wrrrmr , , t tM . as 't'. iR . vissrc i f r "k '5 t . &., ' ' v A , T i - , T EVENING LEDGER-PHIIjADELPHIA, SATURDAY, FEBRUARY 10, 1917 Mj M fV VS M '- -. FLICKERS FROM FILMLAND AND SNAPPY STORIES ABOUT STAGE AND STAGE PEOPLE HER rTE" 4 7- N '' t J 4 m "' ?.' & '- c- to y R. IS? pit xP r ili ! i - t V "j- I tr- A BABY GfeAND WAS ONCE HER STYLE "It's th little thtiurs that count" wnrhles dlmlnulha Kylvla Jason In net 2 of "Follow Ma" at tha Lyrlo Theatre. Tho Messrs V K,UMWOIV VTIUCIIUf WRItip mill U1V DUUjn.1 JJ - matter of tho song's title, for tho little 7' jaoDn sin counts ior as mucn as any ono ' In the Anna Held show except the Blur i Sylvia did not start out In llfo with the Idea of becoming a musical-comedy actress oh, dear, no something much more artistic ; namely, a concert pianist At the age of fle, when most .children are busily engaged with their dolls, petite Bylvla was diligently practicing hor piano forte) lessons. Iter little legs were not long nough to roach the pedals, no her father, a well-known Urookln musical director, de vised an attachment for his daughter's right foot which connected with the pedals In such way that Sylvia could secure tha proper melodic results. Of course, tha little chit's fingers were too short to reach an oc(ae, nd here her father found that his mechani cal genius was balked, for he could not devise extensions for Sylvia's digits. However, with increasing age little Miss Jason's fingers grew, until at the ago of ten he was ablo to play octaes brilliantly. At this period tho llttlo lady wan known all over the neighborhood whoro she Ihed as a. "wundcrklnd," and no -musical affair was considered completo without at least three piano solos by this Infant prodigy. Her career as n, child plaajst culminated In a recital In Caroeglo ll.ni, New York, where she was tha winner of an abeoluto triumph, her Chopin numbers coming In for tho en thusiastic pralBo of the musical critics. In view of the fact that Sylvia Jason's father was an Important Individual In vaudeville circles, she naturally became In terested in stage Ufa and eventually went Into vaudeville, appearing with Harry Tlghe, the light comedian of the Anna Held com pany In a. 'two act." Inasmuch as Harry Tlgha is well mer six feet In height and correspondingly big, little Sylvia resembles ft midget in comparison, as she measures i but four feet eight Inches from toes of her tiny feet to tho crown of her pretty 'head ORCHESTRA TO GO ON TOUR There will be no concerts by the Philadel phia Orchestra on Friday afternoon and Saturday evening next, slnco a tour of New England will bo undertaken at that time The organization will leao Philadelphia on Wednesday morning for Albany, where ft concert will bo given In tho evening, with lime. Samaroft as soloist. Portland, Mo., wilt be visited the following evening, when the organ In the city hall of that city, tho gift of Cyrus II. K. Curtis, of this city, will ba played In connection with tho orchestral program, which Includes the first part of Gullmant's symphony In D minor for orchestra and organ. Will C MacFar lana Is the organist, and ho Is not unknown In this city, where he has appeared several times In private recital. This organ Is reputed to be one of tha most magnificent Instruments in this coun try, and Mr. btokonskl Is looking forward With keen Interest to using It with tho orchestra. On Friday evening Hans Klndler, the first cellist of tho Orchestra, will be the soloist In the concert given In Manchester, N. II,, and tho tour will conclude with an appearance at