bf Sinn J CHAPTER 1X-—Continued. wen] Fone He lifted his face after a moment and chuckled complaisantly. “Big Jack,” he went on, “couldn't _ kill him with a nigger maul. Didn't ‘e {etch that chuckle head a groanin’ lick? Lord! Leetle too high, though,” he commented in the nice criticism of & man who, in his day, was known to have been the most dangerous rough- and-tumble fighter on the border. He paused, and his face assumed the same puzzled expression it had worn at the festival the evening before. “I reckon hit couldn't 'a’ be'n, an’ it's jist as well not t’ say nothin’ about it,” he went on, “but I thought that feller favored that scape-gal’'us of ol’ Sime's—Ken Colin—what 'e would ’a’ be'n by now. I noticed it when ‘e flared up off'n the floor thar with the knife.” Counterman leaned nearer. “That's jist what I mosey’'d up t' talk about,” He lowered his voice. “That wus Black Bogus.” Uncle Nick straightened. “No “Hit were.” The old man swore, took out his pipe again, stared at it and put it back in his pocket, “Black Bogus—hit couldn't—w'y, ther's fifty sheriffs a-lookin' f'r him.” “Yes, an’ them same fifty sheriffs ain't none too dern’d anxious t' find "Im. He's a bad man with a six-gun. 1" 27 Myzng- “That's Jist What 1 Mosey’'d Up ¢ Talk About,” He Lowered His Voice. “That Was Black Bogus.” / be Ken Colin—-that I don't do know he's Black Bogus. I run afoul of 'Im three year back, down Vincennes way. It wus when" The hard, He may know-—but 1 breathed up over his fisherman passed his stopped, hand into the gathering night. hunter studied him covertly. More innate delicacy of the had restrained him. “Calc’late you wus when ’e swarmed in?” Counterman turned; felt along the edge of the porch floor with his hands, “I "low I werdn't no worse su'prised than he'd 'a’ be'n #f he ’'a’ saw me. But I happened t' be back in the cor- ner b’hind the crowd-—an’ It's a, good thing I were. | dasn’t come face t' face with Black Bogus. He tricked me once; he won't trick meé no more” — the old hunter saw the weather stained fist of the fisherman grip tight ; heard his lanky Jaws clamp to- gether: watched him instinctively hitch the holster of his long-barreled six-gun to an easier position at his hMp—"an’ I've already got enough blood on my hands over-—" He stopped abruptly and again sat staring Into the night, The man was a mystery. He had come to Buckeye as the driftwood comes—nobody knew from where. He paid his way, fisked no questions, an- swered none. In the silence that fell Unele Nick sat pondering him—what his life story might have been. The fisherman roused himself after & moment and went on. “What crosses my path is, how 'e come t' be there, p'tic’lar how ‘e hap- pened t' come out 8 bold specially if ‘e ‘Is the man you think 'e Is. It ain't his way. He never would ‘a’ done it if it badnt 'a’ be'n f'r Zeke Polick’s squirl whisky,” He straightened, glanced around at his aged friend, and had the light been sufficient, the old man might have seen that the twinkle, never long absent from the doubly capable eye, had returned. “Big Jack an’ the parson shore did show ‘im a good time—while ‘e lasted.” Uncle Nick grinned. “That parson-—lord! I ain't ben ¢' church In fifty year, but I'm cale'latin’ on goin' next Sund’y. If that parson can outface the devil the way he out- faced that hulkin’. chuckle-head, he ain't no bad man t hitéh up with” “re only hopin',” Counterman went on, “Big Jack—an' the parson, too, f'n some su'prised By: DAVID ANDERSON Author of “The Blue Moon” Copyright by The Bobbs-Merrill Co, HmunnnnG a «sarang puzzled expression touched his face again—*"“got a bellyful las’ night. He ain't honein’ f'r no more, I'm bettin’ m' bettom dollar 'e ain't.” “I dunno,” Counterman pursued. “He's a bad lot. Ther’ ain't a worse man the length o' the Wabash, An’ then there's Loge Belden they say moved In the ol' eabin up Eagle holler last week with 'is sister, “Cordwood—huh—he ain't no more a wood chopper than I be. He's a river man. Come f'om the K'ntucky moun- tains In the first