Evening public ledger. (Philadelphia [Pa.]) 1914-1942, February 10, 1917, Night Extra, Page 8, Image 8

Below is the OCR text representation for this newspapers page. It is also available as plain text as well as XML.

    wrrrmr , , t tM . as
't'. iR . vissrc i f
r "k '5 t . &., ' ' v A
, T i - , T
EVENING LEDGER-PHIIjADELPHIA, SATURDAY, FEBRUARY 10, 1917
Mj
M fV VS M '- -.
FLICKERS FROM FILMLAND AND SNAPPY STORIES ABOUT STAGE AND STAGE PEOPLE HER
rTE" 4
7-
N
''
t J
4
m
"'
?.'
&
'-
c-
to
y
R.
IS?
pit
xP
r
ili !
i - t
V
"j-
I
tr-
A BABY GfeAND WAS
ONCE HER
STYLE
"It's th little thtiurs that count" wnrhles
dlmlnulha Kylvla Jason In net 2 of "Follow
Ma" at tha Lyrlo Theatre. Tho Messrs
V K,UMWOIV VTIUCIIUf WRItip mill U1V DUUjn.1
JJ - matter of tho song's title, for tho little
7' jaoDn sin counts ior as mucn as any ono
' In the Anna Held show except the Blur
i Sylvia did not start out In llfo with the
Idea of becoming a musical-comedy actress
oh, dear, no something much more
artistic ; namely, a concert pianist
At the age of fle, when most .children
are busily engaged with their dolls, petite
Bylvla was diligently practicing hor piano
forte) lessons. Iter little legs were not long
nough to roach the pedals, no her father,
a well-known Urookln musical director, de
vised an attachment for his daughter's right
foot which connected with the pedals In such
way that Sylvia could secure tha proper
melodic results. Of course, tha little chit's
fingers were too short to reach an oc(ae,
nd here her father found that his mechani
cal genius was balked, for he could not
devise extensions for Sylvia's digits.
However, with increasing age little Miss
Jason's fingers grew, until at the ago of ten
he was ablo to play octaes brilliantly.
At this period tho llttlo lady wan known all
over the neighborhood whoro she Ihed as
a. "wundcrklnd," and no -musical affair was
considered completo without at least three
piano solos by this Infant prodigy. Her
career as n, child plaajst culminated In a
recital In Caroeglo ll.ni, New York, where
she was tha winner of an abeoluto triumph,
her Chopin numbers coming In for tho en
thusiastic pralBo of the musical critics.
In view of the fact that Sylvia Jason's
father was an Important Individual In
vaudeville circles, she naturally became In
terested in stage Ufa and eventually went
Into vaudeville, appearing with Harry Tlghe,
the light comedian of the Anna Held com
pany In a. 'two act." Inasmuch as Harry
Tlgha is well mer six feet In height and
correspondingly big, little Sylvia resembles
ft midget in comparison, as she measures
i but four feet eight Inches from toes of her
tiny feet to tho crown of her pretty 'head
ORCHESTRA TO GO
ON TOUR
There will be no concerts by the Philadel
phia Orchestra on Friday afternoon and
Saturday evening next, slnco a tour of New
England will bo undertaken at that time
The organization will leao Philadelphia
on Wednesday morning for Albany, where
ft concert will bo given In tho evening, with
lime. Samaroft as soloist. Portland, Mo.,
wilt be visited the following evening, when
the organ In the city hall of that city, tho
gift of Cyrus II. K. Curtis, of this city,
will ba played In connection with tho
orchestral program, which Includes the first
part of Gullmant's symphony In D minor
for orchestra and organ. Will C MacFar
lana Is the organist, and ho Is not unknown
In this city, where he has appeared several
times In private recital.
This organ Is reputed to be one of tha
most magnificent Instruments in this coun
try, and Mr. btokonskl Is looking forward
With keen Interest to using It with tho
orchestra. On Friday evening Hans Klndler,
the first cellist of tho Orchestra, will be the
soloist In the concert given In Manchester,
N. II,, and tho tour will conclude with an
appearance at Williams College, In Wll
llamstown, Mass , on Saturday evening,
when Mr. Klndler will again be the soloist.
All these cities will hear tha Philadelphia
Orchestra for the flrit time, and tha tour
will undoubtedly add to the prestlgn of the.
organization ana tne fame of the conductor.
Those Screen Monickers
JUST a few names of screen stars:
Louise Lovely, Arline Pretty,
Blanche Sweet, Bessie Lovo, Lillian
Peacock, Muriel Ostriche, Eleanor
Crowe, Mona Darkfeather, Fritzi
Brunette, Betty Schade, Ireno How
ley, Ethel Tear, Louise Glaum, Lil
lian Gish and Dorris Pawn. Such is
lifo in tho Btudio. Leander Rich'
ardson.
