami Anion Torellii. ihjs season made up the Ma es 'lie operas i ml", wiui-ii inane so luvoriilile 'Tnivatore'."!"," ""I'1-.'""'"'! the Cliainher Mush- is-oeiaiinn s las) ,.,,, rf. For his ner- opera tiiere are. in addition to certain operas which have become so iileutilieil ;.. t. 1.1:.. ...'.... .11 in.- .mil .- 1 nil i 1 e liiiet'ii ,,. , . ..... ... lalio,, ! s,.i. .!.. 1...1 ...1 ' '"K,", "iicz s.triuK Qunrlet., these artists are mailable il woutit be folly not to present the works. ill the lust of these i'la like "Aida," "rau-t." I'hft Mu.ti T.. ,, I. 'Mll.l..' I.l- .'1,1,1; . ti-.l.i. I ,'l M., .111 "Rliwluiil, n null ,l"li, I, lit, .,,!,, 1., ,,-, 1." 1 1,1 1 .1, : .. I.l I,,' I 11,1' , .1 A",,. 1 !,n." 1 , ,., "' A I,,,, -win I,,,', l'i- .". t Vti.lii.trtum .11 1. . .''Illllir An 11-I1I,, " ,,, Mllsli iitrl Hie I'dii . ..111 Iih tun, Jo I, .m;i,. 1 ,1-,. r.,r 'll .1,1,1 ,, I. 1 .'I- ' iitl.l 1 - 'I'll- 1 L......I :....... . .... "" """ iiiiciicciuai itiiiiiiii's. as well iniiiincipiin as ins luusiciaiiship, Mr. i) i;,uuc. is l"" 'J'l f musiciaii thai rellects credit Inpnii tlie city as an art center, and his IcaviiiK is a distinct lus. MUSICAL EVENTS IN CONCERT HALL AND STUDIO Kliacel," with both of which Mr. Caruso is alwajs associated, or "ISuttei-lly." in which Miss Karrai' is si, cous'iii-uously piml, or "Thais," which, in the last analysis, nieans Mi-s (linden. There fore, by the lime that Ihe "uivessnrj" iipn-ns (Iho-e givr-ii each jean are on the prourum with a fair representation of all good operatic schools, and the "slhrsi' are placed in their i'cspccie lli-uiainents, thei" are not niany per- C . 'li, l. .,,',, lul'l 1,1,1 l.f ,, s,,,,si,r i.f slv """ cveiiinss i w 1, I,, give novel ; .'.l,,Jl",:;:,:,V"0' 'dV.-'inrt0.!?. I'Aiicll,', the saiiic situation prevails i-i the concert side,., ""il Mr. Slokow ski wouhl lini'illj lliiuK of a season's i.iograins which lil not cniitain the ISei'thovcn C minor sympthony on the 'I'lithetiipie." rorliinately. there are 1 Hough .jinphouy concerls for us to gel both Ihe choice compositions of the past ami the works of the present sonic of which are not so choice. :i. Ii.nl 10 ho 1 '11 in. ul. 1 in- II, ml ,,i,,. Mi f n,,, lhi.i,Mplil.i iJicli-lia H-.iott Mil; l. VW. -,,J1V ...iiK ..,, .-..i.ui.i.iv .iri.'inri. M,,s L' 1, ri.l lllMlIK Ihft I'lll . ,.f I hi. j.fti'0,,,1 .,!, ,.!,,..,, lill'l-il !'