place, an’ usen t’' he a pearl fisher till they run 'im off'n the river. I never knowed Loge, that Is, what y'u might say pers'n’ly. I never see'd "Im till "e tangled with Big $ack In the post office t' other evenin’, but I knowed 'Is sister, not the one that's with 'lm now but the—other one-—the one that's—dead-—" The fiserman bent his head and his voice fell low, finally stopped. “Black Bogus is an old pal o Loge's” he went on after a time. “Woulin't wonder he's harborin’ up thar, an’ If 'e is, why is 'e? An’ what are they both—'r either one of 'em— doin’ up hyur In the Flatwoods? Hit lopks t' me” —he bent toward his com- panion—"they've got the'r eye on ol’ Sime Colin.” Uncle Nick sat thoughtfully fum- bling his chin, “That'd leave Ken out,” he mused “He wouldn't 'a’ fell that low. Any- how, ther's lots o' folks that looks like other folks.” Counterman thought a moment before he spoke again, “Black Bogus' game [8 counter- r'itin’, but he’s got the guts fr any- thing; an’ Loge's or'nm'ry enough fr any dirt.” Ther’ ain't nothin' I'd put aspast 'lm. He's done time twice't a'ready, an' would be doin’ it right now if It werdn't f'r 'Is sister. Thar's one good gal—as different fom Loge as the devil fon Sund'y. Hit's Loge's one good p'int—he thinks a heap of ‘Is “Well,” commented Uncle Nick with his slow drawl, as the other paused, “hit might be the makin’ of ol' Sime it somebody could manage t' pry a dollar 'r two off'n him, an’ as fr Big Jack, I 'low ther’ ain't none of ‘em honein' f'r more truck with him” He chuckled complaisantly, sibly fancying that had particularly neat and unanswerable finish to the argument. “That ain} it,” Counterman pur sued, “Black Bogus an’ Loge are both the kind that strikes in the dark.” “Thunder !" Uncle Nick's shoulder jerked away from the porch post, and the fisher- man caught the glitter of his deep-set eyes in the twilight. pos- he m'self. Dunno but what I'll peel an eye on that cabin up the erick” The old ranger sat erect and rest. less, drumming with his fingers on the porch floor and looking away across the narrow mouth of Eagle tumbled ramparts up eastern sky. The clatter in the kitchen ceased, Aunt Liza's still sprightly, vastly posi. tive step came across the cabin floor, and a moment later the creak of her rocking chair joined the droning cho- rus of the beetles. .- “Wonder what Big Jack thinks o the way. the parson’s a-cuttin’ around Is gal?” Counterman mused. “An’ her the best prize In the Flatwoods, even if she didn't have a cent.” Uncle Nick fumbled out his pipe, knocked it on the edge of the porch floor, and filled and it it, “I knowed 'is father, Col. David Warhope, when ‘e first come t' the Flatwoods up'rds of eighteen years back, an’ 1 knowed ‘is .grandfather, Old Cel. David Warhope. I fit Te cumseh dn' the Prophet under the gran'father. The homestead wns a present t' him f'om Gen. Andrew Jack- son. OF Colonel David an' young Colonel David, they wus both fine, up- standin’ men, soldiers every inch, an’ Big Jack's like 'em. Hit's too bad the hofiestead had t be lost t' ol' Sime, an’ the boy bound out to ‘Im. But even so, he'd make a heap sight more fitfin’ man fr a Flatwoods gal than that hump-backed, squinty-eyed parson. Beats the devil the headway He's a-makin’ with ‘er. I wouldn't 'a’ thoughts" “No good'll come ot it,” broke in the acid tones of Aunt Liza. “Didn't ¥'u see 'ls ecarryin’s on with ‘er at the sociable las’ night? Blg Jack ain't go'n' t' be a bound bey f'rever. She'll rue the day she draps a fine lad like him an’ takes up with a furriner.” “Aw, Liza," drawled Uncle Nick, “the parson ain't no furriner he's a college pr'fessor.” “Don’t talk to me,” snapped the tart voice. “I reckon 1 know what I see with m’ own eyes. Mind what 1 tell ¥'u, she'll rue It, an’ so'll Sime Colin a-lettin’ ‘lm harbor around like that, don't keer If 'e did go t' school with Ken, “I bet y'u if ‘er mother wus livin’ ther’ wouldn't be no sich goinson. 