PHOTOPLAYS
Jomhi Soum Grmmu
rjlIE following theatres obtain their pictures through the &TANLKY Hooking
Company, which Is n guarantee of esrlr showing of tha finest productions.
All pictures reviewed before exhibition. Ask for (ha theatre In your localltr
obtaining-pictures through tho HTAMJSY UOOKINO COMl-ANT. '"""'
'All! AMRD A l!th,MorrU& rassyunk Av.
AXiUnlUUIAii Mat. Dally a: Evm. O.-IG 0
Paramount Pictures.
Pauline Frederick ln T"E Sr-
APfiT I O 82D AND THOMPSON
nruiuu MATWfcu daily
WILLIAM S. HART in
"TRUTHrUL TULUVElt"
ARCADIA
CHESTNUT
BELOW 10T1I
Wilfred Lucas in "Jim Bludso"
CHAItl.KH CHArUN ln "EASY STHEHT"
BELMONT i2D AND """"
CLARA KIMBALL YOUNG in
"TJIK foolish vmniN"
RIIICRTPn BnOAD AND
Pg-.UI-iDlIVLS SUSQUEHANNA AVE.
Lou Tetlegen rteo Ttldgely & Sessue Hayakawa
In THE VICTOIIIA CItOHS '
Mr. Mf J. Sidney Drew In His Wife's Mother"
CEDAR
00TH AND CEDAR AVE.
PARAUOlWr TimiTRB
Constance Talmadge-Wilfrcd Lucas
In "MICROSCOPE MYSTERY"
FA1RMOUNT S(,TJGID AVKXm
Robert Connesa-Mabel Trunncllo'in
THE MARTYRDOM OF PHILIP STRONG"
RftTH !T TIIBATRB MAT. DAILY
OO in Jl, Bel, Spruce. Evgs. T to 11.
Kathlyn Williams-Thomas Holding:
"THE REDEEMINQ LOVE"
FRANKFORD " rnNK;VENuB
PAULINE FREDERICK in
"NANETTE OF TUB WILDS"
GREAT NORTHERN &&.
THEDA BARA in
'THg DAItUNq OF PARIS"
IMPERLAL C0T" " waln"t sts.
ETHEL CLAYTON in
, 'the bondAqe or yan"
JEFFERSON JgSJL0"
ETHEL CLAYTON in
i TUB 1IONDAOB OF FEAR"
LEADER RTT.Firt8T ANp
LsCk-us&k Lancaster Avenue
!; KATHRYN WILLIAMS in
f In -TIIS RKDEEMINQ LOVE"
' LIBER'TY 0-oand,
AUCEIRADY in U
V ' l THK HUNGRY IIKARr ,
r-MPilSM
.
mk.
tMAMiunim: j
SIBBBBSBBBr JtF
sssssssssS V 9
lsBBBBBBBBBBBBBHJsWkLm
sHIwEHsssissssW
OPHELIA PUZZLES HER
At least "in character" Jnno IIoul-
ton, of "Major Pendennis," hates
the unhappy ending.
"Pearl of the Army";
Episode No. Eleven
Continued from I'usa heien
Into picture Looks alxiut for Berths 8h
comes In nnd they exit toiher Knde out.
Sceno IT Dr library ) Peirl In picture
Adams and Bertha mmii In push by butler
and romi down Pearl make m though to
leave, but restrnlns herself times at the two
nods to hutler that he may bo She turna to
Bertha an I Adam
Subtitle Tha attempt, on the mobllliatlon
plans
Sceno 18 (Back door of Daro house ) Hllent
Menace cornea up to back door Oftxea atwut
and slvea u low whistle Four of hla men ap
par from hiding- placos All move to back
door Silent Menai knocks on lame with
secret knock Door opena and all so quietly
into house.
Fceno id (Dare library 1 Show flash of
Iiertha trnoely relating her story to l'oarl
Adams nearby listening
been 20 Dure bedroom ) Pare In bed
Bleeping- silent Menace an I henchmen sneak In
llend over Dare Pado out
Scene 21 (Iloom In Darn house ) Silent
Menace and several henchmen on scene man
appears Hpaka
Spoken title "Every one In the house la
hound, except the three In the library " Hack
to scene Silent Monaco nods They nil exit
Scene 25 (Dare library Bertha finishes
tpry Pearl speaks
Spoken title 'Do you expect me to believe
this of an ofllcer and a gentleman without
further proof? Hack to scene SJhe llnlshea
speaKlnff out above Ileslstern henrlng sound
Silent Menace and henchmen enter
Hcene 2 J (Garden by hedgo ) Urent recovers
Gets up slowly and exits
hcene St Diro library ) rear! Berths and
Adams resist attack of Hllent Menaco and his
henchmen A atrussle follows
Scene 29 (Outside library ) Urent looks In.
starts
Sceno 20 (Dare library ) Silent Menace and
henchmen ovcrcumlns the three.