., ..use f ll. eimlftinle 11 nt inn ,s ,':,llf.,l i ,, tAI, 11.11 Oil r, .. r.. ',"'"' l"!'"rl ,"" Smunlav IihUoiiI f I'n.l.is i.i,h! !,!"". "',',' "'" "n"" "'" "'""'11 miiIi s ; till,-1 1 h li..,,,ft." pi.,,,,,,, ,h(. Vir. ,u.V,.i "".,., ""r:1, :"'""" .m.i ihe sn.,,,,,1 " Mlf, IP. 1,1, ,n i.T In.. ,,...., Ill" I lllil --.liinlinli. of 1'b, l.f.,1.... u, '''I'.tiuiti , 'iisfT" overture, wlui'h um, TIIKKIC is still another clement which enters into the ipieslion. Opera is probably the most expensive indoor snort in Ihe world. It takes S." to get ' li thoroughly good seat front which nil I can be seen and heard distiiu tiy, and S." i in these ila.s of high taxes and prob- I leinatic iiicnnio Ih end Ih, .ntnpli-lft II The IW'Iflli fiftn Su,lv nrtrrnunn e,.n ' ,"' ."'" 'l'l'llly tf the I'liie Arts Mil ,-...., . ,,.m.! ,-,,,. nitftrneon nl a n rlork 'iiminrriiwii; I,'. ItftlnhtiUl Sehml.lt ..!-.. i . " " Ill i-IIIIIm JillOl. J( S "nmrllV.ll ''"", '"'" -MIHer. ,tll 1 nniiiiiuiliitiH a,., v I,,. Mnl to .Mr. Jirl,t. ir.'jsutpr. 11, jn .M.,r. tie Tl, haHsn, I. L'lnil,, rt Hiri liulli .1II11.,. hi,. Ihnt urn- Heat hi Hi. rt. Miii-iii, r m i,. nit ,lo 0, ,,! ort u, li,I.-f. A fliltlu-f ( l.uiii" mil ,,,.,., I,, L'.'m'.r i",",101"' ,'","'. ,1'1'" '" p-1 mil "f H'.n.ii.. i.,f ,,, 1 i.,,1h:,mv. ,i,i,.r ,1,,. ,,,,. 'J,,.. .,"'," , ''."!' '" ' rhe 'linrus will I,. "I .p.iit,, l,j ',fu ,i.,.s of lh i1u.,,loi J J', 'in '"''"'' .'."' """ -ll-l.li..wii ..., VilieYi'J' v"iT": -''"' l:'"''y ,,nlz' "OPrann' M.ilirlln il.l 1 Hois . i,n..ii.. i- . .. snend on nireiitcrtaiuuicnt of the merits leimr; I'l.it, wi.ta. haiiionr. ' 'i u"" ,',".- of which the attendant is unecrtniii. ! S.e ""tViV".''.! i:"i',,'J,,V,r,,",-0)V iKSl This is one of (he iirincipal- reasons , MHiiiirw.-ji siituit; r kiu'iiuk'n' "i'ft,,.. why Ihe old favoriles still draw. best. I S!!:!!,,,;,,,".'-', J;UlJ, ' !." ';" ami il is the absolute reason for the ' '."v ' "r urn! the "llvm,, (,r Pence nii.'l "star" sjstiMu. whidi more than nnyl '"'" ' '""''' Ann, i.-her. is a other one thing stands in the way of npera at prices al which ever lover of music might at tend frcipieully. In the older ,orks the operagoer knows ex actly whal to expect and decides that il Is worth 1 ho money ; in the work that he has newr heard ami about which the critics probably disagree he is not so sure, and in case of serious doubts does not go. Then, again, the mental attitude of . l'hihnlclphia is different from that of Xew York, not only in1 more material things, but also in art matters. In Xew 'York a thing need only be new to at tract as many persons as can get in; its iin-iii im 11 coiiiparaiiveiy lusigunicaiil matter. In Philadelphia then. U a much more critical attitude as to merit. while not nearly the same stress is laid upon mere "newness." I'or that rea son many things "go" in New York tlint meet with no success at all in I'liil- ' ndclphin. I!oton ami other more critical communities. New York's lirst and , often only rpieslion is, "Is it new V" i Philadelphia's is, "Is It worth while?" pl'ItINvCi' the present season the Chi- ' J-' Pago