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SHORTY
Hey Rock. Where'd you fmd this guy? He's a Met fan
ROCCO
Shut the f**k up! (pointing at Shorty) So am I. Now where's the camera?
800
Shorty had it
SHORTY
I think it's in my coat. She gave it to me when we picked her up last night
ROCCO
You think? . . . Get it
CHRISTIE
Shorty begins searching for the camera in his coat pocket. Rocco is getting annoyed.
What are you doing?
SHORTY
It disappeared
i M f Mffl
ROCCO
I'm going to make you disappear if you don't find it, you f**king crackhead. I'm not
f**king around here.
JOHNNY
Come on Shorty . . . Don't embarass me here
SHORTY
We'fl find it, don't worry
ROCCO
I'm not worried. You better be
Johnny looks at Shorty and shakes his head. Rocco walks away.
JOHNNY
If you don't find that camera, you know there's nothing I can do for you
SHORTY
Don't worry Uncle Johnny . . . I'll find it. I'll find it
JOHNNY
Just do the right thing . . . heh?
Johnny slaps Shorty on the side of his face lightly. Shorty nods his head.
CUT TO: INTERIOR. GLENN'S APT. LATER
Episode two intro
duced unsavory
gangsters 800,
Shorty and Rocco.
While Glenn and
Christie argued
over Glenn's
career choices,
the gangsters
noticed that the
camera isn't in
their possession.
Christie is holding the camera in her hand and staring at it.
CHRISTIE
I wonder what's on it?
GLENN
Probably just some tourist's pictures. You know the Statue of Liberty, the Empire State
Building . . .
CHRISTIE
What if there's something cool on it?
GLENN
Then maybe I'll win that Pulitzer Prize, you know, in photography
CHRISTIE
Ha, ha, ha. Are you going to develop it?
GLENN
If I have the time. I'm swamped
The phone RINGS. He gets up and answers it
GLENN
Hello . . . Yes, I'm going to develop those right away . . . I think they should be fine
I really think I got the shot . . . absolutely . . I'll bring them to you as soon as I'm
finished . . Good-bye.
He hangs up the phone, grabs film canisters from his bag and heads for the dark
room. Out of the corner of his eye he notices the camera on the coffee table. He thinks
a moment. He backs up, grabs it, and opens the door to the dark room. Christie is lay
ing on the couch watching "Soul Train." Al Green is on.
GLENN
I've got to develop these and get them to the office
CHRISTIE
You're kidding right? It's Sunday
GLENN
I know, I know. I really don't have much of a choice
CHRISTIE
You know, I didn't move in with you to live by myself. We were supposed to hang out
today.
GLENN
I'm sorry. This shouldn't take too long. We'll go out later.
CHRISTIE
Right, never mind . . I'll just spend the day by myself, as usual
GLENN
Whatever.
Glenn heads into the dark room and slams the door.
Christie looks up, she's pissed off
What images will Glenn uncover when he
develops that film?
Are Glenn and Christie in danger?
Stay tuned for the continuing saga . . .
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