Scene 27 (Outside library ) Urent atarts off
In direction of strtet to set help
, Scene 28 (Dire Jlbrary ) Silent Menace and
henchmtn leave the three bound Hxtt
Scene 2I (Street ) Ilront summons plce
mn Hpeaka hurrkdly to them They exit out
of scene
Scene au (Dare study.) Silent Menace's men
nxln safe l.lsht fuse and run Into library.
Scene 31 (Dare library.) All wnlt for ex
plosion Scene 82 (Entrance to Dare house ) Urent
and tn1lcemen run up steps There follows a
thrilling- succession of nccnes showing- a speo
tacular fight In the house at the end of which
the Silent Menace la captured
. Scene n3 (Dare library ) Silent Menace
handcuffed I'earl reaches up to take oft his
mask. Does ao ho la her father's secretary
She registers relief, speaks
Spoken title' Thank Heaven At last It Is
over, Tho Silent Menace Is taken " Contlnulne
previous foreground she speaks out above. Then
glancing toward wall she startn Foreground of
wall Shadow of the Silent Menace projected
through window on Mall I'earl cries out, point
tni? to wall All rush to window
hcene 31 (I.uwn outside library window )
Silent Menace la aeen to disappear around hedge
Scene 35 (Dare library ) Show foreground
of I'earl and others by window Pearl turns to
secretary, demands to know what it means and
who he Is Secretary smiles and shrugs
Spoken title "I nm merely his servant his
servant unto death " Continuing previous fore.
fTound Pearl gaxes at secrttary aghast. 1'ude
nto landing as per previous episodes
PHOTOPLAYS
LOCUST 52u AND L0CUST
ANITA STEWART in
'Tin: oLortY ok yolando
MARKET ST. Theatre ni,ZT
William Farnum In "Thi I'rlte of Sllencei"
livery Wednenlay The I'urple Mask'
Every Friday "The (Ireot Seeref
PALACE 12H MAHKKT STREET
If9il"e r?,er" ni Myrtle Stedman In
The Happiness of Threo Women"
L.i.,ii...i i.napun in uasy street"
PARK n,DE AVE. . DAUPHIN ST
1 rtal. Ma( ,, ,,v(r fl 4SU
DOUGLAS FAIRBANKS in
AMEniCAN AHlSTOCltACY"
PRINCESS "
EDITH BTORl'T nnd ANIOVIO MORENO In
"MOS'RY MAOK" '"'ic"'"J '"
Every Tuesday 'THE CittEAT SECRET
RPHFNT 1M1 MRKCT STREET
ftCVJCll 1 PJflV 1O0K OROAX
VIOLA DANA in
"THREADS OF GOLD'
R I A I T'O GERMANTOWN AVE.
ftlrtbl W AT TULPEIIOCKEV 8T
SESSUE HAYAKAWA in
"THE SOUL OF KUHA BAN"
R 1 1 R Y MARKET STREET
- IiniflW TTH STREET
MABEL TALIAFERRO in
"A WIFE I1Y PROXY"
SAVOY 12U KAnKET
v STREET
ETHEL BARRYMORE in
THE WHITE llAVEN"
QTA1MI FY MARKET ADOVB 18TH
OlrtlllXl 11:15 A. M. to 11116 P. M.
SESSUE HAYAKAWA in
"EACH TO HIS KIND"
CTD AMD OERMANTOWN AVENUE
OlIVAnLS AT VENANOO STREET
VIVIAN REED in
THE PRINCESS OF PATCHE8"
IT1QQ A "Tit AND VENANGO 8T8.
FRANK McINTYRE in
"THE TRAVELING SALESMAN"
VIPTfiD-l A MAIIKET ST.
IVl KJ S.IJ ABOVE NINTH
Mme. 01g Petrova S?a
Charles Chaplin, in ''Ejy Street"
NBTH PHILAPW.1'H1A
VERSATILE JANE
AND HER TASK
IN "PENDENNIS"
It Is a test of -versatility to which Jane
Houston Is put In "Major rondcnnls,"
Lnngdon Mitchell's adaptation it tho Thaclc
eray novel. In which John Drew coms
to tho Droad Monday. l'or, In Mr.
Drew's play Miss Houston Impcrson iK9
the nmuolng embryonic Mrs Slddona, l'mlly
Kothcrlngay, tho spouting, declamatory pro
vlnclnl actress, to whom fall many of the
rlcheit nnd funniest speeches In tho Thack
eray novel. Tho nctros Is called upon to
characterlzo absurd tragedy nnd broid f.irro
In one breath and It Is a trlbuto to Miss
Houston's severnl-sldcd talent that In the
role sho has achieved a personal ouccess.