Opera Company was in I'liila- ! dolphin foi-( n week of performances ' jind the e.perioncc of this company bears out the foregoing assertions. Of ' novelties" they presented Massenet's "Cleopntre" and Fovrer's "(Jismonde," both of which fell tint In point of at-' tendance, while the old "limber of So , vine mnl the eipially aged "l.uciii tli KaiiiiutTiiiuoi- iiiieu me .endcmy tin 111c uoors, 11111 in Doth these cases the operas had the additional attraction of UnllNCurcI, who wns then making her first appearance in this city ns nu opera singer. The only modern opera to till the house in the same way was ''Thais" ' vith Miss Cardeii In the title role, i 1'hllndelphin's recollections of Miss (anion in this part in the old Ilnm mrrstcln days nro still too Keen tn for get bo soon her line work and the opera I going public turned out in force. ' The pqint is, however, that the mod-' ern works did not attract, not becaifse Philadclphians do not cam for new works, but because the new Works in theso cai.es were of Koincwhat douUtful .merit. l'Vvrier is still a young mnn and lias yet to prove his greatness, while Massenet lias proved that his talent is only mediocre. nnU it will nut be many years before his works will completely vanish from tlm stage, lie had the fac ulty of perceiving with unerring vision )i Una plot for an opera and his arc nl wiiys full of Hcenlu anil dramatic po.s-1 siniliiies, inn, iiniorninntely, J10 Ii.ih l.ft,i pnsalbla for Vlilnr lie lll'lilllU.' 1,1s C,ir;;i;i'lft,,. ,h.., ,.. lie, I n ft- '"', "'L.""V' V'K '" '"ll-H'-Mlls r III. iftr.'i s" :"-"'"l--: I'V the Phll.l,ft. Oper.lli,' S.i, leli. jr, Ilftrbftll Mill uirr.l .T,,'"',!'V,,'"1"",'m "f ",ls "I'"". Ht Ihft .Met,., ivilit.ni 1 p.-ra l,o ,, .M,,,,.,.. ,, .,,. ItilV ... ft,, rt'.u It .. r .. . '. :;- -. "" "".' ' liming the lin, 1,1 011 nf Wnuaiii i , r ,u. :.,.::.-. . '"' .,,... ,'.i .', .in- r,H ii'iy, i,j ,1 inuskiil nifsrnl I'll.- Miller. Wllllni S.'hniMl K -li lilt's iiiilsl. ,ile Mhl l Blio,, .,! ,h j,,,,!,,, 1 lull iiiiiintruiv inriilns- t 11 ,,',', 1, ,-.. ..., ,,,--, -, .,,,, ,,(. I,..,!, 1, in,,,, ,,,. iniiuiste: i:,,,n 1. S'.hml.n. iiiii,,f. . ns-iiiiuui. l'ft,US. ,,, ,,1 ltp,, hasvo Arftnsl.-.'a I.,.... ..., T.ln -,, . ,....,...'.'""" '" " u.i. 1' aniftF. Holes ivill Iih renderfil. 1111, 1 inuy mid Admlnaion hy in i- Tlio Slu.l.'litB' lltchesUa of ,,ft x kM-.-i Halm .Munl.