The Centre reporter. (Centre Hall, Pa.) 1871-1940, January 24, 1924, Image 3

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CHAPTER 1X-—Continued.
wen] Fone
He lifted his face after a moment
and chuckled complaisantly.
“Big Jack,” he went on, “couldn't
_ kill him with a nigger maul. Didn't
‘e {etch that chuckle head a groanin’
lick? Lord! Leetle too high, though,”
he commented in the nice criticism of
& man who, in his day, was known to
have been the most dangerous rough-
and-tumble fighter on the border.
He paused, and his face assumed the
same puzzled expression it had worn
at the festival the evening before.
“I reckon hit couldn't 'a’ be'n, an’
it's jist as well not t’ say nothin’ about
it,” he went on, “but I thought that
feller favored that scape-gal’'us of ol’
Sime's—Ken Colin—what 'e would ’a’
be'n by now. I noticed it when ‘e
flared up off'n the floor thar with the
knife.”
Counterman leaned nearer.
“That's jist what I mosey’'d up t'
talk about,” He lowered his voice.
“That wus Black Bogus.”
Uncle Nick straightened.
“No
“Hit were.”
The old man swore, took out his pipe
again, stared at it and put it back in
his pocket,
“Black Bogus—hit couldn't—w'y,
ther's fifty sheriffs a-lookin' f'r him.”
“Yes, an’ them same fifty sheriffs
ain't none too dern’d anxious t' find
"Im. He's a bad man with a six-gun.
1"
27
Myzng-
“That's Jist What 1 Mosey’'d Up ¢
Talk About,” He Lowered His Voice.
“That Was Black Bogus.”
/
be Ken Colin—-that I don't
do know he's Black
Bogus. I run afoul of 'Im three year
back, down Vincennes way. It wus
when"
The
hard,
He may
know-—but 1
breathed
up over his
fisherman
passed his
stopped,
hand
into the gathering night.
hunter studied him covertly. More
innate delicacy of the
had restrained him.
“Calc’late you wus
when ’e swarmed in?”
Counterman turned; felt along the
edge of the porch floor with his hands,
“I "low I werdn't no worse su'prised
than he'd 'a’ be'n #f he ’'a’ saw me.
But I happened t' be back in the cor-
ner b’hind the crowd-—an’ It's a, good
thing I were. | dasn’t come face t' face
with Black Bogus. He tricked me
once; he won't trick meé no more” —
the old hunter saw the weather
stained fist of the fisherman grip
tight ; heard his lanky Jaws clamp to-
gether: watched him instinctively
hitch the holster of his long-barreled
six-gun to an easier position at his
hMp—"an’ I've already got enough blood
on my hands over-—"
He stopped abruptly and again sat
staring Into the night,
The man was a mystery. He had
come to Buckeye as the driftwood
comes—nobody knew from where. He
paid his way, fisked no questions, an-
swered none. In the silence that fell
Unele Nick sat pondering him—what
his life story might have been.
The fisherman roused himself after
& moment and went on.
“What crosses my path is, how 'e
come t' be there, p'tic’lar how ‘e hap-
pened t' come out 8 bold specially if
‘e ‘Is the man you think 'e Is. It ain't
his way. He never would ‘a’ done it
if it badnt 'a’ be'n f'r Zeke Polick’s
squirl whisky,” He straightened,
glanced around at his aged friend,
and had the light been sufficient, the
old man might have seen that the
twinkle, never long absent from the
doubly capable eye, had returned.
“Big Jack an’ the parson shore did
show ‘im a good time—while ‘e
lasted.”
Uncle Nick grinned.
“That parson-—lord! I ain't ben ¢'
church In fifty year, but I'm cale'latin’
on goin' next Sund’y. If that parson
can outface the devil the way he out-
faced that hulkin’. chuckle-head, he
ain't no bad man t hitéh up with”
“re only hopin',” Counterman went
on, “Big Jack—an' the parson, too, f'n
some su'prised
By: DAVID ANDERSON
Author of “The Blue Moon”
Copyright by The Bobbs-Merrill Co,
HmunnnnG
a
«sarang
puzzled expression touched his face
again—*"“got a bellyful las’ night. He
ain't honein’ f'r no more, I'm bettin’
m' bettom dollar 'e ain't.”
“I dunno,” Counterman pursued.