In tho first act of "Major Pendennis,"
Miss Houston, who will bo recalled heto for
her nppenranccs In uupport of Mtrgnret
Anglln, has a scene rcpleto with (he richest
of Thackeray's burlesque Hented at un
untidy tnhlo, diligently alternating between
shelling peas and mending tho worn nnd
dunty "ermine ' robe of I,ady Macbeth, the
rotherlntray gives tho following dissertation
on her nrt.
'The nrt o' tragedy is a hard rond nnd
a Mon Tlmci are when I faint by the
way nnd cry to mvnolf, 'Whom nm I to go
on killing Itlngi for ten nnd sixpence tho
night?' Sometimes' I'm that fntlguca with
paving 'I tell bless ou,' and slapping u
ktilfo Into tho old man Thero ate divs
when I crave to be living In tho country In
my own house, sleeping Into nnd tlflng
eirlj icrvanls, horses and nt night me
sitting next a Plintagenrt or HoIlngnroKe
-and not to hear mvself bawling out to
tho pit, '! sin a tiger I I am nnvthlng that
Minus no pity!' ,
Mi's a pretty sweet part, Ophelia, hut
sho ought bv rights to mnrry Hamlet In the
last net You know nil this bloodv work
In a grnvo nnd mo crvhr uiiimv u.iiinn.-
vvith a straw hat on my lnnd Hint doc-i t
bring money Into tho house What they
llko ! where I hand tho box of love let
ters 'Tnko them, I'm dono with them for
you sco he his give me tho go-by nnd what
do I i iro for the old rags he s (.pilled the
Ink on' I never did understtnd vvhv sho
drowned herself In tint running pond Or
why dldnt she drown herself on the st.ige?
So they can mo me drowning and chanting
them snatches of old tunes nt tho same
time I gurgle and give up the ghost '
BELGIAN QUEEN IS
YSAYE'S PUPIL
Ho seldom does Hugeno Ysac, tho great
Iielgliin violinist, come to Philadelphia that
his recital In the Arndemy or Music on
Monday afternoon, IVbruary ID, must be
stressed In ndvnnce Tho concert will have
the additional merit of benefiting tho Chil
dren's Hnmeopnthlc Hospital of this cltv
Tho Institution Is especially In need of funds
at the pitsent time since It is caring for
a. number of infnntilo parnlvfls (.ts(s, be
sides Its regular ward patients
Interesting facts are not Kicking In tho
violinist's cntter Kllz.ibeth, Queen of llel
glum, Is one of 'Vsavc's pupils During the
long tlmo of agony which her country un
derwent sho nevertheless found time even
day for violin practice
sayo wis born In I,lcge, whero his father
was conductor of a band Afterward tho
lather was appointed conductor of tho opera
nt Vorvlers nnd Hiigene, nt tho age of six,
was nllowed ono day, ns a great privilege,
to sit In the orchestra to seo tho opera. It
was notlctd that ho paid no heed to tho
stare, his attention being nbsorbed In tho
violinists, whore nttltudes he Imitated feo
It was decided that he fchojld begin to
learn tho violin. Ho entered the Llego
Conservatoire In ISfiS, nnd n vcir later so
cured n second prize. After this ho left,
but re-entered tho Conservatoire In 1872,
staying till 1871. with the most brilliant
success Tho s-uno ear Ysajo made his
first appearance In Urussels, and later went
on to Paris to continue his studies under
Vleuxtemps In 1879 ho returned to Lltge.
obtaining occasional engagements, nmons
which was one at Ai-l.i-CliapclIe, and this
led to his adventurous first tours
Having been paid for this engagement ho
did not return honip, but sUved till his
available fuids were reduced to n few
pence, and was on the verge of nsking his
father for money to pay his fare hack when
he secured another engagement for which
he received 100 marks After this he went
to Cologne where hlo adventures were slm-
CLOSE-UPS
QMITH, C. AUBREY. Leads,
- Frohman Amusement Corpora
tion: born, England; educated in
England; represented at cricket
Charterhouse School, Cambridge
university and
Sussex County.
Captained Eng
lish team in tour
of Australia and
South Africa,
1887-89; stage
career, toured
British Provinces
two years,
brought to Lon
don by Pineio to
play in "Notori
ous Mrs. Ebb
smith," later with
Mrs. Patrick
Campbell in "Sec
ond Mrs. Tan-
nuornv ." "Tho
Ambassadors" with Sir George Alex
ander. Came to United States in
1896 with Sir John Hare; with
Forbes Robertson, Maude Adams,
Grace George and others; original in
"Morals of Marcus." Screen ca
reer, Frohman (lead in "Builder of
Bridges," "John Gladye's Honor,"
"Jafiery," "The Witching Hour."
