! , r " $ lEuening ffiefltner SATURDAY March 25, 1916 AMUSEMENT' SECTION WITH THE AGILE CAMERA MAN ON A TRIP UP AND DOWN THE AMUSEMENT WORLD ORCHESTRA PLAYS - ff FRANCK SYMPHONY 1 "HE FEAR MARKET," AMILIE RIVES' PLAY IS GOOD AND BAD members Assist ' $ -,& Ttrtfrqe? as i i Ete Early Season Impressions of Yvctto Gutlbert, Before Philadelphia ThoUght to Hear Her. By WALTER PRICHARD EATON AStEtjin IUVEnS' play. "T!wj Pear Mar Xxltet," based on the Town Topics revela tions a few years ago, Is an extremely bad play, which Is extremely good entertain ment. It Is a bad play because the author doesn't know how to put a play together, especially In tho Important matter of mak ing all her little details and causes and effects plausible and consistent. Her loglo of events won't stand scrutiny. It Is good entertalnmont, howover, be caUso It Is oxtromely welt acted, becauso tho essential theme, nn attack on the slimy Journalism of tho old Town Topics, Is one to Inspire sympathy nnd Interest, and be cause tho author's sense for amusing or tart characterization and pithy conversa tion Is pronounced. The play has much In common In these last respects, with tho comedlos of Clydo Fitch. But Clydo Fitch would noor liavo been guilty of tho Princess Troubetzkoy's plotting. Kor Instance, tho editor of the stlmy paper will not let his daughtor read his publication, for ho loves her nnd doesn't want her to find out what his busi ness Is. Sho, however, consumed with curiosity, Is living at a hotel, whero It lies in tho nows stand Dut, of course, if she weren't told by nor lover, tho daunt less lawyer who Is exposing her fathor, what the business Is, the play would havo to bo all rewritten. How many hopeful dramas have we seen fall of Uie place their author's roil Intelllgonoo entitled them to, just becauso of this fundamental Inability of tho author to build a logical, truly knit dramatlo structurol Mr. Flske has returned to tho mana gerial ranks oa producer of this play, and ho has picked an excellent cast, who give flno account of themselves. "The Fear Market" Is so nearly first-class In many respects that It makes one grlovo to with hold from It tho pralso we would like to give. It Is a very good bad play. Ono of the most porfect artists In the world reachod New York early tMs sea son after on absonco of several yoars, and gave a recital In the Lycoum Theatre to half a house We rotor, of course, to Madame Tvetto Qullbert. It Is ploasanter to add that tho second concert was bet ter attended, and the third and fourth sold out the house. She then departed on a concert tour of tho country, and. If sho Is not grocted everywhere she goos with largo audiences, It will mean that everywhere sho goes theatre patrons will miss one of the rarest treats tho stage now affords. No country but Franco, of course, could have produced the Incomparable Yvotto Her entertalnmont consists of songs and she has no voice. It consists of songs turned Into dramas and for all wo know she would fall as an actress. But what does that natter to her, a French artiste? Bho has something better man voice, sho has personality plus. She puts on a dress so subtly designed that it alono almost recreates a period, and then she begins to sing a song of that period. Lo, In a moment those rather largo hands of hers becomo beautiful In their Inflnlto ex pressiveness. That face without a regular feature in It becomes lovclj to look upon. That voice, so unlike Melba's, gets cadences which caress. And verse by verse a little drama builds up, pathetic, comic, tragic, Ironic, naughty, as the case may be, which actually peoples tho stage with characters, sets It with scenery, and is touched, furthermore, by the crown ing grace of beauty, for there Is some thing about this wonderful woman and her delicate, cameo art, which gives the touch of beauty to everything sho does. She sings songs of all kinds and all periods court satires of tho time of Louie XV, songs of the people, songs of the King's soldiers, songa that thrill you of the French Resolution, songs