“He's a bad lot. Ther’ ain't a worse
man the length o' the Wabash, An’
then there's Loge Belden they say
moved In the ol' eabin up Eagle holler
last week with 'is sister,
“Cordwood—huh—he ain't no more a
wood chopper than I be. He's a river
man. Come f'om the K'ntucky moun-
tains In the first place, an’ usen t’' he
a pearl fisher till they run 'im off'n
the river. I never knowed Loge, that
Is, what y'u might say pers'n’ly. I
never see'd "Im till "e tangled with Big
$ack In the post office t' other evenin’,
but I knowed 'Is sister, not the one
that's with 'lm now but the—other
one-—the one that's—dead-—"
The fiserman bent his head and his
voice fell low, finally stopped.
“Black Bogus is an old pal o
Loge's” he went on after a time.
“Woulin't wonder he's harborin’ up
thar, an’ If 'e is, why is 'e? An’ what
are they both—'r either one of 'em—
doin’ up hyur In the Flatwoods? Hit
lopks t' me” —he bent toward his com-
panion—"they've got the'r eye on ol’
Sime Colin.”
Uncle Nick sat thoughtfully fum-
bling his chin,
“That'd leave Ken out,” he mused
“He wouldn't 'a’ fell that low. Any-
how, ther's lots o' folks that looks like
other folks.” Counterman thought a
moment before he spoke again,
“Black Bogus' game [8 counter-
r'itin’, but he’s got the guts fr any-
thing; an’ Loge's or'nm'ry enough fr
any dirt.” Ther’ ain't nothin' I'd put
aspast 'lm. He's done time twice't
a'ready, an' would be doin’ it right
now if It werdn't f'r 'Is sister. Thar's
one good gal—as different fom Loge
as the devil fon Sund'y. Hit's Loge's
one good p'int—he thinks a heap of ‘Is
“Well,” commented Uncle Nick with
his slow drawl, as the other paused,
“hit might be the makin’ of ol' Sime
it somebody could manage t' pry a
dollar 'r two off'n him, an’ as fr Big
Jack, I 'low ther’ ain't none of ‘em
honein' f'r more truck with him”
He chuckled complaisantly,
sibly fancying that had
particularly neat and unanswerable
finish to the argument.
“That ain} it,” Counterman pur
sued, “Black Bogus an’ Loge are both
the kind that strikes in the dark.”
“Thunder !"
Uncle Nick's shoulder jerked away
from the porch post, and the fisher-
man caught the glitter of his deep-set
eyes in the twilight.
pos-
he
m'self. Dunno but what I'll peel an
eye on that cabin up the erick”
The old ranger sat erect and rest.
less, drumming with his fingers on
the porch floor and looking away
across the narrow mouth of Eagle
tumbled ramparts up
eastern sky.
The clatter in the kitchen ceased,
Aunt Liza's still sprightly, vastly posi.
tive step came across the cabin floor,
and a moment later the creak of her
rocking chair joined the droning cho-
rus of the beetles. .-
“Wonder what Big Jack thinks o
the way. the parson’s a-cuttin’ around
Is gal?” Counterman mused. “An’ her
the best prize In the Flatwoods, even
if she didn't have a cent.”
Uncle Nick fumbled out his pipe,
knocked it on the edge of the porch
floor, and filled and it it,
“I knowed 'is father, Col. David
Warhope, when ‘e first come t' the
Flatwoods up'rds of eighteen years
back, an’ 1 knowed ‘is .grandfather,
Old Cel. David Warhope. I fit Te
cumseh dn' the Prophet under the
gran'father. The homestead wns a
present t' him f'om Gen. Andrew Jack-
son. OF Colonel David an' young
Colonel David, they wus both fine, up-
standin’ men, soldiers every inch, an’
Big Jack's like 'em. Hit's too bad the
hofiestead had t be lost t' ol' Sime,
an’ the boy bound out to ‘Im. But even
so, he'd make a heap sight more fitfin’
man fr a Flatwoods gal than that
hump-backed, squinty-eyed parson.
Beats the devil the headway He's
a-makin’ with ‘er. I wouldn't 'a’
thoughts"
“No good'll come ot it,” broke in
the acid tones of Aunt Liza. “Didn't
¥'u see 'ls ecarryin’s on with ‘er at the
sociable las’ night? Blg Jack ain't
go'n' t' be a bound bey f'rever. She'll
rue the day she draps a fine lad like
him an’ takes up with a furriner.”
“Aw, Liza," drawled Uncle Nick,
“the parson ain't no furriner he's a
college pr'fessor.”