Home address, Hotel Belleclair,
West Seventy-seventh street, New
York city. Studio address, 140
Amity street, Flushing, L. I. To be
seen at tho Stanley next week in
"The Witching Hour."
DANCING
SUPERIOR DANCERS
Our tuition develops the essential dualities
pf trond dancln. variability and adaptability.
Ineludlns "leadlns" and "followlne "
We ray particular attention to the use of
the arms, hands and (infers.
Superior dancers are distinguished by their
arm and hand movements.
The C. Ellwood Carpenter
studios or a
MODr.UN AND CLASSIC DANCES
1123 Chestnut Street.
WAGNER DANCING
Ilrnsd
tl BloU or tl.or Priv. La. Aft. tt itoe
g SCHOLARS' NIGHTS
Monday, Tuesday and Thursday
Sweetheart Night
NEXT WED. (FED 14) EVENlNd
t wU8uXLv'dsUaVs'eVe&ino
r.m- CLASS -DANCE &.,
rJ.l US??' J4''?", " wlre
lon-.MwnVriVnoV's.i'.?:
THE LADY AVIATOR
From "Pearl of the Army" or "Tho
I'enls of Uur Girl Reporters"
Dear me, no! just Bernard Shaw's
hctoine in '"Misalliance," nt the
Little Theatre, as intcrpieted by
Margit Papolczy.
tHr Having left home ostensibly for one
ilny, ho tetuincd onlv aftci never il monthH
Yfajo Is n man of largo and powerful
plivnlque, of loutnlleH plinlcnl endurance,
nnd Is novcr h.ippler than when ho hai
n morning rehearsal after a night Journey,
followed by a concert nnd another night In
tho train or on tho sea Ono would never
dream that during n part of tho J ear tho
absorbing Interest of Y-aye-H llfo Is fishing,
and that pupils need hope for no lessons If
It is a good day for rod nnd river.
Ono of Ysajc's mot valuable experience-?
was n week ho onco spent with tho great
pl-mlst, Itublnstcln, nt his home In Itusala.
During his week's rtn there thev plnjed
nil day long and worked through nearly all
the violin sonatas ever written
TWO WEEKS. Commencing Popular Holiday Mat.. Monday. February 12th
By special arrangement with WILLIAM A. BRADY
and Jessie Bonstelle, the original New York
Production of Louisa M.Aloott's famous story
LITTLE WOMEN
The same cast as seen at the reoent holiday
revival at the Park Theatre, New York.
SPECIAL SCHOOL CHILDREN'S MAT. THURSDAY 2 O'CLOCK
I ? 1 Isnnn fn 1
Cist of Ilrnnd
.vion Tues .Wed
ALICE
JOYCE
& Harry Morey
IV
The Courage
of Silence"
Thursday, Trlday and Saturday
Frank Keenan & The !ma Salter
In "THK CIIVU'
la
- ' " ,1'lfi
jBB, jp5 Bjs ftfi ffirT . PF". Sp B
Keep Us Out of War
MASS-MEETING
Friends' Meeting House
Race Street Above Fifteenth
SUNDAY EVG., FEB. 11th,
7:45 O'CLOCK
Speakers
Frank Stephens
Prof. Jesse H. Holmes
Rabbi Eli Mayer
Mr. Edwin C, Grico
Dr. Helen Murphy
I.MTI.K THKATMK lrVENINOB, 8 30
nth und De. i.ari(-y Bar, Mat Inurs , 3 30
I'hono Locust 6U1 Bat. Mat., V 8U
, tAST WERK (IF
"MISALLIANCE"
By a. UKItNAItl) SHAW
Cnmlnr Ft lBln, IBIT Tarca n Mat.
"WHAT THE DOCTOR Tbu., rh. ti.i ad
rmnKHKlV' a( pts B(k.
ffrsnch Tlaytrs Wed Y. H. Mat. kKya
ST WP)'afH-l
1 ' ' -'1W.
lIlPrrS'W'THUiaSAT.
I VUIP BEOULAR MAT. TODAY
L.IIMW TONIOIIT AT 8:13
ANNA HELD
U "FOLLOW MB." A Btnwtlonal JIU I
SACRED CHARACTERS
NO LONGER BARRED
IN DRAMA
Thero lias been a chango In the attitude
of Americans toward many things, and the
purltnnlcal spirit Is much leas nunlfest to
day than It was a scoro of years ago. This
Is manifest especially with regard to rep
resentations of tho Saviour ns n living
being, ln "Intolerance," the Griffith film
spectacle nt tho Chestnut Street Opera
llouso, the Saviour walks among tho peo
ple, and Ills presence Inspires revcrenco
only Thero Is no feeling that a representa
tion of tho Nnzarcno should bo resented.
