JULY 28, lltyT .O'TF?, ".iv ?r- : T "v JvrxvJTXijJUAJLJCiJUJrxiJLaL,1 BAA U JJLA-X., d UJjI Z, JAttT , Z. --U U-.i. .. filfci .'i Tnn . . : l , ' . 7 ' . . -M-r-.V ."w. iDTHERE AT THE ENTERTAINING SIGHTS, OF THE STAGE AND PHOTf gSSMSP lfct Jk 4 --, JLECTED WIFE," THE PATHE SERIAL farther Adventures of the Woman Left Alone, Her Hus ff band and the Other Girl Vf- rrrr:. ..... .. CnAI'l"1 ah r,mumerc(l L.OV0" tuMltiit tnm "". '"" f mi or the iimt fim, K" 0H "" novels 0 Afooel Herbert '.tW-T.'-in nf7. An irnnel rr-r)ir rrr..i tvl-"7"' ' ---.. -... w,w By JOSEPH DUNN A Ttr. STonv iJfun Horace Kennedy Wife '"'W ...Mary Kennedy I. u'nman A inn a ' . Mnrsmrot Wo ma (Kennedy, though striving to be loval to hl J husband's, secret. Mary determines to win L "k.v. Kennedy's Pol I Urn I enemies i.ni 5m Margaret his compromlslnit letters. To .Jiver them, Margaret npponlsto Norwood, ,0 loves ner. .. T0V will stay unui jl can send n nurse?" 'IX Tha Doctor, replacing tho Elenmlm? lypodermlc, turned from the bed: .'Til be slarl to," faltered Margaret, her tolce emotionally tense. !', Under the opiate Norwood was slceplnc .., i.. rvr-nwln n. lmr r-hnlp in th karl IVintw she touched his bandaRed arm. the Vice he had paid for her letters Even Lw In tho security of his npartment. her Hart beat fast as she relived that terrify ing scene, from tne moment na nroito into (he room, snatcnea me letters, lacinj? an mniial struggle with the three rutnans. until her outcry brought help. And now u she sat aiono oy me utw umrc vvus Baine ttinr nnneallntr In his unconsciousness. In 'He helplessness of his bandaged nrm. " whv had tho fntes ordained that she ; inuia not care for this man. who loved her :) unselfishly. He was free, ho had every I'tnlng to glvo her, tho protection and secur ity of his name. Yet her lovo was given ii to one who was already bqund, but whoso :-" .lightest caress thrilled her more than nny A proof of Norwood's unselrtsh devotion. I? Her glance rested on the telephono by J Ota bed. tho magio instrument inai 10 ner eemea niwaya iu menu nonur..,. .u v. mil him un now about tho letters? ?j Noiselessly Bh0 took down the receiver Wfcarlng to arouso Norwood. !J "Hello! Are you alone?" In tho same i',utlous wnisper. u"' ""..TT. I.irful to tell you. I have tho letters! , Ho I can't talk now I'm not at home. Ill only wanted you to know." Sho broko ifx suacieniy i "'" , -. led Turning, she found Norwood watering ltT keenly. ..... On, 1 i m gum uu o .,. n ...inn "T'm otvlnir until the nurse omcs. Does your arm pain you? Ha shook his head, gazing at her with i Uaconcertlng Bteadlncss. t.V "Oh I I can never thank you 1 uui 11 J Mil knew what those letters meant to "1 think I know now," bitterly. "I heard . . n't-... ..a..a TlrtMCO WPn- ttou telepnone. xiiey "tio ...-. ledy's lovo letters !" ' The scorching-color In her averted iace ,MTM Margaret's only answer. L ,mn..t na Via mean to vou. Margaret? V rd hoped that It wasonly an Infatuation. 3M it eomeiiiiiiB '' Her silence was a poignant admission, e. 4v. ofnlo these letters and were Kiolng to publish them to queer his cam-Y.TlrJL-y .. n oava him that you risked IfT ..u . .im hack? And ho was pSrW enoSgh to let you tako tho risk?" S "Oh, you mustnt Diame "' " ,; -- - ?Dch my ult as his. I loved him reck- ftknlv "I've loved him irom wo """" l "A man who is married t i '" Mfcr to offer you but dishonor? Abruptly tho door opened ana 1110 ' r i,i .1 t n nurse, whose white Ikm showed unde? her long dark cloak. mV,Z mmnts later Margaret went slowly f Mnstalrs. turnlnghomeward with .u. ?!?.""LS,r now safe in her iKbag. id not lighten the load She was PSnklni of Norwood, of his fine, clean Uue. : that she could never return. Early one morning a week later Kennedy "i " nrt with frowning PSSrIo'nsetUed down before his desk j.m.. 1 i. p,,'evltv of his prlvato lire, iTlTdemanls of 'the campaign and 1,1s prac ' u nrihnt.wl to rasping still furtner Shli overtaut nerves. 