“Don’t talk to me,” snapped the tart
voice. “I reckon 1 know what I see
with m’ own eyes. Mind what 1 tell
¥'u, she'll rue It, an’ so'll Sime Colin
a-lettin’ ‘lm harbor around like that,
don't keer If 'e did go t' school with
Ken,
“I bet y'u if ‘er mother wus livin’
ther’ wouldn't be no sich goinson. 1
dunno what of Sime ean be thinkin’
about-—nothin® but money In’ an’
lan’ grabbin’, I reckon. If I had a
gal, I'd no more think o' lettin’ ‘er "
harbored up with a teetotal furriner
that-a-way-hubh—I'd no more think o'
lettin’ ‘er than I'd think o' takin wings
%
against the
and flyin’ t' Ingland. There ain't no
sense."
“Aw, don't be too hard on the par-
«on"” Interrupted Uncle Nick with a
chuckle, “I reckon 'e won't eat ‘er.
“Huh!” snorted the volce, in ulti
mate contempt. “What d' you know
about raisin’ gals? Cayn't see an inch
ahead o' y'ur nose. Hyur we set, In
our old age, bar'ly able t' keep soul,
an’ body t'gether, when we might 'a’
tuck our pick an’ cholce—an’ me a
dingin’' it into y'u f'om daylight t’' dark
Jist how it'd be, too.”
“Oh, well, Liza” the old man re
Joined, In tones more serious, “don't
throw It up to a man b'cayse 'ls fore
sight ain't as good as ‘is hindsight,
You might 'a’ done worse. 1 hain't
never be'n in jail yit, an’ you hain't
never be'n in the porehouse”
The dim figure rocked a while In
silence,
“Gals is gittin® e'en a’'most too
high falutin' these days,” she re
sumed, though in a milder voice.
“Bound 'r free, Big Jack's a-plenty
good enough f'r Texle Colin, the best
breath she ever drawed, with all ‘er
money an’ good looks.
“Use'n t' be a gal could git along |
with one beau, but now'days—huh—
they ain't sadisfled 'less'n they've got
two ’'r three a-tralpsin’ after ‘em.
Things Is comin’ to a purty pass -
that's what I say—to a purty pass. If
a gal ain't sadisfled with one beau at
a time, how in the name o' sense can |
¥'u expect 'er t’' be sadisfled with one i
husban’ at a time?—now there's the |
business of it, I-jeeminy ™
The alr of hard finality with whieh |
the grim Hps' were pursed up and
twisted around toward -the righ* ear,
the crisp positiveness with which the
words were uttered, almost made the
twilight seem to crackle, like stiff
parchment being folded gfter the
reading of some weighty mandate,
Counterman dropped an arm across
his knee and sat very still. ase Af afraid
the slightest sound might touch oft
again that halir-frigger tongue: Uncle
Nick looked away toward Black Rock :
the bats darted about In the dim half
Hght, intrepidly threading the bewil-
dering labyrinth of fruit trees: a
cricket at the corner of the porch tried
to match the creak of Aunt Liza's
rocking chair,
——
CHAPTER X
Warning of the Frogs.
While the cricket earried
squeaking contest with Aunt
rockipg chair, Jack Warhope, in the
tiny eabin at the homestead, sat read
ing by the candle on the small center
table—studyiug would be a truer word,
for the book was Professor Asa Gray's
celebrated “Manual of Botany.” i
The breath of the trees came down
over the cliff, caught and rustied the
¢
on his
Liza's
then the countryside settled still: the
words of the book blurred, dimmed,
faded away, and from the transfigured
page there looked out at him a face
with laughing eves,
A trim slim figure flitting with un-
consclous grace across the lawn to
where a tall, suave, profoundly bowing
man awaited by the rustic seat under
the great maple at Whispering spring,
crossed his mind—and the face was
gone,
He lald the book aside; blew out
the candle; turped his chair and sat
staring into the fire, still faintly alive
and fast waning, behind the open
hearth of the cook stove. A stick
TA
My arg
Studying Would Be the Truer Word,
for the Book Was Professor Asa
Gray's Celebrated Manual of Botany,
burned in two, fell Into the coals
and stirred out a tiny shower of
sparks. A bright little blaze flared
up, danced over the walls and time
bers of the cabin, glinted upon the
sword and spurs hanging under the
companion. pictures beneath the
draped flag. .
(TO BE CONTINUED.)