Yot a few jears ago It would likely liavo
been Impossible to show such n fljuro In n
spoctaclo without arousing protests from
thousands of well meaning people.
When Mr. Griffith decided to make scenes
In Judea a part of his spectacle, ho was
doubtful ns to tho advisability of Introduc
ing the figure of Christ. Then ho recalled
that nbout ten years ago I'opo Plus X had
approved the production In Italy and else
whero of nn opera called "John the liaptlst "
This opera was composed by a priest and In
ono sceno the Saviour not only appeared,
but was required to Intone un important
solo Don I'llio, tho composer, deeded tho
orchestra at public performances of this
work
Tho passion play at Ohorammergati at
tracts thousands of visitors every ten jears,
but a reproduction of this spectarlo as
t wii nt tho IJavarlan village .as pro
1 lilted lu California. Curiously enough,
however, motion pictures of tho pusslon
plav were shov n In tliN country It may
be leineinbered, too, that for a tlmo it
specially posed passion play reptoductlon
was shown on screens and without protest
of any moment
Krom time to time them have been pro
tests made against thentrhal performances
In which the figure of Christ might nppear
A few j cars ugo thero was a gtcat outcry
when Sniali Bernhardt announced perform
ances of "La Simarltalne " Another out
cry against a theatrical performamr was
In the case of "Hannelc," a dream play by
Oerhart Hauptmnnn, tho famous German
dramatist Hauptmann was visiting this
country nt tho first performance of his play
In Now York, and on the opening night ho,
together with the adapter, Charles Henry
Meltzer, and the managers of the theatre,
was threatened with nrrest It vvns soon
recognized that there was nothing sacri
legious In tho play, and tho perform ince
was allowed to proceed. In this plav the
character ofv Gottwald, tho nchoolmaster,
assumed Christ llko attributes, nnd It was
held by some persons that such n. repre
sentation was blasphemous A more tol
erant spirit prevailed when such plavs as
"The Servant In the House" and "ino
Fnsslng of the Third I'loor nick" were
enacted Another Instance of this sort Is
to bo found In "Parsifal," wherein a Christ-
SPECIAL MON. MAT., 2,'ic, 50c
J-.VEMNdS, Sic, SOc, 7Sc pnd $1
POSITIVELY NO IIIOIIKR
I'npular Mnt. Tnrs. nnd Than., ftOe, SSc
Itrgulur hnturday Mnt., 2Sr, GOe, ,Sc
TODAY 1, 1ST TIMTS TlltlfiTON
THK M(llt'lN
WALNUT above 8lh Street
Matinee Daily
6000 Women Attend Weekly
THE RECOGNIZED BARNUM OP
BURLESQUE
THE
Golden Crook
WITH
Billy Arlington
THE PEER OF ALL HOBO
COMEDIANS
A Riot of Show Girls in Bewildering
Array of Beautiful Costumes
GLITTERING AND GORGEOUS
PARISIAN BALLET
IREC SITTINGS NO mi LECTION
THK I'lIOl 0.1)11 MA III
CREATION
THF IIIIIIP STOnY II.I.tlKTIlATEn 11V
IIE.MJTII-I1L COI.ORII) MIDI.H AND
.MOTION I'ICTL'KKS
WHITE'S AUDITORIUM
18th & CHESTNUT STS.
8 P. M. SUNDAY 8 P. M.
ALL INVITED
Ilallr. ZHS
TKN DARK KNIGllTH
JOHN & MAE DURK B"
BURNS & FOKAN
WHAT HAPPENED TO HUTU?"
DOROTHY DALTON
In "CHlntEN CAHKV"
loniplets Cham of nlli .rerr Ihursdsr"
MXON'fl
QR AND
WOAll AND MO.VTaOMEIW
NUon.Nlrdltiuer : , , oea.
Mts. IPs. Kth., T P. Md" is
v. a. K
Ilallr
lt.
He. ta
A STTtONQ BILL!
Eccc H6mo-Beliold the Marj
assssS?35aaw 1-es,'7 A 0
iSBBBBBBBsW ft? 9V:
Mfcjlr I.ANCASTKIt AVE.swiSfc
imMip llttneen 40tli & 4tt !Lj0m
Mon., Tu. nnd Wed. "WB
ffi minimi i i mini iiini mi uni'i i" &&&&
BLOSSOM SEELEY
At Keith's next week with new
songs.
llko character wan confounded with Christ.
Hut again In this case tin nttempt was inado
to Interfere w Ith n performanco of that
THKATlrtv Clit..ilNL'l
CAPACITY' HOUSES AFTERNOON AND EVENING
"IT'S THE SHOW"
Nirvr
Tim man potentate or iiaotiiii:
if
Rill Bailey Lynn Cowan
In 'SlSlU.nY'R SVN'COI'ATKD STUUIO '
1
A WUAIUI.l U (,1.1-Vl.U ,OML,t)lANS AND lAlMI'AM OI I J-..N
FOUR MARX BROS.
