NEXT WEEK YotxtklsOld in Experience .of the Stage . . Ernest Glendinning Telia HiaVieW8 on Character Work in the Theatfcr Interviews are supposed to bo studded with Interjections by 'the Interviewer, but the talk we had with Ernest qlendlnnlng, tiro star or ueorge v. iioonrrs mo rallty play, "fix perlence," still running nt the Adelphl Theater, thank youlhrlstlcd so with brlRht and nrreMIng state ments by the young nctor that we are going to wrlto It ni' If It wero a monologue Being an nctor, ho tirobnbly won't oBJcet. Mr. Olcndlnnlng stnrtcd the con vcrsatlonal ball rolling with the Interesting re mark that alt parts are character parts. Tho Interviewer had asked him If ho had ever done' character work, and quoted Bernard Shaw to the effect that "all ono needs Is to put on a whlto wig nnd dodder around tho stage." 'Bless you, j'es," ejacu lated "youth." "I'vo played character roles V lBBBBm RjBSBBBB imJm n, otlon in siock. juui an impersonations in ! the theater are, or sHoUld have, character la. !. Tnt ,1... li, t.ni,f In Hf.. .. h 111 MICU,, (.. uiu .iucw((iu III I.t. ,.1.. U k Mayo's 'Baby Mine,' which I played I put o much eagerness nnd sincerity Into tha part that Edwin MUton Boylp, told me onco I had quite ruined his enjoyment of tho piece. 'I like kids n lot.' was his objection, 'and I foil llko tho douco to sco that fellow take on ns he did.' 'Incidentally, let mo say that one of tho hardest ages to look'before the footlights Is thirty-two, which I happen to bo In real life What brought that to my mind was your question as to how I camo to bo at tho Win tor Garden one ncason. Mr. Brady had put me out In a drama by Frederlo Arnold Kummer called Tho Brute.' Its theme was tho extravaganco of wives, and tho 'wal lop' camo when tho husband actually ex erted physical stress to Impress his econ omy lesson on her. lie was supposed to bo thirty-two, andfor tho life of me 1 couldn't get a grip on tho part; It was qulta out of my line. So when It closed they shifted mo to Fiftieth street and Broadway from tho West, whero wo'd been. Supporting Goby was something decidedly novel, and while I don't care to think back often to my musical comedy career thero. It was not unlnstructlo. Ono can learn any where , "How about your experiences with "Prunella"? tho interviewer and tho stout and benutlful press ngont, who had Just come up, asked in chorus. Mr. Glendin ning then told how Wlnthrop Ames sent for htm find asked htm If he could do Pier rot In that protty llttlo'fantaay by Oran vllle Barker and Laurence Hotttman. " 'Frankly Mr. Ames Informed me, 'I don't think you can. Tho preliminaries before I rot tho part wero some of them harrowing. I overslept an engagement with tho pro- faucer, nna nnnlly when wo went to the Llt ' tie Theater tho climax of grotosquerle, so I thought thon, enme. Thero wero about 1 four of tho Xootllghts on; mothball- stuff (ji j on tho chairs My audience was Mr. Ames C and tho colored Janitor. Despite nil that. wnen i. gqt through th6 try-out, Mr Ames ran up to mo and said, 'Glendinning, I waa a fool.' You seo ho meant I had satisfied him In spite of himself." Tho stout nnd beautiful press agent'mur mured something about an engagement for dinner, and toyed fretfully with his Jewels, but ho Intcnlowor, being In a mental Oliver Twist mood, detained hint and his star. "What else?" wo demanded. "Well, vaudeville, for Instance," replied tho un wearied "Youth." "I was with Grace La Hue In (ho varieties, and now hold your breath really nnd truly recited Tho Shoot ing of Dan McGrow.' That was before It had become so hackneyed. I got It over be fore tho audiences knew I was about to "speak, a piece.' That was probably why they liked It. Landing In Chicago on that venture, I mapped out a dandy return trip to New York by water That was en joyable. But at tho other end of that trip was Mr. Ames's letter In regard to Pier rot. , "My season with Mr. Ames tAUght mo ens factthat acting Is, has to be, a busi ness. 