Williams College, In Wll llamstown, Mass , on Saturday evening, when Mr. Klndler will again be the soloist. All these cities will hear tha Philadelphia Orchestra for the flrit time, and tha tour will undoubtedly add to the prestlgn of the. organization ana tne fame of the conductor. Those Screen Monickers JUST a few names of screen stars: Louise Lovely, Arline Pretty, Blanche Sweet, Bessie Lovo, Lillian Peacock, Muriel Ostriche, Eleanor Crowe, Mona Darkfeather, Fritzi Brunette, Betty Schade, Ireno How ley, Ethel Tear, Louise Glaum, Lil lian Gish and Dorris Pawn. Such is lifo in tho Btudio. Leander Rich' ardson. PHOTOPLAYS Jomhi Soum Grmmu rjlIE following theatres obtain their pictures through the &TANLKY Hooking Company, which Is n guarantee of esrlr showing of tha finest productions. All pictures reviewed before exhibition. Ask for (ha theatre In your localltr obtaining-pictures through tho HTAMJSY UOOKINO COMl-ANT. '"""' 'All! AMRD A l!th,MorrU& rassyunk Av. AXiUnlUUIAii Mat. Dally a: Evm. O.-IG 0 Paramount Pictures. Pauline Frederick ln T"E Sr- APfiT I O 82D AND THOMPSON nruiuu MATWfcu daily WILLIAM S. HART in "TRUTHrUL TULUVElt" ARCADIA CHESTNUT BELOW 10T1I Wilfred Lucas in "Jim Bludso" CHAItl.KH CHArUN ln "EASY STHEHT" BELMONT i2D AND """" CLARA KIMBALL YOUNG in "TJIK foolish vmniN" RIIICRTPn BnOAD AND Pg-.UI-iDlIVLS SUSQUEHANNA AVE. Lou Tetlegen rteo Ttldgely & Sessue Hayakawa In THE VICTOIIIA CItOHS ' Mr. Mf J. Sidney Drew In His Wife's Mother" CEDAR 00TH AND CEDAR AVE. PARAUOlWr TimiTRB Constance Talmadge-Wilfrcd Lucas In "MICROSCOPE MYSTERY" FA1RMOUNT S(,TJGID AVKXm Robert Connesa-Mabel Trunncllo'in THE MARTYRDOM OF PHILIP STRONG" RftTH !T TIIBATRB MAT. DAILY OO in Jl, Bel, Spruce. Evgs. T to 11. Kathlyn Williams-Thomas Holding: "THE REDEEMINQ LOVE" FRANKFORD " rnNK;VENuB PAULINE FREDERICK in "NANETTE OF TUB WILDS" GREAT NORTHERN &&. THEDA BARA in 'THg DAItUNq OF PARIS" IMPERLAL C0T" " waln"t sts. ETHEL CLAYTON in , 'the bondAqe or yan" JEFFERSON JgSJL0" ETHEL CLAYTON in i TUB 1IONDAOB OF FEAR" LEADER RTT.Firt8T ANp LsCk-us&k Lancaster Avenue !; KATHRYN WILLIAMS in f In -TIIS RKDEEMINQ LOVE" ' LIBER'TY 0-oand, AUCEIRADY in U V ' l THK HUNGRY IIKARr , r-MPilSM . mk. tMAMiunim: j SIBBBBSBBBr JtF sssssssssS V 9 lsBBBBBBBBBBBBBHJsWkLm sHIwEHsssissssW OPHELIA PUZZLES HER At least "in character" Jnno IIoul- ton, of "Major Pendennis," hates the unhappy ending. "Pearl of the Army"; Episode No. Eleven Continued from I'usa heien Into picture Looks alxiut for Berths 8h comes In nnd they exit toiher Knde out. Sceno IT Dr library ) Peirl In picture Adams and Bertha mmii In push by butler and romi down Pearl make m though to leave, but restrnlns herself times at the two nods to hutler that he may bo She turna to Bertha an I Adam Subtitle Tha attempt, on the mobllliatlon plans Sceno 18 (Back door of Daro house ) Hllent Menace cornea up to back door Oftxea atwut and slvea u low whistle Four of hla men ap par from hiding- placos All move to back door Silent Menai knocks on lame with secret knock Door opena and all so quietly into house. Fceno id (Dare library 1 Show flash of Iiertha trnoely relating her story to l'oarl Adams nearby listening been 20 Dure bedroom ) Pare In bed Bleeping- silent Menace an I henchmen sneak In llend over Dare Pado out Scene 21 (Iloom In Darn house ) Silent Menace and several henchmen on scene man appears Hpaka Spoken title "Every one In the house la hound, except the three In the library " Hack to scene Silent Monaco nods They nil exit Scene 25 (Dare library Bertha finishes tpry Pearl