5- Glancing through tho mall, wltn a start iU took up a small gray envelope. Mar C writing! Even before he : opened it 5L had an ominous presentment that some- I' thine was wrong. W "I am Eo.nB away now, before .the election- r seiore our ioo :"H,",nT ii m.i it harder : work. Wherever I am. I. shal ISS& I KiTnVyoTuto-youf career." K Snatching up his desk telephone. w,tn fitraned lntcntnesa-.i.emit-uj- -- --7; laret's apartment. Tho drawl ng ce Kr .v. t..ii ... inrnrmM him that Miss ((Warner had Rone, that .he tad left no ad- t;celver. the dor swung open and his Herk entered irom tne oui "Car's waiting. Mr. Kennedy, loure duo iU Blue Island af 2:30." To mak6 a public address with his heart a- Jt.annanmnpe SCemCU fsorri over warsatoi" ui-i-h- h,ih, Rat that moment a physical ImposslblUty. Then came the tnougnt 01 "- - , -.... . i,nnn..ir,t m." When a few Klnomenta later he entered his car, waiting E't.. .u. m v.niiHino' to his amaze- UWClVtD lllO U1UWO w.. .o, ttent Mary warf there, 1 ... j..t Bt "I thoueht I'd go wltn you, juw -. R?tha trip." f "Tim of,.M i nnn't he much 01 a trip. with cold withdrawal. K, 'Then I'll only go to the landing," hurt e,i nis unresponsiveneos. -u i" - ---Pn. while Kennedy gaied out the window. f,WlstfulIy Bhe studied his profile. It was set I to the stern lines which were growing KBabltual of late. , Of what was he thinking? It was not his sneph. thoueh ho had taKen uuv me typewritten notes. Was It of Marga- Ijwt Warner? f "Horace," her gloved hand stole "" ikut hi. nn Hid not close over them. It "Dear, after the election couldn't we go iway for a few weeks just ior a. .." that and. vacation?" ' "Vacation?" grimly. "It'll be montns to tch un with mr-work." g"aut, dear.' I'm not well-I Haven't been Wor weeks. I'm afraid I'll break down It fwe don't get away soon,.' ".Tvelu there's nothing to Keen , -beneven vou wish." "Her lips quivered as she withdrew her hand. Th. mr was slowing up at the lano- fie, and there-was no time for further dis- awsion. You'll be home for dlnnerT' pleadingly, 4 hft laBntai nut. 5flf I can," curtly, and raising his hat he iooe down to the waiting moi""" - K a backward glance. There were "'" hat ia,.nAu.a n a crrAiiti nf men. a. party tthe politicians going over to the meeting. ..cmy ne m iw.'"' "i"'." " m.lv snorting of the motors mvt " nnir nfr JKary was about to give the order to drive MWhen she saw another iaunc -"'" 9Uy down the river. It held three men. nr.hats low over their, eyes. " "rr Whlng minister In their rou... -", ., How reck esaly tney were '"""? " m. ..... ., .i,rh for Kennedy bearing dow on his lighter craft with speed. Nr-heart stood stllL A collision was in m -With a cry he prnt from th 5hi ntroomnttherme W th iniB mttuw owe - -' ,. "HER INFINITE VARIETY" jli: SSS A nvtlr.lt 1.- . . . . . ilcsirc that dnflnmon h wIT f 1 Ach the, nvc;aBe screen vampire puts across difTcrcnt emotions: No. 1, race; No. 2, love; No. 3, remorse; No. -1, jealousy; No. C, entreaty; No. C, tsire mat cinnamon bun instead of butter cakes bo served with her tea: No. 7. indicatinc that the hero was nolsoned bv nlnstcr of nnris nn.l not bv nvrrHolnir hi brnn.bnrr niercisea. i " ' " CT PHILLY'S ADOPTED SON TELLS OF SCRIPT CAREER "Shan" Fife, Who Preferred This City to "The Big Town," Leans Toward Whimsical and Comic in Photoplay "SHAN" FIK1 TT MAY bo a matter of no moment to J- the late Czar or the Kaiser, but all I'lilla dPlphla, and a goodly part of Now York and Texas, will bo glad to know that Shannon Klfe has Just signed a contract Wltn tho Rimnnq. I'layers-I.asky Cor poration, giving that concern first call on all his pcrlpt production until tho fall of 1918 For Shannon Is one of tho adopted sons of this city who has mado good In the movies, and whoso reputation casts n backward gleam of honor on the plncVs which ho chose to llvo In. Way back in tho nntedcluvlan l.ubln days days when such men as Law re n 0 o McCIoskey. Adrian Gil-Spear, Harry Chandlee, Hmmett Campbell Hall and Norbert Luk were writing photoplays at or near Twentieth and Indiana stray visitors to tho studio would ask, "Who's that brlght-cycd, alert little chap over there?" They meant Mr. Klfe He was one of that gang of capital fellows and brisk minds. Lubin's Is no more: at loast It Is uninhabited, but