of the laborers, songs of tho boulevards. She also sings songs In Cngllslr. When she sings "The Keys of Heaven," a ballad affected by many an American artist, you realise most keenly why sho Is bo great. When, In the last verse, the lover offers tho maid the keys of his heart and pro poses marriage, and then the maid, hap py that at last he has realized her worth and hearing the words she longed to hear, cries, "Oh, yes, I will walk," tho singer gives a lift to the little drama out of the realms of mere comla balladry Into the realms of touching feminine psychology. It Is a masterstroke. But her art cannot be described. Go to hear her. She has no rival In tho world today, YVETTE GUILBERT, CHANTEUSE, RETURNS TTTTHEN Yvetta Guilbert cornea to the stage of the Adelphl Theatro next Tuesday VV afternoon she will be surrounded by conflicting memories. Those who heard her when sha was tho Yvette not so much of tho poem printed below but of the ever-o-sltghtly wicked chansonette of tho days of "Linger Longer, Lou" and -aer uomen Hair was Hanging uown if I J I I I ., swm .n Mn V 1 X-X-Xr 1 - Yvette Guilbert as De Zaya3 sees her in "Vaudeville.1 (Mitchell Kennerley, New York.) That was Tvetto, The blithe Ambassadeurs Glitters this Sunday of the Fete des Flours; Here are the flowers, too, living flowers that blow A. night or twp before the odours go; And all the flowers of all the city ways Are laughing with YVetU this day of days. Laugh with Yvette? But I must first forget Before I laugh that I bare heard Yvette, For the flowers fads before her, see tbe light Dlej out of that poor cheek and leaves it white, And a chiii shiver takes me as sba mgs TM 9tot ft UBf-lMed human things ; A t lnjresici all wceptac, tear that trtca- rPJK I MilBEk iaffialS aJHH wKmrrmmWftm" ' iw.-!.. . -res ":,tjt- WWM klSyJir raffl "ALL ABOARD 1" JWjf V M ,!l Trf'SjiaSHB These two Englishwomen of tho "Nobody Homo" chorus havo inJW&- - SMI MUHHHl!WBi been spentlins their odd hours learning tho jobs of engineer MSs2 ''toKlPI' S' rywPffE'SlHB nnd fireman, so thnt when they return to England in tho sum- wr - xliftl "'ZrSSM WJaMtfMMMfflHM mor thoy may take tho places of men needed at tho front. But lif'-livH 'f Mt'u'SKMKtfaiilKKBSSwMBKSK what will tho men say to it? I f T rW SlfSmB Fine Feathers May Make "gA '"MMMjKESmm a Man or Clothes V J bert williams JgKlfeH tne i$ira likes a walk $$ mmL Not so many years ago JIclvlllo Ellis, who will bo at Kolth's next week, de signed the costumes for tho Shubert musi cal comodles His costuming nlwnys ran to tho dainty, attractive, striking color effects. Good taste was tho keynote of Mr 13111s' Ideas. Mr. Hills has decided views on dress psychology. "To be Individual In dress usually means to bo badly dressed. "Tho primary purpose of dress should bo to establish tho true relationship of person and personality with environment and social color, and to do this with that exquisite sense of tho eternal fitness of things, without which all the art and cun ning of the fashion creator are In vain Most women lose sight of the fact that dis tinction Is the sign of class In dressing. In designing the costumes for a chorus of a musical show, I havo nlnays put my theories into practice and before com ing to a final decision I havo had the young women of tho chorus spend sev eral afternoons In my study where I could study them and tho result has always been satisfactory. "In designing tho flvo gowns worn by Miss Ireno Bordonl for the act In which we are now appearing In vaudeville, I was confronted by an entirely different sit uation Here the object wai not to estab lish tho relationship of personality with environment, but to bring Into high rellof tho predominating characteristic of an in dividual woman's personality. In Miss Bor donl's case, this characteristic was chic ness Here was a woman whose every feature, whoso every line of figure, whose every movement of head or body, spelled chic. After my first interview with her, there followed n general ransacking of my memory for some clue a bar