EE ————
Grass Hammocks. v
Hammocks made of grass or fiber
were In comuion use among the Carthy
bean Indiane when Columbus Maeov:
ered Ameren,
RS ————— TH
You can always spot an
er pe.
‘ht hy Sin wuperiny uly
Slim, Straight Is
New Frock Slogan
Garments Lend Themselves |
to Treatments That Are
Interesting.
Slim and exceedingly straight in Hne
48 so many of the new frocks are,
nevertheless they. lend themselves to
varied ‘treatments, as Interesting as |
they are novel, notes a fashion iter |
In the Kansas City Star. Since tor!
many people an absolutely unbroken |
Hne Is apt to be a bit trying, certain de- |
tails are Introduced which relieve a too |
straight line, but do not detract from
the essential slenderness. »
A circular flounce attached to a long,
slim frock is one of the most effective
means of breaking the line, This
flounce Is of fum trimmed to match i
the
rgsult Is an ensemble of distinction,
The importance of brown is stressed
In the nodes of midwinter. The ma-
| Stylish Three-Picce
Suit, Copper Caracul
particularly flattering tone. The fur
on the sleeves and forming the flounce
Is benver, while an note of contrast is
added by narrow bands of dull gold
galloon arranged to form a decoration
on the skirt and to suggest a belt just
neross the front of the dress.
With this costume Is worn one of the
new high-erowned hats which milliners
have Introduced In the hope of ousting
It is of black
plush, with a small brush or- |
right. Several of these hats have ap- |
side. whigh gives a becoming and flat- |
tering Iie
The tiered dress still remains one of |
the standbys’ of fashion. Because It |
can he worn only by certaln types it |
3
i
%
Here Is shown a charming thres-
NEED BUILDING UP?
If You have Coughs or Colds
nl his this Advice
Pittsburgh, Pa.—*"1 have taken
& great deal of Dr. Plerce’s Golden
Medical Discovery and consider it a
very essential family medicine, I
find it very beneficial as a tonic and
blood purifier, and sometime ago I
suffered with liver trouble, my sys-
tem seemed entirely out of order,
80 I took the ‘Golden Medical Dis-
covery’ and it drove all the im-
purities out of my system and built
me up in a perfect condition. I also
find the ‘Discovery’ excellent to tale
in cases of deep-seated ecoug
colds.” — Albert Jennewine, 4
Hemlock St.
As soon as you start to take this
“Discovery” you begin to feel its
bracing, appetizing effect. Buy of
your neighborhood drug store in
tablets and liguid.
for the waistcoat and for the founda-
tion of the skirt, upon which fiat
flounces of velvet are mounted. The
sleeves show a similar treatment. Dull
gold gallapn forms a belt, with long
ends brought down to the bottom of
the skirt,
If one prefers a less expensive fab-
ric this frock would be equally pretty
made of velveteen, which now
lovely colors,
ns —————————
in Fashionable Shops
Quantities
of ornaments, clasps,
buckles and large trimming motifs are
in the fashionable shops. Case
after case holds a display of amazing
whaps or gowns
some
for few
on which
is not used to hold
serve as a fastening,
Of enamel,
the drapery or to
or imitation, are
e and scarlet,
ivory and metal,
slones
| flowers are made
ilants, with tassels
They
Pp of
showy clasps, ox whit
amber, de, topaz,
set with colored
Arge conventionn
of pearis and bril
and fringe of the
worn usually over
ning dress,
metal and gay
Some are simpler,
is almost without
ben in,
one hi an eve
of these, done in
colors, are bizarre,
and thelr assortment
Himit,
Some
i
The Fur dn the Sleeves and Forming |
the Flounce ls Beaver.
i
has not become too popular. Since a
frock of this kind must be ve ry care
fully cut, It naturally possesses a dis-
tinction not to6 be found In mediocre
styles. For young siim figures it Is ad-
mirable, which no doubt accounts for!
the fagt that In every collection of |
models designed for the debutante or |
| her younger sister there Is sure to be |
Nothing could be more charming |
than the little frock, which in its sim. |
plicity is perfect. Brown velvet is the |
material much chosen for its fashion.
Ing, with blege crepe de chine used
Used on Chic Garments
Not so long ago one beard that em-
that its vogue was
and that no woman of fashion
would dream of appearing in the flam-
buoyant embroideries that dominated
the fashions of the season just past.
True enough In one sensc. for the day
| of crude, vulgar embroideries Is past,
{but the day of intricate, exquisite ex-
{amples of the needle worker's skill is
| he sre and few things exceed In beauty
| the embroideries of the present season.