the memory of those varied and volatllo faces will not down. Since ho left Lubln, Shannon Fife has peimltted no weeds of Floth to grow under his feet. His new contract Includes stories for Pallas, Morocco and Artcraft Mars. Ho Is at work on drarMs and comedies for Faullno Frederick, vlvlan Martin, Jack Plckford and I-oulse Huff and Scssuo Haya kawa. "Doug" Fairbanks wrote him re cently, asking for "copy." To Identify Shannon with you, we might mention that his recent releases Include "Sussle Snow flake" nnd "The Rainbow Princess," with Ann Pennington : "Tho Reward of Patience," with Louise Huff; "Heart's Desire," with Marie Doro; "Llttlo Lady Eileen," with Marguerite Clark; "Maternity," with Alice Brady: "God's Half Acre" and "The Sun beam," with Mabel Taliaferro, and "The Habit of Hapulness," with Fairbanks. The latter optimistic piece, by tho way. Is be ing transformed Into a stage play. Shannon has written In all 283 photoplays, repre senting no small lump sum of creative nbil. Ity. Ills next release will bo "Rrd-Whlto-nnd-Bluo Blood," with Harold Lockwood. Shannon's "adoption" of Philadelphia as tho best city In the country to live and work In is Interesting. A native of Dallas, Tex., he got a job with tfio Dallas Dis patch, the first one-cent paper In Texas, In 1907 at the monstrous salary of bIx a week. (Tho six doesn't mean hundreds, cither.) In 1910 ho becamo city editor, nnd It was In that year that ho sold his first screen play. Wanting to go to college, and casting about for somo way of earning money toward that end, ho conceived the notion of working his way through the University of Pennsylvania on tho salo of scripts January. 1912. found him nt the vest Philadelphia gates, tho Texan dust well shaken from hti heels. This Is how he describes his ensuing career: "After I'd paid my second term tuition fee nnd dormitory rent. I found I'd ?4.2.i on which tn run the rest of the year So 1 hustled out nnd Fold a script to Lubln In thoso days Jir. per play was thought adequate nnd other sales to tho same Arm followed pretty fat. I gladly nnd frankly admit that much of tnv Mi'i-msn In th ...i.. Lubln days was duo to tho Interest and encouragement of Scenario Hdltor Law. rence McCIoskey, now one of the really big men In the writing of photoplays In New York. "During my whole college course, 'photo plays paid nil of my board, lodging, tuition and traveling expenses, and these have been conrldernlile. slrro l' tr.-nelr-ri 120 nno miles between Phllly nnd Dallas In the last five carn on trips to visit my mother and brothers In Phllly they call mo tho only living Philadelphia-Dallas commuter. After six months In New York city, I tie. elded 1 preferred riillly. So I came hack "What Is my trend In writing? Well, I havo always leaned toward comedy and whimsicality l believe the most likable plays of the future will bo those with a basic background of optlmhm human touches and legitimate comic relief I think there should be three of this sort of play to one 'mellerdrammer.' The big thing wrong with tho jnovles Is tho tend ency to 'Fltuatlon' Instead of character drawing. If characters would think more nnd move less, perhaps our screen art might lot.e the awful designation of 'mov-'es-'" B. D. WHAT ARE THE BEST RECORDS FOR GUARD? RAY'S RAYS OF REASON ..o'rJlish'".,ot.!10.rn,,1' PhUonophv cullfd from Sudden Jim." In which Charles Itny will be seen nt the Arcddla tha first hnlf of next week ) A MAN who has to have his clothes wet through before he can recog nize it is raining may succeed as professor of Greek or as an artificer of a ditch, but he is not likely to elbow aside numerous captains of in dustry. I've lived long enough to know this that there's more good than evil. You hear about evil because the evil thing is news. Goodness is normal so normal that nobody no tices it. To be "queer" in a village of less than a thousand souls is no incon siderable crime. Men don't make names for them selves by sitting in one spot till their pants wear thin. A man who makes up his mind right off may be wrong half the time, but he's right a whole lot more than the fellow