-al A.nileinj,, FiPdeilck Huh,, .lite. lor. Mill ,f. ftai,l in H minphmiy , ,, i.'il Ulnlrr tin. uuspleeii of tin. uVparimont ., liilisli' vt Ihr I nil.Maity i:U'iisloti .Socli-li li A ltl,..i-.po.in Mull. T11p91l.1v ftvenhiir nri L'H. S-lf ii1. I.,, k. I.eim Wtb,',' lirlluer pi Htm, ''-V m.i llotiawlu. lolliilsi,.. ' , , sin. 1 .i,,,,u,i, pianist. M'l bn ih i.ttl.sli nu uss. A SHOOTING STAR Grace Valentine Has Some Twink ling Ahead Despite the fact that Criuc aim Hue. win, is featured in I' ,1c ,,l' the I " ' I.i.iiiI.iu ili. I, Id., in llic I'li'H'. has Ite.'u plaiing this part ft li nearly two jeais wilhiiiil a vacation and she has another cr.i busy .war flu nil nf her. On the nighl nf the "losing of "I.oinlianli. I.lil.. here slie will lake a (rain fur l.ns Angeles, anil Ion dajs afli'i- her nrriial open in a new eouieily enlitleil "Mailauii' Sap,ho" lt I'rch'ric and I'aiinv Ilatlou. While playing "Madame Happlm" in l.ns .ngclcs si,,, will als,i, during Hil da). )ila) the slur mle in a pictuie. On Augusl III sie ui i the I i - barili. I. ul ." coiupaii) in San I'rau i cisc, and phi) her preseui ml,, ,,f Oajsv Malioney for two weeks, and then jump In Atlantic ' 'ilv to j.Mii th' cast thai will be seen with her in Ihe eastern preseiitatioii of "Madame Sappho" ami after n week in Atlantic Cilv anil one in Washiiigl'iu will go In New nrl. ' for the opening at the .Mnrnsco. CALLS HALT AT WIG Lola Fisher Keeps at Least Half Her Vow When l.nla 1'ishcr ciuliarkeil upon a singe career she Miv.nl that whatever niicht 1"- her lot in the world of make-' belie've. she would never wear tighls or a wig. However, Ihe per.-uasivc Oeorgc" M. Chan linally ptevailcd upon her to cic.ne the title role in "The Cave Oirl" and appear throughout the phi) iu "h,,s' attire." She docs wear the tiiost hew il, hiiiglj I lining --I'l'lcr I'nii" coslume. but the' linjisli curls of -'The Cave Oirl" al Ihe (inirick are her own. She sacn-' In is! her liiMirianl liloiide Iresscs upon' the ailar nf ail by having her hair "In, hhcl." Those who "'!ij,t)oil Miss rislic'-i work in "tinod liracioii.s, Anna In He," will icciill her wealth of golden1 linn. Philadelphia Orchestra I Hi i Pill II H'llKUWSM I'm,, I, i. in i, ml ' . '"VSAMAROFF1 ' ,v,,., i:t H I B A U D """ i ii, , ii Academy ii LYRIC BROAD ABOVE ARCH S I . Evrninn at 8: 1 S Mati.ice Wr rliicrtlnv a -id Srltlrdnv. 2: IS 5ND WEEK OF THE SEASON'S BIGGEST FUN KIT POP. MAT. WED. MATINEE TODAY NF.XT WEEK -TONIGHT AT 0 CO 2ND WEEK MGHTS AT 8 JO MATIMbES WED. AND SAT. I lirslntit .V .litiiilirr AT 2 :o COHAN and HARRIS .sYsLs ANOTHER TREMENDOUS LAUGHING TRIUMPH! est Seats, $1.00 OLIVER MOROSCO'S Greatest Laughing Success LEO CARKILLO In Frederick ami Fanny Hntlon's Famous Fun and Fashion Hit SfW- i !U A MODERN COMEDY BY GEORGE MIDDLETON LOU FISHER AND AN INCOMPARABLY F I N C CAST INCLUDING ROBERT McWADE KATHERINE GREY MARY NEWCOMB TRANK W. THOMAS JOHN CEDOUIN SUE .AN DUER RUSS VVHYTAL ELMER GRNDIN HOWARD H. GIBSON S- i GRACE VALENTINE and the Original New York Cast m mj u n& FORREST A llrotiil tiiitl ,iiuii -IIIDMXs M llll. I ,c ,'c . M ,n ,f r LIMITED ENGAGEMENT BEGINNING MONDAY N.GHTb A I A MATINEES WED. 4 SAT AT 2.15 CHARLES DILLINGHAM Presents AMERICA'S GREATEST CNTtRTAINER i MOVING After 6 Capacity Weeks nt the Adclphi Then iyooos MRCCAL FKOLIC CHES' Uhcre -v.it.. .vt.n I a'j "ASK SAAM -iLjit, ssp IN THE MUSICAL EXTRAVAGANZA By Anne Caldvcll .intl R H. Burnsicle Music hy Ivan Caryll nnsoin inousors: F : HI - I -.III -Mi , , Ml, I ,l -, S30U-''Oir5 III I I I !-" . l MM in N :ocaoi iOEiocr: Ul 'MJIJIl 'IIINIiW OPERA HOUSE ii.ni Niitlits. :,iii- to si.;i- - , :i in,.i,i MAT. WED. I',' M, $1.00 ii i iii- in) T ST. Chestnut Brl. lit), , ll.,,ll... SAM S. SHDBERT f L,E ' 9nd Month, BeRinningr Monday Evenir.-, cf Ss&CEC ri). ----jti-AM-fy W fft ,52? v'5Rra: l.'VP'w . JI.lli.. -Ji -wvniA MM'I.IIUIIIII 1M. McCARTY & FAYE ' i.n i i n a mil xin HII- V I..NI. , I n U Mill , l-li Mil; - ii ( I i; ; BILLIE BURKE "HI' ' I. ( Il.l - NN Mil Il.l' I . - N i .1 II Wll i N,.i inn, a i in tn ttt( i, '. Mill llltll- l ,-tl i N a I'MlMl: III --'I I U t ",inl.i l-r, . ." i n i ii.t ni inm tin ii- MARY PICKFORD In "Captain Kid, Jr." i i-i ii ,ir .- ,.,i, Charles Ray '" :l" -"' :." ' ' The Biqgesl Musical Hit of the Year! Deliahlfitllu -"r.-'v hv?- Different mm, jl-s a- Am.-II'H UjI'i I'iii, I will Iimm. nn uu ,.,l ,';'' ,';Vi.-. APRIL 29 w.v ,,. j.-.,i .in.,,," iih,,, sC'OCaJ'j' 119 1 TO I Hltf1 ll I U E H H HI nP-'i 22 umfm' v Will WALTER CATLETT STEWART EAIRD CARL GANTV00RT anJ the CAfiiEROH SISTERS nMARJORIE GATESCN -V5 V. t l nil 111 ni.i 1 1 . i miii-, , 111 I I . I III -I Nl I' -I. Ill -. Ill I lilt 1 1 1 ll lil I 1 1(1 - 'C 1'fll -I III riiuN!. i mi i ii-:i. in- ni i 1 1 in, ' IM -I n: i I ii-.-.ii riVOLl "'-'" "' -N-mi , Nl V -L.I,, . Vlial Every Woman Wants? IMIII i.l: l I IIMiMiiNIl - lllll 11 I I M I .. Charlie Chaplin "The Bank" ,n, I l.'l' l. I,, -1.111,11 A lis, li. ill- : i.-i, .in,i i ,,'.. -, , !, Nl I' t ..K WILLIAM SEA BURY nuJ EILLIE SHAW i ,i'i ,,i BELMONT Nasimovn in M.' 't I M M.IM. "II 'I "il.' IP'I Il,'.rs,i, t II IIIIC llllllll. ' ' II'MMII I Mini. - I -1 ' " '.l -,,r,li, IM.I.'III lit l.lsl, , llrrl mi i, I II' I s ls. LOCUST ' MARY PICKFORD in "Ca.pt. Kidd, Jr." THE ONLY CIRCUS COMING TO PHILADELPHIA CIRCUS WEEK COMING ONE WEEK Commencing MONDAY " Km 8 H ILlJxML.' TiVj "" rL....'LCri --T- Tnin---jTTr-T..j 1 hW$T7TmiBm M-.jLmL(iJ.Ljrf iflNPosirivELY and M8v HIllIiEIii 13iill!k55yiOU5lY THE CBEATEST ftidT'Taffl HnEceoiNQ first nmWfflu TENTS AT 19th AND HUNTING PARK AVE PARADE AT 10 A. M. DOOR8 OPEN AT t AND 7 P. M. PCRF0RMANOE8 AT 2 AND 0 P. M UNI: TICKET ADMITS TO EVERYTHING. K'WJSK" i vjma rnioit .... : .. -- ?'?." 