IN- A WIIIItMN'a CATAUArT OP MUSIC AND COMEDT, CALLED
"HOME AGAIN"
IIM I, 0I.I..N
joe-LAURIE and BRONSON-aleen
A lilt of Fnnlerv with Muile-il Trimmings Untitled "LOST AND FOIfD" I
YVETTE
Eddie Carr &.' Co. Roland Travers
ANDMrs. Vernon Castle in "Patriae
rirni nnsoDn or thrills and AnvnvTUfti;, untitled
"THE ISLAND GOD FORGOT"
NEXT WEEK! "THE GIRLIES' GAMBOL"
2 hho1 Dillj Mntlnee, J P. M ,
heta Alaa b Week In Advunro
EVEUTnODT IS OOlNQ TO TUB
CHESTNUT STREET
OPERA HOUSE
TWICE DAILY 2.0", find R O'. 3D MONTH
D. W. GRIFFITH'S
Colossal $2,000,000 Spcctaclo
"INTOLERANCE"
LorE'a arnvaoLV
TlinOVOllOVT THE AGES
Mr anlU'IlH'S Plrst anil Only Production
Sln-e "THE 111HT1I OP A NATION"
JIAIIKET Aboo 1CTII
CONTINUOUS 11 113 A. II. to 11 '15 P.
SESSUE HAYAKAWA
In "EACH TO HIS KIND'
Added Charlie Chanlln "EASV fafllEET"
PALACE
1JM MAIIKET 10c. 20j
1IOUCE PETEUS
lint Mvrtls Stelm.in In
"1HE HAPPINESS OP TllUUR WOMEN'
Added. Charlie Chaplin "EAbY STHLET '
All Next Week VALE1KA 8UHATT
111 'THE NLW YOItK PEACOCK"
ARCADIA
CHLbTNUT Uelow lorn
WILFIinn LUCAS
.IIXT llf.tTI-Br,
AdJed, Charlie Chaplin, LASY HTltEKT"
REGENTMAUKrODWA,hSt.
"Threads of Fate"
VICTORIA "ASAnT.
I. .i. ,, .. Bridjee liurned '
Added. Charlie Chaplin, "P.ASV bTItlinT"
Next Jlonday, Tuesday and Wednesday
U??.1?" I-lrbanln In Americano
COMING The Event of the Season
NOHMA TALMADQB In "PANTHKA"
GARRICK hAST MAT. and EVO.
sin iiEimnnT TRFP2 ?HnN-nrAnr
UEntnoiiM 1 Kt,t v,,,,,
EDITH WYNNE MATTHIRON. LYN IIAItDIVrl
BTAUTINd NEXT MONDAY MATINEB
"FAIIl AND WAHMKP.."' BEATS NOW.
BROAD LAST MAT. & EVG
auonou ARLISS ln "te I'noKF.sson's
A?ON!K'34
FORREST LAST MAT. &EVG
RAYMOND HITCHCOCK
In n Nw Musical Play, "BETTY"
rKlCEHCUe. II. tl SO NOJHOiig,??0'
ACADK31Y Thurs, Aft., Feb. IB, at 3 P ir
VIOLIN RECITAL by
Mischa ELMAN
Prices 75c, $1, $1.50, $2, $2.50
Tickets at Hippo's, mu Chestnut 8t.
"REALIZATION" Pageant
ronolltan Opera House, 'Broad and Poplar
Metn:
Tickets on sals; Ityan's Ticket btBoe. Jacobs'
Book Btora and Church House, luth and Walnul
. ' ( " "
Si&
Knickerbocker "h. nJ Market streets
BESS& "raVEE'teks"
Next Week "BINNEHH"
conseeratlonal fcstlvat play became of ,
Imagined Irreverence.
Now tho Saviour ln "Intolerance." I. ..'
walking among tho people, porformlne rnH
7" ""' ur ino nrst person wltho,.
Bit to Cast n. slene n.,.l IU10u1
'-I "" wen, with tvj
cross upon Ills shoulder, dragglh,. ij
woarv wav tn rnimn, rT"10 "fl
makes a deep Improsslon upon everv i?l
holder, nnd thero Is nmhn.t,iv V""' b.H
would bo offended or displeased with !
Incident In tha vmnn e ,--. '
,--. ..H nevus, wl VlrlbOUeS
nected with tho stories or tha k.i..-..
cranco nt the beginning of Christianity.,
GUSTAV HINRICHS
TO CONDUCT AT
"BEN HUR
The most interesting feature of the i
lormunco oi uen-nur, Dec nnlne- if-j.
will be tho presenco of that distinguish
...-......., ,. uutviui, uuwuv tiinrlchs.'!
tho conductor's chair. Mr. Hlnrlchs hi
been no closely Identified with the musla
mstury vi i-nunucipnia in tho last twentrl
alwajs particularly welcome, and In tbtJ
lsaliAn Ills -1ltaA.siHb. - Ml m a Ulsl
iiini.iuiv ma uiivuiiuu win insure high artli
tlo treatment of tho massive choral and !
