HIGIIACNES COLLEGIAN The New Potilwit Jazz continued It is difficult to see s nevertheless, how the two external conditions conducive to jazz (informal atmosphere and close Immunity of feeling between players and xdience), Which we have already discussed, even be approximated today, Undoubt. • Some new adjustment and balance iiAbe Made. The mere presence of these • o conditions will not s of course s !ps7ale the continuation of lulu There too many other factors iontilved in growth of an arts inclUding the in.' uloulable one of personal genius, to • expressed in neat formUlaso „*„*.4l,4l.,*•*•*•*•*•*,*.*********,ll.4,oli. IPAGUE GALLERY SHOWS N.A.Y O3LLECTTON he Hazleton Art League there it now A ccaleCtion of greater value and impor— ae than Hazleton has ever before seen. collection is that of Mr. George ' talented musician s conductor, and - cilposer, and native of U 11450 40 Penna. May" began collecting art treasures 1 912 and since then has built up a r)llectian of 54 masterpieces, : . e - r:viaps the most imposingaimgle piece 6he collection is Vincent Van Gogh's , 4aient alive Tree, St. Reny." The size and heavy textures along with 7a4 Goghts recognised ability to bring :2.nFLahnate objects to life gives this .il,.6ure great strength and vitality. 14nmg other impotrtant contempotariegi of va Gogh included in this exhibition are ndo-.Ard Monet, Claude Monet, Paul Cezanne, Logcate Gauguin, and Camille Piesaro. The example of Claude Monet's genius shown is one of his many versions of Me Rock of Etretatott This work is pa.7 4 .l.l l 4eirlynotolorthy in that it represents 'he French movement toward the return 4aturs as opposed to the lifeless technique of the old masters. Pisarro's ”Moret.isursoLoringe mother example of this delightful 71Qrk(ia =mement o A third Fremzih impres— .7.laaist whose work is particularly fi! . e LI vow costelogi‘cil jam •Qattiblityck, is FRIDAY CCTOBEL,S) Edgar Degas. His " - Portrait of Lucien de Gas" shows his little known ability to accure)ely portray the character and personality of his portrait slibbee, , , :-.- li The most noteworthy Amerioam piece is Mantic Tobey l 3 "Portrait of George May , ' pa Lilted in 1921, M o Tobey, one of AmetrizaTa best known painters, is quickly coming to the floor in the field of modern Art.; Another American artist represented ts George Impes t whose nandgiCapen'AS delightful it filmy iMaginatite, impressioniiitic style. Other notable American artists ineltded, are JElMee r Whistlet# Winslow SOmer, and John Singer Sargent, The older schools of art are just as wei represented in the collection as the "moderns sehoOls• Among the Rorke of the Italian school are a remit°, gola4 a Titian, and a Tintoretto‘ However : most impressive painting 4 this sehoo:4, to the reviewer is Miehelsngelo Amprigh4 da Caravaggio"s "St. James Major/ It is particularly noteworthy because of . its highly contrasting contours of light and dark, An impressive name on the progrmn is tha of Rembr*hdt. His 'ISO! Poittait" iE typisal of hilt style, but it is not particularly imposing. In the English school,- Thomas Gainshorout "Pastoral Landscape with Figures and ant! is as aedicklous as its mediocre title is tb the reviewer. However this painting may have its fine points, even though they are not apparebt to me. From the realm of English portraiture comes Thomas Lawrence and his "Portra_t of Miss Sterling as Flora." Miss Sterling looks very sic and the dime background does nothing to improve he r. coloring. The genius of JA4Turter by far outshine: the wOrks of all his countrymen represw here• It is unfottunate that one of his larger paintings is not in the gallery, but even his quite small OGYPeteso shows hie ability to trasapose
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