'Prunella did thirteen weeks In the metropolis; but wltH nny other mnnager three would have been plenty, It starved. I am an nctor, and can't afford to play a season of twenty-four weeks, with a twonty-elght-weelc lay-off. People Inveigh against the 'commercial system.' Well, what la the answer when poetlo drama attracts no notice, and almost any venture outside the commercial" scope goes to tho wall?" Neither the Interviewer nor tho stout and beautiful press agent knew, so the talk ended at least for publication. B. D. kV ' 'T 1 .117 anm 1 oaav, woman jl omorrow f7"AMPS" or "chicena" take yur choice- That is tho fem V inine qide of tho screen today. If tho lady is a brunette, she acquires morals to match. If she i3 a blonde, the cameraman crowns her with a halo of sunlit curls, and the scenario writer surrounds her with the moral and mental aura, of a pink tea. If, like Mary Alden, sho happens to be a fine dctress and a woman of dignity and trains, as well as dark complexion, she may not "vamp" all the time; but she wont be vejy conspicuous in the starlight of the electric bulbs. The excep tions, such as Ethel Clayton and Gait Kane, are very few. But what about the man of the screen? There are exceptions in that field fast enough; exceptions that prove the rule which I am trying tc? evolve. We 'have our J. Warren Kerrigans, our Francis X. Bushmans, our Wallace Beids "pretty boys" all. But haVe we not '.'Doug" Fairbanks to boot, Owen Moore, Charles Ray and Bobbie Harron? Andby far the biggest and most prom ising side of, the film situation we have a predominant group of male players in W. S. Hart, Theodore Roberts,, Tyrone Power, Wilfred Lucas, Holbrook Blinn, Frank Keenan, TuUy Marshall, H. B. Warner, George Fawcett, W. H. Thompson all men of mature experience of life and art, giving vivid, pungent studies of vigorous, interesting, worth-while men, Feminists could doubtless account for this contrast easily enoughi The women 6f the present day screen are designed merely to "please," whether morally pr qtherwise. The men are privileged to have a three-dimensional existence? as creatures living for their own ends instead of those qf the other sex. ut a simpler explanation would be to suggest that the photo play is simply in the melodrama period of development so fair as the women go, while it has developed just a bit beyond that on the male side of the question. The lack of villains to match the "vam pires" is good evidence. Mighty good evidence, indeed I For it ia one portent of the fine future to which the screen art is bound, TC, M, : BROAD, FRANCES STARR; . i E-L A V ik-K H-H-WyK. JL -R-K--B "'41 , fl Kindly noto tlio wig. It Is 11 gf . & p. HHR!f:iHtiem-l WKR'Al--k-KI H tho hislorlc colfTura of tho -EX v ' Hwi nfl-Hlrj$ifl-LH-B Umm2mi&ijr$ strong mnn In "Snmson ot T-L-Hrik. . ts, j VHh, H , : JI--B i-HrK-i----L--Vlil-V Dclllnh," ns worn )y Cnruso ilHki " lflL IHPS JjSSBB KKm m nt tho Mctropolltnn Tuca- M. f-lSg:.,.' J,.; ' rjmKm ' WM V W V Frances Stnrr. of "Ltttlo S.Hfe t( ,. MMmffifft'4, Jm mW S V I Ln,,v in I,luc' duo nt tho XUtt'KkJW'JB'iBKFy R HI V n lron,1 nn(1 cr fnvorlto H fVllrHsK-Hi-e----H-sr y yffifD Bsf JH )Rt mount. I finds a mirror In her Lyric dressing M0VliswBOrs-H-k L8ftJ-rig-vCI X " "'"''iSw & til HwOlwi!fV Tliis i's the rfort of thlrig that KcU E. H. Sothcrn brings tho BfltWMiw-1-MaF ' JBKktTl, "V ' ,. A"3 il New Yorkers into their theaters at romanco of "An Enemy to h1$?1$1 JStM cut rates. The "evil" has yet to the King" to the Arcadia P'TOHmH&WKmmrawSSW reach Philadelphia. screen next week. The Vita- Mr j(!gBt$EBB&1W-M&& X2a-1 J graph has supplied Edith HEj rf3K MH!ltVLV ' "" " ' ' ' ' 1 Storey for leading woman. K. !r?Sfi iKr3tffif ' ' DON'T BE JEALOUS, DECLARES STAR AT KEITH'S Jealousy Is not only a. handicap to hap piness In thfs world, but to popularity and, according to Dorothy Jardon, famous Broadway beauty and musical comedy star. It prevents one from being attractive Miss Jardon knows the secrot and says she la always willing to sharo' It because It Is a secret that every ono could uso. Miss Jardon has returned to vaudeville for nn othcr short season and will be tho headline feature of tho Thanksgiving week bill at Keith's When nskod what sho did to be witch people, Miss Jardon said: . "If I am attrnctlvo to people. It Is be causo I .havo gained