who has to have a decision yanked out of him with an ox team. Wherein nn Answer to the Prob lem of Militnry Music in Camps Is Attempted By the Phonograph Editor A letter to tho editor of tho IlvnNi.vo LfiDaen, printed during this week, told of n teal need of national guardsmen encamped In nrlous parts of the State. It stressed tho fact that most all soldiers, he they of tho land or the sen, like music passion ntely. The particular Instance that the correspondent brought tin wns the case of a company In the Third Infantry, N. O V , who. deprived of the common Joys of shows nnd the movies, had formed a talklng-ma-chlno club. They had bought a communal phonograph nnd were enjoying It tremend ously. Tho writer added a plea that own ers of machines, sitting nt rase in their city or country homes, think of their friends In hnmlels of the State. He urged that old records, of which the buyers had tired, be rent to Mich companies as possessed ma chines. There Is much to bo said for this project, especially as the Idea, If it has not already become popular. Is likely to be so roon, so does the conception of ramp amusement Fpread. Kind-hearted folk who hasten to comply with tho Hvenino Lcnnr.ii's cor repondent'n wish, must remember, on the other hnml, that not nil sorts nnd condi tions of music nre suitable for the life of tents and bayonets To send to one's Sammeo friend such "deep stuff" as the nndantc of Beethoven's fifth symphony, or nich dellrnto trilles ns lleder sung by art ists of slight vocal stature, argues a lost humorous hense or a pedantic viewpoint. But there nre countless records that would be appreciated equally by tho musically uninformed among the uniformed Somo discs that might well find their placo Into tho guardsmen's traveling kit nre easily decided on. To bo sure, thero aro lots of lively modern numbers, ranging from the new American patriotic songs to tho Mentorlan Jazz band. Hut In most cases tho owners of there records will hardly havo wearied of such recent purchases. By going through that neglected drawer where you havo been piling up old ones, played many times, you can find n representative assort ment. Marches, especially those with a military flavor, will recommend themselves to al most nny toldler. The Victor Company has a comprehensive list of military songs and Instrumental pieces. Such favorite faro will bo found among "Tenting on tho Old Camp Ground," "The Two Grenadjers" (avallnblo In many forms),) army buglo calls (these should bo particularly Interesting Just now), "A Day at West Point," "Tho Death of Custer," "Tho Drummer Boy," "Tho First Brigade," "Keep tho Home Fires Burning," "Tho Old Brlgado" and "Tho Soldier's Fare well." Thero aro also many marches, not strictly military In character, that havo tho swing ing tempo nnd stirring rhythm go beloved by the soldier. Operatic numbers of this kind aro frequent. And remember, what may sound like a very Inferior record to you. Just becauso you havo plujed It so often, or be cause It has shown signs of wear, will ho, a musical godsend to those whoso usual melodic treats nre the croaking of frogs or tho whistling of passing trains. Columbia also offers n fine selection of military numbers This Is, Indeed, too large for generous cllntlon In this column, but a few may be mentioned 'Tho Boston Com mandery March," "Tho Call to Arms," "The Girl t Left Behind Me." "Highlanders, Fix Basnets '" "Tho Battle of San Juan Hill," "It's n Long, Long Way to Tlpperary," "Tho Midnight Attack," "Soldiers' Blood" and "Squad Right." From tho l'dlson laboratories romc such entertaining thlngj us their medleys of American patriots nlrs nnd war songs. These Include many of the most popular compositions In their separate classes. The New York Military Band plays them, and there aro otrjer lMlsons which will bo sult ablo for a soldier collection tWv SCREEN MERCILESS i IN SHOWING FLAW8N X; AS SEEN BY NELL Miss Brinkley's pen impression of Mae Murray, new Bluebird star, who has leaped into the national limelight by getting up a "letter of cheer" to Major General Persh ing and his Sammees composing the United States expeditionary forco in France. EVENING LEDGER PHOTOPLAY CALENDAR EVERY SATURDAY, SUBJECT TO CHANGE WEEK OF JULY 30 TO AUG. 4. A.LHAMBRA APOLLO ARCADIA AUDITORIUM BELMONT BLUEBIRD COLISEUM EUREKA FAIRMOUNT FRANKFORD FAMILY 56TH STREET GREAT NORTH. IMPERIAL JEFFERSON LEADER . LIBERTY LOCUST MARKET ST. OVERBROOK PALACE PARK PRINCESS REGENT RIALTO RIDGE AVE. RUBY SAVOY STRAND STANLEY TIOGA .