1 tii I . U?I,1W ?uS2e,y . RESERVED SEATS AND ADMISSION TICKETS ON SAl-E DOWNTOWN ALL J. dat.M)y;fe th.T.rfA.a..ri LHARGED AT, TKRT WAyiNS AT C1RCU6 OR0UNO3. " ; AT 2 O'CLOCK S11ARI' Forrest aiKSw May 2 a-. ALL STAR Benefit Matinee . 'SA ;. i iui TIip BahiW MMi-M; VV'' - v -tJflW AAUUAIUI OJllUi eleluhia Till Till, (inn ti . ... ...... . ' ... Help the Babies and Enioy the Bitjost Shoxv of the Year IIM'II I s III I'rum Tin: i'oi:iiii' 1 111)11 sidni: (Hlniiem "TiirU O' l,t,,,,.,,r 'I tSTI.U III' ( I.UI.MQMi ... i i ,, I Mum i.n 1-ri tn Tllli Mil H:UT H'AI.TKII fTI,l:TI' C.MlnitON' MMCIIs .M.Mt.iiiitii: (,ti:sov hTIIIVAICT II MUD "I.lttle Sltiitill, Hj Tn i'Tom Till; Hi'PIir, "TWIN i.m r l-'rmn iii:ii" I'rom MO.NS I.IIXMI ti;x.s comki j'oi it l'-rom Tin: ;i.oiii: IIII.I.Y M IIOK'N 1 '"ti' Till. Ant I IIH l.lll(.l)lt M.I.I i ,v tl III I.OItllilN l'r.."ii II. - Mi: ii- . Mil ini: iiiii-.'si it .NII l('l I.MlllMl, xiiiiTi k r, -nn: ri.Mi.it (, i:nihn ' M-li.' .',,",; -i , , l'lll.M I'll Tl III " h I ii ii i i: s - 'tn Till. STAM.I.I III. NINO.N' I III KNl I.XM.rilUII ,V I11I.IIII1U V i-'ri.tn Tin: cini-.-. m.x- rTitici ii'iiviti: a Tin: i ritTis mtos. i, ,i Mil IIIIDMI III) in run iim i in till I N M.I, IX I NI.X . 1'r nn Xrli H'Mts A. I.r.-.'iile. I itrr, l A I ... IMINOX X N A III "lll' X.'II. Ili.int, X..,,'' lil-l X.'l I'liila, It'lp I, I, i si,, iiiK ,,f "I'll I I t UN III I Ml ltd Xll" XVfl II .M.I.--T XI! ' Wl I N, ',.1 i t, III.N Xi.l XNMI It Hill I Iiiiiiu.-v n,rl.i l'l,li,,.l.l.. II, ,1 iltii'il TIiii.iikI, I In- -I XNI I.l Itonl.ii.i; I ul i(,,i,, SALE BEGINS MONDAY nt 1108 Chestnut Street Poerlvxs in Florid Sang II I IIOIMII.II IN iii-i it x lull m. I Kill XI 111 NINl.. MX! - .1- M l '.'I . I ., mctijoi'oi.itan oi'Kia hoi si-: The Scotti Grand Opera Qo. , ,1- ii.illil .iimm'ii ,,,. ,1, .i,i,,tiM i, iui.. i i ..... m M.'lriitt.illt.in ilp.T.i ll..im,'. N. X. 'i.'-i,iik .i ii,ii,i,' inn 1 ' "Nl Mll1 I XX XI I 111 iiiitliiiin H1(I itisi'iciNi SAT. I-.(... M. 17. !i. MMI . I X-.IIIN iM XN HIN x ( ill xT ,rr, 1 1-1 ' 111 iril lin in ..... l. JjJ ' ' S,N'. ; . ti n. , .in, j. NI xu i.K j rasnions A La Carte Chestnut St Latt Mat. Today -inn, mil it.-i'. n lll'l I! X I li, lllil -.1. Lakt Tims Toniglit I 1X11 -'TOC & Don't .Mi.vs Monday Sight in ROSELAND XI., I." :,,,., ni. , -ii. . t , ',, , EXHIBITION DANCERS :inil EXTRAORDINARY NOVELTIES 1:1:1 KIMIMKMS RQSELAHD 12TH& CHESTNUT Aboc Arkn i IIUV. XI1I1-. 1 ,1 "I'l I I XI I I. II I III It ' , '.,,,,,.,, "II I X III KIT I '' II, ii, ., I. IM Millll 1 A lllltlltl , I'r,., I mil. Ill I n M in ii... n.,,,,,,..i im r in. , lr . "A CURE FOR CURABLES" uicin CORT1SSOZ A 5 Lessons ul I AM. I: Teacher for Each Pupil $C lll'l IIUHIi I niii :.