speaks Spoken title 'Do you expect me to believe this of an ofllcer and a gentleman without further proof? Hack to scene SJhe llnlshea speaKlnff out above Ileslstern henrlng sound Silent Menace and henchmen enter Hcene 2 J (Garden by hedgo ) Urent recovers Gets up slowly and exits hcene St Diro library ) rear! Berths and Adams resist attack of Hllent Menaco and his henchmen A atrussle follows Scene 29 (Outside library ) Urent looks In. starts Sceno 20 (Dare library ) Silent Menace and henchmen ovcrcumlns the three. Scene 27 (Outside library ) Urent atarts off In direction of strtet to set help , Scene 28 (Dire Jlbrary ) Silent Menace and henchmtn leave the three bound Hxtt Scene 2I (Street ) Ilront summons plce mn Hpeaka hurrkdly to them They exit out of scene Scene au (Dare study.) Silent Menace's men nxln safe l.lsht fuse and run Into library. Scene 31 (Dare library.) All wnlt for ex plosion Scene 82 (Entrance to Dare house ) Urent and tn1lcemen run up steps There follows a thrilling- succession of nccnes showing- a speo tacular fight In the house at the end of which the Silent Menace la captured . Scene n3 (Dare library ) Silent Menace handcuffed I'earl reaches up to take oft his mask. Does ao ho la her father's secretary She registers relief, speaks Spoken title' Thank Heaven At last It Is over, Tho Silent Menace Is taken " Contlnulne previous foreground she speaks out above. Then glancing toward wall she startn Foreground of wall Shadow of the Silent Menace projected through window on Mall I'earl cries out, point tni? to wall All rush to window hcene 31 (I.uwn outside library window ) Silent Menace la aeen to disappear around hedge Scene 35 (Dare library ) Show foreground of I'earl and others by window Pearl turns to secretary, demands to know what it means and who he Is Secretary smiles and shrugs Spoken title "I nm merely his servant his servant unto death " Continuing previous fore. fTound Pearl gaxes at secrttary aghast. 1'ude nto landing as per previous episodes PHOTOPLAYS LOCUST 52u AND L0CUST ANITA STEWART in 'Tin: oLortY ok yolando MARKET ST. Theatre ni,ZT William Farnum In "Thi I'rlte of Sllencei" livery Wednenlay The I'urple Mask' Every Friday "The (Ireot Seeref PALACE 12H MAHKKT STREET If9il"e r?,er" ni Myrtle Stedman In The Happiness of Threo Women" L.i.,ii...i i.napun in uasy street" PARK n,DE AVE. . DAUPHIN ST 1 rtal. Ma( ,, ,,v(r fl 4SU DOUGLAS FAIRBANKS in AMEniCAN AHlSTOCltACY" PRINCESS " EDITH BTORl'T nnd ANIOVIO MORENO In "MOS'RY MAOK" '"'ic"'"J '" Every Tuesday 'THE CittEAT SECRET RPHFNT 1M1 MRKCT STREET ftCVJCll 1 PJflV 1O0K OROAX VIOLA DANA in "THREADS OF GOLD' R I A I T'O GERMANTOWN AVE. ftlrtbl W AT TULPEIIOCKEV 8T SESSUE HAYAKAWA in "THE SOUL OF KUHA BAN" R 1 1 R Y MARKET STREET - IiniflW TTH STREET MABEL TALIAFERRO in "A WIFE I1Y PROXY" SAVOY 12U KAnKET v STREET ETHEL BARRYMORE in THE WHITE llAVEN" QTA1MI FY MARKET ADOVB 18TH OlrtlllXl 11:15 A. M. to 11116 P. M. SESSUE HAYAKAWA in "EACH TO HIS KIND" CTD AMD OERMANTOWN AVENUE OlIVAnLS AT VENANOO STREET VIVIAN REED in THE PRINCESS OF PATCHE8" IT1QQ A "Tit AND VENANGO 8T8. FRANK McINTYRE in "THE TRAVELING SALESMAN" VIPTfiD-l A MAIIKET ST. IVl KJ S.IJ ABOVE NINTH Mme. 01g Petrova S?a Charles Chaplin, in ''Ejy Street" NBTH PHILAPW.1'H1A VERSATILE JANE AND HER TASK IN "PENDENNIS" It Is a test of -versatility to which Jane Houston Is put In "Major rondcnnls," Lnngdon Mitchell's adaptation it tho Thaclc eray novel. In which John Drew coms to tho Droad Monday. l'or, In Mr. Drew's play Miss Houston Impcrson iK9 the nmuolng embryonic