- MONDAY Harold I.ockwnod, la Tho Hidden Surlnir Viola Dnnn. In Aladdln'a Other Lamp Charles Hay. In Sudden Jim Allre Brady, In Maternity Ilolwrt Warwick. In Thu Man Who l'oreot Vivian Martin, in Cllvlnir Ikcky a Chanos Mary Plckford. In Tha Llttlu Amcrlcun llobert Warwick. In The Silent Mauler C. Aubrey Smith, In Tho Wltchlni Pour Man Murray, In The rrlmrose IMnc Charles Hay, In Tho Clodhoppor rtobcrt Warwick, In Tho tillont Master William Demond, In Tims Locki and Diamond! Ioulao Olaum, In Love or Justice? Anita Stewart. In Clover's Rebellion Mary Plckford. In Tha Llttlr American Earth Wllllnmi. In Tho Stolen Treaty Mabel Taliaferro, In Pergy. Will O "tha Wlp Dorothy Phillips. In, Tho Jleacuo Alice Joyce, In The Question TUESDAY Harold I.ockwnod, In The Hidden Spring Lola Weber. In Idle Wives Charles liny. In Mudden Jim Alice nradv. In Maternity Anita Stewart. In The More Excellent Way Kthel narrymoro. In Her dreatest Power Mary Plckford. In The Little American Hnld Tlennet. In Tho Olrl. Olory Pauline I'rederlck. In Her Ilctter Self rilnnrhe Sweet. In Tho Silent Partner Valeska Ruratt. In She William Courtenay. In The Recoil William Deemnnd, In Tlmo Locks and Diamonds Theda Tiara. In Tha Serpent Clara Kimball Younir. in Tho Haslest Way Mary rickford. In Tho Little American Tleeele Lovo. In Tho Sawdust Illn XIabel Taliaferro. In Peggy. Will O' the Wisp Harold Lockwood, In Tho Hidden Spring Francea X. Bushman. In The Wall Between Valeska Suratt. In Wife Number Two Fannie Ward. In -Unconquered Her Kucellency tho Governor Anita Stewart, In Message of the Mouse Mara Thi lacDormott, In at Sentence Clara Kimball Young. In Tho Kasieit Way Miriam Cooper. In The Innocent Sinner Mollis Xing, In On-ihe-fliuare Ulrl Alice llradr. In The Self-Made Widow Frederick Warde. In Tho Vicar of Wakefield f ttla .American Valeska Suratt. In Wife Number Two Wallace Iteld. In The World Apart Viola Dana. In Aladdln'a Other Lamp Anita Stewart. In Message of the Mouse George neban In Marcelllnl Millions Kthel Darrymore. In lUrynreattat Tower Alice Joyce. In Itlchard the Draien Dorothy Phillip'. The Rescue In The Alice I'rady, In Self-Made Widow Frederick Warde, In Tha Vicar ef Wakelleld Mary Plckford Tl u In ilttle American WKDNE.SD.VY Miriam Cooper. In The Innocent Sinner Valll Valll. In Tho lllch ltond Charles liny. In Sudden Jim Allen llrady. In Maternity Olga Petrova. In The Waiting Soul Stuart Holmes. In Droadn ay Sport Mary Plckford. In The Little American Knrlo Williams. In The Maelstrom Allen Hnlubar, In Tho Field of Honor Sir John Hare, In Caste One Touch of Nature Tho Count Cnrlyle Illackwell. In The Ocean Waif fhnrlea Itay. In Tho Clodhopper Mary Anderson, In Dy Iltght of Possession Jane and Katherlne Lee, In Two Llttlo Imps 1 Mary Plckford. tn Tho Llttlo American Mary Plckford. In Romance of tho Itedwoods Anita Stewart. In Message of tho Mouse nessle Love. Ill The Sawdust rtlnp; Tatsy . Neglected Wife. No. 11 Valesk Suratt. In Wife Number Two Gladys Hulette, tn The Cigarette Girl Norma Talmadge, In Toppy Harold Lockwood. In Tne Hidden Spring Choree Walsh. In Somo Hoy Mme. Petrova. In Playing With Flro Fannlo Ward, In Her Strange Wedding Gladys Drockwell, In The Slna of tho Parent! Allen Brady. In Tho Self-Made Widow Frederick Warde. in Tha Vloar of Wakefield Montagu Love, In Th Brand of Satan THURSDAY Miriam Cooper. In Tho Innocent Sinner Anita Stewart In Clover's Itebelllon Pesslo Barrlscnlo, In Borrowed l'lumago Mary rickford. In The Little American Olga Petrova, In The Waiting Soul ltrvnnt Washburn In The Man Who Was Afraid Ttupert Julian. In A Kentucky Cinderella Allen Brady. In Maternity Peccy. the will O" the Wisp Itobert Warwick. In Tho False Friend Earlo