from some half-forgotten French chanson a eaucy figure looking out from Borne dim old canvas, which might eventually lead me Into finding Just the right style nt framo with which to surround and en hance her piquant personality, "After two days of cogitation along this line, I suddenly recalled John Sar gent's famous picture, 'Carmcnclta.' The llguro of the famous Spanish dancer be came, a motif and In all the Ave gowns which I proceeded to design for Miss Bor donl the Spanish Influence Is paramount." Her EacK," will not know her, as she now la singing "the pity of unpltied human things." Others recall tho wonderful entertain ment when sho came to the Academy of Muslo with Albert Chevalier already the new Yvette. Since then It was soma ten years ago she has been here once In vaude ville. Sho returns as Mffle. Bernhardt return ed and as Itejane might return as from another world to a generation' who. lmnWM Tinthlni rf th8n except their lm- perishable names. Tues- day afternoon Mms. Guilbert will sing songo of many different perl- fJ 0Ja ot history, and for Vj each period she will be appropriately dressed. Vanished the long, black yK" gloves I Vanished the - fantastic glories of the 90'sl Only Yvette re- mains and memories. One of them, by Arthur Symons, follows: THE MOVIES USE IT This large conservatory is included in the grounds of the Lubin ranch nt Bctzwood. It figures in many of the feature films which the compnny produces. A live movie producer needs nil sorts of things in this backyard. The Face or Figure Which Do You Choose It cannot be said with any degreo of truth that the chorus girl, or, properly speaking, tho show girl, is losing her figure Nay, that will never be. Dut this most cherished of all attributes received a severe Jolt recently In the assembling of the girls who were expected to wear the clothes and look pretty In "A World of Pleasure," which opens at the Lyric next Monday. Those who responded to the first call, and there were several hundred, were startled If not shocked at a notice posted on the stage. It was Interpreted as a fore runner of a new and unheard-of menace to tho poor working girl whose limousine la (supposed to be upholstered to match her latest frock. They read with Indignation and stamped their pretty diamond-studded heels till the rhlnestones really rattled. WANTED Olrla with perfect teetb and lira that curl up at the cornera A Oiria' height to measure, minimum, 5 feet 7 V Inches. 11 OtrU' height to measure, minimum, 6 feet 5 V Inches C Olds' height to measure, minimum, B feet 4 Inches. Report Winter Oarden stage today, A fllrla at 8 30. n Olrls at 4 30. C a Iris at B 30. It carried with it the terror of a Zeppe lin grape a few laughed, but others were wont to cry. Some were on the point of leaving at once they always are but stayed Moat of them qualified It Is true that the Ivory Inspection was not conducted by a surgeon of dentistry, but all of the gold-capped cutles were weeded out of the ranks by the sharp-eyed stage dlreotor, who made It plain that the Win ter Oarden had decided to discontinue all free advertising of the brldgebullders and crown heads of America. Protests were of no avail. It was the advent of the smiling show girl, a feature which has for a long time caught the attention of the watchful eye of the stage producer of the lighter musical shows. A theatrical student of psychology Is responsible for the statement that 95 per cent, of the audience watch the faces of the girls rather than their figures. Tests have been made with one girl in the chorus at the Winter Garden noted for her ever-ready smile. It was found In all groupings in which this particular girl IS THIS WHAT DOES THE TRICK? Some people, including too many critics, have taken it for granted that the figure, not the face, was what accounted for the success of the Winter Garden shows. But according to the confession of the manager of The World of Pleasure which cornea to the Lyric Mnn. day. ii is neither the lower extrometiss nor even the face that count. A Vaudeville