Mrs Slddona, l'mlly Kothcrlngay, tho spouting, declamatory pro vlnclnl actress, to whom fall many of the rlcheit nnd funniest speeches In tho Thack eray novel. Tho nctros Is called upon to characterlzo absurd tragedy nnd broid f.irro In one breath and It Is a trlbuto to Miss Houston's severnl-sldcd talent that In the role sho has achieved a personal ouccess. In tho first act of "Major Pendennis," Miss Houston, who will bo recalled heto for her nppenranccs In uupport of Mtrgnret Anglln, has a scene rcpleto with (he richest of Thackeray's burlesque Hented at un untidy tnhlo, diligently alternating between shelling peas and mending tho worn nnd dunty "ermine ' robe of I,ady Macbeth, the rotherlntray gives tho following dissertation on her nrt. 'The nrt o' tragedy is a hard rond nnd a Mon Tlmci are when I faint by the way nnd cry to mvnolf, 'Whom nm I to go on killing Itlngi for ten nnd sixpence tho night?' Sometimes' I'm that fntlguca with paving 'I tell bless ou,' and slapping u ktilfo Into tho old man Thero ate divs when I crave to be living In tho country In my own house, sleeping Into nnd tlflng eirlj icrvanls, horses and nt night me sitting next a Plintagenrt or HoIlngnroKe -and not to hear mvself bawling out to tho pit, '! sin a tiger I I am nnvthlng that Minus no pity!' , Mi's a pretty sweet part, Ophelia, hut sho ought bv rights to mnrry Hamlet In the last net You know nil this bloodv work In a grnvo nnd mo crvhr uiiimv u.iiinn.- vvith a straw hat on my lnnd Hint doc-i t bring money Into tho house What they llko ! where I hand tho box of love let ters 'Tnko them, I'm dono with them for you sco he his give me tho go-by nnd what do I i iro for the old rags he s (.pilled the Ink on' I never did understtnd vvhv sho drowned herself In tint running pond Or why dldnt she drown herself on the st.ige? So they can mo me drowning and chanting them snatches of old tunes nt tho same time I gurgle and give up the ghost ' BELGIAN QUEEN IS YSAYE'S PUPIL Ho seldom does Hugeno Ysac, tho great Iielgliin violinist, come to Philadelphia that his recital In the Arndemy or Music on Monday afternoon, IVbruary ID, must be stressed In ndvnnce Tho concert will have the additional merit of benefiting tho Chil dren's Hnmeopnthlc Hospital of this cltv Tho Institution Is especially In need of funds at the pitsent time since It is caring for a. number of infnntilo parnlvfls (.ts(s, be sides Its regular ward patients Interesting facts are not Kicking In tho violinist's cntter Kllz.ibeth, Queen of llel glum, Is one of 'Vsavc's pupils During the long tlmo of agony which her country un derwent sho nevertheless found time even day for violin practice sayo wis born In I,lcge, whero his father was conductor of a band Afterward tho lather was appointed conductor of tho opera nt Vorvlers nnd Hiigene, nt tho age of six, was nllowed ono day, ns a great privilege, to sit In the orchestra to seo tho opera. It was notlctd that ho paid no heed to tho stare, his attention being nbsorbed In tho violinists, whore nttltudes he Imitated feo It was decided that he fchojld begin to learn tho violin. Ho entered the Llego Conservatoire In ISfiS, nnd n vcir later so cured n second prize. After this ho left, but re-entered tho Conservatoire In 1872, staying till 1871. with the most brilliant success Tho s-uno ear Ysajo made his first appearance In Urussels, and later went on to Paris to continue his studies under Vleuxtemps In 1879 ho returned to Lltge. obtaining occasional engagements, nmons which was one at Ai-l.i-CliapclIe, and this led to his adventurous