WIUHms, In Tho Maelstrom Clara Kimball Young, In Tho Easiest Way Charles. Hay. In Tho Clodhopper Enid Bennett. In Ulrl Olory Earlo Williams. In Tno Stolen Treaty Doatlas Fairbanks, In Wild and Woolly Her Excellency tho Governor Anita Stowart. In Message of tho Mouse Miriam Cooper. In Tho Innocent Sinner Viola Dana. In I Lady Barnacle Valeska Suratt. In Wife Number Two Frances Nelson, In The Beautiful Lie William Hussell, In Tho Masked Heart Harold Lockwood, In The Hidden Spring Joyce and Mnrey. In The Soul Master The Wnb of Desire Neglected Wife. .No. 5 Pearl White, in May Blossoms Anita Stewart. In The Message of the Mouse Mary Anderson. In Dy Hlght of Possession Bryant Washburn, In The Golden Fool Jack rickford. In Th Dummy l'llIDAY William Desmond. In Time, Locks and Diamonds Knthbn Williams. In Tho HlKhwny of Hum lU'Hslo Hirrlsc lie. In Horrovwd Plumage SATURDAY William Deimond. In Time, Locks and Diamonds WIIIHm H. Hart. In The Barunin Mary Plckford, In Tho Llttlo American Douglas Fnlrbanks, In In Again Out Again Pauline Frederick, Bella Donna In Kitty Gordon. In Tho Beloved Adventuress Frances Nelson. In Tho Beautiful Lie Madame Petrova. In Tho Undying Flame Pauline Frederick. In Her Better Self Olive Thomas. In Madcap Mudgo Dourlsfl Fairbanks In Wild and Woolly Juno Caprice, Patsy In Juno Caprice, I'atsy In Gladva Hulette. In Tho Candy Qlrl Dourrlaa Fairbanks, In Wild and Woolly Emmy Wehlen. In The Trail of the Shadow William S. Hart. In Square-Deal Man On.the-Square Girl The Fatal Ring The Ilescun Gray Ghost, No, Valeska Suratt. In Wife Number Two Montagu Love. In The Brnnd of Satan .William Farnum. In The Flrea of Conscience Miriam Cooper, In The Innocent Sinner Ethel Barrymnre, In Her dreatest Power Antonio Moreno, in Son of the Hills Robert Warwick. In The Silent Master Mabel Taliaferro. In Peggy. Will O' the Wisp Mary Anderson. In. Dy Right of, Possession T Ttwant Washburn. The Golden Fool .In Mary Miles Mirfler, In Melissa of the HI1U -:;iAn.Ti ,-R'i Itesslo BarrlKcale, In Borrowed Plumige Mary Plckford, In The Llttlo American Anita Stewart, In The More Excellent Way Wnllnen Held. In The World Apart Kitty Gordon Tho Beloved Adventuress Louise Olnum, In Lovo or Justice? Juno Caprice, In Patsy Pauline Frederick. In Her Better Self Mm. Petrova, In Tho Vampire Mollln King, In Bllndman's Luck Juno Caprice, In Star Cast On Trial Viola Dana, In Aladdin's Other I,amp Douglas Fnlrbanks, Wild and Woolly Stuart Holmes. In The Broadway Sport William 8. Hart. In Square-Deal Man Seena Owen In Mudnme Do-Peep Jack Mulhall. In High Speed Valeska Suratt. In Wife Number Two Mollis King, In Bllndman's Luck Bessie Love, In Tho Sawdust Ring Miriam Cooper, In Tho Innocent Sinner JCathlyn Williams, In Highway of Hop Two Little Imps Her Fame nnd Hliai Ann Pennington, In The Llttlo Boy Scout Tbeda Barn. In The Serpent Mary Anderson, In Dy Right of Possession Bryant 'Washburn, In The Golden Fool Mary Miles Mlnter In Melissa of tho Hills 1 HYrVif..v "i."?i' , AT 7 DANCED IN VIENNA; NOW SHE PREFERS U. S. Albortina Rasch Quits Operatic Stage for Art Work in "the Varieties" When llttlo Alhcrtlna Itnsch entered the Imperial Opera School of Vienna nt the iirc of pcvcn, sho llttlo thought thnt alio would ho dnnclnp; throughout tho United States on tha "IjIr time" nt any future period. Itapch Is nbout to m.ilto her sec ond visit to this cltj as a hcadllner In "the vnrtetles," and so her early life la Interest ing to survey. Sho comes to Keith's next Reek. lleforo entering the "two - a - day," she confined her efforts to the grand opera stago nnd won ninny of lmr successes ns a memher of tho Metropolitan and Manhat tan companies Tills teaon sho Is pre entlnB a seiles of dances originated nnd staged under her personal direction. At Keith's she will ho nsslsted by Constantln Kolicloff nnd supported by a company, each of whom has been drilled nnd taught by her. Tho daii'cuso comes by her honors through merit alone. She Is a graduate of the school at Vienna. At fifteen sho wan teaching and at sixteen mado her debut ns a premiere of tho Imperial Hn.Hct. It was whllo dancing In