of the Movies THERE is a great deal on the screen these days besides tho five-pnrt feature. Indeed, there hns always been. Gathering to gether tho one-reel novelties that the big producers are issuing notnbly those of tho Paramount nnd adding n few "reissues" from the early days of Griffith, any club can get up a unique nnd enter taining program of genuine nov elty. Here is what the Merion Civic Association will show its members Monday in tho Merion model schoolhouse: "How Flowers Grow" A "trick" film showing na ture's processes speeded up. Mary Pickford in "The New York not" The famous star in a short comedy, "Inbad, the Sailor" A silhouette movie, by C. Allan Gilbert. "The Battle of ElderbuBh Gulch" One of Gilbert's productions for the Biograph, featuring Lillian Gish, and a cast of present-day stars. A study for tho battle scenes about tho v cabin in "Tho Birth of a Na- N tion." "Human and Animal Motion An alyzed" Men, dogs and horses shown at a snail's pace. "Farmer Alfalfa's Catastrophe" A Bray cartoon comic. appeared nine out of ten of the audiences on whom this test was made followed this girl's work. Another girl, whose smile rivaled that of the first, was then in cluded In the experiment and the attention was divided, A third and then a fourth were added, with the same results. It, therefore, became apparent that it all of the girls knew bow to smile the attention of the audience would be Increased many fold. The perfect smile must bebacked by perfect teetb. THE BALLET RUSSE "AT LEISURE" But only for the moment. Mme. Gont charova nnd MM. Massin and Lnrionoff were merely taking their ease in Switzer land during the rehearsals which preceded tho descent of tho company on America. Kilkenny Theatre of Some Years Ago People often quote the saying about "fighting like Kilkenny cats," but cats arc not tho only things with the name of Kil kenny that are worthy of note. The Kil kenny Theatre, nt least, deserves some consideration, even If tho pugilistic ten dencies of the cats are lacking. About the latter half of tho eighteenth century It had become the rage In fashionable- society to Indulge In amateur the atricals. Plays wero presented at Lugan, In Armagh, the seat of the celebrated William Brownlow, also nt Thomas Con oly's, Castletown, County of Klldare, and at the residence of the Duke of Leinster, Canton In 1774 amateur theatricals were Inaugurated In tho County of Kilkenny, It was at KUfane, In 1708, that the Kil kenny Theatro really originated, under the auspices of Mr Itlchard Power, afterward Sir Richard Power The company was persuaded to go to Kilkenny and open a publlo theatre In aid of the charitable In stitutions of that city The theatre was opened February 2, 1808, and continued for a period of 17 years, the final per formance being given October 28, 1819. During the theatre season, which lasted two or three weeks, the city was filled with the most influential people in the land. Whole families came annually to make Kilkenny their home during the time of festivity, which was called the Kilkenny Carnival. Thomas Moore, the Irish poet, was a member of this company, also Bes sie Dyke, who afterward became the wife of Moore. In 1812, Eliza O'Neill, who later became famous as an actress, was also a member of the company, Oreat friendship and social Intercourse existed among the members of the company. It la recorded that these amateurs reached a proficiency In their art equal to that of the best professional aqtors of the age. The story of Flske O'Hara's new play, "Kilkenny," Is an invention in which the author has tried to preserve the at mosphere of the time. DANOINO PREPAREDNESS Bprini is here and summsr is com. Inf. and evrywlmr thsrs will b danclnjc seashore, mountain, country and at boms A course of danclng lesaona at this school of distinction will prepare you to always M ready, llsra lessons are sivea every day from 10 a. m. to 10 p. m. by an efficient corps of "specialist" instructor. The C. Ellwood Carpenter Studio of "Correct" Dancing 1123 Chestnut St. 1123 