personality through not being Jealous. Jealously Is the bug bear of the American women. I hao never, seen anything like the way they allow It to play upon thetr nerves and perhnps to bring a storm of tears In Its wake. Tears wash away more than a heartachc so do not Indulge If you want to fight off Father Time. , "In tho first place, Jealousy lodged In the human breast and allowed full sway preys upon the whole nervous system. And when thq nenes nro all unstrung tho dl gestho system comes In for a general upsetting The stomach Is affected, tha appctlto goos, and tho energy ttfat should bo expended upon Iho cares and problems of everyday lffo Is absolutely glvon oer to tho 'green-eyed' monster So much for this part of beauty's undoing Awoman who Is subject to fits of Jealousy Is con stantly exposing herself td colds. Kvery Jealous fit overheats tho blood and Is there fore very weakening, and ns for facial characteristics, watch tho Jealous woman and read troublo" In her eyes, which nre cold, hard and restless, not tepdor and alluring ns a woman's eyes should bo Watch tho expression of her mouth and the decided lines In" her face nnd ask yourself If sho can bo attractive to any one. Her woman friends know her failures nnd laugh at her behind her back becausa she lets It dominate her, and as for being attractive to men, she has made this forever Impossible. rTt TiTVEStoGF ffiDR-BteDtelJPBm; SMTTBBAY, NOVEJlBER 23, SNAPSHOTS FROM THE LAND Ol? ENTERTAINMENT Hw lMSalHBSulll.w "'ay Allison acquires a now cameraman temporarily while making ' y' tho Metro feature, "Big Trcmainc," in which said film grindor, Harold to tflw bY'i Lockwood, will appear with her at tho Victoria next Wednesday. ... j-8 !ir ' i x. V-H--HBk-W -rt " 'XilililVT? I JBk . Sm'i 53W ? v 4 m m MHHPPomV Annctto Kellermann rides horses nnd rules tho waves with equnl enso. Hero sho is in Jamaica during tho making of tho. Chestnut's film, "A Daughter of tho Gods." "HOLLIDAY" SPURNS AUSTRALIA FOR THE GARRICK Fred Nlblo, George M Cohan's brother-in-law, who Is coming to tho Garrlck next week In his relative's play, "Hlt-the-Trall Ifblllday," has often appeared In Aus tralla. Ho lus presented several of Mr. Cohan's pieces there, and may do so In tho case of "Holllday." Tho Australians not only want this par ticular play, chletly bocause It comes from Cohan's pen, biit they nlso want Nlblo, who Introduced CpHan to tho play-goers on tho other side of ho world, and who Inci dentally made a place for himself there among- the stage favorites. Hut It Is doubt ful If the Australian request wilt bo ac ceded to. M least not for a long time to come, "Ilolllday" has been too big a winner to trifle with here, and. besides, tho star of tho comedy Is half expecting a new play from tho Inimitable George 11., which may be ready by tho time the present tour of "Holllday" Is over. Thlladelphlans know Mr. Nlblo best as a travel lecturer. Ills1 latest appearance hero was made In that capacity Ave or six years ago. The fact Is he has hod the wanderlust aver since he was a lad In knee breeches. but ho has also had considerable theatrical experience, both as actor and manager, "I hit my flrsFtralL" says Nlblo, "when I was fourteen years old, and made straight from Nebraska, where I waa brought up, to New York. My first Job was In a whole sale woolen house. Then, In turn, I becamo a life Insurance agent, a semlprofesslopal entertainer and, at last, a black-face minstrel, It waa In a minstrel part thft I made my professional debut. In the next ten years or so I think I played everything on the stage except tber footlights and tha prpps At one. trhjo I was a monologlirt In vaudeville; I served time In melodrama; I wrote sketches and acted In them, and I was a manager. "The show that i managed was Tho Ooveraors Son. The other half of the management was, George M., Cohan. Wo wero together threo years on the road. When I once spoke of 'managing' George he said it was tho funniest thing he ever heard, t guess tie was right, "In 1900 I monologued for the first time In London, and after tlmt I played there for ten weeks every summer Then I took to working fix month, every 