Vienna that It. II. Ilurnslde. directing genius of tho New York Hippodrome, heard of tho artist. Ho was seeking talent for American produc tions In London nnd Paris nnd made a. trip to Vienna. After witnessing Miss Itasch's dancing ho offered her a three-year con tract to danco in America. It wns difficult to get a leave of nb pence, but after several attempts she was given a two-year leave nnd came to this country, making her debut at the Winter Garden, New York. So pleased was sho with her American associates nnd sur roundings that when she returned to her home sho persuaded her father, a court of ficial, to let her return to this land for an unlimited time. Actress From tho "legitimated; T?Snria f"?nmnin ".. a1! C.m1 f ...v.o uuuiviu viuunjr x-iuiin. ,1 rr.J lli 11 ti ' ft1 rWH t ' By MADGE KENNEDY V VtM in'FiW0' ,n".cln"2'- ",nbr Mn:' (ooiawmij vsj2 i2bV.n."Tn ' Vr stnl during Its fortheom- 1 .'TB l!i?JrnS Mcture-plsia and displayed at. a, ,c ,iM fait riutht ?W "hlMlorg at the False J W v ork Tjcforo the camera Is certainly tM . i r3j most exacting of all forms of acting;. AnoHV-v''1 it is tho truest. Ntv form of faking- 'gU V-g over.' I feel when I stand In a scene, la fi! the focus of the camera and tinAW h nil. $ revealing; lighting of tho studio lamps, that' '', I am face to faco with the necessity of performance; nothing else nvalls. If what I do Is good the camera will so record It, and if what I do Is bad, or even Just poor, weak, futile, tho camera will record me In that weakness, that futility. A mistake made Is a mistake recorded; there Is no 'i J . f 7 fc& -m m . n 11 a : : v3 "" t.i M The Pan By CHARLES MURRAY (Mack Scnnett-Paramount Company) SWEATERS don't mako athletes. My tailor had a perfect fit Friday. Eddie Cline is cultivating a hair lip. Soup should bo eaten and not heard. Colored indoor golf shooting craps. such thing ns covering up your error" when ncung in motion pictures. And In this re spect tho work Is far moro exacting than is acting on tho legitimate singe. Thero one has the support of a whole) ,' ?S company behind him. If one actor makes a - ij, Ml miHi.iKc nnotner ono or two, or mayDe a dozen, will contrive to cover It up, or If they cannot do thnt will so net that their performance nttrncts the attention of the spectator away from the blunder nnd focuses It on them. Not so with moving pic tures. There every foot of film stands alone nml passes before the critical Inspection of the spectator, whoso attention Is undivided by nny outside circumstance. A mistake In nctlng stands forth In nil prominence during the brief moment thnt It rests on the bcrecn. llesldes this, there are so many adjunct to acting on which the performer on the singe learns to depend, none of which Is available on the studio stage. There Is, for Instnnce, that wonderful sense of make bellevo that comes of the darkened house In which your audience sits ; that aura which hnngs between tho audience and the stago from tho moment that the drop cur tain Is lifted. Then thero nre the vast spaces of the stago Itself, with all oppor tunities for n game of hlde-and-seok with the audience, nnd the vnrylng effects which ono may obtain through playing near to or far from the spectator, within plain eight of him, or partly or entirely hidden from his view. With tho motion-picture player thero Is no such thing ns off-stage work. Work that la not within focus of the camera Is not within view of tho picture fan, and thero you are. And then there nre nil the wonderful aids which come to the actors through mechan ical and light effects, through noises' and melodies, through the numberless tricks of the stago manager and that stnge director somo of them ns old as the buskin nt tragedy, somo as new as the latest num bers of 'The Follies.' Of course, we have lighting effects in movlng-plcturo acting, and when the pictures are shown there la music. Hut these nro not the same thing; they nre not nlds to the actor, supports to his work, In the senso that ho receives aid nnd support on the stage. Xo. In moving pictures wo have nothing hut the absolute truth 1 The actor Is bared to -Ills soul, stripped to his naked abilities, nnd placed in a glaring light; a camera Is turned on him, and he Is told to act. Every move that ho makes, or falls to make, every motion that he registers, or falls to regis ter, becomes part of tho record, permanent and unchangeable. Let those who are fond of saying 'You don't get real acting in moving pictures,' think about this. j? m T1 shit Tragedy Coming Back It is inspiring to see the public giving enthusiastic support to. mod ern tragedy again. Marie Tempest. . 