Telephone, FUbert iSOT EfOAQE wiiotys KSITH BAIXHOOat FOR YOUR PRIVATE DANCB VERY DAINTY Fractlcs Claae Monday Private Leaaooa. Uoien. Classlo ana. 8tag Caotlii HTTBIOAIt y.yiyvTW, vjlwo, mmx. xrctsa KEYSTONERS AT HOME Harry Gibbon, on tho left, is pointing to his favorite dog nnd telling Chester Conklin n, funny one about the unresisting animal. The porch and house, as well as the dog, belong to Mr. Gibbon. And both gentlemen arc nt tho command of the patrons of tho Arcadia. Do You Want a Place to Make Love In? "Where do they find such lovely placos?" Frequently the question has been asked by persons who are watching a motion picture. They wondor whero tho photo play producers find tho scenery. Out nt tho studios of tho -Jesse. Xj. Lasky Teaturo Play Company, nt Hollywood, Cal , there is ono man who docs nothing but ride around in his big automobile and "discover" places that are Ideal for back grounds to bo used In motion-picture plays. At tho studio 10 has a big card index system by which he keeps account of all these places. It saves a lot of time. When tho director of a productlon'wants a nice, quiet place, for a love scene or a nice, noisy plnco for an exciting chase, nil ho hns to do is to look It up In the card Index. Then an entry Is made on tho card, stating that the scend hns been used, because the same sccno Is never used twice In a Lasky production. Persons who seo photoplays remember scenes. You Can Quickly Learn to Dance In our Mirrored Studios, whero you can watch your own progress. Individual Instruction 6 Lessons $5 Open Dny and Evening Phone Locust 3102 The Cortissoz School 1IS50 Cliffctnut St. The OAKES g- Gtn. Ave., 12th & Ontario Sts. DON'T BE DECEIVED The Only Original School of Old Dancing adults' nnatNNF.ns' clahs monday, TUESDAY THUllSDAY & FRIDAY KVOS VIONDVY EVK. CLASS WITH OUCIirSTItA Reception Wed. and Sat. Evgs. THE HfllOOL THAT INVITES, APPEALS, TEMPTS AND WINS THE SCHOOL Olf HKriNEMENT AND DISCIPLINE. f!T,A"RAi School of Dancing KjLU1,J1j 1643N. Broad St. Scholars Every Tuesday and Thursday Evgs. Philadelphia Six-Step Taught EASY TO LEARN BY OUR METHOD Reception Every Sat. Eve. l'rlinte IeAHOnH by Annntntment CLARENCE II BRADY and EVA M. BARAL The Towers Academy r1 J LARGEST & FINEST ACAD Lamacn S EMY Towers Theatre lillt "l-.-- Monday and Friday Eves Line VIaSSeS Lesson B P. M Dancing- Till II. NrAvelty Party & JSSr RecepUon Saturdaya 6 3J,"0hMtrt EDWARD A. COLL 41st and Lancaster Avenue Preparatory Class Mon., Wed., Frl. Week-End Dnnco Every Saturday Eve. P. L. COLL, Musical Director L0ESER?S """".."TJSrSL BLDa' CLASSES TUES AND. FBI. ORCHESTRA moHT NE-STEP CONTEST Cash Prizes, Dancing 8:30 to 12 High School Class Friday Afternoon, 3 to 0 Receptions Mon., Wed, and Sat. COURSE OF 6 PRIVATE LK8SONSI5 CHAS, J. COLL SSTU AND MARKET STREETS Dances Monday and Saturday New Drawing Rooms Smn" EXHIBITION DANCE WEDNESDAY EVO. DANCINO TILL 1 FOWLER'S PRIVATE STUDIO Personal Instruction any hour, day or evenlnr; make appointment. 4Q7S OtUcom. F1HL859 J- Students' Chapter aoSiA ISSSift SNOWBALL DANCE MISS LYONS Prfvt fiebool t Dlncln T. IT10 Chestnut St Cnll- ft2Sc?,fl!f' tXV$Y " Prtvau lessons any hour Stddia rented for must, card A dances. FlfED'GENSBUJRG TBtiZ'i& yf &W!. Modorata at. JW ojryoaa fi. yesiar us Wdan1ngTHIj Concertmaster, and New bm. wciuac rc OOloiStB m Brahms Concerto TF Tim patrons of tho PhllaoetDnl. n. x cnestra nro not all muslo lovers, tfc., , must havo been a sham ,lli.i- .. "?' number yesterday afternoon when tha mi pair of concerts was begun. After l 1 uvenure, vnriously known ns "iw Cavo" and "Tho Hebrides" m...,! ' tho program ottered hut two number? 