'year and spending tho other six- trotting rouna tho world Then camo these travel lectures that you bava spoken about In 190T Mrs. Nlblo (Mrs, Nlblo was Josephine Cohan) and myself and -oxtr son, Fred. Jr., went to j Soutn Atrvpa ana uioir Along ine arei-mu-tldn picture, camera e.ver seen, Jn that part of the globe "Finally we. Fame, to -Australia, sth.ere.we wer to appear In some of brother George's play and where we were to remain only six months put what Jo you tblnXT We stayed three years and bad only four weeks off la all that time. Tou see there are no aut-and-drted theatrical 'sea&oaj' la Uui bustling Jd, We openod la Sydney with -WaUinsfcrd' and piay4 thit piece tor GARRICK, NIBLO, FORREST, MONTGOMERY & STONE PLACE OF WOMAN IN THEATER. AS , WELL AS HOME By PEGGY WOOD tXote Our readers told be interested to know that the writer of this article, who Is an actress. Is the daughter of tho well known Socialist, Eugene Wood, Bhv Is ptal ing at the Lyrio in "dirts Will Be Olrls.") In her march toward emancipation and Independence vwiman has been hampered to a great degree by an opposition which was allegedly based upon a desire to assist her and "sax a her from heitielf." Treach erous influences, desirous of retarding her progress, lme attempted to frighten her with stories of dangers which threatened If she attempted to make tho next step for ward.) Nod only has woman been compelled to fight her avowed enemies, but she has also been forced to break down the masked opposition which. In tha guise of frfendt ship, endeavored to restrain her. In tha opposition to woman's demand for an equal -tight on the political field, tho same Influences which fought against her upon the economic field are met with. In fact, tho entrance of woman Into politics Is meeting even stronger and more acrid op position than did her appearance In the eco nomic field, and for obvious reasons. The bugbear, which Is being- conjured up In the hope that not only will woman be frightened but that many men -who be lieve themselves chivalrous knights will oppose the enfranchisement of woman Is that the ballot -will pollute her. This ob jection la not a new one, though Its form may be different from those which pre ceded It, For centuries woman has always been warned that the step whlchsho was about to take would make her unwomanly and have a debasing Influence upon her. The slogan that "woman's place is In tho home" Is only another form of "the same objection. The history of the theater, beginning with tho time when women first appeared On the stage. Indicates that the same temper which Is met with among tho antl suffragists today was prevalent at that ttm? The jippearance Qf a woman on the stage In those early days waa the signal for catcalls', insults, and, eten rioting The strolling players were considered little bet', ter than vagabonds and thieves, and a woman "who waa found in such company was considered no better- than her associates. respite tha tremendous handicap, which yergfd upon a tremendous selt-eacrlflce, women continued to choose a stage career As more and more women appeared upon the stage, the moral nnd artlstlo tone of the theater rose and. tha drama began to re. Kciyp the respect wljlch It deserved As the years rolled on women took up work in fields atmtattd with tho- theater until today we Ono; them Unking high, ainoog play wrights, producers, play readers design ers, costumers and. scene painters The best dramatic' art is tha oper ation of a divinatory instinct for trutiu Bernard Skava. To Mack Sennett, Keysfoner m (W'hoje comedies are seen frequently at the Stanley, Arcadia, Regent and Victoria.) Great viastcr, in your hours of leisure, I) such a thing o'er fall to thy lot, List to a film fan's furious pleasure In that tvhich saves his brain from dry-rot. Oft have J seen the ripe pies hurtle, Smiting the stout girl on the eyeball. Oft have I seen some human turtle Gleefully gargle some one's highball. A boot directed at the stomach Has drawn from mo the jocoie tear globe; And "Fatty's" falls on hill and hummock Equaled in wit the bitten car lobe. I caracoled ivith rare delight, sir, , And shook tvith mirth