first tours Having been paid for this engagement ho did not return honip, but sUved till his available fuids were reduced to n few pence, and was on the verge of nsking his father for money to pay his fare hack when he secured another engagement for which he received 100 marks After this he went to Cologne where hlo adventures were slm- CLOSE-UPS QMITH, C. AUBREY. Leads, - Frohman Amusement Corpora tion: born, England; educated in England; represented at cricket Charterhouse School, Cambridge university and Sussex County. Captained Eng lish team in tour of Australia and South Africa, 1887-89; stage career, toured British Provinces two years, brought to Lon don by Pineio to play in "Notori ous Mrs. Ebb smith," later with Mrs. Patrick Campbell in "Sec ond Mrs. Tan- nuornv ." "Tho Ambassadors" with Sir George Alex ander. Came to United States in 1896 with Sir John Hare; with Forbes Robertson, Maude Adams, Grace George and others; original in "Morals of Marcus." Screen ca reer, Frohman (lead in "Builder of Bridges," "John Gladye's Honor," "Jafiery," "The Witching Hour." Home address, Hotel Belleclair, West Seventy-seventh street, New York city. Studio address, 140 Amity street, Flushing, L. I. To be seen at tho Stanley next week in "The Witching Hour." DANCING SUPERIOR DANCERS Our tuition develops the essential dualities pf trond dancln. variability and adaptability. Ineludlns "leadlns" and "followlne " We ray particular attention to the use of the arms, hands and (infers. Superior dancers are distinguished by their arm and hand movements. The C. Ellwood Carpenter studios or a MODr.UN AND CLASSIC DANCES 1123 Chestnut Street. WAGNER DANCING Ilrnsd tl BloU or tl.or Priv. La. Aft. tt itoe g SCHOLARS' NIGHTS Monday, Tuesday and Thursday Sweetheart Night NEXT WED. (FED 14) EVENlNd t wU8uXLv'dsUaVs'eVe&ino r.m- CLASS -DANCE &., rJ.l US??' J4''?", " wlre lon-.MwnVriVnoV's.i'.?: THE LADY AVIATOR From "Pearl of the Army" or "Tho I'enls of Uur Girl Reporters" Dear me, no! just Bernard Shaw's hctoine in '"Misalliance," nt the Little Theatre, as intcrpieted by Margit Papolczy. tHr Having left home ostensibly for one ilny, ho tetuincd onlv aftci never il monthH Yfajo Is n man of largo and powerful plivnlque, of loutnlleH plinlcnl endurance, nnd Is novcr h.ippler than when ho hai n morning rehearsal after a night Journey, followed by a concert nnd another night In tho train or on tho sea Ono would never dream that during n part of tho J ear tho absorbing Interest of Y-aye-H llfo Is fishing, and that pupils need hope for no lessons If It is a good day for rod nnd river. Ono of Ysajc's mot valuable experience-? was n week ho onco spent with tho great pl-mlst, Itublnstcln, nt his home In Itusala. During his week's rtn there thev plnjed nil day long and worked through nearly all the violin sonatas ever written TWO WEEKS. Commencing Popular Holiday Mat.. Monday. February 12th By special arrangement with WILLIAM A. BRADY and Jessie Bonstelle, the original New York Production of Louisa M.Aloott's famous story LITTLE WOMEN The same cast as seen at the reoent holiday revival at the Park Theatre, New York. SPECIAL SCHOOL CHILDREN'S MAT. THURSDAY 2 O'CLOCK I ? 