1 dunno what of Sime ean be thinkin’ about-—nothin® but money In’ an’ lan’ grabbin’, I reckon. If I had a gal, I'd no more think o' lettin’ ‘er " harbored up with a teetotal furriner that-a-way-hubh—I'd no more think o' lettin’ ‘er than I'd think o' takin wings % against the and flyin’ t' Ingland. There ain't no sense." “Aw, don't be too hard on the par- «on"” Interrupted Uncle Nick with a chuckle, “I reckon 'e won't eat ‘er. “Huh!” snorted the volce, in ulti mate contempt. “What d' you know about raisin’ gals? Cayn't see an inch ahead o' y'ur nose. Hyur we set, In our old age, bar'ly able t' keep soul, an’ body t'gether, when we might 'a’ tuck our pick an’ cholce—an’ me a dingin’' it into y'u f'om daylight t’' dark Jist how it'd be, too.” “Oh, well, Liza” the old man re Joined, In tones more serious, “don't throw It up to a man b'cayse 'ls fore sight ain't as good as ‘is hindsight, You might 'a’ done worse. 1 hain't never be'n in jail yit, an’ you hain't never be'n in the porehouse” The dim figure rocked a while In silence, “Gals is gittin® e'en a’'most too high falutin' these days,” she re sumed, though in a milder voice. “Bound 'r free, Big Jack's a-plenty good enough f'r Texle Colin, the best breath she ever drawed, with all ‘er money an’ good looks. “Use'n t' be a gal could git along | with one beau, but now'days—huh— they ain't sadisfled 'less'n they've got two ’'r three a-tralpsin’ after ‘em. Things Is comin’ to a purty pass - that's what I say—to a purty pass. If a gal ain't sadisfled with one beau at a time, how in the name o' sense can | ¥'u expect 'er t’' be sadisfled with one i husban’ at a time?—now there's the | business of it, I-jeeminy ™ The alr of hard finality with whieh | the grim Hps' were pursed up and twisted around toward -the righ* ear, the crisp positiveness with which the words were uttered, almost made the twilight seem to crackle, like stiff parchment being folded gfter the reading of some weighty mandate, Counterman dropped an arm across his knee and sat very still. ase Af afraid the slightest sound might touch oft again that halir-frigger tongue: Uncle Nick looked away toward Black Rock : the bats darted about In the dim half Hght, intrepidly threading the bewil- dering labyrinth of fruit trees: a cricket at the corner of the porch tried to match the creak of Aunt Liza's rocking chair, —— CHAPTER X Warning of the Frogs. While the cricket earried squeaking contest with Aunt rockipg chair, Jack Warhope, in the tiny eabin at the homestead, sat read ing by the candle on the small center table—studyiug would be a truer word, for the book was Professor Asa Gray's celebrated “Manual of Botany.” i The breath of the trees came down over the cliff, caught and rustied the ¢ on his Liza's then the countryside settled still: the words of the book blurred, dimmed, faded away, and from the transfigured page there looked out at him a face with laughing eves, A trim slim figure flitting with un- consclous grace across the lawn to where a tall, suave, profoundly bowing man awaited by the rustic seat under the great maple at Whispering spring, crossed his mind—and the face was gone, He lald the book aside; blew out the candle; turped his chair and sat staring into the fire, still faintly alive and fast waning, behind the open hearth of the cook stove. A stick TA My arg Studying Would Be the Truer Word, for the Book Was Professor Asa Gray's Celebrated Manual of Botany, burned in two, fell Into the coals and stirred out a tiny shower of sparks. A bright little blaze flared up, danced over the walls and time bers of the cabin, glinted upon the sword and spurs hanging under the companion. pictures beneath the draped flag. . (TO BE CONTINUED.) EE ———— Grass Hammocks. v Hammocks made of grass or fiber were In comuion use among the Carthy bean Indiane when Columbus Maeov: ered Ameren, RS ————— TH You can always spot an er pe. ‘ht hy Sin wuperiny uly Slim, Straight Is New Frock Slogan Garments Lend Themselves | to Treatments That Are Interesting. Slim and exceedingly straight in Hne 48 so many of the new frocks are, nevertheless they. lend