from top to bottom; When pic-wreathed mimes made such a sight, sir, The auditors exclaimed, "Dod rot 'cm!" Oh, art is long and chefs arc fleeting. And rare the genius that inspires 'em. But yet I do not send this greeting Merely because my mind admires 'cm. No, no, in language soft as butter, I give you thanks with grateful cooing 'Cause I can't hear tho words they utter Nor smell the noxious food they're stewing. FRED STONE, Fred Stono posing for the famous IF FltED, STONE ever ,leave the stage he Is going to buy a ranch and raise cattle. Stone's hobby li throwing the lariat, and at his home In AmltyvllhyLoas Island, he has roped all tho hones, cows and pigs on bis farm That Isn't exoltlnr enough for him. Every other year or so be takes a cation on a western ranch and spends, hit time Joyfully throwing long-tjornetJ steers While his partner, David Uontgomsry, waa, spending an annual lummtr holiday hlch ended disastrously In. an loctoileus. JHIjJPNsSSBBBlSrrSrSSSSSMSSSSSinBBrTfflSHl BBBBBBBBB&flBSSEl- g .BKwSBSBBBsVSsliBisBBBSBHSSBBS'i'jSBHGL s JJf i aBBB IsBB SBBBBBBBBBBSh1 l i SBm BBBBBBBBBHBlMHBBBSDIBJSBBBBBBffSLJ' Hf H BBBBBBBBBBBBBBk g39fcyyB Afsew. nv. iii,1 fthin y ffiiiiMijfttfij i 'itidm I 9 K 1 1016 Visiting Lockwooclville and Its lPollyanna,, Had " Nothinti On the Yorkc-Metr Studio, Buzzing With Vivacity, Good Nature, Activity and the Doings of Stars i i , By BENNIE Were In n cnntl,ileerpllon of a chatty moi'le studio by (lis chattiest press agent and publicity man in the Dullness. 1 you ore (tili-reslfcl In M eordskttch 0 Ins VorJke-Metro npprecntloti, you will probnMy or interested In "Itlg rremolne," one 0 their production, which comet to the Tie. torta and Urgent the tatter half of next week I , .."lOHDON street." announced the Jitney J bus driver, and I hopped out of the Ponli paid my faro and proceeded to find tho Yorko studio Tho wont "Metro" then commanded my eye, nnd upon Investigation t learned that I had reached my destination. My first Impression of the Yorko exterior vno Hint of tho homo of nn artist who wns seeking a quiet environment, for surround ing this unprctcntloun studio wero trees nnd a largo lawn Fred J Balshofer, presi dent nnd general manager, rushed by tho COWBOY KING OF sculptor, Prince Troubetskoy, at the "Stampede'' at Sheepshead Bay, N Y. discomforting exodus from Europe as a refugee when war broke out two years ago, Fred Stone was. enjoying part of his vaca tion in an exciting visit among his friends, the cowboys in Oklahoma where there were some bra doings. On July 1, 1914 be arrived In OkUhoma. to take part Hi the annual 'stampede' held there July I and 4, at whloh silver cups and cash pplxes wero gto for tha best riders. Stone entered the roams "steer and faocy reps-throwing con tents, the Urt of whteh. he won BjraUut all prefssetoaal ewni!tUors, Last yMr pfeeyeaa be won a .iwtlj-r eoMeat. M ..-WiiAiilii i in .. r Ckeerful People ZEIDMAN visitors' cnto-wlth a. highly colored 'copy of Harold MacQrath's "Pidgin Island" Under his right arm. I heard h, pleasant feminine olco: It must be that of .May Allison. I mentally concluded. The strong eun was streaming through the large office windows;; the omce stair seemed to bo run or nusine. l-wns then directed to tho general manager" omce. Thero a stenographer Informed m that Mr. Ualahofer had Just gone out on tho stage and that sho would call him for me. Tho office wnlls were covered with photo graphs of Harold Lockwood, May Allison nnd lister Cuneo. A few mlnUtea later I was confronted with tho executive Ynan of the plant. I recognised him as the 6ne tlme head of tho New York Motion TlctUre Companywho later exploited a number of tho screen stars, sjnd who recently be camo nUlllated with the Metro Corporation. Vvo exchanged compliments nnd together started on a tour of tho studio. "There's Mr. Lockwood," exclaimed a child nctress, Virginia Corbln, and we pro ceeded In that direction. Thero, as big as day, with a smllo which I understand had earned for him the studio tltlo of "Smiling Harold Lockwood," stood tho hero of many nim romances, lintshofer Introduced mo to Lockwood, who, I might say. Is the type noarest