1 Isnnn fn 1 Cist of Ilrnnd .vion Tues .Wed ALICE JOYCE & Harry Morey IV The Courage of Silence" Thursday, Trlday and Saturday Frank Keenan & The !ma Salter In "THK CIIVU' la - ' " ,1'lfi jBB, jp5 Bjs ftfi ffirT . PF". Sp B Keep Us Out of War MASS-MEETING Friends' Meeting House Race Street Above Fifteenth SUNDAY EVG., FEB. 11th, 7:45 O'CLOCK Speakers Frank Stephens Prof. Jesse H. Holmes Rabbi Eli Mayer Mr. Edwin C, Grico Dr. Helen Murphy I.MTI.K THKATMK lrVENINOB, 8 30 nth und De. i.ari(-y Bar, Mat Inurs , 3 30 I'hono Locust 6U1 Bat. Mat., V 8U , tAST WERK (IF "MISALLIANCE" By a. UKItNAItl) SHAW Cnmlnr Ft lBln, IBIT Tarca n Mat. "WHAT THE DOCTOR Tbu., rh. ti.i ad rmnKHKlV' a( pts B(k. ffrsnch Tlaytrs Wed Y. H. Mat. kKya ST WP)'afH-l 1 ' ' -'1W. lIlPrrS'W'THUiaSAT. I VUIP BEOULAR MAT. TODAY L.IIMW TONIOIIT AT 8:13 ANNA HELD U "FOLLOW MB." A Btnwtlonal JIU I SACRED CHARACTERS NO LONGER BARRED IN DRAMA Thero lias been a chango In the attitude of Americans toward many things, and the purltnnlcal spirit Is much leas nunlfest to day than It was a scoro of years ago. This Is manifest especially with regard to rep resentations of tho Saviour ns n living being, ln "Intolerance," the Griffith film spectacle nt tho Chestnut Street Opera llouso, the Saviour walks among tho peo ple, and Ills presence Inspires revcrenco only Thero Is no feeling that a representa tion of tho Nnzarcno should bo resented. Yot a few jears ago It would likely liavo been Impossible to show such n fljuro In n spoctaclo without arousing protests from thousands of well meaning people. When Mr. Griffith decided to make scenes In Judea a part of his spectacle, ho was doubtful ns to tho advisability of Introduc ing the figure of Christ. Then ho recalled that nbout ten years ago I'opo Plus X had approved the production In Italy and else whero of nn opera called "John the liaptlst " This opera was composed by a priest and In ono sceno the Saviour not only appeared, but was required to Intone un important solo Don I'llio, tho composer, deeded tho orchestra at public performances of this work Tho passion play at Ohorammergati at tracts thousands of visitors every ten jears, but a reproduction of this spectarlo as t wii nt tho IJavarlan village .as pro 1 lilted lu California. Curiously enough, however, motion pictures of tho pusslon plav were shov n In tliN country It may be leineinbered, too, that for a tlmo it specially posed passion play reptoductlon was shown on screens and without protest of any moment Krom time to time them have been pro tests made against thentrhal performances In which the figure of Christ might nppear A few j cars ugo thero was a gtcat outcry when Sniali Bernhardt announced perform ances of "La Simarltalne " Another out cry against a theatrical performamr was In the case of "Hannelc," a dream play by Oerhart Hauptmnnn, tho famous German dramatist Hauptmann was visiting this country nt tho first performance of his play In Now York, and on the opening night ho, together with the adapter, Charles Henry Meltzer, and the managers of the theatre, was threatened with nrrest It vvns soon recognized that there was nothing sacri legious In tho play, and tho perform ince was allowed to proceed. In this plav the character ofv Gottwald, tho nchoolmaster, assumed Christ llko attributes, nnd It was held by some persons that such n. repre sentation was blasphemous A more tol erant spirit prevailed when such plavs as "The Servant In the House" and "ino Fnsslng of the Third I'loor nick" were enacted Another Instance of this sort Is to bo found In "Parsifal," wherein a Christ- SPECIAL MON. MAT., 2,'ic, 50c J-.VEMNdS, Sic, SOc, 7Sc pnd $1 POSITIVELY NO IIIOIIKR I'npular Mnt. Tnrs. nnd Than., ftOe, SSc Itrgulur hnturday Mnt., 2Sr, GOe, ,Sc TODAY 1, 1ST TIMTS TlltlfiTON THK M(llt'lN WALNUT above 8lh Street Matinee Daily 6000 Women Attend Weekly THE RECOGNIZED BARNUM OP BURLESQUE THE Golden Crook WITH Billy Arlington