themselves to varied ‘treatments, as Interesting as | they are novel, notes a fashion iter | In the Kansas City Star. Since tor! many people an absolutely unbroken | Hne Is apt to be a bit trying, certain de- | tails are Introduced which relieve a too | straight line, but do not detract from the essential slenderness. » A circular flounce attached to a long, slim frock is one of the most effective means of breaking the line, This flounce Is of fum trimmed to match i the rgsult Is an ensemble of distinction, The importance of brown is stressed In the nodes of midwinter. The ma- | Stylish Three-Picce Suit, Copper Caracul particularly flattering tone. The fur on the sleeves and forming the flounce Is benver, while an note of contrast is added by narrow bands of dull gold galloon arranged to form a decoration on the skirt and to suggest a belt just neross the front of the dress. With this costume Is worn one of the new high-erowned hats which milliners have Introduced In the hope of ousting It is of black plush, with a small brush or- | right. Several of these hats have ap- | side. whigh gives a becoming and flat- | tering Iie The tiered dress still remains one of | the standbys’ of fashion. Because It | can he worn only by certaln types it | 3 i % Here Is shown a charming thres- NEED BUILDING UP? If You have Coughs or Colds nl his this Advice Pittsburgh, Pa.—*"1 have taken & great deal of Dr. Plerce’s Golden Medical Discovery and consider it a very essential family medicine, I find it very beneficial as a tonic and blood purifier, and sometime ago I suffered with liver trouble, my sys- tem seemed entirely out of order, 80 I took the ‘Golden Medical Dis- covery’ and it drove all the im- purities out of my system and built me up in a perfect condition. I also find the ‘Discovery’ excellent to tale in cases of deep-seated ecoug colds.” — Albert Jennewine, 4 Hemlock St. As soon as you start to take this “Discovery” you begin to feel its bracing, appetizing effect. Buy of your neighborhood drug store in tablets and liguid. for the waistcoat and for the founda- tion of the skirt, upon which fiat flounces of velvet are mounted. The sleeves show a similar treatment. Dull gold gallapn forms a belt, with long ends brought down to the bottom of the skirt, If one prefers a less expensive fab- ric this frock would be equally pretty made of velveteen, which now lovely colors, ns ————————— in Fashionable Shops Quantities of ornaments, clasps, buckles and large trimming motifs are in the fashionable shops. Case after case holds a display of amazing whaps or gowns some for few on which is not used to hold serve as a fastening, Of enamel, the drapery or to or imitation, are e and scarlet, ivory and metal, slones | flowers are made ilants, with tassels They Pp of showy clasps, ox whit amber, de, topaz, set with colored Arge conventionn of pearis and bril and fringe of the worn usually over ning dress, metal and gay Some are simpler, is almost without ben in, one hi an eve of these, done in colors, are bizarre, and thelr assortment Himit, Some i The Fur dn the Sleeves and Forming | the Flounce ls Beaver. i has not become too popular. Since a frock of this kind must be ve ry care fully cut, It naturally possesses a dis- tinction not to6 be found In mediocre styles. For young siim figures it Is ad- mirable, which no doubt accounts for! the fagt that In every collection of | models designed for the debutante or | | her younger sister there Is sure to be | Nothing could be more charming | than the little frock, which in its sim. | plicity is perfect. Brown velvet is the | material much chosen for its fashion. Ing, with blege crepe de chine used Used on Chic Garments Not so long ago one beard that em- that its vogue was and that no woman of fashion would dream of appearing in the flam- buoyant embroideries that dominated the fashions of the season just past. True enough In one sensc. for the day | of crude, vulgar embroideries Is past, {but the day of intricate, exquisite ex- {amples of the