Btrumental musio of "Ilen-Hur." Mr. Iliju
iitna turn, viaic iu iiiiiuucipnia was to dlrui
at the Metropolitan Opera llouso tho twin.
I.V-1UU1 tuimvercury oi uic prouuctlon
"Cavallcrln Ilustlcana," which oners
Mnscagnl ho was tho first to produce i
America during his memorable season. J
grand opera nt the Grand Opera House, lrjS
ButwM ul uiu uju uptown uicatro continue
later in his Important grand opeta seawu
at the Academy of Muslo and ns ono of tbl
chief conductors of the Metropolitan Opff J
ILUUSl', 4!VV iUllH YJ
fl
Alsu TWELFTH STREETS
hi:i:k
initial VAunr.vn.i.n ArruAHANCEi
ELSA RYAN!
Supported by William Roselle
Presenting "Pl'd roll SIIOItT"
.NUI It HDIlUDIlhN
CIIAIIMIN'O VIOLINISTK
AND VOCALIhTK
Moore' & Gerald Pathc Weekly New,
AUULVll.LL S
mr.m.vr tiinr, act
2V nnd Mc Nlirllts 8 P, M , 2Bo to M 00
Hell, 1'lllieit 3315. Kejstone ltco 2150
Metropolitan Opera House
3 Performances, Sat.,Feb.lI
1:30 r. 31., 4 r. 31., 8.15 V. 31.
Heats SOr, "3c and $1. Hoi Keats it
J
t
I
War Pictures
or thi: uritisii aovnRNMHNT
First Complete Showinir In Philadelphia. t
Courtesy of Ofllrlal Government Picture!.
Ine (W K Vanderfcllt, President) '
Tor tho benefit of Ilrltlsh War Relltf
Work, Local anl Forelen, and tho Anurias
I'loU Ambulance.
. - . . f
tsix Keels ot Stirnnff Pl
tures of Actual Warfare
Surrounded ! a Pitrlotlo Procram untel
of I'.illjilelplilu, ;l
SPATS ONI .T.T! AT 1
1108 CHESTNUT STREET
..i;::,;!I:,IN" 1"K annum, r
Af'AII.M OK MI'SIII Ki:s(N OF Tl
m.I.HiHll-l 1, 1III1IUH OI IltVM.L
bj
I!
Ilnronteur of Travel Experiences
2 SIMILAR COURSES;
Friday Evgs. Saturday Rials.
Beginning: Feb. 23-24'
TOPICS f
CHILDREN AND FLOWER
UL.U GERMAN TOWNSi
UAKDEN OE ALLAH A
'MEXICO SPAIN
The Illustrations Hae neon Made and !
toiorea by Mil. ELllEN'DOllf. v
TICKETS &eccc!ur$.f$l. $3, 2.!
un rtaio juonaay, i.'eDruary au i
AT HEPPE'S, 111U CHESTNUT ST.Sj
Checks Mada Payable to (leorue T. H'Jfl
ACADEMY OF MUSIC
Monday Evening, February 12, at BjJ
BOSTON SYMPH0N1
ORCHESTRA
(100 Musicians)
DR. KAItL MUCK, Conductor
SOLOIST
ANTON WITEK;
The Kmlnent Violin Vlrtaosa
Ticket at Heppe'e. Amphitheatre, tt '
YSAY
.. WOUUI-FAMEII VIOLINIST
Mon. Aft Feb. 19, at 3 o'Clodcl
ACADEMY OF MUSIC 4
Tlcktts on sal at lleppa'i. 2 50. IS.00-
" siiitj mm
ACADEMr Beat at JIeppo, 1119 CK
phUadelphia TONIGHT at
tO,l..... SoloUtt Itelnuld
iwacowa WerrcnritthsPM
"" . "" J - s. - -t- ''Ml "J
Acorn Club. JOSO Walnut. Won. Ten. IS, si
ENDO
OTEK SUEN & CO.
in mono koKo MVBTwtrw .
.'AVENURW1008
i
Dll, auOllOB 15AHLH ClxfTmnt Ev
fflSf i!
: ee.1 UKintU fffrVlCA Of
" "r wirroTfa
Tfc
; tth
TWJ PHi MATIXHK) TQDAT
MAIIKET
i-
""pr ? . . 'l
giusswrnwi Crsoa A WiUi ,
rj
, .Ticket at
vflT"
you th