THE PEER OF ALL HOBO COMEDIANS A Riot of Show Girls in Bewildering Array of Beautiful Costumes GLITTERING AND GORGEOUS PARISIAN BALLET IREC SITTINGS NO mi LECTION THK I'lIOl 0.1)11 MA III CREATION THF IIIIIIP STOnY II.I.tlKTIlATEn 11V IIE.MJTII-I1L COI.ORII) MIDI.H AND .MOTION I'ICTL'KKS WHITE'S AUDITORIUM 18th & CHESTNUT STS. 8 P. M. SUNDAY 8 P. M. ALL INVITED Ilallr. ZHS TKN DARK KNIGllTH JOHN & MAE DURK B" BURNS & FOKAN WHAT HAPPENED TO HUTU?" DOROTHY DALTON In "CHlntEN CAHKV" loniplets Cham of nlli .rerr Ihursdsr" MXON'fl QR AND WOAll AND MO.VTaOMEIW NUon.Nlrdltiuer : , , oea. Mts. IPs. Kth., T P. Md" is v. a. K Ilallr lt. He. ta A STTtONQ BILL! Eccc H6mo-Beliold the Marj assssS?35aaw 1-es,'7 A 0 iSBBBBBBBsW ft? 9V: Mfcjlr I.ANCASTKIt AVE.swiSfc imMip llttneen 40tli & 4tt !Lj0m Mon., Tu. nnd Wed. "WB ffi minimi i i mini iiini mi uni'i i" &&&& BLOSSOM SEELEY At Keith's next week with new songs. llko character wan confounded with Christ. Hut again In this case tin nttempt was inado to Interfere w Ith n performanco of that THKATlrtv Clit..ilNL'l CAPACITY' HOUSES AFTERNOON AND EVENING "IT'S THE SHOW" Nirvr Tim man potentate or iiaotiiii: if Rill Bailey Lynn Cowan In 'SlSlU.nY'R SVN'COI'ATKD STUUIO ' 1 A WUAIUI.l U (,1.1-Vl.U ,OML,t)lANS AND lAlMI'AM OI I J-..N FOUR MARX BROS. IN- A WIIIItMN'a CATAUArT OP MUSIC AND COMEDT, CALLED "HOME AGAIN" IIM I, 0I.I..N joe-LAURIE and BRONSON-aleen A lilt of Fnnlerv with Muile-il Trimmings Untitled "LOST AND FOIfD" I YVETTE Eddie Carr &.' Co. Roland Travers ANDMrs. Vernon Castle in "Patriae rirni nnsoDn or thrills and AnvnvTUfti;, untitled "THE ISLAND GOD FORGOT" NEXT WEEK! "THE GIRLIES' GAMBOL" 2 hho1 Dillj Mntlnee, J P. M , heta Alaa b Week In Advunro EVEUTnODT IS OOlNQ TO TUB CHESTNUT STREET OPERA HOUSE TWICE DAILY 2.0", find R O'. 3D MONTH D. W. GRIFFITH'S Colossal $2,000,000 Spcctaclo "INTOLERANCE" LorE'a arnvaoLV TlinOVOllOVT THE AGES Mr anlU'IlH'S Plrst anil Only Production Sln-e "THE 111HT1I OP A NATION" JIAIIKET Aboo 1CTII CONTINUOUS 11 113 A. II. to 11 '15 P. SESSUE HAYAKAWA In "EACH TO HIS KIND' Added Charlie Chanlln "EASV fafllEET" PALACE 1JM MAIIKET 10c. 20j 1IOUCE PETEUS lint Mvrtls Stelm.in In "1HE HAPPINESS OP TllUUR WOMEN' Added. Charlie Chaplin "EAbY STHLET ' All Next Week VALE1KA 8UHATT 111 'THE NLW YOItK PEACOCK" ARCADIA CHLbTNUT Uelow lorn WILFIinn LUCAS .IIXT llf.tTI-Br, AdJed, Charlie Chaplin, LASY HTltEKT" REGENTMAUKrODWA,hSt. "Threads of Fate" VICTORIA "ASAnT. I. .i. ,, .. Bridjee liurned ' Added. Charlie Chaplin, "P.ASV bTItlinT" Next Jlonday, Tuesday and Wednesday U??.1?" I-lrbanln In Americano COMING The Event of the Season NOHMA TALMADQB In "PANTHKA" GARRICK hAST MAT. and EVO. sin iiEimnnT TRFP2 ?HnN-nrAnr UEntnoiiM 1 Kt,t v,,,,, EDITH WYNNE MATTHIRON. LYN IIAItDIVrl BTAUTINd NEXT MONDAY MATINEB "FAIIl AND WAHMKP.."' BEATS NOW. BROAD LAST MAT. & EVG auonou ARLISS ln "te I'noKF.sson's A?ON!K'34 FORREST LAST MAT. &EVG RAYMOND HITCHCOCK In n Nw Musical Play, "BETTY" rKlCEHCUe. II. tl SO NOJHOiig,??0' ACADK31Y Thurs, Aft., Feb. IB, at 3 P ir VIOLIN RECITAL by Mischa ELMAN Prices 75c, $1, $1.50, $2, $2.50 Tickets at Hippo's, mu Chestnut 8t. "REALIZATION" Pageant ronolltan Opera House, 'Broad and Poplar Metn: Tickets on sals; Ityan's Ticket btBoe. Jacobs' Book Btora and Church House, luth and Walnul . ' ( " " Si& Knickerbocker "h. nJ Market streets BESS& "raVEE'teks" Next Week "BINNEHH" conseeratlonal fcstlvat play became of , Imagined Irreverence. Now tho Saviour ln "Intolerance." I. ..' walking among tho people, porformlne rnH 7" ""' ur ino nrst person wltho,. Bit to Cast n. slene n.,.l IU10u1 '-I "" wen, with tvj cross upon Ills shoulder, dragglh,. ij woarv wav tn rnimn, rT"10 "fl makes a deep Improsslon upon everv i?l holder, nnd thero Is nmhn.t,iv V""' b.H would bo offended or displeased with ! Incident In tha vmnn e ,--. ' ,--. ..H nevus, wl VlrlbOUeS nected with tho stories or tha k.i..