needle worker's skill is | he sre and few things exceed In beauty | the embroideries of the present season. They reveal a marvelous sense of { delicacy of the design, and 3 knowl | edge that is the result of years of | study of the handwork of many eras {and many nations. Black Velvet Frock, A black velvet gown of undeniable charm, has narrow bands of ermine outlining the short sleeves and a large bow of the ermine lined with binck velvet at one side, Three-Piece Costume ! Chic for Schoolgirl An attractive fashion of the moment for schoolgirls, observes a fashicn writer In the Kansas City Star, is a three-piece costume which consists of a straight one-piece dress of plaid wool In small patterns and attractive eolor combinations, and a coat or slip over blouse of black or dark green vel- veteen, In spite of the fact that go brocades and embossed velvets of —_- tured conspicuously in fabric displays, there is a tendency on the part of the smartest women to keep to the slim straight frocks of heavy flat crepe which are given individuality and dis tinction by clever detalls and by Inter esting motifs of embroidery. Chiffon nlso holds its own and a number of the most attractive new terial .In brililant colors and shaded effects, One finds that a great deal of em- phasis is laid upon all shades of red, with green running a close second In feminine favor. There is less black worn for evening than In the earlier part of the season when the black evening gown was a distinct favorite. When It does appear it is almost In variably mgde of velvet with touches of crystal embroidery. Green and silver le a ‘color combina: cons. Tie aress itseit is jade geen flat crepe with elreular motifs embroidered in silver thread with here and there a» wlitter of brilllants. The sash of tiurker green chiffon velvet extends , . left side Into ® graceful train drapery. Jade earrings and necklace complete the color effect. This Is the time when the woman who has looked with longing eyes at a particular suit or frock which was just a bit beyond her pocketbook will fre quently come upon a similar model marked at a price that puts It within her reach. as | Hooked Sports Coat Is Made Like Coarse Rug In the handwork of our great-grand- mothers is the Inspiration for some of the most interesting and smartest dee- orations of the present season. Within the last few years thers has been an awakened interest in hooked rugs and women who have not been able to af- ford the antique rugs Have painstake ingly copled the old patterns and made the rugs themselves, Not content with that, they have ap- plied this same process of hooking to other articles for the home, and the table runners and cushion tops done in this form of needlework are really lovely and decidedly unique. The crowning stroke of sartorial genius, however, Is revealed In a sports coat made entirely of wool and hooked just again In a new winter t wrands ave long and stragely When waved Slowly bo grasuluiiy in the they form a The Idle Word. An idle word may be seemingly harmless In Its utterance. but let it be fanned by passion, let it be fed with the fuel of misconception, of evil in- tentdon, or prejudice, and it will soon grow into a sweeping fire that will melt the chains of human friendship, that will burn to ashes many cher- ished hopes, and blacken more fair names than one, WOMEN CAN DYE ANY GARMENT, DRAPERY Dye or Tint Worn, Faded Things New for 15 Cents. Diamond Dyes Don't wonder whether you can dye because perfect mond Dyes” even If you have never —————————————— Electrical Incustry Grows, 1 spite of the tremendous strides of the gas industry today employs five times as many men and twenty times as much capital as in 1880, DEMAND “BAYER™ ASPIRIN Take Tablets Without Fear if You See the Safety “Bayer Cross” Warning! Unless you see the name “Bayer” on package or on tablets you Aspirin proved safe by millions and prescribed by physicians for 23 years. Say “Rafer” when you buy Aspirin. 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