They reveal a marvelous sense of
{ delicacy of the design, and 3 knowl
| edge that is the result of years of
| study of the handwork of many eras
{and many nations.
Black Velvet Frock,
A black velvet gown of undeniable
charm, has narrow bands of ermine
outlining the short sleeves and a
large bow of the ermine lined with
binck velvet at one side,
Three-Piece Costume !
Chic for Schoolgirl
An attractive fashion of the moment
for schoolgirls, observes a fashicn
writer In the Kansas City Star, is a
three-piece costume which consists of
a straight one-piece dress of plaid
wool In small patterns and attractive
eolor combinations, and a coat or slip
over blouse of black or dark green vel-
veteen,
In spite of the fact that go
brocades and embossed velvets of —_-
tured conspicuously in fabric displays,
there is a tendency on the part of the
smartest women to keep to the slim
straight frocks of heavy flat crepe
which are given individuality and dis
tinction by clever detalls and by Inter
esting motifs of embroidery.
Chiffon nlso holds its own and a
number of the most attractive new
terial .In brililant colors and shaded
effects,
One finds that a great deal of em-
phasis is laid upon all shades of red,
with green running a close second In
feminine favor. There is less black
worn for evening than In the earlier
part of the season when the black
evening gown was a distinct favorite.
When It does appear it is almost In
variably mgde of velvet with touches
of crystal embroidery.
Green and silver le a ‘color combina:
cons.
Tie aress itseit is jade geen flat
crepe with elreular motifs embroidered
in silver thread with here and there a»
wlitter of brilllants. The sash of
tiurker green chiffon velvet extends
, .
left side Into ® graceful train drapery.
Jade earrings and necklace complete
the color effect.
This Is the time when the woman
who has looked with longing eyes at a
particular suit or frock which was just
a bit beyond her pocketbook will fre
quently come upon a similar model
marked at a price that puts It within
her reach.
as | Hooked Sports Coat Is
Made Like Coarse Rug
In the handwork of our great-grand-
mothers is the Inspiration for some of
the most interesting and smartest dee-
orations of the present season. Within
the last few years thers has been an
awakened interest in hooked rugs and
women who have not been able to af-
ford the antique rugs Have painstake
ingly copled the old patterns and made
the rugs themselves,
Not content with that, they have ap-
plied this same process of hooking to
other articles for the home, and the
table runners and cushion tops done
in this form of needlework are really
lovely and decidedly unique. The
crowning stroke of sartorial genius,
however, Is revealed In a sports coat
made entirely of wool and hooked just
again In a new winter t
wrands ave long and stragely When
waved Slowly bo
grasuluiiy in the
they form a
The Idle Word.
An idle word may be seemingly
harmless In Its utterance. but let it be
fanned by passion, let it be fed with
the fuel of misconception, of evil in-
tentdon, or prejudice, and it will soon
grow into a sweeping fire that will
melt the chains of human friendship,
that will burn to ashes many cher-
ished hopes, and blacken more fair
names than one,
WOMEN CAN DYE ANY
GARMENT, DRAPERY
Dye or Tint Worn, Faded Things
New for 15 Cents.
Diamond Dyes
Don't wonder whether you can dye
because perfect
mond Dyes” even If you have never
——————————————
Electrical Incustry Grows,
1 spite of the tremendous strides of
the gas industry
today employs five times as many men
and twenty times as much capital as
in 1880,
DEMAND “BAYER™ ASPIRIN
Take Tablets Without Fear if You
See the Safety “Bayer Cross”
Warning! Unless you see the name
“Bayer” on package or on tablets you
Aspirin proved safe by millions and
prescribed by physicians for 23 years.
Say “Rafer” when you buy Aspirin.
Imitstions may prove dangerous. Adv,
Modernized.
Old Style—“Where there Is a will
there Is a way.” New Style—Where
there is a will there is a contest, ™—
Judge.
For speedy and effective action, Pr.
Peerys "Dead Shot" has ne esousl A
wingle dpse cleans out Worms or Tapeworm
$72 Pearl 52. NX Y. Adv
He who does not tire, tires adver
sity.
Hall's Catarrh
Medicine >. 2
claim for it~
rid your system of Catarrh or Deafness
caused by Catarrh.
Seid by drugpiots for over 48 yocrr
F. J. CHENEY & CO. Toledo, Ohio
EERE
NTI ANNE:
COMPOUND
COUGHS. COLDS
LLL
lt