'A The Stanley Booking Corporation pHK following theatres obtain their pictures through the STANLEY Hooking Corporation, which Is a guarantee of early showing of the finest productions. All pictures reviewed before exhibition. Ask for tho theatre In your locality obtaining pictures through tho STANLEY BOOKING COItl'OItATION. ATLANTIC CITY WIinN IN ATLANTIC CITY Visit THE COLONIAL A 1 LI A AIDD A 12tl, Morris & Passyunk Ar. Mat. Dally 2: Eves. 0:13-0. Paramount t'ictures. OBEY" Gladys Brockwell '" ,TO "og, ADiT I C WD AND THOMPSON , ArULLU MATINEI3 DAILY WILLIAM FARNUM In "AMi:itICAN MCTHODS" ARCADIA below iBTii BESSIE LOVE In "Tim SAWDUST IUNd" BELMONT "D AC0VE MAnKET THEDA BARA In "HER (HIEATEST LOVE" DI TIPDIDn BHOAD AND DiJi-,UllLJ BUI SUSQUEHANNA AVE. FANNIE WARD In "UNCONQUEnED" FAIRMOUNT 20t5,ad avenue Valeska Suratt and Clifford Bruce In 'THE SinE.N" I7AA11I V THEATRE 1.111 MARKET BT. I'AlVlllrfl ,vhh KIMBALL ORG AX VIOLA DANA In "THE MORTAL SIN" CITLI CT THEATRE JJ I k i tJ a MAT. DAILY llelow Sprues Evgs. 7 tn 11. Frederick Warde & Jeanne Eagles In "FIRES OF YOUTH" GREAT NORTHERN A3t-gf.5ri, MARY PICKFORD In "THE LITTLE AMERICAN" IliIDtTDI AI oOT" n'1 WALNUT 8TB. llVlrt-lAlML, Mats. 3:30. Evgs. T A ft. Alice Joyce and Harry Morey In "RICHARD THE BRAZEN" JEFFERSON 20T" at'reetupuin ETHEL BARRYMORE In "HER GREATEST POWER" Emi;iiiiiiiiiniii!iiiiiiiiiiiiir,iiiiniii!;!iiiEiriiiiiciiBaii!iiiicrJiii WEST riHLADKH'ULV r"Vl I Cd I M MARKET ST. Below 00TH WL.lOH,UlVl iiopt-JoHt Unit OrchVtrra .ALICE BRADY t In "MATERNITY" LIPCRTV BROAD AND IBtKl I COLUMBIA VALESKA SUtfATT In "THE SLAVE" I "l"M TCT MD AND LOCUST 1WVUiJ 1 MATINEES 1:30 and 3:30. EVr.s. 0:30. 8, 8:30. WILLIAM S. HART T MAN MARKET ST. Theatre mBS& WM. DESMOND'H "Tlmelock and Diamonds'" Today, nth Episode, "The Voice on the Wire" Every Krlday "The Fatal Ring" nVPRRROOk' 3D haverfoud - - w iiope-Jontt unit Orws. EMMY WEHLEN In "THE DUCHESS OF DOUBT" M PAI A PC J2l MARKET STREET 1 riLirlvu I0c-s-20c. MARY PICKFORD In "THE LITTLE AMERICAN" PARk RIDQE AVE. DAUPHIN ST. r-VrI, Mit. n.u, et. 8:S-1X JACK PICKFORD in "Frecklea" Also Last of "THE DOUBLE CROSS" PRINCESS "'StS" BESSIE BARRISCALE In "HATER OF MEN" RPPCMT 163 MARKET STREET IXEAjCIN 1 W17JMN VOICE OROAM EARLE WILLIAMS In "THE STOLEN TREATY" "Pa 'iSfi i1 U'i ft r t A T T " OEnMANTOWN AVU. t I r Li I KJ XT TULI'EHOCKEN W,' J 1r?H BLANCHE SWEET .;. In "THE SILENT PARTNER" ,'j; ' - - ' ,iW RUBY M"KETT5S,ET, . ,? W " - iiciiAXT nil ninmi, c .-w HOUSE PETERS '" "eir of- f&B3 - TWf incan t .. - .' , , (if t V ft v Wt. it' 1 s THE AOE8" Every Thursdaj "THE NEGLECTED WIFE" SAVOY r ay;Li1 in "trail of cnuny w emeu TItE shadow" un market STREET Have you heard the new Savoy OrganT QTANI CV MARKET ABOVE lOTH J" 1' D llXlwCI llll8 x. M. to 11:15 P. M. 'T Wallace Reid and Anita King .Wj' K In TltE SQUAW MAN'S RON" M.V 'J ft CfJlfflJ ;irTnn 1 A market bt. tvi V 1 V a r .. i-l ABOVE NINTVr,- ! 'HAROLD LOCKWOOD '". -, In "THE HIDDEN SPRING" 4V Or.' vi. FURFKA 40TH MAnKET BT8, BESSIE BARRISCALE in "Bawbs of the Blue Ridge" I CAnCR FORTY.FIRBT AND L.&AUC.r LANCASTER AVENUE Alice Joyce and Harry Morey in "Womanhood" NORTH PHILADELPHIA AUDlTORIUMAJJiahKt.. CARLYLE BLACKWELL , . , in ' The Prie of Pride' . wi-5t NORTH rllll-ADELTHIA FRANKFORD ni """"SSK AVENUa Pauline Frederick in "SAPHO' ., Miac rveyaione v-omeay 1 RIDGE AVENUE "L$Z$M EARLE WILLIAMS in "The Maelstrom" 't. -. . 1 CTftAKin OERMANTOWN AVHNim U11U-U1L AT VKNANOO Alice Joyce and Harry Morey in "Richard the Br3n ' TlQGA-A,.rr -A,
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