-.. cranco nt the beginning of Christianity., GUSTAV HINRICHS TO CONDUCT AT "BEN HUR The most interesting feature of the i lormunco oi uen-nur, Dec nnlne- if-j. will be tho presenco of that distinguish ...-......., ,. uutviui, uuwuv tiinrlchs.'! tho conductor's chair. Mr. Hlnrlchs hi been no closely Identified with the musla mstury vi i-nunucipnia in tho last twentrl alwajs particularly welcome, and In tbtJ lsaliAn Ills -1ltaA.siHb. - Ml m a Ulsl iiini.iuiv ma uiivuiiuu win insure high artli tlo treatment of tho massive choral and ! Btrumental musio of "Ilen-Hur." Mr. Iliju iitna turn, viaic iu iiiiiuucipnia was to dlrui at the Metropolitan Opera llouso tho twin. I.V-1UU1 tuimvercury oi uic prouuctlon "Cavallcrln Ilustlcana," which oners Mnscagnl ho was tho first to produce i America during his memorable season. J grand opera nt the Grand Opera House, lrjS ButwM ul uiu uju uptown uicatro continue later in his Important grand opeta seawu at the Academy of Muslo and ns ono of tbl chief conductors of the Metropolitan Opff J ILUUSl', 4!VV iUllH YJ fl Alsu TWELFTH STREETS hi:i:k initial VAunr.vn.i.n ArruAHANCEi ELSA RYAN! Supported by William Roselle Presenting "Pl'd roll SIIOItT" .NUI It HDIlUDIlhN CIIAIIMIN'O VIOLINISTK AND VOCALIhTK Moore' & Gerald Pathc Weekly New, AUULVll.LL S mr.m.vr tiinr, act 2V nnd Mc Nlirllts 8 P, M , 2Bo to M 00 Hell, 1'lllieit 3315. Kejstone ltco 2150 Metropolitan Opera House 3 Performances, Sat.,Feb.lI 1:30 r. 31., 4 r. 31., 8.15 V. 31. Heats SOr, "3c and $1. Hoi Keats it J t I War Pictures or thi: uritisii aovnRNMHNT First Complete Showinir In Philadelphia. t Courtesy of Ofllrlal Government Picture!. Ine (W K Vanderfcllt, President) ' Tor tho benefit of Ilrltlsh War Relltf Work, Local anl Forelen, and tho Anurias I'loU Ambulance. . - . . f tsix Keels ot Stirnnff Pl tures of Actual Warfare Surrounded ! a Pitrlotlo Procram untel of I'.illjilelplilu, ;l SPATS ONI .T.T! AT 1 1108 CHESTNUT STREET ..i;::,;!I:,IN" 1"K annum, r Af'AII.M OK MI'SIII Ki:s(N OF Tl m.I.HiHll-l 1, 1III1IUH OI IltVM.L bj I! Ilnronteur of Travel Experiences 2 SIMILAR COURSES; Friday Evgs. Saturday Rials. Beginning: Feb. 23-24' TOPICS f CHILDREN AND FLOWER UL.U GERMAN TOWNSi UAKDEN OE ALLAH A 'MEXICO SPAIN The Illustrations Hae neon Made and ! toiorea by Mil. ELllEN'DOllf. v TICKETS &eccc!ur$.f$l. $3, 2.! un rtaio juonaay, i.'eDruary au i AT HEPPE'S, 111U CHESTNUT ST.Sj Checks Mada Payable to (leorue T. H'Jfl ACADEMY OF MUSIC Monday Evening, February 12, at BjJ BOSTON SYMPH0N1 ORCHESTRA (100 Musicians) DR. KAItL MUCK, Conductor SOLOIST ANTON WITEK; The Kmlnent Violin Vlrtaosa Ticket at Heppe'e. Amphitheatre, tt ' YSAY .. WOUUI-FAMEII VIOLINIST Mon. Aft Feb. 19, at 3 o'Clodcl ACADEMY OF MUSIC 4 Tlcktts on sal at lleppa'i. 2 50. IS.00- " siiitj mm ACADEMr Beat at JIeppo, 1119 CK phUadelphia TONIGHT at tO,l..... SoloUtt Itelnuld iwacowa WerrcnritthsPM "" . "" J - s. - -t- ''Ml "J Acorn Club. JOSO Walnut. Won. Ten. IS, si ENDO OTEK SUEN & CO. in mono koKo MVBTwtrw . .'AVENURW1008 i Dll, auOllOB 15AHLH ClxfTmnt Ev fflSf i! : ee.1 UKintU fffrVlCA Of " "r wirroTfa Tfc ; tth TWJ PHi MATIXHK) TQDAT MAIIKET i- ""pr ? . . 'l giusswrnwi Crsoa A WiUi , rj , .Ticket at vflT" you th