to Douglas Fairbanks In personality nnd mannerism I lune yet met In stagedora.' Perhaps that Is why studio folk have titled him "Smiling," for Fairbanks nlso has a. Bmlle that la famous. Lockwood told us how Interested he was In his present story. "Wo are dolnrllafild MacGrath's .noicl 'Pidgin Island nnd great deal of tho action takes placo nlong the scacoast. "Thlsjjlg combination lighthouse-set Is my home. Tho set fairly smacked or tho iea- .u mj?f ph?.re ' turned my heft.fl ,n- nn opposite direction, whero I could see the back of n young girt, dressed attractively, surrounded by n group of studio peopto. Thoy nil seemed Hippy and their faces -were covered, with snilles. -rhat must bo May Allison, I thought, and I was right. A moment later I waa Introduced to- her, who Is sometimes- called "Tho Sweetest Girl in !Ims. t , Wo became good friends. "I was born In Georgia," spoko the fair May, "and in Pidgin Island' I play tho part of a secret tiorvlco agent, which, of courso, makes nie oy happy." c".?,n' ,ha BOt' Please," cried Charles P, Stalllngs, tho well-dressed nsaistnnt direc tor. May Allison apologised nnd obeyed tho command. "Aro you waiting for mo?" queries lister cuneo, who was mado up as a banker Ife was told that on nccount of a number ot Lockwood's scenes with Miss Allison, ho could goto tho ball game. "Great." cxlecf tho villain of cclluloldvlllo aa ho yelled "ndloa" to those present. I watched with Intense Interest Harold and Max aa they portrayed a, dramatic soene. I received the salno sensation ns thought I was witnessing a stage performance, for they spoke their lines llko stage veterans. To my left and right were located n row of drosslng rooms, factory buildings, carpenter shop, etc In a group watching Director and General Manager Balshofer rehonrslncr n fv.n Y I recognised Lllllnn Hay ward, of Sellg fame; iu t-umcroy cannon, wno has appeared In many Fine Arts; Josephtne nice, made qp as a colored mammy; Andrew Arbuckle, brother of tho famous Macklyn; Virginia Southern, tho pretty Bcreen actress, and William Do Vnull. whom' wo all saw In "The Birth of a Nation" nnd In arlffltV latest spectacle, "Intolerance." It Is In this studio that tho Lockwood Allison Metro plays nre being produced. I learned from Miss Allison that "pidgin Island" was their third picture In this new studio. "For tho exterior scenes we went up to Monterey, Uio most beautiful placo I cer 'Waited. We remained at Monterey for two weeks n'nd hod a glorious time," nnd sho nmllcd sweetly. Luqcll hour woh then declared, and as a guest of Lockwood's I seated myself In hla new automobile. Wo discussed various topics, and I found him to bo a brilliant indi vidual. To my siuprlse, wo finally drifted to a discussion of mythology, I then reah Ized I wan In the presenco of. a well-read actor, which mado me think twice every time I wanted to say something, for fear I would go wrong on my grammar. (I did not say very much after my discovery.) We lunched at a cafeteria close by, -where wo both carried trays and collected our food In small portions. Lockwood Is -very-fond of alligator penr salad. In fact ha ordered a second portion. 'Smiling Harold paid tho check and wo motored In the di rection of the Ynrke studio. Ho freshened Ills make-up a, bit and announced his re- turn. I henrd a peculiarly exotlo sound. In tha distance. Cameraman Tony Gaudlo discovered an approaching cloud and In formed Producer Balshofer that it would be useless to try to photograph In that llghU "All right then," ho wplled. "Stall IngB, notify the company to that effeot; please have every ana on tha set ready for work In about an hour." "CHIN CHIN" Following hi fine achievement in Qkla noma Stone prc-ceded over to Tgin, where wltti Q cowboys, ha tools part, ft a wild steer drive on the northern plain The, tcamptr extended oyer a dlst&aaa of fifty mires, nnd the comtdlau-athUte. v among the first five toarrtv e,t tt wte nln post, roping exaily a, 4oft Wms steers, ;n route. After tha rouad-up ha 2fJ4U t, we& vufc Jlni UlnaMlf u sit Lasr X & i Cre'U, Tx i lmiaMUwr M hoMv Iii 1mm MLJ MWMMM irfriiSfc TK-
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