9 Urnhmq rnnnni-in r. ..i-, . . u" m " " iunn ana vloln,. ! cello, In which Messrs nich and KlnT, 1 wero tho mmlatlni- nn... "u,w v Frnnck's symphony, his only one Tn minor. It may bo heterodox i ' . , tlmt nntmna .. Ill . ""'Kit , ", "" ,mo "e or thes, . m simply that patrons were very pro ," plcnscd with tho Dlnvlntr nf .' orchestra's brilliant artists, ara "' 1 more purely devoted to music Vera i bCS to with nn Inlln telv grentrr work. Sft 1 Played equally well by nil 0f th Z 1 of those ";r a,l,sis' ulth ,h0 Hfi 1 That Mr Itlch and Mr Klndler M DaVWpl wnn (nli....i..ii ...r WI not lift tho first mo,mV.nrof?h.U2B2K from Its pit of highly Intellectual SS J beautyT built remained f The Z religious nndanto to bring botht EM their capncltlci of tone and to the "mil? of their nmvpr nt nn..i.. ;;' "u ,s:ttiLHM:fisra nnnlo that'eaci;' 'pla'er8 had JM and ench cultlvnfr,! If .J,,i..!.. mJ tlm"- . -. IVllllVll, ,....,... .. ,. , uBmimi concerto kit yenr, was not bo marked, and. in.tt should not havo been. H0 scored na ..w.u , uui no ncia to til .u,,v ua u wiiiMimu unu excellent artht Mr. Klndler. mirvlvlm- Mm ,-.ii .. ,.. cal ovoq. linth liofnr n,i ht.i... .. was beyond giving promise of his com! Jr t r wAt YTrt - ..lm... a vita- 7rl Kranclc'a Svmnhnnv una .... horo last yoar, tho 25th slnco his deitlM ii jniKMi proiunuiy De piaycu again cyery jci" unm mo ouiii anniversary, and pos -i slbly every yenr thereafter to the con. d tennry. A work of tho profoundest feeU a Ing nnd tho most amazing workmanship, ia iiiijicm juiiiiii uu universal ir appts elation of emotional expression wero nqt1 bo iinmeu. unuer air. biokowskis t ton, tho symphony took on unusual co'ij. slon and was rich In tho unfolding H tinmn rtrwl t nrlntlnn Tt Kn.. n V and legitimate resomblanco to the orches- J tral music of "Tristan und Isoldn" snA ! from that comparison something of tho flro and forco of Cesar Tranck may be deduced. Tho symphony has the f&iatti of earthly things Its famous question Is not of smnll things, and such answer J as there. Is In the symphony Is tho answer it of renunciation. Whnt this has to do 4 with tho poem of passion and desire of Wagner Is not obvious, for we have j. learned to think that tho last frenzy of action and the last suffering of renuncU- M tion nro Irreconcilably apart Wouldn't m It bo precisely In muslo that wo Thlgnt learn tho truth? O. V. 8. J& DAWSON for DANCING 1715 Chestnut Street N urn tt rnrnlMfl 'n thp world for reducing stout people man aununir -iaKrs on very pound of super fluous flesh My method of teaching reduces you nhtla addlnir to your "njoyment. Prlvato and riass Les sons Day nnd Evenlnj Wagner uC1 Dancing EST. 1730 N. Broad Phone Dla S3S Usual fSSS' Dance Mon. Tues Jhurs. Eyn Si' Wed.&Sat.W bend Ho (stainps) for conplrts description of 0 mooern aescripii"ii u, u "i;"v-o,.rt hits! 1-Step, Fox Trot, 6-StP. Quick-Step nnd Rengaw (ueitl wi Valtz. SET A Decided Hit .a-S M ARTEL'S ACADEMY. 1TI0 NOnTIt BROAD ST. Prof. J. Figel and Miss E. Cops . '..,S .n ni-(nMRTRATOBa Beginners' .Clas, .Tuesday JJg j FOLLOW1SU UX Hii.t.t-u .. . . , PsannrtrinriR EverV Y!?ki-2&2!Mi& i W"l,i'?VInSalWU0M rnitf fiSCt tmm - . S. E. Cor. 15ft' Al. White'j and Chejtout Novelty Dance : Wednesday SCHOLARS' NiailT TUESDAY RECEPTION 8ATUIUJJ. nuaHf Private lessons In Modern and BUJJ ,iT; SPECIAL IINUUUlUVicai r? . CL-.i T:m. rtnlv 6 PRIVATE LESSONS, $5 .. . . a. onnMi.i nfAalonJ. iiau 10 4ieni jur b' Colonial Dance Castle tiKOA r.Krmantown AV ii Phila.'8HippodromeDanceP Prof. KODri UM" . s:t ..entnri. . . il-.t vrtAtnOUsl - - m f.nTsareranlnV?pTlons- Wffi- WOVelty itecepnuu- v- 1' Increased M" banjo orchesUa.Owlj to lncreJw,,BUr1 neas. private tudlo enlarged, now HJ"i,3j entire building PrUate ';a?i10'lu i evening. 8 for S3. Phone, Utn. 3T0 J nANCE THE OLD nnncelanaj rnurBCTAMIfiHT .il The school of "flneiuent. Broad iatfA iinniwu dances Monday ana 'Svnx. ' OLD DANCES WED. AND BA i , ; 1B.PRLZE BONBON PARTYg WEDNESDAY EVENI.MAKyi-tl Claw Thuraday. S to 0, W,RgjSAT . 51 Novelty Dance MABCHsirf T .. .. .... k. roa don't- EM'i '.ZW.Ar,,KT& l)U.Cw iSl'UE 01? V "i-tirrz"r uroperiy if" ."rTiVo lem iq oa"j - - BRASS la . - v Jl PRIVATE UAIjtLNOAtAPKMW SI au tut -H KeMoaabU Prle.ijl -m Li vs S!x strictIy Private tJ-Xf Lessons, $5 I J JIB Practice Class JlonJa) lflTaf nnd 1 hu''l'la,' Evis. n-ffM& Bell, Locust 8404 y Tft.imr, JIWotUt W" - I I 1
Significant historical Pennsylvania newspapers