-.; Snlurdau Mlrrnoun 3 Id II w J il n A J 1 II lin, ,,l llrl.,1. I), Aaclpni m. i- i I'm- a -., r i -. n.ii r xi ni i-.'u x :ii Minim , ii Tin. on. u not si. I I.IIKI.NI I) MI1UIII. I'l J III-' 1.1 lilt I.HXI i: X XI.I.NTINI, ' I "lllil. I, ,11 I ,, ' I , n.i.Ti-it .. nitoi; i ,, .. ,i. HIIOI.'s III lis I-,,, I, HI it HII. NINON I.N A rXUKKIt lin 'Mil: M imiini: mix xi. ii:n .i.xi-s W.XIiiliXN'Tn'i-lATKIx'''" '"UU '""; ' XM0, '''"ArilllOAIMVAV ,1,1,1 , Ulri'i linn i.f Iitl.l Htlliro UliU r. .louii.xN. AUtfnmnl.'.l nn lifwlut I'n.l.-,- th,- A llvy nf i'linr,iilnir slmw illrU NINON-Nlltlll.INI, Kit ami IIAIlltl "I Ml II Xltll MllllTiTFt Will K, II i--,,h..ih n,l '. "ii ",lr,t viiiiiiitr. i' tin ,, A I' l XI. XVII.I.IAXI I. Mli:i'lli:itll. l'i. "tl. ,'t Iter tin lr er,i.i h r. i'iiiIkhIom ol tl., i HAIlltlSON, I'r, sKlint 1 llr,. , Aurui ritii'ns mil- id n.';.nn. skits moniixx ,,,'ir I'mitrimimrw h n,l ,h s I. .,1 ,, , II, ,1, -t . nil,,, - I1INJXMIN xr i-iiiiiii sr mix oi r n i. I" lit" ' I II N UU nil Willi FLORENCE MOORE rf ' Last 2 Times Here v ) Moves Monday Evening' to Chestnut Street Opera House BENFFIT '"' ''' "" """" .."i dances ,;',;;,ll:1,;:.""1 ",""r u"ik' Stratford Room ' The Bellevue-Stratf ord ' EVENINGS 10 TO 1 i ins x i.i u .- ii:M:rn-i.xiti xisiun. ' ni iihi: .-in ii:-ix oi I'nii.ADni.i'iiiA Nl N'l' W I i:K llllSPITXl. (IK XXTiXIAN H MI-liu-XI ."I 1 I '.I' nl- PlIILXDl'.l.rjltA ADMISSION ONE DOLLAR M I1K.X M"i"l "I Hl-li'l.. lllil I .... t WOODSIDE Philadelphia's Leading Park OPEN FOR THE SEASON Snliirday. .Miij ;i TWO NEW KIDES , llllti-r i,,tili'rrl .ml until ,,,.., I.,ilrp 1'rt'f t'oncrts Afternoon mid Ext'iiiiij; liv IIODIAS CONCEKT HAM) Ulrrill r l.ll s I'l'l; itntiix riUKWoitixs i:i-;ia ikidav OWN YOUR HOME EXPOSITION FIRST REGIMENT ARMORY I'ltliXII AMI I-.XI.I.IIWJIII.I, Mild. I.l.-, April 21-26 Open Daily Noon Until 11 P. M. tin ijl. ti ,ia, ,,, i,0,ie, 0f ITR0CADER0 '" ' "" " xi xr. nxii.y lilt. Xll.-r, ,,.,,,, ,,, vritlnc "MPi,!!"!,!s '"'" ' I'lltl'-IIN I I litis nn. 1 1 xiATsnv I'ri-M-nttt INK Orientals 'I lie N.r nntl nif. frri-nl llurlpiiuo Munv ' ' M Wit 1 1. " Uiltiu.ilow 1 rx tlUIUtlrtl ADMISSION FREE r on esc last mat. & evg. THE MASK k WIG CLUB ,ni?PHPI IIVI Matlno Today 15c -. i tin.tiv s.,.,. ... n... .... t.u. ,i... ...... MKe Dcmontt ffC You.V' "iDHILADEUWA , T.niht M.8.U PWpPW t Tonight -tStlSi' LMViatSITl or IMCN.NMVI.VAMV SINT AN.M.XI, I'ltlilll I'TI ON THE REVUE OF REVUES ,Sjgjjpa M J i5Sft(V Y? 'T &&&ry PHIl A'S WtOUS BURIE5K THCATttf MISCIfiEF CHORUS ao UNDER "0 Bjiojiai I'eaturp Thn Wnuv Syncopatorftt GAYETY t " ,"' W ini.'Tj ,B "SMJKtr. " DuS?ont XTiJ&M 21 -v '". s, 0 I s ft :-- IOE3Q 1 1 Iff Inslrtic I on by Walnut 7720 m Jt 3 f. ,,-!J t'-JB fn mi s .. XL ft,1 l' y;; IMF ly 'kJi:- K' ,.T 1'QtL i .$? wisrAeifsa 1-Sg Mlt,&MMmlMSMMu';t: M
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